UPC · Release
Historic Russian Archives: Maria Yudina
Maria Yudina
5029365890922
97 tracksReleased 2009-01-01Brilliant Classics
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5029365890922 is the Universal Product Code (UPC barcode) for the release “Historic Russian Archives: Maria Yudina” by Maria Yudina, released 2009-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include UK2Y21901362.
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UPCHistoric Russian Archives: Maria Yudina
ISRC1 recording
Track List (97)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chromatic Fantasy and Fugue in D minor, BWV 903 | — | ||
| 2 | Prelude & Fugue no. 24 in B minor, BWV 869 | — | ||
| 3 | Prelude & Fugue no. 20 in A minor, BWV 865 | — | ||
| 4 | Prelude & Fugue no. 19 in A, BWV 864 | — | ||
| 5 | Prelude & Fugue no. 23 in B, BWV 868 | — | ||
| 6 | Prelude & Fugue no. 21 in B-flat, BWV 866 | — | ||
| 7 | Prelude & Fugue no. 22 in B-flat minor, BWV 867 | — | ||
| 8 | Sonata no. 3 for Violin & Keyboard in E, BWV 1016: I. Adagio | — | ||
| 9 | Sonata no. 3 for Violin & Keyboard in E, BWV 1016: II. Allegro | — | ||
| 10 | Sonata no. 3 for Violin & Keyboard in E, BWV 1016: III. Adagio ma non tanto | — | ||
| 11 | Sonata no. 3 for Violin & Keyboard in E, BWV 1016: IV. Allegro | — | ||
| 2-1 | Piano Sonata no. 62 in E-flat, Hob. XVI:52: I. Allegro | — | ||
| 2-2 | Piano Sonata no. 62 in E-flat, Hob. XVI:52: II. Adagio | — | ||
| 2-3 | Piano Sonata no. 62 in E-flat, Hob. XVI:52: III. Finale. Presto | — | ||
| 2-4 | "Duport" Variations in D, K.573 | — | ||
| 2-5 | Fantasia in D minor, K.397 | — | ||
| 2-6 | Méditation (Album Leaf for Piano) | — | ||
| 2-7 | Sleza (A Tear) | — | ||
| 2-8 | Duma (Rêverie) | — | ||
| 2-9 | Scherzo in C-sharp minor | Maria Yudina | — | |
| 3-1 | Prelude and Fugue in A minor | — | ||
| 3-2 | Variations on Bach's "Weinen, Klagen, Sorgen, Zagen" | — | ||
| 3-3 | Piano Sonata no. 5 in C minor, oр. 10 no. 1: I. Allegro molto e con brio | — | ||
| 3-4 | Piano Sonata no. 5 in C minor, oр. 10 no. 1: II. Adagio molto | — | ||
| 3-5 | Piano Sonata no. 5 in C minor, oр. 10 no. 1: III. Prestissimo | — | ||
| 3-6 | Piano Sonata no. 32 in C minor, oр. 111: I. Maestoso. Allegro con brio ed appassionato | — | ||
| 3-7 | Piano Sonata no. 32 in C minor, oр. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 4-1 | Rhapsody in G minor, op. 79 no. 2 | — | ||
| 4-2 | Intermezzo, op. 116 no. 2 | — | ||
| 4-3 | Intermezzi, op. 117: No. 1. Andante moderato | — | ||
| 4-4 | Intermezzi, op. 117: No. 2. Andante non troppo | — | ||
| 4-5 | Intermezzi, op. 117: No. 3. Andante con moto | — | ||
| 4-6 | Intermezzi, op. 118: No. 1. Allegro assai, ma molto appassionato | — | ||
| 4-7 | Intermezzi, op. 118: No. 2. Andante teneramente | — | ||
| 4-8 | Intermezzi, op. 118: No. 3. Grazioso e giocoso | — | ||
| 4-9 | Intermezzi, op. 118: No. 4. Allegretto un poco agitato | — | ||
| 4-10 | Intermezzi, op. 118: No. 6. Andante, largo e mesto | — | ||
| 4-11 | Impromptu in E-flat, D 899 no. 2 | — | ||
| 4-12 | Impromptu in A-flat, D 899 no. 4 | — | ||
| 4-13 | Impromptu in A-flat, D 935 no. 2 | — | ||
| 5-1 | Piano Quartet in E, op. 20: I. Allegro brilliante | — | ||
| 5-2 | Piano Quartet in E, op. 20: II. Adagio più tosto largo | — | ||
| 5-3 | Piano Quartet in E, op. 20: III. Finale. Allegro molto | — | ||
| 5-4 | Piano Quintet in G minor, op. 30: I. Introduzione. Adagio mesto - Allegro patetico | — | ||
| 5-5 | Piano Quintet in G minor, op. 30: II. Scherzo. Presto | — | ||
| 5-6 | Piano Quintet in G minor, op. 30: III. Largo | — | ||
| 5-7 | Piano Quintet in G minor, op. 30: IV. Finale. Allegro vivace | — | ||
| 6-1 | Visions fugitives, op. 22: No. 1. Lentamente | — | ||
| 6-2 | Visions fugitives, op. 22: No. 2. Andante | — | ||
| 6-3 | Visions fugitives, op. 22: No. 3. Allegretto | — | ||
| 6-4 | Visions fugitives, op. 22: No. 4. Animato | — | ||
| 6-5 | Visions fugitives, op. 22: No. 5. Molto giocoso | — | ||
| 6-6 | Visions fugitives, op. 22: No. 6. Con eleganza | — | ||
| 6-7 | Visions fugitives, op. 22: No. 7. Pittoresco | — | ||
| 6-8 | Visions fugitives, op. 22: No. 8. Comodo | — | ||
| 6-9 | Visions fugitives, op. 22: No. 9. Allegretto tranquilo | — | ||
| 6-10 | Visions fugitives, op. 22: No. 10. Ridicolosamente | — | ||
| 6-11 | Visions fugitives, op. 22: No. 11. Con vivacita | — | ||
| 6-12 | Visions fugitives, op. 22: No. 12. Moderato assai | — | ||
| 6-13 | Visions fugitives, op. 22: No. 13. Allegretto | — | ||
| 6-14 | Visions fugitives, op. 22: No. 16. Dolente | — | ||
| 6-15 | Visions fugitives, op. 22: No. 19. Presto agitatissimo e molto accentuato | — | ||
| 6-16 | Cello Sonata in C, op. 119: I. Andante | — | ||
| 6-17 | Cello Sonata in C, op. 119: II. Moderato - Andante dolce | — | ||
| 6-18 | Cello Sonata in C, op. 119: III. Allegro ma non troppo | — | ||
| 6-19 | Cello Sonata in D minor: I. Prologue | — | ||
| 6-20 | Cello Sonata in D minor: II. Sérénade | — | ||
| 6-21 | Cello Sonata in D minor: III. Finale | — | ||
| 7-1 | Concerto for Piano & Wind Instruments: I. Largo - Allegro | — | ||
| 7-2 | Concerto for Piano & Wind Instruments: II. Largo | — | ||
| 7-3 | Concerto for Piano & Wind Instruments: III. Allegro | — | ||
| 7-4 | Circus Polka for a Young Elephant | — | ||
| 7-5 | Variations on a Theme by Paganini | — | ||
| 7-6 | Preludes, op. 1: No. 1 in B minor. Andante non troppo | — | ||
| 7-7 | Preludes, op. 1: No. 2 in D minor. Andante con moto | — | ||
| 7-8 | Preludes, op. 1: No. 3 in D-flat. Andantino | — | ||
| 7-9 | Preludes, op. 1: No. 4 in B-flat minor. Andantino con moto | — | ||
| 7-10 | Preludes, op. 1: No. 5 in D minor. Allegro molto | — | ||
| 7-11 | Preludes, op. 1: No. 6 in A minor. Lento | — | ||
| 7-12 | Preludes, op. 1: No. 7 in C minor. Moderato | — | ||
| 7-13 | Preludes, op. 1: No. 8 in E-flat minor. Andante ma non troppo | — | ||
| 7-14 | Preludes, op. 1: No. 9 in B-flat minor. Lento, mesto | — | ||
| 7-15 | Variations in B-flat minor, op. 3 | — | ||
| 8-1 | Viola Sonata in F, op. 11 no. 4: I. Fantasie | — | ||
| 8-2 | Viola Sonata in F, op. 11 no. 4: II. Thema und Variationen | — | ||
| 8-3 | Viola Sonata in F, op. 11 no. 4: III. Finale | — | ||
| 8-4 | Viola Sonata: I. Andante - Vivace | — | ||
| 8-5 | Viola Sonata: II. Allegro moderato | — | ||
| 8-6 | Viola Sonata: III. Allegro non troppo | — | ||
| 8-7 | Piano Sonata no. 2 in B minor, op. 7: I. Allegro agitato, alla toccata | — | ||
| 8-8 | Piano Sonata no. 2 in B minor, op. 7: II. Andante | — | ||
| 8-9 | Piano Sonata no. 2 in B minor, op. 7: III. Finale. Moderato assai | — | ||
| 8-10 | The Fifth Day of the Fifth Moon | — | ||
| 8-11 | Les Bouquinistes du quai Malaquais | — | ||
| 8-12 | Mana: La Chevre | — | ||
| 8-13 | Mana: La Vache | — | ||
| 8-14 | Mana: La Princesse de Bali | — |
Chromatic Fantasy and Fugue in D minor, BWV 903
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Prelude & Fugue no. 24 in B minor, BWV 869
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Prelude & Fugue no. 20 in A minor, BWV 865
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Prelude & Fugue no. 19 in A, BWV 864
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Prelude & Fugue no. 23 in B, BWV 868
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Prelude & Fugue no. 21 in B-flat, BWV 866
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Prelude & Fugue no. 22 in B-flat minor, BWV 867
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Sonata no. 3 for Violin & Keyboard in E, BWV 1016: I. Adagio
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Sonata no. 3 for Violin & Keyboard in E, BWV 1016: II. Allegro
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Sonata no. 3 for Violin & Keyboard in E, BWV 1016: III. Adagio ma non tanto
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Sonata no. 3 for Violin & Keyboard in E, BWV 1016: IV. Allegro
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Piano Sonata no. 62 in E-flat, Hob. XVI:52: I. Allegro
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Piano Sonata no. 62 in E-flat, Hob. XVI:52: II. Adagio
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Piano Sonata no. 62 in E-flat, Hob. XVI:52: III. Finale. Presto
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"Duport" Variations in D, K.573
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Fantasia in D minor, K.397
—
Méditation (Album Leaf for Piano)
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Sleza (A Tear)
—
Duma (Rêverie)
—
Scherzo in C-sharp minor
Maria Yudina
—
Prelude and Fugue in A minor
—
Variations on Bach's "Weinen, Klagen, Sorgen, Zagen"
—
Piano Sonata no. 5 in C minor, oр. 10 no. 1: I. Allegro molto e con brio
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Piano Sonata no. 5 in C minor, oр. 10 no. 1: II. Adagio molto
—
Piano Sonata no. 5 in C minor, oр. 10 no. 1: III. Prestissimo
—
Piano Sonata no. 32 in C minor, oр. 111: I. Maestoso. Allegro con brio ed appassionato
—
Piano Sonata no. 32 in C minor, oр. 111: II. Arietta. Adagio molto semplice e cantabile
—
Rhapsody in G minor, op. 79 no. 2
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Intermezzo, op. 116 no. 2
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Intermezzi, op. 117: No. 1. Andante moderato
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Intermezzi, op. 117: No. 2. Andante non troppo
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Intermezzi, op. 117: No. 3. Andante con moto
—
Intermezzi, op. 118: No. 1. Allegro assai, ma molto appassionato
—
Intermezzi, op. 118: No. 2. Andante teneramente
—
Intermezzi, op. 118: No. 3. Grazioso e giocoso
—
Intermezzi, op. 118: No. 4. Allegretto un poco agitato
—
Intermezzi, op. 118: No. 6. Andante, largo e mesto
—
Impromptu in E-flat, D 899 no. 2
—
Impromptu in A-flat, D 899 no. 4
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Impromptu in A-flat, D 935 no. 2
—
Piano Quartet in E, op. 20: I. Allegro brilliante
—
Piano Quartet in E, op. 20: II. Adagio più tosto largo
—
Piano Quartet in E, op. 20: III. Finale. Allegro molto
—
Piano Quintet in G minor, op. 30: I. Introduzione. Adagio mesto - Allegro patetico
—
Piano Quintet in G minor, op. 30: II. Scherzo. Presto
—
Piano Quintet in G minor, op. 30: III. Largo
—
Piano Quintet in G minor, op. 30: IV. Finale. Allegro vivace
—
Visions fugitives, op. 22: No. 1. Lentamente
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Visions fugitives, op. 22: No. 2. Andante
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Visions fugitives, op. 22: No. 3. Allegretto
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Visions fugitives, op. 22: No. 4. Animato
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Visions fugitives, op. 22: No. 5. Molto giocoso
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Visions fugitives, op. 22: No. 6. Con eleganza
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Visions fugitives, op. 22: No. 7. Pittoresco
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Visions fugitives, op. 22: No. 8. Comodo
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Visions fugitives, op. 22: No. 9. Allegretto tranquilo
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Visions fugitives, op. 22: No. 10. Ridicolosamente
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Visions fugitives, op. 22: No. 11. Con vivacita
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Visions fugitives, op. 22: No. 12. Moderato assai
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Visions fugitives, op. 22: No. 13. Allegretto
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Visions fugitives, op. 22: No. 16. Dolente
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Visions fugitives, op. 22: No. 19. Presto agitatissimo e molto accentuato
—
Cello Sonata in C, op. 119: I. Andante
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Cello Sonata in C, op. 119: II. Moderato - Andante dolce
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Cello Sonata in C, op. 119: III. Allegro ma non troppo
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Cello Sonata in D minor: I. Prologue
—
Cello Sonata in D minor: II. Sérénade
—
Cello Sonata in D minor: III. Finale
—
Concerto for Piano & Wind Instruments: I. Largo - Allegro
—
Concerto for Piano & Wind Instruments: II. Largo
—
Concerto for Piano & Wind Instruments: III. Allegro
—
Circus Polka for a Young Elephant
—
Variations on a Theme by Paganini
—
Preludes, op. 1: No. 1 in B minor. Andante non troppo
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Preludes, op. 1: No. 2 in D minor. Andante con moto
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Preludes, op. 1: No. 3 in D-flat. Andantino
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Preludes, op. 1: No. 4 in B-flat minor. Andantino con moto
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Preludes, op. 1: No. 5 in D minor. Allegro molto
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Preludes, op. 1: No. 6 in A minor. Lento
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Preludes, op. 1: No. 7 in C minor. Moderato
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Preludes, op. 1: No. 8 in E-flat minor. Andante ma non troppo
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Preludes, op. 1: No. 9 in B-flat minor. Lento, mesto
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Variations in B-flat minor, op. 3
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Viola Sonata in F, op. 11 no. 4: I. Fantasie
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Viola Sonata in F, op. 11 no. 4: II. Thema und Variationen
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Viola Sonata in F, op. 11 no. 4: III. Finale
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Viola Sonata: I. Andante - Vivace
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Viola Sonata: II. Allegro moderato
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Viola Sonata: III. Allegro non troppo
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Piano Sonata no. 2 in B minor, op. 7: I. Allegro agitato, alla toccata
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Piano Sonata no. 2 in B minor, op. 7: II. Andante
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Piano Sonata no. 2 in B minor, op. 7: III. Finale. Moderato assai
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The Fifth Day of the Fifth Moon
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Les Bouquinistes du quai Malaquais
—
Mana: La Chevre
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Mana: La Vache
—
Mana: La Princesse de Bali
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Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Scherzo in C-sharp minor | Maria Yudina | — |
Scherzo in C-sharp minor
Maria Yudina
—
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What is UPC 5029365890922?
5029365890922 is a Universal Product Code (UPC) assigned to Historic Russian Archives: Maria Yudina by Maria Yudina. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 97 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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