UPC · Release
Bach Edition, V: Vocal Works
Johann Sebastian Bach
5028421996974
12 tracksReleased 2001-01-01Brilliant Classics
Last verified:
5028421996974 is the Universal Product Code (UPC barcode) for the release “Bach Edition, V: Vocal Works” by Johann Sebastian Bach, released 2001-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include NLY331603756, NLY331603757, NLY331603758.
Format
502GS1 prefix
8421Company prefix
99697Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBach Edition, V: Vocal Works
ISRC12 recordings
ISWC5 works
Track List (12)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 6-1 | Harpsichord Concerto in D minor, BWV 1052: I. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-2 | Harpsichord Concerto in D minor, BWV 1052: II. Adagio | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T9177558666 | |
| 6-3 | Harpsichord Concerto in D minor, BWV 1052: III. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-4 | Harpsichord Concerto in E major, BWV 1053: I. Without tempo indication | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T3122079243 | |
| 6-5 | Harpsichord Concerto in E major, BWV 1053: II. Siciliano | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-6 | Harpsichord Concerto in E major, BWV 1053: III. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-7 | Harpsichord Concerto in D major, BWV 1054: I. Without tempo indication | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T8014111059 | |
| 6-8 | Harpsichord Concerto in D major, BWV 1054: II. Adagio e piano sempre | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-9 | Harpsichord Concerto in D major, BWV 1054: III. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-10 | Harpsichord Concerto in A major, BWV 1055: I. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T9143237712 | |
| 6-11 | Harpsichord Concerto in A major, BWV 1055: II. Larghetto | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-12 | Harpsichord Concerto in A major, BWV 1055: III. Allegro ma non tanto | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — |
Harpsichord Concerto in D minor, BWV 1052: I. Allegro
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
—
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
Harpsichord Concerto in D minor, BWV 1052: III. Allegro
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
—
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
Harpsichord Concerto in E major, BWV 1053: II. Siciliano
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
—
Harpsichord Concerto in E major, BWV 1053: III. Allegro
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
—
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
Harpsichord Concerto in D major, BWV 1054: II. Adagio e piano sempre
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
—
Harpsichord Concerto in D major, BWV 1054: III. Allegro
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
—
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
Harpsichord Concerto in A major, BWV 1055: II. Larghetto
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
—
Harpsichord Concerto in A major, BWV 1055: III. Allegro ma non tanto
Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
—
Additional database matches (37)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mass in B minor, BWV 232: Kyrie: Chorus: Kyrie eleison | Orchestra of the Sixteen, Harry Christophers | T3107770032 |
| Mass in B minor, BWV 232: Kyrie: Duet (soprano I & II): Christe eleison | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Chorus: Gloria in excelsis Deo | Orchestra of the Sixteen, Harry Christophers | T3064831983 |
| Mass in B minor, BWV 232: Gloria: Chorus: Et in terra pax | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Aria (soprano II): Laudamus te | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Chorus: Gratias agimus | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Duet (soprano I, tenor): Domine Deus | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Chorus: Qui tollis | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Aria (alto): Qui Sedes ad dexteram Patris | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Aria (bass): Quoniam to solus Sanctus | Michael George, Roger Montgomery, Orchestra of The Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Chorus: Cum Sancto Spiritu | The Sixteen, Orchestra of The Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: Credo in unum Deum | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: Patrem omnipotentem | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Duet (soprano I, alto) Et in unum Deum | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: et incarnatus est | Orchestra of the Sixteen, Harry Christophers | T3064831949 |
| Mass in B minor, BWV 232: Credo: Chorus: Crucifixus | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: Et resurrexit | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Aria (bass): Et in spiritum Sanctum | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: Confiteor unum baptisma | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: Et expecto | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Sanctus: Chorus: Sanctus | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Chorus: Osanna | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Aria (tenor): Benedictus | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Chorus: Osanna | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Aria (alto): Agnus Dei | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Chorus: Dona nobis pacem | Orchestra of the Sixteen, Harry Christophers | — |
| Jesu, meine Freude, BWV 227 | Chamber Choir of Europe, Nicol Matt | — |
| Jesu, meine Freude, Cantata BWV 81 | Chamber Choir of Europe, Nicol Matt | — |
| Wachet auf, ruft uns die Stimme, Cantata BWV 140 | Chamber Choir of Europe, Nicol Matt | — |
| Du, o schönes Weltgebäude, Cantata BWV 56 | Chamber Choir of Europe, Nicol Matt | — |
| Christus, der ist mein Leben, BWV 282 | Chamber Choir of Europe, Nicol Matt | — |
| Herzliebster Jesu, was hast du verbrochen, St. Matthew Passion | Chamber Choir of Europe, Nicol Matt | — |
| Nun bitten wir den heiligen Geist, Cantata BWV 169 | Chamber Choir of Europe, Nicol Matt | — |
| Jesu Leiden, Pein und Tod, St. John Passion | Chamber Choir of Europe, Nicol Matt | — |
| Mein' Augen schließ' ich jetzt, BWV 378 | Chamber Choir of Europe, Nicol Matt | — |
| O Welt, ich muß dich lassen, BWV 392 | Chamber Choir of Europe, Nicol Matt | — |
| Mass in B minor, BWV 232: Kyrie: Chorus: Kyrie eleison | Orchestra of the Sixteen, Harry Christophers | T3107770032 |
Orchestra of the Sixteen, Harry Christophers
Mass in B minor, BWV 232: Kyrie: Duet (soprano I & II): Christe eleison
Orchestra of the Sixteen, Harry Christophers
—
Orchestra of the Sixteen, Harry Christophers
Mass in B minor, BWV 232: Gloria: Chorus: Et in terra pax
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Gloria: Aria (soprano II): Laudamus te
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Gloria: Chorus: Gratias agimus
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Gloria: Duet (soprano I, tenor): Domine Deus
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Gloria: Chorus: Qui tollis
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Gloria: Aria (alto): Qui Sedes ad dexteram Patris
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Gloria: Aria (bass): Quoniam to solus Sanctus
Michael George, Roger Montgomery, Orchestra of The Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Gloria: Chorus: Cum Sancto Spiritu
The Sixteen, Orchestra of The Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Credo: Chorus: Credo in unum Deum
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Credo: Chorus: Patrem omnipotentem
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Credo: Duet (soprano I, alto) Et in unum Deum
Orchestra of the Sixteen, Harry Christophers
—
Orchestra of the Sixteen, Harry Christophers
Mass in B minor, BWV 232: Credo: Chorus: Crucifixus
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Credo: Chorus: Et resurrexit
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Credo: Aria (bass): Et in spiritum Sanctum
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Credo: Chorus: Confiteor unum baptisma
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Credo: Chorus: Et expecto
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Sanctus: Chorus: Sanctus
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Chorus: Osanna
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Aria (tenor): Benedictus
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Chorus: Osanna
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Aria (alto): Agnus Dei
Orchestra of the Sixteen, Harry Christophers
—
Mass in B minor, BWV 232: Chorus: Dona nobis pacem
Orchestra of the Sixteen, Harry Christophers
—
Jesu, meine Freude, BWV 227
Chamber Choir of Europe, Nicol Matt
—
Jesu, meine Freude, Cantata BWV 81
Chamber Choir of Europe, Nicol Matt
—
Wachet auf, ruft uns die Stimme, Cantata BWV 140
Chamber Choir of Europe, Nicol Matt
—
Du, o schönes Weltgebäude, Cantata BWV 56
Chamber Choir of Europe, Nicol Matt
—
Christus, der ist mein Leben, BWV 282
Chamber Choir of Europe, Nicol Matt
—
Herzliebster Jesu, was hast du verbrochen, St. Matthew Passion
Chamber Choir of Europe, Nicol Matt
—
Nun bitten wir den heiligen Geist, Cantata BWV 169
Chamber Choir of Europe, Nicol Matt
—
Jesu Leiden, Pein und Tod, St. John Passion
Chamber Choir of Europe, Nicol Matt
—
Mein' Augen schließ' ich jetzt, BWV 378
Chamber Choir of Europe, Nicol Matt
—
O Welt, ich muß dich lassen, BWV 392
Chamber Choir of Europe, Nicol Matt
—
Orchestra of the Sixteen, Harry Christophers
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What is UPC 5028421996974?
5028421996974 is a Universal Product Code (UPC) assigned to Bach Edition, V: Vocal Works by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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