UPC · Release
Wolfgang Amadeus Mozart
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The UPC for “Mozart Edition, Volume 11: Operas: Mitridate, rè di Ponto / Der Schauspieldirektor / Bastien und Bastienne” by Wolfgang Amadeus Mozart is 5028421997230. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 91 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mitridate, rè di Ponto, K. 74a/87: Ouverture: Allegro, andante grazio, presto | — | ||
| 2 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia) | — | ||
| 3 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia) | — | ||
| 4 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare) | — | ||
| 5 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. No. 2 Aria "Soffre il mio cor con pace" (Sifare) | — | ||
| 6 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. No. 3 Aria "L'odio nel cor frenate" (Arbate) | — | ||
| 7 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) | — | ||
| 8 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VII. No. 4 Aria "Nel sen mi palpita" (Aspasia) | — | ||
| 9 | Mitridate, rè di Ponto, K. 74a/87: Ouverture: Allegro, andante grazio, presto | — | ||
| 10 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. No. 5 Aria "Nel gran cimento" (Sifare) | — | ||
| 11 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio) | — | ||
| 12 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace) | — | ||
| 13 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia) | — | ||
| 14 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare) | — | ||
| 2-1 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace) | — | ||
| 2-2 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene) | — | ||
| 2-3 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII-XIII. Recitativi "Teme Ismene a ragion… Respira alfin, respira" (Mitridate, Arbate) | — | ||
| 2-4 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. No. 10 Aria "Quel ribelle e quell'ingrato" (Mitridate) | — | ||
| 2-5 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Farnace) | — | ||
| 2-6 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. No. 11 Aria "Va, l'error mio palesa" (Farnace) | — | ||
| 2-7 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia) | — | ||
| 2-8 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IV. No. 12 Aria "Tu, che fedel mi sei" (Mitridate) | — | ||
| 2-9 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate) | — | ||
| 2-10 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare) | — | ||
| 2-11 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. Recitativo accompagnato "Non più, Regina, oh Dio!" (Aspasia) | — | ||
| 2-12 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VIII. No. 14 Aria "Nel grave tormento" (Aspasia) | — | ||
| 2-13 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui,dove la vendetta… Sedete, o Prenci, e m'ascoltate...Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio) | — | ||
| 2-14 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XII. No. 15 Aria "So quanto a te dispiace" (Ismene) | — | ||
| 3-1 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. Recitativo "Ah, giacché son tradito" (Farnace) | — | ||
| 3-2 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. No. 16 Aria "Son reo | — | ||
| 3-3 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia) | — | ||
| 3-4 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. No. 17 Aria "Già di pietà mi spoglio" (Mitridate) | — | ||
| 3-5 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. Recitativi "Sifare, per pietà stringi l'acciaro" (Aspasia, Sifare) | — | ||
| 3-6 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia) | — | ||
| 3-7 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene) | — | ||
| 3-8 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. No. 19 Aria "Tu sai per chi m'accese" (Ismene) | — | ||
| 3-9 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate) | — | ||
| 3-10 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate) | — | ||
| 3-11 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. Recitativo "Lagrime internpestive" (Aspasia) | — | ||
| 3-12 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. No. 21 Recitativo accompagnato e Cavatina "Ah ben ne fui presaga!… Pallid'ombre, che scorgete" (Aspasia) | — | ||
| 3-13 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene V-VI. Recitativi "Che fai, Regina?… Che mi val questa vita" (Sifare, Aspasia) | — | ||
| 3-14 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VI. No. 22 Aria "Se il rigor d'ingrata sorte" (Sifare) | — | ||
| 3-15 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VII-VIII. Recitativi "Sorte crudel, stelle inimiche… Tecco i patti, oh Farnace" (Farnace, Marzio) | — | ||
| 3-16 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VIII. No. 23 Aria "Se di regnar sei vago" (Marzio) | — | ||
| 3-17 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. Recitativo accompagnate "Vadasi… Oh ciel" (Farnace) | — | ||
| 3-18 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. No. 24 Aria "Gia darli occhi il velo e tolto" (Franace) | — | ||
| 3-19 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene) | — | ||
| 3-20 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Coro "Non si ceda al Campidoglio" (Aspasia, Sifare, Farnace) | — | ||
| 4-1 | Der Schauspieldirektor, K. 486: Ouverture | — | ||
| 4-2 | Der Schauspieldirektor, K. 486: Act I, Scene I. Scene "Lustig, Herr Direkteur, wir haben Permission" (Buff, Frank) | — | ||
| 4-3 | Der Schauspieldirektor, K. 486: Act I, Scene II. Scene "Ihr Diener lieber Frank" (Eiler, Frank, Buff) | — | ||
| 4-4 | Der Schauspieldirektor, K. 486: Act I, Scene III. Scene "Wie, Herr Frank?" (Madame Pfeil, Eiler, Buff, Frank) | — | ||
| 4-5 | Der Schauspieldirektor, K. 486: Act I, Scene IV. Scene "Madame Krone!" (Madame Krone, Buff) | — | ||
| 4-6 | Der Schauspieldirektor, K. 486: Act I, Scene V. Scene "Mich freut es recht sehr Sie kennen zu lernen" (Frank, Herz, Madame Krone) | — | ||
| 4-7 | Der Schauspieldirektor, K. 486: Act I, Scene VI-VII. Scene "Ah! Madame Vogelsang!" (Buff, Madame Vogelsang) | — | ||
| 4-8 | Der Schauspieldirektor, K. 486: Act I, Scene VII. Arietta "Da schlägt des Abschieds Stunde" (Madame Herz, Frank, Herz, Buff) | — | ||
| 4-9 | Der Schauspieldirektor, K. 486: Act I, Scene VII-VIII. Scene "Göttlich! unvergleichlich!" (Frank, Herz, Madamoiselle Silberklang) | — | ||
| 4-10 | Der Schauspieldirektor, K. 486: Act I, Scene VIII. Rondo "Bester Jüngling! mit Entzücken" (Madamoiselle Silberklang, Frank, Buff) | — | ||
| 4-11 | Der Schauspieldirektor, K. 486: Act I, Scene VIII-IX. Scene "Bravo! Bravo!" (Frank, Madamoiselle Silberklang, Buff, Madame Vogelsang) | — | ||
| 4-12 | Der Schauspieldirektor, K. 486: Act I, Scene IX. Terzett "Ich bin die erste Sängerin" (Madamoiselle Silberklang, Madame Herz, Monsieur Vogelsang) | — | ||
| 4-13 | Der Schauspieldirektor, K. 486: Act I, Scene IX-X. Scene "Es lebe die Einigkeit!" (Buff, Madame Pfeil, Eiler, Frank, Madamoiselle Silberklang) | — | ||
| 4-14 | Der Schauspieldirektor, K. 486: Act I, Scene X. Finale, Vaudeville "Jeder Künstler strebt nach Ehre" (Buff, Eiler, Frank, Madame Krone, Madame Pfeil, Madamoiselle Silberklang, Madame Vogelsang, Madame Herz, Monsieur Vogelsang) | — | ||
| 5-1 | Bastien und Bastienne, K. 46b/50: Intrada | — | ||
| 5-2 | Bastien und Bastienne, K. 46b/50: Act I, Scene I. No. 1 Aria "Mein liebster Freund hat mich verlassen," (Bastienne) | — | ||
| 5-3 | Bastien und Bastienne, K. 46b/50: Act I, Scene I. Dialog "Du fliehest von mir Bastien?" (Bastienne) | — | ||
| 5-4 | Bastien und Bastienne, K. 46b/50: Act I, Scene I. No. 2 Aria "Ich geh jetzt auf die Weide" (Bastienne) | — | ||
| 5-5 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 3 Pastorale "Colas' Auftritt" (Orchester) | — | ||
| 5-6 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 4 Aria "Befraget mich ein zartes Kind" (Colas) | — | ||
| 5-7 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "Guten Morgen, Herr Colas!" (Bastienne) | — | ||
| 5-8 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 5 Aria "Wenn mein Bastien einst im Scherze" (Bastienne) | — | ||
| 5-9 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "O, die Edelfrau vom Schlosse weiss ihn noch besser zu verpflichten" (Colas) | — | ||
| 5-10 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 6 Aria "Würd ich auch wie manche Buhlerinnen" (Bastienne) | — | ||
| 5-11 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "Giebdich, zufrieden! Ich bin Bürge für deinen Wetterhahn" (Colas, Bastienne) | — | ||
| 5-12 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 7 Duetto "Auf den Rat, den ich gegeben" (Colas, Bastienne) | — | ||
| 5-13 | Bastien und Bastienne, K. 46b/50: Act I, Scene III. Dialog "Dieses Liebhaberpaar ist wahrlich ein rechtes Wunderwerk" (Colas) | — | ||
| 5-14 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 8 Aria "Großen Dank dir abzustatten" (Bastien) | — | ||
| 5-15 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Es freut mich, dass du endlich zu dir selber kommst" (Colas) | — | ||
| 5-16 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 9 Aria "Geh! Du sagst mir eine Fabel" (Bastien) | — | ||
| 5-17 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Das kann sein | — | ||
| 5-18 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 10 Aria "Diggi, daggi, schurry, murry" (Colas) | — | ||
| 5-19 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Ist die Hexerei zu Ende?" (Bastien, Colas) | — | ||
| 5-20 | Bastien und Bastienne, K. 46b/50: Act I, Scene V. No. 11 Aria "Meiner Liebsten schöne Wangen" (Bastien) | — | ||
| 5-21 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Da ist sie…Soll ich ihre Blicke fliehen?" (Bastienne, Bastien) | — | ||
| 5-22 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 12 Aria "Er war mir sonst treu und ergeben" (Bastien) | — | ||
| 5-23 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "O sich sehe schon, was dich verdriesst" (Bastienne, Bastien) | — | ||
| 5-24 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 13 Aria "Geh hin! Dein Trotz soll mich nicht schrecken" (Bastienne, Bastien) | — | ||
| 5-25 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Sieh' da! bist du noch hier?" (Bastienne, Bastien) | — | ||
| 5-26 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 14 Aria "Dein Trotz vermehrt sich durch mein Leiden?" (Bastienne, Bastien) | — | ||
| 5-27 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Und sollte ich wohl ein solcher Narr sein" (Bastienne, Bastien) | — | ||
| 5-28 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 15 Duetto "Geh! Herz von Flandern!" (Bastienne, Bastien) | — | ||
| 5-29 | Bastien und Bastienne, K. 46b/50: Act I, Scene VII. No. 16 Terzetto "Kinder! Kinder! Seht, nach Sturm und Regen" (Bastienne, Bastien, Colas) | — |
Credits Graph
5028421997230 is a Universal Product Code (UPC) assigned to Mozart Edition, Volume 11: Operas: Mitridate, rè di Ponto / Der Schauspieldirektor / Bastien und Bastienne by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 91 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Mozart Edition, Volume 11: Operas: Mitridate, rè di Ponto / Der Schauspieldirektor / Bastien und Bastienne” by Wolfgang Amadeus Mozart is 5028421997230. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 91 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mitridate, rè di Ponto, K. 74a/87: Ouverture: Allegro, andante grazio, presto | — | ||
| 2 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia) | — | ||
| 3 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia) | — | ||
| 4 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare) | — | ||
| 5 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. No. 2 Aria "Soffre il mio cor con pace" (Sifare) | — | ||
| 6 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. No. 3 Aria "L'odio nel cor frenate" (Arbate) | — | ||
| 7 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) | — | ||
| 8 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VII. No. 4 Aria "Nel sen mi palpita" (Aspasia) | — | ||
| 9 | Mitridate, rè di Ponto, K. 74a/87: Ouverture: Allegro, andante grazio, presto | — | ||
| 10 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. No. 5 Aria "Nel gran cimento" (Sifare) | — | ||
| 11 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio) | — | ||
| 12 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace) | — | ||
| 13 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia) | — | ||
| 14 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare) | — | ||
| 2-1 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace) | — | ||
| 2-2 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene) | — | ||
| 2-3 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII-XIII. Recitativi "Teme Ismene a ragion… Respira alfin, respira" (Mitridate, Arbate) | — | ||
| 2-4 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. No. 10 Aria "Quel ribelle e quell'ingrato" (Mitridate) | — | ||
| 2-5 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Farnace) | — | ||
| 2-6 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. No. 11 Aria "Va, l'error mio palesa" (Farnace) | — | ||
| 2-7 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia) | — | ||
| 2-8 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IV. No. 12 Aria "Tu, che fedel mi sei" (Mitridate) | — | ||
| 2-9 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate) | — | ||
| 2-10 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare) | — | ||
| 2-11 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. Recitativo accompagnato "Non più, Regina, oh Dio!" (Aspasia) | — | ||
| 2-12 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VIII. No. 14 Aria "Nel grave tormento" (Aspasia) | — | ||
| 2-13 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui,dove la vendetta… Sedete, o Prenci, e m'ascoltate...Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio) | — | ||
| 2-14 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XII. No. 15 Aria "So quanto a te dispiace" (Ismene) | — | ||
| 3-1 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. Recitativo "Ah, giacché son tradito" (Farnace) | — | ||
| 3-2 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. No. 16 Aria "Son reo | — | ||
| 3-3 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia) | — | ||
| 3-4 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. No. 17 Aria "Già di pietà mi spoglio" (Mitridate) | — | ||
| 3-5 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. Recitativi "Sifare, per pietà stringi l'acciaro" (Aspasia, Sifare) | — | ||
| 3-6 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia) | — | ||
| 3-7 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene) | — | ||
| 3-8 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. No. 19 Aria "Tu sai per chi m'accese" (Ismene) | — | ||
| 3-9 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate) | — | ||
| 3-10 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate) | — | ||
| 3-11 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. Recitativo "Lagrime internpestive" (Aspasia) | — | ||
| 3-12 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. No. 21 Recitativo accompagnato e Cavatina "Ah ben ne fui presaga!… Pallid'ombre, che scorgete" (Aspasia) | — | ||
| 3-13 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene V-VI. Recitativi "Che fai, Regina?… Che mi val questa vita" (Sifare, Aspasia) | — | ||
| 3-14 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VI. No. 22 Aria "Se il rigor d'ingrata sorte" (Sifare) | — | ||
| 3-15 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VII-VIII. Recitativi "Sorte crudel, stelle inimiche… Tecco i patti, oh Farnace" (Farnace, Marzio) | — | ||
| 3-16 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VIII. No. 23 Aria "Se di regnar sei vago" (Marzio) | — | ||
| 3-17 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. Recitativo accompagnate "Vadasi… Oh ciel" (Farnace) | — | ||
| 3-18 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. No. 24 Aria "Gia darli occhi il velo e tolto" (Franace) | — | ||
| 3-19 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene) | — | ||
| 3-20 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Coro "Non si ceda al Campidoglio" (Aspasia, Sifare, Farnace) | — | ||
| 4-1 | Der Schauspieldirektor, K. 486: Ouverture | — | ||
| 4-2 | Der Schauspieldirektor, K. 486: Act I, Scene I. Scene "Lustig, Herr Direkteur, wir haben Permission" (Buff, Frank) | — | ||
| 4-3 | Der Schauspieldirektor, K. 486: Act I, Scene II. Scene "Ihr Diener lieber Frank" (Eiler, Frank, Buff) | — | ||
| 4-4 | Der Schauspieldirektor, K. 486: Act I, Scene III. Scene "Wie, Herr Frank?" (Madame Pfeil, Eiler, Buff, Frank) | — | ||
| 4-5 | Der Schauspieldirektor, K. 486: Act I, Scene IV. Scene "Madame Krone!" (Madame Krone, Buff) | — | ||
| 4-6 | Der Schauspieldirektor, K. 486: Act I, Scene V. Scene "Mich freut es recht sehr Sie kennen zu lernen" (Frank, Herz, Madame Krone) | — | ||
| 4-7 | Der Schauspieldirektor, K. 486: Act I, Scene VI-VII. Scene "Ah! Madame Vogelsang!" (Buff, Madame Vogelsang) | — | ||
| 4-8 | Der Schauspieldirektor, K. 486: Act I, Scene VII. Arietta "Da schlägt des Abschieds Stunde" (Madame Herz, Frank, Herz, Buff) | — | ||
| 4-9 | Der Schauspieldirektor, K. 486: Act I, Scene VII-VIII. Scene "Göttlich! unvergleichlich!" (Frank, Herz, Madamoiselle Silberklang) | — | ||
| 4-10 | Der Schauspieldirektor, K. 486: Act I, Scene VIII. Rondo "Bester Jüngling! mit Entzücken" (Madamoiselle Silberklang, Frank, Buff) | — | ||
| 4-11 | Der Schauspieldirektor, K. 486: Act I, Scene VIII-IX. Scene "Bravo! Bravo!" (Frank, Madamoiselle Silberklang, Buff, Madame Vogelsang) | — | ||
| 4-12 | Der Schauspieldirektor, K. 486: Act I, Scene IX. Terzett "Ich bin die erste Sängerin" (Madamoiselle Silberklang, Madame Herz, Monsieur Vogelsang) | — | ||
| 4-13 | Der Schauspieldirektor, K. 486: Act I, Scene IX-X. Scene "Es lebe die Einigkeit!" (Buff, Madame Pfeil, Eiler, Frank, Madamoiselle Silberklang) | — | ||
| 4-14 | Der Schauspieldirektor, K. 486: Act I, Scene X. Finale, Vaudeville "Jeder Künstler strebt nach Ehre" (Buff, Eiler, Frank, Madame Krone, Madame Pfeil, Madamoiselle Silberklang, Madame Vogelsang, Madame Herz, Monsieur Vogelsang) | — | ||
| 5-1 | Bastien und Bastienne, K. 46b/50: Intrada | — | ||
| 5-2 | Bastien und Bastienne, K. 46b/50: Act I, Scene I. No. 1 Aria "Mein liebster Freund hat mich verlassen," (Bastienne) | — | ||
| 5-3 | Bastien und Bastienne, K. 46b/50: Act I, Scene I. Dialog "Du fliehest von mir Bastien?" (Bastienne) | — | ||
| 5-4 | Bastien und Bastienne, K. 46b/50: Act I, Scene I. No. 2 Aria "Ich geh jetzt auf die Weide" (Bastienne) | — | ||
| 5-5 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 3 Pastorale "Colas' Auftritt" (Orchester) | — | ||
| 5-6 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 4 Aria "Befraget mich ein zartes Kind" (Colas) | — | ||
| 5-7 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "Guten Morgen, Herr Colas!" (Bastienne) | — | ||
| 5-8 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 5 Aria "Wenn mein Bastien einst im Scherze" (Bastienne) | — | ||
| 5-9 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "O, die Edelfrau vom Schlosse weiss ihn noch besser zu verpflichten" (Colas) | — | ||
| 5-10 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 6 Aria "Würd ich auch wie manche Buhlerinnen" (Bastienne) | — | ||
| 5-11 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "Giebdich, zufrieden! Ich bin Bürge für deinen Wetterhahn" (Colas, Bastienne) | — | ||
| 5-12 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 7 Duetto "Auf den Rat, den ich gegeben" (Colas, Bastienne) | — | ||
| 5-13 | Bastien und Bastienne, K. 46b/50: Act I, Scene III. Dialog "Dieses Liebhaberpaar ist wahrlich ein rechtes Wunderwerk" (Colas) | — | ||
| 5-14 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 8 Aria "Großen Dank dir abzustatten" (Bastien) | — | ||
| 5-15 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Es freut mich, dass du endlich zu dir selber kommst" (Colas) | — | ||
| 5-16 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 9 Aria "Geh! Du sagst mir eine Fabel" (Bastien) | — | ||
| 5-17 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Das kann sein | — | ||
| 5-18 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 10 Aria "Diggi, daggi, schurry, murry" (Colas) | — | ||
| 5-19 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Ist die Hexerei zu Ende?" (Bastien, Colas) | — | ||
| 5-20 | Bastien und Bastienne, K. 46b/50: Act I, Scene V. No. 11 Aria "Meiner Liebsten schöne Wangen" (Bastien) | — | ||
| 5-21 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Da ist sie…Soll ich ihre Blicke fliehen?" (Bastienne, Bastien) | — | ||
| 5-22 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 12 Aria "Er war mir sonst treu und ergeben" (Bastien) | — | ||
| 5-23 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "O sich sehe schon, was dich verdriesst" (Bastienne, Bastien) | — | ||
| 5-24 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 13 Aria "Geh hin! Dein Trotz soll mich nicht schrecken" (Bastienne, Bastien) | — | ||
| 5-25 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Sieh' da! bist du noch hier?" (Bastienne, Bastien) | — | ||
| 5-26 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 14 Aria "Dein Trotz vermehrt sich durch mein Leiden?" (Bastienne, Bastien) | — | ||
| 5-27 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Und sollte ich wohl ein solcher Narr sein" (Bastienne, Bastien) | — | ||
| 5-28 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 15 Duetto "Geh! Herz von Flandern!" (Bastienne, Bastien) | — | ||
| 5-29 | Bastien und Bastienne, K. 46b/50: Act I, Scene VII. No. 16 Terzetto "Kinder! Kinder! Seht, nach Sturm und Regen" (Bastienne, Bastien, Colas) | — |
