UPC · Release
George Frideric Handel
Last verified:
The UPC for “The Masterworks” by George Frideric Handel is 5028421997773. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: Brilliant Classics. This release contains 768 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jephtha: Ouverture | — | ||
| 2 | Jephtha: Menuet | — | ||
| 3 | Jephtha: Act I. Accompagnato "It must be so" (Zebul) | — | ||
| 4 | Jephtha: Act I. Air "Pour forth no more" (Zebul) | — | ||
| 5 | Jephtha: Act I. Chorus: "No more to Ammon's god and king" | — | ||
| 6 | Jephtha: Act I. Recitative "But Jephtha comes" (Zebul, Jephtha) | — | ||
| 7 | Jephtha: Act I. Air "Virtue my soul shall still embrace" (Jephtha) | — | ||
| 8 | Jephtha: Act I. Recitative "Twill be a painful separation" (Storge) | — | ||
| 9 | Jephtha: Act I. Air "In gentle murmurs will I mourn" (Storge) | — | ||
| 10 | Jephtha: Act I. Recitative "Happy this embassy" (Hamor) | — | ||
| 11 | Jephtha: Act I. Air "Dull delay, in piercing anguish" (Hamor) | — | ||
| 12 | Jephtha: Act I. Recitative "Ill suits the voice of love" (Iphis) | — | ||
| 13 | Jephtha: Act I. Air "Take the heart you fondly gave" (Iphis) | — | ||
| 14 | Jephtha: Act I. Recitative "I go, my soul" (Hamor) | — | ||
| 15 | Jephtha: Act I. Duet "These labours past, how happy we" (Iphis, Hamor) | — | ||
| 16 | Jephtha: Act I. Recitative "What mean these doubtful fancies" (Jephtha) | — | ||
| 17 | Jephtha: Act I. Accompagnato "If, Lord, sustained" (Jephtha) | — | ||
| 18 | Jephtha: Act I. Chorus "O God, behold our sore distress" | — | ||
| 19 | Jephtha: Act I. Recitative "Some dire event" (Storge) | — | ||
| 20 | Jephtha: Act I. Air "Scenes of horror, scenes of woe" (Storge) | — | ||
| 21 | Jephtha: Act I. Recitative "Say, my dear mother" (Iphis, Storge) | — | ||
| 22 | Jephtha: Act I. Air "The smiling dawn of happy days" (Iphis) | — | ||
| 23 | Jephtha: Act I. Recitative "Such, Jephtja, was the haughty king's reply" (Zebul, Jephtha) | — | ||
| 24 | Jephtha: Act I. Chorus "When his loud voice in thunder spoke" | — | ||
| 2-1 | Jephtha: Act II. Recitative "Glad things of great joy" (Hamor) | — | ||
| 2-2 | Jephtha: Act II. Chorus "Cherub and Seraphim" | — | ||
| 2-3 | Jephtha: Act II. Air "Up the dreadful steep ascending" (Hamor) | — | ||
| 2-4 | Jephtha: Act II. Recitative "Tis well, haste, haste, ye maidens" (Iphis) | — | ||
| 2-5 | Jephtha: Act II: Air "Tune the soft melodious lute" (Iphis) | — | ||
| 2-6 | Jephtha: Act II. Recitative "Heav'n smiles once more" (Jephtha) | — | ||
| 2-7 | Jephtha: Act II. Air "His mighty arm" (Jephtha) | — | ||
| 2-8 | Jephtha: Act II. Chorus: "In glory high" | — | ||
| 2-9 | Jephtha: Act II. Symphony | — | ||
| 2-10 | Jephtha: Act II. Recitative "Hail, glorious conqueror!" (Iphis) | — | ||
| 2-11 | Jephtha: Act II. Air And Chorus: "Welcome, as the cheerful light" (Iphis) | — | ||
| 2-12 | Jephtha: Act II. Recitative "Horror! confusion!" (Jephtha) | — | ||
| 2-13 | Jephtha: Act II. Air "Open thy marble jaws, O tomb" (Jephtha) | — | ||
| 2-14 | Jephtha: Act II. Recitative "Why is my brother thus afflicted?" (Zebul, Jephtha) | — | ||
| 2-15 | Jephtha: Act II. Accompagnato and Arioso "First perish thou" (Storge) | — | ||
| 2-16 | Jephtha: Act II. Recitative "If such thy cruel purpose" (Hamor) | — | ||
| 2-17 | Jephtha: Act II. Air "On me let blind mistake zeal" (Hamor) | — | ||
| 2-18 | Jephtha: Act II. Quartet "O spare your daughter!" (Storge, Hamor, Jephtha, Zebul) | — | ||
| 2-19 | Jephtha: Act II. Recitative "Such news flies swift" (Iphis) | — | ||
| 2-20 | Jephtha: Act II. Accompagnato "For joys so vast" (Iphis) | — | ||
| 2-21 | Jephtha: Act II. Air "Happy they!" (Iphis) | — | ||
| 2-22 | Jephtha: Act II. Accompagnato "Deeper and deeper still" (Jephtha) | — | ||
| 2-23 | Jephtha: Act II. Chorus "How dark, O Lord, are thy decrees!" | — | ||
| 3-1 | Jephtha: Act III. Arioso "Hide thou thy hated beams" (Jephtha) | — | ||
| 3-2 | Jephtha: Act III. Accompagnato "A father, Off'ring up" (Jephtha) | — | ||
| 3-3 | Jephtha: Act III. Air "Waft her, angels" (Jephtha) | — | ||
| 3-4 | Jephtha: Act III. Accompagnato "Ye sacred priests" (Iphis) | — | ||
| 3-5 | Jephtha: Act III. Air "Farewell, ye limpid springs" (Iphis) | — | ||
| 3-6 | Jephtha: Act III. Chorus "Doubtful fear and reverend awe" (Preists) | — | ||
| 3-7 | Jephtha: Act III. Symphony | — | ||
| 3-8 | Jephtha: Act III. Recitative "Rise, Jephtha" (Angel) | — | ||
| 3-9 | Jephtha: Act III. Air "Happy, Iphis, shalt thou live" (Angel) | — | ||
| 3-10 | Jephtha: Act III. Arioso "For ever blessed be" (Jephtha) | — | ||
| 3-11 | Jephtha: Act III. Chorus "Theme Sublime" | — | ||
| 3-12 | Jephtha: Act III. Recitative "Let me congratulate" (Zebul) | — | ||
| 3-13 | Jephtha: Act III. Air "Laud her, all ye virgin train" (Zebul) | — | ||
| 3-14 | Jephtha: Act III. Recitative "O let me fold thee" (Storge) | — | ||
| 3-15 | Jephtha: Act III. Air "Sweet as sight to the blind" (Storge) | — | ||
| 3-16 | Jephtha: Act III. Recitative "With transport, Iphis" (Hamor) | — | ||
| 3-17 | Jephtha: Act III. Recitative "My faithful Hamor" (Iphis) | — | ||
| 3-18 | Jephtha: Act III. Quintet "All that is in Hamor mine" | — | ||
| 3-19 | Jephtha: Act III. Chorus "Ye house of Gilead" | — | ||
| 4-1 | Judas Maccabaeus (Oratorio in three acts): Overture | — | ||
| 4-2 | Judas Maccabaeus (Oratorio in three acts): Mourn, Ye Afflicted Children | — | ||
| 4-3 | Judas Maccabaeus (Oratorio in three acts): Well May Your Sorrows | — | ||
| 4-4 | Judas Maccabaeus (Oratorio in three acts): For Zion Lamentation Make | — | ||
| 4-5 | Judas Maccabaeus (Oratorio in three acts): Not In Vain Is All This Storm | — | ||
| 4-6 | Judas Maccabaeus (Oratorio in three acts): Pious Orgies | — | ||
| 4-7 | Judas Maccabaeus (Oratorio in three acts): O Father, Whose Almighty Power | — | ||
| 4-8 | Judas Maccabaeus (Oratorio in three acts): I Feel The Deity Within | — | ||
| 4-9 | Judas Maccabaeus (Oratorio in three acts): Arm, Arm, Ye Brave | — | ||
| 4-10 | Judas Maccabaeus (Oratorio in three acts): We Come In Bright Array | — | ||
| 4-11 | Judas Maccabaeus (Oratorio in three acts): 'Tis Well, My Friends | — | ||
| 4-12 | Judas Maccabaeus (Oratorio in three acts): Call Forth Thy Powers | — | ||
| 4-13 | Judas Maccabaeus (Oratorio in three acts): Come, Ever-Smiling Liberty | — | ||
| 4-14 | Judas Maccabaeus (Oratorio in three acts): Lead On, Lead On | — | ||
| 4-15 | Judas Maccabaeus (Oratorio in three acts): So Willed My Father | — | ||
| 4-16 | Judas Maccabaeus (Oratorio in three acts): Disdainful Of Danger | — | ||
| 4-17 | Judas Maccabaeus (Oratorio in three acts): Ambition! | — | ||
| 4-18 | Judas Maccabaeus (Oratorio in three acts): No Unhallowed Desire | — | ||
| 4-19 | Judas Maccabaeus (Oratorio in three acts): Haste We, My Brethren | — | ||
| 4-20 | Judas Maccabaeus (Oratorio in three acts): Hear Us, Oh Lord | — | ||
| 4-21 | Judas Maccabaeus (Oratorio in three acts): Fallen Is The Foe | — | ||
| 4-22 | Judas Maccabaeus (Oratorio in three acts): Zion Now Her Head Shall Raise | — | ||
| 4-23 | Judas Maccabaeus (Oratorio in three acts): Oh Let Eternal Honors | — | ||
| 4-24 | Judas Maccabaeus (Oratorio in three acts): From Mighty Kings | — | ||
| 4-25 | Judas Maccabaeus (Oratorio in three acts): Hail, Hail, Judea | — | ||
| 4-26 | Judas Maccabaeus (Oratorio in three acts): Thanks To My Brethren | — | ||
| 4-27 | Judas Maccabaeus (Oratorio in three acts): How Vain Is Man | — | ||
| 5-1 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Oh Judas, oh my brethren! | — | ||
| 5-2 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Ah! wretched Israel! | — | ||
| 5-3 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Be comforted | — | ||
| 5-4 | Judas Maccabaeus, oratorio, HWV 63: Act 2. The Lord worketh wonders | — | ||
| 5-5 | Judas Maccabaeus, oratorio, HWV 63: Act 2. My arms! | — | ||
| 5-6 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Sound an alarm! | — | ||
| 5-7 | Judas Maccabaeus, oratorio, HWV 63: Act 2. We hear | — | ||
| 5-8 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Enough! To Heaven we leave the rest | — | ||
| 5-9 | Judas Maccabaeus, oratorio, HWV 63: Act 2. With pious hearts | — | ||
| 5-10 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Ye worshippers | — | ||
| 5-11 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Wise men, flattering | — | ||
| 5-12 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Oh! never, never bow | — | ||
| 5-13 | Judas Maccabaeus, oratorio, HWV 63: Act 2. We never will bow down | — | ||
| 5-14 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Father of Heaven | — | ||
| 5-15 | Judas Maccabaeus, oratorio, HWV 63: Act 3. See yon flames | — | ||
| 5-16 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Oh grant it | — | ||
| 5-17 | Judas Maccabaeus, oratorio, HWV 63: Act 3. So shall the lute | — | ||
| 5-18 | Judas Maccabaeus, oratorio, HWV 63: Act 3. From Capharsalama | — | ||
| 5-19 | Judas Maccabaeus, oratorio, HWV 63: Act 3. See the Conquering Hero | — | ||
| 5-20 | Judas Maccabaeus, oratorio, HWV 63: Act 3. March | — | ||
| 5-21 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Sing unto God | — | ||
| 5-22 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Sweet flows the strains | — | ||
| 5-23 | Judas Maccabaeus, oratorio, HWV 63: Act 3. With honor let desert | — | ||
| 5-24 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Peace to my countrymen | — | ||
| 5-25 | Judas Maccabaeus, oratorio, HWV 63: Act 3. To our great God | — | ||
| 5-26 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Again to Eart | — | ||
| 5-27 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Oh lovely peace | — | ||
| 5-28 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Rejoice oh Judah! | — | ||
| 5-29 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Hallelujah-Amen | — | ||
| 6-1 | Solomon, oratorio, HWV 67: Overture | — | ||
| 6-2 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Your harps and cymbals sound | — | ||
| 6-3 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Praise ye the Lord for all His mercies past | — | ||
| 6-4 | Solomon, oratorio, HWV 67: Act 1. Scene 1. With pious heart and holy tongue | — | ||
| 6-5 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Almighty power! who rul'st the earth | — | ||
| 6-6 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Imperial Solomon thy prayers are heard | — | ||
| 6-7 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Throughout the land Jehovah's praise record | — | ||
| 6-8 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Blest be the Lord, who looked with gracious eyes | — | ||
| 6-9 | Solomon, oratorio, HWV 67: Act 1. Scene 2. And see, my queen, my wedded love | — | ||
| 6-10 | Solomon, oratorio, HWV 67: Act 1. Scene 2. Thou fair inhabitant of Nile | — | ||
| 6-11 | Solomon, oratorio, HWV 67: Act 1. Scene 2. Myrtle grove, or rosy shade | — | ||
| 6-12 | Solomon, oratorio, HWV 67: Act 1. Scene 2. When thou art absent from my sight | — | ||
| 6-13 | Solomon, oratorio, HWV 67: Act 1. Scene 2. Search' round the world... | — | ||
| 6-14 | Solomon, oratorio, HWV 67: Act 2. Scene 1. From the censer curling rise | — | ||
| 6-15 | Solomon, oratorio, HWV 67: Act 2. Scene 1. Praised be the Lord... | — | ||
| 6-16 | Solomon, oratorio, HWV 67: Act 2. Scene 2. My sovereign liege, two women stand | — | ||
| 7-1 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-2 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-3 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-4 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-5 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-6 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-7 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-8 | Solomon, oratorio, HWV 67: Act 3 | — | ||
| 7-9 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-10 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-11 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-12 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-13 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-14 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-15 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-16 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 8-1 | Belsazar: Ouverture | — | ||
| 8-2 | Belsazar: Act I. Recitativo "Ach, unstet eitles Los" (Nitocris) | — | ||
| 8-3 | Belsazar: Act I. Aria "Du, Gott der Höh'" (Nitocris) | — | ||
| 8-4 | Belsazar: Act I. Recitativo "Das Schicksal Babylons" (Nitocris, Daniel) | — | ||
| 8-5 | Belsazar: Act I. Aria "Wehlage nicht im eitlem Schmerz" (Daniel) | — | ||
| 8-6 | Belsazar: Act I. Choir "Da seht, wie Persiens junger Held" | — | ||
| 8-7 | Belsazar: Act I. Recitativo "Uns gilt ihr Hohn" (Gobrias, Cyrus) | — | ||
| 8-8 | Belsazar: Act I. Aria "Gebeugt von unheilbarem Schmerz" (Gobrias) | — | ||
| 8-9 | Belsazar: Act I. Aria "Still' der eitlen Tränen Flut" (Cyrus) | — | ||
| 8-10 | Belsazar: Act I. Recitativo "Ermanne dich" (Cyrus, Gobrias) | — | ||
| 8-11 | Belsazar: Act I. Aria "O schau den Wüstling" (Gobrias) | — | ||
| 8-12 | Belsazar: Act I. Recitativo "Befremdet's dich denn so" (Cyrus) | — | ||
| 8-13 | Belsazar: Act I. Aria "Du Gott! Der, mir nur fern bekannt" (Cyrus) | — | ||
| 8-14 | Belsazar: Act I. Recitativo "Freunde, habt Zuversicht" (Cyrus) | — | ||
| 8-15 | Belsazar: Act I. Choir "Die Reiche stehn in Gottes Rat" | — | ||
| 8-16 | Belsazar: Act I. Aria "O Heil'ges Buch" (Daniel) | — | ||
| 8-17 | Belsazar: Act I. Choir "Singt, Himmel singt" | — | ||
| 9-1 | Belsazar: Act I. Aria "Ein freudig Fest" (Belsazar) | — | ||
| 9-2 | Belsazar: Act I. Recitativo Für euch, o Freunde"" (Belsazar, Nitocris) | — | ||
| 9-3 | Belsazar: Act I. Aria "Das falbe Laub" (Nitocris) | — | ||
| 9-4 | Belsazar: Act I. Recitativo "Dies ist die Sitte" (Belsazar) | — | ||
| 9-5 | Belsazar: Act I. Choir of the Jews "Verwirf', o Herr" | — | ||
| 9-6 | Belsazar: Act I. Recitativo "Sie reden wahr" (Nitocris) | — | ||
| 9-7 | Belsazar: Act I. "O meines Lebens Lust" (Nitocris, Belsazar (duet)) | — | ||
| 9-8 | Belsazar: Act I. Choir of the Jews "Allmählich steigt Jehovas Zorn" | — | ||
| 9-9 | Belsazar: Act II. Choir Seht, wie schnell der Euphrat flieht"" | — | ||
| 9-10 | Belsazar: Act II. Recitativo "Ihr seht es, Freunde" (Cyrus) | — | ||
| 9-11 | Belsazar: Act II. Aria "erstarrt, so nah den Feind zu seh'n" (Cyrus) | — | ||
| 9-12 | Belsazar: Act II. Choir "Voran, voran" | — | ||
| 9-13 | Belsazar: Act II. Choir "Ihr schützenden Götter" | — | ||
| 9-14 | Belsazar: Act II. Aria "Kränzet den Becher rings im Kreis" (Belsazar) | — | ||
| 9-15 | Belsazar: Act II. Choir "Helft unserm Herrn" | — | ||
| 9-16 | Belsazar: Act II. Recitativo "Ruft meine Weisen" (Belsazar) | — | ||
| 9-17 | Belsazar: Act II. Sinfonia | — | ||
| 9-18 | Belsazar: Act II. Recitativo & Choir "Ihr Weisen" | — | ||
| 9-19 | Belsazar: Act II. Choir "Missgeschick" | — | ||
| 10-1 | Belsazar: Act II. Recitativo "O Herr, nicht verzage" (Nitocris) | — | ||
| 10-2 | Belsazar: Act II. Aria & Recitativo "Nein! Du behalte deinen Prunk" (Daniel) | — | ||
| 10-3 | Belsazar: Act II. Recitativo "O du allzu strenger Spruch" (Nitocris) | — | ||
| 10-4 | Belsazar: Act II. Aria "O blick' auf deiner Mutter Gram" (Nitocris) | — | ||
| 10-5 | Belsazar: Act II. Aria "O Gott des Heils" (Cyrus) | — | ||
| 10-6 | Belsazar: Act II. Recitativo "Du Gobrias" (Cyrus) | — | ||
| 10-7 | Belsazar: Act II. Choir "O tapfrer Fürst" | — | ||
| 10-8 | Belsazar: Act III. Aria "Vorahnend hofft und bangt" (Nitocris) | — | ||
| 10-9 | Belsazar: Act III. Recitativo "Gern hofft'ich noch" (Nitocris, Daniel) | — | ||
| 10-10 | Belsazar: Act III. Aria "Lässt denn der Löwe die Natur" (Daniel) | — | ||
| 10-11 | Belsazar: Act III. Recitativo "Ich hoff' auf's neu" (Nitocris, Arioch, messenger) | — | ||
| 10-12 | Belsazar: Act III. Choir of the Jews "Baal sank dahin" | — | ||
| 10-13 | Belsazar: Act III. Aria "Ich danke, Sesach" (Belsazar) | — | ||
| 10-14 | Belsazar: Act III. War's music | — | ||
| 10-15 | Belsazar: Act III. Aria "Den ew'gen Mächten sei der der erste Dank" (Gobrias) | — | ||
| 10-16 | Belsazar: Act III. Recitativo "Suche nun eilig" (Cyrus) | — | ||
| 10-17 | Belsazar: Act III. Aria "Zerstör'nder Krieg, hier ist dein Ziel" (Cyrus) | — | ||
| 10-18 | Belsazar: Act III. "O Held, gebeugt siehst du mich nah'n" (Nitocris, Cyrus (duet)) | — | ||
| 10-19 | Belsazar: Act III. Recitativo "Sprich, ehrwürdiger Seher" (Cyrus, Daniel) | — | ||
| 10-20 | Belsazar: Act III. "Kündet überall den Heiden" (Soloist & Choir) | — | ||
| 10-21 | Belsazar: Act III. Recitativo "Ja, ich bau'deine Stadt dir" (Cyrus) | — | ||
| 10-22 | Belsazar: Act III. "Sei von mir gepriesen" (Soloist & Choir) | — | ||
| 11-1 | Messiah: Part I. Sinfonia | — | ||
| 11-2 | Messiah: Part I. Recitative "Comfort ye my people" (tenor) | — | ||
| 11-3 | Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | — | ||
| 11-4 | Messiah: Part I. Chorus "And the glory, the glory of the Lord" | — | ||
| 11-5 | Messiah: Part I. Recitative "Thus said the Lord" (bass) | — | ||
| 11-6 | Messiah: Part I. Aria "But who may abide" (bass) | — | ||
| 11-7 | Messiah: Part I. Chorus "And He shall purify" | — | ||
| 11-8 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | — | ||
| 11-9 | Messiah: Part I. Aria "O thou that tellest" (alto) | — | ||
| 11-10 | Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | — | ||
| 11-11 | Messiah: Part I. Aria "The people that walked in darkness" (bass) | — | ||
| 11-12 | Messiah: Part I. Chorus "For unto us a Child is born" | — | ||
| 11-13 | Messiah: Part I. Pifa (Pastoral Symphony) | — | ||
| 11-14 | Messiah: Part I. Recitative "There were shepherds" (soprano) | — | ||
| 11-15 | Messiah: Part I. Recitative "And the angels said unto them" (soprano) | — | ||
| 11-16 | Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | — | ||
| 11-17 | Messiah: Part I. Chorus "Glory to God in the highest" | — | ||
| 11-18 | Messiah: Part I. Aria "Rejoice greatly, o daughter of Zioin" (soprano) | — | ||
| 11-19 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | — | ||
| 11-20 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | — | ||
| 11-21 | Messiah: Part I. Chorus "His yoke is easy" | — | ||
| 11-22 | Messiah: Part II. Chorus "Behold the Lamb of God" | — | ||
| 11-23 | Messiah: Part II. Aria "He was despised" (alto) | — | ||
| 12-1 | Messiah: Part II. Chorus "Surely he haath borne out grieves" | — | ||
| 12-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | — | ||
| 12-3 | Messiah: Part II. Chorus "All we like sheep" | — | ||
| 12-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | — | ||
| 12-5 | Messiah: Part II. Chorus "He trusted in God" | — | ||
| 12-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | — | ||
| 12-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | — | ||
| 12-8 | Messiah: Part II. Recitative "He was cut off out of the land" (tenor) | — | ||
| 12-9 | Messiah: Part II. Aria "But thou didst not leave" (tenor) | — | ||
| 12-10 | Messiah: Part II. Chorus "Lift up your heads" | — | ||
| 12-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | — | ||
| 12-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | — | ||
| 12-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | — | ||
| 12-14 | Messiah: Part II. Chorus "The Lord gave the word" | — | ||
| 12-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | — | ||
| 12-16 | Messiah: Part II. Chorus "Their sound is gone out" | — | ||
| 12-17 | Messiah: Part II. "Why do the nations?" (bass) | — | ||
| 12-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | — | ||
| 12-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | — | ||
| 12-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | — | ||
| 12-21 | Messiah: Part II. Chorus "Hallelujah!" | — | ||
| 12-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | — | ||
| 12-23 | Messiah: Part III. Chorus "Since by man came death" | — | ||
| 12-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | — | ||
| 12-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | — | ||
| 12-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | — | ||
| 12-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & soprano) | — | ||
| 12-28 | Messiah: Part III. Chorus "But thanks be to God" | — | ||
| 12-29 | Messiah: Part III. Aria "If God be for us" (soprano) | — | ||
| 12-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | — | ||
| 13-1 | Brockes Passion: Sinfonia | — | ||
| 13-2 | Brockes Passion: "Mich vom Stricke meiner Sünden" (soprano, alto, coro) | — | ||
| 13-3 | Brockes Passion: Recitativo "Als Jesus nun zu Tische sasse" (evangelist) | — | ||
| 13-4 | Brockes Passion: Accompagnato "Das ist mein Leib" (Jesus) | — | ||
| 13-5 | Brockes Passion: "Der Gott, dem alle Himmelskreise" (Tochter Zion) | — | ||
| 13-6 | Brockes Passion: Recitativo "Und bald hernach" (evangelist) | — | ||
| 13-7 | Brockes Passion: Accompagnato "Das ist mein Blut" (Jesus) | — | ||
| 13-8 | Brockes Passion: Aria "Gott selbst der Brunnquell" (Tochter Zion) | — | ||
| 13-9 | Brockes Passion: Coro "Ach, wie hungert mein Gemüte" | — | ||
| 13-10 | Brockes Passion: Recitativo "Drauf sagten sie dem Höchsten Dank" (evangelist, Jesus) | — | ||
| 13-11 | Brockes Passion: Coro "Wir wollen alle eh'erblassen" | — | ||
| 13-12 | Brockes Passion: Recitativo "Es ist gewiss" (Jesus) | — | ||
| 13-13 | Brockes Passion: Aria "Weil ich den Hirten schlaagen werde" (Jesus) | — | ||
| 13-14 | Brockes Passion: Recitativo "Aufs wenigste will ich" (Petrus, Jesus) | — | ||
| 13-15 | Brockes Passion: Aria "Mein Vater, mein Vater!" (Jesus) | — | ||
| 13-16 | Brockes Passion: Recitativo "Mich drückt der Sünden" (Jesus) | — | ||
| 13-17 | Brockes Passion: "Ist 's möglich" (Jesus) | — | ||
| 13-18 | Brockes Passion: Arioso "Sünden, schaut mich Furcht" (Tochter Zion) | — | ||
| 13-19 | Brockes Passion: Recitativo "Die Pein vermehrte sich" (evangelist) | — | ||
| 13-20 | Brockes Passion: Aria "Brich, mein Herz" (Tochter Zion) | — | ||
| 13-21 | Brockes Passion: Recitativo "Ein Engel aber kam" (evangelist) | — | ||
| 13-22 | Brockes Passion: Arioso "Erwachet doch!" (Jesus, Petrus, Johannes, Jacobus) | — | ||
| 13-23 | Brockes Passion: Recitativo "Und eh'die Rede" (evangelist) | — | ||
| 13-24 | Brockes Passion: Coro "Greift zu, schlagt tot" | — | ||
| 13-25 | Brockes Passion: Recitativo "Und der Verräter" (evangelist, Judas) | — | ||
| 13-26 | Brockes Passion: Coro "Er soll uns nicht entlaufen" | — | ||
| 13-27 | Brockes Passion: Recitativo "Nimm, Rabbi, diesen Kuss" (Judas, Jesus) | — | ||
| 13-28 | Brockes Passion: Aria "Gift und Glut" (Petrus) | — | ||
| 13-29 | Brockes Passion: Recitativo "Steck nur das Schwert" (Jesus) | — | ||
| 13-30 | Brockes Passion: Coro "O weh, sie binden ihn" | — | ||
| 13-31 | Brockes Passion: Recitativo "Wo flieht ihr hin?" (Petrus) | — | ||
| 13-32 | Brockes Passion: Aria "Nehmt mich mit" (Petrus) | — | ||
| 13-33 | Brockes Passion: Recitativo "Und Jesus ward" (Caiphas, Jesus, Kriegsknecht) | — | ||
| 13-34 | Brockes Passion: Aria "Was Bärentatzen, Löwenklauen" (Tochter Zion) | — | ||
| 13-35 | Brockes Passion: Recitativo "Dies sahe Petrus an" (Magd 1, Petrus, Magd 2, Magd 3) | — | ||
| 13-36 | Brockes Passion: Arioso "Ich will versinken" (Petrus) | — | ||
| 13-37 | Brockes Passion: Recitativo "Drauf krähete der Hahn" (evangelist, Petrus) | — | ||
| 14-1 | Brockes Passion: Aria "Heul, du Fluch!" (Petrus) | — | ||
| 14-2 | Brockes Passion: Recitativo "Doch wie, will ich" (Petrus) | — | ||
| 14-3 | Brockes Passion: Aria "Schau, ich fall'in strenger Busse" (Petrus) | — | ||
| 14-4 | Brockes Passion: Coro "Ach, Gott und Herr" | — | ||
| 14-5 | Brockes Passion: Recitativo "Als Jesus nun" (Evangelist, Caiphas, Jesus) | — | ||
| 14-6 | Brockes Passion: Coro "Er hat den Tod verdient" | — | ||
| 14-7 | Brockes Passion: Aria "Erwäg, erwäg" (tenor) | — | ||
| 14-8 | Brockes Passion: Recitativo "Die Nacht war kaum vorbei" (Evangelist, Tochter Zion) | — | ||
| 14-9 | Brockes Passion: Aria "Meine Laster sind die Stricke" (Tochter Zion) | — | ||
| 14-10 | Brockes Passion: Recitativo "Oh, was hab'ich, verfluchter Mensch" (Judas) | — | ||
| 14-11 | Brockes Passion: Aria "Lasst diese Tat nicht ungerochen" (Judas) | — | ||
| 14-12 | Brockes Passion: Recitativo "Unsäglich ist mein Schmerz" (Judas) | — | ||
| 14-13 | Brockes Passion: Aria "Die ihr Gottes Gnad'versäumet" (Tochter Zion) | — | ||
| 14-14 | Brockes Passion: Recitativo "Wie nun Pilatus Jesum fragt" (Evangelist, Jesus) | — | ||
| 14-15 | Brockes Passion: Coro "Bestrafe diesen Übeltäter" | — | ||
| 14-16 | Brockes Passion: Recitativo "Hast du denn kein Gehör?" (Pilatus, Evangelist) | — | ||
| 14-17 | Brockes Passion: Duetto "Sprichst du denn" (Tochter Zion, Jesus) | — | ||
| 14-18 | Brockes Passion: Recitativo "Pilatus wunderte sich sehr" (Evangelist) | — | ||
| 14-19 | Brockes Passion: Coro "Nein, diesen nicht" | — | ||
| 14-20 | Brockes Passion: Recitativo "Was fang'ich denn" (Pilatus) | — | ||
| 14-21 | Brockes Passion: Coro "Weg, weg, weg!" | — | ||
| 14-22 | Brockes Passion: Recitativo "Was hat er denn getan?" (Pilatus) | — | ||
| 14-23 | Brockes Passion: Coro "Weg, weg, weg!" | — | ||
| 14-24 | Brockes Passion: Recitativo "Wie er nun sah" (Evangelist) | — | ||
| 14-25 | Brockes Passion: Arioso "Besinne dich, Pilatus" (Tochter Zion) | — | ||
| 14-26 | Brockes Passion: Recitativo "Drauf zerreten die Kriegsknechte" (Evangelist) | — | ||
| 14-27 | Brockes Passion: Arioso "Ich seh'an einen Stein gebunden" (Gläubige Seele) | — | ||
| 14-28 | Brockes Passion: Recitativo "Drum, Seele, schau" (Gläubige Seele) | — | ||
| 14-29 | Brockes Passion: Aria "Dem Himmel gleicht" (Gläubige Seele) | — | ||
| 14-30 | Brockes Passion: Recitativo "Wie nun das Blut" (Evangelist) | — | ||
| 14-31 | Brockes Passion: Aria "Die Rosen krönen" (Tochter Zion) | — | ||
| 14-32 | Brockes Passion: Recitativo "Verwegner Dorn" (Tochter Zion) | — | ||
| 14-33 | Brockes Passion: Aria "Lass doch diese herbe Schmerzen" (Tochter Zion) | — | ||
| 14-34 | Brockes Passion: Recitativo "Der zarten Schläfen" (Tochter Zion) | — | ||
| 14-35 | Brockes Passion: Aria "Jesu! Jesu" (Tochter Zion) | — | ||
| 14-36 | Brockes Passion: Recitativo "Drauf beugten sie aus Spott" (Evangelist) | — | ||
| 14-37 | Brockes Passion: Coro "Ein jeder sei ihm untertänig!" | — | ||
| 14-38 | Brockes Passion: Recitativo "Ja, scheuten sich nicht" (Evangelist) | — | ||
| 14-39 | Brockes Passion: Aria "Schäumest du, du Schaum der Welt" (Tochter Zion) | — | ||
| 14-40 | Brockes Passion: Recitativo "Worauf sie mit dem Rohr" (Evangelist) | — | ||
| 14-41 | Brockes Passion: Aria "Bestürzter Sünder" (Tochter Zion) | — | ||
| 14-42 | Brockes Passion: Aria "Heil der Welt" (Tochter Zion) | — | ||
| 15-1 | Brockes Passion: Recitativo "Wie man ihm nun genug" (evangelist) | — | ||
| 15-2 | Brockes Passion: "Eilt, ihr angefochten Seelen!" (Coro, Tochter Zion) | — | ||
| 15-3 | Brockes Passion: Recitativo "Ach Gott, ach Gott!" (Maria) | — | ||
| 15-4 | Brockes Passion: Duet "Soll mein Kind" (Maria, Jesus) | — | ||
| 15-5 | Brockes Passion: Recitativo "Und er trug selbst sein Kreuz" (evangelist, Tochter Zion) | — | ||
| 15-6 | Brockes Passion: Aria "Es scheint, da den zerkerbten Rücken" (tenor) | — | ||
| 15-7 | Brockes Passion: Recitativo "Wie sie nun an die Stätte" (evangelist) | — | ||
| 15-8 | Brockes Passion: Aria "Heir erstarrt mein Herz" (Gläubige Seele) | — | ||
| 15-9 | Brockes Passion: Recitativo "O Anblick, o entsetzliches Gesicht!" (Gläubige Seele) | — | ||
| 15-10 | Brockes Passion: Coro "O Menschenkind" | — | ||
| 15-11 | Brockes Passion: Recitativo "Sobald er nun gekreuzigt war" (evangelist) | — | ||
| 15-12 | Brockes Passion: Coro "Pfui, pfui, pfui!" | — | ||
| 15-13 | Brockes Passion: Recitativo "Und eine dicke Finsternis" (evangelist) | — | ||
| 15-14 | Brockes Passion: Aria "Was Wunder, dass der Sonnen Pracht" (Gläubige Seele) | — | ||
| 15-15 | Brockes Passion: Recitativo "Dies war zur neunten Stund'" (evangelist) | — | ||
| 15-16 | Brockes Passion: Arioso "Mein Heiland" (Gläubige Seele) | — | ||
| 15-17 | Brockes Passion: Recitativo "Drauf lief ein Dienstknecht hin" (evangelist) | — | ||
| 15-18 | Brockes Passion: Terzetto "O Donnerwort!" | — | ||
| 15-19 | Brockes Passion: Recitativo "O selig wer dies glaubt" (Gläubige Seele, evangelist) | — | ||
| 15-20 | Brockes Passion: Aria "Sind meiner Seelen tiefe Wunden" (Tochter Zion, Gläubige Seele) | — | ||
| 15-21 | Brockes Passion: Recitativo "O Grossmut!" (Tochter Zion, evangelist) | — | ||
| 15-22 | Brockes Passion: Aria "Brich, brüllender Abgrund" (Gläubige Seele) | — | ||
| 15-23 | Brockes Passion: Recitativo "Ja, ja, es brüllet schon" (Gläubige Seele, Hauptmann) | — | ||
| 15-24 | Brockes Passion: Aria "Wie kommt's, dass da der Himmel weint" (Gläubige Seele) | — | ||
| 15-25 | Brockes Passion: Accompagnato "Bei Jesus' Tod und Leiden" (Gläubige Seele) | — | ||
| 15-26 | Brockes Passion: Coro "Mein' Sünd'mich werden kränken" | — | ||
| 15-27 | Brockes Passion: Aria "Wisch ab der Tränen scharfe Lauge" (Tochter Zion) | — | ||
| 15-28 | Brockes Passion: Coro "Ich bin ein Glied" | — | ||
| 16-1 | St. John Passion (spurious): No. 1, Sinfonia/No. 2, Recitativo: Da Nahm Pilatus Jesum | — | ||
| 16-2 | St. John Passion (spurious): No. 3, Aria: Unsere Bosheit Ohne Zahl | — | ||
| 16-3 | St. John Passion (spurious): No. 4, Recitativo: Und Die Kriegsknechte/No. 5, Coro: Sei Gegrüsset | — | ||
| 16-4 | St. John Passion (spurious): No. 6, Recitativo: Und Gaben Ihm Backenstreiche/No. 7, Arioso: Sehet, Ich Führe Ihn Heraus | — | ||
| 16-5 | St. John Passion (spurious): No. 8, Recittivo: Also Ging Jesus Heraus | — | ||
| 16-6 | St. John Passion (spurious): No. 9, Duetto: Schauet, Mein Jesus Ist Rosen Zu Gleichen | — | ||
| 16-7 | St. John Passion (spurious): No. 10, Recitativo: Und Er Spricht Zu Ihnen/No. 11, Arioso: Sehet, Welch Ein Mensch! | — | ||
| 16-8 | St. John Passion (spurious): No. 12, Recitativo: Da Ihn Die Hohenpriester Und Die Diener Sahen/No. 13, Coro: Kreuzige Kreuzige | — | ||
| 16-9 | St. John Passion (spurious): No. 14, Recitativo: Pilatus Spricht Zu Ihnen/No. 15, Arioso: Nehmet Ihr Ihn Hin | — | ||
| 16-10 | St. John Passion (spurious): No. 16, RecitativoL Die Juden Antworteten Ihm/No. 17, Coro: Wir Haben Ein Gesetze | — | ||
| 16-11 | St. John Passion (spurious): No. 18, Recitativo: Da Pilatus Das Wort Höret/No. 19, Arioso: Redest Du Nicht Mit Mir? | — | ||
| 16-12 | St. John Passion (spurious): No. 20, Recitativo: Jesu Antwortet/No. 21, Aria: Du Hättest Keine Macht Über Mir/No. 22, Recitativo | — | ||
| 16-13 | St. John Passion (spurious): No. 23, Aria: Durch Dein Gefängnis | — | ||
| 16-14 | St. John Passion (spurious): No. 24, Recitativo: Die Juden Aber Schrieen/No. 25, Coro: Lässest Du Diesen Los | — | ||
| 16-15 | St. John Passion (spurious): No. 26, Recitativo: Da Pilatus Das Wort Höret/No. 27, Arioso: Sehet, Das Ist Euer König! | — | ||
| 16-16 | St. John Passion (spurious): No. 28, Recitativo: Sie Schrien Alle/No. 29, Coro: Weg, Weg Mit Dem | — | ||
| 16-17 | St. John Passion (spurious): No. 30, Aria: Erschüttere Mit Krachen | — | ||
| 16-18 | St. John Passion (spurious): No. 31, Recitativo: Spricht Pilatus Zu Ihnen/No. 32, Arioso: Soll Ich Euren König Kreuzigen? | — | ||
| 16-19 | St. John Passion (spurious): No. 33, Recitativo: Die Hohenpriester Antworteten/No. 34, Coro: Wir Haben Keinen König | — | ||
| 16-20 | St. John Passion (spurious): No. 35, Recitativo: Da Überantwortet Er Ihn | — | ||
| 16-21 | St. John Passion (spurious): No. 36, Aria: Getrost, Mein Herz | — | ||
| 16-22 | St. John Passion (spurious): No. 37, Recitativo: Pilatus Aber Schrieb Eine Überschrift/No. 38, Coro: Schreib Nich, Der Juden Kön | — | ||
| 16-23 | St. John Passion (spurious): No. 41, Recitativo: Die Kriegsknechte Aber | — | ||
| 16-24 | St. John Passion (spurious): No. 42, Aria: Du Musst Den Rock Verlier'n | — | ||
| 16-25 | St. John Passion (spurious): No. 43, Recitativo: Der Rock Aber War Ungenäht/No. 44, Coro: Lasset Uns Den Nicht Zerteilen | — | ||
| 16-26 | St. John Passion (spurious): No. 45, Recitativo: Auf Dass Erfüllet Würde Schrift/No. 46, Accompagnato: Sie Haben Meine Kleider U | — | ||
| 16-27 | St. John Passion (spurious): No. 48, Duetto: Welche Sind Des Heilands Erben? | — | ||
| 16-28 | St. John Passion (spurious): No. 49, Recitativo: Es Stund Aber Bei Dem Kreuz/No. 50, Arioso: Weib, Siehe, Das Ist Dein Sohn/No. | — | ||
| 16-29 | St. John Passion (spurious): No. 53, Recitativo: Und Von Stund An/No. 54, Arioso: Mich Dürstet! | — | ||
| 16-30 | St. John Passion (spurious): No. 55, Aria: Jesu, Wonach Dürstet Dich | — | ||
| 16-31 | St. John Passion (spurious): No. 56, Recitativo: Da Stund Ein Gefäass Voll Essig/No. 57, Arioso: Es Ist Vollbracht! | — | ||
| 16-32 | St. John Passion (spurious): No. 58, Aria: O Grosses Werk/No. 59, Recitativo: Und Neigte Das Haupt Und Verschied | — | ||
| 16-33 | St. John Passion (spurious): No. 60, Aria: Bebet, Ihr Berge | — | ||
| 16-34 | St. John Passion (spurious): No. 61, Recitativo: Die Juden Aber | — | ||
| 16-35 | St. John Passion (spurious): No. 62, Duetto: War Das Wasser Denn Zu Schlecht | — | ||
| 16-36 | St. John Passion (spurious): No. 63, Recitativo: Und Der Es Gesehen Hat | — | ||
| 16-37 | St. John Passion (spurious): No. 64, Duetto: Ich Gehe Mit In's Grab | — | ||
| 16-38 | St. John Passion (spurious): No. 65, Recitativo: Es War Aber An Der Stätte | — | ||
| 16-39 | St. John Passion (spurious): No. 66, Coro: Schlafe Wohl Nach Deinen Leiden | — | ||
| 17-1 | Acis & Galatea: Act I. Sinfonia | — | ||
| 17-2 | Acis & Galatea: Act I. Choir "Oh, the pleasure" | — | ||
| 17-3 | Acis & Galatea: Act I. Recitavive "Ye verdant plains" | — | ||
| 17-4 | Acis & Galatea: Act I. Aria "Hush, ye pretty" (Galatea) | — | ||
| 17-5 | Acis & Galatea: Act I. Aria "Where shall I seek" (Acis) | — | ||
| 17-6 | Acis & Galatea: Act I. Recitavive "Stay, shepherd, stay" | — | ||
| 17-7 | Acis & Galatea: Act I. Aria "Shepherd, what" (Damon) | — | ||
| 17-8 | Acis & Galatea: Act I. Recitavive: "Lo, here my love" | — | ||
| 17-9 | Acis & Galatea: Act I. Aria "Love in her eyes" (Acis) | — | ||
| 17-10 | Acis & Galatea: Act I. Recitavive "O didst thou know" | — | ||
| 17-11 | Acis & Galatea: Act I. Aria "As when the dove" (Galatea) | — | ||
| 17-12 | Acis & Galatea: Act I. Duet & Choir "Happy we" | — | ||
| 18-1 | Acis & Galatea: Act II. Choir "Wretched lovers" | — | ||
| 18-2 | Acis & Galatea: Act II. Recitativo accompagnato "I rage" | — | ||
| 18-3 | Acis & Galatea: Act II. Aria "O ruddier" (Polyphemus) | — | ||
| 18-4 | Acis & Galatea: Act II. Recitativo "Whither, fairest" | — | ||
| 18-5 | Acis & Galatea: Act II. Aria "Cease to beauty" (Polyphemus) | — | ||
| 18-6 | Acis & Galatea: Act II. Aria "Would you gain" (Damon) | — | ||
| 18-7 | Acis & Galatea: Act II. Recitativo "His hideous love" | — | ||
| 18-8 | Acis & Galatea: Act II. Aria "Love sounds th'alarm" (Acis) | — | ||
| 18-9 | Acis & Galatea: Act II. Aria "Consider" (Damon) | — | ||
| 18-10 | Acis & Galatea: Act II. Recitativo "Cease, o cease" | — | ||
| 18-11 | Acis & Galatea: Act II. Trio "The flocks shall leave" | — | ||
| 18-12 | Acis & Galatea: Act II. Recitativo "Help, Galatea" | — | ||
| 18-13 | Acis & Galatea: Act II. Choir "Mourn, all ye muses" | — | ||
| 18-14 | Acis & Galatea: Act II. "Must I my Acis" (Galatea, choir) | — | ||
| 18-15 | Acis & Galatea: Act II. Recitativo "Tis done" | — | ||
| 18-16 | Acis & Galatea: Act II. Aria "Heart, the seat" (Galatea) | — | ||
| 18-17 | Acis & Galatea: Act II. Choir "Galatea, dry thy tears" | — | ||
| 19-1 | Imeneo: Overture | — | ||
| 19-2 | Imeneo: Act I, Scene I. Arioso "La mia bella" (Tirinto) - Recitative "Tirinto!" (Argenio) - Recitativo "Dal di ch'io la perdei" (Tirinto) - Aria "Se potessero" (Tirinto) | — | ||
| 19-3 | Imeneo: Act I, Scene II. Recitativo "Cerere omnipotente" (Argenio) - Choir "Vien Imeneo fra voi" - Recitativo "Valoroso Imeneo!" (Tirinto) - Aria "Di ciceca notte allor" (Imeneo) | — | ||
| 19-4 | Imeneo: Act I, Scene III-IV. Recitativo "Rosmene, alfin dovresti" (Imeneo) - Aria "Ingrata mai no fui" (Rosmene) - Aria "Mi chiederesti meno" (Tirinto) | — | ||
| 19-5 | Imeneo: Act I, Scene V-VI. Recitativo "Se non era il tuo braccio" (Clomiri) - Aria "v'e un infelice" (Clomiri) - Recitativo "Paventar non degg'io che non" (Imeneo) - Aria "Esser mia dovra" (Imeneo) - Choir "Vien Imemeo fra voi..." | — | ||
| 19-6 | Imeneo: Act II, Scene I. Arioso "Deh, m'aiutate, o Dei!" (Rosmene) - Recitativo "Vogliono i tuoi maggiori" (Argenio) - Aria "Su l'arena di barbara scene" (Argenio) | — | ||
| 20-1 | Imeneo: Act II, Scene II-III. Recitativo "La mia mente or confusa vorria" (Rosmene) - Aria "Semplicetta, la saetta" (Rosmene) - Recitativo "Tirinto, era poc'anzi" (Clomiri) - Aria "Sorge nell'alma mia" (Imeneo) | — | ||
| 20-2 | Imeneo: Act II, Scene IV-V. Recitativo "Imeneo, lieto in viso tutto" (Clomiri) - Aria "E si vaga del tuo bene" (Clomiri) - Recitativo "Sembra un fanciullo, Amore" (Imeneo) - Aria "Chi scherza colle rose" (Imeneo) | — | ||
| 20-3 | Imeneo: Act II, Scene VI. Recitativo "Udisti gia" (Argenio) - Trio "Consolami, mio bene" (Imeneo, Rosmene, Tirinto) - Choir "E troppa bel trofeo" | — | ||
| 20-4 | Imeneo: Act III, Scene I-II. Recitativo "Alfin decidi!" (Tirinto, Imeneo) - Aria "In mezzo a voi dui" (Rosmene) - Recitativo "Se tua sara Rosmene" (Imeneo) - Aria "Pieno il core di timore" (Tirinto) | — | ||
| 20-5 | Imeneo: Act III, Scene III-VI. Recitativo "Sarei lieta ancor io se Rosmene" (Clomiri) / Aria "Se ricordar ten vuoi" (Clomiri) / Aria "D'amor nei primi istanti" (Imeneo) / Recitativo "Perdonami, Clomiri, d'altro amore" (Imeneo) / Arioso "Se la mia pace a me" (Imeneo) / Recitativo "Sentimi, er pieta!" (Tirinto) / Arioso "Se la mia pace..." (Tirinto) / Recitativo "E questo il di per definir la lite?" (Rosmene) / Duetto "Se la mia pace..." (Tirinto, Imeneo) / Recitativo "La vita?" (Rosmene) | — | ||
| 20-6 | Imeneo: Recitativo accompagnato "Miratela! Che arriva cinta di" / Recitativo "Misera!" (Imeneo) / Arioso "Al voler del tua fortuna" (Rosmene) / Recitativo "Paelai da stolta" (Rosmene) / Duetto "Per le porte del tormento" (Rosmene, Tirinto) / Choir "Se consulta il suo dover" | — | ||
| 21-1 | Faramondo: Overture | — | ||
| 21-2 | Faramondo: Act I. Recitative Accompagnato "Popolo, figlio" | — | ||
| 21-3 | Faramondo: Act I. Choir "Pera, pera" | — | ||
| 21-4 | Faramondo: Act I. "Chiede l'ombra" | — | ||
| 21-5 | Faramondo: Act I. Aria "Viva, si" (Gustavo) | — | ||
| 21-6 | Faramondo: Act I. Recitativo "Siam pur fuori" | — | ||
| 21-7 | Faramondo: Act I. Aria "Conoscero" (Clotilde) | — | ||
| 21-8 | Faramondo: Act I. Recitativo & Aria "Perdoni...chi ben" (Adolfo) | — | ||
| 21-9 | Faramondo: Act I. Recitativo "A me dunque" | — | ||
| 21-10 | Faramondo: Act I. Aria "Vanne" (Rosimonda) | — | ||
| 21-11 | Faramondo: Act I. Recitativo "Faramondo infelice" | — | ||
| 21-12 | Faramondo: Act I. Aria "Rival si tono" (Faramondo) | — | ||
| 21-13 | Faramondo: Act I. Recitativo & Aria "Va voglio" (Gernando) | — | ||
| 21-14 | Faramondo: Act I. Recitativo "Sino ad ora" | — | ||
| 21-15 | Faramondo: Act I. Arioso "Si, tornero" (Faramondo) | — | ||
| 21-16 | Faramondo: Act I. Recitativo & Aria "Quel..sento" (Rosimonda) | — | ||
| 21-17 | Faramondo: Act I. Recitativo "Si, Clotilde" | — | ||
| 21-18 | Faramondo: Act I. Aria "Vado a recar" (Gustavo) | — | ||
| 21-19 | Faramondo: Act I. Recitativo "Dalla cittade" | — | ||
| 21-20 | Faramondo: Act I. Aria "Mi parto lieta" (Clotilde) | — | ||
| 21-21 | Faramondo: Act I. Recitativo "Fra quest'ombre" | — | ||
| 21-22 | Faramondo: Act I. Aria "Se ben" (Faramondo) | — | ||
| 22-1 | Faramondo: Act I. Concerto grosso No. 4, Op. 6: Larghetto | — | ||
| 22-2 | Faramondo: Act I. Concerto grosso No. 4, Op. 6: Allegro | — | ||
| 22-3 | Faramondo: Act II. Sinfonia | — | ||
| 22-4 | Faramondo: Act II. Recitativo "Gia udisti" | — | ||
| 22-5 | Faramondo: Act II. Aria "Si, l'intendesti" (Rosimonda) | — | ||
| 22-6 | Faramondo: Act II. Recitativo & Aria "Si sdegna" (Gernando) | — | ||
| 22-7 | Faramondo: Act II. Recitativo "Misero" | — | ||
| 22-8 | Faramondo: Act II. Aria "Poi che pria" (Faramondo) | — | ||
| 22-9 | Faramondo: Act II. Aria "Combattuta" (Clotilde) | — | ||
| 22-10 | Faramondo: Act II. Recitativo "Faramondo in catene" | — | ||
| 22-11 | Faramondo: Act II. Aria "Se a piedi" (Adolfo) | — | ||
| 22-12 | Faramondo: Act II. Recitativo "Signor, umil" | — | ||
| 22-13 | Faramondo: Act II. Aria "Sol la brama" (Gustavo) | — | ||
| 22-14 | Faramondo: Act II. Recitativo "Tentai d'aver" | — | ||
| 22-15 | Faramondo: Act II. Aria "Nella terra" (Gernando) | — | ||
| 22-16 | Faramondo: Act II. Recitativo "Childerico" | — | ||
| 22-17 | Faramondo: Act II. Duetto "Vado e vivo" | — | ||
| 23-1 | Faramondo: Act II. Concerto grosso No. 4, Op. 6: Largo | — | ||
| 23-2 | Faramondo: Act II. Concerto grosso No. 4, Op. 6: Allegro | — | ||
| 23-3 | Faramondo: Act III. Sinfonia | — | ||
| 23-4 | Faramondo: Act III. Recitativo "Mi tradiscono" | — | ||
| 23-5 | Faramondo: Act III. Duetto "Caro, cara" | — | ||
| 23-6 | Faramondo: Act III. Recitativo "Gia nel campo" | — | ||
| 23-7 | Faramondo: Act III. Aria "Cosi suole" (Gernando) | — | ||
| 23-8 | Faramondo: Act III. Recitativo "Ritorna pur" | — | ||
| 23-9 | Faramondo: Act III. Aria "Voglio che sia" (Faramondo) | — | ||
| 23-10 | Faramondo: Act III. Recitativo "D'un oltraggiato" | — | ||
| 23-11 | Faramondo: Act III. Aria "Se ria procella" (Adolfo) | — | ||
| 23-12 | Faramondo: Act III. Recitativo "Non isdegnar" | — | ||
| 23-13 | Faramondo: Act III. Aria "Sappi, crudel" (Rosimonda) | — | ||
| 23-14 | Faramondo: Act III. Recitativo "Clotilde, il tuo dolor" | — | ||
| 23-15 | Faramondo: Act III. Aria "Un'aura placida" (Clotilde) | — | ||
| 23-16 | Faramondo: Act III. Recitativo "Reggi il mio brando" | — | ||
| 23-17 | Faramondo: Act III. Aria & Choir "Virtu che rende" | — | ||
| 24-1 | Anthem, "Zadok the Priest" | — | ||
| 24-2 | Anthem, "My Heart Is Inditing": "My Heart is Inditing" | — | ||
| 24-3 | Anthem, "My Heart Is Inditing": "King's daughters were among thy honourable women" | — | ||
| 24-4 | Anthem, "My Heart Is Inditing": "Upon thy right hand" | — | ||
| 24-5 | Anthem, "My Heart Is Inditing": "Kings shall be thy nursing fathers" | — | ||
| 24-6 | Anthem, "Let Thy Hand Be Strengthened": "Let thy hand be strengthened" | — | ||
| 24-7 | Anthem, "Let Thy Hand Be Strengthened": "Let justice and judgement" | — | ||
| 24-8 | Anthem, "Let Thy Hand Be Strengthened": "Allelujah!" | — | ||
| 24-9 | Anthem, "The King Shall Rejoice": "The King shall rejoice" | — | ||
| 24-10 | Anthem, "The King Shall Rejoice": "Exceedingly glad shall he be" | — | ||
| 24-11 | Anthem, "The King Shall Rejoice": "Glory and great worship hast Thou laid upon him" | — | ||
| 24-12 | Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante | — | ||
| 24-13 | Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante | — | ||
| 24-14 | Concerto for organ No. 1 in B-flat major, Op. 7: III. Adagio | — | ||
| 24-15 | Concerto for organ No. 1 in B-flat major, Op. 7: IV. Largo e piano | — | ||
| 24-16 | Concerto for organ No. 1 in B-flat major, Op. 7: V. Fuga ex B | — | ||
| 24-17 | Concerto for organ No. 1 in B-flat major, Op. 7: VI. Larghetto | — | ||
| 24-18 | Concerto for organ No. 1 in B-flat major, Op. 7: VII. Bourrée | — | ||
| 25-1 | Cantata, HWV 99 "Delirio amoroso": Introduzione | — | ||
| 25-2 | Cantata, HWV 99 "Delirio amoroso": Recitativo "Da quel giorno fatale" | — | ||
| 25-3 | Cantata, HWV 99 "Delirio amoroso": Aria "un pensiero voli in ciel" | — | ||
| 25-4 | Cantata, HWV 99 "Delirio amoroso": Recitativo "Ma fermati pensier" | — | ||
| 25-5 | Cantata, HWV 99 "Delirio amoroso": Aria "Per te lasciai la luce" | — | ||
| 25-6 | Cantata, HWV 99 "Delirio amoroso": Recitativo "Non ti bastava ingrato" | — | ||
| 25-7 | Cantata, HWV 99 "Delirio amoroso": Aria "Lascia omai le brune vele" | — | ||
| 25-8 | Cantata, HWV 99 "Delirio amoroso": Recitativo "Ma siamo giunti in Lete" | — | ||
| 25-9 | Cantata, HWV 99 "Delirio amoroso": Entrée | — | ||
| 25-10 | Cantata, HWV 99 "Delirio amoroso": Minuet - Aria: In questa amene - recitativo - minuet da capo | — | ||
| 25-11 | Cantata, HWV 97 "Crudel tiranno Amor": Aria "Crudel tiranno Amor" | — | ||
| 25-12 | Cantata, HWV 97 "Crudel tiranno Amor": Recitativo "Ma tu mandi al mio core" | — | ||
| 25-13 | Cantata, HWV 97 "Crudel tiranno Amor": Aria "O dolce mia speranza" | — | ||
| 25-14 | Cantata, HWV 97 "Crudel tiranno Amor": Recitativo "Senza te, dolce spene" | — | ||
| 25-15 | Cantata, HWV 97 "Crudel tiranno Amor": Aria "O cara spene" | — | ||
| 25-16 | Cantata, HWV 110 "Agrippina condotta a morire": Recitativo "Dunque sara pur vero" | — | ||
| 25-17 | Cantata, HWV 110 "Agrippina condotta a morire": Aria "Orrida, oscura, l'etra si renda" | — | ||
| 25-18 | Cantata, HWV 110 "Agrippina condotta a morire": Recitativo "Ma pria che d'empia morte" | — | ||
| 25-19 | Cantata, HWV 110 "Agrippina condotta a morire": Aria "Renda cenere il tiranno" | — | ||
| 25-20 | Cantata, HWV 110 "Agrippina condotta a morire": Recitativo "Si, si, del gran tiranno" | — | ||
| 25-21 | Cantata, HWV 110 "Agrippina condotta a morire": Arioso e recitativo | — | ||
| 25-22 | Cantata, HWV 110 "Agrippina condotta a morire": Aria "Se infelice al mondo vissi" | — | ||
| 25-23 | Cantata, HWV 110 "Agrippina condotta a morire": Recitativo "Trema l'ingrao figlio" | — | ||
| 25-24 | Cantata, HWV 110 "Agrippina condotta a morire": Aria "Su lacerate il seno" | — | ||
| 25-25 | Cantata, HWV 110 "Agrippina condotta a morire": Recitativo "Ecco a morte gia corro" | — | ||
| 26-1 | Cantata, HWV 142 "Notte placida e cheta": Recitativo "Notte placida e cheta" | — | ||
| 26-2 | Cantata, HWV 142 "Notte placida e cheta": Aria "Zeffiretti, deh venite" | — | ||
| 26-3 | Cantata, HWV 142 "Notte placida e cheta": Recitativo "Momento fortunato" | — | ||
| 26-4 | Cantata, HWV 142 "Notte placida e cheta": Aria "Per un istante" | — | ||
| 26-5 | Cantata, HWV 142 "Notte placida e cheta": Accompagnato "Ma gia sento" | — | ||
| 26-6 | Cantata, HWV 142 "Notte placida e cheta": Aria "Luci belle, vaghe stelle" | — | ||
| 26-7 | Cantata, HWV 142 "Notte placida e cheta": Accompagnato "Oh delizie d'amor" | — | ||
| 26-8 | Cantata, HWV 142 "Notte placida e cheta": Aria "Che non si da" | — | ||
| 26-9 | Cantata, HWV 150 "Ero e Leandro": Recitativo "Qual ti riveggio, oh Dio" | — | ||
| 26-10 | Cantata, HWV 150 "Ero e Leandro": Aria "Empio mare" | — | ||
| 26-11 | Cantata, HWV 150 "Ero e Leandro": Recitativo "Amore, che ascoso" | — | ||
| 26-12 | Cantata, HWV 150 "Ero e Leandro": Aria "Se la morte non vorra" | — | ||
| 26-13 | Cantata, HWV 150 "Ero e Leandro": Recitativo "Questi dalla mia fronte" | — | ||
| 26-14 | Cantata, HWV 150 "Ero e Leandro": Aria "Si muora" | — | ||
| 26-15 | Cantata, HWV 150 "Ero e Leandro": Recitativo "Ecco, gelide labbra" | — | ||
| 26-16 | Cantata, HWV 82 "Il duello amoroso": Sonata | — | ||
| 26-17 | Cantata, HWV 82 "Il duello amoroso": Recitativo "Amarilli vezzosa" (Daliso) | — | ||
| 26-18 | Cantata, HWV 82 "Il duello amoroso": Aria "Pietoso sguardo" (Daliso) | — | ||
| 26-19 | Cantata, HWV 82 "Il duello amoroso": Recitativo "Dunque tanto s'avanza" (Amarilli) | — | ||
| 26-20 | Cantata, HWV 82 "Il duello amoroso": Aria "Piacer che non si dona" (Amarilli) | — | ||
| 26-21 | Cantata, HWV 82 "Il duello amoroso": Recitativo "Si, si crudel" (Daliso, Amarilli) | — | ||
| 26-22 | Cantata, HWV 82 "Il duello amoroso": Aria "Quel nocchiero" (Amarilli) | — | ||
| 26-23 | Cantata, HWV 82 "Il duello amoroso": Recitativo "Amarilli, Amarilli" (Daliso) | — | ||
| 26-24 | Cantata, HWV 82 "Il duello amoroso": Aria "E vanita d'un cor" (Daliso) | — | ||
| 26-25 | Cantata, HWV 82 "Il duello amoroso": Recitativo "Or su gia che ostinato" (Amarilli, Daliso) | — | ||
| 26-26 | Cantata, HWV 82 "Il duello amoroso": Arioso "Si, si lasciami, ingrata" (Daliso) | — | ||
| 26-27 | Cantata, HWV 82 "Il duello amoroso": Arioso "Su, su, restati in prace" (Amarilli) | — | ||
| 26-28 | Cantata, HWV 82 "Il duello amoroso": Duetto "Si, si / Su, su": ritornello (Daliso, Amarilli) | — | ||
| 27-1 | Aria: "Künft'ger Zeiten eitler Kummer" | — | ||
| 27-2 | Aria: "Das zitternde Glänzen der spielenden Wellen" | — | ||
| 27-3 | Aria: "Süsser Blumen Ambraflocken" | — | ||
| 27-4 | Aria: "Süsse Stille, sanfte Quelle" | — | ||
| 27-5 | Aria: "Singe, Seele, Gott zum Preise" | — | ||
| 27-6 | Aria: "Meine Seele hört im Sehen" | — | ||
| 27-7 | Aria: "Die ihr aus dunkeln Grüften" | — | ||
| 27-8 | Aria: "In den angenehmen Büschen" | — | ||
| 27-9 | Aria: "Flammende Rose, Zierde der Erden" | — | ||
| 28-1 | Water Music Suite No.1 for orchestra in F major, HWV 348- Overture | — | ||
| 28-2 | Water Music Suite No.1 for orchestra in F major, HWV 348- Andante & staccato | — | ||
| 28-3 | Water Music Suite No.1 for orchestra in F major, HWV 348- Allegro | — | ||
| 28-4 | Water Music Suite No.1 for orchestra in F major, HWV 348- Presto | — | ||
| 28-5 | Water Music Suite No.1 for orchestra in F major, HWV 348- Air | — | ||
| 28-6 | Water Music Suite No.1 for orchestra in F major, HWV 348- Minuet | — | ||
| 28-7 | Water Music Suite No.1 for orchestra in F major, HWV 348- Bourrée | — | ||
| 28-8 | Water Music Suite No.1 for orchestra in F major, HWV 348- Hornpipe | — | ||
| 28-9 | Water Music Suite No.1 for orchestra in F major, HWV 348- Suite No. 1. Andante | — | ||
| 28-10 | Water Music Suite No.1 for orchestra in F major, HWV 348- Overture | — | ||
| 28-11 | Water Music Suite No.1 for orchestra in F major, HWV 348- Alla hornpipe | — | ||
| 28-12 | Water Music Suite No.2 for orchestra in D major, HWV 349- Minuet | — | ||
| 28-13 | Water Music Suite No.2 for orchestra in D major, HWV 349- Presto | — | ||
| 28-14 | Water Music Suite No.2 for orchestra in D major, HWV 349- Minuet | — | ||
| 28-15 | Water Music Suite No.2 for orchestra in D major, HWV 349- Bourrée | — | ||
| 28-16 | Water Music Suite No.2 for orchestra in D major, HWV 349- Country Dance | — | ||
| 28-17 | Water Music Suite No.2 for orchestra in D major, HWV 349- Suite No. 2 in D major. (-Trumpet Suite No. 3-) Allegro | — | ||
| 28-18 | Water Music Suite No.2 for orchestra in D major, HWV 349- (-Trumpet Suite No. 3-) Alla hornpipe | — | ||
| 28-19 | Water Music Suite No.2 for orchestra in D major, HWV 349- (-Trumpet Suite No. 3-) Trumpet minuet | — | ||
| 28-20 | Water Music Suite No.2 for orchestra in D major, HWV 349- (-Trumpet Suite No. 3-) Lentement | — | ||
| 28-21 | Water Music Suite No.2 for orchestra in D major, HWV 349- (-Trumpet Suite No. 3-) -This aire to be play'd thrice? | — | ||
| 29-1 | Music for the Royal Fireworks, for orchestra, HWV 351: 1. Ouverture: Allegro - Lentement - Allegro | — | ||
| 29-2 | Music for the Royal Fireworks, for orchestra, HWV 351: 2. Bourrée | — | ||
| 29-3 | Music for the Royal Fireworks, for orchestra, HWV 351: 3. La Paix: Largo alla Siciliana | — | ||
| 29-4 | Music for the Royal Fireworks, for orchestra, HWV 351: 4. La Réjouissance | — | ||
| 29-5 | Music for the Royal Fireworks, for orchestra, HWV 351: 5. Menuet 1 & 2 | — | ||
| 29-6 | Oboe Concerto in G minor (No.3), HWV 287 (possibly spurious): 1. Grave | — | ||
| 29-7 | Oboe Concerto in G minor (No.3), HWV 287 (possibly spurious): 2. Allegro | — | ||
| 29-8 | Oboe Concerto in G minor (No.3), HWV 287 (possibly spurious): 3. Sarabande | — | ||
| 29-9 | Oboe Concerto in G minor (No.3), HWV 287 (possibly spurious): 4. Allegro | — | ||
| 29-10 | Harp Concerto in B flat major, Op.4/6, HWV 294: 1. Andante - Allegro | — | ||
| 29-11 | Harp Concerto in B flat major, Op.4/6, HWV 294: 2. Larghetto | — | ||
| 29-12 | Harp Concerto in B flat major, Op.4/6, HWV 294: 3. Allegro moderato | — | ||
| 29-13 | Solomon, oratorio, HWV 67: Arrival of the Queen of Sheba | — | ||
| 29-14 | Concerto Grosso in C minor, Op.6/8, HWV 326: 1. Allemande | — | ||
| 29-15 | Concerto Grosso in C minor, Op.6/8, HWV 326: 2. Grave | — | ||
| 29-16 | Concerto Grosso in C minor, Op.6/8, HWV 326: 3. Andante - Allegro | — | ||
| 29-17 | Concerto Grosso in C minor, Op.6/8, HWV 326: 4. Adagio | — | ||
| 29-18 | Concerto Grosso in C minor, Op.6/8, HWV 326: 5. Siciliana | — | ||
| 29-19 | Concerto Grosso in C minor, Op.6/8, HWV 326: 6. Allegro | — | ||
| 30-1 | Concerti Grossi No. 1 in B-flat major, Op. 3: I. Allegro | — | ||
| 30-2 | Concerti Grossi No. 1 in B-flat major, Op. 3: II. Largo | — | ||
| 30-3 | Concerti Grossi No. 1 in B-flat major, Op. 3: III. Allegro | — | ||
| 30-4 | Concerti Grossi No. 2 in B-flat major, Op. 3: I. Vivace | — | ||
| 30-5 | Concerti Grossi No. 2 in B-flat major, Op. 3: II. Largo | — | ||
| 30-6 | Concerti Grossi No. 2 in B-flat major, Op. 3: III. Allegro | — | ||
| 30-7 | Concerti Grossi No. 2 in B-flat major, Op. 3: IV. Menuet | — | ||
| 30-8 | Concerti Grossi No. 2 in B-flat major, Op. 3: V. Gavotte | — | ||
| 30-9 | Concerti Grossi No. 3 in G major, Op. 3: I. Largo e staccato | — | ||
| 30-10 | Concerti Grossi No. 3 in G major, Op. 3: II. Allegro | — | ||
| 30-11 | Concerti Grossi No. 3 in G major, Op. 3: III. Adagio | — | ||
| 30-12 | Concerti Grossi No. 3 in G major, Op. 3: IV. Allegro | — | ||
| 30-13 | Concerti Grossi No. 4 in F major, Op. 3: I. Andante | — | ||
| 30-14 | Concerti Grossi No. 4 in F major, Op. 3: II. Allegro | — | ||
| 30-15 | Concerti Grossi No. 4 in F major, Op. 3: III. Lentemente | — | ||
| 30-16 | Concerti Grossi No. 4 in F major, Op. 3: IV. Andante | — | ||
| 30-17 | Concerti Grossi No. 4 in F major, Op. 3: V. Allegro | — | ||
| 30-18 | Concerti Grossi No. 4 in F major, Op. 3: VI. Minuetto alternativo | — | ||
| 30-19 | Concerti Grossi No. 5 in D minor, Op. 3: I. [untitled] | — | ||
| 30-20 | Concerti Grossi No. 5 in D minor, Op. 3: II. Allegro | — | ||
| 30-21 | Concerti Grossi No. 5 in D minor, Op. 3: III. Adagio | — | ||
| 30-22 | Concerti Grossi No. 5 in D minor, Op. 3: IV. Allegro ma non troppo | — | ||
| 30-23 | Concerti Grossi No. 5 in D minor, Op. 3: V. Allegro | — | ||
| 30-24 | Concerti Grossi No. 6 in D major, Op. 3: I. Vivace | — | ||
| 30-25 | Concerti Grossi No. 6 in D major, Op. 3: II. Allegro | — | ||
| 31-1 | Concerto a due chori in B-flat major, HWV 332: I. Ouvertüre | — | ||
| 31-2 | Concerto a due chori in B-flat major, HWV 332: II. Allegro ma non troppo | — | ||
| 31-3 | Concerto a due chori in B-flat major, HWV 332: III. Allegro | — | ||
| 31-4 | Concerto a due chori in B-flat major, HWV 332: IV. Largo | — | ||
| 31-5 | Concerto a due chori in B-flat major, HWV 332: V. A tempo ordinario | — | ||
| 31-6 | Concerto a due chori in B-flat major, HWV 332: VI. Alla breve moderato | — | ||
| 31-7 | Concerto a due chori in B-flat major, HWV 332: VII. Minuet | — | ||
| 31-8 | Concerto a due chori in F major, HWV 333: I. Pomposo | — | ||
| 31-9 | Concerto a due chori in F major, HWV 333: II. Allegro | — | ||
| 31-10 | Concerto a due chori in F major, HWV 333: III. A tempo giusto | — | ||
| 31-11 | Concerto a due chori in F major, HWV 333: IV. Largo | — | ||
| 31-12 | Concerto a due chori in F major, HWV 333: V. Allegro ma non troppo | — | ||
| 31-13 | Concerto a due chori in F major, HWV 333: VI. A tempo ordinario | — | ||
| 31-14 | Concerto a due chori in F major, HWV 334: I. Ouvertüre | — | ||
| 31-15 | Concerto a due chori in F major, HWV 334: II. Allegro | — | ||
| 31-16 | Concerto a due chori in F major, HWV 334: III. Allegro ma non troppo | — | ||
| 31-17 | Concerto a due chori in F major, HWV 334: IV. Adagio | — | ||
| 31-18 | Concerto a due chori in F major, HWV 334: V. Andante Larghetto | — | ||
| 31-19 | Concerto a due chori in F major, HWV 334: VI. Allegro | — | ||
| 32-1 | Concerto for organ No. 1 in G minor, Op. 4: I. Larghetto e staccato | — | ||
| 32-2 | Concerto for organ No. 1 in G minor, Op. 4: II. Allegro | — | ||
| 32-3 | Concerto for organ No. 1 in G minor, Op. 4: III. Adagio | — | ||
| 32-4 | Concerto for organ No. 1 in G minor, Op. 4: IV. Andante | — | ||
| 32-5 | Concerto for organ No. 2 in B-flat major, Op. 4: I. A tempo ordinario e staccato | — | ||
| 32-6 | Concerto for organ No. 2 in B-flat major, Op. 4: II. Allegro | — | ||
| 32-7 | Concerto for organ No. 2 in B-flat major, Op. 4: III. Adagio e staccato | — | ||
| 32-8 | Concerto for organ No. 2 in B-flat major, Op. 4: IV. Allegro ma non troppo | — | ||
| 32-9 | Concerto for organ No. 3 in G minor, Op. 4: I. Adagio | — | ||
| 32-10 | Concerto for organ No. 3 in G minor, Op. 4: II. Allegro | — | ||
| 32-11 | Concerto for organ No. 3 in G minor, Op. 4: III. Adagio | — | ||
| 32-12 | Concerto for organ No. 3 in G minor, Op. 4: IV. Allegro | — | ||
| 32-13 | Concerto for organ No. 4 in F major, Op. 4: I. Allegro | — | ||
| 32-14 | Concerto for organ No. 4 in F major, Op. 4: II. Andante | — | ||
| 32-15 | Concerto for organ No. 4 in F major, Op. 4: III. Adagio | — | ||
| 32-16 | Concerto for organ No. 4 in F major, Op. 4: IV. Allegro | — | ||
| 32-17 | Concerto for organ No. 5 in F major, Op. 4: I. Larghetto | — | ||
| 32-18 | Concerto for organ No. 5 in F major, Op. 4: II. Allegro | — | ||
| 32-19 | Concerto for organ No. 5 in F major, Op. 4: III. Alla Sicilliana | — | ||
| 32-20 | Concerto for organ No. 5 in F major, Op. 4: IV. Presto | — | ||
| 32-21 | Concerto for organ No. 6 in B-flat major, Op. 4: I. Andante - allegro | — | ||
| 32-22 | Concerto for organ No. 6 in B-flat major, Op. 4: II. Larghetto | — | ||
| 32-23 | Concerto for organ No. 6 in B-flat major, Op. 4: III. Allegro moderato | — | ||
| 33-1 | Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante | — | ||
| 33-2 | Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante | — | ||
| 33-3 | Concerto for organ No. 1 in B-flat major, Op. 7: III. Largo e piano | — | ||
| 33-4 | Concerto for organ No. 1 in B-flat major, Op. 7: IV. Allegro | — | ||
| 33-5 | Concerto for organ No. 1 in B-flat major, Op. 7: V. Organo ad libitum | — | ||
| 33-6 | Concerto for organ No. 1 in B-flat major, Op. 7: VI. Allegro | — | ||
| 33-7 | Concerto for organ No. 2 in A major, Op. 7: I. Ouverture | — | ||
| 33-8 | Concerto for organ No. 2 in A major, Op. 7: II. A tempo ordinario | — | ||
| 33-9 | Concerto for organ No. 2 in A major, Op. 7: III. Organo ad libitum | — | ||
| 33-10 | Concerto for organ No. 2 in A major, Op. 7: IV. Allegro | — | ||
| 33-11 | Concerto for organ No. 3 in B-flat major, Op. 7: I. Allegro | — | ||
| 33-12 | Concerto for organ No. 3 in B-flat major, Op. 7: II. Organo ad libitum | — | ||
| 33-13 | Concerto for organ No. 3 in B-flat major, Op. 7: III. Spiritoso | — | ||
| 33-14 | Concerto for organ No. 3 in B-flat major, Op. 7: IV. Menuet | — | ||
| 34-1 | Concerto for organ No. 4 in D minor, Op. 7: I. Adagio | — | ||
| 34-2 | Concerto for organ No. 4 in D minor, Op. 7: II. Allegro | — | ||
| 34-3 | Concerto for organ No. 4 in D minor, Op. 7: III. Organo ad libitum | — | ||
| 34-4 | Concerto for organ No. 4 in D minor, Op. 7: IV. Allegro | — | ||
| 34-5 | Concerto for organ No. 5 in G minor, Op. 7: I. Allegro ma non troppo e staccato | — | ||
| 34-6 | Concerto for organ No. 5 in G minor, Op. 7: II. Andante - larghetto e staccato | — | ||
| 34-7 | Concerto for organ No. 5 in G minor, Op. 7: III. Menuet | — | ||
| 34-8 | Concerto for organ No. 5 in G minor, Op. 7: IV. Gavotte | — | ||
| 34-9 | Concerto for organ No. 6 in B-flat major, Op. 7: I. Pomposo | — | ||
| 34-10 | Concerto for organ No. 6 in B-flat major, Op. 7: II. Organo ad libitum | — | ||
| 34-11 | Concerto for organ No. 6 in B-flat major, Op. 7: III. A tempo ordinario | — | ||
| 34-12 | Concerto for organ in F minor, "Cuckoo and Nightingale": I. Larghetto | — | ||
| 34-13 | Concerto for organ in F minor, "Cuckoo and Nightingale": II. Allegro | — | ||
| 34-14 | Concerto for organ in F minor, "Cuckoo and Nightingale": III. Larghetto | — | ||
| 34-15 | Concerto for organ in F minor, "Cuckoo and Nightingale": IV. Allegro | — | ||
| 35-1 | Sonata for flute No. 1a in E minor, Op. 1: Larghetto (adagio) - andante - largo - allegro - presto | — | ||
| 35-2 | Hallenser sonata No. 1 for flute in A minor: Adagio - allegro - adagio - allegro | — | ||
| 35-3 | Hallenser sonata No. 2 for flute in E minor: Adagio - allegro - grave - minuet | — | ||
| 35-4 | Hallenser sonata No. 3 for flute in B minor: Adagio - allegro - largo - allegro | — | ||
| 35-5 | Sonata for flute in D major, HWV 378: Adagio - allegro - adagio - allegro | — | ||
| 35-6 | Sonata for flute No. 5 in G major, Op. 1: Adagio - allegro - adagio - boree - menuetto | — | ||
| 35-7 | Sonata for flute No. 9 in B minor, Op. 1: Largo - vivace - presto - adagio - alla breve - andante - a tempo di minuet | — | ||
| 35-8 | Sonata for flute No. 1b in E minor: Grave - allegro - adagio - allegro | — | ||
| 36-1 | Sonata for violin in A major: Andante - allegro - adagio - allegro | — | ||
| 36-2 | Sonata for violin in G minor: Larghetto - allegro - adagio - allegro | — | ||
| 36-3 | Sonata for oboe in B-flat major: Andante - grave - allegro | — | ||
| 36-4 | Sonata for violin in D minor: Grave - allegro - adagio - allegro | — | ||
| 36-5 | Sonata for oboe in C minor: Largo - allegro - bourrée angloise - allegro | — | ||
| 36-6 | Movement for violin in A minor | — | ||
| 36-7 | Movement for violin in C minor: (Allegro) | — | ||
| 36-8 | Sonata for oboe in F major: Adagio - allegro - adagio - bourrée angloise - menuetto | — | ||
| 36-9 | Sonata for violin in D major: Affettuoso - allegro - larghetto - allegro | — | ||
| 37-1 | Trio sonata No. 1 in B minor, Op. 2, HWV 386b: Andante - Allegro - Largo - Allegro | — | ||
| 37-2 | Trio sonata No. 2 for 2 violins & basso continuo in G minor: Andante - allegro - largo - allegro | — | ||
| 37-3 | Trio sonata No. 3 for 2 violins & basso continuo in B-flat major: Andante - allegro - larghetto - allegro | — | ||
| 37-4 | Trio sonata No. 4 for recorder, violin, & basso continuo in F major: Larghetto - allegro - adagio - allegro (adagio) - allegro | — | ||
| 37-5 | Trio sonata No. 5 for 2 violins & basso continuo in G minor: Larghetto - allegro - adagio - allegro | — | ||
| 37-6 | Trio sonata No. 6 for 2 violins & basso continuo in G minor: Andante - allegro - arioso - allegro | — | ||
| 38-1 | Trio sonata No. 1 in A major, Op. 5: Andante - allegro - larghetto - allegro - gavotte (allegro) | — | ||
| 38-2 | Trio sonata No. 2 in D major, Op 5: Adagio - allegro - musette (andante, allegro, andante) - marche - gavotte (allegro) | — | ||
| 38-3 | Trio sonata No. 3 in E minor, Op. 5: Andante larghetto - allegro - sarabande (largo assai) - allemande (andante allegro) - rondeau - gavotte (allegro) | — | ||
| 38-4 | Trio sonata No. 4 in G major, Op. 5: Allegro - A tempo ordinario (allegro non presto) - passacaille - gigue (presto) - minuetto (allegro moderato) | — | ||
| 38-5 | Trio sonata No. 5 in G minor, Op. 5: Largo - come alla breve - larghetto - a tempo giusto - air (andante) - bouree | — | ||
| 38-6 | Trio sonata No. 6 in F major, Op. 5: Largo - allegro, adagio - adagio - allegro - andante variatio | — | ||
| 38-7 | Trio sonata No. 7 in B-flat major, Op. 5: Larghetto - allegro ma non presto - adagio, allegro - gavotte (allegro) - menuet (andante allegro) | — | ||
| 39-1 | Sinfonia for 2 violins and basso continuo in B-flat major: Allegro - adagio - allegro | — | ||
| 39-2 | Trio sonata for 2 violins and basso continuo in F major: Andante - allegro - adagio - allegro | — | ||
| 39-3 | Trio sonata for 2 violins and basso continuo No. 1a in C minor, Op. 2: Andante - allegro - andante - allegro | — | ||
| 39-4 | Trio sonata for 2 violins and basso continuo in G minor: Andante - allegro - largo - allegro | — | ||
| 39-5 | Trio sonata for 2 violins and basso continuo in C major: Allegro - andante larghetto - allegro - allegro | — | ||
| 39-6 | Trio sonata for 2 violins and basso continuo in E major: Adagio - allegro - adagio - allegro | — | ||
| 40-1 | Sonata for recorder in G major: Allegro - adagio - allegro | — | ||
| 40-2 | Sonata for recorder in G minor: Larghetto - andante - adagio - presto | — | ||
| 40-3 | Sonata for recorder in A minor: Larghetto - allegro - adagio - allegro | — | ||
| 40-4 | Sonata for recorder in C major: Larghetto - allegro - larghetto - a tempo di gavotta - allegro | — | ||
| 40-5 | Sonata for recorder in F major: Larghetto - allegro - alla siciliana - allegro | — | ||
| 40-6 | Sonata for recorder in B-flat major: Allegro - adagio - allegro | — | ||
| 40-7 | Sonata for recorder in D minor: Largo - vivace - presto - adagio - alla breve - andante - a tempo di minuet | — | ||
| 40-8 | Trio sonata for recorder in F major: Allegro - grave - allegro | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
5028421997773 is a Universal Product Code (UPC) assigned to The Masterworks by George Frideric Handel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 768 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Masterworks” by George Frideric Handel is 5028421997773. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: Brilliant Classics. This release contains 768 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jephtha: Ouverture | — | ||
| 2 | Jephtha: Menuet | — | ||
| 3 | Jephtha: Act I. Accompagnato "It must be so" (Zebul) | — | ||
| 4 | Jephtha: Act I. Air "Pour forth no more" (Zebul) | — | ||
| 5 | Jephtha: Act I. Chorus: "No more to Ammon's god and king" | — | ||
| 6 | Jephtha: Act I. Recitative "But Jephtha comes" (Zebul, Jephtha) | — | ||
| 7 | Jephtha: Act I. Air "Virtue my soul shall still embrace" (Jephtha) | — | ||
| 8 | Jephtha: Act I. Recitative "Twill be a painful separation" (Storge) | — | ||
| 9 | Jephtha: Act I. Air "In gentle murmurs will I mourn" (Storge) | — | ||
| 10 | Jephtha: Act I. Recitative "Happy this embassy" (Hamor) | — | ||
| 11 | Jephtha: Act I. Air "Dull delay, in piercing anguish" (Hamor) | — | ||
| 12 | Jephtha: Act I. Recitative "Ill suits the voice of love" (Iphis) | — | ||
| 13 | Jephtha: Act I. Air "Take the heart you fondly gave" (Iphis) | — | ||
| 14 | Jephtha: Act I. Recitative "I go, my soul" (Hamor) | — | ||
| 15 | Jephtha: Act I. Duet "These labours past, how happy we" (Iphis, Hamor) | — | ||
| 16 | Jephtha: Act I. Recitative "What mean these doubtful fancies" (Jephtha) | — | ||
| 17 | Jephtha: Act I. Accompagnato "If, Lord, sustained" (Jephtha) | — | ||
| 18 | Jephtha: Act I. Chorus "O God, behold our sore distress" | — | ||
| 19 | Jephtha: Act I. Recitative "Some dire event" (Storge) | — | ||
| 20 | Jephtha: Act I. Air "Scenes of horror, scenes of woe" (Storge) | — | ||
| 21 | Jephtha: Act I. Recitative "Say, my dear mother" (Iphis, Storge) | — | ||
| 22 | Jephtha: Act I. Air "The smiling dawn of happy days" (Iphis) | — | ||
| 23 | Jephtha: Act I. Recitative "Such, Jephtja, was the haughty king's reply" (Zebul, Jephtha) | — | ||
| 24 | Jephtha: Act I. Chorus "When his loud voice in thunder spoke" | — | ||
| 2-1 | Jephtha: Act II. Recitative "Glad things of great joy" (Hamor) | — | ||
| 2-2 | Jephtha: Act II. Chorus "Cherub and Seraphim" | — | ||
| 2-3 | Jephtha: Act II. Air "Up the dreadful steep ascending" (Hamor) | — | ||
| 2-4 | Jephtha: Act II. Recitative "Tis well, haste, haste, ye maidens" (Iphis) | — | ||
| 2-5 | Jephtha: Act II: Air "Tune the soft melodious lute" (Iphis) | — | ||
| 2-6 | Jephtha: Act II. Recitative "Heav'n smiles once more" (Jephtha) | — | ||
| 2-7 | Jephtha: Act II. Air "His mighty arm" (Jephtha) | — | ||
| 2-8 | Jephtha: Act II. Chorus: "In glory high" | — | ||
| 2-9 | Jephtha: Act II. Symphony | — | ||
| 2-10 | Jephtha: Act II. Recitative "Hail, glorious conqueror!" (Iphis) | — | ||
| 2-11 | Jephtha: Act II. Air And Chorus: "Welcome, as the cheerful light" (Iphis) | — | ||
| 2-12 | Jephtha: Act II. Recitative "Horror! confusion!" (Jephtha) | — | ||
| 2-13 | Jephtha: Act II. Air "Open thy marble jaws, O tomb" (Jephtha) | — | ||
| 2-14 | Jephtha: Act II. Recitative "Why is my brother thus afflicted?" (Zebul, Jephtha) | — | ||
| 2-15 | Jephtha: Act II. Accompagnato and Arioso "First perish thou" (Storge) | — | ||
| 2-16 | Jephtha: Act II. Recitative "If such thy cruel purpose" (Hamor) | — | ||
| 2-17 | Jephtha: Act II. Air "On me let blind mistake zeal" (Hamor) | — | ||
| 2-18 | Jephtha: Act II. Quartet "O spare your daughter!" (Storge, Hamor, Jephtha, Zebul) | — | ||
| 2-19 | Jephtha: Act II. Recitative "Such news flies swift" (Iphis) | — | ||
| 2-20 | Jephtha: Act II. Accompagnato "For joys so vast" (Iphis) | — | ||
| 2-21 | Jephtha: Act II. Air "Happy they!" (Iphis) | — | ||
| 2-22 | Jephtha: Act II. Accompagnato "Deeper and deeper still" (Jephtha) | — | ||
| 2-23 | Jephtha: Act II. Chorus "How dark, O Lord, are thy decrees!" | — | ||
| 3-1 | Jephtha: Act III. Arioso "Hide thou thy hated beams" (Jephtha) | — | ||
| 3-2 | Jephtha: Act III. Accompagnato "A father, Off'ring up" (Jephtha) | — | ||
| 3-3 | Jephtha: Act III. Air "Waft her, angels" (Jephtha) | — | ||
| 3-4 | Jephtha: Act III. Accompagnato "Ye sacred priests" (Iphis) | — | ||
| 3-5 | Jephtha: Act III. Air "Farewell, ye limpid springs" (Iphis) | — | ||
| 3-6 | Jephtha: Act III. Chorus "Doubtful fear and reverend awe" (Preists) | — | ||
| 3-7 | Jephtha: Act III. Symphony | — | ||
| 3-8 | Jephtha: Act III. Recitative "Rise, Jephtha" (Angel) | — | ||
| 3-9 | Jephtha: Act III. Air "Happy, Iphis, shalt thou live" (Angel) | — | ||
| 3-10 | Jephtha: Act III. Arioso "For ever blessed be" (Jephtha) | — | ||
| 3-11 | Jephtha: Act III. Chorus "Theme Sublime" | — | ||
| 3-12 | Jephtha: Act III. Recitative "Let me congratulate" (Zebul) | — | ||
| 3-13 | Jephtha: Act III. Air "Laud her, all ye virgin train" (Zebul) | — | ||
| 3-14 | Jephtha: Act III. Recitative "O let me fold thee" (Storge) | — | ||
| 3-15 | Jephtha: Act III. Air "Sweet as sight to the blind" (Storge) | — | ||
| 3-16 | Jephtha: Act III. Recitative "With transport, Iphis" (Hamor) | — | ||
| 3-17 | Jephtha: Act III. Recitative "My faithful Hamor" (Iphis) | — | ||
| 3-18 | Jephtha: Act III. Quintet "All that is in Hamor mine" | — | ||
| 3-19 | Jephtha: Act III. Chorus "Ye house of Gilead" | — | ||
| 4-1 | Judas Maccabaeus (Oratorio in three acts): Overture | — | ||
| 4-2 | Judas Maccabaeus (Oratorio in three acts): Mourn, Ye Afflicted Children | — | ||
| 4-3 | Judas Maccabaeus (Oratorio in three acts): Well May Your Sorrows | — | ||
| 4-4 | Judas Maccabaeus (Oratorio in three acts): For Zion Lamentation Make | — | ||
| 4-5 | Judas Maccabaeus (Oratorio in three acts): Not In Vain Is All This Storm | — | ||
| 4-6 | Judas Maccabaeus (Oratorio in three acts): Pious Orgies | — | ||
| 4-7 | Judas Maccabaeus (Oratorio in three acts): O Father, Whose Almighty Power | — | ||
| 4-8 | Judas Maccabaeus (Oratorio in three acts): I Feel The Deity Within | — | ||
| 4-9 | Judas Maccabaeus (Oratorio in three acts): Arm, Arm, Ye Brave | — | ||
| 4-10 | Judas Maccabaeus (Oratorio in three acts): We Come In Bright Array | — | ||
| 4-11 | Judas Maccabaeus (Oratorio in three acts): 'Tis Well, My Friends | — | ||
| 4-12 | Judas Maccabaeus (Oratorio in three acts): Call Forth Thy Powers | — | ||
| 4-13 | Judas Maccabaeus (Oratorio in three acts): Come, Ever-Smiling Liberty | — | ||
| 4-14 | Judas Maccabaeus (Oratorio in three acts): Lead On, Lead On | — | ||
| 4-15 | Judas Maccabaeus (Oratorio in three acts): So Willed My Father | — | ||
| 4-16 | Judas Maccabaeus (Oratorio in three acts): Disdainful Of Danger | — | ||
| 4-17 | Judas Maccabaeus (Oratorio in three acts): Ambition! | — | ||
| 4-18 | Judas Maccabaeus (Oratorio in three acts): No Unhallowed Desire | — | ||
| 4-19 | Judas Maccabaeus (Oratorio in three acts): Haste We, My Brethren | — | ||
| 4-20 | Judas Maccabaeus (Oratorio in three acts): Hear Us, Oh Lord | — | ||
| 4-21 | Judas Maccabaeus (Oratorio in three acts): Fallen Is The Foe | — | ||
| 4-22 | Judas Maccabaeus (Oratorio in three acts): Zion Now Her Head Shall Raise | — | ||
| 4-23 | Judas Maccabaeus (Oratorio in three acts): Oh Let Eternal Honors | — | ||
| 4-24 | Judas Maccabaeus (Oratorio in three acts): From Mighty Kings | — | ||
| 4-25 | Judas Maccabaeus (Oratorio in three acts): Hail, Hail, Judea | — | ||
| 4-26 | Judas Maccabaeus (Oratorio in three acts): Thanks To My Brethren | — | ||
| 4-27 | Judas Maccabaeus (Oratorio in three acts): How Vain Is Man | — | ||
| 5-1 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Oh Judas, oh my brethren! | — | ||
| 5-2 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Ah! wretched Israel! | — | ||
| 5-3 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Be comforted | — | ||
| 5-4 | Judas Maccabaeus, oratorio, HWV 63: Act 2. The Lord worketh wonders | — | ||
| 5-5 | Judas Maccabaeus, oratorio, HWV 63: Act 2. My arms! | — | ||
| 5-6 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Sound an alarm! | — | ||
| 5-7 | Judas Maccabaeus, oratorio, HWV 63: Act 2. We hear | — | ||
| 5-8 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Enough! To Heaven we leave the rest | — | ||
| 5-9 | Judas Maccabaeus, oratorio, HWV 63: Act 2. With pious hearts | — | ||
| 5-10 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Ye worshippers | — | ||
| 5-11 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Wise men, flattering | — | ||
| 5-12 | Judas Maccabaeus, oratorio, HWV 63: Act 2. Oh! never, never bow | — | ||
| 5-13 | Judas Maccabaeus, oratorio, HWV 63: Act 2. We never will bow down | — | ||
| 5-14 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Father of Heaven | — | ||
| 5-15 | Judas Maccabaeus, oratorio, HWV 63: Act 3. See yon flames | — | ||
| 5-16 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Oh grant it | — | ||
| 5-17 | Judas Maccabaeus, oratorio, HWV 63: Act 3. So shall the lute | — | ||
| 5-18 | Judas Maccabaeus, oratorio, HWV 63: Act 3. From Capharsalama | — | ||
| 5-19 | Judas Maccabaeus, oratorio, HWV 63: Act 3. See the Conquering Hero | — | ||
| 5-20 | Judas Maccabaeus, oratorio, HWV 63: Act 3. March | — | ||
| 5-21 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Sing unto God | — | ||
| 5-22 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Sweet flows the strains | — | ||
| 5-23 | Judas Maccabaeus, oratorio, HWV 63: Act 3. With honor let desert | — | ||
| 5-24 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Peace to my countrymen | — | ||
| 5-25 | Judas Maccabaeus, oratorio, HWV 63: Act 3. To our great God | — | ||
| 5-26 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Again to Eart | — | ||
| 5-27 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Oh lovely peace | — | ||
| 5-28 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Rejoice oh Judah! | — | ||
| 5-29 | Judas Maccabaeus, oratorio, HWV 63: Act 3. Hallelujah-Amen | — | ||
| 6-1 | Solomon, oratorio, HWV 67: Overture | — | ||
| 6-2 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Your harps and cymbals sound | — | ||
| 6-3 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Praise ye the Lord for all His mercies past | — | ||
| 6-4 | Solomon, oratorio, HWV 67: Act 1. Scene 1. With pious heart and holy tongue | — | ||
| 6-5 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Almighty power! who rul'st the earth | — | ||
| 6-6 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Imperial Solomon thy prayers are heard | — | ||
| 6-7 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Throughout the land Jehovah's praise record | — | ||
| 6-8 | Solomon, oratorio, HWV 67: Act 1. Scene 1. Blest be the Lord, who looked with gracious eyes | — | ||
| 6-9 | Solomon, oratorio, HWV 67: Act 1. Scene 2. And see, my queen, my wedded love | — | ||
| 6-10 | Solomon, oratorio, HWV 67: Act 1. Scene 2. Thou fair inhabitant of Nile | — | ||
| 6-11 | Solomon, oratorio, HWV 67: Act 1. Scene 2. Myrtle grove, or rosy shade | — | ||
| 6-12 | Solomon, oratorio, HWV 67: Act 1. Scene 2. When thou art absent from my sight | — | ||
| 6-13 | Solomon, oratorio, HWV 67: Act 1. Scene 2. Search' round the world... | — | ||
| 6-14 | Solomon, oratorio, HWV 67: Act 2. Scene 1. From the censer curling rise | — | ||
| 6-15 | Solomon, oratorio, HWV 67: Act 2. Scene 1. Praised be the Lord... | — | ||
| 6-16 | Solomon, oratorio, HWV 67: Act 2. Scene 2. My sovereign liege, two women stand | — | ||
| 7-1 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-2 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-3 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-4 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-5 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-6 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-7 | Solomon, oratorio, HWV 67: Act 2 - Scene 2 | — | ||
| 7-8 | Solomon, oratorio, HWV 67: Act 3 | — | ||
| 7-9 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-10 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-11 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-12 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-13 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-14 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-15 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 7-16 | Solomon, oratorio, HWV 67: Act 3 - Scene 1 | — | ||
| 8-1 | Belsazar: Ouverture | — | ||
| 8-2 | Belsazar: Act I. Recitativo "Ach, unstet eitles Los" (Nitocris) | — | ||
| 8-3 | Belsazar: Act I. Aria "Du, Gott der Höh'" (Nitocris) | — | ||
| 8-4 | Belsazar: Act I. Recitativo "Das Schicksal Babylons" (Nitocris, Daniel) | — | ||
| 8-5 | Belsazar: Act I. Aria "Wehlage nicht im eitlem Schmerz" (Daniel) | — | ||
| 8-6 | Belsazar: Act I. Choir "Da seht, wie Persiens junger Held" | — | ||
| 8-7 | Belsazar: Act I. Recitativo "Uns gilt ihr Hohn" (Gobrias, Cyrus) | — | ||
| 8-8 | Belsazar: Act I. Aria "Gebeugt von unheilbarem Schmerz" (Gobrias) | — | ||
| 8-9 | Belsazar: Act I. Aria "Still' der eitlen Tränen Flut" (Cyrus) | — | ||
| 8-10 | Belsazar: Act I. Recitativo "Ermanne dich" (Cyrus, Gobrias) | — | ||
| 8-11 | Belsazar: Act I. Aria "O schau den Wüstling" (Gobrias) | — | ||
| 8-12 | Belsazar: Act I. Recitativo "Befremdet's dich denn so" (Cyrus) | — | ||
| 8-13 | Belsazar: Act I. Aria "Du Gott! Der, mir nur fern bekannt" (Cyrus) | — | ||
| 8-14 | Belsazar: Act I. Recitativo "Freunde, habt Zuversicht" (Cyrus) | — | ||
| 8-15 | Belsazar: Act I. Choir "Die Reiche stehn in Gottes Rat" | — | ||
| 8-16 | Belsazar: Act I. Aria "O Heil'ges Buch" (Daniel) | — | ||
| 8-17 | Belsazar: Act I. Choir "Singt, Himmel singt" | — | ||
| 9-1 | Belsazar: Act I. Aria "Ein freudig Fest" (Belsazar) | — | ||
| 9-2 | Belsazar: Act I. Recitativo Für euch, o Freunde"" (Belsazar, Nitocris) | — | ||
| 9-3 | Belsazar: Act I. Aria "Das falbe Laub" (Nitocris) | — | ||
| 9-4 | Belsazar: Act I. Recitativo "Dies ist die Sitte" (Belsazar) | — | ||
| 9-5 | Belsazar: Act I. Choir of the Jews "Verwirf', o Herr" | — | ||
| 9-6 | Belsazar: Act I. Recitativo "Sie reden wahr" (Nitocris) | — | ||
| 9-7 | Belsazar: Act I. "O meines Lebens Lust" (Nitocris, Belsazar (duet)) | — | ||
| 9-8 | Belsazar: Act I. Choir of the Jews "Allmählich steigt Jehovas Zorn" | — | ||
| 9-9 | Belsazar: Act II. Choir Seht, wie schnell der Euphrat flieht"" | — | ||
| 9-10 | Belsazar: Act II. Recitativo "Ihr seht es, Freunde" (Cyrus) | — | ||
| 9-11 | Belsazar: Act II. Aria "erstarrt, so nah den Feind zu seh'n" (Cyrus) | — | ||
| 9-12 | Belsazar: Act II. Choir "Voran, voran" | — | ||
| 9-13 | Belsazar: Act II. Choir "Ihr schützenden Götter" | — | ||
| 9-14 | Belsazar: Act II. Aria "Kränzet den Becher rings im Kreis" (Belsazar) | — | ||
| 9-15 | Belsazar: Act II. Choir "Helft unserm Herrn" | — | ||
| 9-16 | Belsazar: Act II. Recitativo "Ruft meine Weisen" (Belsazar) | — | ||
| 9-17 | Belsazar: Act II. Sinfonia | — | ||
| 9-18 | Belsazar: Act II. Recitativo & Choir "Ihr Weisen" | — | ||
| 9-19 | Belsazar: Act II. Choir "Missgeschick" | — | ||
| 10-1 | Belsazar: Act II. Recitativo "O Herr, nicht verzage" (Nitocris) | — | ||
| 10-2 | Belsazar: Act II. Aria & Recitativo "Nein! Du behalte deinen Prunk" (Daniel) | — | ||
| 10-3 | Belsazar: Act II. Recitativo "O du allzu strenger Spruch" (Nitocris) | — | ||
| 10-4 | Belsazar: Act II. Aria "O blick' auf deiner Mutter Gram" (Nitocris) | — | ||
| 10-5 | Belsazar: Act II. Aria "O Gott des Heils" (Cyrus) | — | ||
| 10-6 | Belsazar: Act II. Recitativo "Du Gobrias" (Cyrus) | — | ||
| 10-7 | Belsazar: Act II. Choir "O tapfrer Fürst" | — | ||
| 10-8 | Belsazar: Act III. Aria "Vorahnend hofft und bangt" (Nitocris) | — | ||
| 10-9 | Belsazar: Act III. Recitativo "Gern hofft'ich noch" (Nitocris, Daniel) | — | ||
| 10-10 | Belsazar: Act III. Aria "Lässt denn der Löwe die Natur" (Daniel) | — | ||
| 10-11 | Belsazar: Act III. Recitativo "Ich hoff' auf's neu" (Nitocris, Arioch, messenger) | — | ||
| 10-12 | Belsazar: Act III. Choir of the Jews "Baal sank dahin" | — | ||
| 10-13 | Belsazar: Act III. Aria "Ich danke, Sesach" (Belsazar) | — | ||
| 10-14 | Belsazar: Act III. War's music | — | ||
| 10-15 | Belsazar: Act III. Aria "Den ew'gen Mächten sei der der erste Dank" (Gobrias) | — | ||
| 10-16 | Belsazar: Act III. Recitativo "Suche nun eilig" (Cyrus) | — | ||
| 10-17 | Belsazar: Act III. Aria "Zerstör'nder Krieg, hier ist dein Ziel" (Cyrus) | — | ||
| 10-18 | Belsazar: Act III. "O Held, gebeugt siehst du mich nah'n" (Nitocris, Cyrus (duet)) | — | ||
| 10-19 | Belsazar: Act III. Recitativo "Sprich, ehrwürdiger Seher" (Cyrus, Daniel) | — | ||
| 10-20 | Belsazar: Act III. "Kündet überall den Heiden" (Soloist & Choir) | — | ||
| 10-21 | Belsazar: Act III. Recitativo "Ja, ich bau'deine Stadt dir" (Cyrus) | — | ||
| 10-22 | Belsazar: Act III. "Sei von mir gepriesen" (Soloist & Choir) | — | ||
| 11-1 | Messiah: Part I. Sinfonia | — | ||
| 11-2 | Messiah: Part I. Recitative "Comfort ye my people" (tenor) | — | ||
| 11-3 | Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor) | — | ||
| 11-4 | Messiah: Part I. Chorus "And the glory, the glory of the Lord" | — | ||
| 11-5 | Messiah: Part I. Recitative "Thus said the Lord" (bass) | — | ||
| 11-6 | Messiah: Part I. Aria "But who may abide" (bass) | — | ||
| 11-7 | Messiah: Part I. Chorus "And He shall purify" | — | ||
| 11-8 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | — | ||
| 11-9 | Messiah: Part I. Aria "O thou that tellest" (alto) | — | ||
| 11-10 | Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass) | — | ||
| 11-11 | Messiah: Part I. Aria "The people that walked in darkness" (bass) | — | ||
| 11-12 | Messiah: Part I. Chorus "For unto us a Child is born" | — | ||
| 11-13 | Messiah: Part I. Pifa (Pastoral Symphony) | — | ||
| 11-14 | Messiah: Part I. Recitative "There were shepherds" (soprano) | — | ||
| 11-15 | Messiah: Part I. Recitative "And the angels said unto them" (soprano) | — | ||
| 11-16 | Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano) | — | ||
| 11-17 | Messiah: Part I. Chorus "Glory to God in the highest" | — | ||
| 11-18 | Messiah: Part I. Aria "Rejoice greatly, o daughter of Zioin" (soprano) | — | ||
| 11-19 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | — | ||
| 11-20 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | — | ||
| 11-21 | Messiah: Part I. Chorus "His yoke is easy" | — | ||
| 11-22 | Messiah: Part II. Chorus "Behold the Lamb of God" | — | ||
| 11-23 | Messiah: Part II. Aria "He was despised" (alto) | — | ||
| 12-1 | Messiah: Part II. Chorus "Surely he haath borne out grieves" | — | ||
| 12-2 | Messiah: Part II. Chorus "And with his stripes we are healed" | — | ||
| 12-3 | Messiah: Part II. Chorus "All we like sheep" | — | ||
| 12-4 | Messiah: Part II. Recitative "All they that see Him" (tenor) | — | ||
| 12-5 | Messiah: Part II. Chorus "He trusted in God" | — | ||
| 12-6 | Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor) | — | ||
| 12-7 | Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor) | — | ||
| 12-8 | Messiah: Part II. Recitative "He was cut off out of the land" (tenor) | — | ||
| 12-9 | Messiah: Part II. Aria "But thou didst not leave" (tenor) | — | ||
| 12-10 | Messiah: Part II. Chorus "Lift up your heads" | — | ||
| 12-11 | Messiah: Part II. Recitative "Unto which of the angels" (tenor) | — | ||
| 12-12 | Messiah: Part II. Chorus "Let all the angels of God worship Him" | — | ||
| 12-13 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | — | ||
| 12-14 | Messiah: Part II. Chorus "The Lord gave the word" | — | ||
| 12-15 | Messiah: Part II. Aria "How beautiful are the feet" (soprano) | — | ||
| 12-16 | Messiah: Part II. Chorus "Their sound is gone out" | — | ||
| 12-17 | Messiah: Part II. "Why do the nations?" (bass) | — | ||
| 12-18 | Messiah: Part II. Chorus "Let us break their bonds asunder" | — | ||
| 12-19 | Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor) | — | ||
| 12-20 | Messiah: Part II. Aria "Thou shalt break them" (tenor) | — | ||
| 12-21 | Messiah: Part II. Chorus "Hallelujah!" | — | ||
| 12-22 | Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano) | — | ||
| 12-23 | Messiah: Part III. Chorus "Since by man came death" | — | ||
| 12-24 | Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass) | — | ||
| 12-25 | Messiah: Part III. Aria "The trumpet shall sound" (bass) | — | ||
| 12-26 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | — | ||
| 12-27 | Messiah: Part III. Duet "O death, where is thy sting" (alto & soprano) | — | ||
| 12-28 | Messiah: Part III. Chorus "But thanks be to God" | — | ||
| 12-29 | Messiah: Part III. Aria "If God be for us" (soprano) | — | ||
| 12-30 | Messiah: Part III. Chorus "Worthy is the Lamb...Amen" | — | ||
| 13-1 | Brockes Passion: Sinfonia | — | ||
| 13-2 | Brockes Passion: "Mich vom Stricke meiner Sünden" (soprano, alto, coro) | — | ||
| 13-3 | Brockes Passion: Recitativo "Als Jesus nun zu Tische sasse" (evangelist) | — | ||
| 13-4 | Brockes Passion: Accompagnato "Das ist mein Leib" (Jesus) | — | ||
| 13-5 | Brockes Passion: "Der Gott, dem alle Himmelskreise" (Tochter Zion) | — | ||
| 13-6 | Brockes Passion: Recitativo "Und bald hernach" (evangelist) | — | ||
| 13-7 | Brockes Passion: Accompagnato "Das ist mein Blut" (Jesus) | — | ||
| 13-8 | Brockes Passion: Aria "Gott selbst der Brunnquell" (Tochter Zion) | — | ||
| 13-9 | Brockes Passion: Coro "Ach, wie hungert mein Gemüte" | — | ||
| 13-10 | Brockes Passion: Recitativo "Drauf sagten sie dem Höchsten Dank" (evangelist, Jesus) | — | ||
| 13-11 | Brockes Passion: Coro "Wir wollen alle eh'erblassen" | — | ||
| 13-12 | Brockes Passion: Recitativo "Es ist gewiss" (Jesus) | — | ||
| 13-13 | Brockes Passion: Aria "Weil ich den Hirten schlaagen werde" (Jesus) | — | ||
| 13-14 | Brockes Passion: Recitativo "Aufs wenigste will ich" (Petrus, Jesus) | — | ||
| 13-15 | Brockes Passion: Aria "Mein Vater, mein Vater!" (Jesus) | — | ||
| 13-16 | Brockes Passion: Recitativo "Mich drückt der Sünden" (Jesus) | — | ||
| 13-17 | Brockes Passion: "Ist 's möglich" (Jesus) | — | ||
| 13-18 | Brockes Passion: Arioso "Sünden, schaut mich Furcht" (Tochter Zion) | — | ||
| 13-19 | Brockes Passion: Recitativo "Die Pein vermehrte sich" (evangelist) | — | ||
| 13-20 | Brockes Passion: Aria "Brich, mein Herz" (Tochter Zion) | — | ||
| 13-21 | Brockes Passion: Recitativo "Ein Engel aber kam" (evangelist) | — | ||
| 13-22 | Brockes Passion: Arioso "Erwachet doch!" (Jesus, Petrus, Johannes, Jacobus) | — | ||
| 13-23 | Brockes Passion: Recitativo "Und eh'die Rede" (evangelist) | — | ||
| 13-24 | Brockes Passion: Coro "Greift zu, schlagt tot" | — | ||
| 13-25 | Brockes Passion: Recitativo "Und der Verräter" (evangelist, Judas) | — | ||
| 13-26 | Brockes Passion: Coro "Er soll uns nicht entlaufen" | — | ||
| 13-27 | Brockes Passion: Recitativo "Nimm, Rabbi, diesen Kuss" (Judas, Jesus) | — | ||
| 13-28 | Brockes Passion: Aria "Gift und Glut" (Petrus) | — | ||
| 13-29 | Brockes Passion: Recitativo "Steck nur das Schwert" (Jesus) | — | ||
| 13-30 | Brockes Passion: Coro "O weh, sie binden ihn" | — | ||
| 13-31 | Brockes Passion: Recitativo "Wo flieht ihr hin?" (Petrus) | — | ||
| 13-32 | Brockes Passion: Aria "Nehmt mich mit" (Petrus) | — | ||
| 13-33 | Brockes Passion: Recitativo "Und Jesus ward" (Caiphas, Jesus, Kriegsknecht) | — | ||
| 13-34 | Brockes Passion: Aria "Was Bärentatzen, Löwenklauen" (Tochter Zion) | — | ||
| 13-35 | Brockes Passion: Recitativo "Dies sahe Petrus an" (Magd 1, Petrus, Magd 2, Magd 3) | — | ||
| 13-36 | Brockes Passion: Arioso "Ich will versinken" (Petrus) | — | ||
| 13-37 | Brockes Passion: Recitativo "Drauf krähete der Hahn" (evangelist, Petrus) | — | ||
| 14-1 | Brockes Passion: Aria "Heul, du Fluch!" (Petrus) | — | ||
| 14-2 | Brockes Passion: Recitativo "Doch wie, will ich" (Petrus) | — | ||
| 14-3 | Brockes Passion: Aria "Schau, ich fall'in strenger Busse" (Petrus) | — | ||
| 14-4 | Brockes Passion: Coro "Ach, Gott und Herr" | — | ||
| 14-5 | Brockes Passion: Recitativo "Als Jesus nun" (Evangelist, Caiphas, Jesus) | — | ||
| 14-6 | Brockes Passion: Coro "Er hat den Tod verdient" | — | ||
| 14-7 | Brockes Passion: Aria "Erwäg, erwäg" (tenor) | — | ||
| 14-8 | Brockes Passion: Recitativo "Die Nacht war kaum vorbei" (Evangelist, Tochter Zion) | — | ||
| 14-9 | Brockes Passion: Aria "Meine Laster sind die Stricke" (Tochter Zion) | — | ||
| 14-10 | Brockes Passion: Recitativo "Oh, was hab'ich, verfluchter Mensch" (Judas) | — | ||
| 14-11 | Brockes Passion: Aria "Lasst diese Tat nicht ungerochen" (Judas) | — | ||
| 14-12 | Brockes Passion: Recitativo "Unsäglich ist mein Schmerz" (Judas) | — | ||
| 14-13 | Brockes Passion: Aria "Die ihr Gottes Gnad'versäumet" (Tochter Zion) | — | ||
| 14-14 | Brockes Passion: Recitativo "Wie nun Pilatus Jesum fragt" (Evangelist, Jesus) | — | ||
| 14-15 | Brockes Passion: Coro "Bestrafe diesen Übeltäter" | — | ||
| 14-16 | Brockes Passion: Recitativo "Hast du denn kein Gehör?" (Pilatus, Evangelist) | — | ||
| 14-17 | Brockes Passion: Duetto "Sprichst du denn" (Tochter Zion, Jesus) | — | ||
| 14-18 | Brockes Passion: Recitativo "Pilatus wunderte sich sehr" (Evangelist) | — | ||
| 14-19 | Brockes Passion: Coro "Nein, diesen nicht" | — | ||
| 14-20 | Brockes Passion: Recitativo "Was fang'ich denn" (Pilatus) | — | ||
| 14-21 | Brockes Passion: Coro "Weg, weg, weg!" | — | ||
| 14-22 | Brockes Passion: Recitativo "Was hat er denn getan?" (Pilatus) | — | ||
| 14-23 | Brockes Passion: Coro "Weg, weg, weg!" | — | ||
| 14-24 | Brockes Passion: Recitativo "Wie er nun sah" (Evangelist) | — | ||
| 14-25 | Brockes Passion: Arioso "Besinne dich, Pilatus" (Tochter Zion) | — | ||
| 14-26 | Brockes Passion: Recitativo "Drauf zerreten die Kriegsknechte" (Evangelist) | — | ||
| 14-27 | Brockes Passion: Arioso "Ich seh'an einen Stein gebunden" (Gläubige Seele) | — | ||
| 14-28 | Brockes Passion: Recitativo "Drum, Seele, schau" (Gläubige Seele) | — | ||
| 14-29 | Brockes Passion: Aria "Dem Himmel gleicht" (Gläubige Seele) | — | ||
| 14-30 | Brockes Passion: Recitativo "Wie nun das Blut" (Evangelist) | — | ||
| 14-31 | Brockes Passion: Aria "Die Rosen krönen" (Tochter Zion) | — | ||
| 14-32 | Brockes Passion: Recitativo "Verwegner Dorn" (Tochter Zion) | — | ||
| 14-33 | Brockes Passion: Aria "Lass doch diese herbe Schmerzen" (Tochter Zion) | — | ||
| 14-34 | Brockes Passion: Recitativo "Der zarten Schläfen" (Tochter Zion) | — | ||
| 14-35 | Brockes Passion: Aria "Jesu! Jesu" (Tochter Zion) | — | ||
| 14-36 | Brockes Passion: Recitativo "Drauf beugten sie aus Spott" (Evangelist) | — | ||
| 14-37 | Brockes Passion: Coro "Ein jeder sei ihm untertänig!" | — | ||
| 14-38 | Brockes Passion: Recitativo "Ja, scheuten sich nicht" (Evangelist) | — | ||
| 14-39 | Brockes Passion: Aria "Schäumest du, du Schaum der Welt" (Tochter Zion) | — | ||
| 14-40 | Brockes Passion: Recitativo "Worauf sie mit dem Rohr" (Evangelist) | — | ||
| 14-41 | Brockes Passion: Aria "Bestürzter Sünder" (Tochter Zion) | — | ||
| 14-42 | Brockes Passion: Aria "Heil der Welt" (Tochter Zion) | — | ||
| 15-1 | Brockes Passion: Recitativo "Wie man ihm nun genug" (evangelist) | — | ||
| 15-2 | Brockes Passion: "Eilt, ihr angefochten Seelen!" (Coro, Tochter Zion) | — | ||
| 15-3 | Brockes Passion: Recitativo "Ach Gott, ach Gott!" (Maria) | — | ||
| 15-4 | Brockes Passion: Duet "Soll mein Kind" (Maria, Jesus) | — | ||
| 15-5 | Brockes Passion: Recitativo "Und er trug selbst sein Kreuz" (evangelist, Tochter Zion) | — | ||
| 15-6 | Brockes Passion: Aria "Es scheint, da den zerkerbten Rücken" (tenor) | — | ||
| 15-7 | Brockes Passion: Recitativo "Wie sie nun an die Stätte" (evangelist) | — | ||
| 15-8 | Brockes Passion: Aria "Heir erstarrt mein Herz" (Gläubige Seele) | — | ||
| 15-9 | Brockes Passion: Recitativo "O Anblick, o entsetzliches Gesicht!" (Gläubige Seele) | — | ||
| 15-10 | Brockes Passion: Coro "O Menschenkind" | — | ||
| 15-11 | Brockes Passion: Recitativo "Sobald er nun gekreuzigt war" (evangelist) | — | ||
| 15-12 | Brockes Passion: Coro "Pfui, pfui, pfui!" | — | ||
| 15-13 | Brockes Passion: Recitativo "Und eine dicke Finsternis" (evangelist) | — | ||
| 15-14 | Brockes Passion: Aria "Was Wunder, dass der Sonnen Pracht" (Gläubige Seele) | — | ||
| 15-15 | Brockes Passion: Recitativo "Dies war zur neunten Stund'" (evangelist) | — | ||
| 15-16 | Brockes Passion: Arioso "Mein Heiland" (Gläubige Seele) | — | ||
| 15-17 | Brockes Passion: Recitativo "Drauf lief ein Dienstknecht hin" (evangelist) | — | ||
| 15-18 | Brockes Passion: Terzetto "O Donnerwort!" | — | ||
| 15-19 | Brockes Passion: Recitativo "O selig wer dies glaubt" (Gläubige Seele, evangelist) | — | ||
| 15-20 | Brockes Passion: Aria "Sind meiner Seelen tiefe Wunden" (Tochter Zion, Gläubige Seele) | — | ||
| 15-21 | Brockes Passion: Recitativo "O Grossmut!" (Tochter Zion, evangelist) | — | ||
| 15-22 | Brockes Passion: Aria "Brich, brüllender Abgrund" (Gläubige Seele) | — | ||
| 15-23 | Brockes Passion: Recitativo "Ja, ja, es brüllet schon" (Gläubige Seele, Hauptmann) | — | ||
| 15-24 | Brockes Passion: Aria "Wie kommt's, dass da der Himmel weint" (Gläubige Seele) | — | ||
| 15-25 | Brockes Passion: Accompagnato "Bei Jesus' Tod und Leiden" (Gläubige Seele) | — | ||
| 15-26 | Brockes Passion: Coro "Mein' Sünd'mich werden kränken" | — | ||
| 15-27 | Brockes Passion: Aria "Wisch ab der Tränen scharfe Lauge" (Tochter Zion) | — | ||
| 15-28 | Brockes Passion: Coro "Ich bin ein Glied" | — | ||
| 16-1 | St. John Passion (spurious): No. 1, Sinfonia/No. 2, Recitativo: Da Nahm Pilatus Jesum | — | ||
| 16-2 | St. John Passion (spurious): No. 3, Aria: Unsere Bosheit Ohne Zahl | — | ||
| 16-3 | St. John Passion (spurious): No. 4, Recitativo: Und Die Kriegsknechte/No. 5, Coro: Sei Gegrüsset | — | ||
| 16-4 | St. John Passion (spurious): No. 6, Recitativo: Und Gaben Ihm Backenstreiche/No. 7, Arioso: Sehet, Ich Führe Ihn Heraus | — | ||
| 16-5 | St. John Passion (spurious): No. 8, Recittivo: Also Ging Jesus Heraus | — | ||
| 16-6 | St. John Passion (spurious): No. 9, Duetto: Schauet, Mein Jesus Ist Rosen Zu Gleichen | — | ||
| 16-7 | St. John Passion (spurious): No. 10, Recitativo: Und Er Spricht Zu Ihnen/No. 11, Arioso: Sehet, Welch Ein Mensch! | — | ||
| 16-8 | St. John Passion (spurious): No. 12, Recitativo: Da Ihn Die Hohenpriester Und Die Diener Sahen/No. 13, Coro: Kreuzige Kreuzige | — | ||
| 16-9 | St. John Passion (spurious): No. 14, Recitativo: Pilatus Spricht Zu Ihnen/No. 15, Arioso: Nehmet Ihr Ihn Hin | — | ||
| 16-10 | St. John Passion (spurious): No. 16, RecitativoL Die Juden Antworteten Ihm/No. 17, Coro: Wir Haben Ein Gesetze | — | ||
| 16-11 | St. John Passion (spurious): No. 18, Recitativo: Da Pilatus Das Wort Höret/No. 19, Arioso: Redest Du Nicht Mit Mir? | — | ||
| 16-12 | St. John Passion (spurious): No. 20, Recitativo: Jesu Antwortet/No. 21, Aria: Du Hättest Keine Macht Über Mir/No. 22, Recitativo | — | ||
| 16-13 | St. John Passion (spurious): No. 23, Aria: Durch Dein Gefängnis | — | ||
| 16-14 | St. John Passion (spurious): No. 24, Recitativo: Die Juden Aber Schrieen/No. 25, Coro: Lässest Du Diesen Los | — | ||
| 16-15 | St. John Passion (spurious): No. 26, Recitativo: Da Pilatus Das Wort Höret/No. 27, Arioso: Sehet, Das Ist Euer König! | — | ||
| 16-16 | St. John Passion (spurious): No. 28, Recitativo: Sie Schrien Alle/No. 29, Coro: Weg, Weg Mit Dem | — | ||
| 16-17 | St. John Passion (spurious): No. 30, Aria: Erschüttere Mit Krachen | — | ||
| 16-18 | St. John Passion (spurious): No. 31, Recitativo: Spricht Pilatus Zu Ihnen/No. 32, Arioso: Soll Ich Euren König Kreuzigen? | — | ||
| 16-19 | St. John Passion (spurious): No. 33, Recitativo: Die Hohenpriester Antworteten/No. 34, Coro: Wir Haben Keinen König | — | ||
| 16-20 | St. John Passion (spurious): No. 35, Recitativo: Da Überantwortet Er Ihn | — | ||
| 16-21 | St. John Passion (spurious): No. 36, Aria: Getrost, Mein Herz | — | ||
| 16-22 | St. John Passion (spurious): No. 37, Recitativo: Pilatus Aber Schrieb Eine Überschrift/No. 38, Coro: Schreib Nich, Der Juden Kön | — | ||
| 16-23 | St. John Passion (spurious): No. 41, Recitativo: Die Kriegsknechte Aber | — | ||
| 16-24 | St. John Passion (spurious): No. 42, Aria: Du Musst Den Rock Verlier'n | — | ||
| 16-25 | St. John Passion (spurious): No. 43, Recitativo: Der Rock Aber War Ungenäht/No. 44, Coro: Lasset Uns Den Nicht Zerteilen | — | ||
| 16-26 | St. John Passion (spurious): No. 45, Recitativo: Auf Dass Erfüllet Würde Schrift/No. 46, Accompagnato: Sie Haben Meine Kleider U | — | ||
| 16-27 | St. John Passion (spurious): No. 48, Duetto: Welche Sind Des Heilands Erben? | — | ||
| 16-28 | St. John Passion (spurious): No. 49, Recitativo: Es Stund Aber Bei Dem Kreuz/No. 50, Arioso: Weib, Siehe, Das Ist Dein Sohn/No. | — | ||
| 16-29 | St. John Passion (spurious): No. 53, Recitativo: Und Von Stund An/No. 54, Arioso: Mich Dürstet! | — | ||
| 16-30 | St. John Passion (spurious): No. 55, Aria: Jesu, Wonach Dürstet Dich | — | ||
| 16-31 | St. John Passion (spurious): No. 56, Recitativo: Da Stund Ein Gefäass Voll Essig/No. 57, Arioso: Es Ist Vollbracht! | — | ||
| 16-32 | St. John Passion (spurious): No. 58, Aria: O Grosses Werk/No. 59, Recitativo: Und Neigte Das Haupt Und Verschied | — | ||
| 16-33 | St. John Passion (spurious): No. 60, Aria: Bebet, Ihr Berge | — | ||
| 16-34 | St. John Passion (spurious): No. 61, Recitativo: Die Juden Aber | — | ||
| 16-35 | St. John Passion (spurious): No. 62, Duetto: War Das Wasser Denn Zu Schlecht | — | ||
| 16-36 | St. John Passion (spurious): No. 63, Recitativo: Und Der Es Gesehen Hat | — | ||
| 16-37 | St. John Passion (spurious): No. 64, Duetto: Ich Gehe Mit In's Grab | — | ||
| 16-38 | St. John Passion (spurious): No. 65, Recitativo: Es War Aber An Der Stätte | — | ||
| 16-39 | St. John Passion (spurious): No. 66, Coro: Schlafe Wohl Nach Deinen Leiden | — | ||
| 17-1 | Acis & Galatea: Act I. Sinfonia | — | ||
| 17-2 | Acis & Galatea: Act I. Choir "Oh, the pleasure" | — | ||
| 17-3 | Acis & Galatea: Act I. Recitavive "Ye verdant plains" | — | ||
| 17-4 | Acis & Galatea: Act I. Aria "Hush, ye pretty" (Galatea) | — | ||
| 17-5 | Acis & Galatea: Act I. Aria "Where shall I seek" (Acis) | — | ||
| 17-6 | Acis & Galatea: Act I. Recitavive "Stay, shepherd, stay" | — | ||
| 17-7 | Acis & Galatea: Act I. Aria "Shepherd, what" (Damon) | — | ||
| 17-8 | Acis & Galatea: Act I. Recitavive: "Lo, here my love" | — | ||
| 17-9 | Acis & Galatea: Act I. Aria "Love in her eyes" (Acis) | — | ||
| 17-10 | Acis & Galatea: Act I. Recitavive "O didst thou know" | — | ||
| 17-11 | Acis & Galatea: Act I. Aria "As when the dove" (Galatea) | — | ||
| 17-12 | Acis & Galatea: Act I. Duet & Choir "Happy we" | — | ||
| 18-1 | Acis & Galatea: Act II. Choir "Wretched lovers" | — | ||
| 18-2 | Acis & Galatea: Act II. Recitativo accompagnato "I rage" | — | ||
| 18-3 | Acis & Galatea: Act II. Aria "O ruddier" (Polyphemus) | — | ||
| 18-4 | Acis & Galatea: Act II. Recitativo "Whither, fairest" | — | ||
| 18-5 | Acis & Galatea: Act II. Aria "Cease to beauty" (Polyphemus) | — | ||
| 18-6 | Acis & Galatea: Act II. Aria "Would you gain" (Damon) | — | ||
| 18-7 | Acis & Galatea: Act II. Recitativo "His hideous love" | — | ||
| 18-8 | Acis & Galatea: Act II. Aria "Love sounds th'alarm" (Acis) | — | ||
| 18-9 | Acis & Galatea: Act II. Aria "Consider" (Damon) | — | ||
| 18-10 | Acis & Galatea: Act II. Recitativo "Cease, o cease" | — | ||
| 18-11 | Acis & Galatea: Act II. Trio "The flocks shall leave" | — | ||
| 18-12 | Acis & Galatea: Act II. Recitativo "Help, Galatea" | — | ||
| 18-13 | Acis & Galatea: Act II. Choir "Mourn, all ye muses" | — | ||
| 18-14 | Acis & Galatea: Act II. "Must I my Acis" (Galatea, choir) | — | ||
| 18-15 | Acis & Galatea: Act II. Recitativo "Tis done" | — | ||
| 18-16 | Acis & Galatea: Act II. Aria "Heart, the seat" (Galatea) | — | ||
| 18-17 | Acis & Galatea: Act II. Choir "Galatea, dry thy tears" | — | ||
| 19-1 | Imeneo: Overture | — | ||
| 19-2 | Imeneo: Act I, Scene I. Arioso "La mia bella" (Tirinto) - Recitative "Tirinto!" (Argenio) - Recitativo "Dal di ch'io la perdei" (Tirinto) - Aria "Se potessero" (Tirinto) | — | ||
| 19-3 | Imeneo: Act I, Scene II. Recitativo "Cerere omnipotente" (Argenio) - Choir "Vien Imeneo fra voi" - Recitativo "Valoroso Imeneo!" (Tirinto) - Aria "Di ciceca notte allor" (Imeneo) | — | ||
| 19-4 | Imeneo: Act I, Scene III-IV. Recitativo "Rosmene, alfin dovresti" (Imeneo) - Aria "Ingrata mai no fui" (Rosmene) - Aria "Mi chiederesti meno" (Tirinto) | — | ||
| 19-5 | Imeneo: Act I, Scene V-VI. Recitativo "Se non era il tuo braccio" (Clomiri) - Aria "v'e un infelice" (Clomiri) - Recitativo "Paventar non degg'io che non" (Imeneo) - Aria "Esser mia dovra" (Imeneo) - Choir "Vien Imemeo fra voi..." | — | ||
| 19-6 | Imeneo: Act II, Scene I. Arioso "Deh, m'aiutate, o Dei!" (Rosmene) - Recitativo "Vogliono i tuoi maggiori" (Argenio) - Aria "Su l'arena di barbara scene" (Argenio) | — | ||
| 20-1 | Imeneo: Act II, Scene II-III. Recitativo "La mia mente or confusa vorria" (Rosmene) - Aria "Semplicetta, la saetta" (Rosmene) - Recitativo "Tirinto, era poc'anzi" (Clomiri) - Aria "Sorge nell'alma mia" (Imeneo) | — | ||
| 20-2 | Imeneo: Act II, Scene IV-V. Recitativo "Imeneo, lieto in viso tutto" (Clomiri) - Aria "E si vaga del tuo bene" (Clomiri) - Recitativo "Sembra un fanciullo, Amore" (Imeneo) - Aria "Chi scherza colle rose" (Imeneo) | — | ||
| 20-3 | Imeneo: Act II, Scene VI. Recitativo "Udisti gia" (Argenio) - Trio "Consolami, mio bene" (Imeneo, Rosmene, Tirinto) - Choir "E troppa bel trofeo" | — | ||
| 20-4 | Imeneo: Act III, Scene I-II. Recitativo "Alfin decidi!" (Tirinto, Imeneo) - Aria "In mezzo a voi dui" (Rosmene) - Recitativo "Se tua sara Rosmene" (Imeneo) - Aria "Pieno il core di timore" (Tirinto) | — | ||
| 20-5 | Imeneo: Act III, Scene III-VI. Recitativo "Sarei lieta ancor io se Rosmene" (Clomiri) / Aria "Se ricordar ten vuoi" (Clomiri) / Aria "D'amor nei primi istanti" (Imeneo) / Recitativo "Perdonami, Clomiri, d'altro amore" (Imeneo) / Arioso "Se la mia pace a me" (Imeneo) / Recitativo "Sentimi, er pieta!" (Tirinto) / Arioso "Se la mia pace..." (Tirinto) / Recitativo "E questo il di per definir la lite?" (Rosmene) / Duetto "Se la mia pace..." (Tirinto, Imeneo) / Recitativo "La vita?" (Rosmene) | — | ||
| 20-6 | Imeneo: Recitativo accompagnato "Miratela! Che arriva cinta di" / Recitativo "Misera!" (Imeneo) / Arioso "Al voler del tua fortuna" (Rosmene) / Recitativo "Paelai da stolta" (Rosmene) / Duetto "Per le porte del tormento" (Rosmene, Tirinto) / Choir "Se consulta il suo dover" | — | ||
| 21-1 | Faramondo: Overture | — | ||
| 21-2 | Faramondo: Act I. Recitative Accompagnato "Popolo, figlio" | — | ||
| 21-3 | Faramondo: Act I. Choir "Pera, pera" | — | ||
| 21-4 | Faramondo: Act I. "Chiede l'ombra" | — | ||
| 21-5 | Faramondo: Act I. Aria "Viva, si" (Gustavo) | — | ||
| 21-6 | Faramondo: Act I. Recitativo "Siam pur fuori" | — | ||
| 21-7 | Faramondo: Act I. Aria "Conoscero" (Clotilde) | — | ||
| 21-8 | Faramondo: Act I. Recitativo & Aria "Perdoni...chi ben" (Adolfo) | — | ||
| 21-9 | Faramondo: Act I. Recitativo "A me dunque" | — | ||
| 21-10 | Faramondo: Act I. Aria "Vanne" (Rosimonda) | — | ||
| 21-11 | Faramondo: Act I. Recitativo "Faramondo infelice" | — | ||
| 21-12 | Faramondo: Act I. Aria "Rival si tono" (Faramondo) | — | ||
| 21-13 | Faramondo: Act I. Recitativo & Aria "Va voglio" (Gernando) | — | ||
| 21-14 | Faramondo: Act I. Recitativo "Sino ad ora" | — | ||
| 21-15 | Faramondo: Act I. Arioso "Si, tornero" (Faramondo) | — | ||
| 21-16 | Faramondo: Act I. Recitativo & Aria "Quel..sento" (Rosimonda) | — | ||
| 21-17 | Faramondo: Act I. Recitativo "Si, Clotilde" | — | ||
| 21-18 | Faramondo: Act I. Aria "Vado a recar" (Gustavo) | — | ||
| 21-19 | Faramondo: Act I. Recitativo "Dalla cittade" | — | ||
| 21-20 | Faramondo: Act I. Aria "Mi parto lieta" (Clotilde) | — | ||
| 21-21 | Faramondo: Act I. Recitativo "Fra quest'ombre" | — | ||
| 21-22 | Faramondo: Act I. Aria "Se ben" (Faramondo) | — | ||
| 22-1 | Faramondo: Act I. Concerto grosso No. 4, Op. 6: Larghetto | — | ||
| 22-2 | Faramondo: Act I. Concerto grosso No. 4, Op. 6: Allegro | — | ||
| 22-3 | Faramondo: Act II. Sinfonia | — | ||
| 22-4 | Faramondo: Act II. Recitativo "Gia udisti" | — | ||
| 22-5 | Faramondo: Act II. Aria "Si, l'intendesti" (Rosimonda) | — | ||
| 22-6 | Faramondo: Act II. Recitativo & Aria "Si sdegna" (Gernando) | — | ||
| 22-7 | Faramondo: Act II. Recitativo "Misero" | — | ||
| 22-8 | Faramondo: Act II. Aria "Poi che pria" (Faramondo) | — | ||
| 22-9 | Faramondo: Act II. Aria "Combattuta" (Clotilde) | — | ||
| 22-10 | Faramondo: Act II. Recitativo "Faramondo in catene" | — | ||
| 22-11 | Faramondo: Act II. Aria "Se a piedi" (Adolfo) | — | ||
| 22-12 | Faramondo: Act II. Recitativo "Signor, umil" | — | ||
| 22-13 | Faramondo: Act II. Aria "Sol la brama" (Gustavo) | — | ||
| 22-14 | Faramondo: Act II. Recitativo "Tentai d'aver" | — | ||
| 22-15 | Faramondo: Act II. Aria "Nella terra" (Gernando) | — | ||
| 22-16 | Faramondo: Act II. Recitativo "Childerico" | — | ||
| 22-17 | Faramondo: Act II. Duetto "Vado e vivo" | — | ||
| 23-1 | Faramondo: Act II. Concerto grosso No. 4, Op. 6: Largo | — | ||
| 23-2 | Faramondo: Act II. Concerto grosso No. 4, Op. 6: Allegro | — | ||
| 23-3 | Faramondo: Act III. Sinfonia | — | ||
| 23-4 | Faramondo: Act III. Recitativo "Mi tradiscono" | — | ||
| 23-5 | Faramondo: Act III. Duetto "Caro, cara" | — | ||
| 23-6 | Faramondo: Act III. Recitativo "Gia nel campo" | — | ||
| 23-7 | Faramondo: Act III. Aria "Cosi suole" (Gernando) | — | ||
| 23-8 | Faramondo: Act III. Recitativo "Ritorna pur" | — | ||
| 23-9 | Faramondo: Act III. Aria "Voglio che sia" (Faramondo) | — | ||
| 23-10 | Faramondo: Act III. Recitativo "D'un oltraggiato" | — | ||
| 23-11 | Faramondo: Act III. Aria "Se ria procella" (Adolfo) | — | ||
| 23-12 | Faramondo: Act III. Recitativo "Non isdegnar" | — | ||
| 23-13 | Faramondo: Act III. Aria "Sappi, crudel" (Rosimonda) | — | ||
| 23-14 | Faramondo: Act III. Recitativo "Clotilde, il tuo dolor" | — | ||
| 23-15 | Faramondo: Act III. Aria "Un'aura placida" (Clotilde) | — | ||
| 23-16 | Faramondo: Act III. Recitativo "Reggi il mio brando" | — | ||
| 23-17 | Faramondo: Act III. Aria & Choir "Virtu che rende" | — | ||
| 24-1 | Anthem, "Zadok the Priest" | — | ||
| 24-2 | Anthem, "My Heart Is Inditing": "My Heart is Inditing" | — | ||
| 24-3 | Anthem, "My Heart Is Inditing": "King's daughters were among thy honourable women" | — | ||
| 24-4 | Anthem, "My Heart Is Inditing": "Upon thy right hand" | — | ||
| 24-5 | Anthem, "My Heart Is Inditing": "Kings shall be thy nursing fathers" | — | ||
| 24-6 | Anthem, "Let Thy Hand Be Strengthened": "Let thy hand be strengthened" | — | ||
| 24-7 | Anthem, "Let Thy Hand Be Strengthened": "Let justice and judgement" | — | ||
| 24-8 | Anthem, "Let Thy Hand Be Strengthened": "Allelujah!" | — | ||
| 24-9 | Anthem, "The King Shall Rejoice": "The King shall rejoice" | — | ||
| 24-10 | Anthem, "The King Shall Rejoice": "Exceedingly glad shall he be" | — | ||
| 24-11 | Anthem, "The King Shall Rejoice": "Glory and great worship hast Thou laid upon him" | — | ||
| 24-12 | Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante | — | ||
| 24-13 | Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante | — | ||
| 24-14 | Concerto for organ No. 1 in B-flat major, Op. 7: III. Adagio | — | ||
| 24-15 | Concerto for organ No. 1 in B-flat major, Op. 7: IV. Largo e piano | — | ||
| 24-16 | Concerto for organ No. 1 in B-flat major, Op. 7: V. Fuga ex B | — | ||
| 24-17 | Concerto for organ No. 1 in B-flat major, Op. 7: VI. Larghetto | — | ||
| 24-18 | Concerto for organ No. 1 in B-flat major, Op. 7: VII. Bourrée | — | ||
| 25-1 | Cantata, HWV 99 "Delirio amoroso": Introduzione | — | ||
| 25-2 | Cantata, HWV 99 "Delirio amoroso": Recitativo "Da quel giorno fatale" | — | ||
| 25-3 | Cantata, HWV 99 "Delirio amoroso": Aria "un pensiero voli in ciel" | — | ||
| 25-4 | Cantata, HWV 99 "Delirio amoroso": Recitativo "Ma fermati pensier" | — | ||
| 25-5 | Cantata, HWV 99 "Delirio amoroso": Aria "Per te lasciai la luce" | — | ||
| 25-6 | Cantata, HWV 99 "Delirio amoroso": Recitativo "Non ti bastava ingrato" | — | ||
| 25-7 | Cantata, HWV 99 "Delirio amoroso": Aria "Lascia omai le brune vele" | — | ||
| 25-8 | Cantata, HWV 99 "Delirio amoroso": Recitativo "Ma siamo giunti in Lete" | — | ||
| 25-9 | Cantata, HWV 99 "Delirio amoroso": Entrée | — | ||
| 25-10 | Cantata, HWV 99 "Delirio amoroso": Minuet - Aria: In questa amene - recitativo - minuet da capo | — | ||
| 25-11 | Cantata, HWV 97 "Crudel tiranno Amor": Aria "Crudel tiranno Amor" | — | ||
| 25-12 | Cantata, HWV 97 "Crudel tiranno Amor": Recitativo "Ma tu mandi al mio core" | — | ||
| 25-13 | Cantata, HWV 97 "Crudel tiranno Amor": Aria "O dolce mia speranza" | — | ||
| 25-14 | Cantata, HWV 97 "Crudel tiranno Amor": Recitativo "Senza te, dolce spene" | — | ||
| 25-15 | Cantata, HWV 97 "Crudel tiranno Amor": Aria "O cara spene" | — | ||
| 25-16 | Cantata, HWV 110 "Agrippina condotta a morire": Recitativo "Dunque sara pur vero" | — | ||
| 25-17 | Cantata, HWV 110 "Agrippina condotta a morire": Aria "Orrida, oscura, l'etra si renda" | — | ||
| 25-18 | Cantata, HWV 110 "Agrippina condotta a morire": Recitativo "Ma pria che d'empia morte" | — | ||
| 25-19 | Cantata, HWV 110 "Agrippina condotta a morire": Aria "Renda cenere il tiranno" | — | ||
| 25-20 | Cantata, HWV 110 "Agrippina condotta a morire": Recitativo "Si, si, del gran tiranno" | — | ||
| 25-21 | Cantata, HWV 110 "Agrippina condotta a morire": Arioso e recitativo | — | ||
| 25-22 | Cantata, HWV 110 "Agrippina condotta a morire": Aria "Se infelice al mondo vissi" | — | ||
| 25-23 | Cantata, HWV 110 "Agrippina condotta a morire": Recitativo "Trema l'ingrao figlio" | — | ||
| 25-24 | Cantata, HWV 110 "Agrippina condotta a morire": Aria "Su lacerate il seno" | — | ||
| 25-25 | Cantata, HWV 110 "Agrippina condotta a morire": Recitativo "Ecco a morte gia corro" | — | ||
| 26-1 | Cantata, HWV 142 "Notte placida e cheta": Recitativo "Notte placida e cheta" | — | ||
| 26-2 | Cantata, HWV 142 "Notte placida e cheta": Aria "Zeffiretti, deh venite" | — | ||
| 26-3 | Cantata, HWV 142 "Notte placida e cheta": Recitativo "Momento fortunato" | — | ||
| 26-4 | Cantata, HWV 142 "Notte placida e cheta": Aria "Per un istante" | — | ||
| 26-5 | Cantata, HWV 142 "Notte placida e cheta": Accompagnato "Ma gia sento" | — | ||
| 26-6 | Cantata, HWV 142 "Notte placida e cheta": Aria "Luci belle, vaghe stelle" | — | ||
| 26-7 | Cantata, HWV 142 "Notte placida e cheta": Accompagnato "Oh delizie d'amor" | — | ||
| 26-8 | Cantata, HWV 142 "Notte placida e cheta": Aria "Che non si da" | — | ||
| 26-9 | Cantata, HWV 150 "Ero e Leandro": Recitativo "Qual ti riveggio, oh Dio" | — | ||
| 26-10 | Cantata, HWV 150 "Ero e Leandro": Aria "Empio mare" | — | ||
| 26-11 | Cantata, HWV 150 "Ero e Leandro": Recitativo "Amore, che ascoso" | — | ||
| 26-12 | Cantata, HWV 150 "Ero e Leandro": Aria "Se la morte non vorra" | — | ||
| 26-13 | Cantata, HWV 150 "Ero e Leandro": Recitativo "Questi dalla mia fronte" | — | ||
| 26-14 | Cantata, HWV 150 "Ero e Leandro": Aria "Si muora" | — | ||
| 26-15 | Cantata, HWV 150 "Ero e Leandro": Recitativo "Ecco, gelide labbra" | — | ||
| 26-16 | Cantata, HWV 82 "Il duello amoroso": Sonata | — | ||
| 26-17 | Cantata, HWV 82 "Il duello amoroso": Recitativo "Amarilli vezzosa" (Daliso) | — | ||
| 26-18 | Cantata, HWV 82 "Il duello amoroso": Aria "Pietoso sguardo" (Daliso) | — | ||
| 26-19 | Cantata, HWV 82 "Il duello amoroso": Recitativo "Dunque tanto s'avanza" (Amarilli) | — | ||
| 26-20 | Cantata, HWV 82 "Il duello amoroso": Aria "Piacer che non si dona" (Amarilli) | — | ||
| 26-21 | Cantata, HWV 82 "Il duello amoroso": Recitativo "Si, si crudel" (Daliso, Amarilli) | — | ||
| 26-22 | Cantata, HWV 82 "Il duello amoroso": Aria "Quel nocchiero" (Amarilli) | — | ||
| 26-23 | Cantata, HWV 82 "Il duello amoroso": Recitativo "Amarilli, Amarilli" (Daliso) | — | ||
| 26-24 | Cantata, HWV 82 "Il duello amoroso": Aria "E vanita d'un cor" (Daliso) | — | ||
| 26-25 | Cantata, HWV 82 "Il duello amoroso": Recitativo "Or su gia che ostinato" (Amarilli, Daliso) | — | ||
| 26-26 | Cantata, HWV 82 "Il duello amoroso": Arioso "Si, si lasciami, ingrata" (Daliso) | — | ||
| 26-27 | Cantata, HWV 82 "Il duello amoroso": Arioso "Su, su, restati in prace" (Amarilli) | — | ||
| 26-28 | Cantata, HWV 82 "Il duello amoroso": Duetto "Si, si / Su, su": ritornello (Daliso, Amarilli) | — | ||
| 27-1 | Aria: "Künft'ger Zeiten eitler Kummer" | — | ||
| 27-2 | Aria: "Das zitternde Glänzen der spielenden Wellen" | — | ||
| 27-3 | Aria: "Süsser Blumen Ambraflocken" | — | ||
| 27-4 | Aria: "Süsse Stille, sanfte Quelle" | — | ||
| 27-5 | Aria: "Singe, Seele, Gott zum Preise" | — | ||
| 27-6 | Aria: "Meine Seele hört im Sehen" | — | ||
| 27-7 | Aria: "Die ihr aus dunkeln Grüften" | — | ||
| 27-8 | Aria: "In den angenehmen Büschen" | — | ||
| 27-9 | Aria: "Flammende Rose, Zierde der Erden" | — | ||
| 28-1 | Water Music Suite No.1 for orchestra in F major, HWV 348- Overture | — | ||
| 28-2 | Water Music Suite No.1 for orchestra in F major, HWV 348- Andante & staccato | — | ||
| 28-3 | Water Music Suite No.1 for orchestra in F major, HWV 348- Allegro | — | ||
| 28-4 | Water Music Suite No.1 for orchestra in F major, HWV 348- Presto | — | ||
| 28-5 | Water Music Suite No.1 for orchestra in F major, HWV 348- Air | — | ||
| 28-6 | Water Music Suite No.1 for orchestra in F major, HWV 348- Minuet | — | ||
| 28-7 | Water Music Suite No.1 for orchestra in F major, HWV 348- Bourrée | — | ||
| 28-8 | Water Music Suite No.1 for orchestra in F major, HWV 348- Hornpipe | — | ||
| 28-9 | Water Music Suite No.1 for orchestra in F major, HWV 348- Suite No. 1. Andante | — | ||
| 28-10 | Water Music Suite No.1 for orchestra in F major, HWV 348- Overture | — | ||
| 28-11 | Water Music Suite No.1 for orchestra in F major, HWV 348- Alla hornpipe | — | ||
| 28-12 | Water Music Suite No.2 for orchestra in D major, HWV 349- Minuet | — | ||
| 28-13 | Water Music Suite No.2 for orchestra in D major, HWV 349- Presto | — | ||
| 28-14 | Water Music Suite No.2 for orchestra in D major, HWV 349- Minuet | — | ||
| 28-15 | Water Music Suite No.2 for orchestra in D major, HWV 349- Bourrée | — | ||
| 28-16 | Water Music Suite No.2 for orchestra in D major, HWV 349- Country Dance | — | ||
| 28-17 | Water Music Suite No.2 for orchestra in D major, HWV 349- Suite No. 2 in D major. (-Trumpet Suite No. 3-) Allegro | — | ||
| 28-18 | Water Music Suite No.2 for orchestra in D major, HWV 349- (-Trumpet Suite No. 3-) Alla hornpipe | — | ||
| 28-19 | Water Music Suite No.2 for orchestra in D major, HWV 349- (-Trumpet Suite No. 3-) Trumpet minuet | — | ||
| 28-20 | Water Music Suite No.2 for orchestra in D major, HWV 349- (-Trumpet Suite No. 3-) Lentement | — | ||
| 28-21 | Water Music Suite No.2 for orchestra in D major, HWV 349- (-Trumpet Suite No. 3-) -This aire to be play'd thrice? | — | ||
| 29-1 | Music for the Royal Fireworks, for orchestra, HWV 351: 1. Ouverture: Allegro - Lentement - Allegro | — | ||
| 29-2 | Music for the Royal Fireworks, for orchestra, HWV 351: 2. Bourrée | — | ||
| 29-3 | Music for the Royal Fireworks, for orchestra, HWV 351: 3. La Paix: Largo alla Siciliana | — | ||
| 29-4 | Music for the Royal Fireworks, for orchestra, HWV 351: 4. La Réjouissance | — | ||
| 29-5 | Music for the Royal Fireworks, for orchestra, HWV 351: 5. Menuet 1 & 2 | — | ||
| 29-6 | Oboe Concerto in G minor (No.3), HWV 287 (possibly spurious): 1. Grave | — | ||
| 29-7 | Oboe Concerto in G minor (No.3), HWV 287 (possibly spurious): 2. Allegro | — | ||
| 29-8 | Oboe Concerto in G minor (No.3), HWV 287 (possibly spurious): 3. Sarabande | — | ||
| 29-9 | Oboe Concerto in G minor (No.3), HWV 287 (possibly spurious): 4. Allegro | — | ||
| 29-10 | Harp Concerto in B flat major, Op.4/6, HWV 294: 1. Andante - Allegro | — | ||
| 29-11 | Harp Concerto in B flat major, Op.4/6, HWV 294: 2. Larghetto | — | ||
| 29-12 | Harp Concerto in B flat major, Op.4/6, HWV 294: 3. Allegro moderato | — | ||
| 29-13 | Solomon, oratorio, HWV 67: Arrival of the Queen of Sheba | — | ||
| 29-14 | Concerto Grosso in C minor, Op.6/8, HWV 326: 1. Allemande | — | ||
| 29-15 | Concerto Grosso in C minor, Op.6/8, HWV 326: 2. Grave | — | ||
| 29-16 | Concerto Grosso in C minor, Op.6/8, HWV 326: 3. Andante - Allegro | — | ||
| 29-17 | Concerto Grosso in C minor, Op.6/8, HWV 326: 4. Adagio | — | ||
| 29-18 | Concerto Grosso in C minor, Op.6/8, HWV 326: 5. Siciliana | — | ||
| 29-19 | Concerto Grosso in C minor, Op.6/8, HWV 326: 6. Allegro | — | ||
| 30-1 | Concerti Grossi No. 1 in B-flat major, Op. 3: I. Allegro | — | ||
| 30-2 | Concerti Grossi No. 1 in B-flat major, Op. 3: II. Largo | — | ||
| 30-3 | Concerti Grossi No. 1 in B-flat major, Op. 3: III. Allegro | — | ||
| 30-4 | Concerti Grossi No. 2 in B-flat major, Op. 3: I. Vivace | — | ||
| 30-5 | Concerti Grossi No. 2 in B-flat major, Op. 3: II. Largo | — | ||
| 30-6 | Concerti Grossi No. 2 in B-flat major, Op. 3: III. Allegro | — | ||
| 30-7 | Concerti Grossi No. 2 in B-flat major, Op. 3: IV. Menuet | — | ||
| 30-8 | Concerti Grossi No. 2 in B-flat major, Op. 3: V. Gavotte | — | ||
| 30-9 | Concerti Grossi No. 3 in G major, Op. 3: I. Largo e staccato | — | ||
| 30-10 | Concerti Grossi No. 3 in G major, Op. 3: II. Allegro | — | ||
| 30-11 | Concerti Grossi No. 3 in G major, Op. 3: III. Adagio | — | ||
| 30-12 | Concerti Grossi No. 3 in G major, Op. 3: IV. Allegro | — | ||
| 30-13 | Concerti Grossi No. 4 in F major, Op. 3: I. Andante | — | ||
| 30-14 | Concerti Grossi No. 4 in F major, Op. 3: II. Allegro | — | ||
| 30-15 | Concerti Grossi No. 4 in F major, Op. 3: III. Lentemente | — | ||
| 30-16 | Concerti Grossi No. 4 in F major, Op. 3: IV. Andante | — | ||
| 30-17 | Concerti Grossi No. 4 in F major, Op. 3: V. Allegro | — | ||
| 30-18 | Concerti Grossi No. 4 in F major, Op. 3: VI. Minuetto alternativo | — | ||
| 30-19 | Concerti Grossi No. 5 in D minor, Op. 3: I. [untitled] | — | ||
| 30-20 | Concerti Grossi No. 5 in D minor, Op. 3: II. Allegro | — | ||
| 30-21 | Concerti Grossi No. 5 in D minor, Op. 3: III. Adagio | — | ||
| 30-22 | Concerti Grossi No. 5 in D minor, Op. 3: IV. Allegro ma non troppo | — | ||
| 30-23 | Concerti Grossi No. 5 in D minor, Op. 3: V. Allegro | — | ||
| 30-24 | Concerti Grossi No. 6 in D major, Op. 3: I. Vivace | — | ||
| 30-25 | Concerti Grossi No. 6 in D major, Op. 3: II. Allegro | — | ||
| 31-1 | Concerto a due chori in B-flat major, HWV 332: I. Ouvertüre | — | ||
| 31-2 | Concerto a due chori in B-flat major, HWV 332: II. Allegro ma non troppo | — | ||
| 31-3 | Concerto a due chori in B-flat major, HWV 332: III. Allegro | — | ||
| 31-4 | Concerto a due chori in B-flat major, HWV 332: IV. Largo | — | ||
| 31-5 | Concerto a due chori in B-flat major, HWV 332: V. A tempo ordinario | — | ||
| 31-6 | Concerto a due chori in B-flat major, HWV 332: VI. Alla breve moderato | — | ||
| 31-7 | Concerto a due chori in B-flat major, HWV 332: VII. Minuet | — | ||
| 31-8 | Concerto a due chori in F major, HWV 333: I. Pomposo | — | ||
| 31-9 | Concerto a due chori in F major, HWV 333: II. Allegro | — | ||
| 31-10 | Concerto a due chori in F major, HWV 333: III. A tempo giusto | — | ||
| 31-11 | Concerto a due chori in F major, HWV 333: IV. Largo | — | ||
| 31-12 | Concerto a due chori in F major, HWV 333: V. Allegro ma non troppo | — | ||
| 31-13 | Concerto a due chori in F major, HWV 333: VI. A tempo ordinario | — | ||
| 31-14 | Concerto a due chori in F major, HWV 334: I. Ouvertüre | — | ||
| 31-15 | Concerto a due chori in F major, HWV 334: II. Allegro | — | ||
| 31-16 | Concerto a due chori in F major, HWV 334: III. Allegro ma non troppo | — | ||
| 31-17 | Concerto a due chori in F major, HWV 334: IV. Adagio | — | ||
| 31-18 | Concerto a due chori in F major, HWV 334: V. Andante Larghetto | — | ||
| 31-19 | Concerto a due chori in F major, HWV 334: VI. Allegro | — | ||
| 32-1 | Concerto for organ No. 1 in G minor, Op. 4: I. Larghetto e staccato | — | ||
| 32-2 | Concerto for organ No. 1 in G minor, Op. 4: II. Allegro | — | ||
| 32-3 | Concerto for organ No. 1 in G minor, Op. 4: III. Adagio | — | ||
| 32-4 | Concerto for organ No. 1 in G minor, Op. 4: IV. Andante | — | ||
| 32-5 | Concerto for organ No. 2 in B-flat major, Op. 4: I. A tempo ordinario e staccato | — | ||
| 32-6 | Concerto for organ No. 2 in B-flat major, Op. 4: II. Allegro | — | ||
| 32-7 | Concerto for organ No. 2 in B-flat major, Op. 4: III. Adagio e staccato | — | ||
| 32-8 | Concerto for organ No. 2 in B-flat major, Op. 4: IV. Allegro ma non troppo | — | ||
| 32-9 | Concerto for organ No. 3 in G minor, Op. 4: I. Adagio | — | ||
| 32-10 | Concerto for organ No. 3 in G minor, Op. 4: II. Allegro | — | ||
| 32-11 | Concerto for organ No. 3 in G minor, Op. 4: III. Adagio | — | ||
| 32-12 | Concerto for organ No. 3 in G minor, Op. 4: IV. Allegro | — | ||
| 32-13 | Concerto for organ No. 4 in F major, Op. 4: I. Allegro | — | ||
| 32-14 | Concerto for organ No. 4 in F major, Op. 4: II. Andante | — | ||
| 32-15 | Concerto for organ No. 4 in F major, Op. 4: III. Adagio | — | ||
| 32-16 | Concerto for organ No. 4 in F major, Op. 4: IV. Allegro | — | ||
| 32-17 | Concerto for organ No. 5 in F major, Op. 4: I. Larghetto | — | ||
| 32-18 | Concerto for organ No. 5 in F major, Op. 4: II. Allegro | — | ||
| 32-19 | Concerto for organ No. 5 in F major, Op. 4: III. Alla Sicilliana | — | ||
| 32-20 | Concerto for organ No. 5 in F major, Op. 4: IV. Presto | — | ||
| 32-21 | Concerto for organ No. 6 in B-flat major, Op. 4: I. Andante - allegro | — | ||
| 32-22 | Concerto for organ No. 6 in B-flat major, Op. 4: II. Larghetto | — | ||
| 32-23 | Concerto for organ No. 6 in B-flat major, Op. 4: III. Allegro moderato | — | ||
| 33-1 | Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante | — | ||
| 33-2 | Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante | — | ||
| 33-3 | Concerto for organ No. 1 in B-flat major, Op. 7: III. Largo e piano | — | ||
| 33-4 | Concerto for organ No. 1 in B-flat major, Op. 7: IV. Allegro | — | ||
| 33-5 | Concerto for organ No. 1 in B-flat major, Op. 7: V. Organo ad libitum | — | ||
| 33-6 | Concerto for organ No. 1 in B-flat major, Op. 7: VI. Allegro | — | ||
| 33-7 | Concerto for organ No. 2 in A major, Op. 7: I. Ouverture | — | ||
| 33-8 | Concerto for organ No. 2 in A major, Op. 7: II. A tempo ordinario | — | ||
| 33-9 | Concerto for organ No. 2 in A major, Op. 7: III. Organo ad libitum | — | ||
| 33-10 | Concerto for organ No. 2 in A major, Op. 7: IV. Allegro | — | ||
| 33-11 | Concerto for organ No. 3 in B-flat major, Op. 7: I. Allegro | — | ||
| 33-12 | Concerto for organ No. 3 in B-flat major, Op. 7: II. Organo ad libitum | — | ||
| 33-13 | Concerto for organ No. 3 in B-flat major, Op. 7: III. Spiritoso | — | ||
| 33-14 | Concerto for organ No. 3 in B-flat major, Op. 7: IV. Menuet | — | ||
| 34-1 | Concerto for organ No. 4 in D minor, Op. 7: I. Adagio | — | ||
| 34-2 | Concerto for organ No. 4 in D minor, Op. 7: II. Allegro | — | ||
| 34-3 | Concerto for organ No. 4 in D minor, Op. 7: III. Organo ad libitum | — | ||
| 34-4 | Concerto for organ No. 4 in D minor, Op. 7: IV. Allegro | — | ||
| 34-5 | Concerto for organ No. 5 in G minor, Op. 7: I. Allegro ma non troppo e staccato | — | ||
| 34-6 | Concerto for organ No. 5 in G minor, Op. 7: II. Andante - larghetto e staccato | — | ||
| 34-7 | Concerto for organ No. 5 in G minor, Op. 7: III. Menuet | — | ||
| 34-8 | Concerto for organ No. 5 in G minor, Op. 7: IV. Gavotte | — | ||
| 34-9 | Concerto for organ No. 6 in B-flat major, Op. 7: I. Pomposo | — | ||
| 34-10 | Concerto for organ No. 6 in B-flat major, Op. 7: II. Organo ad libitum | — | ||
| 34-11 | Concerto for organ No. 6 in B-flat major, Op. 7: III. A tempo ordinario | — | ||
| 34-12 | Concerto for organ in F minor, "Cuckoo and Nightingale": I. Larghetto | — | ||
| 34-13 | Concerto for organ in F minor, "Cuckoo and Nightingale": II. Allegro | — | ||
| 34-14 | Concerto for organ in F minor, "Cuckoo and Nightingale": III. Larghetto | — | ||
| 34-15 | Concerto for organ in F minor, "Cuckoo and Nightingale": IV. Allegro | — | ||
| 35-1 | Sonata for flute No. 1a in E minor, Op. 1: Larghetto (adagio) - andante - largo - allegro - presto | — | ||
| 35-2 | Hallenser sonata No. 1 for flute in A minor: Adagio - allegro - adagio - allegro | — | ||
| 35-3 | Hallenser sonata No. 2 for flute in E minor: Adagio - allegro - grave - minuet | — | ||
| 35-4 | Hallenser sonata No. 3 for flute in B minor: Adagio - allegro - largo - allegro | — | ||
| 35-5 | Sonata for flute in D major, HWV 378: Adagio - allegro - adagio - allegro | — | ||
| 35-6 | Sonata for flute No. 5 in G major, Op. 1: Adagio - allegro - adagio - boree - menuetto | — | ||
| 35-7 | Sonata for flute No. 9 in B minor, Op. 1: Largo - vivace - presto - adagio - alla breve - andante - a tempo di minuet | — | ||
| 35-8 | Sonata for flute No. 1b in E minor: Grave - allegro - adagio - allegro | — | ||
| 36-1 | Sonata for violin in A major: Andante - allegro - adagio - allegro | — | ||
| 36-2 | Sonata for violin in G minor: Larghetto - allegro - adagio - allegro | — | ||
| 36-3 | Sonata for oboe in B-flat major: Andante - grave - allegro | — | ||
| 36-4 | Sonata for violin in D minor: Grave - allegro - adagio - allegro | — | ||
| 36-5 | Sonata for oboe in C minor: Largo - allegro - bourrée angloise - allegro | — | ||
| 36-6 | Movement for violin in A minor | — | ||
| 36-7 | Movement for violin in C minor: (Allegro) | — | ||
| 36-8 | Sonata for oboe in F major: Adagio - allegro - adagio - bourrée angloise - menuetto | — | ||
| 36-9 | Sonata for violin in D major: Affettuoso - allegro - larghetto - allegro | — | ||
| 37-1 | Trio sonata No. 1 in B minor, Op. 2, HWV 386b: Andante - Allegro - Largo - Allegro | — | ||
| 37-2 | Trio sonata No. 2 for 2 violins & basso continuo in G minor: Andante - allegro - largo - allegro | — | ||
| 37-3 | Trio sonata No. 3 for 2 violins & basso continuo in B-flat major: Andante - allegro - larghetto - allegro | — | ||
| 37-4 | Trio sonata No. 4 for recorder, violin, & basso continuo in F major: Larghetto - allegro - adagio - allegro (adagio) - allegro | — | ||
| 37-5 | Trio sonata No. 5 for 2 violins & basso continuo in G minor: Larghetto - allegro - adagio - allegro | — | ||
| 37-6 | Trio sonata No. 6 for 2 violins & basso continuo in G minor: Andante - allegro - arioso - allegro | — | ||
| 38-1 | Trio sonata No. 1 in A major, Op. 5: Andante - allegro - larghetto - allegro - gavotte (allegro) | — | ||
| 38-2 | Trio sonata No. 2 in D major, Op 5: Adagio - allegro - musette (andante, allegro, andante) - marche - gavotte (allegro) | — | ||
| 38-3 | Trio sonata No. 3 in E minor, Op. 5: Andante larghetto - allegro - sarabande (largo assai) - allemande (andante allegro) - rondeau - gavotte (allegro) | — | ||
| 38-4 | Trio sonata No. 4 in G major, Op. 5: Allegro - A tempo ordinario (allegro non presto) - passacaille - gigue (presto) - minuetto (allegro moderato) | — | ||
| 38-5 | Trio sonata No. 5 in G minor, Op. 5: Largo - come alla breve - larghetto - a tempo giusto - air (andante) - bouree | — | ||
| 38-6 | Trio sonata No. 6 in F major, Op. 5: Largo - allegro, adagio - adagio - allegro - andante variatio | — | ||
| 38-7 | Trio sonata No. 7 in B-flat major, Op. 5: Larghetto - allegro ma non presto - adagio, allegro - gavotte (allegro) - menuet (andante allegro) | — | ||
| 39-1 | Sinfonia for 2 violins and basso continuo in B-flat major: Allegro - adagio - allegro | — | ||
| 39-2 | Trio sonata for 2 violins and basso continuo in F major: Andante - allegro - adagio - allegro | — | ||
| 39-3 | Trio sonata for 2 violins and basso continuo No. 1a in C minor, Op. 2: Andante - allegro - andante - allegro | — | ||
| 39-4 | Trio sonata for 2 violins and basso continuo in G minor: Andante - allegro - largo - allegro | — | ||
| 39-5 | Trio sonata for 2 violins and basso continuo in C major: Allegro - andante larghetto - allegro - allegro | — | ||
| 39-6 | Trio sonata for 2 violins and basso continuo in E major: Adagio - allegro - adagio - allegro | — | ||
| 40-1 | Sonata for recorder in G major: Allegro - adagio - allegro | — | ||
| 40-2 | Sonata for recorder in G minor: Larghetto - andante - adagio - presto | — | ||
| 40-3 | Sonata for recorder in A minor: Larghetto - allegro - adagio - allegro | — | ||
| 40-4 | Sonata for recorder in C major: Larghetto - allegro - larghetto - a tempo di gavotta - allegro | — | ||
| 40-5 | Sonata for recorder in F major: Larghetto - allegro - alla siciliana - allegro | — | ||
| 40-6 | Sonata for recorder in B-flat major: Allegro - adagio - allegro | — | ||
| 40-7 | Sonata for recorder in D minor: Largo - vivace - presto - adagio - alla breve - andante - a tempo di minuet | — | ||
| 40-8 | Trio sonata for recorder in F major: Allegro - grave - allegro | — |
