UPC · Release
Alkan, Giovanni Bellucci, Roberto Forés Veses, Orchestra di Padova e del Veneto
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The UPC for “Concerti da Camera and Solo Piano Music” by Alkan, Giovanni Bellucci, Roberto Forés Veses, Orchestra di Padova e del Veneto is 5029365101356. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Piano Classics (2). This release contains 13 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto da camera no. 1 in A minor, op. 10: I. Allegro | — | ||
| 2 | Concerto da camera no. 1 in A minor, op. 10: II. Adagio | — | ||
| 3 | Concerto da camera no. 1 in A minor, op. 10: III. Allegro | — | ||
| 4 | Concerto da camera no. 2 in C‐sharp minor, op. 10: I. Allegro moderato | — | ||
| 5 | Concerto da camera no. 2 in C‐sharp minor, op. 10: II. Adagio | — | ||
| 6 | Concerto da camera no. 2 in C‐sharp minor, op. 10: III. Primo movimento | — | ||
| 7 | Concerto da camera no. 3 in C‐sharp minor, op. 10: I. Andante con moto | — | ||
| 8 | 6 Piano Pieces, op. 16: I. Étude de bravoure, mouvement de valse | — | ||
| 9 | 6 Piano Pieces, op. 16: II. Étude de bravoure, moderato quasi menuetto | — | ||
| 10 | 6 Piano Pieces, op. 16: III. Étude de bravoure, prestissimo | — | ||
| 11 | 6 Piano Pieces, op. 16: IV. Variations on « Ah! segnata é la mia morte », from the Opera « Anna Bolena » by Donizetti | — | ||
| 12 | 6 Piano Pieces, op. 16: V. Variations on a Theme by Bellini « La tremenda ultrice spada » from « I Capuleti e i Montecchi » | — | ||
| 13 | 6 Piano Pieces, op. 16: VI. Variations Quasi‐fantasy on a Neapolitan Barcarolle | — |
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5029365101356 is a Universal Product Code (UPC) assigned to Concerti da Camera and Solo Piano Music by Alkan, Giovanni Bellucci, Roberto Forés Veses, Orchestra di Padova e del Veneto. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Concerti da Camera and Solo Piano Music” by Alkan, Giovanni Bellucci, Roberto Forés Veses, Orchestra di Padova e del Veneto is 5029365101356. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Piano Classics (2). This release contains 13 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto da camera no. 1 in A minor, op. 10: I. Allegro | — | ||
| 2 | Concerto da camera no. 1 in A minor, op. 10: II. Adagio | — | ||
| 3 | Concerto da camera no. 1 in A minor, op. 10: III. Allegro | — | ||
| 4 | Concerto da camera no. 2 in C‐sharp minor, op. 10: I. Allegro moderato | — | ||
| 5 | Concerto da camera no. 2 in C‐sharp minor, op. 10: II. Adagio | — | ||
| 6 | Concerto da camera no. 2 in C‐sharp minor, op. 10: III. Primo movimento | — | ||
| 7 | Concerto da camera no. 3 in C‐sharp minor, op. 10: I. Andante con moto | — | ||
| 8 | 6 Piano Pieces, op. 16: I. Étude de bravoure, mouvement de valse | — | ||
| 9 | 6 Piano Pieces, op. 16: II. Étude de bravoure, moderato quasi menuetto | — | ||
| 10 | 6 Piano Pieces, op. 16: III. Étude de bravoure, prestissimo | — | ||
| 11 | 6 Piano Pieces, op. 16: IV. Variations on « Ah! segnata é la mia morte », from the Opera « Anna Bolena » by Donizetti | — | ||
| 12 | 6 Piano Pieces, op. 16: V. Variations on a Theme by Bellini « La tremenda ultrice spada » from « I Capuleti e i Montecchi » | — | ||
| 13 | 6 Piano Pieces, op. 16: VI. Variations Quasi‐fantasy on a Neapolitan Barcarolle | — |
