UPC · Release
Various Artists
Last verified:
The UPC for “Spectacular Classics” by Various Artists is 5029248126322. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 312 tracks, each with its own ISRC. Tracks include SEWDL9657517, USBC19200212, FRZ397403240.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto No. 3 in G major | — | ||
| 2 | Brandenburg Concerto No. 4 in G major | — | ||
| 3 | Brandenburg Concerto No. 5 in D major | — | ||
| 4 | Toccata and Fugue in D minor | — | ||
| 2-1 | Roman Carnival, Op. 9: Overture | — | ||
| 2-2 | The Damnation of Faust, Op. 24: Hungarian March | — | ||
| 2-3 | Symphonie Fantastique Op. 14 in 5 Movements: I. Reveries (Dreams - Passions) / II. At the Ball / III. In the Countryside / IV. March to the Scaffold / V. Dream of a Witches' Sabbath | — | ||
| 3-1 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: I. Allegro maestoso | — | ||
| 3-2 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: II. Romance: Larghetto | — | ||
| 3-3 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: III. Rondo: Vivace | — | ||
| 3-4 | Impromptu, Op. 36 No. 2 in F-sharp major | — | ||
| 3-5 | Impromptu, Op. 51 No. 3 in G-flat major | — | ||
| 3-6 | Polonaise, Op. 26 No. 1 in C-sharp minor | — | ||
| 3-7 | Prelude, Op. 28 No. 6 in B minor | — | ||
| 4-1 | Peer Gynt Suite No. 1 | — | ||
| 4-2 | Peer Gynt Suite No. 2 | — | ||
| 4-3 | Wedding Day at Troldhaugen | — | ||
| 4-4 | Concerto for Piano and Orchestra in A minor, Op. 16: I. Allegro molto moderato / II. Adagio - Attacca / III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | — | ||
| 5-1 | Symphony No. 5 in C-sharp minor: I. Funeral March: In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 5-2 | Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 5-3 | Symphony No. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 5-4 | Symphony No. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | — | ||
| 5-5 | Symphony No. 5 in C-sharp minor: V. Rondo - finale: Allegro | — | ||
| 6-1 | Night on a Bare Mountain | — | ||
| 6-2 | Dawn on the Moscow River: Prelude | — | ||
| 6-3 | Sorotchinsky Fair: Hopak | — | ||
| 6-4 | Pictures at an Exhibition | — | ||
| 7-1 | Mlada: Entry of the Nobles | — | ||
| 7-2 | The Flight of the Bumble Bee | — | ||
| 7-3 | Caprice Espagnole, Op. 34 | — | ||
| 7-4 | The Golden Cockerel: Nocturne | — | ||
| 7-5 | Symphonic Suite Op. 35 "Scheherazade" | — | ||
| 8-1 | The Blue Danube Waltz | — | ||
| 8-2 | Thunder and Lightning Polka | — | ||
| 8-3 | Vienna Blood Waltz | — | ||
| 8-4 | Tritsch Tratsch Polka | — | ||
| 8-5 | Voices of Spring Waltz | — | ||
| 8-6 | The Radetzsky March | — | ||
| 8-7 | Roses From the South Waltz | — | ||
| 8-8 | Morning Prayers Waltz | — | ||
| 8-9 | Viennese Bonbons Waltz | — | ||
| 8-10 | Tales From the Vienna Woods Waltz | — | ||
| 9-1 | Concerto for Strings and Harphischord in G major "Alla Rustica": Presto | — | ||
| 9-2 | Concerto for Strings and Harphischord in G major "Alla Rustica": Adagio | — | ||
| 9-3 | Concerto for Strings and Harphischord in G major "Alla Rustica": Allegro | — | ||
| 9-4 | Concerto Grosso in B minor, Op. 3 No. 10: Allegro - Largo - Allegro | — | ||
| 9-5 | Concerto for Two Violins and String Orchestra in A major: Allegro | — | ||
| 9-6 | Concerto for Two Violins and String Orchestra in A major: Larghetto | — | ||
| 9-7 | Concerto for Two Violins and String Orchestra in A major: Allegro | — | ||
| 9-8 | Concerto for Violin, Strings and Harpsichord in E-flat major: Allegro - Andante - Presto | — | ||
| 9-9 | Concerto Grosso Op. 3 No. 11 in D minor: Allegro - Larghetto - Allegro | — | ||
| 9-10 | Concerto for Violincello, Strings and Harpsichord: Allegro - Siciliana - Alla breva | — | ||
| 10-1 | Adagio in G minor for Organ and Strings | — | ||
| 10-2 | Clarinet Quintet in A major: 1st Movement | — | ||
| 10-3 | Fantasie Impromptu in C-sharp minor, Op. 66 No. 4 | — | ||
| 10-4 | Minuet | — | ||
| 10-5 | Dance of the Blessed Spirits | — | ||
| 10-6 | ”Nimrod” from Enigma Variations, op. 36 | London Symphony Orchestra, George Richter | T-010.115.427-1 | |
| 10-7 | Clair de Lune | — | ||
| 10-8 | Brandenburg Concerto No. 5 in D major | — | ||
| 10-9 | The Nutcracker Suite, Op. 71a | — | ||
| 11-1 | Canon | — | ||
| 11-2 | Adagio in G minor for Organ and Strings | — | ||
| 11-3 | Suite No. 3 in D major: I. Overture | — | ||
| 11-4 | Suite No. 3 in D major: II. Air | — | ||
| 11-5 | Suite No. 3 in D major: III. Gavotte | — | ||
| 11-6 | Suite No. 3 in D major: IV. Bouree | — | ||
| 11-7 | Suite No. 3 in D major: V. Gigue | — | ||
| 11-8 | Concerto for Strings and Continuo: I. Allegro | — | ||
| 11-9 | Concerto for Strings and Continuo: II. Andante | — | ||
| 11-10 | Concerto for Strings and Continuo: III. Allegro | — | ||
| 11-11 | Dance of the Blessed Spirits | — | ||
| 11-12 | Minuet | — | ||
| 12-1 | Carmen Suite No. 1: Prélude - Aragonaise | — | ||
| 12-2 | Carmen Suite No. 1: Intermezzo | — | ||
| 12-3 | Carmen Suite No. 1: Séguedilla | — | ||
| 12-4 | Carmen Suite No. 1: Les Dragons d'Alcala | — | ||
| 12-5 | Carmen Suite No. 1: Les Toréadors | — | ||
| 12-6 | Carmen Suite No. 2: Marche des Contrebandiers | — | ||
| 12-7 | Carmen Suite No. 2: Habanera | — | ||
| 12-8 | Carmen Suite No. 2: Chansons du Toréador | — | ||
| 12-9 | Carmen Suite No. 2: La Garde montante | — | ||
| 12-10 | Carmen Suite No. 2: Danse bohème | — | ||
| 12-11 | L'Arlésienne Suite No. 1: Prélude | — | ||
| 12-12 | L'Arlésienne Suite No. 1: Minuetto | — | ||
| 12-13 | L'Arlésienne Suite No. 1: Adagietto | — | ||
| 12-14 | L'Arlésienne Suite No. 1: Carillon | — | ||
| 12-15 | L'Arlésienne Suite No. 2: Pastorale | — | ||
| 12-16 | L'Arlésienne Suite No. 2: Intermezzo | — | ||
| 12-17 | L'Arlésienne Suite No. 2: Menuet | — | ||
| 12-18 | L'Arlésienne Suite No. 2: Farandole | — | ||
| 13-1 | Clair de Lune | — | ||
| 13-2 | Prelude a l'apres-midi d'une Faune | — | ||
| 13-3 | The Girl With the Flaxen Hair | — | ||
| 13-4 | La mer (Symphonic Sketches in Three Movements) | — | ||
| 13-5 | Golliwog's Cake Walk | — | ||
| 13-6 | Nocturnes for Orchestra: Nuages | — | ||
| 14-1 | Music for the Royal Fireworks | — | ||
| 14-2 | Concerto Grosso, Op. 3 No. 1 in B-flat | — | ||
| 14-3 | The Messiah: For Unto Us a Child Is Born | — | ||
| 14-4 | Concerto grosso, Op. 3 No. 4 in F major | — | ||
| 14-5 | Water Music (Excerpts): Allegro / Air / Hornpipe | — | ||
| 14-6 | The Messiah: Hallelujah Chorus | — | ||
| 15-1 | The Hebrides: Overture | — | ||
| 15-2 | Violin Concerto in E minor, Op. 64 | — | ||
| 15-3 | A Midsummer Night's Dream, Op. 61: Wedding March | — | ||
| 15-4 | Symphony No. 4 in A major, Op. 90 "Italian" | — | ||
| 16-1 | Carmina Burana: Fortune, Empress of the World: O Fortuna | — | ||
| 16-2 | Carmina Burana: Fortune, Empress of the World: Fortune plango vulnera | — | ||
| 16-3 | Carmina Burana: Fortune, Empress of the World: Veris Let a Facies | — | ||
| 16-4 | Carmina Burana: Fortune, Empress of the World: Omnia sol temparat | — | ||
| 16-5 | Carmina Burana: Fortune, Empress of the World: Ecce gratum | — | ||
| 16-6 | Carmina Burana: On the Green: Dance | — | ||
| 16-7 | Carmina Burana: On the Green: Floret silva nobilis | — | ||
| 16-8 | Carmina Burana: On the Green: Chramer, gip die Varwe mir | — | ||
| 16-9 | Carmina Burana: On the Green: Round Dance | — | ||
| 16-10 | Carmina Burana: On the Green: Were diu werit, alle min | — | ||
| 16-11 | Carmina Burana: In the Tavern: Estuans interius | — | ||
| 16-12 | Carmina Burana: In the Tavern: Olim lacus colueram | — | ||
| 16-13 | Carmina Burana: In the Tavern: Ego sum abbas | — | ||
| 16-14 | Carmina Burana: In the Tavern: In taberna quando sumus | — | ||
| 16-15 | Carmina Burana: The Court of Love: Amor volat undique | — | ||
| 16-16 | Carmina Burana: The Court of Love: Dies, nox et omnia | — | ||
| 16-17 | Carmina Burana: The Court of Love: Stetit puella | — | ||
| 16-18 | Carmina Burana: The Court of Love: Circu mea pectora | — | ||
| 16-19 | Carmina Burana: The Court of Love: Si puer cum puellula | — | ||
| 16-20 | Carmina Burana: The Court of Love: Veni, veni venias | — | ||
| 16-21 | Carmina Burana: III. Cour d’amours: XXI. In trutina | Mozarteum Orchester, Chor Salzburg, Kurt Prestel | T-800.639.771-4 | |
| 16-22 | Carmina Burana: The Court of Love: Tempus est locundum | — | ||
| 16-23 | Carmina Burana: The Court of Love: Duicissime | — | ||
| 16-24 | Carmina Burana: Blanchefleur and Helen: Ave, Formosissima | — | ||
| 16-25 | Carmina Burana: Fortune, Empress of the World: O Fortuna | — | ||
| 17-1 | The Carnival of the Animals: Introduction and the Royal March of the Lion | — | ||
| 17-2 | The Carnival of the Animals: Hens and Cocks | — | ||
| 17-3 | The Carnival of the Animals: Wild Asses | — | ||
| 17-4 | The Carnival of the Animals: Tortoises | — | ||
| 17-5 | The Carnival of the Animals: The Elephant | — | ||
| 17-6 | The Carnival of the Animals: Kangaroos | — | ||
| 17-7 | The Carnival of the Animals: The Aquarium | — | ||
| 17-8 | The Carnival of the Animals: Persons With Long Ears | — | ||
| 17-9 | The Carnival of the Animals: Cuckoo in the Heart of the Wood | — | ||
| 17-10 | The Carnival of the Animals: The Aviary | — | ||
| 17-11 | The Carnival of the Animals: Pianists | — | ||
| 17-12 | The Carnival of the Animals: Fossils | — | ||
| 17-13 | The Carnival of the Animals: The Swan | — | ||
| 17-14 | The Carnival of the Animals: Finale | — | ||
| 17-15 | Phantasy in E-flat major | — | ||
| 17-16 | Symphony No. 3 in C minor "The Organ Symphony": Adagio - Allegro moderato | — | ||
| 17-17 | Symphony No. 3 in C minor "The Organ Symphony": Allegro moderato | — | ||
| 17-18 | Symphony No. 3 in C minor "The Organ Symphony": Maestoso - Allegro | — | ||
| 18-1 | Capriccio Italien, Op. 45 | — | ||
| 18-2 | 1812 Overture, Op. 49 | — | ||
| 18-3 | Waltz of the Flowers | — | ||
| 18-4 | Swan Lake Suite, Op. 20 | — | ||
| 19-1 | Die Walküre: The Ride of the Valkyries | — | ||
| 19-2 | The Mastersingers of Nuremburg: Overture | — | ||
| 19-3 | Tannhäuser: Overture | — | ||
| 19-4 | The Flying Dutchman: Overture | — | ||
| 19-5 | Lohengrin: Wedding March | — | ||
| 19-6 | Lohengrin, Act III: Prelude | — | ||
| 19-7 | Tristan and Isolde: Prelude | — | ||
| 20-1 | The Hebrides: Overture | — | ||
| 20-2 | Trio in A minor for Violin, Cello and Piano in Four Movements | — | ||
| 20-3 | The Girl With the Flaxen Hair | — | ||
| 20-4 | Canon | — | ||
| 20-5 | The Trout | — | ||
| 20-6 | Clarinet Quintet, Op. 115: Intermezzo | — | ||
| 20-7 | Brandenburg Concerto No. 5 in D major | — | ||
| 20-8 | Waltz of the Flowers | — | ||
| 21-1 | Symphony No. 9 in D minor, Op. 125 "Choral": Allegro ma non troppo | — | ||
| 21-2 | Symphony No. 9 in D minor, Op. 125 "Choral": Molto vivace | — | ||
| 21-3 | Symphony No. 9 in D minor, Op. 125 "Choral": Adagio molto cantabile | — | ||
| 21-4 | Symphony No. 9 in D minor, Op. 125 "Choral": Finale | — | ||
| 22-1 | Symphony No. 1: I. Allegro | — | ||
| 22-2 | Symphony No. 1: II. Adagio | — | ||
| 22-3 | Symphony No. 1: III. Allegro vivace | — | ||
| 22-4 | Symphony No. 1: IV. Allegro vivace | — | ||
| 22-5 | A Midsummer Night's Dream Suite: Overture | — | ||
| 22-6 | A Midsummer Night's Dream Suite: Scherzo | — | ||
| 22-7 | A Midsummer Night's Dream Suite: Nocturne | — | ||
| 22-8 | A Midsummer Night's Dream Suite: Wedding March | — | ||
| 22-9 | A Midsummer Night's Dream Suite: Dance of the Clowns | — | ||
| 23-1 | Serenade for Strings in E major, op. 22: I. Moderato | Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-2 | Serenade for Strings in E major, op. 22: II. Tempo di valse | Camerata Romana, Camerata Salzburg, Pro Arte Orchester, Leipzig Philharmonic Orchestra, Münchner Symphonieorkester, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-3 | Serenade for Strings in E major, op. 22: III. Scherzo. Vivace | Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Kammerorchester Pro Arte München, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-4 | Serenade for Strings in E major, op. 22: IV. Larghetto | Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-5 | Serenade for Strings in E major, op. 22: V. Finale. Allegro vivace | Marian Lapsansky, Peter Toperczer, Pro Arte Orchester, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel, Philharmonie Leipzig | — | |
| 23-6 | Cello Concerto in B minor, Op. 104: I. Allegro | — | ||
| 23-7 | Cello Concerto in B minor, Op. 104: II. Adagio | — | ||
| 23-8 | Cello Concerto in B minor, Op. 104: III. Finale. Allegro moderato | — | ||
| 24-1 | Symphony No. 104 in D major, "London": I. Adagio - Allegro | — | ||
| 24-2 | Symphony No. 104 in D major, "London": II. Andante | — | ||
| 24-3 | Symphony No. 104 in D major, "London": III. Menuetto. Allegro | — | ||
| 24-4 | Symphony No. 104 in D major, "London": IV. Allegro spiritoso | — | ||
| 24-5 | Symphony No. 94 in G major, "Surprise": I. Adagio cantabile - Vivace assai | — | ||
| 24-6 | Symphony No. 94 in G major, "Surprise": II. Andante | — | ||
| 24-7 | Symphony No. 94 in G major, "Surprise": III. Menuetto. Allegro molto | — | ||
| 24-8 | Symphony No. 94 in G major, "Surprise": IV. Allegro di molto | — | ||
| 24-9 | Wind Quintet Divertimento No. 1 in B-flat "Choral St. Anthony" | — | ||
| 25-1 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: I. Allegro | — | ||
| 25-2 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: II. Andante | — | ||
| 25-3 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: III. Rondo. Presto | — | ||
| 25-4 | Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro | Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky | — | |
| 25-5 | Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio | Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky | — | |
| 25-6 | Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto | Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky | — | |
| 25-7 | Concerto for Horn No. 1 in D major, K. 412: I. Allegro | — | ||
| 25-8 | Concerto for Horn No. 1 in D major, K. 412: II. Rondo. Allegro | — | ||
| 26-1 | Rhapsody on a Theme of Paganini, Op. 43: 18th Variation | — | ||
| 26-2 | Italian Polka for Piano Duet | — | ||
| 26-3 | Vocalise, Op. 34 No. 14 | — | ||
| 26-4 | Symphony No. 2 in E minor, Op. 27: Slow Movement | — | ||
| 26-5 | Prelude in C-sharp minor, Op. 3 No. 2 | — | ||
| 26-6 | Piano Concerto No. 2 in C minor, Op. 18 | — | ||
| 27-1 | Rosamunde: Overture | — | ||
| 27-2 | Moment Musical No. 3 | — | ||
| 27-3 | Rosamunde: Ballet Music No. 2 | — | ||
| 27-4 | Ave Maria | — | ||
| 27-5 | The Trout | — | ||
| 27-6 | The Brook | — | ||
| 27-7 | Symphony No. 8 in B minor "Unfinished" | — | ||
| 28-1 | The Nutcracker Suite, Op. 71a | — | ||
| 28-2 | Piano Concerto No. 1 in B-flat minor, Op. 23 | — | ||
| 28-3 | Romeo & Juliet: Fantasy Overture | — | ||
| 29-1 | Cello Concerto in B minor, Op. 104: I. Allegro | — | ||
| 29-2 | Cello Concerto in B minor, Op. 104: II. Adagio, ma non troppo | — | ||
| 29-3 | Cello Concerto in B minor, Op. 104: III. Finale. Allegro moderato | — | ||
| 29-4 | Symphony No. 2 in E minor, Op. 27: Slow Movement | — | ||
| 29-5 | Romeo & Juliet: Fantasy Overture | — | ||
| 30-1 | Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 30-2 | Concerto for Horn No. 1 in D major, K412: Allegro | — | ||
| 30-3 | Concerto for Horn No. 1 in D major, K412: Rondo. Allegro | — | ||
| 30-4 | Trisan & Isolde: Prelude | — | ||
| 30-5 | Concerto for Mandolin, Strings & Harpsichord in C major | — | ||
| 30-6 | Moment Musical No. 3 | — | ||
| 30-7 | Prelude a l'apres-midi d'une Faune | — | ||
| 30-8 | Symphony No. 3 in C minor "The Organ Symphony": Adagio - Allegro moderato | — | ||
| 31-1 | Symphony No. 5 in C minor, Op. 67: Allegro con brio | — | ||
| 31-2 | Symphony No. 5 in C minor, Op. 67: Andante con moto | — | ||
| 31-3 | Symphony No. 5 in C minor, Op. 67: Allegro / Allegro - Allegro - Presto | — | ||
| 31-4 | Leonora: Overture No. 3 in C minor, Op. 72a | — | ||
| 31-5 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 31-6 | Piano Sonata No. 8, Op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 31-7 | Symphony No. 9 in D minor, Op. 125: 4th Movement (excerpt) | — | ||
| 32-1 | Serenade No. 2 in A major, Op. 16: Allegro moderato | — | ||
| 32-2 | Serenade No. 2 in A major, Op. 16: Scherzo (vivace) | — | ||
| 32-3 | Serenade No. 2 in A major, Op. 16: Adagio non troppo | — | ||
| 32-4 | Serenade No. 2 in A major, Op. 16: Quasi menuetto and Trio | — | ||
| 32-5 | Serenade No. 2 in A major, Op. 16: Rondo (Allegro) | — | ||
| 32-6 | Violin Concerto in D major, Op. 77: I. Allegro ma non troppo | — | ||
| 32-7 | Violin Concerto in D major, Op. 77: II. Adagio | — | ||
| 32-8 | Violin Concerto in D major, Op. 77: III. Allegro giocoso ma non troppo vivace | — | ||
| 33-1 | Pomp & Circumstance March No. 1 | — | ||
| 33-2 | ”Nimrod” from Enigma Variations, op. 36 | London Symphony Orchestra, George Richter | T-010.115.427-1 | |
| 33-3 | Serenade for Strings: Allegro piacevole | — | ||
| 33-4 | Serenade for Strings: Larghetto | — | ||
| 33-5 | Serenade for Strings: Allegretto | — | ||
| 33-6 | Sospiri, Op. 70 | — | ||
| 33-7 | Cello Concerto in E minor, Op. 85: Adagio - Moderato | — | ||
| 33-8 | Cello Concerto in E minor, Op. 85: Allegro molto | — | ||
| 33-9 | Cello Concerto in E minor, Op. 85: Adagio | — | ||
| 33-10 | Cello Concerto in E minor, Op. 85: Allegro - Moderato - Allegro, ma non troppo | — | ||
| 34-1 | Mars, the Bringer of War | — | ||
| 34-2 | Venus, the Bringer of Peace | — | ||
| 34-3 | Mercury, the Winged Messenger | — | ||
| 34-4 | Jupiter, the Bringer of Jollity | — | ||
| 34-5 | Saturn, the Bringer of Old Age | — | ||
| 34-6 | Uranus, the Magician | — | ||
| 34-7 | Neptune, the Mystic | — | ||
| 35-1 | Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro | — | ||
| 35-2 | Symphony No. 38 in D major, K. 504 "Prague": II. Andante | — | ||
| 35-3 | Symphony No. 38 in D major, K. 504 "Prague": III. Presto | — | ||
| 35-4 | Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 35-5 | Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 35-6 | Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto | — | ||
| 35-7 | Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | London Philharmonic Orchestra, Laurence Siegel, Philharmonia Orchestra, János Sándor | — | |
| 36-1 | Bolero for Orchestra | — | ||
| 36-2 | Pavane pour une infante defunte | — | ||
| 36-3 | Trio in A minor for Violin, Cello & Piano in Four Movements | — | ||
| 36-4 | La Valse for Orchestra | — | ||
| 37-1 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 37-2 | Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 37-3 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 37-4 | Three Fantasy Pieces for Clarinet and Piano, Op. 73: I. Tender and With Expression | — | ||
| 37-5 | Three Fantasy Pieces for Clarinet and Piano, Op. 73: II. Lively and Light | — | ||
| 37-6 | Three Fantasy Pieces for Clarinet and Piano, Op. 73: III. Quick and Ardent | — | ||
| 37-7 | Bird as a Prophet, Op. 82 No. 7 | — | ||
| 37-8 | Six Fantasy Canons for Organ: I. Not Too Quickly | — | ||
| 37-9 | Six Fantasy Canons for Organ: II. With Intimate Expression | — | ||
| 37-10 | Six Fantasy Canons for Organ: III. Andantino | — | ||
| 37-11 | Six Fantasy Canons for Organ: IV. Intimate | — | ||
| 37-12 | Six Fantasy Canons for Organ: V. Not Too Quickly | — | ||
| 37-13 | Six Fantasy Canons for Organ: VI. Adagio | — | ||
| 38-1 | Concerti Grossi, Op. 8 Nos. 1-4 "The Four Seasons": Spring / Summer / Autumn / Winter | — | ||
| 38-2 | Concerto for Flute and Orchestra No. 2 in G minor, Op. 10 "La Notte" | — | ||
| 38-3 | Concerto for Wind, Violin and Strings in F major | — | ||
| 39-1 | A Midsummer Night's Dream, Op. 61: Wedding March | — | ||
| 39-2 | Pavane pour une infante defunte | — | ||
| 39-3 | Violin Concerto No. 1 in G minor, Op. 26: I. Allegro moderato | — | ||
| 39-4 | Violin Concerto No. 1 in G minor, Op. 26: II. Adagio | — | ||
| 39-5 | Violin Concerto No. 1 in G minor, Op. 26: III. Allegro energico | — | ||
| 39-6 | ”Nimrod” from Enigma Variations, op. 36 | London Symphony Orchestra, George Richter | T-010.115.427-1 | |
| 39-7 | Piano Concerto No. 1 in B-flat minor, Op. 23 | — | ||
| 40-1 | Rosamunde: Overture | — | ||
| 40-2 | Symphony No. 99 in E-flat major: I. Adagio - Vivace assai | — | ||
| 40-3 | Symphony No. 99 in E-flat major: II. Adagio | — | ||
| 40-4 | Symphony No. 99 in E-flat major: III. Menuetto - Allegro | — | ||
| 40-5 | Symphony No. 99 in E-flat major: IV. Finale: Vivace | — | ||
| 40-6 | Lullaby, Op. 49 No. 4 | — | ||
| 40-7 | Brandenburg Concerto No. 4 in G major | — | ||
| 40-8 | Symphony No. 3 in E-flat major, Op. 97: Nicht schnell | — | ||
| 40-9 | Sinfonia in C major | — | ||
| 40-10 | La mer (Symphonic Sketches in Three Movements) | — |
Identifier Graph
5029248126322 is a Universal Product Code (UPC) assigned to Spectacular Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 312 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-925.881.218-9 |
Creative Contributors (ISNI)
The UPC for “Spectacular Classics” by Various Artists is 5029248126322. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 312 tracks, each with its own ISRC. Tracks include SEWDL9657517, USBC19200212, FRZ397403240.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto No. 3 in G major | — | ||
| 2 | Brandenburg Concerto No. 4 in G major | — | ||
| 3 | Brandenburg Concerto No. 5 in D major | — | ||
| 4 | Toccata and Fugue in D minor | — | ||
| 2-1 | Roman Carnival, Op. 9: Overture | — | ||
| 2-2 | The Damnation of Faust, Op. 24: Hungarian March | — | ||
| 2-3 | Symphonie Fantastique Op. 14 in 5 Movements: I. Reveries (Dreams - Passions) / II. At the Ball / III. In the Countryside / IV. March to the Scaffold / V. Dream of a Witches' Sabbath | — | ||
| 3-1 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: I. Allegro maestoso | — | ||
| 3-2 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: II. Romance: Larghetto | — | ||
| 3-3 | Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: III. Rondo: Vivace | — | ||
| 3-4 | Impromptu, Op. 36 No. 2 in F-sharp major | — | ||
| 3-5 | Impromptu, Op. 51 No. 3 in G-flat major | — | ||
| 3-6 | Polonaise, Op. 26 No. 1 in C-sharp minor | — | ||
| 3-7 | Prelude, Op. 28 No. 6 in B minor | — | ||
| 4-1 | Peer Gynt Suite No. 1 | — | ||
| 4-2 | Peer Gynt Suite No. 2 | — | ||
| 4-3 | Wedding Day at Troldhaugen | — | ||
| 4-4 | Concerto for Piano and Orchestra in A minor, Op. 16: I. Allegro molto moderato / II. Adagio - Attacca / III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | — | ||
| 5-1 | Symphony No. 5 in C-sharp minor: I. Funeral March: In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 5-2 | Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 5-3 | Symphony No. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 5-4 | Symphony No. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | — | ||
| 5-5 | Symphony No. 5 in C-sharp minor: V. Rondo - finale: Allegro | — | ||
| 6-1 | Night on a Bare Mountain | — | ||
| 6-2 | Dawn on the Moscow River: Prelude | — | ||
| 6-3 | Sorotchinsky Fair: Hopak | — | ||
| 6-4 | Pictures at an Exhibition | — | ||
| 7-1 | Mlada: Entry of the Nobles | — | ||
| 7-2 | The Flight of the Bumble Bee | — | ||
| 7-3 | Caprice Espagnole, Op. 34 | — | ||
| 7-4 | The Golden Cockerel: Nocturne | — | ||
| 7-5 | Symphonic Suite Op. 35 "Scheherazade" | — | ||
| 8-1 | The Blue Danube Waltz | — | ||
| 8-2 | Thunder and Lightning Polka | — | ||
| 8-3 | Vienna Blood Waltz | — | ||
| 8-4 | Tritsch Tratsch Polka | — | ||
| 8-5 | Voices of Spring Waltz | — | ||
| 8-6 | The Radetzsky March | — | ||
| 8-7 | Roses From the South Waltz | — | ||
| 8-8 | Morning Prayers Waltz | — | ||
| 8-9 | Viennese Bonbons Waltz | — | ||
| 8-10 | Tales From the Vienna Woods Waltz | — | ||
| 9-1 | Concerto for Strings and Harphischord in G major "Alla Rustica": Presto | — | ||
| 9-2 | Concerto for Strings and Harphischord in G major "Alla Rustica": Adagio | — | ||
| 9-3 | Concerto for Strings and Harphischord in G major "Alla Rustica": Allegro | — | ||
| 9-4 | Concerto Grosso in B minor, Op. 3 No. 10: Allegro - Largo - Allegro | — | ||
| 9-5 | Concerto for Two Violins and String Orchestra in A major: Allegro | — | ||
| 9-6 | Concerto for Two Violins and String Orchestra in A major: Larghetto | — | ||
| 9-7 | Concerto for Two Violins and String Orchestra in A major: Allegro | — | ||
| 9-8 | Concerto for Violin, Strings and Harpsichord in E-flat major: Allegro - Andante - Presto | — | ||
| 9-9 | Concerto Grosso Op. 3 No. 11 in D minor: Allegro - Larghetto - Allegro | — | ||
| 9-10 | Concerto for Violincello, Strings and Harpsichord: Allegro - Siciliana - Alla breva | — | ||
| 10-1 | Adagio in G minor for Organ and Strings | — | ||
| 10-2 | Clarinet Quintet in A major: 1st Movement | — | ||
| 10-3 | Fantasie Impromptu in C-sharp minor, Op. 66 No. 4 | — | ||
| 10-4 | Minuet | — | ||
| 10-5 | Dance of the Blessed Spirits | — | ||
| 10-6 | ”Nimrod” from Enigma Variations, op. 36 | London Symphony Orchestra, George Richter | T-010.115.427-1 | |
| 10-7 | Clair de Lune | — | ||
| 10-8 | Brandenburg Concerto No. 5 in D major | — | ||
| 10-9 | The Nutcracker Suite, Op. 71a | — | ||
| 11-1 | Canon | — | ||
| 11-2 | Adagio in G minor for Organ and Strings | — | ||
| 11-3 | Suite No. 3 in D major: I. Overture | — | ||
| 11-4 | Suite No. 3 in D major: II. Air | — | ||
| 11-5 | Suite No. 3 in D major: III. Gavotte | — | ||
| 11-6 | Suite No. 3 in D major: IV. Bouree | — | ||
| 11-7 | Suite No. 3 in D major: V. Gigue | — | ||
| 11-8 | Concerto for Strings and Continuo: I. Allegro | — | ||
| 11-9 | Concerto for Strings and Continuo: II. Andante | — | ||
| 11-10 | Concerto for Strings and Continuo: III. Allegro | — | ||
| 11-11 | Dance of the Blessed Spirits | — | ||
| 11-12 | Minuet | — | ||
| 12-1 | Carmen Suite No. 1: Prélude - Aragonaise | — | ||
| 12-2 | Carmen Suite No. 1: Intermezzo | — | ||
| 12-3 | Carmen Suite No. 1: Séguedilla | — | ||
| 12-4 | Carmen Suite No. 1: Les Dragons d'Alcala | — | ||
| 12-5 | Carmen Suite No. 1: Les Toréadors | — | ||
| 12-6 | Carmen Suite No. 2: Marche des Contrebandiers | — | ||
| 12-7 | Carmen Suite No. 2: Habanera | — | ||
| 12-8 | Carmen Suite No. 2: Chansons du Toréador | — | ||
| 12-9 | Carmen Suite No. 2: La Garde montante | — | ||
| 12-10 | Carmen Suite No. 2: Danse bohème | — | ||
| 12-11 | L'Arlésienne Suite No. 1: Prélude | — | ||
| 12-12 | L'Arlésienne Suite No. 1: Minuetto | — | ||
| 12-13 | L'Arlésienne Suite No. 1: Adagietto | — | ||
| 12-14 | L'Arlésienne Suite No. 1: Carillon | — | ||
| 12-15 | L'Arlésienne Suite No. 2: Pastorale | — | ||
| 12-16 | L'Arlésienne Suite No. 2: Intermezzo | — | ||
| 12-17 | L'Arlésienne Suite No. 2: Menuet | — | ||
| 12-18 | L'Arlésienne Suite No. 2: Farandole | — | ||
| 13-1 | Clair de Lune | — | ||
| 13-2 | Prelude a l'apres-midi d'une Faune | — | ||
| 13-3 | The Girl With the Flaxen Hair | — | ||
| 13-4 | La mer (Symphonic Sketches in Three Movements) | — | ||
| 13-5 | Golliwog's Cake Walk | — | ||
| 13-6 | Nocturnes for Orchestra: Nuages | — | ||
| 14-1 | Music for the Royal Fireworks | — | ||
| 14-2 | Concerto Grosso, Op. 3 No. 1 in B-flat | — | ||
| 14-3 | The Messiah: For Unto Us a Child Is Born | — | ||
| 14-4 | Concerto grosso, Op. 3 No. 4 in F major | — | ||
| 14-5 | Water Music (Excerpts): Allegro / Air / Hornpipe | — | ||
| 14-6 | The Messiah: Hallelujah Chorus | — | ||
| 15-1 | The Hebrides: Overture | — | ||
| 15-2 | Violin Concerto in E minor, Op. 64 | — | ||
| 15-3 | A Midsummer Night's Dream, Op. 61: Wedding March | — | ||
| 15-4 | Symphony No. 4 in A major, Op. 90 "Italian" | — | ||
| 16-1 | Carmina Burana: Fortune, Empress of the World: O Fortuna | — | ||
| 16-2 | Carmina Burana: Fortune, Empress of the World: Fortune plango vulnera | — | ||
| 16-3 | Carmina Burana: Fortune, Empress of the World: Veris Let a Facies | — | ||
| 16-4 | Carmina Burana: Fortune, Empress of the World: Omnia sol temparat | — | ||
| 16-5 | Carmina Burana: Fortune, Empress of the World: Ecce gratum | — | ||
| 16-6 | Carmina Burana: On the Green: Dance | — | ||
| 16-7 | Carmina Burana: On the Green: Floret silva nobilis | — | ||
| 16-8 | Carmina Burana: On the Green: Chramer, gip die Varwe mir | — | ||
| 16-9 | Carmina Burana: On the Green: Round Dance | — | ||
| 16-10 | Carmina Burana: On the Green: Were diu werit, alle min | — | ||
| 16-11 | Carmina Burana: In the Tavern: Estuans interius | — | ||
| 16-12 | Carmina Burana: In the Tavern: Olim lacus colueram | — | ||
| 16-13 | Carmina Burana: In the Tavern: Ego sum abbas | — | ||
| 16-14 | Carmina Burana: In the Tavern: In taberna quando sumus | — | ||
| 16-15 | Carmina Burana: The Court of Love: Amor volat undique | — | ||
| 16-16 | Carmina Burana: The Court of Love: Dies, nox et omnia | — | ||
| 16-17 | Carmina Burana: The Court of Love: Stetit puella | — | ||
| 16-18 | Carmina Burana: The Court of Love: Circu mea pectora | — | ||
| 16-19 | Carmina Burana: The Court of Love: Si puer cum puellula | — | ||
| 16-20 | Carmina Burana: The Court of Love: Veni, veni venias | — | ||
| 16-21 | Carmina Burana: III. Cour d’amours: XXI. In trutina | Mozarteum Orchester, Chor Salzburg, Kurt Prestel | T-800.639.771-4 | |
| 16-22 | Carmina Burana: The Court of Love: Tempus est locundum | — | ||
| 16-23 | Carmina Burana: The Court of Love: Duicissime | — | ||
| 16-24 | Carmina Burana: Blanchefleur and Helen: Ave, Formosissima | — | ||
| 16-25 | Carmina Burana: Fortune, Empress of the World: O Fortuna | — | ||
| 17-1 | The Carnival of the Animals: Introduction and the Royal March of the Lion | — | ||
| 17-2 | The Carnival of the Animals: Hens and Cocks | — | ||
| 17-3 | The Carnival of the Animals: Wild Asses | — | ||
| 17-4 | The Carnival of the Animals: Tortoises | — | ||
| 17-5 | The Carnival of the Animals: The Elephant | — | ||
| 17-6 | The Carnival of the Animals: Kangaroos | — | ||
| 17-7 | The Carnival of the Animals: The Aquarium | — | ||
| 17-8 | The Carnival of the Animals: Persons With Long Ears | — | ||
| 17-9 | The Carnival of the Animals: Cuckoo in the Heart of the Wood | — | ||
| 17-10 | The Carnival of the Animals: The Aviary | — | ||
| 17-11 | The Carnival of the Animals: Pianists | — | ||
| 17-12 | The Carnival of the Animals: Fossils | — | ||
| 17-13 | The Carnival of the Animals: The Swan | — | ||
| 17-14 | The Carnival of the Animals: Finale | — | ||
| 17-15 | Phantasy in E-flat major | — | ||
| 17-16 | Symphony No. 3 in C minor "The Organ Symphony": Adagio - Allegro moderato | — | ||
| 17-17 | Symphony No. 3 in C minor "The Organ Symphony": Allegro moderato | — | ||
| 17-18 | Symphony No. 3 in C minor "The Organ Symphony": Maestoso - Allegro | — | ||
| 18-1 | Capriccio Italien, Op. 45 | — | ||
| 18-2 | 1812 Overture, Op. 49 | — | ||
| 18-3 | Waltz of the Flowers | — | ||
| 18-4 | Swan Lake Suite, Op. 20 | — | ||
| 19-1 | Die Walküre: The Ride of the Valkyries | — | ||
| 19-2 | The Mastersingers of Nuremburg: Overture | — | ||
| 19-3 | Tannhäuser: Overture | — | ||
| 19-4 | The Flying Dutchman: Overture | — | ||
| 19-5 | Lohengrin: Wedding March | — | ||
| 19-6 | Lohengrin, Act III: Prelude | — | ||
| 19-7 | Tristan and Isolde: Prelude | — | ||
| 20-1 | The Hebrides: Overture | — | ||
| 20-2 | Trio in A minor for Violin, Cello and Piano in Four Movements | — | ||
| 20-3 | The Girl With the Flaxen Hair | — | ||
| 20-4 | Canon | — | ||
| 20-5 | The Trout | — | ||
| 20-6 | Clarinet Quintet, Op. 115: Intermezzo | — | ||
| 20-7 | Brandenburg Concerto No. 5 in D major | — | ||
| 20-8 | Waltz of the Flowers | — | ||
| 21-1 | Symphony No. 9 in D minor, Op. 125 "Choral": Allegro ma non troppo | — | ||
| 21-2 | Symphony No. 9 in D minor, Op. 125 "Choral": Molto vivace | — | ||
| 21-3 | Symphony No. 9 in D minor, Op. 125 "Choral": Adagio molto cantabile | — | ||
| 21-4 | Symphony No. 9 in D minor, Op. 125 "Choral": Finale | — | ||
| 22-1 | Symphony No. 1: I. Allegro | — | ||
| 22-2 | Symphony No. 1: II. Adagio | — | ||
| 22-3 | Symphony No. 1: III. Allegro vivace | — | ||
| 22-4 | Symphony No. 1: IV. Allegro vivace | — | ||
| 22-5 | A Midsummer Night's Dream Suite: Overture | — | ||
| 22-6 | A Midsummer Night's Dream Suite: Scherzo | — | ||
| 22-7 | A Midsummer Night's Dream Suite: Nocturne | — | ||
| 22-8 | A Midsummer Night's Dream Suite: Wedding March | — | ||
| 22-9 | A Midsummer Night's Dream Suite: Dance of the Clowns | — | ||
| 23-1 | Serenade for Strings in E major, op. 22: I. Moderato | Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-2 | Serenade for Strings in E major, op. 22: II. Tempo di valse | Camerata Romana, Camerata Salzburg, Pro Arte Orchester, Leipzig Philharmonic Orchestra, Münchner Symphonieorkester, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-3 | Serenade for Strings in E major, op. 22: III. Scherzo. Vivace | Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Kammerorchester Pro Arte München, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-4 | Serenade for Strings in E major, op. 22: IV. Larghetto | Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-5 | Serenade for Strings in E major, op. 22: V. Finale. Allegro vivace | Marian Lapsansky, Peter Toperczer, Pro Arte Orchester, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel, Philharmonie Leipzig | — | |
| 23-6 | Cello Concerto in B minor, Op. 104: I. Allegro | — | ||
| 23-7 | Cello Concerto in B minor, Op. 104: II. Adagio | — | ||
| 23-8 | Cello Concerto in B minor, Op. 104: III. Finale. Allegro moderato | — | ||
| 24-1 | Symphony No. 104 in D major, "London": I. Adagio - Allegro | — | ||
| 24-2 | Symphony No. 104 in D major, "London": II. Andante | — | ||
| 24-3 | Symphony No. 104 in D major, "London": III. Menuetto. Allegro | — | ||
| 24-4 | Symphony No. 104 in D major, "London": IV. Allegro spiritoso | — | ||
| 24-5 | Symphony No. 94 in G major, "Surprise": I. Adagio cantabile - Vivace assai | — | ||
| 24-6 | Symphony No. 94 in G major, "Surprise": II. Andante | — | ||
| 24-7 | Symphony No. 94 in G major, "Surprise": III. Menuetto. Allegro molto | — | ||
| 24-8 | Symphony No. 94 in G major, "Surprise": IV. Allegro di molto | — | ||
| 24-9 | Wind Quintet Divertimento No. 1 in B-flat "Choral St. Anthony" | — | ||
| 25-1 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: I. Allegro | — | ||
| 25-2 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: II. Andante | — | ||
| 25-3 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: III. Rondo. Presto | — | ||
| 25-4 | Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro | Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky | — | |
| 25-5 | Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio | Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky | — | |
| 25-6 | Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto | Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky | — | |
| 25-7 | Concerto for Horn No. 1 in D major, K. 412: I. Allegro | — | ||
| 25-8 | Concerto for Horn No. 1 in D major, K. 412: II. Rondo. Allegro | — | ||
| 26-1 | Rhapsody on a Theme of Paganini, Op. 43: 18th Variation | — | ||
| 26-2 | Italian Polka for Piano Duet | — | ||
| 26-3 | Vocalise, Op. 34 No. 14 | — | ||
| 26-4 | Symphony No. 2 in E minor, Op. 27: Slow Movement | — | ||
| 26-5 | Prelude in C-sharp minor, Op. 3 No. 2 | — | ||
| 26-6 | Piano Concerto No. 2 in C minor, Op. 18 | — | ||
| 27-1 | Rosamunde: Overture | — | ||
| 27-2 | Moment Musical No. 3 | — | ||
| 27-3 | Rosamunde: Ballet Music No. 2 | — | ||
| 27-4 | Ave Maria | — | ||
| 27-5 | The Trout | — | ||
| 27-6 | The Brook | — | ||
| 27-7 | Symphony No. 8 in B minor "Unfinished" | — | ||
| 28-1 | The Nutcracker Suite, Op. 71a | — | ||
| 28-2 | Piano Concerto No. 1 in B-flat minor, Op. 23 | — | ||
| 28-3 | Romeo & Juliet: Fantasy Overture | — | ||
| 29-1 | Cello Concerto in B minor, Op. 104: I. Allegro | — | ||
| 29-2 | Cello Concerto in B minor, Op. 104: II. Adagio, ma non troppo | — | ||
| 29-3 | Cello Concerto in B minor, Op. 104: III. Finale. Allegro moderato | — | ||
| 29-4 | Symphony No. 2 in E minor, Op. 27: Slow Movement | — | ||
| 29-5 | Romeo & Juliet: Fantasy Overture | — | ||
| 30-1 | Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 30-2 | Concerto for Horn No. 1 in D major, K412: Allegro | — | ||
| 30-3 | Concerto for Horn No. 1 in D major, K412: Rondo. Allegro | — | ||
| 30-4 | Trisan & Isolde: Prelude | — | ||
| 30-5 | Concerto for Mandolin, Strings & Harpsichord in C major | — | ||
| 30-6 | Moment Musical No. 3 | — | ||
| 30-7 | Prelude a l'apres-midi d'une Faune | — | ||
| 30-8 | Symphony No. 3 in C minor "The Organ Symphony": Adagio - Allegro moderato | — | ||
| 31-1 | Symphony No. 5 in C minor, Op. 67: Allegro con brio | — | ||
| 31-2 | Symphony No. 5 in C minor, Op. 67: Andante con moto | — | ||
| 31-3 | Symphony No. 5 in C minor, Op. 67: Allegro / Allegro - Allegro - Presto | — | ||
| 31-4 | Leonora: Overture No. 3 in C minor, Op. 72a | — | ||
| 31-5 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 31-6 | Piano Sonata No. 8, Op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 31-7 | Symphony No. 9 in D minor, Op. 125: 4th Movement (excerpt) | — | ||
| 32-1 | Serenade No. 2 in A major, Op. 16: Allegro moderato | — | ||
| 32-2 | Serenade No. 2 in A major, Op. 16: Scherzo (vivace) | — | ||
| 32-3 | Serenade No. 2 in A major, Op. 16: Adagio non troppo | — | ||
| 32-4 | Serenade No. 2 in A major, Op. 16: Quasi menuetto and Trio | — | ||
| 32-5 | Serenade No. 2 in A major, Op. 16: Rondo (Allegro) | — | ||
| 32-6 | Violin Concerto in D major, Op. 77: I. Allegro ma non troppo | — | ||
| 32-7 | Violin Concerto in D major, Op. 77: II. Adagio | — | ||
| 32-8 | Violin Concerto in D major, Op. 77: III. Allegro giocoso ma non troppo vivace | — | ||
| 33-1 | Pomp & Circumstance March No. 1 | — | ||
| 33-2 | ”Nimrod” from Enigma Variations, op. 36 | London Symphony Orchestra, George Richter | T-010.115.427-1 | |
| 33-3 | Serenade for Strings: Allegro piacevole | — | ||
| 33-4 | Serenade for Strings: Larghetto | — | ||
| 33-5 | Serenade for Strings: Allegretto | — | ||
| 33-6 | Sospiri, Op. 70 | — | ||
| 33-7 | Cello Concerto in E minor, Op. 85: Adagio - Moderato | — | ||
| 33-8 | Cello Concerto in E minor, Op. 85: Allegro molto | — | ||
| 33-9 | Cello Concerto in E minor, Op. 85: Adagio | — | ||
| 33-10 | Cello Concerto in E minor, Op. 85: Allegro - Moderato - Allegro, ma non troppo | — | ||
| 34-1 | Mars, the Bringer of War | — | ||
| 34-2 | Venus, the Bringer of Peace | — | ||
| 34-3 | Mercury, the Winged Messenger | — | ||
| 34-4 | Jupiter, the Bringer of Jollity | — | ||
| 34-5 | Saturn, the Bringer of Old Age | — | ||
| 34-6 | Uranus, the Magician | — | ||
| 34-7 | Neptune, the Mystic | — | ||
| 35-1 | Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro | — | ||
| 35-2 | Symphony No. 38 in D major, K. 504 "Prague": II. Andante | — | ||
| 35-3 | Symphony No. 38 in D major, K. 504 "Prague": III. Presto | — | ||
| 35-4 | Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 35-5 | Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 35-6 | Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto | — | ||
| 35-7 | Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | London Philharmonic Orchestra, Laurence Siegel, Philharmonia Orchestra, János Sándor | — | |
| 36-1 | Bolero for Orchestra | — | ||
| 36-2 | Pavane pour une infante defunte | — | ||
| 36-3 | Trio in A minor for Violin, Cello & Piano in Four Movements | — | ||
| 36-4 | La Valse for Orchestra | — | ||
| 37-1 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 37-2 | Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 37-3 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 37-4 | Three Fantasy Pieces for Clarinet and Piano, Op. 73: I. Tender and With Expression | — | ||
| 37-5 | Three Fantasy Pieces for Clarinet and Piano, Op. 73: II. Lively and Light | — | ||
| 37-6 | Three Fantasy Pieces for Clarinet and Piano, Op. 73: III. Quick and Ardent | — | ||
| 37-7 | Bird as a Prophet, Op. 82 No. 7 | — | ||
| 37-8 | Six Fantasy Canons for Organ: I. Not Too Quickly | — | ||
| 37-9 | Six Fantasy Canons for Organ: II. With Intimate Expression | — | ||
| 37-10 | Six Fantasy Canons for Organ: III. Andantino | — | ||
| 37-11 | Six Fantasy Canons for Organ: IV. Intimate | — | ||
| 37-12 | Six Fantasy Canons for Organ: V. Not Too Quickly | — | ||
| 37-13 | Six Fantasy Canons for Organ: VI. Adagio | — | ||
| 38-1 | Concerti Grossi, Op. 8 Nos. 1-4 "The Four Seasons": Spring / Summer / Autumn / Winter | — | ||
| 38-2 | Concerto for Flute and Orchestra No. 2 in G minor, Op. 10 "La Notte" | — | ||
| 38-3 | Concerto for Wind, Violin and Strings in F major | — | ||
| 39-1 | A Midsummer Night's Dream, Op. 61: Wedding March | — | ||
| 39-2 | Pavane pour une infante defunte | — | ||
| 39-3 | Violin Concerto No. 1 in G minor, Op. 26: I. Allegro moderato | — | ||
| 39-4 | Violin Concerto No. 1 in G minor, Op. 26: II. Adagio | — | ||
| 39-5 | Violin Concerto No. 1 in G minor, Op. 26: III. Allegro energico | — | ||
| 39-6 | ”Nimrod” from Enigma Variations, op. 36 | London Symphony Orchestra, George Richter | T-010.115.427-1 | |
| 39-7 | Piano Concerto No. 1 in B-flat minor, Op. 23 | — | ||
| 40-1 | Rosamunde: Overture | — | ||
| 40-2 | Symphony No. 99 in E-flat major: I. Adagio - Vivace assai | — | ||
| 40-3 | Symphony No. 99 in E-flat major: II. Adagio | — | ||
| 40-4 | Symphony No. 99 in E-flat major: III. Menuetto - Allegro | — | ||
| 40-5 | Symphony No. 99 in E-flat major: IV. Finale: Vivace | — | ||
| 40-6 | Lullaby, Op. 49 No. 4 | — | ||
| 40-7 | Brandenburg Concerto No. 4 in G major | — | ||
| 40-8 | Symphony No. 3 in E-flat major, Op. 97: Nicht schnell | — | ||
| 40-9 | Sinfonia in C major | — | ||
| 40-10 | La mer (Symphonic Sketches in Three Movements) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-925.881.218-9 |
