UPC · Release
Various Artists
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5029365900522 is the Universal Product Code (UPC barcode) for the release “The Piano: The Ultimate Piano Collection of the Century” by Various Artists, released 2008-11-03. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include NLY330603782, NLY330603783, NLY330603784.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Keyboard Sonata K362 in C minor: Allegro | — | ||
| 2 | Keyboard Sonata K363 in C minor: Presto | — | ||
| 3 | Keyboard Sonata K412 in G major: Allegro | — | ||
| 4 | Keyboard Sonata K413 in G major: Allegro | — | ||
| 5 | Keyboard Sonata K329 in C major: Allegro | — | ||
| 6 | Keyboard Sonata K330 in C major: Allegro | — | ||
| 7 | Keyboard Sonata K333 in D major: Allegro | — | ||
| 8 | Keyboard Sonata K336 in D major: Allegro | — | ||
| 9 | Keyboard Sonata K334 in B-flat major: Allegro | — | ||
| 10 | Keyboard Sonata K351 in B-flat major: Andante | — | ||
| 11 | Keyboard Sonata K424 in G major: Allegro | — | ||
| 12 | Keyboard Sonata K425 in G major: Allegro molto | — | ||
| 13 | Keyboard Sonata K393 in B-flat major: Menuet | — | ||
| 14 | Keyboard Sonata K396 in D minor: Andante | — | ||
| 15 | Keyboard Sonata K343 in A major: Allegro | — | ||
| 16 | Keyboard Sonata K373 in G minor: Presto | — | ||
| 17 | Keyboard Sonata K375 in G major: Allegro | — | ||
| 18 | Keyboard Sonata K378 in F major: Allegro | — | ||
| 2-1 | Piano Sonata no. 55 in B-flat major, Hob.XVI:41: I. Allegro | — | ||
| 2-2 | Piano Sonata no. 55 in B-flat major, Hob.XVI:41: II. Allegro di molto | — | ||
| 2-3 | Piano Sonata in E-flat major, Hob.XVI:16: I. Andante - Presto | — | ||
| 2-4 | Piano Sonata in E-flat major, Hob.XVI:16: II. Menuet - Trio | — | ||
| 2-5 | Piano Sonata in E-flat major, Hob.XVI:16: III. Presto | — | ||
| 2-6 | Piano Sonata no. 11 in B-flat major, Hob.XVI:2: I. Moderato | — | ||
| 2-7 | Piano Sonata no. 11 in B-flat major, Hob.XVI:2: II. Largo | — | ||
| 2-8 | Piano Sonata no. 11 in B-flat major, Hob.XVI:2: III. Menuet | — | ||
| 2-9 | Piano Sonata no. 47 in B minor, Hob.XVI:32: I. Allegro moderato | — | ||
| 2-10 | Piano Sonata no. 47 in B minor, Hob.XVI:32: II. Menuet - Trio | — | ||
| 2-11 | Piano Sonata no. 47 in B minor, Hob.XVI:32: III. Finale: Presto | — | ||
| 2-12 | Piano Sonata no. 31 in A-flat major, Hob.XVI:46: I. Allegro moderato | — | ||
| 2-13 | Piano Sonata no. 31 in A-flat major, Hob.XVI:46: II. Adagio | — | ||
| 2-14 | Piano Sonata no. 31 in A-flat major, Hob.XVI:46: III. Finale: Presto | — | ||
| 3-1 | Piano Sonata no. 34 in D major, Hob.XVI:33: I. Allegro | — | ||
| 3-2 | Piano Sonata no. 34 in D major, Hob.XVI:33: II. Adagio | — | ||
| 3-3 | Piano Sonata no. 34 in D major, Hob.XVI:33: III. Tempo di Menuet | — | ||
| 3-4 | Piano Sonata no. 10 in C major, Hob.XVI:1: I. Allegro | — | ||
| 3-5 | Piano Sonata no. 10 in C major, Hob.XVI:1: II. Adagio | — | ||
| 3-6 | Piano Sonata no. 10 in C major, Hob.XVI:1: III. Menuet - Trio | — | ||
| 3-7 | Piano Sonata no. 12 in A major, Hob.XVI:12: I. Andante | — | ||
| 3-8 | Piano Sonata no. 12 in A major, Hob.XVI:12: II. Menuet - Trio | — | ||
| 3-9 | Piano Sonata no. 12 in A major, Hob.XVI:12: III. Presto | — | ||
| 3-10 | Piano Sonata no. 56 in D major, Hob.XVI:42: I. Andante con espressione | — | ||
| 3-11 | Piano Sonata no. 56 in D major, Hob.XVI:42: II. Vivace assai | — | ||
| 3-12 | Piano Sonata no. 60 in C major, Hob.XVI:50: I. Allegro | — | ||
| 3-13 | Piano Sonata no. 60 in C major, Hob.XVI:50: II. Adagio | — | ||
| 3-14 | Piano Sonata no. 60 in C major, Hob.XVI:50: III. Allegro molto | — | ||
| 4-1 | Piano Sonata no. 2 in C major, Hob.XVI:7: I. Allegro moderato | — | ||
| 4-2 | Piano Sonata no. 2 in C major, Hob.XVI:7: II. Menuet | — | ||
| 4-3 | Piano Sonata no. 2 in C major, Hob.XVI:7: III. Finale: Allegro | — | ||
| 4-4 | Piano Sonata no. 57 in F major, Hob.XVI:47: I. Adagio | — | ||
| 4-5 | Piano Sonata no. 57 in F major, Hob.XVI:47: II. Allegro | — | ||
| 4-6 | Piano Sonata no. 57 in F major, Hob.XVI:47: III. Finale: Tempo di menuet | — | ||
| 4-7 | Piano Sonata no. 38 in F major, Hob.XVI:23: I. Allegro | — | ||
| 4-8 | Piano Sonata no. 38 in F major, Hob.XVI:23: II. Adagio | — | ||
| 4-9 | Piano Sonata no. 38 in F major, Hob.XVI:23: III. Finale: Presto | — | ||
| 4-10 | Piano Sonata no. 42 in G major, Hob.XVI:27: I. Allegro con brio | — | ||
| 4-11 | Piano Sonata no. 42 in G major, Hob.XVI:27: II. Menuet | — | ||
| 4-12 | Piano Sonata no. 42 in G major, Hob.XVI:27: III. Finale: Presto | — | ||
| 4-13 | Piano Sonata no. 62 in E-flat major, Hob.XVI:52: I. Allegro | — | ||
| 4-14 | Piano Sonata no. 62 in E-flat major, Hob.XVI:52: II. Adagio | — | ||
| 4-15 | Piano Sonata no. 62 in E-flat major, Hob.XVI:52: III. Finale: Presto | — | ||
| 5-1 | Piano Sonata no. 36 in C major, Hob.XVI:21: I. Allegro | — | ||
| 5-2 | Piano Sonata no. 36 in C major, Hob.XVI:21: II. Adagio | — | ||
| 5-3 | Piano Sonata no. 36 in C major, Hob.XVI:21: III. Finale: Presto | — | ||
| 5-4 | Piano Sonata no. 33 in C minor, Hob.XVI:20: I. Moderato | — | ||
| 5-5 | Piano Sonata no. 33 in C minor, Hob.XVI:20: II. Andante con moto | — | ||
| 5-6 | Piano Sonata no. 33 in C minor, Hob.XVI:20: III. Finale: Allegro | — | ||
| 5-7 | Piano Sonata no. 41 in A major, Hob.XVI:26: I. Allegro moderato | — | ||
| 5-8 | Piano Sonata no. 41 in A major, Hob.XVI:26: II. Menuet al Rovescio | — | ||
| 5-9 | Piano Sonata no. 41 in A major, Hob.XVI:26: III. Finale: Presto | — | ||
| 5-10 | Piano Sonata in D major (Divertimento), Hob.XVI:4: I. (-) | — | ||
| 5-11 | Piano Sonata in D major (Divertimento), Hob.XVI:4: II. Menuetto | — | ||
| 5-12 | Piano Sonata in E major (Divertimento), Hob.XVI:31: I. Moderato | — | ||
| 5-13 | Piano Sonata in E major (Divertimento), Hob.XVI:31: II. Allegretto | — | ||
| 5-14 | Piano Sonata in E major (Divertimento), Hob.XVI:31: III. Finale: Presto | — | ||
| 6-1 | Sonata for Piano No. 1 in C major, K. 189d/279: I. Allegro | — | ||
| 6-2 | Sonata for Piano No. 1 in C major, K. 189d/279: II. Andante | — | ||
| 6-3 | Sonata for Piano No. 1 in C major, K. 189d/279: III. Allegro | — | ||
| 6-4 | Sonata for Piano No. 2 in F major, K. 189e/280: I. Allegro assai | — | ||
| 6-5 | Sonata for Piano No. 2 in F major, K. 189e/280: II. Adagio | — | ||
| 6-6 | Sonata for Piano No. 2 in F major, K. 189e/280: III. Presto | — | ||
| 6-7 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: I. Allegro | — | ||
| 6-8 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: II. Andante amoroso | — | ||
| 6-9 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro | — | ||
| 6-10 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: I. Adagio | — | ||
| 6-11 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: II. Minuetto | — | ||
| 6-12 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: III. Allegro | — | ||
| 6-13 | Sonata for Piano No. 5 in G major, K. 189h/283: I. Allegro | — | ||
| 6-14 | Sonata for Piano No. 5 in G major, K. 189h/283: II. Andante | — | ||
| 6-15 | Sonata for Piano No. 5 in G major, K. 189h/283: III. Presto | — | ||
| 7-1 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": I. Allegro | — | ||
| 7-2 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": II. Rondeau en polonaise. Andante | — | ||
| 7-3 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": III. Tema. Andante & Variations I - X & Variation XI. Adagio cantabile & Variation XII. Allegro | — | ||
| 7-4 | Sonata for Piano No. 7 in C major, K. 284b/309: I. Allegro con spirito | — | ||
| 7-5 | Sonata for Piano No. 7 in C major, K. 284b/309: II. Andante un poco adagio | — | ||
| 7-6 | Sonata for Piano No. 7 in C major, K. 284b/309: III. Rondeau. Allegretto grazioso | — | ||
| 7-7 | Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso | — | ||
| 7-8 | Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | — | ||
| 7-9 | Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | — | ||
| 8-1 | Sonata for Piano No. 9 in D major, K. 284c/311: I. Allegro con spirito | — | ||
| 8-2 | Sonata for Piano No. 9 in D major, K. 284c/311: II. Andante con espressione | — | ||
| 8-3 | Sonata for Piano No. 9 in D major, K. 284c/311: III. Rondeau. Allegro | — | ||
| 8-4 | Sonata for Piano No. 10 in C major, K. 300h/330: I. Allegro moderato | — | ||
| 8-5 | Sonata for Piano No. 10 in C major, K. 300h/330: II. Andante cantabile | — | ||
| 8-6 | Sonata for Piano No. 10 in C major, K. 300h/330: III. Allegretto | — | ||
| 8-7 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Klára Würtz | — | |
| 8-8 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Klára Würtz | T-313.706.466-1 | |
| 8-9 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Klára Würtz | — | |
| 9-1 | Sonata for Piano no. 12 in F major, K. 300k/332: I. Allegro | Klára Würtz | — | |
| 9-2 | Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio | Klára Würtz | T-316.577.882-1 | |
| 9-3 | Sonata for Piano no. 12 in F major, K. 300k/332: III. Allegro assai | Klára Würtz | — | |
| 9-4 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro | Klára Würtz | — | |
| 9-5 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Klára Würtz | — | |
| 9-6 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto | Klára Würtz | — | |
| 9-7 | Sonata for Piano no. 14 in C minor, K. 457: I. Allegro molto | Klára Würtz | — | |
| 9-8 | Sonata for Piano no. 14 in C minor, K. 457: II. Adagio | Klára Würtz | T-927.972.088-6 | |
| 9-9 | Sonata for Piano no. 14 in C minor, K. 457: III. Allegro assai | Klára Würtz | — | |
| 10-1 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro | — | ||
| 10-2 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante | — | ||
| 10-3 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau | — | ||
| 10-4 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": I. Allegro | — | ||
| 10-5 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": II. Andante | — | ||
| 10-6 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro | — | ||
| 10-7 | Sonata for Piano No. 17 in B-flat major, K. 570: I. Allegro | — | ||
| 10-8 | Sonata for Piano No. 17 in B-flat major, K. 570: II. Adagio | — | ||
| 10-9 | Sonata for Piano No. 17 in B-flat major, K. 570: III. Allegretto | — | ||
| 10-10 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro | — | ||
| 10-11 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | — | ||
| 10-12 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto | — | ||
| 11-1 | Sonata per il Forte-Piano in E-flat major, op. 11, pour Madame de Hess: I. Allegro | — | ||
| 11-2 | Sonata per il Forte-Piano in E-flat major, op. 11, pour Madame de Hess: II. Rondeau: Presto | — | ||
| 11-3 | Rondo in B-flat, WoO8: Allegretto | — | ||
| 11-4 | Sonata in F major, op. 24 no. 1 (op. 21 chez Artaria, Vienne): I. Allegro assai | — | ||
| 11-5 | Sonata in F major, op. 24 no. 1 (op. 21 chez Artaria, Vienne): II. Adagio | — | ||
| 11-6 | Sonata in F major, op. 24 no. 1 (op. 21 chez Artaria, Vienne): III. Arietta con Variazione: Vivace | — | ||
| 11-7 | Sonata in B-flat major, op. 24 no. 2 (op. 41 no. 2 chez Mollo, Vienne): I. Allegro con brio | — | ||
| 11-8 | Sonata in B-flat major, op. 24 no. 2 (op. 41 no. 2 chez Mollo, Vienne): II. Andante quasi Allegretto | — | ||
| 11-9 | Sonata in B-flat major, op. 24 no. 2 (op. 41 no. 2 chez Mollo, Vienne): III. Rondo: Allegro assai | — | ||
| 11-10 | Sonata in E-flat major op. 41 (op. 41 no. 1 chez Mollo, Vienne): I. Allegro ma con grazia | — | ||
| 11-11 | Sonata in E-flat major op. 41 (op. 41 no. 1 chez Mollo, Vienne): II. Adagio molto e con anima | — | ||
| 11-12 | Sonata in E-flat major op. 41 (op. 41 no. 1 chez Mollo, Vienne): III. Allegro molto vivace | — | ||
| 12-1 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": I. Allegro | — | ||
| 12-2 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace | — | ||
| 12-3 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento | — | ||
| 12-4 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto | — | ||
| 12-5 | Sonata for Piano No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 12-6 | Sonata for Piano No. 32 in C minor, Op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 13-1 | Sonata for Piano No. 28 in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | — | ||
| 13-2 | Sonata for Piano No. 28 in A major, Op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 13-3 | Sonata for Piano No. 28 in A major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto - Presto | — | ||
| 13-4 | Sonata for Piano No. 30 in E major, Op. 109: I. Vivace, ma non troppo | — | ||
| 13-5 | Sonata for Piano No. 30 in E major, Op. 109: II. Prestissimo | — | ||
| 13-6 | Sonata for Piano No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | — | ||
| 13-7 | Sonata for Piano No. 31 in A-flat major, Op. 110: I. Moderato cantabile molto espressivo | — | ||
| 13-8 | Sonata for Piano No. 31 in A-flat major, Op. 110: II. Allegro molto - III. Adagio, ma non troppo | — | ||
| 13-9 | Sonata for Piano No. 31 in A-flat major, Op. 110: Fuga. Allegro ma non troppo | — | ||
| 13-10 | Sonata for Piano No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 13-11 | Sonata for Piano No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 14-1 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 14-2 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 14-3 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 14-4 | Sonata for Piano No. 22 in F major, Op. 54: I. Tempo di menuetto | — | ||
| 14-5 | Sonata for Piano No. 22 in F major, Op. 54: II. Allegretto | — | ||
| 14-6 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | — | ||
| 14-7 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | — | ||
| 14-8 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | — | ||
| 14-9 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: I. Allegro vivace | — | ||
| 14-10 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso | — | ||
| 14-11 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | — | ||
| 15-1 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": I. Largo - Allegro | — | ||
| 15-2 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": II. Adagio | — | ||
| 15-3 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": III. Allegretto | — | ||
| 15-4 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: I. Allegro | — | ||
| 15-5 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegretto vivace | — | ||
| 15-6 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: III. Minuetto. Moderato e grazioso | — | ||
| 15-7 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: IV. Presto con fuoco | — | ||
| 15-8 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio | — | ||
| 15-9 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto | — | ||
| 15-10 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 15-11 | Sonata for Piano No. 19 in G minor, Op. 49 No. 1: I. Andante | — | ||
| 15-12 | Sonata for Piano No. 19 in G minor, Op. 49 No. 1: II. Rondo. Allegro | — | ||
| 16-1 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro | — | ||
| 16-2 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio | — | ||
| 16-3 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto | — | ||
| 16-4 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 16-5 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": I. Presto alla tedesca | — | ||
| 16-6 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": II. Andante espressivo | — | ||
| 16-7 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": III. Vivace | — | ||
| 16-8 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 16-9 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: II. Adagio molto | — | ||
| 16-10 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: III. Prestissimo | — | ||
| 16-11 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro | — | ||
| 16-12 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto | — | ||
| 16-13 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto | — | ||
| 16-14 | Sonata for Piano No. 9 in E major, Op. 14 No. 1: I. Allegro | — | ||
| 16-15 | Sonata for Piano No. 9 in E major, Op. 14 No. 1: II. Allegretto | — | ||
| 16-16 | Sonata for Piano No. 9 in E major, Op. 14 No. 1: III. Rondo. Allegro comodo | — | ||
| 17-1 | Sonata for Piano No. 10 in G major, Op. 14 No. 2: I. Allegro | — | ||
| 17-2 | Sonata for Piano No. 10 in G major, Op. 14 No. 2: II. Andante | — | ||
| 17-3 | Sonata for Piano No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai | — | ||
| 17-4 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: I. Andante | — | ||
| 17-5 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace | — | ||
| 17-6 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione | — | ||
| 17-7 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: IV. Allegro vivace | — | ||
| 17-8 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 17-9 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 17-10 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 17-11 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": I. Allegro | — | ||
| 17-12 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": II. Andante | — | ||
| 17-13 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": III. Scherzo. Allegro vivace - IV. Rondo. Allegro ma non troppo | — | ||
| 18-1 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: I. Presto | — | ||
| 18-2 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 18-3 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro | — | ||
| 18-4 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | — | ||
| 18-5 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: I. Allegro vivace | — | ||
| 18-6 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: II. Largo appassionato | — | ||
| 18-7 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto | — | ||
| 18-8 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso | — | ||
| 18-9 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: I. Allegro con brio | — | ||
| 18-10 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: II. Adagio | — | ||
| 18-11 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro | — | ||
| 18-12 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: IV. Allegro assai | — | ||
| 19-1 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 19-2 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 19-3 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 19-4 | Sonata for Piano No. 11 in B-flat major, Op. 22: I. Allegro con brio | — | ||
| 19-5 | Sonata for Piano No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione | — | ||
| 19-6 | Sonata for Piano No. 11 in B-flat major, Op. 22: III. Menuetto | — | ||
| 19-7 | Sonata for Piano No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto | — | ||
| 19-8 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 19-9 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo. Allegro molto | — | ||
| 19-10 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 19-11 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro | — | ||
| 19-12 | Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | — | ||
| 19-13 | Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": II. Allegro assai | — | ||
| 20-1 | Sonata for Piano No. 4 in E-flat major, Op. 7: I. Allegro molto e con brio | — | ||
| 20-2 | Sonata for Piano No. 4 in E-flat major, Op. 7: II. Largo, con gran espressione | — | ||
| 20-3 | Sonata for Piano No. 4 in E-flat major, Op. 7: III. Allegro | — | ||
| 20-4 | Sonata for Piano No. 4 in E-flat major, Op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 20-5 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo | — | ||
| 20-6 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto | — | ||
| 20-7 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: I. Grave - Allegro ma non troppo | — | ||
| 20-8 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 20-9 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 20-10 | Rondo in B flat major, WoO 6 | — | ||
| 21-1 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace | — | ||
| 21-2 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso | — | ||
| 21-3 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 21-4 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 21-5 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 21-6 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 21-7 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 21-8 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro | — | ||
| 21-9 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 21-10 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 21-11 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 21-12 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 21-13 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto | — | ||
| 21-14 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 21-15 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso | — | ||
| 21-16 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 21-17 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 21-18 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVII. Allegro | — | ||
| 21-19 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato | — | ||
| 21-20 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 21-21 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 21-22 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio | — | ||
| 21-23 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto | — | ||
| 21-24 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai | — | ||
| 21-25 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 21-26 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 21-27 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. Allegro | — | ||
| 21-28 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 21-29 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 21-30 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 21-31 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 21-32 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 21-33 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | — | ||
| 21-34 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di Menuetto moderato | — | ||
| 21-35 | Bagatelle for Piano, Op. 119 No. 1 in B-flat major: Allegretto | — | ||
| 21-36 | Bagatelle for Piano, Op. 119 No. 2 in C major: Andante con moto | — | ||
| 21-37 | Bagatelle for Piano, Op. 119 No. 3 in D major: À l'Allemande | — | ||
| 21-38 | Bagatelle for Piano, Op. 119 No. 4 in A major: Andante cantabile | — | ||
| 21-39 | Bagatelle for Piano, Op. 119 No. 5 in C minor: Risoluto | — | ||
| 21-40 | Bagatelle for Piano, Op. 119 No. 6 in G major: Andante - Allegretto | — | ||
| 21-41 | Bagatelle for Piano, Op. 119 No. 7 in C major: Allegro ma non troppo | — | ||
| 21-42 | Bagatelle for Piano, Op. 119 No. 8 in C major: Moderato | — | ||
| 21-43 | Bagatelle for Piano, Op. 119 No. 9 in A minor: Vivace moderato | — | ||
| 21-44 | Bagatelle for Piano, Op. 119 No. 10 in A major: Allegramente | — | ||
| 21-45 | Bagatelle for Piano, Op. 119 No. 11 in B-flat major: Andante, ma non troppo | — | ||
| 22-1 | The art of finger dexterity, op 74: Book 1: No. 1: Articulation of the fingers with quiet hand | — | ||
| 22-2 | The art of finger dexterity, op 74: Book 1: No. 2: The passing of the thumb | — | ||
| 22-3 | The art of finger dexterity, op 74: Book 1: No. 3: Clarity in velocity | — | ||
| 22-4 | The art of finger dexterity, op 74: Book 1: No. 4: Light articulation in half-staccato | — | ||
| 22-5 | The art of finger dexterity, op 74: Book 1: No. 5: Evenness in double runs | — | ||
| 22-6 | The art of finger dexterity, op 74: Book 1: No. 6: Clarity in broken chords | — | ||
| 22-7 | The art of finger dexterity, op 74: Book 1: No. 7: Changing fingers on the same key | — | ||
| 22-8 | The art of finger dexterity, op 74: Book 1: No. 8: Light articulation of the left hand | — | ||
| 22-9 | The art of finger dexterity, op 74: Book 2: No. 9: Delicacy in skips and staccatos | — | ||
| 22-10 | The art of finger dexterity, op 74: Book 2: No. 10: Exercise for thirds | — | ||
| 22-11 | The art of finger dexterity, op 74: Book 2: No. 11: Skill in alternating fingers | — | ||
| 22-12 | The art of finger dexterity, op 74: Book 2: No. 12: Flexibility of the left hand | — | ||
| 22-13 | The art of finger dexterity, op 74: Book 2: No. 13: Maximum velocity | — | ||
| 22-14 | The art of finger dexterity, op 74: Book 2: No. 15: Wide position in fortissimo | — | ||
| 22-15 | The art of finger dexterity, op 74: Book 3: No. 17: Minor scales at high speed | — | ||
| 22-16 | The art of finger dexterity, op 74: Book 3: No. 19: Tense positions with a "peaceful wrist" | — | ||
| 22-17 | The art of finger dexterity, op 74: Book 3: No. 22: Exercise for the trill | — | ||
| 22-18 | The art of finger dexterity, op 74: Book 3: No. 23: Light touch of the left hand | — | ||
| 22-19 | The art of finger dexterity, op 74: Book 3: No. 24: The thumb on the black keys with the hand absolutely quiet | — | ||
| 22-20 | The art of finger dexterity, op 74: Book 4: No. 25: Agility and clarity | — | ||
| 22-21 | The art of finger dexterity, op 74: Book 4: No. 26: Maximum velocity in arpeggios | — | ||
| 22-22 | The art of finger dexterity, op 74: Book 4: No. 27: Independence of the fingers | — | ||
| 22-23 | The art of finger dexterity, op 74: Book 4: No. 31: Exercise for the passing of the thumbs | — | ||
| 22-24 | The art of finger dexterity, op 74: Book 4: No. 32: Uniformity in raising the fingers | — | ||
| 22-25 | The art of finger dexterity, op 74: Book 5: No. 33: Lightness of touch in octave skips | — | ||
| 22-26 | The art of finger dexterity, op 74: Book 5: No. 34: Trills of thirds | — | ||
| 22-27 | The art of finger dexterity, op 74: Book 5: No. 37: Lightness of the arm and agility of the fingers | — | ||
| 22-28 | The art of finger dexterity, op 74: Book 5: No. 40: Light or half-staccato in chords | — | ||
| 22-29 | The art of finger dexterity, op 74: Book 6: No. 45: Legato melody with spread chords | — | ||
| 22-30 | The art of finger dexterity, op 74: Book 6: No. 49: Octaves with bravura | — | ||
| 23-1 | Piano Sonata No. 1 in C major, Op. 24: I. Allegro | — | ||
| 23-2 | Piano Sonata No. 1 in C major, Op. 24: II. Adagio | — | ||
| 23-3 | Piano Sonata No. 1 in C major, Op. 24: III. Menuetto | — | ||
| 23-4 | Piano Sonata No. 1 in C major, Op. 24: IV. Rondo. Presto | — | ||
| 23-5 | Piano Sonata No. 2 in A flat major, Op. 39: I. Allegro moderato, con spirito ed assai legato | — | ||
| 23-6 | Piano Sonata No. 2 in A flat major, Op. 39: II. Andante | — | ||
| 23-7 | Piano Sonata No. 2 in A flat major, Op. 39: III. Menuetto capriccioso. Presto assai | — | ||
| 23-8 | Piano Sonata No. 2 in A flat major, Op. 39: IV. Rondo. Moderato e molto grazioso | — | ||
| 24-1 | Nocturne for Piano no. 1 in E-flat major, H24 | — | ||
| 24-2 | Nocturne for Piano no. 2 in C minor, H25 | — | ||
| 24-3 | Nocturne for Piano no. 3 in A-flat major, H26 | — | ||
| 24-4 | Nocturne for Piano no. 4 in A major, H36 | — | ||
| 24-5 | Nocturne for Piano no. 5 in B-flat major, H37 | — | ||
| 24-6 | Nocturne for Piano no. 6 in F major, H40 | — | ||
| 24-7 | Nocturne for Piano no. 7 (13) in C major, H45 | — | ||
| 24-8 | Nocturne for Piano (7) in A major, H14e | — | ||
| 24-9 | Nocturne for Piano no. 9 (8) in E-flat major, H30 | — | ||
| 24-10 | Nocturne for Piano no. 8 (9) in E minor, H46b | — | ||
| 24-11 | Nocturne for Piano no. 11 in E-flat major, H56a | — | ||
| 24-12 | Nocturne for Piano no. 12 (14) in G major, H58d | — | ||
| 24-13 | Nocturne for Piano no. 13 (15) in D minor, H59 | — | ||
| 24-14 | Nocturne for Piano no. 16 (18) in F major, H62a | — | ||
| 24-15 | Nocturne for Piano no. 10 in E major, H54f | — | ||
| 25-1 | Piano Sonata in A major, D959: I. Allegro | — | ||
| 25-2 | Piano Sonata in A major, D959: II. Andantino | — | ||
| 25-3 | Piano Sonata in A major, D959: III. Scherzo. Allegro vivace | — | ||
| 25-4 | Piano Sonata in A major, D959: IV. Rondo. Allegretto | — | ||
| 25-5 | Piano Sonata in E minor, D966: I. Moderato | — | ||
| 25-6 | Piano Sonata in E minor, D966: II. Allegretto | — | ||
| 25-7 | Piano Sonata in E minor, D966: III. Scherzo. Allegro vivace | — | ||
| 25-8 | Piano Sonata in E minor, D966: IV. Rondo. Allegretto | — | ||
| 26-1 | Piano Sonata in C minor, D958: I. Allegro | — | ||
| 26-2 | Piano Sonata in C minor, D958: II. Adagio | — | ||
| 26-3 | Piano Sonata in C minor, D958: III. Menuetto. Allegro | — | ||
| 26-4 | Piano Sonata in C minor, D958: IV. Allegro | — | ||
| 26-5 | 6 Moments Musicaux, D780: Moderato in C major | — | ||
| 26-6 | 6 Moments Musicaux, D780: Andantino in A flat major | — | ||
| 26-7 | 6 Moments Musicaux, D780: Allegretto moderato in F minor | — | ||
| 26-8 | 6 Moments Musicaux, D780: Moderato in C sharp minor | — | ||
| 26-9 | 6 Moments Musicaux, D780: Allegro vivace in F minor | — | ||
| 26-10 | 6 Moments Musicaux, D780: Allegretto in A flat major | — | ||
| 27-1 | Piano Sonata in D major, Op. 53 D850 "Gasteiner": I. Allegro vivace | — | ||
| 27-2 | Piano Sonata in D major, Op. 53 D850 "Gasteiner": II. Con moto | — | ||
| 27-3 | Piano Sonata in D major, Op. 53 D850 "Gasteiner": III. Scherzo. Allegro vivace | — | ||
| 27-4 | Piano Sonata in D major, Op. 53 D850 "Gasteiner": IV. Rondo. Allegro moderato | — | ||
| 27-5 | Piano Sonata in C major, D840 "Relique": I. Moderato | — | ||
| 27-6 | Piano Sonata in C major, D840 "Relique": II. Andante | — | ||
| 27-7 | Piano Sonata in A flat major, D557: I. Allegro moderato | — | ||
| 27-8 | Piano Sonata in A flat major, D557: II. Andante | — | ||
| 27-9 | Piano Sonata in A flat major, D557: III. Allegro | — | ||
| 28-1 | Piano Sonata in A minor, Op. 143 D143: I. Allegro giusto | — | ||
| 28-2 | Piano Sonata in A minor, Op. 143 D143: II. Andante | — | ||
| 28-3 | Piano Sonata in A minor, Op. 143 D143: III. Allegro vivace | — | ||
| 28-4 | Piano Sonata in G major, Op. 78 D894: I. Molto moderato e cantabile | — | ||
| 28-5 | Piano Sonata in G major, Op. 78 D894: II. Andante | — | ||
| 28-6 | Piano Sonata in G major, Op. 78 D894: III. Menuetto. Allegro moderato | — | ||
| 28-7 | Piano Sonata in G major, Op. 78 D894: IV. Allegretto | — | ||
| 29-1 | Piano Sonata in A minor, D537: I. Allegro ma non troppo | — | ||
| 29-2 | Piano Sonata in A minor, D537: II. Allegretto quasi andantino | — | ||
| 29-3 | Piano Sonata in A minor, D537: III. Allegro vivace | — | ||
| 29-4 | Piano Sonata in A major, D5664: I. Allegro moderato | — | ||
| 29-5 | Piano Sonata in A major, D5664: II. Andante | — | ||
| 29-6 | Piano Sonata in A major, D5664: III. Allegro | — | ||
| 29-7 | Drei Klavierstücke (Impromptus aus dem Nachlass) D946: I. Allegro molto in E flat minor | — | ||
| 29-8 | Drei Klavierstücke (Impromptus aus dem Nachlass) D946: II. Allegretto in E flat major | — | ||
| 29-9 | Drei Klavierstücke (Impromptus aus dem Nachlass) D946: III. Allegro in C major | — | ||
| 30-1 | Impromptus, D899 No. 1 in C minor: Allegro molto moderato | — | ||
| 30-2 | Impromptus, D899 No. 2 in E flat major: Allegro | — | ||
| 30-3 | Impromptus, D899 No. 3 in G flat major: Andante | — | ||
| 30-4 | Impromptus, D899 No. 4 in A flat major: Allegretto | — | ||
| 30-5 | Impromptus, D935 No. 1 in F minor: Allegro moderato | — | ||
| 30-6 | Impromptus, D935 No. 2 in A flat major: Allegretto | — | ||
| 30-7 | Impromptus, D935 No. 3 in B flat major: Andante mit Variationen (Rosamunde) | — | ||
| 30-8 | Impromptus, D935 No. 4 in F minor: Allegro vivace | — | ||
| 31-1 | Piano Sonata in B flat major, D960: I. Molto moderato | — | ||
| 31-2 | Piano Sonata in B flat major, D960: II. Andante sostenuto | — | ||
| 31-3 | Piano Sonata in B flat major, D960: III. Scherzo. Allegro vivace con delicatezza | — | ||
| 31-4 | Piano Sonata in B flat major, D960: IV. Allegro ma non troppo | — | ||
| 31-5 | Piano Sonata in B major, D575 (Op. 147): I. Allegro ma non troppo | — | ||
| 31-6 | Piano Sonata in B major, D575 (Op. 147): II. Andante | — | ||
| 31-7 | Piano Sonata in B major, D575 (Op. 147): III. Scherzo. Allegretto | — | ||
| 31-8 | Piano Sonata in B major, D575 (Op. 147): IV. Allegro giusto | — | ||
| 32-1 | Nocturne for piano in B major no. 1, op. 22 | — | ||
| 32-2 | Esquisses, op. 63 no. 2: Le staccatissimo | — | ||
| 32-3 | Esquisses, op. 63 no. 3: Le legatissimo | — | ||
| 32-4 | Esquisses, op. 63 no. 21: Morituri te salutant | — | ||
| 32-5 | Esquisses, op. 63 no. 10: Increpatio | — | ||
| 32-6 | Esquisses, op. 63 no. 11: Les soupirs | — | ||
| 32-7 | Esquisses, op. 63 no. 46: Le premier billet doux | — | ||
| 32-8 | Esquisses, op. 63 no. 47: Scherzetto | — | ||
| 32-9 | Le Festin d'Ésope, op. 39 no. 12 from "Douze Études dans les tons mineurs" | — | ||
| 32-10 | Le temps qui n'est plus, Prélude, op. 31 no. 12 | — | ||
| 32-11 | Fa, op. 38b no. 2 from "2nd Book of Chants" | — | ||
| 32-12 | Grande Sonate "Les quatre âges", op. 33, 20 ans: Scherzo. Tres vite, décidément - Trio. Timidement amoureusement | — | ||
| 32-13 | Grande Sonate "Les quatre âges", op. 33, 30 ans: Quasi-Faust. Assez vite sataniquement | — | ||
| 32-14 | Grande Sonate "Les quatre âges", op. 33, 40 ans: Un heureux ménage. Lentement avec tendresse et quitétitude | — | ||
| 32-15 | Grande Sonate "Les quatre âges", op. 33, 50 ans: Prométhée enchainé. Extrêmement lent | — | ||
| 32-16 | Toccatina, op. 75 | — | ||
| 33-1 | "Les mois", op. 74 no. 6: Promenade sur l'eau | — | ||
| 33-2 | "Les mois", op. 74 no. 10: Gros temps | — | ||
| 33-3 | Petite fantaisie, op. 41 no. 2 | — | ||
| 33-4 | Petite conte | — | ||
| 33-5 | Le tambour bat aux champs, op. 50 no. 2 | — | ||
| 33-6 | "Trente chants" Suite no. 1, op. 38: no. 1. Assez vivement | — | ||
| 33-7 | "Trente chants" Suite no. 1, op. 38: no. 5. Agitatissimo | — | ||
| 33-8 | "Trente chants" Suite no. 1, op. 38: no. 6. Barcarolle | — | ||
| 33-9 | Symphonie, op. 39 Nos. 4-7: Allegro | — | ||
| 33-10 | Symphonie, op. 39 Nos. 4-7: Marche funèbre: Andantino | — | ||
| 33-11 | Symphonie, op. 39 Nos. 4-7: Menuet | — | ||
| 33-12 | Symphonie, op. 39 Nos. 4-7: Finale. Presto | — | ||
| 34-1 | Songs without Words in E major, Op. 19 No. 1: Andante con moto | — | ||
| 34-2 | Songs without Words in A minor, Op. 19 No. 2: Andante espressivo | — | ||
| 34-3 | Songs without Words in A major, Op. 19 No. 3 "Jägerlied": Molto allegro | — | ||
| 34-4 | Songs without Words in A major, Op. 19 No. 4: Moderato | — | ||
| 34-5 | Songs without Words in F sharp minor, Op. 19 No. 5: Agitato | — | ||
| 34-6 | Songs without Words in G minor, Op. 19 No. 6 "Venetian Gondola Song": Andante sostenuto | — | ||
| 34-7 | Songs without Words in E flat major, Op. 30 No. 1: Andante espressivo | — | ||
| 34-8 | Songs without Words in B flat minor, Op. 30 No. 2: Allegro di molto | — | ||
| 34-9 | Songs without Words in E major, Op. 30 No. 3: Andante sostenuto | — | ||
| 34-10 | Songs without Words in B minor, Op. 30 No. 4: Agitato e con fuoco | — | ||
| 34-11 | Songs without Words in D major, Op. 30 No. 5: Andante grazioso | — | ||
| 34-12 | Songs without Words in F sharp major, Op. 30 No. 6 "Venetian Gondola Song": Allegretto | — | ||
| 34-13 | Songs without Words in E flat major, Op. 38 No. 1: Con moto | — | ||
| 34-14 | Songs without Words in C minor, Op. 38 No. 2: Allegro non troppo | — | ||
| 34-15 | Songs without Words in E major, Op. 38 No. 3: Presto | — | ||
| 34-16 | Songs without Words in A major, Op. 38 No. 4: Andante | — | ||
| 34-17 | Songs without Words in A minor, Op. 38 No. 5: Agitato | — | ||
| 34-18 | Songs without Words in A flat major, Op. 38 No. 6: Andante con moto | — | ||
| 34-19 | Songs without Words in A flat major, Op. 53 No. 1: Andante con moto | — | ||
| 34-20 | Songs without Words in E flat major, Op. 53 No. 2: Allegro non troppo | — | ||
| 34-21 | Songs without Words in G minor, Op. 53 No. 3: Presto agitato | — | ||
| 34-22 | Songs without Words in F major, Op. 53 No. 4: Adagio | — | ||
| 34-23 | Songs without Words in A minor, Op. 53 No. 5 "Volkslied": Allegro | — | ||
| 34-24 | Songs without Words in A major, Op. 53 No. 6: Molto allegro vivace | — | ||
| 35-1 | Songs without Words in G major, Op. 62 No. 1: Andante espressivo | — | ||
| 35-2 | Songs without Words in B flat major, Op. 62 No. 2: Allegro con fuoco | — | ||
| 35-3 | Songs without Words in E minor, Op. 62 No. 3 "Trauermarsch": Andante maestoso | — | ||
| 35-4 | Songs without Words in G major, Op. 62 No. 4: Allegro con anima | — | ||
| 35-5 | Songs without Words in A minor, Op. 62 No. 5 "Venetian Gondola Song": Andante | — | ||
| 35-6 | Songs without Words in A major, Op. 62 No. 6 "Frühlingslied": Andante grazioso | — | ||
| 35-7 | Songs without Words in E flat major, Op. 67 No. 1: Andante | — | ||
| 35-8 | Songs without Words in F sharp major, Op. 67 No. 2: Allegro leggiero | — | ||
| 35-9 | Songs without Words in B flat major, Op. 67 No. 3: Andante tranquillo | — | ||
| 35-10 | Songs without Words in C major, Op. 67 No. 4 "Spinnerlied: The Bee's Wedding": Presto | — | ||
| 35-11 | Songs without Words in B minor, Op. 67 No. 5: Moderato | — | ||
| 35-12 | Songs without Words in E major, Op. 67 No. 6: Allegretto non troppo | — | ||
| 35-13 | Songs without Words in F major, Op. 85 No. 1: Andante espressivo | — | ||
| 35-14 | Songs without Words in A minor, Op. 85 No. 2: Allegro agitato | — | ||
| 35-15 | Songs without Words in E flat major, Op. 85 No. 3: Presto | — | ||
| 35-16 | Songs without Words in D major, Op. 85 No. 4: Andante sostenuto | — | ||
| 35-17 | Songs without Words in A major, Op. 85 No. 5: Allegro | — | ||
| 35-18 | Songs without Words in B flat major, Op. 85 No. 6: Allegro con moto | — | ||
| 35-19 | Songs without Words in E minor, Op. 102 No. 1: Andante un poco | — | ||
| 35-20 | Songs without Words in D major, Op. 102 No. 2: Adagio | — | ||
| 35-21 | Songs without Words in C major, Op. 102 No. 3: Presto | — | ||
| 35-22 | Songs without Words in G minor, Op. 102 No. 4: Un poco agitato | — | ||
| 35-23 | Songs without Words in A major, Op. 102 No. 5 "Kinderstück": Allegro vivace | — | ||
| 35-24 | Songs without Words in C major, Op. 102 No. 6: Andante | — | ||
| 36-1 | Variations brillantes on "Je vends des scapulaires" from the Opera "Ludovic" by F. Hérold and F. Halévy in B-flat major, Op. 12 | — | ||
| 36-2 | Rondo in C minor, Op. 1 | — | ||
| 36-3 | Introduction and Variations in E major on a German National Air, Op. posth. "Der Schweizerbub" | — | ||
| 36-4 | Rondo à la Mazur in F major, Op. 5 | — | ||
| 36-5 | Allegro de concert in A major, Op. 46 | — | ||
| 36-6 | Bolero in C major, Op. 19 | — | ||
| 36-7 | Introduction in C minor and Rondo in E flat major, Op. 16 | — | ||
| 36-8 | Tarantella in A-flat major, Op. 43 | — | ||
| 36-9 | "Souvenir de Paganini" Variations in A major, Op. posth. | — | ||
| 37-1 | Andante spianato in G major and Grande Polonaise brillante in E-flat major, Op. 22 | — | ||
| 37-2 | Polonaise in C-sharp minor, Op. 26 No. 1: Allegro appassionato | — | ||
| 37-3 | Polonaise in E-flat minor, Op. 26 No. 2: Maestoso | — | ||
| 37-4 | Polonaise in A major, "Military", Op. 40 No. 1: Allegro con brio | — | ||
| 37-5 | Polonaise in C minor, Op. 40 No. 2: Allegro maestoso | — | ||
| 37-6 | Polonaise in F-sharp minor, Op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | — | ||
| 37-7 | Polonaise in A-flat major, "Héroique", Op. 53: Maestoso | — | ||
| 37-8 | Polonaise-Fantasy in A-flat major, Op. 61: Allegro maestoso | — | ||
| 38-1 | Nocturne in B-flat minor, Op. 9 No. 1 | — | ||
| 38-2 | Nocturne in E-flat major, Op. 9 No. 2 | — | ||
| 38-3 | Nocturne in B major, Op. 9 No. 3 | — | ||
| 38-4 | Nocturne in E minor, Op. 72 No. 1 | — | ||
| 38-5 | Nocturne in F major, Op. 15 No. 1 | — | ||
| 38-6 | Nocturne in F-sharp major, Op. 15 No. 2 | — | ||
| 38-7 | Nocturne in G minor, Op. 15 No. 3 | — | ||
| 38-8 | Nocturne in B major, Op. 32 No. 1 | — | ||
| 38-9 | Nocturne in A-flat major, Op. 32 No. 2 | — | ||
| 38-10 | Nocturne in B major, Op. 62 No. 1 | — | ||
| 38-11 | Nocturne in E major, Op. 62 No. 2 | — | ||
| 38-12 | Nocturne in C-sharp minor, Op. posth. | — | ||
| 39-1 | Nocturne in C-sharp minor, Op. 27 No. 1: Larghetto | — | ||
| 39-2 | Nocturne in D-flat major, Op. 27 No. 2: Lento sostenuto | — | ||
| 39-3 | Nocturne in G minor, Op. 37 No. 1: Andante sostenuto | — | ||
| 39-4 | Nocturne in G major, Op. 37 No. 2: Andantino | — | ||
| 39-5 | Nocturne in C minor, Op. 48 No. 1: Lento | — | ||
| 39-6 | Nocturne in F-sharp minor, Op. 48 No. 2: Andantino | — | ||
| 39-7 | Nocturne in F minor, Op. 55 No. 1: Andante | — | ||
| 39-8 | Nocturne in E-flat major, Op. 55 No. 2: Lento | — | ||
| 39-9 | Nocturne in C minor, Op. post. | — | ||
| 39-10 | Nocturne in C-sharp minor, Op. post: Lento con gran espressione | — | ||
| 40-1 | Scherzo No. 1 in B minor "La banquet infernal", Op. 20 | — | ||
| 40-2 | Scherzo No. 2 in B flat minor, Op. 31 | — | ||
| 40-3 | Scherzo No. 3 in C sharp minor, Op. 39 | — | ||
| 40-4 | Scherzo No. 4 in E major, Op. 54 | — | ||
| 40-5 | Fantaisie in F minor, Op. 49 | — | ||
| 40-6 | Berceuse in D flat major, Op. 57 | — | ||
| 40-7 | Barcarolle in F sharp major, Op. 60 | — | ||
| 41-1 | Waltz in E-flat major, Op. 18 "Grande Valse brillante" | — | ||
| 41-2 | Waltz in A-flat major, Op. 34 No. 1 | — | ||
| 41-3 | Waltz in A minor, Op. 34 No. 2 | — | ||
| 41-4 | Waltz in F major, Op. 34 No. 3 | — | ||
| 41-5 | Waltz in A-flat major, Op. 42 "Grande Valse" | — | ||
| 41-6 | Waltz in D-flat major, Op. 64 No. 1 "Minute" | — | ||
| 41-7 | Waltz in C-sharp minor, Op. 64 No. 2 | — | ||
| 41-8 | Waltz in A-flat major, Op. 64 No. 3 | — | ||
| 41-9 | Waltz in A-flat major, Op. 69 No. 1 "L'adieu" | — | ||
| 41-10 | Waltz in B minor, Op. 69 No. 2 | — | ||
| 41-11 | Waltz in G-flat major, Op. 70 No. 1 | — | ||
| 41-12 | Waltz in A-flat major, B. 21 | — | ||
| 41-13 | Waltz in D-flat major, Op. 70 No. 3 | — | ||
| 41-14 | Waltz in E minor, B. 56 | — | ||
| 41-15 | Waltz in E major, B. 44 | — | ||
| 41-16 | Waltz in A minor, B. 150 | — | ||
| 41-17 | Waltz in E-flat major "Sostenuto", B. 133 | — | ||
| 41-18 | Waltz in E-flat major, B. 46 | — | ||
| 42-1 | Mazurka in F-sharp minor, Op. 6 No. 1 | — | ||
| 42-2 | Mazurka in C-sharp minor, Op. 6 No. 2 | — | ||
| 42-3 | Mazurka in E major, Op. 6 No. 3 | — | ||
| 42-4 | Mazurka in E-flat minor, Op. 6 No. 4 | — | ||
| 42-5 | Mazurka in B-flat major, Op. 7 No. 1 | — | ||
| 42-6 | Mazurka in A minor, Op. 7 No. 2 | — | ||
| 42-7 | Mazurka in F minor, Op. 7 No. 3 | — | ||
| 42-8 | Mazurka in A-flat major, Op. 7 No. 4 | — | ||
| 42-9 | Mazurka in C major, Op. 7 No. 5 | — | ||
| 42-10 | Mazurka in B-flat major, Op. 17 No. 1 | — | ||
| 42-11 | Mazurka in E minor, Op. 17 No. 2 | — | ||
| 42-12 | Mazurka in A-flat major, Op. 17 No. 3 | — | ||
| 42-13 | Mazurka in A minor, Op. 17 No. 4 | — | ||
| 42-14 | Mazurka in G minor Op. 24 No. 1 | — | ||
| 42-15 | Mazurka in C major Op. 24 No. 2 | — | ||
| 42-16 | Mazurka in A-flat major, Op. 24 No. 3 | — | ||
| 42-17 | Mazurka in B-flat minor, Op. 24 No. 4 | — | ||
| 42-18 | Mazurka in C minor Op. 30 No. 1 | — | ||
| 42-19 | Mazurka in B minor Op. 30 No. 2 | — | ||
| 42-20 | Mazurka in D-flat major Op. 30 No. 3 | — | ||
| 42-21 | Mazurka in C-sharp minor Op. 30 No. 4 | — | ||
| 42-22 | Mazurka in G-sharp minor, Op. 33 No. 1 | — | ||
| 42-23 | Mazurka in D major, Op. 33 No. 2 | — | ||
| 42-24 | Mazurka in C major, Op. 33 No. 3 | — | ||
| 42-25 | Mazurka in B minor, Op. 33 No. 4 | — | ||
| 42-26 | Mazurka in C-sharp minor, Op. 41 No. 1 | — | ||
| 42-27 | Mazurka in E minor, Op. 41 No. 2 | — | ||
| 42-28 | Mazurka in B major, Op. 41 No. 3 | — | ||
| 42-29 | Mazurka in A-flat major, Op. 41 No. 4 | — | ||
| 43-1 | Prélude in C major, Op. 28 No. 1: Agitato | — | ||
| 43-2 | Prélude in A minor, Op. 28 No. 2: Lento | — | ||
| 43-3 | Prélude in G major, Op. 28 No. 3: Vivace | — | ||
| 43-4 | Prélude in E minor, Op. 28 No. 4: Largo | — | ||
| 43-5 | Prélude in D major, Op. 28 No. 5: Molto allegro | — | ||
| 43-6 | Prélude in B minor, Op. 28 No. 6: Lento assai | — | ||
| 43-7 | Prélude in A major, Op. 28 No. 7: Andantino | — | ||
| 43-8 | Prélude in F-sharp minor, Op. 28 No. 8: Molto agitato | — | ||
| 43-9 | Prélude in E major, Op. 28 No. 9: Largo | — | ||
| 43-10 | Prélude in C-sharp minor, Op. 28 No. 10: Molto allegro | — | ||
| 43-11 | Prélude in B major, Op. 28 No. 11: Vivace | — | ||
| 43-12 | Prélude in G-sharp minor, Op. 28 No. 12: Presto | — | ||
| 43-13 | Prélude in F-sharp major, Op. 28 No. 13: Lento | — | ||
| 43-14 | Prélude in E-flat minor, Op. 28 No. 14: Allegro | — | ||
| 43-15 | Prélude in D-flat major, Op. 28 No. 15 "Raindrop": Sostenuto | — | ||
| 43-16 | Prélude in B-flat minor, Op. 28 No. 16: Presto con fuoco | — | ||
| 43-17 | Prélude in A-flat major, Op. 28 No. 17: Allegretto | — | ||
| 43-18 | Prélude in F minor, Op. 28 No. 18: Molto allegro | — | ||
| 43-19 | Prélude in E-flat major, Op. 28 No. 19: Vivace | — | ||
| 43-20 | Prélude in C minor, Op. 28 No. 20: Largo | — | ||
| 43-21 | Prélude in B-flat major, Op. 28 No. 21: Cantabile | — | ||
| 43-22 | Prélude in G minor, Op. 28 No. 22: Molto agitato | — | ||
| 43-23 | Prélude in F major, Op. 28 No. 23: Moderato | — | ||
| 43-24 | Prélude in D minor, Op. 28 No. 24: Allegro appassionato | — | ||
| 43-25 | Prelude in C-sharp minor, Op. 45 | — | ||
| 44-1 | Ballade No. 1 in G minor, Op. 23 | — | ||
| 44-2 | Ballade No. 2 in F major, Op. 38 | — | ||
| 44-3 | Ballade No. 3 in A flat major, Op. 47 | — | ||
| 44-4 | Ballade No. 4 in F minor, Op. 52 | — | ||
| 44-5 | Impromptu No. 1 in A-flat major, Op. 29 | — | ||
| 44-6 | Impromptu No. 2 in F-sharp major, Op. 36 | — | ||
| 44-7 | Impromptu No. 3 in G-flat major, Op. 51 | — | ||
| 44-8 | Impromptu No. 4 in C-sharp minor, Op. 66 "Fantasie-Impromptu" | — | ||
| 44-9 | Mazurka in A minor, Op. 59 No. 1 | — | ||
| 44-10 | Mazurka in A-flat major, Op. 59 No. 2 | — | ||
| 44-11 | Mazurka in F-sharp minor, Op. 59 No. 3 | — | ||
| 44-12 | Mazurka in B major, Op. 63 No. 1 | — | ||
| 44-13 | Mazurka in F minor, Op. 63 No. 2 | — | ||
| 44-14 | Mazurka in C-sharp minor, Op. 63 No. 3 | — | ||
| 45-1 | 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 1: Allegro | — | ||
| 45-2 | 12 Études (a son ami Franz Liszt) in A minor, Op. 10 No. 2: Allegro | — | ||
| 45-3 | 12 Études (a son ami Franz Liszt) in E major "Tristesse", Op. 10 No. 3: Lento ma non troppo | — | ||
| 45-4 | 12 Études (a son ami Franz Liszt) in C sharp minor, Op. 10 No. 4: Presto | — | ||
| 45-5 | 12 Études (a son ami Franz Liszt) in G flat major "Black Keys", Op. 10 No. 5: Vivace | — | ||
| 45-6 | 12 Études (a son ami Franz Liszt) in E flat minor, Op. 10 No. 6: Andante con molto espressione | — | ||
| 45-7 | 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 7: Vivace | — | ||
| 45-8 | 12 Études (a son ami Franz Liszt) in F major, Op. 10 No. 8: Allegro | — | ||
| 45-9 | 12 Études (a son ami Franz Liszt) in F minor, Op. 10 No. 9: Allegro molto agitato | — | ||
| 45-10 | 12 Études (a son ami Franz Liszt) in A flat major, Op. 10 No. 10: Vivace assai | — | ||
| 45-11 | 12 Études (a son ami Franz Liszt) in E flat major, Op. 10 No. 11: Allegretto | — | ||
| 45-12 | 12 Études (a son ami Franz Liszt) in C minor "Revolutionary", Op. 10 No. 12: Allegro con fuoco | — | ||
| 45-13 | 12 Études (a Madame la Comtesse D`Agoult) in A flat major "Aeolian Harp", Op. 25 No. 1: Allegro sostenuto | — | ||
| 45-14 | 12 Études (a Madame la Comtesse D`Agoult) in F minor "Balm", Op. 25 No. 2: Presto | — | ||
| 45-15 | 12 Études (a Madame la Comtesse D`Agoult) in F major "Cartwheel", Op. 25 No. 3: Allegro | — | ||
| 45-16 | 12 Études (a Madame la Comtesse D`Agoult) in A minor, Op. 25 No. 4: Agitato | — | ||
| 45-17 | 12 Études (a Madame la Comtesse D`Agoult) in E minor, Op. 25 No. 5: Vivace | — | ||
| 45-18 | 12 Études (a Madame la Comtesse D`Agoult) in G sharp minor, Op. 25 No. 6: Allegro | — | ||
| 45-19 | 12 Études (a Madame la Comtesse D`Agoult) in C sharp minor, Op. 25 No. 7: Lento | — | ||
| 45-20 | 12 Études (a Madame la Comtesse D`Agoult) in D flat major, Op. 25 No. 8: Vivace assai | — | ||
| 45-21 | 12 Études (a Madame la Comtesse D`Agoult) in G flat major "Butterfly", Op. 25 No. 9: Allegro assai | — | ||
| 45-22 | 12 Études (a Madame la Comtesse D`Agoult) in B minor, Op. 25 No. 10: Allegro con fuoco | — | ||
| 45-23 | 12 Études (a Madame la Comtesse D`Agoult) in A minor "Winter Wind", Op. 25 No. 11: Allegro con brio | — | ||
| 45-24 | 12 Études (a Madame la Comtesse D`Agoult) in C minor "Ocean", Op. 25 No. 12: Allegro molto con fuoco | — | ||
| 45-25 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in F minor, No. 1: Andantino | — | ||
| 45-26 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in D flat major, No. 2: Allegretto | — | ||
| 45-27 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in A flat major, No. 3: Allegretto | — | ||
| 46-1 | Piano Sonata No. 2 in B-flat minor, Op. 35: I. Grave - Doppio movimento | — | ||
| 46-2 | Piano Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo | — | ||
| 46-3 | Piano Sonata No. 2 in B-flat minor, Op. 35: III. Marche funèbre - Lento - attacca | — | ||
| 46-4 | Piano Sonata No. 2 in B-flat minor, Op. 35: IV. Finale. Presto | — | ||
| 46-5 | Piano Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso | — | ||
| 46-6 | Piano Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace | — | ||
| 46-7 | Piano Sonata No. 3 in B minor, Op. 58: III. Largo | — | ||
| 46-8 | Piano Sonata No. 3 in B minor, Op. 58: IV. Finale: Presto, ma non tanto | — | ||
| 46-9 | Piano Sonata No. 1 in C minor, Op. 4: I. Allegro maestoso | — | ||
| 46-10 | Piano Sonata No. 1 in C minor, Op. 4: II. Menuetto: Allegretto | — | ||
| 46-11 | Piano Sonata No. 1 in C minor, Op. 4: III. Larghetto | — | ||
| 46-12 | Piano Sonata No. 1 in C minor, Op. 4: IV. Finale: Presto | — | ||
| 46-13 | Ecossaise No. 1 in D major, Op. 72 No. 3a | — | ||
| 46-14 | Ecossaise No. 2 in G major, Op. 72 No. 3b | — | ||
| 46-15 | Ecossaise No. 3 in D flat major, Op. 72 No. 3c | — | ||
| 47-1 | Kreisleriana, op. 16: I. Äußerst bewegt | Klára Würtz | — | |
| 47-2 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch | Klára Würtz | — | |
| 47-3 | Kreisleriana, op. 16: III. Sehr aufgeregt | Klára Würtz | — | |
| 47-4 | Kreisleriana, op. 16: IV. Sehr langsam | Klára Würtz | — | |
| 47-5 | Kreisleriana, op. 16: V. Sehr lebhaft | Klára Würtz | — | |
| 47-6 | Kreisleriana, op. 16: VI. Sehr langsam, durchaus leise zu halten | Klára Würtz | — | |
| 47-7 | Kreisleriana, op. 16: VII. Sehr rasch | Klára Würtz | — | |
| 47-8 | Kreisleriana, op. 16: VIII. Schnell und spielend | Klára Würtz | — | |
| 47-9 | Phantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | Klára Würtz | — | |
| 47-10 | Phantasie in C major, op. 17: II. Mäßig, durchaus energisch | Klára Würtz | — | |
| 47-11 | Phantasie in C major, op. 17: III. Langsam getragen, durchweg leise zu halten | Klára Würtz | — | |
| 48-1 | Piano Sonata No. 1 in F sharp minor, Op. 11: I. Introduzione - Allegro vivace | — | ||
| 48-2 | Piano Sonata No. 1 in F sharp minor, Op. 11: II. Aria | — | ||
| 48-3 | Piano Sonata No. 1 in F sharp minor, Op. 11: III. Scherzo e Intermezzo. Allegrissimo | — | ||
| 48-4 | Piano Sonata No. 1 in F sharp minor, Op. 11: IV. Finale. Allegro un poco maestoso | — | ||
| 48-5 | Piano Sonata No. 2 in G minor, Op. 22: I. So rasch wie möglich - Schneller - Noch schneller | — | ||
| 48-6 | Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. getragen | — | ||
| 48-7 | Piano Sonata No. 2 in G minor, Op. 22: III. Scherzo. sehr rasch - und markiert | — | ||
| 48-8 | Piano Sonata No. 2 in G minor, Op. 22: IV. Rondo. Presto | — | ||
| 49-1 | Fantasiestücke, op. 12: Des Abends | — | ||
| 49-2 | Fantasiestücke, op. 12: Aufschwung | — | ||
| 49-3 | Fantasiestücke, op. 12: Warum? | — | ||
| 49-4 | Fantasiestücke, op. 12: Grillen | — | ||
| 49-5 | Fantasiestücke, op. 12: In der Nacht | — | ||
| 49-6 | Fantasiestücke, op. 12: Fabel | — | ||
| 49-7 | Fantasiestücke, op. 12: Traumeswirren | — | ||
| 49-8 | Fantasiestücke, op. 12: Ende vom Lied | — | ||
| 49-9 | Waldszenen, op. 82: Eintritt | — | ||
| 49-10 | Waldszenen, op. 82: Jäger auf der Lauer | — | ||
| 49-11 | Waldszenen, op. 82: Einsame Blumen | — | ||
| 49-12 | Waldszenen, op. 82: Verrufene Stelle | — | ||
| 49-13 | Waldszenen, op. 82: Freundliche Landschaft | — | ||
| 49-14 | Waldszenen, op. 82: Herberge | — | ||
| 49-15 | Waldszenen, op. 82: Vogel als Prophet | — | ||
| 49-16 | Waldszenen, op. 82: Jagdlied | — | ||
| 49-17 | Waldszenen, op. 82: Abschied | — | ||
| 49-18 | Arabeske in C major, op. 18 | — | ||
| 49-19 | Kinderszenen, op. 15: Von fremden Ländern und Menschen | — | ||
| 49-20 | Kinderszenen, op. 15: Kuriöse Geschichten | — | ||
| 49-21 | Kinderszenen, op. 15: Hasche-Mann | — | ||
| 49-22 | Kinderszenen, op. 15: Bittendes Kind | — | ||
| 49-23 | Kinderszenen, op. 15: Glückes genug | — | ||
| 49-24 | Kinderszenen, op. 15: Wichtige Begebenheit | — | ||
| 49-25 | Kinderszenen, op. 15: Träumerei | — | ||
| 49-26 | Kinderszenen, op. 15: Am Kamin | — | ||
| 49-27 | Kinderszenen, op. 15: Ritter vom Steckenpferd | — | ||
| 49-28 | Kinderszenen, op. 15: Fast zu ernst | — | ||
| 49-29 | Kinderszenen, op. 15: Fürchtenmachen | — | ||
| 49-30 | Kinderszenen, op. 15: Kind im Einschlummern | — | ||
| 49-31 | Kinderszenen, op. 15: Der Dichter spricht | — | ||
| 50-1 | Allegro in B minor, op. 8 | — | ||
| 50-2 | Noveletten, op. 21: Markiert und kräftig | — | ||
| 50-3 | Noveletten, op. 21: Äusserst rasch und mit Bravour | — | ||
| 50-4 | Noveletten, op. 21: Leicht und mit Humor | — | ||
| 50-5 | Noveletten, op. 21: Ballmäßig - sehr munter | — | ||
| 50-6 | Noveletten, op. 21: Rauschend und festlich | — | ||
| 50-7 | Noveletten, op. 21: Sehr lebhaft, mit vielem Humor | — | ||
| 50-8 | Noveletten, op. 21: Äußerst rasch | — | ||
| 50-9 | Noveletten, op. 21: Sehr lebhaft | — | ||
| 50-10 | Fantasiestücke, op. 111: Sehr rasch, mit leidenschaftlichem Vortrag | — | ||
| 50-11 | Fantasiestücke, op. 111: Ziemlich langsam | — | ||
| 50-12 | Fantasiestücke, op. 111: Kräftig und sehr markiert | — | ||
| 50-13 | Gesänge der Frühe, op. 133: Im ruhigen Tempo | — | ||
| 50-14 | Gesänge der Frühe, op. 133: Belebt, nicht zu rasch | — | ||
| 50-15 | Gesänge der Frühe, op. 133: Lebhaft | — | ||
| 50-16 | Gesänge der Frühe, op. 133: Bewegt | — | ||
| 50-17 | Gesänge der Frühe, op. 133: Im Anfange ruhiges, im Verlauf bewegtes Tempo | — | ||
| 51-1 | Album für die Jugend, op. 68: Teil I "Für Kleinere": I. Melodie | — | ||
| 51-2 | Album für die Jugend, op. 68: Teil I "Für Kleinere": II. Soldatenmarsch | — | ||
| 51-3 | Album für die Jugend, op. 68: Teil I "Für Kleinere": III. Trällerliedchen | — | ||
| 51-4 | Album für die Jugend, op. 68: Teil I "Für Kleinere": IV. Ein Choral | — | ||
| 51-5 | Album für die Jugend, op. 68: Teil I "Für Kleinere": V. Stückchen | — | ||
| 51-6 | Album für die Jugend, op. 68: Teil I "Für Kleinere": VI. Armes Waisenkind | — | ||
| 51-7 | Album für die Jugend, op. 68: Teil I "Für Kleinere": VII. Jägerliedchen | — | ||
| 51-8 | Album für die Jugend, op. 68: Teil I "Für Kleinere": VIII. Wilder Reiter | — | ||
| 51-9 | Album für die Jugend, op. 68: Teil I "Für Kleinere": IX. Volksliedchen | — | ||
| 51-10 | Album für die Jugend, op. 68: Teil I "Für Kleinere": X. Fröhlicher Landmann | — | ||
| 51-11 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XI. Sizilianisch | — | ||
| 51-12 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XII. Knecht Ruprecht | — | ||
| 51-13 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XIII. Mai, lieber Mai | — | ||
| 51-14 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XIV. Kleiner Studie | — | ||
| 51-15 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XV. Frühlingsgesang | — | ||
| 51-16 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XVI. Erster Verlust | — | ||
| 51-17 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XVII. Kleiner Morgenwanderer | — | ||
| 51-18 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XVIII. Schnitterliedchen | — | ||
| 51-19 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": I. Kleine Romanze | — | ||
| 51-20 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": II. Ländliches Lied | — | ||
| 51-21 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": III. (untitled).Lento espressivo | — | ||
| 51-22 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": IV. Rundgesang | — | ||
| 51-23 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": V. Reiterstück | — | ||
| 51-24 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VI. Ernteliedchen | — | ||
| 51-25 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VII. Nachklänge aus dem Theater | — | ||
| 51-26 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VIII. (untitled).Andante con moto | — | ||
| 51-27 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": IX. Kanonisches Liedchen | — | ||
| 51-28 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": X. Erinnerung | — | ||
| 51-29 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XI. Fremder Mann | — | ||
| 51-30 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XII. (untitled).Molto lento | — | ||
| 51-31 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIII. Kriegslied | — | ||
| 51-32 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIV. Sheherazade | — | ||
| 51-33 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XV. "Weinlesezeit - Fröhliche Zeit!" | — | ||
| 51-34 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVI. Thema | — | ||
| 51-35 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVII. Mignon | — | ||
| 51-36 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVIII. Lied italienischer Marinari | — | ||
| 51-37 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIX. Matrosenlied | — | ||
| 51-38 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XX. Winterzeit I | — | ||
| 51-39 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXI. Winterzeit II | — | ||
| 51-40 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXII. Kleine Fuge | — | ||
| 51-41 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXIII. Nordisches Lied | — | ||
| 51-42 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXIV. Figurierter Choral | — | ||
| 51-43 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXV. Silversterlied | — | ||
| 52-1 | Carnaval, op. 9: I. Preambule | — | ||
| 52-2 | Carnaval, op. 9: II. Pierrot | — | ||
| 52-3 | Carnaval, op. 9: III. Arlequin | — | ||
| 52-4 | Carnaval, op. 9: IV. Valse Noble | — | ||
| 52-5 | Carnaval, op. 9: V. Eusebius | — | ||
| 52-6 | Carnaval, op. 9: VI. Florestan | — | ||
| 52-7 | Carnaval, op. 9: VII. Coquette | — | ||
| 52-8 | Carnaval, op. 9: VIII. Replique | — | ||
| 52-9 | Carnaval, op. 9: IX. Sphinx 1, 2, & 3 | — | ||
| 52-10 | Carnaval, op. 9: X. Papillons | — | ||
| 52-11 | Carnaval, op. 9: XI. ASCH - SCHA (Lettres Dansantes) | — | ||
| 52-12 | Carnaval, op. 9: XII. Chiarina | — | ||
| 52-13 | Carnaval, op. 9: XIII. Chopin | — | ||
| 52-14 | Carnaval, op. 9: XIV. Estrella | — | ||
| 52-15 | Carnaval, op. 9: XV. Reconnaissance | — | ||
| 52-16 | Carnaval, op. 9: XVI. Pantalon Et Colombine | — | ||
| 52-17 | Carnaval, op. 9: XVII. Valse Allemande | — | ||
| 52-18 | Carnaval, op. 9: XVIII. Paganini | — | ||
| 52-19 | Carnaval, op. 9: XIX. Aveu | — | ||
| 52-20 | Carnaval, op. 9: XX. Promenade | — | ||
| 52-21 | Carnaval, op. 9: XXI. Pause | — | ||
| 52-22 | Carnaval, op. 9: XXII. Marche des "Davidsbündler" contre les Philistins | — | ||
| 52-23 | Nachtstücke, op. 23: I. Mehr langsam, oft zurückhaltend "Trauerzug" | — | ||
| 52-24 | Nachtstücke, op. 23: II. Markiert und lebhaft "Kuriose Gesellschaft" | — | ||
| 52-25 | Nachtstücke, op. 23: III. Mit großer Lebhaftigkeit "Nächtliches Gelage" | — | ||
| 52-26 | Nachtstücke, op. 23: IV. Ad libitum - Einfach "Rundgesang mit Solostimmen" | — | ||
| 52-27 | Toccata, op. 7 | — | ||
| 52-28 | Vier Klavierstücke, op. 32: I. Scherzo. Sehr markiert | — | ||
| 52-29 | Vier Klavierstücke, op. 32: II. Gigue. Sehr schnell | — | ||
| 52-30 | Vier Klavierstücke, op. 32: III. Romanze. Sehr rasch und mit bravour | — | ||
| 52-31 | Vier Klavierstücke, op. 32: IV. Fughette. Leise | — | ||
| 52-32 | Presto passionato (original finale of Sonata no. 2) | — | ||
| 53-1 | Abegg Variations, op. 1: Thema | — | ||
| 53-2 | Abegg Variations, op. 1: Var. 1 | — | ||
| 53-3 | Abegg Variations, op. 1: Var. 2 | — | ||
| 53-4 | Abegg Variations, op. 1: Var. 3 | — | ||
| 53-5 | Abegg Variations, op. 1: Cantabile | — | ||
| 53-6 | Abegg Variations, op. 1: Finale Alla Fantasia | — | ||
| 53-7 | 6 Intermezzi A-Dur, op. 4: I. Allegro quasi maestoso | — | ||
| 53-8 | 6 Intermezzi e-Moll, op. 4: II. Presto capriccio | — | ||
| 53-9 | 6 Intermezzi a-Moll, op. 4: III. Allegro marcato | — | ||
| 53-10 | 6 Intermezzi C-Dur, op. 4: IV. Allegretto semplice | — | ||
| 53-11 | 6 Intermezzi d-Moll, op. 4: V. Allegro moderato | — | ||
| 53-12 | 6 Intermezzi b-Moll, op. 4: VI. Allegro | — | ||
| 53-13 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): I. Thema Andante | — | ||
| 53-14 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): II. Etüde 1. Un poco più vivo | — | ||
| 53-15 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): III. Variation Anhang 1 | — | ||
| 53-16 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): IV. Etüde 2. Espressivo | — | ||
| 53-17 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): V. Etüde 3. Vivace | — | ||
| 53-18 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): VI. Etüde 4 | — | ||
| 53-19 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): VII. Etüde 5. Scherzando | — | ||
| 53-20 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): VIII. Variation Anhang 4 | — | ||
| 53-21 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): IX. Etüde 6. Agitato | — | ||
| 53-22 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): X. Etüde 7. Allegro molto | — | ||
| 53-23 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XI. Variation Anhang 2 | — | ||
| 53-24 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XII. Variation Anhang 5 | — | ||
| 53-25 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XIII. Etüde 8. Sempre marcatissimo | — | ||
| 53-26 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XIV. Etüde 9. Presto possibile | — | ||
| 53-27 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XV. Variation Anhang 3 | — | ||
| 53-28 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XVI. Etüde 10. Allegro con energia | — | ||
| 53-29 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XVII. Etüde 11. Con espressione | — | ||
| 53-30 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XVIII. Etüde 12. Finale. Allegro brillante | — | ||
| 54-1 | Hungarian Rhapsody no. 1 in C-sharp minor | — | ||
| 54-2 | Hungarian Rhapsody no. 2 in C-sharp minor | — | ||
| 54-3 | Hungarian Rhapsody no. 3 in B-flat major | — | ||
| 54-4 | Hungarian Rhapsody no. 4 in E-flat major | — | ||
| 54-5 | Hungarian Rhapsody no. 5 in E minor "Héroide élégiaque" | — | ||
| 54-6 | Hungarian Rhapsody no. 6 in D-flat major | — | ||
| 54-7 | Hungarian Rhapsody no. 7 in D minor | — | ||
| 54-8 | Hungarian Rhapsody no. 8 in F-sharp minor | — | ||
| 54-9 | Hungarian Rhapsody no. 9 in E-flat major "Pesther Carneval" | — | ||
| 55-1 | Hungarian Rhapsody no. 10 in E major | — | ||
| 55-2 | Hungarian Rhapsody no. 11 in A major | — | ||
| 55-3 | Hungarian Rhapsody no. 12 in C-sharp minor | — | ||
| 55-4 | Hungarian Rhapsody no. 13 in A minor | — | ||
| 55-5 | Hungarian Rhapsody no. 14 in F minor | — | ||
| 55-6 | Hungarian Rhapsody no. 15 in A minor "Rákóczy March" | — | ||
| 55-7 | Hungarian Rhapsody no. 16 in A minor | — | ||
| 55-8 | Hungarian Rhapsody no. 17 in D minor | — | ||
| 55-9 | Hungarian Rhapsody no. 18 in F-sharp minor | — | ||
| 55-10 | Hungarian Rhapsody no. 19 in D minor | — | ||
| 56-1 | Waldesrauschen | Klára Würtz | T-801.097.630-5 | |
| 56-2 | Gnomenreigen | Klára Würtz | — | |
| 56-3 | Liebestraum no. 3 in A-flat major | Klára Würtz | — | |
| 56-4 | Mephisto Waltz no. 1 | Klára Würtz | — | |
| 56-5 | Les jeux d'eau à la Villa d'Este | Klára Würtz | — | |
| 56-6 | Piano Sonata in B minor | — | ||
| 57-1 | Réminiscences de Lucia di Lammermoor, S 397 | — | ||
| 57-2 | Miserere du Trovatore, S 433 | — | ||
| 57-3 | Réminiscences de Norma, S 394 | — | ||
| 57-4 | Ouverture Oberon, S 574 | — | ||
| 57-5 | Bénédiction et serment de Benvenuto Cellini, S 396 | — | ||
| 57-6 | Pilgerchor aus Tannhäuse, S 442 | — | ||
| 57-7 | Grandes études de Paganini, S 141 no. 1: Tremolo in G minor | — | ||
| 57-8 | Grandes études de Paganini, S 141 no. 2: Octave in E-flat major | — | ||
| 57-9 | Grandes études de Paganini, S 141 no. 3: La campanella in G-sharp minor | — | ||
| 57-10 | Grandes études de Paganini, S 141 no. 4: Arpeggio in E major | — | ||
| 57-11 | Grandes études de Paganini, S 141 no. 5: La Chasse in E major | — | ||
| 57-12 | Grandes études de Paganini, S 141 no. 6: Variations in A minor | — | ||
| 58-1 | Années de pèlerinage, deuxième année, S 161 "Italie": IV. Sonetto 47 del Petrarca | — | ||
| 58-2 | Années de pèlerinage, deuxième année, S 161 "Italie": V. Sonetto 104 del Petrarca | — | ||
| 58-3 | Années de pèlerinage, deuxième année, S 161 "Italie": VI. Sonetto 123 del Petrarca | — | ||
| 58-4 | Venezia e Napoli, S 162: III. Tarantella | — | ||
| 58-5 | Harmonies poétiques et réligieuses, S 173: I. Invocation | — | ||
| 58-6 | Harmonies poétiques et réligieuses, S 173: III. Bénédiction de Dieu dans la solitude | — | ||
| 58-7 | Harmonies poétiques et réligieuses, S 173: IV. Pensée des morts | — | ||
| 58-8 | Harmonies poétiques et réligieuses, S 173: VII. Funérailles | — | ||
| 58-9 | Harmonies poétiques et réligieuses, S 173: XX. Cantique d'amour | — | ||
| 59-1 | Sonata "Après une lecture de Dante" | — | ||
| 59-2 | Mephisto Waltz no. 1 | — | ||
| 59-3 | Douze Études d'exécution transcendante: I. Prelude | — | ||
| 59-4 | Douze Études d'exécution transcendante: III. Paysage | — | ||
| 59-5 | Douze Études d'exécution transcendante: V. Feux follets | — | ||
| 59-6 | Douze Études d'exécution transcendante: VI. Vision | — | ||
| 59-7 | Douze Études d'exécution transcendante: X. Appasionata | — | ||
| 59-8 | Douze Études d'exécution transcendante: XI. Harmonies du soir | — | ||
| 59-9 | Douze Études d'exécution transcendante: XII. Chasse neige | — | ||
| 59-10 | Rhapsodie Espagnole | — | ||
| 60-1 | Czech Dances, Book I: Polka in F-sharp minor | — | ||
| 60-2 | Czech Dances, Book I: Polka in A minor | — | ||
| 60-3 | Czech Dances, Book I: Polka in F major | — | ||
| 60-4 | Czech Dances, Book I: Polka in B-flat major | — | ||
| 60-5 | Czech Dances, Book II, JB 1:114 no. 1: Furiant | — | ||
| 60-6 | Czech Dances, Book II, JB 1:114 no. 2: Slepička | — | ||
| 60-7 | Czech Dances, Book II, JB 1:114 no. 3: Oves | — | ||
| 60-8 | Czech Dances, Book II, JB 1:114 no. 4: Medvĕd | — | ||
| 60-9 | Czech Dances, Book II, JB 1:114 no. 5: Cibulička | — | ||
| 60-10 | Czech Dances, Book II, JB 1:114 no. 6: Dupák | — | ||
| 60-11 | Czech Dances, Book II, JB 1:114 no. 7: Hulán | — | ||
| 60-12 | Czech Dances, Book II, JB 1:114 no. 8: Obkročák | — | ||
| 60-13 | Czech Dances, Book II, JB 1:114 no. 9: Sousedská | — | ||
| 60-14 | Czech Dances, Book II, JB 1:114 no. 10: Skočná | — | ||
| 61-1 | Sonata for Piano no. 1 in C major, op. 1: I. Allegro | — | ||
| 61-2 | Sonata for Piano no. 1 in C major, op. 1: II. Andante (nach einem altdeutschen Minneliede) | — | ||
| 61-3 | Sonata for Piano no. 1 in C major, op. 1: III. Scherzo. Allegro molto e con fuoco - Più mosso | — | ||
| 61-4 | Sonata for Piano no. 1 in C major, op. 1: IV. Finale. Allegro con fuoco - Presto non troppo ed agitato | — | ||
| 61-5 | Scherzo for Piano in E-flat minor, op. 4 | — | ||
| 61-6 | Waltz in B major, op. 39 no. 1: Tempo giusto | — | ||
| 61-7 | Waltz in E major, op. 39 no. 2 | — | ||
| 61-8 | Waltz in G-sharp minor, op. 39 no. 3 | — | ||
| 61-9 | Waltz in E minor, op. 39 no. 4: Poco sostenuto | — | ||
| 61-10 | Waltz in E major, op. 39 no. 5: Grazioso | — | ||
| 61-11 | Waltz in C-sharp major, op. 39 no. 6: Vivace | — | ||
| 61-12 | Waltz in C-sharp minor, op. 39 no. 7: Poco più andante | — | ||
| 61-13 | Waltz in B-flat major, op. 39 no. 8 | — | ||
| 61-14 | Waltz in D minor, op. 39 no. 9 | — | ||
| 61-15 | Waltz in G major, op. 39 no. 10 | — | ||
| 61-16 | Waltz in B minor, op. 39 no. 11 | — | ||
| 61-17 | Waltz in E major, op. 39 no. 12 | — | ||
| 61-18 | Waltz in B major, op. 39 no. 13 | — | ||
| 61-19 | Waltz in G-sharp minor, op. 39 no. 14 | — | ||
| 61-20 | Waltz in A-flat major, op. 39 no. 15 | — | ||
| 61-21 | Waltz in C-sharp minor, op. 39 no. 16 | — | ||
| 62-1 | Piano Sonata no. 2 in F-sharp minor, op. 2: I. Allegro non troppo, ma energico | — | ||
| 62-2 | Piano Sonata no. 2 in F-sharp minor, op. 2: II. Andante con esprezzione | — | ||
| 62-3 | Piano Sonata no. 2 in F-sharp minor, op. 2: III. Scherzo. Allegro | — | ||
| 62-4 | Piano Sonata no. 2 in F-sharp minor, op. 2: IV. Finale. Introduzione - Allegro non troppo e rubato | — | ||
| 62-5 | Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso | — | ||
| 62-6 | Piano Sonata no. 3 in F minor, op. 5: II. Andante espressive | — | ||
| 62-7 | Piano Sonata no. 3 in F minor, op. 5: III. Scherzo: Allegro energico | — | ||
| 62-8 | Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo: Andante molto | — | ||
| 62-9 | Piano Sonata no. 3 in F minor, op. 5: V. Finale: Allegro moderato ma rubato | — | ||
| 63-1 | Variations on a Theme of Paganini, op. 35 no. 1: Thema. Non troppo presto | — | ||
| 63-2 | Variations on a Theme of Paganini, op. 35 no. 1: Variation I | — | ||
| 63-3 | Variations on a Theme of Paganini, op. 35 no. 1: Variation II | — | ||
| 63-4 | Variations on a Theme of Paganini, op. 35 no. 1: Variation III | — | ||
| 63-5 | Variations on a Theme of Paganini, op. 35 no. 1: Variation IV | — | ||
| 63-6 | Variations on a Theme of Paganini, op. 35 no. 1: Variation V: Espressivo - Molto leggiero | — | ||
| 63-7 | Variations on a Theme of Paganini, op. 35 no. 1: Variation VI: Molto leggiero | — | ||
| 63-8 | Variations on a Theme of Paganini, op. 35 no. 1: Variation VII | — | ||
| 63-9 | Variations on a Theme of Paganini, op. 35 no. 1: Variation VIII: Staccato | — | ||
| 63-10 | Variations on a Theme of Paganini, op. 35 no. 1: Variation IX: Legato | — | ||
| 63-11 | Variations on a Theme of Paganini, op. 35 no. 1: Variation X: Sotto voce | — | ||
| 63-12 | Variations on a Theme of Paganini, op. 35 no. 1: Variation XI: Andante - Molto legato e dolce - Espressivo | — | ||
| 63-13 | Variations on a Theme of Paganini, op. 35 no. 1: Variation XII: Molto dolce | — | ||
| 63-14 | Variations on a Theme of Paganini, op. 35 no. 1: Variation XIII: Vivace e scherzando | — | ||
| 63-15 | Variations on a Theme of Paganini, op. 35 no. 1: Variation XIV: Ben marcato, con fuoco - Presto, ma non troppo | — | ||
| 63-16 | Variations on a Theme of Paganini, op. 35 no. 2: Thema: Non troppo presto | — | ||
| 63-17 | Variations on a Theme of Paganini, op. 35 no. 2: Variation I | — | ||
| 63-18 | Variations on a Theme of Paganini, op. 35 no. 2: Variation II: Poco animato - Poco forte espressivo - Legato | — | ||
| 63-19 | Variations on a Theme of Paganini, op. 35 no. 2: Variation III: Leggiero - Espressivo | — | ||
| 63-20 | Variations on a Theme of Paganini, op. 35 no. 2: Variation IV: Poco allegretto, con grazia | — | ||
| 63-21 | Variations on a Theme of Paganini, op. 35 no. 2: Variation V: Dolce | — | ||
| 63-22 | Variations on a Theme of Paganini, op. 35 no. 2: Variation VI: Poco più vivace - Leggiero | — | ||
| 63-23 | Variations on a Theme of Paganini, op. 35 no. 2: Variation VII: Leggiero e ben marcato | — | ||
| 63-24 | Variations on a Theme of Paganini, op. 35 no. 2: Variation VIII: Allegro - Leggiero - Quasi pizzicato | — | ||
| 63-25 | Variations on a Theme of Paganini, op. 35 no. 2: Variation IX | — | ||
| 63-26 | Variations on a Theme of Paganini, op. 35 no. 2: Variation X: Feroce - Energico | — | ||
| 63-27 | Variations on a Theme of Paganini, op. 35 no. 2: Variation XI: Vivace, non legato e scherzando | — | ||
| 63-28 | Variations on a Theme of Paganini, op. 35 no. 2: Variation XII: Un poco andante, dolce espressivo | — | ||
| 63-29 | Variations on a Theme of Paganini, op. 35 no. 2: Variation XIII: Un poco più andante - Poco espressivo | — | ||
| 63-30 | Variations on a Theme of Paganini, op. 35 no. 2: Variation XIV: Presto, ma non troppo - Scherzando | — | ||
| 63-31 | Variations and Fugue on a Theme of Händel, op. 24: Aria: Rhytmisch, mit Humor | — | ||
| 63-32 | Variations and Fugue on a Theme of Händel, op. 24: Variation I: L'Istesso tempo | — | ||
| 63-33 | Variations and Fugue on a Theme of Händel, op. 24: Variation II: Con espressione | — | ||
| 63-34 | Variations and Fugue on a Theme of Händel, op. 24: Variation III: Grazioso | — | ||
| 63-35 | Variations and Fugue on a Theme of Händel, op. 24: Variation IV: Risoluto - Con fuoco - Staccato | — | ||
| 63-36 | Variations and Fugue on a Theme of Händel, op. 24: Variation V: Affettuoso - Espressivo | — | ||
| 63-37 | Variations and Fugue on a Theme of Händel, op. 24: Variation VI: Sordo e legato | — | ||
| 63-38 | Variations and Fugue on a Theme of Händel, op. 24: Variation VII: Con vivacita | — | ||
| 63-39 | Variations and Fugue on a Theme of Händel, op. 24: Variation VIII: Martellato/Distinto, non legato | — | ||
| 63-40 | Variations and Fugue on a Theme of Händel, op. 24: Variation IX: Poco sostenuto, legato | — | ||
| 63-41 | Variations and Fugue on a Theme of Händel, op. 24: Variation X: Energico | — | ||
| 63-42 | Variations and Fugue on a Theme of Händel, op. 24: Variation XI: Lusingando, con tenerezza - Dolce - Legato | — | ||
| 63-43 | Variations and Fugue on a Theme of Händel, op. 24: Variation XII: L'Istesso tempo - Semplice - Soave - Legato | — | ||
| 63-44 | Variations and Fugue on a Theme of Händel, op. 24: Variation XIII: Largamente, ma non più - Espressivo | — | ||
| 63-45 | Variations and Fugue on a Theme of Händel, op. 24: Variation XIV: Vivace - Sciolto | — | ||
| 63-46 | Variations and Fugue on a Theme of Händel, op. 24: Variation XV: L'Istesso tempo | — | ||
| 63-47 | Variations and Fugue on a Theme of Händel, op. 24: Variation XVI: Scherzando | — | ||
| 63-48 | Variations and Fugue on a Theme of Händel, op. 24: Variation XVII: Più mosso - Semplice | — | ||
| 63-49 | Variations and Fugue on a Theme of Händel, op. 24: Variation XVIII: Grazioso | — | ||
| 63-50 | Variations and Fugue on a Theme of Händel, op. 24: Variation XIX: Leggiero e vivace, alla Siciliana | — | ||
| 63-51 | Variations and Fugue on a Theme of Händel, op. 24: Variation XX: Andante espressivo, legato | — | ||
| 63-52 | Variations and Fugue on a Theme of Händel, op. 24: Variation XXI: Allegretto vivace, dolce/leggiero | — | ||
| 63-53 | Variations and Fugue on a Theme of Händel, op. 24: Variation XXII: Alla Musette | — | ||
| 63-54 | Variations and Fugue on a Theme of Händel, op. 24: Variation XXIII: Vivace - Sospetto - Vivace e staccato | — | ||
| 63-55 | Variations and Fugue on a Theme of Händel, op. 24: Variation XXIV: L'Istesso tempo - Tumultuoso - Feroce | — | ||
| 63-56 | Variations and Fugue on a Theme of Händel, op. 24: Variation XXV: Poco più lento - Festivo - Fieramente, con tutta forza | — | ||
| 63-57 | Variations and Fugue on a Theme of Händel, op. 24: Fuga: Allegro sostenuto e fermo | — | ||
| 64-5 | Variations on an Original Theme, op. 21 no. 1: V. Variation IV: [Poco più lento] Dolce | — | ||
| 64-6 | Variations on an Original Theme, op. 21 no. 1: VI. Variation V: Tempo di tema, Canone in moto contrario, molto dolce, teneramente | — | ||
| 64-11 | Variations on an Original Theme, op. 21 no. 1: XI. Variation X: Espressivo agitato | — | ||
| 64-13 | Variations on a Hungarian Song, op. 21 no. 2: I. Allegro | — | ||
| 64-15 | Variations on a Hungarian Song, op. 21 no. 2: III. Variation II | — | ||
| 64-16 | Variations on a Hungarian Song, op. 21 no. 2: IV. Variation III | — | ||
| 64-17 | Variations on a Hungarian Song, op. 21 no. 2: V. Variation IV | — | ||
| 64-21 | Variations on a Hungarian Song, op. 21 no. 2: IX. Variation VIII: [Ancora un poco più lento] Espressivo, dolce | — | ||
| 64-22 | Variations on a Hungarian Song, op. 21 no. 2: X. Variation IX: Dolce | — | ||
| 64-25 | Variations on a Hungarian Song, op. 21 no. 2: XIII. Variation XII: Espressivo | — | ||
| 64-26 | Variations on a Hungarian Song, op. 21 no. 2: XIV. Variation XIII: Con forza - Allegro - Tempo I più animato | — | ||
| 64-32 | Variations on a Theme of Robert Schumann, op. 9: VI. Variation V: Allegro capriccioso | — | ||
| 64-33 | Variations on a Theme of Robert Schumann, op. 9: VII. Variation VI: Allegro | — | ||
| 64-34 | Variations on a Theme of Robert Schumann, op. 9: VIII. Variation VII: Andante | — | ||
| 64-36 | Variations on a Theme of Robert Schumann, op. 9: X. Variation IX: Schnell | — | ||
| 64-39 | Variations on a Theme of Robert Schumann, op. 9: XIII. Variation XII: Allegretto, poco scherzando, staccato e leggiero | — | ||
| 64-40 | Variations on a Theme of Robert Schumann, op. 9: XIV. Variation XIII: Non troppo presto, molto leggiero | — | ||
| 64-41 | Variations on a Theme of Robert Schumann, op. 9: XV. Variation XIV: Andante, espressivo/staccato e leggiero | — | ||
| 64-43 | Variations on a Theme of Robert Schumann, op. 9: XVII. Variation XVI: Adagio | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5029365900522 is a Universal Product Code (UPC) assigned to The Piano: The Ultimate Piano Collection of the Century by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 1000 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5029365900522 is the Universal Product Code (UPC barcode) for the release “The Piano: The Ultimate Piano Collection of the Century” by Various Artists, released 2008-11-03. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include NLY330603782, NLY330603783, NLY330603784.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Keyboard Sonata K362 in C minor: Allegro | — | ||
| 2 | Keyboard Sonata K363 in C minor: Presto | — | ||
| 3 | Keyboard Sonata K412 in G major: Allegro | — | ||
| 4 | Keyboard Sonata K413 in G major: Allegro | — | ||
| 5 | Keyboard Sonata K329 in C major: Allegro | — | ||
| 6 | Keyboard Sonata K330 in C major: Allegro | — | ||
| 7 | Keyboard Sonata K333 in D major: Allegro | — | ||
| 8 | Keyboard Sonata K336 in D major: Allegro | — | ||
| 9 | Keyboard Sonata K334 in B-flat major: Allegro | — | ||
| 10 | Keyboard Sonata K351 in B-flat major: Andante | — | ||
| 11 | Keyboard Sonata K424 in G major: Allegro | — | ||
| 12 | Keyboard Sonata K425 in G major: Allegro molto | — | ||
| 13 | Keyboard Sonata K393 in B-flat major: Menuet | — | ||
| 14 | Keyboard Sonata K396 in D minor: Andante | — | ||
| 15 | Keyboard Sonata K343 in A major: Allegro | — | ||
| 16 | Keyboard Sonata K373 in G minor: Presto | — | ||
| 17 | Keyboard Sonata K375 in G major: Allegro | — | ||
| 18 | Keyboard Sonata K378 in F major: Allegro | — | ||
| 2-1 | Piano Sonata no. 55 in B-flat major, Hob.XVI:41: I. Allegro | — | ||
| 2-2 | Piano Sonata no. 55 in B-flat major, Hob.XVI:41: II. Allegro di molto | — | ||
| 2-3 | Piano Sonata in E-flat major, Hob.XVI:16: I. Andante - Presto | — | ||
| 2-4 | Piano Sonata in E-flat major, Hob.XVI:16: II. Menuet - Trio | — | ||
| 2-5 | Piano Sonata in E-flat major, Hob.XVI:16: III. Presto | — | ||
| 2-6 | Piano Sonata no. 11 in B-flat major, Hob.XVI:2: I. Moderato | — | ||
| 2-7 | Piano Sonata no. 11 in B-flat major, Hob.XVI:2: II. Largo | — | ||
| 2-8 | Piano Sonata no. 11 in B-flat major, Hob.XVI:2: III. Menuet | — | ||
| 2-9 | Piano Sonata no. 47 in B minor, Hob.XVI:32: I. Allegro moderato | — | ||
| 2-10 | Piano Sonata no. 47 in B minor, Hob.XVI:32: II. Menuet - Trio | — | ||
| 2-11 | Piano Sonata no. 47 in B minor, Hob.XVI:32: III. Finale: Presto | — | ||
| 2-12 | Piano Sonata no. 31 in A-flat major, Hob.XVI:46: I. Allegro moderato | — | ||
| 2-13 | Piano Sonata no. 31 in A-flat major, Hob.XVI:46: II. Adagio | — | ||
| 2-14 | Piano Sonata no. 31 in A-flat major, Hob.XVI:46: III. Finale: Presto | — | ||
| 3-1 | Piano Sonata no. 34 in D major, Hob.XVI:33: I. Allegro | — | ||
| 3-2 | Piano Sonata no. 34 in D major, Hob.XVI:33: II. Adagio | — | ||
| 3-3 | Piano Sonata no. 34 in D major, Hob.XVI:33: III. Tempo di Menuet | — | ||
| 3-4 | Piano Sonata no. 10 in C major, Hob.XVI:1: I. Allegro | — | ||
| 3-5 | Piano Sonata no. 10 in C major, Hob.XVI:1: II. Adagio | — | ||
| 3-6 | Piano Sonata no. 10 in C major, Hob.XVI:1: III. Menuet - Trio | — | ||
| 3-7 | Piano Sonata no. 12 in A major, Hob.XVI:12: I. Andante | — | ||
| 3-8 | Piano Sonata no. 12 in A major, Hob.XVI:12: II. Menuet - Trio | — | ||
| 3-9 | Piano Sonata no. 12 in A major, Hob.XVI:12: III. Presto | — | ||
| 3-10 | Piano Sonata no. 56 in D major, Hob.XVI:42: I. Andante con espressione | — | ||
| 3-11 | Piano Sonata no. 56 in D major, Hob.XVI:42: II. Vivace assai | — | ||
| 3-12 | Piano Sonata no. 60 in C major, Hob.XVI:50: I. Allegro | — | ||
| 3-13 | Piano Sonata no. 60 in C major, Hob.XVI:50: II. Adagio | — | ||
| 3-14 | Piano Sonata no. 60 in C major, Hob.XVI:50: III. Allegro molto | — | ||
| 4-1 | Piano Sonata no. 2 in C major, Hob.XVI:7: I. Allegro moderato | — | ||
| 4-2 | Piano Sonata no. 2 in C major, Hob.XVI:7: II. Menuet | — | ||
| 4-3 | Piano Sonata no. 2 in C major, Hob.XVI:7: III. Finale: Allegro | — | ||
| 4-4 | Piano Sonata no. 57 in F major, Hob.XVI:47: I. Adagio | — | ||
| 4-5 | Piano Sonata no. 57 in F major, Hob.XVI:47: II. Allegro | — | ||
| 4-6 | Piano Sonata no. 57 in F major, Hob.XVI:47: III. Finale: Tempo di menuet | — | ||
| 4-7 | Piano Sonata no. 38 in F major, Hob.XVI:23: I. Allegro | — | ||
| 4-8 | Piano Sonata no. 38 in F major, Hob.XVI:23: II. Adagio | — | ||
| 4-9 | Piano Sonata no. 38 in F major, Hob.XVI:23: III. Finale: Presto | — | ||
| 4-10 | Piano Sonata no. 42 in G major, Hob.XVI:27: I. Allegro con brio | — | ||
| 4-11 | Piano Sonata no. 42 in G major, Hob.XVI:27: II. Menuet | — | ||
| 4-12 | Piano Sonata no. 42 in G major, Hob.XVI:27: III. Finale: Presto | — | ||
| 4-13 | Piano Sonata no. 62 in E-flat major, Hob.XVI:52: I. Allegro | — | ||
| 4-14 | Piano Sonata no. 62 in E-flat major, Hob.XVI:52: II. Adagio | — | ||
| 4-15 | Piano Sonata no. 62 in E-flat major, Hob.XVI:52: III. Finale: Presto | — | ||
| 5-1 | Piano Sonata no. 36 in C major, Hob.XVI:21: I. Allegro | — | ||
| 5-2 | Piano Sonata no. 36 in C major, Hob.XVI:21: II. Adagio | — | ||
| 5-3 | Piano Sonata no. 36 in C major, Hob.XVI:21: III. Finale: Presto | — | ||
| 5-4 | Piano Sonata no. 33 in C minor, Hob.XVI:20: I. Moderato | — | ||
| 5-5 | Piano Sonata no. 33 in C minor, Hob.XVI:20: II. Andante con moto | — | ||
| 5-6 | Piano Sonata no. 33 in C minor, Hob.XVI:20: III. Finale: Allegro | — | ||
| 5-7 | Piano Sonata no. 41 in A major, Hob.XVI:26: I. Allegro moderato | — | ||
| 5-8 | Piano Sonata no. 41 in A major, Hob.XVI:26: II. Menuet al Rovescio | — | ||
| 5-9 | Piano Sonata no. 41 in A major, Hob.XVI:26: III. Finale: Presto | — | ||
| 5-10 | Piano Sonata in D major (Divertimento), Hob.XVI:4: I. (-) | — | ||
| 5-11 | Piano Sonata in D major (Divertimento), Hob.XVI:4: II. Menuetto | — | ||
| 5-12 | Piano Sonata in E major (Divertimento), Hob.XVI:31: I. Moderato | — | ||
| 5-13 | Piano Sonata in E major (Divertimento), Hob.XVI:31: II. Allegretto | — | ||
| 5-14 | Piano Sonata in E major (Divertimento), Hob.XVI:31: III. Finale: Presto | — | ||
| 6-1 | Sonata for Piano No. 1 in C major, K. 189d/279: I. Allegro | — | ||
| 6-2 | Sonata for Piano No. 1 in C major, K. 189d/279: II. Andante | — | ||
| 6-3 | Sonata for Piano No. 1 in C major, K. 189d/279: III. Allegro | — | ||
| 6-4 | Sonata for Piano No. 2 in F major, K. 189e/280: I. Allegro assai | — | ||
| 6-5 | Sonata for Piano No. 2 in F major, K. 189e/280: II. Adagio | — | ||
| 6-6 | Sonata for Piano No. 2 in F major, K. 189e/280: III. Presto | — | ||
| 6-7 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: I. Allegro | — | ||
| 6-8 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: II. Andante amoroso | — | ||
| 6-9 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro | — | ||
| 6-10 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: I. Adagio | — | ||
| 6-11 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: II. Minuetto | — | ||
| 6-12 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: III. Allegro | — | ||
| 6-13 | Sonata for Piano No. 5 in G major, K. 189h/283: I. Allegro | — | ||
| 6-14 | Sonata for Piano No. 5 in G major, K. 189h/283: II. Andante | — | ||
| 6-15 | Sonata for Piano No. 5 in G major, K. 189h/283: III. Presto | — | ||
| 7-1 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": I. Allegro | — | ||
| 7-2 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": II. Rondeau en polonaise. Andante | — | ||
| 7-3 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": III. Tema. Andante & Variations I - X & Variation XI. Adagio cantabile & Variation XII. Allegro | — | ||
| 7-4 | Sonata for Piano No. 7 in C major, K. 284b/309: I. Allegro con spirito | — | ||
| 7-5 | Sonata for Piano No. 7 in C major, K. 284b/309: II. Andante un poco adagio | — | ||
| 7-6 | Sonata for Piano No. 7 in C major, K. 284b/309: III. Rondeau. Allegretto grazioso | — | ||
| 7-7 | Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso | — | ||
| 7-8 | Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | — | ||
| 7-9 | Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto | — | ||
| 8-1 | Sonata for Piano No. 9 in D major, K. 284c/311: I. Allegro con spirito | — | ||
| 8-2 | Sonata for Piano No. 9 in D major, K. 284c/311: II. Andante con espressione | — | ||
| 8-3 | Sonata for Piano No. 9 in D major, K. 284c/311: III. Rondeau. Allegro | — | ||
| 8-4 | Sonata for Piano No. 10 in C major, K. 300h/330: I. Allegro moderato | — | ||
| 8-5 | Sonata for Piano No. 10 in C major, K. 300h/330: II. Andante cantabile | — | ||
| 8-6 | Sonata for Piano No. 10 in C major, K. 300h/330: III. Allegretto | — | ||
| 8-7 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso | Klára Würtz | — | |
| 8-8 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto | Klára Würtz | T-313.706.466-1 | |
| 8-9 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Klára Würtz | — | |
| 9-1 | Sonata for Piano no. 12 in F major, K. 300k/332: I. Allegro | Klára Würtz | — | |
| 9-2 | Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio | Klára Würtz | T-316.577.882-1 | |
| 9-3 | Sonata for Piano no. 12 in F major, K. 300k/332: III. Allegro assai | Klára Würtz | — | |
| 9-4 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro | Klára Würtz | — | |
| 9-5 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Klára Würtz | — | |
| 9-6 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto | Klára Würtz | — | |
| 9-7 | Sonata for Piano no. 14 in C minor, K. 457: I. Allegro molto | Klára Würtz | — | |
| 9-8 | Sonata for Piano no. 14 in C minor, K. 457: II. Adagio | Klára Würtz | T-927.972.088-6 | |
| 9-9 | Sonata for Piano no. 14 in C minor, K. 457: III. Allegro assai | Klára Würtz | — | |
| 10-1 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro | — | ||
| 10-2 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante | — | ||
| 10-3 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau | — | ||
| 10-4 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": I. Allegro | — | ||
| 10-5 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": II. Andante | — | ||
| 10-6 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro | — | ||
| 10-7 | Sonata for Piano No. 17 in B-flat major, K. 570: I. Allegro | — | ||
| 10-8 | Sonata for Piano No. 17 in B-flat major, K. 570: II. Adagio | — | ||
| 10-9 | Sonata for Piano No. 17 in B-flat major, K. 570: III. Allegretto | — | ||
| 10-10 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro | — | ||
| 10-11 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | — | ||
| 10-12 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto | — | ||
| 11-1 | Sonata per il Forte-Piano in E-flat major, op. 11, pour Madame de Hess: I. Allegro | — | ||
| 11-2 | Sonata per il Forte-Piano in E-flat major, op. 11, pour Madame de Hess: II. Rondeau: Presto | — | ||
| 11-3 | Rondo in B-flat, WoO8: Allegretto | — | ||
| 11-4 | Sonata in F major, op. 24 no. 1 (op. 21 chez Artaria, Vienne): I. Allegro assai | — | ||
| 11-5 | Sonata in F major, op. 24 no. 1 (op. 21 chez Artaria, Vienne): II. Adagio | — | ||
| 11-6 | Sonata in F major, op. 24 no. 1 (op. 21 chez Artaria, Vienne): III. Arietta con Variazione: Vivace | — | ||
| 11-7 | Sonata in B-flat major, op. 24 no. 2 (op. 41 no. 2 chez Mollo, Vienne): I. Allegro con brio | — | ||
| 11-8 | Sonata in B-flat major, op. 24 no. 2 (op. 41 no. 2 chez Mollo, Vienne): II. Andante quasi Allegretto | — | ||
| 11-9 | Sonata in B-flat major, op. 24 no. 2 (op. 41 no. 2 chez Mollo, Vienne): III. Rondo: Allegro assai | — | ||
| 11-10 | Sonata in E-flat major op. 41 (op. 41 no. 1 chez Mollo, Vienne): I. Allegro ma con grazia | — | ||
| 11-11 | Sonata in E-flat major op. 41 (op. 41 no. 1 chez Mollo, Vienne): II. Adagio molto e con anima | — | ||
| 11-12 | Sonata in E-flat major op. 41 (op. 41 no. 1 chez Mollo, Vienne): III. Allegro molto vivace | — | ||
| 12-1 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": I. Allegro | — | ||
| 12-2 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace | — | ||
| 12-3 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento | — | ||
| 12-4 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto | — | ||
| 12-5 | Sonata for Piano No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 12-6 | Sonata for Piano No. 32 in C minor, Op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 13-1 | Sonata for Piano No. 28 in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | — | ||
| 13-2 | Sonata for Piano No. 28 in A major, Op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 13-3 | Sonata for Piano No. 28 in A major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto - Presto | — | ||
| 13-4 | Sonata for Piano No. 30 in E major, Op. 109: I. Vivace, ma non troppo | — | ||
| 13-5 | Sonata for Piano No. 30 in E major, Op. 109: II. Prestissimo | — | ||
| 13-6 | Sonata for Piano No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | — | ||
| 13-7 | Sonata for Piano No. 31 in A-flat major, Op. 110: I. Moderato cantabile molto espressivo | — | ||
| 13-8 | Sonata for Piano No. 31 in A-flat major, Op. 110: II. Allegro molto - III. Adagio, ma non troppo | — | ||
| 13-9 | Sonata for Piano No. 31 in A-flat major, Op. 110: Fuga. Allegro ma non troppo | — | ||
| 13-10 | Sonata for Piano No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 13-11 | Sonata for Piano No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 14-1 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 14-2 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 14-3 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 14-4 | Sonata for Piano No. 22 in F major, Op. 54: I. Tempo di menuetto | — | ||
| 14-5 | Sonata for Piano No. 22 in F major, Op. 54: II. Allegretto | — | ||
| 14-6 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | — | ||
| 14-7 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | — | ||
| 14-8 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | — | ||
| 14-9 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: I. Allegro vivace | — | ||
| 14-10 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso | — | ||
| 14-11 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | — | ||
| 15-1 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": I. Largo - Allegro | — | ||
| 15-2 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": II. Adagio | — | ||
| 15-3 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": III. Allegretto | — | ||
| 15-4 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: I. Allegro | — | ||
| 15-5 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegretto vivace | — | ||
| 15-6 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: III. Minuetto. Moderato e grazioso | — | ||
| 15-7 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: IV. Presto con fuoco | — | ||
| 15-8 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio | — | ||
| 15-9 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto | — | ||
| 15-10 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 15-11 | Sonata for Piano No. 19 in G minor, Op. 49 No. 1: I. Andante | — | ||
| 15-12 | Sonata for Piano No. 19 in G minor, Op. 49 No. 1: II. Rondo. Allegro | — | ||
| 16-1 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro | — | ||
| 16-2 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio | — | ||
| 16-3 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto | — | ||
| 16-4 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 16-5 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": I. Presto alla tedesca | — | ||
| 16-6 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": II. Andante espressivo | — | ||
| 16-7 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": III. Vivace | — | ||
| 16-8 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 16-9 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: II. Adagio molto | — | ||
| 16-10 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: III. Prestissimo | — | ||
| 16-11 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro | — | ||
| 16-12 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto | — | ||
| 16-13 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto | — | ||
| 16-14 | Sonata for Piano No. 9 in E major, Op. 14 No. 1: I. Allegro | — | ||
| 16-15 | Sonata for Piano No. 9 in E major, Op. 14 No. 1: II. Allegretto | — | ||
| 16-16 | Sonata for Piano No. 9 in E major, Op. 14 No. 1: III. Rondo. Allegro comodo | — | ||
| 17-1 | Sonata for Piano No. 10 in G major, Op. 14 No. 2: I. Allegro | — | ||
| 17-2 | Sonata for Piano No. 10 in G major, Op. 14 No. 2: II. Andante | — | ||
| 17-3 | Sonata for Piano No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai | — | ||
| 17-4 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: I. Andante | — | ||
| 17-5 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace | — | ||
| 17-6 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione | — | ||
| 17-7 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: IV. Allegro vivace | — | ||
| 17-8 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 17-9 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 17-10 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 17-11 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": I. Allegro | — | ||
| 17-12 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": II. Andante | — | ||
| 17-13 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": III. Scherzo. Allegro vivace - IV. Rondo. Allegro ma non troppo | — | ||
| 18-1 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: I. Presto | — | ||
| 18-2 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 18-3 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro | — | ||
| 18-4 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | — | ||
| 18-5 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: I. Allegro vivace | — | ||
| 18-6 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: II. Largo appassionato | — | ||
| 18-7 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto | — | ||
| 18-8 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso | — | ||
| 18-9 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: I. Allegro con brio | — | ||
| 18-10 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: II. Adagio | — | ||
| 18-11 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro | — | ||
| 18-12 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: IV. Allegro assai | — | ||
| 19-1 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 19-2 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 19-3 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 19-4 | Sonata for Piano No. 11 in B-flat major, Op. 22: I. Allegro con brio | — | ||
| 19-5 | Sonata for Piano No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione | — | ||
| 19-6 | Sonata for Piano No. 11 in B-flat major, Op. 22: III. Menuetto | — | ||
| 19-7 | Sonata for Piano No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto | — | ||
| 19-8 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 19-9 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo. Allegro molto | — | ||
| 19-10 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 19-11 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro | — | ||
| 19-12 | Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | — | ||
| 19-13 | Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": II. Allegro assai | — | ||
| 20-1 | Sonata for Piano No. 4 in E-flat major, Op. 7: I. Allegro molto e con brio | — | ||
| 20-2 | Sonata for Piano No. 4 in E-flat major, Op. 7: II. Largo, con gran espressione | — | ||
| 20-3 | Sonata for Piano No. 4 in E-flat major, Op. 7: III. Allegro | — | ||
| 20-4 | Sonata for Piano No. 4 in E-flat major, Op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 20-5 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo | — | ||
| 20-6 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto | — | ||
| 20-7 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: I. Grave - Allegro ma non troppo | — | ||
| 20-8 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 20-9 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 20-10 | Rondo in B flat major, WoO 6 | — | ||
| 21-1 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace | — | ||
| 21-2 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso | — | ||
| 21-3 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | — | ||
| 21-4 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | — | ||
| 21-5 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | — | ||
| 21-6 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | — | ||
| 21-7 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 21-8 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro | — | ||
| 21-9 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | — | ||
| 21-10 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 21-11 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | — | ||
| 21-12 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | — | ||
| 21-13 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto | — | ||
| 21-14 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | — | ||
| 21-15 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso | — | ||
| 21-16 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | — | ||
| 21-17 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | — | ||
| 21-18 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVII. Allegro | — | ||
| 21-19 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato | — | ||
| 21-20 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | — | ||
| 21-21 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | — | ||
| 21-22 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio | — | ||
| 21-23 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto | — | ||
| 21-24 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai | — | ||
| 21-25 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 21-26 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | — | ||
| 21-27 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVI. Allegro | — | ||
| 21-28 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | — | ||
| 21-29 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | — | ||
| 21-30 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 21-31 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 21-32 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 21-33 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | — | ||
| 21-34 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di Menuetto moderato | — | ||
| 21-35 | Bagatelle for Piano, Op. 119 No. 1 in B-flat major: Allegretto | — | ||
| 21-36 | Bagatelle for Piano, Op. 119 No. 2 in C major: Andante con moto | — | ||
| 21-37 | Bagatelle for Piano, Op. 119 No. 3 in D major: À l'Allemande | — | ||
| 21-38 | Bagatelle for Piano, Op. 119 No. 4 in A major: Andante cantabile | — | ||
| 21-39 | Bagatelle for Piano, Op. 119 No. 5 in C minor: Risoluto | — | ||
| 21-40 | Bagatelle for Piano, Op. 119 No. 6 in G major: Andante - Allegretto | — | ||
| 21-41 | Bagatelle for Piano, Op. 119 No. 7 in C major: Allegro ma non troppo | — | ||
| 21-42 | Bagatelle for Piano, Op. 119 No. 8 in C major: Moderato | — | ||
| 21-43 | Bagatelle for Piano, Op. 119 No. 9 in A minor: Vivace moderato | — | ||
| 21-44 | Bagatelle for Piano, Op. 119 No. 10 in A major: Allegramente | — | ||
| 21-45 | Bagatelle for Piano, Op. 119 No. 11 in B-flat major: Andante, ma non troppo | — | ||
| 22-1 | The art of finger dexterity, op 74: Book 1: No. 1: Articulation of the fingers with quiet hand | — | ||
| 22-2 | The art of finger dexterity, op 74: Book 1: No. 2: The passing of the thumb | — | ||
| 22-3 | The art of finger dexterity, op 74: Book 1: No. 3: Clarity in velocity | — | ||
| 22-4 | The art of finger dexterity, op 74: Book 1: No. 4: Light articulation in half-staccato | — | ||
| 22-5 | The art of finger dexterity, op 74: Book 1: No. 5: Evenness in double runs | — | ||
| 22-6 | The art of finger dexterity, op 74: Book 1: No. 6: Clarity in broken chords | — | ||
| 22-7 | The art of finger dexterity, op 74: Book 1: No. 7: Changing fingers on the same key | — | ||
| 22-8 | The art of finger dexterity, op 74: Book 1: No. 8: Light articulation of the left hand | — | ||
| 22-9 | The art of finger dexterity, op 74: Book 2: No. 9: Delicacy in skips and staccatos | — | ||
| 22-10 | The art of finger dexterity, op 74: Book 2: No. 10: Exercise for thirds | — | ||
| 22-11 | The art of finger dexterity, op 74: Book 2: No. 11: Skill in alternating fingers | — | ||
| 22-12 | The art of finger dexterity, op 74: Book 2: No. 12: Flexibility of the left hand | — | ||
| 22-13 | The art of finger dexterity, op 74: Book 2: No. 13: Maximum velocity | — | ||
| 22-14 | The art of finger dexterity, op 74: Book 2: No. 15: Wide position in fortissimo | — | ||
| 22-15 | The art of finger dexterity, op 74: Book 3: No. 17: Minor scales at high speed | — | ||
| 22-16 | The art of finger dexterity, op 74: Book 3: No. 19: Tense positions with a "peaceful wrist" | — | ||
| 22-17 | The art of finger dexterity, op 74: Book 3: No. 22: Exercise for the trill | — | ||
| 22-18 | The art of finger dexterity, op 74: Book 3: No. 23: Light touch of the left hand | — | ||
| 22-19 | The art of finger dexterity, op 74: Book 3: No. 24: The thumb on the black keys with the hand absolutely quiet | — | ||
| 22-20 | The art of finger dexterity, op 74: Book 4: No. 25: Agility and clarity | — | ||
| 22-21 | The art of finger dexterity, op 74: Book 4: No. 26: Maximum velocity in arpeggios | — | ||
| 22-22 | The art of finger dexterity, op 74: Book 4: No. 27: Independence of the fingers | — | ||
| 22-23 | The art of finger dexterity, op 74: Book 4: No. 31: Exercise for the passing of the thumbs | — | ||
| 22-24 | The art of finger dexterity, op 74: Book 4: No. 32: Uniformity in raising the fingers | — | ||
| 22-25 | The art of finger dexterity, op 74: Book 5: No. 33: Lightness of touch in octave skips | — | ||
| 22-26 | The art of finger dexterity, op 74: Book 5: No. 34: Trills of thirds | — | ||
| 22-27 | The art of finger dexterity, op 74: Book 5: No. 37: Lightness of the arm and agility of the fingers | — | ||
| 22-28 | The art of finger dexterity, op 74: Book 5: No. 40: Light or half-staccato in chords | — | ||
| 22-29 | The art of finger dexterity, op 74: Book 6: No. 45: Legato melody with spread chords | — | ||
| 22-30 | The art of finger dexterity, op 74: Book 6: No. 49: Octaves with bravura | — | ||
| 23-1 | Piano Sonata No. 1 in C major, Op. 24: I. Allegro | — | ||
| 23-2 | Piano Sonata No. 1 in C major, Op. 24: II. Adagio | — | ||
| 23-3 | Piano Sonata No. 1 in C major, Op. 24: III. Menuetto | — | ||
| 23-4 | Piano Sonata No. 1 in C major, Op. 24: IV. Rondo. Presto | — | ||
| 23-5 | Piano Sonata No. 2 in A flat major, Op. 39: I. Allegro moderato, con spirito ed assai legato | — | ||
| 23-6 | Piano Sonata No. 2 in A flat major, Op. 39: II. Andante | — | ||
| 23-7 | Piano Sonata No. 2 in A flat major, Op. 39: III. Menuetto capriccioso. Presto assai | — | ||
| 23-8 | Piano Sonata No. 2 in A flat major, Op. 39: IV. Rondo. Moderato e molto grazioso | — | ||
| 24-1 | Nocturne for Piano no. 1 in E-flat major, H24 | — | ||
| 24-2 | Nocturne for Piano no. 2 in C minor, H25 | — | ||
| 24-3 | Nocturne for Piano no. 3 in A-flat major, H26 | — | ||
| 24-4 | Nocturne for Piano no. 4 in A major, H36 | — | ||
| 24-5 | Nocturne for Piano no. 5 in B-flat major, H37 | — | ||
| 24-6 | Nocturne for Piano no. 6 in F major, H40 | — | ||
| 24-7 | Nocturne for Piano no. 7 (13) in C major, H45 | — | ||
| 24-8 | Nocturne for Piano (7) in A major, H14e | — | ||
| 24-9 | Nocturne for Piano no. 9 (8) in E-flat major, H30 | — | ||
| 24-10 | Nocturne for Piano no. 8 (9) in E minor, H46b | — | ||
| 24-11 | Nocturne for Piano no. 11 in E-flat major, H56a | — | ||
| 24-12 | Nocturne for Piano no. 12 (14) in G major, H58d | — | ||
| 24-13 | Nocturne for Piano no. 13 (15) in D minor, H59 | — | ||
| 24-14 | Nocturne for Piano no. 16 (18) in F major, H62a | — | ||
| 24-15 | Nocturne for Piano no. 10 in E major, H54f | — | ||
| 25-1 | Piano Sonata in A major, D959: I. Allegro | — | ||
| 25-2 | Piano Sonata in A major, D959: II. Andantino | — | ||
| 25-3 | Piano Sonata in A major, D959: III. Scherzo. Allegro vivace | — | ||
| 25-4 | Piano Sonata in A major, D959: IV. Rondo. Allegretto | — | ||
| 25-5 | Piano Sonata in E minor, D966: I. Moderato | — | ||
| 25-6 | Piano Sonata in E minor, D966: II. Allegretto | — | ||
| 25-7 | Piano Sonata in E minor, D966: III. Scherzo. Allegro vivace | — | ||
| 25-8 | Piano Sonata in E minor, D966: IV. Rondo. Allegretto | — | ||
| 26-1 | Piano Sonata in C minor, D958: I. Allegro | — | ||
| 26-2 | Piano Sonata in C minor, D958: II. Adagio | — | ||
| 26-3 | Piano Sonata in C minor, D958: III. Menuetto. Allegro | — | ||
| 26-4 | Piano Sonata in C minor, D958: IV. Allegro | — | ||
| 26-5 | 6 Moments Musicaux, D780: Moderato in C major | — | ||
| 26-6 | 6 Moments Musicaux, D780: Andantino in A flat major | — | ||
| 26-7 | 6 Moments Musicaux, D780: Allegretto moderato in F minor | — | ||
| 26-8 | 6 Moments Musicaux, D780: Moderato in C sharp minor | — | ||
| 26-9 | 6 Moments Musicaux, D780: Allegro vivace in F minor | — | ||
| 26-10 | 6 Moments Musicaux, D780: Allegretto in A flat major | — | ||
| 27-1 | Piano Sonata in D major, Op. 53 D850 "Gasteiner": I. Allegro vivace | — | ||
| 27-2 | Piano Sonata in D major, Op. 53 D850 "Gasteiner": II. Con moto | — | ||
| 27-3 | Piano Sonata in D major, Op. 53 D850 "Gasteiner": III. Scherzo. Allegro vivace | — | ||
| 27-4 | Piano Sonata in D major, Op. 53 D850 "Gasteiner": IV. Rondo. Allegro moderato | — | ||
| 27-5 | Piano Sonata in C major, D840 "Relique": I. Moderato | — | ||
| 27-6 | Piano Sonata in C major, D840 "Relique": II. Andante | — | ||
| 27-7 | Piano Sonata in A flat major, D557: I. Allegro moderato | — | ||
| 27-8 | Piano Sonata in A flat major, D557: II. Andante | — | ||
| 27-9 | Piano Sonata in A flat major, D557: III. Allegro | — | ||
| 28-1 | Piano Sonata in A minor, Op. 143 D143: I. Allegro giusto | — | ||
| 28-2 | Piano Sonata in A minor, Op. 143 D143: II. Andante | — | ||
| 28-3 | Piano Sonata in A minor, Op. 143 D143: III. Allegro vivace | — | ||
| 28-4 | Piano Sonata in G major, Op. 78 D894: I. Molto moderato e cantabile | — | ||
| 28-5 | Piano Sonata in G major, Op. 78 D894: II. Andante | — | ||
| 28-6 | Piano Sonata in G major, Op. 78 D894: III. Menuetto. Allegro moderato | — | ||
| 28-7 | Piano Sonata in G major, Op. 78 D894: IV. Allegretto | — | ||
| 29-1 | Piano Sonata in A minor, D537: I. Allegro ma non troppo | — | ||
| 29-2 | Piano Sonata in A minor, D537: II. Allegretto quasi andantino | — | ||
| 29-3 | Piano Sonata in A minor, D537: III. Allegro vivace | — | ||
| 29-4 | Piano Sonata in A major, D5664: I. Allegro moderato | — | ||
| 29-5 | Piano Sonata in A major, D5664: II. Andante | — | ||
| 29-6 | Piano Sonata in A major, D5664: III. Allegro | — | ||
| 29-7 | Drei Klavierstücke (Impromptus aus dem Nachlass) D946: I. Allegro molto in E flat minor | — | ||
| 29-8 | Drei Klavierstücke (Impromptus aus dem Nachlass) D946: II. Allegretto in E flat major | — | ||
| 29-9 | Drei Klavierstücke (Impromptus aus dem Nachlass) D946: III. Allegro in C major | — | ||
| 30-1 | Impromptus, D899 No. 1 in C minor: Allegro molto moderato | — | ||
| 30-2 | Impromptus, D899 No. 2 in E flat major: Allegro | — | ||
| 30-3 | Impromptus, D899 No. 3 in G flat major: Andante | — | ||
| 30-4 | Impromptus, D899 No. 4 in A flat major: Allegretto | — | ||
| 30-5 | Impromptus, D935 No. 1 in F minor: Allegro moderato | — | ||
| 30-6 | Impromptus, D935 No. 2 in A flat major: Allegretto | — | ||
| 30-7 | Impromptus, D935 No. 3 in B flat major: Andante mit Variationen (Rosamunde) | — | ||
| 30-8 | Impromptus, D935 No. 4 in F minor: Allegro vivace | — | ||
| 31-1 | Piano Sonata in B flat major, D960: I. Molto moderato | — | ||
| 31-2 | Piano Sonata in B flat major, D960: II. Andante sostenuto | — | ||
| 31-3 | Piano Sonata in B flat major, D960: III. Scherzo. Allegro vivace con delicatezza | — | ||
| 31-4 | Piano Sonata in B flat major, D960: IV. Allegro ma non troppo | — | ||
| 31-5 | Piano Sonata in B major, D575 (Op. 147): I. Allegro ma non troppo | — | ||
| 31-6 | Piano Sonata in B major, D575 (Op. 147): II. Andante | — | ||
| 31-7 | Piano Sonata in B major, D575 (Op. 147): III. Scherzo. Allegretto | — | ||
| 31-8 | Piano Sonata in B major, D575 (Op. 147): IV. Allegro giusto | — | ||
| 32-1 | Nocturne for piano in B major no. 1, op. 22 | — | ||
| 32-2 | Esquisses, op. 63 no. 2: Le staccatissimo | — | ||
| 32-3 | Esquisses, op. 63 no. 3: Le legatissimo | — | ||
| 32-4 | Esquisses, op. 63 no. 21: Morituri te salutant | — | ||
| 32-5 | Esquisses, op. 63 no. 10: Increpatio | — | ||
| 32-6 | Esquisses, op. 63 no. 11: Les soupirs | — | ||
| 32-7 | Esquisses, op. 63 no. 46: Le premier billet doux | — | ||
| 32-8 | Esquisses, op. 63 no. 47: Scherzetto | — | ||
| 32-9 | Le Festin d'Ésope, op. 39 no. 12 from "Douze Études dans les tons mineurs" | — | ||
| 32-10 | Le temps qui n'est plus, Prélude, op. 31 no. 12 | — | ||
| 32-11 | Fa, op. 38b no. 2 from "2nd Book of Chants" | — | ||
| 32-12 | Grande Sonate "Les quatre âges", op. 33, 20 ans: Scherzo. Tres vite, décidément - Trio. Timidement amoureusement | — | ||
| 32-13 | Grande Sonate "Les quatre âges", op. 33, 30 ans: Quasi-Faust. Assez vite sataniquement | — | ||
| 32-14 | Grande Sonate "Les quatre âges", op. 33, 40 ans: Un heureux ménage. Lentement avec tendresse et quitétitude | — | ||
| 32-15 | Grande Sonate "Les quatre âges", op. 33, 50 ans: Prométhée enchainé. Extrêmement lent | — | ||
| 32-16 | Toccatina, op. 75 | — | ||
| 33-1 | "Les mois", op. 74 no. 6: Promenade sur l'eau | — | ||
| 33-2 | "Les mois", op. 74 no. 10: Gros temps | — | ||
| 33-3 | Petite fantaisie, op. 41 no. 2 | — | ||
| 33-4 | Petite conte | — | ||
| 33-5 | Le tambour bat aux champs, op. 50 no. 2 | — | ||
| 33-6 | "Trente chants" Suite no. 1, op. 38: no. 1. Assez vivement | — | ||
| 33-7 | "Trente chants" Suite no. 1, op. 38: no. 5. Agitatissimo | — | ||
| 33-8 | "Trente chants" Suite no. 1, op. 38: no. 6. Barcarolle | — | ||
| 33-9 | Symphonie, op. 39 Nos. 4-7: Allegro | — | ||
| 33-10 | Symphonie, op. 39 Nos. 4-7: Marche funèbre: Andantino | — | ||
| 33-11 | Symphonie, op. 39 Nos. 4-7: Menuet | — | ||
| 33-12 | Symphonie, op. 39 Nos. 4-7: Finale. Presto | — | ||
| 34-1 | Songs without Words in E major, Op. 19 No. 1: Andante con moto | — | ||
| 34-2 | Songs without Words in A minor, Op. 19 No. 2: Andante espressivo | — | ||
| 34-3 | Songs without Words in A major, Op. 19 No. 3 "Jägerlied": Molto allegro | — | ||
| 34-4 | Songs without Words in A major, Op. 19 No. 4: Moderato | — | ||
| 34-5 | Songs without Words in F sharp minor, Op. 19 No. 5: Agitato | — | ||
| 34-6 | Songs without Words in G minor, Op. 19 No. 6 "Venetian Gondola Song": Andante sostenuto | — | ||
| 34-7 | Songs without Words in E flat major, Op. 30 No. 1: Andante espressivo | — | ||
| 34-8 | Songs without Words in B flat minor, Op. 30 No. 2: Allegro di molto | — | ||
| 34-9 | Songs without Words in E major, Op. 30 No. 3: Andante sostenuto | — | ||
| 34-10 | Songs without Words in B minor, Op. 30 No. 4: Agitato e con fuoco | — | ||
| 34-11 | Songs without Words in D major, Op. 30 No. 5: Andante grazioso | — | ||
| 34-12 | Songs without Words in F sharp major, Op. 30 No. 6 "Venetian Gondola Song": Allegretto | — | ||
| 34-13 | Songs without Words in E flat major, Op. 38 No. 1: Con moto | — | ||
| 34-14 | Songs without Words in C minor, Op. 38 No. 2: Allegro non troppo | — | ||
| 34-15 | Songs without Words in E major, Op. 38 No. 3: Presto | — | ||
| 34-16 | Songs without Words in A major, Op. 38 No. 4: Andante | — | ||
| 34-17 | Songs without Words in A minor, Op. 38 No. 5: Agitato | — | ||
| 34-18 | Songs without Words in A flat major, Op. 38 No. 6: Andante con moto | — | ||
| 34-19 | Songs without Words in A flat major, Op. 53 No. 1: Andante con moto | — | ||
| 34-20 | Songs without Words in E flat major, Op. 53 No. 2: Allegro non troppo | — | ||
| 34-21 | Songs without Words in G minor, Op. 53 No. 3: Presto agitato | — | ||
| 34-22 | Songs without Words in F major, Op. 53 No. 4: Adagio | — | ||
| 34-23 | Songs without Words in A minor, Op. 53 No. 5 "Volkslied": Allegro | — | ||
| 34-24 | Songs without Words in A major, Op. 53 No. 6: Molto allegro vivace | — | ||
| 35-1 | Songs without Words in G major, Op. 62 No. 1: Andante espressivo | — | ||
| 35-2 | Songs without Words in B flat major, Op. 62 No. 2: Allegro con fuoco | — | ||
| 35-3 | Songs without Words in E minor, Op. 62 No. 3 "Trauermarsch": Andante maestoso | — | ||
| 35-4 | Songs without Words in G major, Op. 62 No. 4: Allegro con anima | — | ||
| 35-5 | Songs without Words in A minor, Op. 62 No. 5 "Venetian Gondola Song": Andante | — | ||
| 35-6 | Songs without Words in A major, Op. 62 No. 6 "Frühlingslied": Andante grazioso | — | ||
| 35-7 | Songs without Words in E flat major, Op. 67 No. 1: Andante | — | ||
| 35-8 | Songs without Words in F sharp major, Op. 67 No. 2: Allegro leggiero | — | ||
| 35-9 | Songs without Words in B flat major, Op. 67 No. 3: Andante tranquillo | — | ||
| 35-10 | Songs without Words in C major, Op. 67 No. 4 "Spinnerlied: The Bee's Wedding": Presto | — | ||
| 35-11 | Songs without Words in B minor, Op. 67 No. 5: Moderato | — | ||
| 35-12 | Songs without Words in E major, Op. 67 No. 6: Allegretto non troppo | — | ||
| 35-13 | Songs without Words in F major, Op. 85 No. 1: Andante espressivo | — | ||
| 35-14 | Songs without Words in A minor, Op. 85 No. 2: Allegro agitato | — | ||
| 35-15 | Songs without Words in E flat major, Op. 85 No. 3: Presto | — | ||
| 35-16 | Songs without Words in D major, Op. 85 No. 4: Andante sostenuto | — | ||
| 35-17 | Songs without Words in A major, Op. 85 No. 5: Allegro | — | ||
| 35-18 | Songs without Words in B flat major, Op. 85 No. 6: Allegro con moto | — | ||
| 35-19 | Songs without Words in E minor, Op. 102 No. 1: Andante un poco | — | ||
| 35-20 | Songs without Words in D major, Op. 102 No. 2: Adagio | — | ||
| 35-21 | Songs without Words in C major, Op. 102 No. 3: Presto | — | ||
| 35-22 | Songs without Words in G minor, Op. 102 No. 4: Un poco agitato | — | ||
| 35-23 | Songs without Words in A major, Op. 102 No. 5 "Kinderstück": Allegro vivace | — | ||
| 35-24 | Songs without Words in C major, Op. 102 No. 6: Andante | — | ||
| 36-1 | Variations brillantes on "Je vends des scapulaires" from the Opera "Ludovic" by F. Hérold and F. Halévy in B-flat major, Op. 12 | — | ||
| 36-2 | Rondo in C minor, Op. 1 | — | ||
| 36-3 | Introduction and Variations in E major on a German National Air, Op. posth. "Der Schweizerbub" | — | ||
| 36-4 | Rondo à la Mazur in F major, Op. 5 | — | ||
| 36-5 | Allegro de concert in A major, Op. 46 | — | ||
| 36-6 | Bolero in C major, Op. 19 | — | ||
| 36-7 | Introduction in C minor and Rondo in E flat major, Op. 16 | — | ||
| 36-8 | Tarantella in A-flat major, Op. 43 | — | ||
| 36-9 | "Souvenir de Paganini" Variations in A major, Op. posth. | — | ||
| 37-1 | Andante spianato in G major and Grande Polonaise brillante in E-flat major, Op. 22 | — | ||
| 37-2 | Polonaise in C-sharp minor, Op. 26 No. 1: Allegro appassionato | — | ||
| 37-3 | Polonaise in E-flat minor, Op. 26 No. 2: Maestoso | — | ||
| 37-4 | Polonaise in A major, "Military", Op. 40 No. 1: Allegro con brio | — | ||
| 37-5 | Polonaise in C minor, Op. 40 No. 2: Allegro maestoso | — | ||
| 37-6 | Polonaise in F-sharp minor, Op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | — | ||
| 37-7 | Polonaise in A-flat major, "Héroique", Op. 53: Maestoso | — | ||
| 37-8 | Polonaise-Fantasy in A-flat major, Op. 61: Allegro maestoso | — | ||
| 38-1 | Nocturne in B-flat minor, Op. 9 No. 1 | — | ||
| 38-2 | Nocturne in E-flat major, Op. 9 No. 2 | — | ||
| 38-3 | Nocturne in B major, Op. 9 No. 3 | — | ||
| 38-4 | Nocturne in E minor, Op. 72 No. 1 | — | ||
| 38-5 | Nocturne in F major, Op. 15 No. 1 | — | ||
| 38-6 | Nocturne in F-sharp major, Op. 15 No. 2 | — | ||
| 38-7 | Nocturne in G minor, Op. 15 No. 3 | — | ||
| 38-8 | Nocturne in B major, Op. 32 No. 1 | — | ||
| 38-9 | Nocturne in A-flat major, Op. 32 No. 2 | — | ||
| 38-10 | Nocturne in B major, Op. 62 No. 1 | — | ||
| 38-11 | Nocturne in E major, Op. 62 No. 2 | — | ||
| 38-12 | Nocturne in C-sharp minor, Op. posth. | — | ||
| 39-1 | Nocturne in C-sharp minor, Op. 27 No. 1: Larghetto | — | ||
| 39-2 | Nocturne in D-flat major, Op. 27 No. 2: Lento sostenuto | — | ||
| 39-3 | Nocturne in G minor, Op. 37 No. 1: Andante sostenuto | — | ||
| 39-4 | Nocturne in G major, Op. 37 No. 2: Andantino | — | ||
| 39-5 | Nocturne in C minor, Op. 48 No. 1: Lento | — | ||
| 39-6 | Nocturne in F-sharp minor, Op. 48 No. 2: Andantino | — | ||
| 39-7 | Nocturne in F minor, Op. 55 No. 1: Andante | — | ||
| 39-8 | Nocturne in E-flat major, Op. 55 No. 2: Lento | — | ||
| 39-9 | Nocturne in C minor, Op. post. | — | ||
| 39-10 | Nocturne in C-sharp minor, Op. post: Lento con gran espressione | — | ||
| 40-1 | Scherzo No. 1 in B minor "La banquet infernal", Op. 20 | — | ||
| 40-2 | Scherzo No. 2 in B flat minor, Op. 31 | — | ||
| 40-3 | Scherzo No. 3 in C sharp minor, Op. 39 | — | ||
| 40-4 | Scherzo No. 4 in E major, Op. 54 | — | ||
| 40-5 | Fantaisie in F minor, Op. 49 | — | ||
| 40-6 | Berceuse in D flat major, Op. 57 | — | ||
| 40-7 | Barcarolle in F sharp major, Op. 60 | — | ||
| 41-1 | Waltz in E-flat major, Op. 18 "Grande Valse brillante" | — | ||
| 41-2 | Waltz in A-flat major, Op. 34 No. 1 | — | ||
| 41-3 | Waltz in A minor, Op. 34 No. 2 | — | ||
| 41-4 | Waltz in F major, Op. 34 No. 3 | — | ||
| 41-5 | Waltz in A-flat major, Op. 42 "Grande Valse" | — | ||
| 41-6 | Waltz in D-flat major, Op. 64 No. 1 "Minute" | — | ||
| 41-7 | Waltz in C-sharp minor, Op. 64 No. 2 | — | ||
| 41-8 | Waltz in A-flat major, Op. 64 No. 3 | — | ||
| 41-9 | Waltz in A-flat major, Op. 69 No. 1 "L'adieu" | — | ||
| 41-10 | Waltz in B minor, Op. 69 No. 2 | — | ||
| 41-11 | Waltz in G-flat major, Op. 70 No. 1 | — | ||
| 41-12 | Waltz in A-flat major, B. 21 | — | ||
| 41-13 | Waltz in D-flat major, Op. 70 No. 3 | — | ||
| 41-14 | Waltz in E minor, B. 56 | — | ||
| 41-15 | Waltz in E major, B. 44 | — | ||
| 41-16 | Waltz in A minor, B. 150 | — | ||
| 41-17 | Waltz in E-flat major "Sostenuto", B. 133 | — | ||
| 41-18 | Waltz in E-flat major, B. 46 | — | ||
| 42-1 | Mazurka in F-sharp minor, Op. 6 No. 1 | — | ||
| 42-2 | Mazurka in C-sharp minor, Op. 6 No. 2 | — | ||
| 42-3 | Mazurka in E major, Op. 6 No. 3 | — | ||
| 42-4 | Mazurka in E-flat minor, Op. 6 No. 4 | — | ||
| 42-5 | Mazurka in B-flat major, Op. 7 No. 1 | — | ||
| 42-6 | Mazurka in A minor, Op. 7 No. 2 | — | ||
| 42-7 | Mazurka in F minor, Op. 7 No. 3 | — | ||
| 42-8 | Mazurka in A-flat major, Op. 7 No. 4 | — | ||
| 42-9 | Mazurka in C major, Op. 7 No. 5 | — | ||
| 42-10 | Mazurka in B-flat major, Op. 17 No. 1 | — | ||
| 42-11 | Mazurka in E minor, Op. 17 No. 2 | — | ||
| 42-12 | Mazurka in A-flat major, Op. 17 No. 3 | — | ||
| 42-13 | Mazurka in A minor, Op. 17 No. 4 | — | ||
| 42-14 | Mazurka in G minor Op. 24 No. 1 | — | ||
| 42-15 | Mazurka in C major Op. 24 No. 2 | — | ||
| 42-16 | Mazurka in A-flat major, Op. 24 No. 3 | — | ||
| 42-17 | Mazurka in B-flat minor, Op. 24 No. 4 | — | ||
| 42-18 | Mazurka in C minor Op. 30 No. 1 | — | ||
| 42-19 | Mazurka in B minor Op. 30 No. 2 | — | ||
| 42-20 | Mazurka in D-flat major Op. 30 No. 3 | — | ||
| 42-21 | Mazurka in C-sharp minor Op. 30 No. 4 | — | ||
| 42-22 | Mazurka in G-sharp minor, Op. 33 No. 1 | — | ||
| 42-23 | Mazurka in D major, Op. 33 No. 2 | — | ||
| 42-24 | Mazurka in C major, Op. 33 No. 3 | — | ||
| 42-25 | Mazurka in B minor, Op. 33 No. 4 | — | ||
| 42-26 | Mazurka in C-sharp minor, Op. 41 No. 1 | — | ||
| 42-27 | Mazurka in E minor, Op. 41 No. 2 | — | ||
| 42-28 | Mazurka in B major, Op. 41 No. 3 | — | ||
| 42-29 | Mazurka in A-flat major, Op. 41 No. 4 | — | ||
| 43-1 | Prélude in C major, Op. 28 No. 1: Agitato | — | ||
| 43-2 | Prélude in A minor, Op. 28 No. 2: Lento | — | ||
| 43-3 | Prélude in G major, Op. 28 No. 3: Vivace | — | ||
| 43-4 | Prélude in E minor, Op. 28 No. 4: Largo | — | ||
| 43-5 | Prélude in D major, Op. 28 No. 5: Molto allegro | — | ||
| 43-6 | Prélude in B minor, Op. 28 No. 6: Lento assai | — | ||
| 43-7 | Prélude in A major, Op. 28 No. 7: Andantino | — | ||
| 43-8 | Prélude in F-sharp minor, Op. 28 No. 8: Molto agitato | — | ||
| 43-9 | Prélude in E major, Op. 28 No. 9: Largo | — | ||
| 43-10 | Prélude in C-sharp minor, Op. 28 No. 10: Molto allegro | — | ||
| 43-11 | Prélude in B major, Op. 28 No. 11: Vivace | — | ||
| 43-12 | Prélude in G-sharp minor, Op. 28 No. 12: Presto | — | ||
| 43-13 | Prélude in F-sharp major, Op. 28 No. 13: Lento | — | ||
| 43-14 | Prélude in E-flat minor, Op. 28 No. 14: Allegro | — | ||
| 43-15 | Prélude in D-flat major, Op. 28 No. 15 "Raindrop": Sostenuto | — | ||
| 43-16 | Prélude in B-flat minor, Op. 28 No. 16: Presto con fuoco | — | ||
| 43-17 | Prélude in A-flat major, Op. 28 No. 17: Allegretto | — | ||
| 43-18 | Prélude in F minor, Op. 28 No. 18: Molto allegro | — | ||
| 43-19 | Prélude in E-flat major, Op. 28 No. 19: Vivace | — | ||
| 43-20 | Prélude in C minor, Op. 28 No. 20: Largo | — | ||
| 43-21 | Prélude in B-flat major, Op. 28 No. 21: Cantabile | — | ||
| 43-22 | Prélude in G minor, Op. 28 No. 22: Molto agitato | — | ||
| 43-23 | Prélude in F major, Op. 28 No. 23: Moderato | — | ||
| 43-24 | Prélude in D minor, Op. 28 No. 24: Allegro appassionato | — | ||
| 43-25 | Prelude in C-sharp minor, Op. 45 | — | ||
| 44-1 | Ballade No. 1 in G minor, Op. 23 | — | ||
| 44-2 | Ballade No. 2 in F major, Op. 38 | — | ||
| 44-3 | Ballade No. 3 in A flat major, Op. 47 | — | ||
| 44-4 | Ballade No. 4 in F minor, Op. 52 | — | ||
| 44-5 | Impromptu No. 1 in A-flat major, Op. 29 | — | ||
| 44-6 | Impromptu No. 2 in F-sharp major, Op. 36 | — | ||
| 44-7 | Impromptu No. 3 in G-flat major, Op. 51 | — | ||
| 44-8 | Impromptu No. 4 in C-sharp minor, Op. 66 "Fantasie-Impromptu" | — | ||
| 44-9 | Mazurka in A minor, Op. 59 No. 1 | — | ||
| 44-10 | Mazurka in A-flat major, Op. 59 No. 2 | — | ||
| 44-11 | Mazurka in F-sharp minor, Op. 59 No. 3 | — | ||
| 44-12 | Mazurka in B major, Op. 63 No. 1 | — | ||
| 44-13 | Mazurka in F minor, Op. 63 No. 2 | — | ||
| 44-14 | Mazurka in C-sharp minor, Op. 63 No. 3 | — | ||
| 45-1 | 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 1: Allegro | — | ||
| 45-2 | 12 Études (a son ami Franz Liszt) in A minor, Op. 10 No. 2: Allegro | — | ||
| 45-3 | 12 Études (a son ami Franz Liszt) in E major "Tristesse", Op. 10 No. 3: Lento ma non troppo | — | ||
| 45-4 | 12 Études (a son ami Franz Liszt) in C sharp minor, Op. 10 No. 4: Presto | — | ||
| 45-5 | 12 Études (a son ami Franz Liszt) in G flat major "Black Keys", Op. 10 No. 5: Vivace | — | ||
| 45-6 | 12 Études (a son ami Franz Liszt) in E flat minor, Op. 10 No. 6: Andante con molto espressione | — | ||
| 45-7 | 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 7: Vivace | — | ||
| 45-8 | 12 Études (a son ami Franz Liszt) in F major, Op. 10 No. 8: Allegro | — | ||
| 45-9 | 12 Études (a son ami Franz Liszt) in F minor, Op. 10 No. 9: Allegro molto agitato | — | ||
| 45-10 | 12 Études (a son ami Franz Liszt) in A flat major, Op. 10 No. 10: Vivace assai | — | ||
| 45-11 | 12 Études (a son ami Franz Liszt) in E flat major, Op. 10 No. 11: Allegretto | — | ||
| 45-12 | 12 Études (a son ami Franz Liszt) in C minor "Revolutionary", Op. 10 No. 12: Allegro con fuoco | — | ||
| 45-13 | 12 Études (a Madame la Comtesse D`Agoult) in A flat major "Aeolian Harp", Op. 25 No. 1: Allegro sostenuto | — | ||
| 45-14 | 12 Études (a Madame la Comtesse D`Agoult) in F minor "Balm", Op. 25 No. 2: Presto | — | ||
| 45-15 | 12 Études (a Madame la Comtesse D`Agoult) in F major "Cartwheel", Op. 25 No. 3: Allegro | — | ||
| 45-16 | 12 Études (a Madame la Comtesse D`Agoult) in A minor, Op. 25 No. 4: Agitato | — | ||
| 45-17 | 12 Études (a Madame la Comtesse D`Agoult) in E minor, Op. 25 No. 5: Vivace | — | ||
| 45-18 | 12 Études (a Madame la Comtesse D`Agoult) in G sharp minor, Op. 25 No. 6: Allegro | — | ||
| 45-19 | 12 Études (a Madame la Comtesse D`Agoult) in C sharp minor, Op. 25 No. 7: Lento | — | ||
| 45-20 | 12 Études (a Madame la Comtesse D`Agoult) in D flat major, Op. 25 No. 8: Vivace assai | — | ||
| 45-21 | 12 Études (a Madame la Comtesse D`Agoult) in G flat major "Butterfly", Op. 25 No. 9: Allegro assai | — | ||
| 45-22 | 12 Études (a Madame la Comtesse D`Agoult) in B minor, Op. 25 No. 10: Allegro con fuoco | — | ||
| 45-23 | 12 Études (a Madame la Comtesse D`Agoult) in A minor "Winter Wind", Op. 25 No. 11: Allegro con brio | — | ||
| 45-24 | 12 Études (a Madame la Comtesse D`Agoult) in C minor "Ocean", Op. 25 No. 12: Allegro molto con fuoco | — | ||
| 45-25 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in F minor, No. 1: Andantino | — | ||
| 45-26 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in D flat major, No. 2: Allegretto | — | ||
| 45-27 | Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in A flat major, No. 3: Allegretto | — | ||
| 46-1 | Piano Sonata No. 2 in B-flat minor, Op. 35: I. Grave - Doppio movimento | — | ||
| 46-2 | Piano Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo | — | ||
| 46-3 | Piano Sonata No. 2 in B-flat minor, Op. 35: III. Marche funèbre - Lento - attacca | — | ||
| 46-4 | Piano Sonata No. 2 in B-flat minor, Op. 35: IV. Finale. Presto | — | ||
| 46-5 | Piano Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso | — | ||
| 46-6 | Piano Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace | — | ||
| 46-7 | Piano Sonata No. 3 in B minor, Op. 58: III. Largo | — | ||
| 46-8 | Piano Sonata No. 3 in B minor, Op. 58: IV. Finale: Presto, ma non tanto | — | ||
| 46-9 | Piano Sonata No. 1 in C minor, Op. 4: I. Allegro maestoso | — | ||
| 46-10 | Piano Sonata No. 1 in C minor, Op. 4: II. Menuetto: Allegretto | — | ||
| 46-11 | Piano Sonata No. 1 in C minor, Op. 4: III. Larghetto | — | ||
| 46-12 | Piano Sonata No. 1 in C minor, Op. 4: IV. Finale: Presto | — | ||
| 46-13 | Ecossaise No. 1 in D major, Op. 72 No. 3a | — | ||
| 46-14 | Ecossaise No. 2 in G major, Op. 72 No. 3b | — | ||
| 46-15 | Ecossaise No. 3 in D flat major, Op. 72 No. 3c | — | ||
| 47-1 | Kreisleriana, op. 16: I. Äußerst bewegt | Klára Würtz | — | |
| 47-2 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch | Klára Würtz | — | |
| 47-3 | Kreisleriana, op. 16: III. Sehr aufgeregt | Klára Würtz | — | |
| 47-4 | Kreisleriana, op. 16: IV. Sehr langsam | Klára Würtz | — | |
| 47-5 | Kreisleriana, op. 16: V. Sehr lebhaft | Klára Würtz | — | |
| 47-6 | Kreisleriana, op. 16: VI. Sehr langsam, durchaus leise zu halten | Klára Würtz | — | |
| 47-7 | Kreisleriana, op. 16: VII. Sehr rasch | Klára Würtz | — | |
| 47-8 | Kreisleriana, op. 16: VIII. Schnell und spielend | Klára Würtz | — | |
| 47-9 | Phantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | Klára Würtz | — | |
| 47-10 | Phantasie in C major, op. 17: II. Mäßig, durchaus energisch | Klára Würtz | — | |
| 47-11 | Phantasie in C major, op. 17: III. Langsam getragen, durchweg leise zu halten | Klára Würtz | — | |
| 48-1 | Piano Sonata No. 1 in F sharp minor, Op. 11: I. Introduzione - Allegro vivace | — | ||
| 48-2 | Piano Sonata No. 1 in F sharp minor, Op. 11: II. Aria | — | ||
| 48-3 | Piano Sonata No. 1 in F sharp minor, Op. 11: III. Scherzo e Intermezzo. Allegrissimo | — | ||
| 48-4 | Piano Sonata No. 1 in F sharp minor, Op. 11: IV. Finale. Allegro un poco maestoso | — | ||
| 48-5 | Piano Sonata No. 2 in G minor, Op. 22: I. So rasch wie möglich - Schneller - Noch schneller | — | ||
| 48-6 | Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. getragen | — | ||
| 48-7 | Piano Sonata No. 2 in G minor, Op. 22: III. Scherzo. sehr rasch - und markiert | — | ||
| 48-8 | Piano Sonata No. 2 in G minor, Op. 22: IV. Rondo. Presto | — | ||
| 49-1 | Fantasiestücke, op. 12: Des Abends | — | ||
| 49-2 | Fantasiestücke, op. 12: Aufschwung | — | ||
| 49-3 | Fantasiestücke, op. 12: Warum? | — | ||
| 49-4 | Fantasiestücke, op. 12: Grillen | — | ||
| 49-5 | Fantasiestücke, op. 12: In der Nacht | — | ||
| 49-6 | Fantasiestücke, op. 12: Fabel | — | ||
| 49-7 | Fantasiestücke, op. 12: Traumeswirren | — | ||
| 49-8 | Fantasiestücke, op. 12: Ende vom Lied | — | ||
| 49-9 | Waldszenen, op. 82: Eintritt | — | ||
| 49-10 | Waldszenen, op. 82: Jäger auf der Lauer | — | ||
| 49-11 | Waldszenen, op. 82: Einsame Blumen | — | ||
| 49-12 | Waldszenen, op. 82: Verrufene Stelle | — | ||
| 49-13 | Waldszenen, op. 82: Freundliche Landschaft | — | ||
| 49-14 | Waldszenen, op. 82: Herberge | — | ||
| 49-15 | Waldszenen, op. 82: Vogel als Prophet | — | ||
| 49-16 | Waldszenen, op. 82: Jagdlied | — | ||
| 49-17 | Waldszenen, op. 82: Abschied | — | ||
| 49-18 | Arabeske in C major, op. 18 | — | ||
| 49-19 | Kinderszenen, op. 15: Von fremden Ländern und Menschen | — | ||
| 49-20 | Kinderszenen, op. 15: Kuriöse Geschichten | — | ||
| 49-21 | Kinderszenen, op. 15: Hasche-Mann | — | ||
| 49-22 | Kinderszenen, op. 15: Bittendes Kind | — | ||
| 49-23 | Kinderszenen, op. 15: Glückes genug | — | ||
| 49-24 | Kinderszenen, op. 15: Wichtige Begebenheit | — | ||
| 49-25 | Kinderszenen, op. 15: Träumerei | — | ||
| 49-26 | Kinderszenen, op. 15: Am Kamin | — | ||
| 49-27 | Kinderszenen, op. 15: Ritter vom Steckenpferd | — | ||
| 49-28 | Kinderszenen, op. 15: Fast zu ernst | — | ||
| 49-29 | Kinderszenen, op. 15: Fürchtenmachen | — | ||
| 49-30 | Kinderszenen, op. 15: Kind im Einschlummern | — | ||
| 49-31 | Kinderszenen, op. 15: Der Dichter spricht | — | ||
| 50-1 | Allegro in B minor, op. 8 | — | ||
| 50-2 | Noveletten, op. 21: Markiert und kräftig | — | ||
| 50-3 | Noveletten, op. 21: Äusserst rasch und mit Bravour | — | ||
| 50-4 | Noveletten, op. 21: Leicht und mit Humor | — | ||
| 50-5 | Noveletten, op. 21: Ballmäßig - sehr munter | — | ||
| 50-6 | Noveletten, op. 21: Rauschend und festlich | — | ||
| 50-7 | Noveletten, op. 21: Sehr lebhaft, mit vielem Humor | — | ||
| 50-8 | Noveletten, op. 21: Äußerst rasch | — | ||
| 50-9 | Noveletten, op. 21: Sehr lebhaft | — | ||
| 50-10 | Fantasiestücke, op. 111: Sehr rasch, mit leidenschaftlichem Vortrag | — | ||
| 50-11 | Fantasiestücke, op. 111: Ziemlich langsam | — | ||
| 50-12 | Fantasiestücke, op. 111: Kräftig und sehr markiert | — | ||
| 50-13 | Gesänge der Frühe, op. 133: Im ruhigen Tempo | — | ||
| 50-14 | Gesänge der Frühe, op. 133: Belebt, nicht zu rasch | — | ||
| 50-15 | Gesänge der Frühe, op. 133: Lebhaft | — | ||
| 50-16 | Gesänge der Frühe, op. 133: Bewegt | — | ||
| 50-17 | Gesänge der Frühe, op. 133: Im Anfange ruhiges, im Verlauf bewegtes Tempo | — | ||
| 51-1 | Album für die Jugend, op. 68: Teil I "Für Kleinere": I. Melodie | — | ||
| 51-2 | Album für die Jugend, op. 68: Teil I "Für Kleinere": II. Soldatenmarsch | — | ||
| 51-3 | Album für die Jugend, op. 68: Teil I "Für Kleinere": III. Trällerliedchen | — | ||
| 51-4 | Album für die Jugend, op. 68: Teil I "Für Kleinere": IV. Ein Choral | — | ||
| 51-5 | Album für die Jugend, op. 68: Teil I "Für Kleinere": V. Stückchen | — | ||
| 51-6 | Album für die Jugend, op. 68: Teil I "Für Kleinere": VI. Armes Waisenkind | — | ||
| 51-7 | Album für die Jugend, op. 68: Teil I "Für Kleinere": VII. Jägerliedchen | — | ||
| 51-8 | Album für die Jugend, op. 68: Teil I "Für Kleinere": VIII. Wilder Reiter | — | ||
| 51-9 | Album für die Jugend, op. 68: Teil I "Für Kleinere": IX. Volksliedchen | — | ||
| 51-10 | Album für die Jugend, op. 68: Teil I "Für Kleinere": X. Fröhlicher Landmann | — | ||
| 51-11 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XI. Sizilianisch | — | ||
| 51-12 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XII. Knecht Ruprecht | — | ||
| 51-13 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XIII. Mai, lieber Mai | — | ||
| 51-14 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XIV. Kleiner Studie | — | ||
| 51-15 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XV. Frühlingsgesang | — | ||
| 51-16 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XVI. Erster Verlust | — | ||
| 51-17 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XVII. Kleiner Morgenwanderer | — | ||
| 51-18 | Album für die Jugend, op. 68: Teil I "Für Kleinere": XVIII. Schnitterliedchen | — | ||
| 51-19 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": I. Kleine Romanze | — | ||
| 51-20 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": II. Ländliches Lied | — | ||
| 51-21 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": III. (untitled).Lento espressivo | — | ||
| 51-22 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": IV. Rundgesang | — | ||
| 51-23 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": V. Reiterstück | — | ||
| 51-24 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VI. Ernteliedchen | — | ||
| 51-25 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VII. Nachklänge aus dem Theater | — | ||
| 51-26 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VIII. (untitled).Andante con moto | — | ||
| 51-27 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": IX. Kanonisches Liedchen | — | ||
| 51-28 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": X. Erinnerung | — | ||
| 51-29 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XI. Fremder Mann | — | ||
| 51-30 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XII. (untitled).Molto lento | — | ||
| 51-31 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIII. Kriegslied | — | ||
| 51-32 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIV. Sheherazade | — | ||
| 51-33 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XV. "Weinlesezeit - Fröhliche Zeit!" | — | ||
| 51-34 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVI. Thema | — | ||
| 51-35 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVII. Mignon | — | ||
| 51-36 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVIII. Lied italienischer Marinari | — | ||
| 51-37 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIX. Matrosenlied | — | ||
| 51-38 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XX. Winterzeit I | — | ||
| 51-39 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXI. Winterzeit II | — | ||
| 51-40 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXII. Kleine Fuge | — | ||
| 51-41 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXIII. Nordisches Lied | — | ||
| 51-42 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXIV. Figurierter Choral | — | ||
| 51-43 | Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXV. Silversterlied | — | ||
| 52-1 | Carnaval, op. 9: I. Preambule | — | ||
| 52-2 | Carnaval, op. 9: II. Pierrot | — | ||
| 52-3 | Carnaval, op. 9: III. Arlequin | — | ||
| 52-4 | Carnaval, op. 9: IV. Valse Noble | — | ||
| 52-5 | Carnaval, op. 9: V. Eusebius | — | ||
| 52-6 | Carnaval, op. 9: VI. Florestan | — | ||
| 52-7 | Carnaval, op. 9: VII. Coquette | — | ||
| 52-8 | Carnaval, op. 9: VIII. Replique | — | ||
| 52-9 | Carnaval, op. 9: IX. Sphinx 1, 2, & 3 | — | ||
| 52-10 | Carnaval, op. 9: X. Papillons | — | ||
| 52-11 | Carnaval, op. 9: XI. ASCH - SCHA (Lettres Dansantes) | — | ||
| 52-12 | Carnaval, op. 9: XII. Chiarina | — | ||
| 52-13 | Carnaval, op. 9: XIII. Chopin | — | ||
| 52-14 | Carnaval, op. 9: XIV. Estrella | — | ||
| 52-15 | Carnaval, op. 9: XV. Reconnaissance | — | ||
| 52-16 | Carnaval, op. 9: XVI. Pantalon Et Colombine | — | ||
| 52-17 | Carnaval, op. 9: XVII. Valse Allemande | — | ||
| 52-18 | Carnaval, op. 9: XVIII. Paganini | — | ||
| 52-19 | Carnaval, op. 9: XIX. Aveu | — | ||
| 52-20 | Carnaval, op. 9: XX. Promenade | — | ||
| 52-21 | Carnaval, op. 9: XXI. Pause | — | ||
| 52-22 | Carnaval, op. 9: XXII. Marche des "Davidsbündler" contre les Philistins | — | ||
| 52-23 | Nachtstücke, op. 23: I. Mehr langsam, oft zurückhaltend "Trauerzug" | — | ||
| 52-24 | Nachtstücke, op. 23: II. Markiert und lebhaft "Kuriose Gesellschaft" | — | ||
| 52-25 | Nachtstücke, op. 23: III. Mit großer Lebhaftigkeit "Nächtliches Gelage" | — | ||
| 52-26 | Nachtstücke, op. 23: IV. Ad libitum - Einfach "Rundgesang mit Solostimmen" | — | ||
| 52-27 | Toccata, op. 7 | — | ||
| 52-28 | Vier Klavierstücke, op. 32: I. Scherzo. Sehr markiert | — | ||
| 52-29 | Vier Klavierstücke, op. 32: II. Gigue. Sehr schnell | — | ||
| 52-30 | Vier Klavierstücke, op. 32: III. Romanze. Sehr rasch und mit bravour | — | ||
| 52-31 | Vier Klavierstücke, op. 32: IV. Fughette. Leise | — | ||
| 52-32 | Presto passionato (original finale of Sonata no. 2) | — | ||
| 53-1 | Abegg Variations, op. 1: Thema | — | ||
| 53-2 | Abegg Variations, op. 1: Var. 1 | — | ||
| 53-3 | Abegg Variations, op. 1: Var. 2 | — | ||
| 53-4 | Abegg Variations, op. 1: Var. 3 | — | ||
| 53-5 | Abegg Variations, op. 1: Cantabile | — | ||
| 53-6 | Abegg Variations, op. 1: Finale Alla Fantasia | — | ||
| 53-7 | 6 Intermezzi A-Dur, op. 4: I. Allegro quasi maestoso | — | ||
| 53-8 | 6 Intermezzi e-Moll, op. 4: II. Presto capriccio | — | ||
| 53-9 | 6 Intermezzi a-Moll, op. 4: III. Allegro marcato | — | ||
| 53-10 | 6 Intermezzi C-Dur, op. 4: IV. Allegretto semplice | — | ||
| 53-11 | 6 Intermezzi d-Moll, op. 4: V. Allegro moderato | — | ||
| 53-12 | 6 Intermezzi b-Moll, op. 4: VI. Allegro | — | ||
| 53-13 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): I. Thema Andante | — | ||
| 53-14 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): II. Etüde 1. Un poco più vivo | — | ||
| 53-15 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): III. Variation Anhang 1 | — | ||
| 53-16 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): IV. Etüde 2. Espressivo | — | ||
| 53-17 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): V. Etüde 3. Vivace | — | ||
| 53-18 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): VI. Etüde 4 | — | ||
| 53-19 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): VII. Etüde 5. Scherzando | — | ||
| 53-20 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): VIII. Variation Anhang 4 | — | ||
| 53-21 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): IX. Etüde 6. Agitato | — | ||
| 53-22 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): X. Etüde 7. Allegro molto | — | ||
| 53-23 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XI. Variation Anhang 2 | — | ||
| 53-24 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XII. Variation Anhang 5 | — | ||
| 53-25 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XIII. Etüde 8. Sempre marcatissimo | — | ||
| 53-26 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XIV. Etüde 9. Presto possibile | — | ||
| 53-27 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XV. Variation Anhang 3 | — | ||
| 53-28 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XVI. Etüde 10. Allegro con energia | — | ||
| 53-29 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XVII. Etüde 11. Con espressione | — | ||
| 53-30 | Symphonische Etüden, op. 13 (incl. 5 posth. variations): XVIII. Etüde 12. Finale. Allegro brillante | — | ||
| 54-1 | Hungarian Rhapsody no. 1 in C-sharp minor | — | ||
| 54-2 | Hungarian Rhapsody no. 2 in C-sharp minor | — | ||
| 54-3 | Hungarian Rhapsody no. 3 in B-flat major | — | ||
| 54-4 | Hungarian Rhapsody no. 4 in E-flat major | — | ||
| 54-5 | Hungarian Rhapsody no. 5 in E minor "Héroide élégiaque" | — | ||
| 54-6 | Hungarian Rhapsody no. 6 in D-flat major | — | ||
| 54-7 | Hungarian Rhapsody no. 7 in D minor | — | ||
| 54-8 | Hungarian Rhapsody no. 8 in F-sharp minor | — | ||
| 54-9 | Hungarian Rhapsody no. 9 in E-flat major "Pesther Carneval" | — | ||
| 55-1 | Hungarian Rhapsody no. 10 in E major | — | ||
| 55-2 | Hungarian Rhapsody no. 11 in A major | — | ||
| 55-3 | Hungarian Rhapsody no. 12 in C-sharp minor | — | ||
| 55-4 | Hungarian Rhapsody no. 13 in A minor | — | ||
| 55-5 | Hungarian Rhapsody no. 14 in F minor | — | ||
| 55-6 | Hungarian Rhapsody no. 15 in A minor "Rákóczy March" | — | ||
| 55-7 | Hungarian Rhapsody no. 16 in A minor | — | ||
| 55-8 | Hungarian Rhapsody no. 17 in D minor | — | ||
| 55-9 | Hungarian Rhapsody no. 18 in F-sharp minor | — | ||
| 55-10 | Hungarian Rhapsody no. 19 in D minor | — | ||
| 56-1 | Waldesrauschen | Klára Würtz | T-801.097.630-5 | |
| 56-2 | Gnomenreigen | Klára Würtz | — | |
| 56-3 | Liebestraum no. 3 in A-flat major | Klára Würtz | — | |
| 56-4 | Mephisto Waltz no. 1 | Klára Würtz | — | |
| 56-5 | Les jeux d'eau à la Villa d'Este | Klára Würtz | — | |
| 56-6 | Piano Sonata in B minor | — | ||
| 57-1 | Réminiscences de Lucia di Lammermoor, S 397 | — | ||
| 57-2 | Miserere du Trovatore, S 433 | — | ||
| 57-3 | Réminiscences de Norma, S 394 | — | ||
| 57-4 | Ouverture Oberon, S 574 | — | ||
| 57-5 | Bénédiction et serment de Benvenuto Cellini, S 396 | — | ||
| 57-6 | Pilgerchor aus Tannhäuse, S 442 | — | ||
| 57-7 | Grandes études de Paganini, S 141 no. 1: Tremolo in G minor | — | ||
| 57-8 | Grandes études de Paganini, S 141 no. 2: Octave in E-flat major | — | ||
| 57-9 | Grandes études de Paganini, S 141 no. 3: La campanella in G-sharp minor | — | ||
| 57-10 | Grandes études de Paganini, S 141 no. 4: Arpeggio in E major | — | ||
| 57-11 | Grandes études de Paganini, S 141 no. 5: La Chasse in E major | — | ||
| 57-12 | Grandes études de Paganini, S 141 no. 6: Variations in A minor | — | ||
| 58-1 | Années de pèlerinage, deuxième année, S 161 "Italie": IV. Sonetto 47 del Petrarca | — | ||
| 58-2 | Années de pèlerinage, deuxième année, S 161 "Italie": V. Sonetto 104 del Petrarca | — | ||
| 58-3 | Années de pèlerinage, deuxième année, S 161 "Italie": VI. Sonetto 123 del Petrarca | — | ||
| 58-4 | Venezia e Napoli, S 162: III. Tarantella | — | ||
| 58-5 | Harmonies poétiques et réligieuses, S 173: I. Invocation | — | ||
| 58-6 | Harmonies poétiques et réligieuses, S 173: III. Bénédiction de Dieu dans la solitude | — | ||
| 58-7 | Harmonies poétiques et réligieuses, S 173: IV. Pensée des morts | — | ||
| 58-8 | Harmonies poétiques et réligieuses, S 173: VII. Funérailles | — | ||
| 58-9 | Harmonies poétiques et réligieuses, S 173: XX. Cantique d'amour | — | ||
| 59-1 | Sonata "Après une lecture de Dante" | — | ||
| 59-2 | Mephisto Waltz no. 1 | — | ||
| 59-3 | Douze Études d'exécution transcendante: I. Prelude | — | ||
| 59-4 | Douze Études d'exécution transcendante: III. Paysage | — | ||
| 59-5 | Douze Études d'exécution transcendante: V. Feux follets | — | ||
| 59-6 | Douze Études d'exécution transcendante: VI. Vision | — | ||
| 59-7 | Douze Études d'exécution transcendante: X. Appasionata | — | ||
| 59-8 | Douze Études d'exécution transcendante: XI. Harmonies du soir | — | ||
| 59-9 | Douze Études d'exécution transcendante: XII. Chasse neige | — | ||
| 59-10 | Rhapsodie Espagnole | — | ||
| 60-1 | Czech Dances, Book I: Polka in F-sharp minor | — | ||
| 60-2 | Czech Dances, Book I: Polka in A minor | — | ||
| 60-3 | Czech Dances, Book I: Polka in F major | — | ||
| 60-4 | Czech Dances, Book I: Polka in B-flat major | — | ||
| 60-5 | Czech Dances, Book II, JB 1:114 no. 1: Furiant | — | ||
| 60-6 | Czech Dances, Book II, JB 1:114 no. 2: Slepička | — | ||
| 60-7 | Czech Dances, Book II, JB 1:114 no. 3: Oves | — | ||
| 60-8 | Czech Dances, Book II, JB 1:114 no. 4: Medvĕd | — | ||
| 60-9 | Czech Dances, Book II, JB 1:114 no. 5: Cibulička | — | ||
| 60-10 | Czech Dances, Book II, JB 1:114 no. 6: Dupák | — | ||
| 60-11 | Czech Dances, Book II, JB 1:114 no. 7: Hulán | — | ||
| 60-12 | Czech Dances, Book II, JB 1:114 no. 8: Obkročák | — | ||
| 60-13 | Czech Dances, Book II, JB 1:114 no. 9: Sousedská | — | ||
| 60-14 | Czech Dances, Book II, JB 1:114 no. 10: Skočná | — | ||
| 61-1 | Sonata for Piano no. 1 in C major, op. 1: I. Allegro | — | ||
| 61-2 | Sonata for Piano no. 1 in C major, op. 1: II. Andante (nach einem altdeutschen Minneliede) | — | ||
| 61-3 | Sonata for Piano no. 1 in C major, op. 1: III. Scherzo. Allegro molto e con fuoco - Più mosso | — | ||
| 61-4 | Sonata for Piano no. 1 in C major, op. 1: IV. Finale. Allegro con fuoco - Presto non troppo ed agitato | — | ||
| 61-5 | Scherzo for Piano in E-flat minor, op. 4 | — | ||
| 61-6 | Waltz in B major, op. 39 no. 1: Tempo giusto | — | ||
| 61-7 | Waltz in E major, op. 39 no. 2 | — | ||
| 61-8 | Waltz in G-sharp minor, op. 39 no. 3 | — | ||
| 61-9 | Waltz in E minor, op. 39 no. 4: Poco sostenuto | — | ||
| 61-10 | Waltz in E major, op. 39 no. 5: Grazioso | — | ||
| 61-11 | Waltz in C-sharp major, op. 39 no. 6: Vivace | — | ||
| 61-12 | Waltz in C-sharp minor, op. 39 no. 7: Poco più andante | — | ||
| 61-13 | Waltz in B-flat major, op. 39 no. 8 | — | ||
| 61-14 | Waltz in D minor, op. 39 no. 9 | — | ||
| 61-15 | Waltz in G major, op. 39 no. 10 | — | ||
| 61-16 | Waltz in B minor, op. 39 no. 11 | — | ||
| 61-17 | Waltz in E major, op. 39 no. 12 | — | ||
| 61-18 | Waltz in B major, op. 39 no. 13 | — | ||
| 61-19 | Waltz in G-sharp minor, op. 39 no. 14 | — | ||
| 61-20 | Waltz in A-flat major, op. 39 no. 15 | — | ||
| 61-21 | Waltz in C-sharp minor, op. 39 no. 16 | — | ||
| 62-1 | Piano Sonata no. 2 in F-sharp minor, op. 2: I. Allegro non troppo, ma energico | — | ||
| 62-2 | Piano Sonata no. 2 in F-sharp minor, op. 2: II. Andante con esprezzione | — | ||
| 62-3 | Piano Sonata no. 2 in F-sharp minor, op. 2: III. Scherzo. Allegro | — | ||
| 62-4 | Piano Sonata no. 2 in F-sharp minor, op. 2: IV. Finale. Introduzione - Allegro non troppo e rubato | — | ||
| 62-5 | Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso | — | ||
| 62-6 | Piano Sonata no. 3 in F minor, op. 5: II. Andante espressive | — | ||
| 62-7 | Piano Sonata no. 3 in F minor, op. 5: III. Scherzo: Allegro energico | — | ||
| 62-8 | Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo: Andante molto | — | ||
| 62-9 | Piano Sonata no. 3 in F minor, op. 5: V. Finale: Allegro moderato ma rubato | — | ||
| 63-1 | Variations on a Theme of Paganini, op. 35 no. 1: Thema. Non troppo presto | — | ||
| 63-2 | Variations on a Theme of Paganini, op. 35 no. 1: Variation I | — | ||
| 63-3 | Variations on a Theme of Paganini, op. 35 no. 1: Variation II | — | ||
| 63-4 | Variations on a Theme of Paganini, op. 35 no. 1: Variation III | — | ||
| 63-5 | Variations on a Theme of Paganini, op. 35 no. 1: Variation IV | — | ||
| 63-6 | Variations on a Theme of Paganini, op. 35 no. 1: Variation V: Espressivo - Molto leggiero | — | ||
| 63-7 | Variations on a Theme of Paganini, op. 35 no. 1: Variation VI: Molto leggiero | — | ||
| 63-8 | Variations on a Theme of Paganini, op. 35 no. 1: Variation VII | — | ||
| 63-9 | Variations on a Theme of Paganini, op. 35 no. 1: Variation VIII: Staccato | — | ||
| 63-10 | Variations on a Theme of Paganini, op. 35 no. 1: Variation IX: Legato | — | ||
| 63-11 | Variations on a Theme of Paganini, op. 35 no. 1: Variation X: Sotto voce | — | ||
| 63-12 | Variations on a Theme of Paganini, op. 35 no. 1: Variation XI: Andante - Molto legato e dolce - Espressivo | — | ||
| 63-13 | Variations on a Theme of Paganini, op. 35 no. 1: Variation XII: Molto dolce | — | ||
| 63-14 | Variations on a Theme of Paganini, op. 35 no. 1: Variation XIII: Vivace e scherzando | — | ||
| 63-15 | Variations on a Theme of Paganini, op. 35 no. 1: Variation XIV: Ben marcato, con fuoco - Presto, ma non troppo | — | ||
| 63-16 | Variations on a Theme of Paganini, op. 35 no. 2: Thema: Non troppo presto | — | ||
| 63-17 | Variations on a Theme of Paganini, op. 35 no. 2: Variation I | — | ||
| 63-18 | Variations on a Theme of Paganini, op. 35 no. 2: Variation II: Poco animato - Poco forte espressivo - Legato | — | ||
| 63-19 | Variations on a Theme of Paganini, op. 35 no. 2: Variation III: Leggiero - Espressivo | — | ||
| 63-20 | Variations on a Theme of Paganini, op. 35 no. 2: Variation IV: Poco allegretto, con grazia | — | ||
| 63-21 | Variations on a Theme of Paganini, op. 35 no. 2: Variation V: Dolce | — | ||
| 63-22 | Variations on a Theme of Paganini, op. 35 no. 2: Variation VI: Poco più vivace - Leggiero | — | ||
| 63-23 | Variations on a Theme of Paganini, op. 35 no. 2: Variation VII: Leggiero e ben marcato | — | ||
| 63-24 | Variations on a Theme of Paganini, op. 35 no. 2: Variation VIII: Allegro - Leggiero - Quasi pizzicato | — | ||
| 63-25 | Variations on a Theme of Paganini, op. 35 no. 2: Variation IX | — | ||
| 63-26 | Variations on a Theme of Paganini, op. 35 no. 2: Variation X: Feroce - Energico | — | ||
| 63-27 | Variations on a Theme of Paganini, op. 35 no. 2: Variation XI: Vivace, non legato e scherzando | — | ||
| 63-28 | Variations on a Theme of Paganini, op. 35 no. 2: Variation XII: Un poco andante, dolce espressivo | — | ||
| 63-29 | Variations on a Theme of Paganini, op. 35 no. 2: Variation XIII: Un poco più andante - Poco espressivo | — | ||
| 63-30 | Variations on a Theme of Paganini, op. 35 no. 2: Variation XIV: Presto, ma non troppo - Scherzando | — | ||
| 63-31 | Variations and Fugue on a Theme of Händel, op. 24: Aria: Rhytmisch, mit Humor | — | ||
| 63-32 | Variations and Fugue on a Theme of Händel, op. 24: Variation I: L'Istesso tempo | — | ||
| 63-33 | Variations and Fugue on a Theme of Händel, op. 24: Variation II: Con espressione | — | ||
| 63-34 | Variations and Fugue on a Theme of Händel, op. 24: Variation III: Grazioso | — | ||
| 63-35 | Variations and Fugue on a Theme of Händel, op. 24: Variation IV: Risoluto - Con fuoco - Staccato | — | ||
| 63-36 | Variations and Fugue on a Theme of Händel, op. 24: Variation V: Affettuoso - Espressivo | — | ||
| 63-37 | Variations and Fugue on a Theme of Händel, op. 24: Variation VI: Sordo e legato | — | ||
| 63-38 | Variations and Fugue on a Theme of Händel, op. 24: Variation VII: Con vivacita | — | ||
| 63-39 | Variations and Fugue on a Theme of Händel, op. 24: Variation VIII: Martellato/Distinto, non legato | — | ||
| 63-40 | Variations and Fugue on a Theme of Händel, op. 24: Variation IX: Poco sostenuto, legato | — | ||
| 63-41 | Variations and Fugue on a Theme of Händel, op. 24: Variation X: Energico | — | ||
| 63-42 | Variations and Fugue on a Theme of Händel, op. 24: Variation XI: Lusingando, con tenerezza - Dolce - Legato | — | ||
| 63-43 | Variations and Fugue on a Theme of Händel, op. 24: Variation XII: L'Istesso tempo - Semplice - Soave - Legato | — | ||
| 63-44 | Variations and Fugue on a Theme of Händel, op. 24: Variation XIII: Largamente, ma non più - Espressivo | — | ||
| 63-45 | Variations and Fugue on a Theme of Händel, op. 24: Variation XIV: Vivace - Sciolto | — | ||
| 63-46 | Variations and Fugue on a Theme of Händel, op. 24: Variation XV: L'Istesso tempo | — | ||
| 63-47 | Variations and Fugue on a Theme of Händel, op. 24: Variation XVI: Scherzando | — | ||
| 63-48 | Variations and Fugue on a Theme of Händel, op. 24: Variation XVII: Più mosso - Semplice | — | ||
| 63-49 | Variations and Fugue on a Theme of Händel, op. 24: Variation XVIII: Grazioso | — | ||
| 63-50 | Variations and Fugue on a Theme of Händel, op. 24: Variation XIX: Leggiero e vivace, alla Siciliana | — | ||
| 63-51 | Variations and Fugue on a Theme of Händel, op. 24: Variation XX: Andante espressivo, legato | — | ||
| 63-52 | Variations and Fugue on a Theme of Händel, op. 24: Variation XXI: Allegretto vivace, dolce/leggiero | — | ||
| 63-53 | Variations and Fugue on a Theme of Händel, op. 24: Variation XXII: Alla Musette | — | ||
| 63-54 | Variations and Fugue on a Theme of Händel, op. 24: Variation XXIII: Vivace - Sospetto - Vivace e staccato | — | ||
| 63-55 | Variations and Fugue on a Theme of Händel, op. 24: Variation XXIV: L'Istesso tempo - Tumultuoso - Feroce | — | ||
| 63-56 | Variations and Fugue on a Theme of Händel, op. 24: Variation XXV: Poco più lento - Festivo - Fieramente, con tutta forza | — | ||
| 63-57 | Variations and Fugue on a Theme of Händel, op. 24: Fuga: Allegro sostenuto e fermo | — | ||
| 64-5 | Variations on an Original Theme, op. 21 no. 1: V. Variation IV: [Poco più lento] Dolce | — | ||
| 64-6 | Variations on an Original Theme, op. 21 no. 1: VI. Variation V: Tempo di tema, Canone in moto contrario, molto dolce, teneramente | — | ||
| 64-11 | Variations on an Original Theme, op. 21 no. 1: XI. Variation X: Espressivo agitato | — | ||
| 64-13 | Variations on a Hungarian Song, op. 21 no. 2: I. Allegro | — | ||
| 64-15 | Variations on a Hungarian Song, op. 21 no. 2: III. Variation II | — | ||
| 64-16 | Variations on a Hungarian Song, op. 21 no. 2: IV. Variation III | — | ||
| 64-17 | Variations on a Hungarian Song, op. 21 no. 2: V. Variation IV | — | ||
| 64-21 | Variations on a Hungarian Song, op. 21 no. 2: IX. Variation VIII: [Ancora un poco più lento] Espressivo, dolce | — | ||
| 64-22 | Variations on a Hungarian Song, op. 21 no. 2: X. Variation IX: Dolce | — | ||
| 64-25 | Variations on a Hungarian Song, op. 21 no. 2: XIII. Variation XII: Espressivo | — | ||
| 64-26 | Variations on a Hungarian Song, op. 21 no. 2: XIV. Variation XIII: Con forza - Allegro - Tempo I più animato | — | ||
| 64-32 | Variations on a Theme of Robert Schumann, op. 9: VI. Variation V: Allegro capriccioso | — | ||
| 64-33 | Variations on a Theme of Robert Schumann, op. 9: VII. Variation VI: Allegro | — | ||
| 64-34 | Variations on a Theme of Robert Schumann, op. 9: VIII. Variation VII: Andante | — | ||
| 64-36 | Variations on a Theme of Robert Schumann, op. 9: X. Variation IX: Schnell | — | ||
| 64-39 | Variations on a Theme of Robert Schumann, op. 9: XIII. Variation XII: Allegretto, poco scherzando, staccato e leggiero | — | ||
| 64-40 | Variations on a Theme of Robert Schumann, op. 9: XIV. Variation XIII: Non troppo presto, molto leggiero | — | ||
| 64-41 | Variations on a Theme of Robert Schumann, op. 9: XV. Variation XIV: Andante, espressivo/staccato e leggiero | — | ||
| 64-43 | Variations on a Theme of Robert Schumann, op. 9: XVII. Variation XVI: Adagio | — |
