UPC · Release
The Legacy, Vol. 3
Sergio Fiorentino
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5028421976983 is the Universal Product Code (UPC barcode) for the release “The Legacy, Vol. 3” by Sergio Fiorentino, released 2025-04-07. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 89 tracks, each with its own ISRC. Tracks include NLY332500368, NLY332500369, NLY332500370.
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Track List (89)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mephisto Waltz no. 1, S. 514 | Sergio Fiorentino | — | |
| 2 | 5 Ungarische Volkslieder, S. 245: I. Lassan (lento) | Sergio Fiorentino | — | |
| 3 | 5 Ungarische Volkslieder, S. 245: II. Allegretto | Sergio Fiorentino | — | |
| 4 | 5 Ungarische Volkslieder, S. 245: III. Lassan (andante) | Sergio Fiorentino | — | |
| 5 | 5 Ungarische Volkslieder, S. 245: IV. Lebhaft, Humoristisch | Sergio Fiorentino | — | |
| 6 | 5 Ungarische Volkslieder, S. 245: V. Lento | Sergio Fiorentino | — | |
| 7 | Années de Pèlerinage II, S. 161: I. Sposalizio | Sergio Fiorentino | — | |
| 8 | Piano Concerto no. 1 in E‐flat major, S. 124: I. Allegro maestoso | Sergio Fiorentino, Hamburg Pro Musica, Erich Riede | — | |
| 9 | Piano Concerto no. 1 in E‐flat major, S. 124: II. Quasi adagio‐allegretto vivace | Sergio Fiorentino, Hamburg Pro Musica, Erich Riede | — | |
| 10 | Piano Concerto no. 1 in E‐flat major, S. 124: III. Allegro marziale animato | Sergio Fiorentino, Hamburg Pro Musica, Erich Riede | — | |
| 11 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai‐allegro agitato assai | Sergio Fiorentino, Guildford Philharmonic Orchestra, Vernon Handley | — | |
| 12 | Piano Concerto no. 2 in A major, S. 125: II. Allegro moderato‐allegro deciso | Sergio Fiorentino, Guildford Philharmonic Orchestra, Vernon Handley | — | |
| 13 | Piano Concerto no. 2 in A major, S. 125: III. Marziale un poco meno allegro‐un poco animato | Sergio Fiorentino, Guildford Philharmonic Orchestra, Vernon Handley | — | |
| 14 | Piano Concerto no. 2 in A major, S. 125: IV. Un poco piu mosso‐allegro animato | Sergio Fiorentino, Guildford Philharmonic Orchestra, Vernon Handley | — | |
| 15 | Polonaise brillante, op. 72 (arranged for piano and orchestra by Liszt) | Sergio Fiorentino, Guildford Philharmonic Orchestra, Vernon Handley | — | |
| 16 | Liebestraum no. 3 in A‐flat major, S. 541 | Sergio Fiorentino | — | |
| 17 | Paganini Study no. 3, La campanella, S. 141 | Sergio Fiorentino | — | |
| 18 | Études d’exécution transcendante, S. 139 : VI. Vision | Sergio Fiorentino | — | |
| 19 | Hungarian Rhapsody no. 15 “Rákoczy March”, S. 244 | Sergio Fiorentino | — | |
| 20 | Hungarian Rhapsody no. 8 | Sergio Fiorentino | — | |
| 21 | Hungarian Rhapsody no. 12 | Sergio Fiorentino | — | |
| 22 | Ballade no. 1 in D‐flat major, S. 170 | Sergio Fiorentino | — | |
| 23 | Ballade no. 2 in B minor, S. 171 | Sergio Fiorentino | — | |
| 24 | Harmonies poétiques et religieuses, S. 173 : VII. Funérailles | Sergio Fiorentino | — | |
| 25 | Mephisto Waltz no. 1, S. 514 (2) | Sergio Fiorentino | — | |
| 26 | Prelude, op. 3: II. Lento in C‐sharp minor | Sergio Fiorentino | — | |
| 27 | 10 Preludes, op. 23: I. Largo in F‐sharp minor | Sergio Fiorentino | — | |
| 28 | 10 Preludes, op. 23: II. Maestoso in B‐flat major | Sergio Fiorentino | — | |
| 29 | 10 Preludes, op. 23: III. Tempo di minuetto in D minor | Sergio Fiorentino | — | |
| 30 | 10 Preludes, op. 23: IV. Andante cantabilel in D major | Sergio Fiorentino | — | |
| 31 | 10 Preludes, op. 23: V. Alla marcia in G minor | Sergio Fiorentino | — | |
| 32 | 10 Preludes, op. 23: VI. Andante in E‐flat major | Sergio Fiorentino | — | |
| 33 | 10 Preludes, op. 23: VII. Allegro in C minor | Sergio Fiorentino | — | |
| 34 | 10 Preludes, op. 23: VIII. Allegro vivace in A‐flat major | Sergio Fiorentino | — | |
| 35 | 10 Preludes, op. 23: IX. Presto in E‐flat minor | Sergio Fiorentino | — | |
| 36 | 10 Preludes, op. 23: Largo in G‐flat major | Sergio Fiorentino | — | |
| 37 | 13 Preludes, op. 32: I. Allegro vivace in C major | Sergio Fiorentino | — | |
| 38 | 13 Preludes, op. 32: II. Allegretto in B‐flat minor | Sergio Fiorentino | — | |
| 39 | 13 Preludes, op. 32: III. Allegro vivace in E major | Sergio Fiorentino | — | |
| 40 | 13 Preludes, op. 32: IV. Allegro con brio in E minor | Sergio Fiorentino | — | |
| 41 | 13 Preludes, op. 32: V. Moderato in G major | Sergio Fiorentino | — | |
| 42 | 13 Preludes, op. 32: VI. Allegro appassionato in F minor | Sergio Fiorentino | — | |
| 43 | 13 Preludes, op. 32: VII. Moderato in F major | Sergio Fiorentino | — | |
| 44 | 13 Preludes, op. 32: VIII. Vivo in A minor | Sergio Fiorentino | — | |
| 45 | 13 Preludes, op. 32: IX. Allegro moderato in A major | Sergio Fiorentino | — | |
| 46 | 13 Preludes, op. 32: X. Lento in B minor | Sergio Fiorentino | — | |
| 47 | 13 Preludes, op. 32: XI. Allegretto in B major | Sergio Fiorentino | — | |
| 48 | 13 Preludes, op. 32: XII. Allegro in G‐sharp minor | Sergio Fiorentino | — | |
| 49 | 13 Preludes, op. 32: XIII. Grave in D‐flat major | Sergio Fiorentino | — | |
| 50 | 32 Variations in C minor, WoO 80 | Sergio Fiorentino | — | |
| 51 | Piano Sonata no. 2 in B‐flat minor, op. 35: I. Grave – Doppio movimento | Sergio Fiorentino | — | |
| 52 | Piano Sonata no. 2 in B‐flat minor, op. 35: II. Scherzo | Sergio Fiorentino | — | |
| 53 | Piano Sonata no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento | Sergio Fiorentino | — | |
| 54 | Piano Sonata no. 2 in B‐flat minor, op. 35: IV. Finale. Presto | Sergio Fiorentino | — | |
| 55 | Piano Concerto no. 21 in C major, K. 467: I. Allegro maestoso (cadenza by Fiorentino) | Sergio Fiorentino, The London Mozart Ensemble, Mervyn Vicars | — | |
| 56 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Sergio Fiorentino, The London Mozart Ensemble, Mervyn Vicars | — | |
| 57 | Piano Concerto no. 21 in C major, K. 467: III. Allegro vivace assai (cadenza by Fiorentino) | Sergio Fiorentino, The London Mozart Ensemble, Mervyn Vicars | — | |
| 58 | Piano Sonata no. 23 in F minor, op. 57: I. Allegro assai | Sergio Fiorentino | — | |
| 59 | Piano Sonata no. 23 in F minor, op. 57: II. Andante con moto (attacca) | Sergio Fiorentino | — | |
| 60 | Piano Sonata no. 23 in F minor, op. 57: III. Allegro non troppo – Presto | Sergio Fiorentino | — | |
| 61 | Chromatic Fantasy and Fugue in D minor, BWV 903 | Sergio Fiorentino | — | |
| 62 | Italian Concerto in F major, BWV 971: I. (Without Tempo Designation) | Sergio Fiorentino | — | |
| 63 | Italian Concerto in F major, BWV 971: II. Andante | Sergio Fiorentino | — | |
| 64 | Italian Concerto in F major, BWV 971: III. Presto | Sergio Fiorentino | — | |
| 65 | Organ Prelude and Fugue in D minor, BWV 532 (transcribed Busoni, arranged Fiorentino) | Sergio Fiorentino | — | |
| 66 | Chaconne in D minor from Partita no. 2, BWV 1004 (transcribed Busoni, arranged Fiorentino) | Sergio Fiorentino | — | |
| 67 | Piano Sonata no. 8 in C minor, op. 13: I. Grave – Allegro di molto e con brio | Sergio Fiorentino | — | |
| 68 | Piano Sonata no. 8 in C minor, op. 13: II. Adagio cantabile | Sergio Fiorentino | — | |
| 69 | Piano Sonata no. 8 in C minor, op. 13: III. Allegro | Sergio Fiorentino | — | |
| 70 | Piano Sonata no. 14 in C‐sharp minor, op. 27/2: I. Adagio sostenuto | Sergio Fiorentino | — | |
| 71 | Piano Sonata no. 14 in C‐sharp minor, op. 27/2: II. Allegretto – Trio | Sergio Fiorentino | — | |
| 72 | Piano Sonata no. 14 in C‐sharp minor, op. 27/2: III. Presto agitato | Sergio Fiorentino | — | |
| 73 | Piano Sonata no. 21 in C major, op. 53: I. Adagio sostenuto | Sergio Fiorentino | — | |
| 74 | Piano Sonata no. 21 in C major, op. 53: II. Introduzione. Adagio molto | Sergio Fiorentino | — | |
| 75 | Piano Sonata no. 21 in C major, op. 53: III. Rondo. Allegro moderato – Prestissimo | Sergio Fiorentino | — | |
| 76 | Ein Faschingsschwank aus Wien, op. 26: I. Allegro. Sehr lebhaft | Sergio Fiorentino | — | |
| 77 | Ein Faschingsschwank aus Wien, op. 26: II. Romanze. Ziemlich langsam | Sergio Fiorentino | — | |
| 78 | Ein Faschingsschwank aus Wien, op. 26: III. Scherzino | Sergio Fiorentino | — | |
| 79 | Ein Faschingsschwank aus Wien, op. 26: IV. Intermezzo. Mit größter Energie | Sergio Fiorentino | — | |
| 80 | Ein Faschingsschwank aus Wien, op. 26: V. Finale. Höchst lebhaft | Sergio Fiorentino | — | |
| 81 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen – Kuriose Geschichte – Hasche‐Mann Bittendes Kind – Glückes genug – Wichtige Begebenheit – Träumerei | Sergio Fiorentino | — | |
| 82 | Kinderszenen, op. 15: VIII. Am Kamin – Ritter vom Steckenpferd – Fast zu ernst – Fürchtenmachen Kind im Einschlummern – Der Dichter spricht | Sergio Fiorentino | — | |
| 83 | Carnaval, op. 9: I. Préambule – Pierrot – Arlequin – Valsenoble – Eusebius – Florestan – Coquette Réplique – [Sphinxes] – Papillons – A.S.C.H. – S.C.H.A. (Lettres dansantes) – Chiarina | Sergio Fiorentino | — | |
| 84 | Carnaval, op. 9: XII. Chopin – Estrella – Reconnaissance – Pantalon et Colombine – Valse Allemande Paganini (Intermezzo) – Aveu – Promenade – Pause – Marche des ‘Davidsbündler’ contre les Philistins | Sergio Fiorentino | — | |
| 85 | Arabeske in C major, op. 18 | Sergio Fiorentino | — | |
| 86 | Symphonic Etudes, op. 13: Theme – Etude I – Etude II – Etude III – Etude IV – Etude V – Etude VI – Etude VII | Sergio Fiorentino | — | |
| 87 | Symphonic Etudes, op. 13: Etude VIII – Etude IX – Etude X – Etude XI – Etude XII (Finale) | Sergio Fiorentino | — | |
| 88 | Variations on a Theme of Paganini, op. 35: Book I. Theme, Variations 1–14 | Sergio Fiorentino | — | |
| 89 | Variations on a Theme of Paganini, op. 35: Book II. Variations 1–14 | Sergio Fiorentino | — |
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What is UPC 5028421976983?
5028421976983 is a Universal Product Code (UPC) assigned to The Legacy, Vol. 3 by Sergio Fiorentino. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 89 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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