UPC · Release
West End Musicals
Various Artists
Last verified:
5029248251727 is the Universal Product Code (UPC barcode) for the release “West End Musicals” by Various Artists, released 2007-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 177 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (177)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mister Mistoffelees | — | ||
| 2 | Memory | — | ||
| 3 | Old Deuteronomy | — | ||
| 4 | Jellicle Ball | — | ||
| 5 | Macavity the Mystery Cat | — | ||
| 6 | Rum Tum Tugger | — | ||
| 7 | Grizabella the Glamour Cat | — | ||
| 8 | Gus the Theatre Cat | — | ||
| 9 | Solo Dance | — | ||
| 10 | Old Gumbie Cat | — | ||
| 11 | Mungojerrie & Rumpleteazer | — | ||
| 12 | Journey to the Heaviside Layer / Ad‐Dressing of the Cats | — | ||
| 2-1 | Any Dream Will Do | — | ||
| 2-2 | Close Every Door to Me | — | ||
| 2-3 | Joseph Megamix: Jacob and Sons / Any Dream Will Do / Joseph’s Coat / Pharaoh’s Story / One More Angel in Heaven / Benjamin Calypso / Close Every Door / The Brothers Come to Egypt | — | ||
| 2-4 | Jacob and Sons | — | ||
| 2-5 | Joseph’s Coat | — | ||
| 2-6 | Prologue | — | ||
| 2-7 | One More Angel in Heaven | — | ||
| 2-8 | Pharaoh’s Story | — | ||
| 2-9 | Song of the King (Seven Fat Cows) | — | ||
| 2-10 | The Brothers Come to Egypt / Grovel, Grovel | — | ||
| 2-11 | Benjamin Calypso | — | ||
| 2-12 | Go, Go, Go Joseph | — | ||
| 3-1 | The Circle of Life | — | ||
| 3-2 | Grasslands Chant | — | ||
| 3-3 | The Morning Report | — | ||
| 3-4 | The Lioness Hunt | — | ||
| 3-5 | I Just Can’t Wait to Be King | — | ||
| 3-6 | Chow Down | — | ||
| 3-7 | They Live in You | — | ||
| 3-8 | Be Prepared | — | ||
| 3-9 | The Stampede | — | ||
| 3-10 | Rafiki Mourns | — | ||
| 3-11 | Hakuna Matata | — | ||
| 3-12 | One by One | — | ||
| 3-13 | The Madness of King Scar | — | ||
| 3-14 | Shadowland | — | ||
| 3-15 | The Lion Sleeps Tonight | — | ||
| 3-16 | Endless Night | — | ||
| 3-17 | Can You Feel the Love Tonight | — | ||
| 3-18 | He Lives in You | — | ||
| 3-19 | Simba Confronts Scar | — | ||
| 3-20 | King of Pride Rock / Circle of Life (reprise) | — | ||
| 4-1 | Good Morning Baltimore | — | ||
| 4-2 | Nicest Kids in Town | — | ||
| 4-3 | Mama I’m a Big Girl Now | — | ||
| 4-4 | I Can Hear the Bells | — | ||
| 4-5 | Miss Baltimore Crabs | — | ||
| 4-6 | It Takes Two | — | ||
| 4-7 | Without Love | — | ||
| 4-8 | I Know Where I’ve Been | — | ||
| 4-9 | Hairspray | — | ||
| 4-10 | Cooties | — | ||
| 5-1 | All That Jazz | — | ||
| 5-2 | Funny Honey | — | ||
| 5-3 | Cell Block Tango | — | ||
| 5-4 | When You’re Good to Mama | — | ||
| 5-5 | All I Care About | — | ||
| 5-6 | A Little Bit of Good | — | ||
| 5-7 | We Both Reached for the Gun | — | ||
| 5-8 | Roxie, Part II | — | ||
| 5-9 | My Own Best Friend | — | ||
| 5-10 | I Know a Girl / Me and My Baby | — | ||
| 5-11 | Mister Cellophane | — | ||
| 5-12 | When Velma Takes the Stand | — | ||
| 5-13 | Razzle Dazzle | — | ||
| 5-14 | Class | — | ||
| 5-15 | Nowadays | — | ||
| 5-16 | Finale | — | ||
| 6-1 | Hello, Young Lovers | — | ||
| 6-2 | I Whistle a Happy Tune | — | ||
| 6-3 | Getting to Know You | — | ||
| 6-4 | Shall We Dance? | — | ||
| 6-5 | Overture | — | ||
| 6-6 | My Lord and Master | — | ||
| 6-7 | March of the Siamese Children | — | ||
| 6-8 | We Kiss in a Shadow / I Have Dreamed | — | ||
| 6-9 | Shall I Tell You What I Think of You? | — | ||
| 6-10 | Something Wonderful | — | ||
| 6-11 | Song of the King | — | ||
| 6-12 | Something Wonderful (Finale) | — | ||
| 6-13 | A Puzzlement | — | ||
| 7-1 | Oh, What a Beautiful Mornin’ | — | ||
| 7-2 | People Will Say We’re in Love | — | ||
| 7-4 | Surrey With the Fringe on Top | — | ||
| 7-5 | Kansas City | — | ||
| 7-6 | I Cain’t Say No | — | ||
| 7-7 | Many a New Day | — | ||
| 7-8 | It’s a Scandal! It’s a Outrage! | — | ||
| 7-9 | Pore Jud Is Daid | — | ||
| 7-10 | Lonely Room | — | ||
| 7-11 | Out of My Dreams | — | ||
| 7-12 | The Farmer and the Cowman | — | ||
| 7-13 | All er Nuthin’ | — | ||
| 7-14 | People Will Say We’re in Love (reprise) | — | ||
| 7-15 | Oklahoma | — | ||
| 7-16 | Finale ultimo | — | ||
| 8-1 | Some Enchanted Evening | — | ||
| 8-2 | South Pacific Overture | — | ||
| 8-3 | Dites‐moi | — | ||
| 8-4 | Cockeyed Optimist | — | ||
| 8-5 | Twin Soliloquies / Some Enchanted Evening | — | ||
| 8-6 | Bloody Mary | — | ||
| 8-7 | My Girl Back Home | — | ||
| 8-8 | There Is Nothing Like Dame | — | ||
| 8-9 | Bali Ha’i | — | ||
| 8-10 | I’m Gonna Wash That Man Right Out of My Hair | — | ||
| 8-11 | I’m in Love With a Wonderful Guy | — | ||
| 8-12 | Younger Than Springtime / Bali Ha’i | — | ||
| 8-13 | Happy Talk | — | ||
| 8-14 | Honey Bun | — | ||
| 8-15 | Carefully Taught | — | ||
| 8-16 | This Nearly Was Mine | — | ||
| 9-1 | Overture / Why Can’t the English? | — | ||
| 9-2 | Wouldn’t It Be Loverly? | — | ||
| 9-3 | With a Little Bit of Luck | — | ||
| 9-4 | I’m an Ordinary Man | — | ||
| 9-5 | Just You Wait | — | ||
| 9-6 | The Rain in Spain | — | ||
| 9-7 | I Could Have Danced All Night | — | ||
| 9-8 | Ascot Gavotte | — | ||
| 9-9 | On the Street Where You Live | — | ||
| 9-10 | You Did It | — | ||
| 9-11 | Show Me | — | ||
| 9-12 | Get Me to the Church on Time | — | ||
| 9-13 | A Hymn to Him | — | ||
| 9-14 | Without You | — | ||
| 9-15 | I’ve Grown Accustomed to Her Face | — | ||
| 10-1 | That’ll Be the Day | — | ||
| 10-2 | Everyday | — | ||
| 10-3 | Not Fade Away | — | ||
| 10-4 | Peggy Sue | — | ||
| 10-5 | Oh Boy | — | ||
| 10-6 | Peggy Sue Got Married | — | ||
| 10-7 | Heartbeat | — | ||
| 10-8 | La Bamba | — | ||
| 10-9 | Raining in My Heart | — | ||
| 10-10 | It Doesn’t Matter Anymore | — | ||
| 10-11 | Rave On | — | ||
| 10-12 | True Love Ways | — | ||
| 10-13 | Why Do Fools Fall in Love | — | ||
| 10-14 | Maybe Baby | — | ||
| 10-15 | Johnny B. Goode | — | ||
| 11-1 | Night Fever | — | ||
| 11-2 | Stayin’ Alive | — | ||
| 11-3 | How Deep Is Your Love | — | ||
| 11-4 | More Than a Woman | — | ||
| 11-5 | Jive Talkin’ | — | ||
| 11-6 | You Should Be Dancing | — | ||
| 11-7 | Disco Inferno | — | ||
| 11-8 | If I Can’t Have You | — | ||
| 11-9 | Boogie Shoes | — | ||
| 11-10 | Tragedy | — | ||
| 11-11 | Words | — | ||
| 11-12 | Too Much Heaven | — | ||
| 11-13 | Islands in the Stream | — | ||
| 11-14 | To Love Somebody | — | ||
| 11-15 | I’ve Gotta Get a Message to You | — | ||
| 11-16 | Love So Right | — | ||
| 11-17 | Alone | — | ||
| 12-1 | The Sound of Music (Prelude) | — | ||
| 12-2 | Overture and Preludium (Dixit Dominus) | — | ||
| 12-3 | Morning Hymn and Alleluia | — | ||
| 12-4 | Maria | — | ||
| 12-5 | I Have Confidence | — | ||
| 12-6 | Sixteen Going on Seventeen | — | ||
| 12-7 | My Favorite Things | — | ||
| 12-8 | Do‐Re‐Mi | — | ||
| 12-9 | The Sound of Music | — | ||
| 12-10 | The Lonely Goatherd | — | ||
| 12-11 | So Long, Farewell | — | ||
| 12-12 | Something Good | — | ||
| 12-13 | Processional / Maria | — | ||
| 12-14 | Edelweiss | — | ||
| 12-15 | Climb Ev’ry Mountain (reprise) | — | ||
| 12-16 | Climb Ev’ry Mountain | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+40 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5029248251727?
5029248251727 is a Universal Product Code (UPC) assigned to West End Musicals by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 177 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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