UPC · Release
Johann Sebastian Bach
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5028421993614 is the Universal Product Code (UPC barcode) for the release “Bach Edition, Volume 2: Vocal Works/Vokalwerke, Volume I” by Johann Sebastian Bach, released 2000-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 86 tracks, each with its own ISRC. Tracks include GBEJP0604401, GBEJP0604402, GBEJP0604404.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass in B minor, BWV 232: Kyrie: Chorus: Kyrie eleison | Orchestra of the Sixteen, Harry Christophers | T-310.777.003-2 | |
| 2 | Mass in B minor, BWV 232: Kyrie: Duet (soprano I & II): Christe eleison | Orchestra of the Sixteen, Harry Christophers | — | |
| 4 | Mass in B minor, BWV 232: Gloria: Chorus: Gloria in excelsis Deo | Orchestra of the Sixteen, Harry Christophers | T-306.483.198-3 | |
| 5 | Mass in B minor, BWV 232: Gloria: Chorus: Et in terra pax | Orchestra of the Sixteen, Harry Christophers | — | |
| 6 | Mass in B minor, BWV 232: Gloria: Aria (soprano II): Laudamus te | Orchestra of the Sixteen, Harry Christophers | — | |
| 7 | Mass in B minor, BWV 232: Gloria: Chorus: Gratias agimus | Orchestra of the Sixteen, Harry Christophers | — | |
| 8 | Mass in B minor, BWV 232: Gloria: Duet (soprano I, tenor): Domine Deus | Orchestra of the Sixteen, Harry Christophers | — | |
| 9 | Mass in B minor, BWV 232: Gloria: Chorus: Qui tollis | Orchestra of the Sixteen, Harry Christophers | — | |
| 10 | Mass in B minor, BWV 232: Gloria: Aria (alto): Qui Sedes ad dexteram Patris | Orchestra of the Sixteen, Harry Christophers | — | |
| 11 | Mass in B minor, BWV 232: Gloria: Aria (bass): Quoniam to solus Sanctus | Michael George, Roger Montgomery, Orchestra of The Sixteen, Harry Christophers | — | |
| 12 | Mass in B minor, BWV 232: Gloria: Chorus: Cum Sancto Spiritu | The Sixteen, Orchestra of The Sixteen, Harry Christophers | — | |
| 2-1 | Mass in B minor, BWV 232: Credo: Chorus: Credo in unum Deum | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-2 | Mass in B minor, BWV 232: Credo: Chorus: Patrem omnipotentem | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-3 | Mass in B minor, BWV 232: Credo: Duet (soprano I, alto) Et in unum Deum | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-4 | Mass in B minor, BWV 232: Credo: Chorus: et incarnatus est | Orchestra of the Sixteen, Harry Christophers | T-306.483.194-9 | |
| 2-5 | Mass in B minor, BWV 232: Credo: Chorus: Crucifixus | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-6 | Mass in B minor, BWV 232: Credo: Chorus: Et resurrexit | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-7 | Mass in B minor, BWV 232: Credo: Aria (bass): Et in spiritum Sanctum | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-8 | Mass in B minor, BWV 232: Credo: Chorus: Confiteor unum baptisma | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-9 | Mass in B minor, BWV 232: Credo: Chorus: Et expecto | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-10 | Mass in B minor, BWV 232: Sanctus: Chorus: Sanctus | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-11 | Mass in B minor, BWV 232: Chorus: Osanna | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-12 | Mass in B minor, BWV 232: Aria (tenor): Benedictus | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-13 | Mass in B minor, BWV 232: Chorus: Osanna | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-14 | Mass in B minor, BWV 232: Aria (alto): Agnus Dei | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-15 | Mass in B minor, BWV 232: Chorus: Dona nobis pacem | Orchestra of the Sixteen, Harry Christophers | — | |
| 3-1 | Mass in F major, BWV 233: I. Kyrie | — | ||
| 3-2 | Mass in F major, BWV 233: II. Gloria | — | ||
| 3-3 | Mass in F major, BWV 233: III. Domine Deus | — | ||
| 3-4 | Mass in F major, BWV 233: IV. Qui tollis | — | ||
| 3-5 | Mass in F major, BWV 233: V. Quoniam | — | ||
| 3-6 | Mass in F major, BWV 233: VI. Cum Sancto Spirito | — | ||
| 3-7 | Mass in A major, BWV 234: I. Kyrie | — | ||
| 3-8 | Mass in A major, BWV 234: II. Gloria | — | ||
| 3-9 | Mass in A major, BWV 234: III. Domine Deus | — | ||
| 3-10 | Mass in A major, BWV 234: IV. Qui tollis | — | ||
| 3-11 | Mass in A major, BWV 234: V. Quoniam | — | ||
| 3-12 | Mass in A major, BWV 234: VI. Cum Sancto Spirito | — | ||
| 4-1 | Mass in G minor, BWV 235: I. Kyrie | — | ||
| 4-2 | Mass in G minor, BWV 235: II. Gloria | — | ||
| 4-3 | Mass in G minor, BWV 235: III. Gratias | — | ||
| 4-4 | Mass in G minor, BWV 235: IV. Domine Fili | — | ||
| 4-5 | Mass in G minor, BWV 235: V. Qui tollis | — | ||
| 4-6 | Mass in G minor, BWV 235: VI. Cum Sancto Spiritu | — | ||
| 4-7 | Mass in G major, BWV 236: I. Kyrie | — | ||
| 4-8 | Mass in G major, BWV 236: II. Gloria | — | ||
| 4-9 | Mass in G major, BWV 236: III. Gratias | — | ||
| 4-10 | Mass in G major, BWV 236: IV. Domine Deus | — | ||
| 4-11 | Mass in G major, BWV 236: V. Quoniam | — | ||
| 4-12 | Mass in G major, BWV 236: VI. Cum Sancto Spiritu | — | ||
| 5-1 | Morning songs: Kommt, Sellen, dieser Tag / Die güldne Sonne, voll Freud und Wonne | — | ||
| 5-2 | About the earthly pain and the succession of Christ: Vergiß mein nicht, mein allerliebster Gott / Erwürgtes Lamm, das die verwahrten Siegel | — | ||
| 5-3 | About the resurrection: Auf, auf mein Herz mit Freuden / Jesus, unser Trost und leben / Kommt wieder aus der finstern Gruft | — | ||
| 5-4 | From the mission of the Holy Spirit: Brunnquell aller Güter / Gott, wie groß ist deine Güte | — | ||
| 5-5 | From praying and from true christianity: I. Presto / II. Andante | — | ||
| 5-6 | From love for Jesus: Jesu, meines Herzens Freud / Bschränkt, ihr Weisen dieser Welt | — | ||
| 5-7 | Evening songs: Er lieben Sonne Licht und Pracht / Der Tag ist hin, die Sonne gehet nieder / Der Tag mit seinem Lichte | — | ||
| 5-8 | From the suffering and death of Jesus Christ: Jesus, deine Liebeswunden / Lasset uns mit Jesu ziehen / Die bittre Leidenszeit / Sei gegrüßet, Jesu gütig / O du Liebe meiner Liebe / Mein Jesu, was für Seelenweh / So gehst du nun, mein Jesu, hin / Selig, wer an Jesum denkt | — | ||
| 5-9 | On Good Friday: So gibst do nun, mein Jesu / Bricht entzwei, mein armes Herze / Es ist vollbracht! Vergiß ja nicht | — | ||
| 5-10 | From repentance and the grace of God: Wo ist mein Schäflein, das ich liebe / Herr, nicht schicke deine Rache / Steh'ich bein meinem Gott | — | ||
| 6-1 | From the Song of Praise: Dir, dir, Jehova, will ich singen | — | ||
| 6-2 | From the denial of the world and of himself: Nicht so traurig, nicht so sehr / O liebe Seele, zieh die Sinnen / Beglückter Stand getreuer Seelen / Es glänzet der Christen inwendiges Leben | — | ||
| 6-3 | From the Justification: Jesu, meines Glaubens Zier / Eins ist not! / Mein Jesu, dem die Seraphinen | — | ||
| 6-4 | From the Love of God: Jesus ist das schönste Licht / Vergiß mein nicht / Seelenbräutigam, Jesu, Gotteslamm / Liebes Herz, bedenke doch | — | ||
| 6-5 | From the Birth of Jesus Christ: Ich freue mich in dir / Ermuntre dich, mein schwacher Geist / Ihr Gestirn, ihr hohen Lüfte / O Jesulein süß / Ich steh an deiner Krippe hier | — | ||
| 6-6 | Comforting Jesus-Songs: Was bist du doch, o Seele, so betrübet / Auf, auf! Die rechte Zeit ist hier / Ich lass dich nicht / Liebster Immanuel, Herzog der Frommen / Jesu, Jesu, du bist mein / Ich liebe Jesum alle Stund | — | ||
| 6-7 | Songs about dying and hope in God: Liebster Gott, wann werd'ich sterben? / O finstre Nacht, wann wirst du doch vergehen? / Komm süßer Tod, komm sel'ge Ruh! / Ich bin ja, Herr, in deiner Macht / Es ist nun aus mit meinem Leben / Meines Lebens letzte Zeit / Liebster Herr Jesu, wo bleibst du so lange? / Ach, daß nicht die letzte Stunde / O wie selig seid ihr doch, ihr Frommen / Kein Stündlein geht dahin / So wünsch ich mir zu guter letzt | — | ||
| 6-8 | From patience and calm: Ich halte treulich still / Gib dich zufrieden und seit stille | — | ||
| 7-1 | Lobet den Herrn, alle Heiden, BWV 230 | — | ||
| 7-2 | Komm, Jesu, Komm, BWV 229 | — | ||
| 7-3 | Singet den Herrn ein neues Lied, BWV 225 | — | ||
| 7-4 | Jesu, meine Freude, BWV 227 | — | ||
| 7-5 | Der Geist hilft unser Schwachheit auf, BWV 226 | — | ||
| 7-6 | Fürchte dich nicht, ich bin bei dir, BWV 228 | — | ||
| 8-1 | Easter Oratorio, BWV 249: I. Sinfonia | — | ||
| 8-2 | Easter Oratorio, BWV 249: II. Adagio | — | ||
| 8-3 | Easter Oratorio, BWV 249: III. Duet & Chorus "Kommt, eilet und laufet" | — | ||
| 8-4 | Easter Oratorio, BWV 249: IV. Recitative "O kalter Männer Sinn!" | — | ||
| 8-5 | Easter Oratorio, BWV 249: V. Aria "Seele, deine Spezereien" | — | ||
| 8-6 | Easter Oratorio, BWV 249: VI. Recitative "Hier ist die Gruft" | — | ||
| 8-7 | Easter Oratorio, BWV 249: VII. Aria "Sanfte soll mein Todeskummer" | — | ||
| 8-8 | Easter Oratorio, BWV 249: VIII. Recitative "Indessen seufzen wir" | — | ||
| 8-9 | Easter Oratorio, BWV 249: IX. Aria "Saget, saget mir geschwinde" | — | ||
| 8-10 | Easter Oratorio, BWV 249: X. Recitative "Wir sind erfreut" | — | ||
| 8-11 | Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank" | — | ||
| 8-12 | Easter Oratorio, BWV 249: XII. Chorale "Es hat mit uns nun keine Not" | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mass in B minor, BWV 232: Kyrie: Chorus: Kyrie eleison | Orchestra of the Sixteen, Harry Christophers | T-310.777.003-2 |
Musical Works (ISWC)
Identifier Graph
5028421993614 is a Universal Product Code (UPC) assigned to Bach Edition, Volume 2: Vocal Works/Vokalwerke, Volume I by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 86 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5028421993614 is the Universal Product Code (UPC barcode) for the release “Bach Edition, Volume 2: Vocal Works/Vokalwerke, Volume I” by Johann Sebastian Bach, released 2000-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 86 tracks, each with its own ISRC. Tracks include GBEJP0604401, GBEJP0604402, GBEJP0604404.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass in B minor, BWV 232: Kyrie: Chorus: Kyrie eleison | Orchestra of the Sixteen, Harry Christophers | T-310.777.003-2 | |
| 2 | Mass in B minor, BWV 232: Kyrie: Duet (soprano I & II): Christe eleison | Orchestra of the Sixteen, Harry Christophers | — | |
| 4 | Mass in B minor, BWV 232: Gloria: Chorus: Gloria in excelsis Deo | Orchestra of the Sixteen, Harry Christophers | T-306.483.198-3 | |
| 5 | Mass in B minor, BWV 232: Gloria: Chorus: Et in terra pax | Orchestra of the Sixteen, Harry Christophers | — | |
| 6 | Mass in B minor, BWV 232: Gloria: Aria (soprano II): Laudamus te | Orchestra of the Sixteen, Harry Christophers | — | |
| 7 | Mass in B minor, BWV 232: Gloria: Chorus: Gratias agimus | Orchestra of the Sixteen, Harry Christophers | — | |
| 8 | Mass in B minor, BWV 232: Gloria: Duet (soprano I, tenor): Domine Deus | Orchestra of the Sixteen, Harry Christophers | — | |
| 9 | Mass in B minor, BWV 232: Gloria: Chorus: Qui tollis | Orchestra of the Sixteen, Harry Christophers | — | |
| 10 | Mass in B minor, BWV 232: Gloria: Aria (alto): Qui Sedes ad dexteram Patris | Orchestra of the Sixteen, Harry Christophers | — | |
| 11 | Mass in B minor, BWV 232: Gloria: Aria (bass): Quoniam to solus Sanctus | Michael George, Roger Montgomery, Orchestra of The Sixteen, Harry Christophers | — | |
| 12 | Mass in B minor, BWV 232: Gloria: Chorus: Cum Sancto Spiritu | The Sixteen, Orchestra of The Sixteen, Harry Christophers | — | |
| 2-1 | Mass in B minor, BWV 232: Credo: Chorus: Credo in unum Deum | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-2 | Mass in B minor, BWV 232: Credo: Chorus: Patrem omnipotentem | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-3 | Mass in B minor, BWV 232: Credo: Duet (soprano I, alto) Et in unum Deum | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-4 | Mass in B minor, BWV 232: Credo: Chorus: et incarnatus est | Orchestra of the Sixteen, Harry Christophers | T-306.483.194-9 | |
| 2-5 | Mass in B minor, BWV 232: Credo: Chorus: Crucifixus | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-6 | Mass in B minor, BWV 232: Credo: Chorus: Et resurrexit | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-7 | Mass in B minor, BWV 232: Credo: Aria (bass): Et in spiritum Sanctum | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-8 | Mass in B minor, BWV 232: Credo: Chorus: Confiteor unum baptisma | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-9 | Mass in B minor, BWV 232: Credo: Chorus: Et expecto | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-10 | Mass in B minor, BWV 232: Sanctus: Chorus: Sanctus | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-11 | Mass in B minor, BWV 232: Chorus: Osanna | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-12 | Mass in B minor, BWV 232: Aria (tenor): Benedictus | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-13 | Mass in B minor, BWV 232: Chorus: Osanna | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-14 | Mass in B minor, BWV 232: Aria (alto): Agnus Dei | Orchestra of the Sixteen, Harry Christophers | — | |
| 2-15 | Mass in B minor, BWV 232: Chorus: Dona nobis pacem | Orchestra of the Sixteen, Harry Christophers | — | |
| 3-1 | Mass in F major, BWV 233: I. Kyrie | — | ||
| 3-2 | Mass in F major, BWV 233: II. Gloria | — | ||
| 3-3 | Mass in F major, BWV 233: III. Domine Deus | — | ||
| 3-4 | Mass in F major, BWV 233: IV. Qui tollis | — | ||
| 3-5 | Mass in F major, BWV 233: V. Quoniam | — | ||
| 3-6 | Mass in F major, BWV 233: VI. Cum Sancto Spirito | — | ||
| 3-7 | Mass in A major, BWV 234: I. Kyrie | — | ||
| 3-8 | Mass in A major, BWV 234: II. Gloria | — | ||
| 3-9 | Mass in A major, BWV 234: III. Domine Deus | — | ||
| 3-10 | Mass in A major, BWV 234: IV. Qui tollis | — | ||
| 3-11 | Mass in A major, BWV 234: V. Quoniam | — | ||
| 3-12 | Mass in A major, BWV 234: VI. Cum Sancto Spirito | — | ||
| 4-1 | Mass in G minor, BWV 235: I. Kyrie | — | ||
| 4-2 | Mass in G minor, BWV 235: II. Gloria | — | ||
| 4-3 | Mass in G minor, BWV 235: III. Gratias | — | ||
| 4-4 | Mass in G minor, BWV 235: IV. Domine Fili | — | ||
| 4-5 | Mass in G minor, BWV 235: V. Qui tollis | — | ||
| 4-6 | Mass in G minor, BWV 235: VI. Cum Sancto Spiritu | — | ||
| 4-7 | Mass in G major, BWV 236: I. Kyrie | — | ||
| 4-8 | Mass in G major, BWV 236: II. Gloria | — | ||
| 4-9 | Mass in G major, BWV 236: III. Gratias | — | ||
| 4-10 | Mass in G major, BWV 236: IV. Domine Deus | — | ||
| 4-11 | Mass in G major, BWV 236: V. Quoniam | — | ||
| 4-12 | Mass in G major, BWV 236: VI. Cum Sancto Spiritu | — | ||
| 5-1 | Morning songs: Kommt, Sellen, dieser Tag / Die güldne Sonne, voll Freud und Wonne | — | ||
| 5-2 | About the earthly pain and the succession of Christ: Vergiß mein nicht, mein allerliebster Gott / Erwürgtes Lamm, das die verwahrten Siegel | — | ||
| 5-3 | About the resurrection: Auf, auf mein Herz mit Freuden / Jesus, unser Trost und leben / Kommt wieder aus der finstern Gruft | — | ||
| 5-4 | From the mission of the Holy Spirit: Brunnquell aller Güter / Gott, wie groß ist deine Güte | — | ||
| 5-5 | From praying and from true christianity: I. Presto / II. Andante | — | ||
| 5-6 | From love for Jesus: Jesu, meines Herzens Freud / Bschränkt, ihr Weisen dieser Welt | — | ||
| 5-7 | Evening songs: Er lieben Sonne Licht und Pracht / Der Tag ist hin, die Sonne gehet nieder / Der Tag mit seinem Lichte | — | ||
| 5-8 | From the suffering and death of Jesus Christ: Jesus, deine Liebeswunden / Lasset uns mit Jesu ziehen / Die bittre Leidenszeit / Sei gegrüßet, Jesu gütig / O du Liebe meiner Liebe / Mein Jesu, was für Seelenweh / So gehst du nun, mein Jesu, hin / Selig, wer an Jesum denkt | — | ||
| 5-9 | On Good Friday: So gibst do nun, mein Jesu / Bricht entzwei, mein armes Herze / Es ist vollbracht! Vergiß ja nicht | — | ||
| 5-10 | From repentance and the grace of God: Wo ist mein Schäflein, das ich liebe / Herr, nicht schicke deine Rache / Steh'ich bein meinem Gott | — | ||
| 6-1 | From the Song of Praise: Dir, dir, Jehova, will ich singen | — | ||
| 6-2 | From the denial of the world and of himself: Nicht so traurig, nicht so sehr / O liebe Seele, zieh die Sinnen / Beglückter Stand getreuer Seelen / Es glänzet der Christen inwendiges Leben | — | ||
| 6-3 | From the Justification: Jesu, meines Glaubens Zier / Eins ist not! / Mein Jesu, dem die Seraphinen | — | ||
| 6-4 | From the Love of God: Jesus ist das schönste Licht / Vergiß mein nicht / Seelenbräutigam, Jesu, Gotteslamm / Liebes Herz, bedenke doch | — | ||
| 6-5 | From the Birth of Jesus Christ: Ich freue mich in dir / Ermuntre dich, mein schwacher Geist / Ihr Gestirn, ihr hohen Lüfte / O Jesulein süß / Ich steh an deiner Krippe hier | — | ||
| 6-6 | Comforting Jesus-Songs: Was bist du doch, o Seele, so betrübet / Auf, auf! Die rechte Zeit ist hier / Ich lass dich nicht / Liebster Immanuel, Herzog der Frommen / Jesu, Jesu, du bist mein / Ich liebe Jesum alle Stund | — | ||
| 6-7 | Songs about dying and hope in God: Liebster Gott, wann werd'ich sterben? / O finstre Nacht, wann wirst du doch vergehen? / Komm süßer Tod, komm sel'ge Ruh! / Ich bin ja, Herr, in deiner Macht / Es ist nun aus mit meinem Leben / Meines Lebens letzte Zeit / Liebster Herr Jesu, wo bleibst du so lange? / Ach, daß nicht die letzte Stunde / O wie selig seid ihr doch, ihr Frommen / Kein Stündlein geht dahin / So wünsch ich mir zu guter letzt | — | ||
| 6-8 | From patience and calm: Ich halte treulich still / Gib dich zufrieden und seit stille | — | ||
| 7-1 | Lobet den Herrn, alle Heiden, BWV 230 | — | ||
| 7-2 | Komm, Jesu, Komm, BWV 229 | — | ||
| 7-3 | Singet den Herrn ein neues Lied, BWV 225 | — | ||
| 7-4 | Jesu, meine Freude, BWV 227 | — | ||
| 7-5 | Der Geist hilft unser Schwachheit auf, BWV 226 | — | ||
| 7-6 | Fürchte dich nicht, ich bin bei dir, BWV 228 | — | ||
| 8-1 | Easter Oratorio, BWV 249: I. Sinfonia | — | ||
| 8-2 | Easter Oratorio, BWV 249: II. Adagio | — | ||
| 8-3 | Easter Oratorio, BWV 249: III. Duet & Chorus "Kommt, eilet und laufet" | — | ||
| 8-4 | Easter Oratorio, BWV 249: IV. Recitative "O kalter Männer Sinn!" | — | ||
| 8-5 | Easter Oratorio, BWV 249: V. Aria "Seele, deine Spezereien" | — | ||
| 8-6 | Easter Oratorio, BWV 249: VI. Recitative "Hier ist die Gruft" | — | ||
| 8-7 | Easter Oratorio, BWV 249: VII. Aria "Sanfte soll mein Todeskummer" | — | ||
| 8-8 | Easter Oratorio, BWV 249: VIII. Recitative "Indessen seufzen wir" | — | ||
| 8-9 | Easter Oratorio, BWV 249: IX. Aria "Saget, saget mir geschwinde" | — | ||
| 8-10 | Easter Oratorio, BWV 249: X. Recitative "Wir sind erfreut" | — | ||
| 8-11 | Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank" | — | ||
| 8-12 | Easter Oratorio, BWV 249: XII. Chorale "Es hat mit uns nun keine Not" | — |
