UPC · Release
Explorer Set: Slavic Edition
Vincenzo Maltempo, Pavel Gintov, Mark Viner, Mattia Ometto, Tobias Borsboom, Saskia Giorgini, Dimitri Tchesnokov, Ekaterina Litvintseva, Nare Karoyan
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5029365102810 is the Universal Product Code (UPC barcode) for the release “Explorer Set: Slavic Edition” by Vincenzo Maltempo, Pavel Gintov, Mark Viner, Mattia Ometto, Tobias Borsboom, Saskia Giorgini, Dimitri Tchesnokov, Ekaterina Litvintseva, Nare Karoyan, released 2023-08-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 162 tracks, each with its own ISRC. Tracks include GBX3U1106575, GBX3U1106576, GBX3U1106577.
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- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
Track List (162)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 12 Études d’exécution transcendante, op. 11: I. Berceuse in F-sharp major | Vincenzo Maltempo | — | |
| 2 | 12 Études d’exécution transcendante, op. 11: II. Rondes des Fantômes in D-sharp minor | Vincenzo Maltempo | — | |
| 3 | 12 Études d’exécution transcendante, op. 11: III. Carillon in B major | Vincenzo Maltempo | — | |
| 4 | 12 Études d’exécution transcendante, op. 11: IV. Térek G-sharp minor | Vincenzo Maltempo | — | |
| 5 | 12 Études d’exécution transcendante, op. 11: V. Nuit d’été in E major | Vincenzo Maltempo | — | |
| 6 | 12 Études d’exécution transcendante, op. 11: VI. Tempête in C-sharp minor | Vincenzo Maltempo | — | |
| 7 | 12 Études d’exécution transcendante, op. 11: VII. Idylle in A major | Vincenzo Maltempo | — | |
| 8 | 12 Études d’exécution transcendante, op. 11: VIII. Chant épique in F-sharp minor | Vincenzo Maltempo | — | |
| 9 | 12 Études d’exécution transcendante, op. 11: IX. Harpes éoliennes in D major | Vincenzo Maltempo | — | |
| 10 | 12 Études d’exécution transcendante, op. 11: X. Lesghinka in B minor | Vincenzo Maltempo | — | |
| 11 | 12 Études d’exécution transcendante, op. 11: XI. Rondes des sylphes in G major | Vincenzo Maltempo | — | |
| 12 | 12 Études d’exécution transcendante, op. 11: XII. Elégie en mémoire de François Liszt in E minor | Vincenzo Maltempo | — | |
| 13 | Esquisses de crimée, Op. 8: I. The Rocks of Uch‐Kosh | — | ||
| 14 | Esquisses de crimée, Op. 8: II. Caprices of the Sea | — | ||
| 15 | Esquisses de crimée, Op. 8: III. Oriental Idyll | — | ||
| 16 | Esquisses de crimée, Op. 8: IV. Chaos | — | ||
| 17 | Minuit, Op. 5: I. Andante con moto | — | ||
| 18 | Minuit, Op. 5: II. Allegro quasi presto | — | ||
| 19 | Lyrica Nova, Op. 59: I. Con moto affetuoso | — | ||
| 20 | Lyrica Nova, Op. 59: II. Andantino | — | ||
| 21 | Lyrica Nova, Op. 59: III. Andantino | — | ||
| 22 | Lyrica Nova, Op. 59: IV. Con slancio | — | ||
| 23 | Lamentation and Consolation, Op. 17: I. Lamentation in C‐Sharp Minor | — | ||
| 24 | Lamentation and Consolation, Op. 17: II. Consolation in D‐Flat Major | — | ||
| 25 | Etude No. 6 in G‐Sharp Minor, Op. 15 | — | ||
| 26 | Etude No. 10 in E Minor, Op. 15 | — | ||
| 27 | Prelude No. 2 in B Minor, Op. 40 | — | ||
| 28 | Prelude No. 4 in F‐Sharp Major, Op. 40 | — | ||
| 29 | Prelude No. 7 in E Major, Op. 40 | — | ||
| 30 | Etude No. 3 in C‐Sharp Minor, Op. 29 | — | ||
| 31 | Etude No. 6 in E‐Flat Major, Op. 29 | — | ||
| 32 | Consolation No. 8 in E‐Flat Major, Op. 17 | — | ||
| 33 | 24 Préludes, Op. 17, Cahier I: I. Andante Religioso | — | ||
| 34 | 24 Préludes, Op. 17, Cahier I: II. Allegro Agitato | — | ||
| 35 | 24 Préludes, Op. 17, Cahier I: III. Allegretto | — | ||
| 36 | 24 Préludes, Op. 17, Cahier I: IV. Andante | — | ||
| 37 | 24 Préludes, Op. 17, Cahier I: V. Allegretto | — | ||
| 38 | 24 Préludes, Op. 17, Cahier I: VI. Allegro Molto | — | ||
| 39 | 24 Préludes, Op. 17, Cahier II: VII. Allegro Vivo | — | ||
| 40 | 24 Préludes, Op. 17, Cahier II: VIII. Allegro Vivo | — | ||
| 41 | 24 Préludes, Op. 17, Cahier II: IX. Maestoso | — | ||
| 42 | 24 Préludes, Op. 17, Cahier II: X. Andante | — | ||
| 43 | 24 Préludes, Op. 17, Cahier II: XI. Andante con Moto | — | ||
| 44 | 24 Préludes, Op. 17, Cahier II: XII. Presto | — | ||
| 45 | 24 Préludes, Op. 17, Cahier III: XIII. Andantino | — | ||
| 46 | 24 Préludes, Op. 17, Cahier III: XIV. Andante maestoso e Lugubre | — | ||
| 47 | 24 Préludes, Op. 17, Cahier III: XV. Allegro non Tanto | — | ||
| 48 | 24 Préludes, Op. 17, Cahier III: XVI. Adagio | — | ||
| 49 | 24 Préludes, Op. 17, Cahier III: XVII. Allegro | — | ||
| 50 | 24 Préludes, Op. 17, Cahier III: XVIII. Memento mori. Andante | — | ||
| 51 | 24 Préludes, Op. 17, Cahier IV: XIX. Andante | — | ||
| 52 | 24 Préludes, Op. 17, Cahier IV: XX. Allegro Furioso | — | ||
| 53 | 24 Préludes, Op. 17, Cahier IV: XXI. Andante Tranquillo | — | ||
| 54 | 24 Préludes, Op. 17, Cahier IV: XXII. Allegro | — | ||
| 55 | 24 Préludes, Op. 17, Cahier IV: XXIII. Allegro | — | ||
| 56 | 24 Préludes, Op. 17, Cahier IV: XXIV. Presto | — | ||
| 57 | Etude pour la main gauche seule, Op. 36 | — | ||
| 58 | Etude de concert, Op. 24 | — | ||
| 59 | Forgotten Melodies I, Op. 38: I. Sonata Reminiscenza | — | ||
| 60 | Forgotten Melodies I, Op. 38: II. Danza Graziosa | — | ||
| 61 | Forgotten Melodies I, Op. 38: III. Danza Festiva | — | ||
| 62 | Forgotten Melodies I, Op. 38: IV. Canzona Fluviala | — | ||
| 63 | Forgotten Melodies I, Op. 38: V. Danza Rustica | — | ||
| 64 | Forgotten Melodies I, Op. 38: VI. Canzona Serenata | — | ||
| 65 | Forgotten Melodies I, Op. 38: VII. Danza Silvestra | — | ||
| 66 | Forgotten Melodies I, Op. 38: VIII. Alla reminiscenza (Coda) | — | ||
| 67 | Forgotten Melodies I, Op. 38: IX. Danza Silvestra | — | ||
| 68 | Piano Sonata No. 2 in B‐Flat Minor, Op. 102: I. Andantino | — | ||
| 69 | Piano Sonata No. 2 in B‐Flat Minor, Op. 102: II. Mazurka. Moderato | — | ||
| 70 | Piano Sonata No. 2 in B‐Flat Minor, Op. 102: III. Intermezzo. Larghetto | — | ||
| 71 | Piano Sonata No. 2 in B‐Flat Minor, Op. 102: IV. Finale. Allegro non troppo, ma con fuoco | — | ||
| 72 | Piano Sonata No. 2 in E Minor, Op. 75: I. Moderato‐poco più mosso | — | ||
| 73 | Piano Sonata No. 2 in E Minor, Op. 75: II. Scherzo. Allegretto | — | ||
| 74 | Piano Sonata No. 2 in E Minor, Op. 75: III. Finale. Allegro moderato | — | ||
| 75 | Piano Sonata No. 2 in C‐Sharp Minor, Op. 14: I. Andante con moto | — | ||
| 76 | Piano Sonata No. 2 in C‐Sharp Minor, Op. 14: II. Moderato assai espressivo | — | ||
| 77 | Piano Sonata No. 2 in C‐Sharp Minor, Op. 14: III. Allegro vivo | — | ||
| 78 | Pan, Op. 43: I. Prologue | — | ||
| 79 | Pan, Op. 43: II. Mountains | — | ||
| 80 | Pan, Op. 43: III. Sea | — | ||
| 81 | Pan, Op. 43: IV. Forest | — | ||
| 82 | Pan, Op. 43: V. Woman | — | ||
| 83 | Suite No. 3, Op. 18: I. Melodie | — | ||
| 84 | Suite No. 3, Op. 18: II. Voix de la steppe | — | ||
| 85 | Suite No. 3, Op. 18: III. Mazurk mélancolique | — | ||
| 86 | Suite No. 3, Op. 18: IV. Burlesque | — | ||
| 87 | Suite No. 3, Op. 18: V. Appassionato | — | ||
| 88 | Suite No. 3, Op. 18: VI. Chorale | — | ||
| 89 | Suite No. 3, Op. 18: VII. Carillon nocturne | — | ||
| 90 | Piano Sonata No. 3 in D Major, Op. 24 No. 3: I. Vivace con brio | — | ||
| 91 | Piano Sonata No. 3 in D Major, Op. 24 No. 3: II. Andantino cantabile | — | ||
| 92 | Piano Sonata No. 3 in D Major, Op. 24 No. 3: III. Allegro con spirito | — | ||
| 93 | Ukrainian Suite: I. Duma | — | ||
| 94 | Ukrainian Suite: II. Vesnyanka | — | ||
| 95 | Ukrainian Suite: III. Melody | — | ||
| 96 | Ukrainian Suite: IV. Dance | — | ||
| 97 | Pictures by Russian Painters: I. Troika | — | ||
| 98 | Pictures by Russian Painters: II. Summer Evening | — | ||
| 99 | Pictures by Russian Painters: III. Morning in the Woods | — | ||
| 100 | Pictures by Russian Painters: IV. Volodymyrka | — | ||
| 101 | Pictures by Russian Painters: V. Little Birch Tree | — | ||
| 102 | Pictures by Russian Painters: VI. Country Dance | — | ||
| 103 | Pictures by Russian Painters: VII. Vesnyanka | — | ||
| 104 | Classical Suite: I. Prelude | — | ||
| 105 | Classical Suite/Класична сюїта: II. Menuet/Менует | — | ||
| 106 | Classical Suite/Класична сюїта: III. Aria/Арія | — | ||
| 107 | Classical Suite/Класична сюїта: IV. Courante/Куранта | — | ||
| 108 | Classical Suite/Класична сюїта: V. Gavotte/Гавот | — | ||
| 109 | Classical Suite/Класична сюїта: VI. Gigue/Жига | — | ||
| 110 | Six Fantasy Pieces: Longing | Ekaterina Litvintseva | — | |
| 111 | Six Fantasy Pieces: Grief | Ekaterina Litvintseva | — | |
| 112 | Six Fantasy Pieces: Question | Ekaterina Litvintseva | — | |
| 113 | Six Fantasy Pieces: Lament | Ekaterina Litvintseva | — | |
| 114 | Six Fantasy Pieces: Plea | Ekaterina Litvintseva | — | |
| 115 | Six Fantasy Pieces: Delusion | Ekaterina Litvintseva | — | |
| 116 | The Life of Flowers: Snowdrops | Ekaterina Litvintseva | — | |
| 117 | The Life of Flowers: Violets | Ekaterina Litvintseva | — | |
| 118 | The Life of Flowers: Lilies of the Valley | Ekaterina Litvintseva | — | |
| 119 | The Life of Flowers: Forget-Me-Not | Ekaterina Litvintseva | — | |
| 120 | The Life of Flowers: Rose | Ekaterina Litvintseva | — | |
| 121 | The Life of Flowers: Red Carnations | Ekaterina Litvintseva | — | |
| 122 | The Life of Flowers: Lilies | Ekaterina Litvintseva | — | |
| 123 | The Life of Flowers: Chrysanthemums | Ekaterina Litvintseva | — | |
| 124 | Caprice Waltzes, op. 28: Moderato | Ekaterina Litvintseva | — | |
| 125 | Caprice Waltzes, op. 28: Grazioso | Ekaterina Litvintseva | — | |
| 126 | Caprice Waltzes, op. 28: Im Ländler-Tempo | Ekaterina Litvintseva | — | |
| 127 | Caprice Waltzes, op. 28: Wiegend | Ekaterina Litvintseva | — | |
| 128 | Caprice Waltzes, op. 28: Lento | Ekaterina Litvintseva | — | |
| 129 | Caprice Waltzes, op. 28: Tempo giusto | Ekaterina Litvintseva | — | |
| 130 | Caprice Waltzes, op. 28: Allegretto | Ekaterina Litvintseva | — | |
| 131 | Caprice Waltzes, op. 28: Grazioso | Ekaterina Litvintseva | — | |
| 132 | Caprice Waltzes, op. 28: Moderato | Ekaterina Litvintseva | — | |
| 133 | Two Piano Sketches: To You! | Ekaterina Litvintseva | — | |
| 134 | Two Piano Sketches: Before Your Picture | Ekaterina Litvintseva | — | |
| 135 | Capriccio, op. 47 | Ekaterina Litvintseva | — | |
| 136 | Two Nocturnes: Sehr Ruhig | Ekaterina Litvintseva | — | |
| 137 | Two Nocturnes: Leicht Bewegt | Ekaterina Litvintseva | — | |
| 138 | Piano Sonata no. 2 | Ekaterina Litvintseva | — | |
| 139 | 24 Etudes: I. Allegretto | — | ||
| 140 | 24 Etudes: II. Animé et Grouillant | — | ||
| 141 | 24 Etudes: III. Andantino | — | ||
| 142 | 24 Etudes: IV. Vivo - Meno Mosso | — | ||
| 143 | 24 Etudes: V. Allegretto | — | ||
| 144 | 24 Etudes: VI. Con Spirito | — | ||
| 145 | 24 Etudes: VII. Andantino Cantabile | — | ||
| 146 | 24 Etudes: VIII. Andante Espressivo | — | ||
| 147 | 24 Etudes: IX. Con moto e con Anima | — | ||
| 148 | 24 Etudes: X. A la Marcia | — | ||
| 149 | 24 Etudes: XI. Allegretto con Spirito | — | ||
| 150 | 24 Etudes: XII. Allegro Majestuoso | — | ||
| 151 | 24 Etudes: XIII. Comodo e Tranquillo | — | ||
| 152 | 24 Etudes: XIV. Con moto e con Espressione | — | ||
| 153 | 24 Etudes: XV. Allegretto Grazioso | — | ||
| 154 | 24 Etudes: XVI. Allegretto | — | ||
| 155 | 24 Etudes: XVII. Lento | — | ||
| 156 | 24 Etudes: XVIII. Moderato | — | ||
| 157 | 24 Etudes: XIX. Vivo | — | ||
| 158 | 24 Etudes: XX. Vif et Rhythmé | — | ||
| 159 | 24 Etudes: XXI. Allegro | — | ||
| 160 | 24 Etudes: XXII. Allegretto | — | ||
| 161 | 24 Etudes: XXIII. Grazioso | — | ||
| 162 | 24 Etudes: XXIV. Allegro Furioso | — |
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What is UPC 5029365102810?
5029365102810 is a Universal Product Code (UPC) assigned to Explorer Set: Slavic Edition by Vincenzo Maltempo, Pavel Gintov, Mark Viner, Mattia Ometto, Tobias Borsboom, Saskia Giorgini, Dimitri Tchesnokov, Ekaterina Litvintseva, Nare Karoyan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 162 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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