UPC · Release
Spectacular Classics
Various Artists
5029248126322
8 tracks
Last verified:
5029248126322 is the Universal Product Code (UPC barcode) for the release “Spectacular Classics” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 8 tracks, each with its own ISRC. Tracks include FRZ397403240, FRZ397403250, FRZ397403260.
Format
502GS1 prefix
9248Company prefix
12632Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCSpectacular Classics
ISRC5 recordings
ISWC14 works
IPI13 songwriters
Track List (8)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 23-1 | Serenade for Strings in E major, op. 22: I. Moderato | Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-2 | Serenade for Strings in E major, op. 22: II. Tempo di valse | Camerata Romana, Camerata Salzburg, Pro Arte Orchester, Leipzig Philharmonic Orchestra, Münchner Symphonieorkester, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-3 | Serenade for Strings in E major, op. 22: III. Scherzo. Vivace | Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Kammerorchester Pro Arte München, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-4 | Serenade for Strings in E major, op. 22: IV. Larghetto | Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel | — | |
| 23-5 | Serenade for Strings in E major, op. 22: V. Finale. Allegro vivace | Marian Lapsansky, Peter Toperczer, Pro Arte Orchester, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel, Philharmonie Leipzig | — | |
| 23-6 | Cello Concerto in B minor, Op. 104: I. Allegro | — | ||
| 23-7 | Cello Concerto in B minor, Op. 104: II. Adagio | — | ||
| 23-8 | Cello Concerto in B minor, Op. 104: III. Finale. Allegro moderato | — |
Serenade for Strings in E major, op. 22: I. Moderato
Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
—
Serenade for Strings in E major, op. 22: II. Tempo di valse
Camerata Romana, Camerata Salzburg, Pro Arte Orchester, Leipzig Philharmonic Orchestra, Münchner Symphonieorkester, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
—
Serenade for Strings in E major, op. 22: III. Scherzo. Vivace
Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Kammerorchester Pro Arte München, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
—
Serenade for Strings in E major, op. 22: IV. Larghetto
Marian Lapsansky, Peter Toperczer, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Leipzig Philharmonic Orchestra, Pro Arte Orchester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel
—
Serenade for Strings in E major, op. 22: V. Finale. Allegro vivace
Marian Lapsansky, Peter Toperczer, Pro Arte Orchester, Camerata Romana, Camerata Salzburg, Münchner Symphonieorkester, Pro Arte Orchestra, Eugen Duvier, Alberto Lizzio, Wolfgang Müller, Kurt Redel, Philharmonie Leipzig
—
Cello Concerto in B minor, Op. 104: I. Allegro
—
Cello Concerto in B minor, Op. 104: II. Adagio
—
Cello Concerto in B minor, Op. 104: III. Finale. Allegro moderato
—
Additional database matches (9)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | London Philharmonic Orchestra, Laurence Siegel, Philharmonia Orchestra, János Sándor | — |
| ”Nimrod” from Enigma Variations, op. 36 | London Symphony Orchestra, George Richter | T-010.115.427-1 |
| Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro | Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky | — |
| Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio | Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky | — |
| Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto | Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky | — |
| Carmina Burana: III. Cour d’amours: XXI. In trutina | Mozarteum Orchester, Chor Salzburg, Kurt Prestel | T8006397714 |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T0614093650 |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-925881218-9 |
Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto
London Philharmonic Orchestra, Laurence Siegel, Philharmonia Orchestra, János Sándor
—
London Symphony Orchestra, George Richter
Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro
Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky
—
Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio
Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky
—
Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto
Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart-Ensemble, Alberto Lizzio, Jan Zybnovsky
—
Mozarteum Orchester, Chor Salzburg, Kurt Prestel
Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto
Dubravka Tomšič
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055148046000000005550080400000000592977940000000059346664000000005938496X00000000594799340000000063106022000000008099177200000000839714000000000089403770
+40 more
000000008963125500000001056828970000000106703426000000010675034500000001069094590000000107044725000000010727092500000001072843150000000108547682000000010878573600000001089354310000000108964478000000010920910800000001093541530000000109373936000000010945383X00000001096020730000000110209869000000011092145000000001109287400000000113701795000000011421725X00000001144011450000000114449237000000011457082X000000011470295X00000001173728020000000118737201000000011940071500000001195461750000000119573034000000011964272200000001202728290000000120342452000000012072801300000001207281280000000120958492000000012097801200000001210907600000000121174622
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What is UPC 5029248126322?
5029248126322 is a Universal Product Code (UPC) assigned to Spectacular Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 8 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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