UPC · Release
Gennady Rozhdestvensky
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The UPC for “Historical Russian Archives: Gennady Rozhdestvensky Edition” by Gennady Rozhdestvensky is 5029365901925. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Brilliant Classics. This release contains 116 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Erwählung eines Kappellmeisters: Der Chor, den das Schicksal getrennet | — | ||
| 2 | Die Erwählung eines Kappellmeisters: Aus allen unseren Söhnen | — | ||
| 3 | Die Erwählung eines Kappellmeisters: Weisester Apollo | — | ||
| 4 | Die Erwählung eines Kappellmeisters: Ein’ Stimme ohne Witz, ein’ Nadel ohne Spitz | — | ||
| 5 | Die Erwählung eines Kappellmeisters: Die Wissenschaft ist schön | — | ||
| 6 | Die Erwählung eines Kappellmeisters: Aus Pindus Berg herunter fließt | — | ||
| 7 | Die Erwählung eines Kappellmeisters: Wie trefflich stimmet alles zusamen | — | ||
| 8 | Die Erwählung eines Kappellmeisters: Ju, he, he, à peu près | — | ||
| 9 | Die Erwählung eines Kappellmeisters: Schweiget, nasse Pippenbruder | — | ||
| 10 | Die Erwählung eines Kappellmeisters: Es leb’ der echte Musensohn | — | ||
| 11 | Three Preludes and Fugues, K. 404: Adagio | — | ||
| 12 | Three Preludes and Fugues, K. 404: Fugue | — | ||
| 13 | Three Preludes and Fugues, K. 404: Adagio | — | ||
| 14 | Three Preludes and Fugues, K. 404: Fugue | — | ||
| 15 | Three Preludes and Fugues, K. 404: Adagio | — | ||
| 16 | Three Preludes and Fugues, K. 404: Fugue | — | ||
| 17 | Narcisse et Echo: Overture | — | ||
| 18 | Danilowa: Overture | — | ||
| 19 | La Prisonnière: Overture | — | ||
| 2-1 | Symphony no. 2 in B-flat, op. 4: I. Allegro molto | — | ||
| 2-2 | Symphony no. 2 in B-flat, op. 4: II. Poco adagio | — | ||
| 2-3 | Symphony no. 2 in B-flat, op. 4: III. Scherzo: Allegro con brio | — | ||
| 2-4 | Symphony no. 2 in B-flat, op. 4: IV. Allegro con fuoco | — | ||
| 2-5 | Richard III: Overture | — | ||
| 2-6 | Faust: Overture | — | ||
| 3-1 | Rothschild’s Violin: The Wedding Band | — | ||
| 3-2 | Rothschild’s Violin: What are you playing? | — | ||
| 3-3 | Rothschild’s Violin: This small town is worse than a village | — | ||
| 3-4 | Rothschild’s Violin: Band Music | — | ||
| 3-5 | Rothschild’s Violin: Do you remember, Yakov? | — | ||
| 3-6 | Rothschild’s Violin: God had given us a little girl | — | ||
| 3-7 | Rothschild’s Violin: Band Music - Make that trumpet merrier! | — | ||
| 3-8 | Rothschild’s Violin: Down here on earth | — | ||
| 3-9 | Rothschild’s Violin: Rothschild runs away | — | ||
| 3-10 | Rothschild’s Violin: Loss: One coffin for Marfa Ivanova | — | ||
| 3-11 | Rothschild’s Violin: If they could live without hatred or evil | — | ||
| 3-12 | Rothschild’s Violin: It’s better to die | — | ||
| 3-13 | Rothschild’s Violin: Be kind to me, don’t hit me! | — | ||
| 3-14 | Rothschild’s Violin: Rothschild plays the violin | — | ||
| 3-15 | Express Train Polka | — | ||
| 3-16 | British and American Folk Songs: Blow the wind southerly | — | ||
| 3-17 | British and American Folk Songs: When we were first acquent | — | ||
| 3-18 | British and American Folk Songs: Billy Boy | — | ||
| 3-19 | British and American Folk Songs: Oh! the Oak and the Ash | — | ||
| 3-20 | British and American Folk Songs: Servants of King Arthur | — | ||
| 3-21 | British and American Folk Songs: Coming thro’ the Rye | — | ||
| 3-22 | British and American Folk Songs: Come Lasses and Lads | — | ||
| 3-23 | British and American Folk Songs: When Johnny comes marching home | — | ||
| 4-1 | Symphony no. 1 in F minor, op. 10: I. Allegretto – Allegro non troppo | — | ||
| 4-2 | Symphony no. 1 in F minor, op. 10: II. Allegro – Meno mosso | — | ||
| 4-3 | Symphony no. 1 in F minor, op. 10: III. Lento – Largo – Lento | — | ||
| 4-4 | Symphony no. 1 in F minor, op. 10: IV. Allegro molto – Lento – Allegro molto | — | ||
| 4-5 | Festive Overture, op. 96 | — | ||
| 4-6 | Mournful-Triumphal Prelude in Memory of the Stalingrad Heroes, op. 130 | — | ||
| 4-7 | Entractes from Katerina Ismailova: Scenes 1–2: Allegretto | — | ||
| 4-8 | Entractes from Katerina Ismailova: Scenes 2–3: Allegro con brio | — | ||
| 4-9 | Entractes from Katerina Ismailova: Scenes 4–5: Largo (Passacaglia) | — | ||
| 4-10 | Entractes from Katerina Ismailova: Scenes 6–7: Allegretto | — | ||
| 4-11 | Entractes from Katerina Ismailova: Scenes 7–8: Presto | — | ||
| 4-12 | Der arme Columbus: Overture | — | ||
| 5-1 | Symphony no. 4 in C minor, op. 43: Allegro, poco moderato – Presto – Tempo I | — | ||
| 5-2 | Symphony no. 4 in C minor, op. 43: Moderato, con moto | — | ||
| 5-3 | Symphony no. 4 in C minor, op. 43: Largo – Allegro | — | ||
| 6-1 | Symphony no. 7 in C, op. 60 “Leningrad”: I. Allegretto | — | ||
| 6-2 | Symphony no. 7 in C, op. 60 “Leningrad”: II. Moderato (Poco allegretto) | — | ||
| 6-3 | Symphony no. 7 in C, op. 60 “Leningrad”: III. Adagio | — | ||
| 6-4 | Symphony no. 7 in C, op. 60 “Leningrad”: IV. Allegro non troppo | — | ||
| 7-1 | Symphony no. 9 in E-flat, op. 45: I. Allegro | — | ||
| 7-2 | Symphony no. 9 in E-flat, op. 45: II. Moderato | — | ||
| 7-3 | Symphony no. 9 in E-flat, op. 45: III. Presto | — | ||
| 7-4 | Symphony no. 9 in E-flat, op. 45: IV. Largo | — | ||
| 7-5 | Symphony no. 9 in E-flat, op. 45: V. Allegretto – Allegro | — | ||
| 7-6 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: I. Truth | — | ||
| 7-7 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: II. Morning | — | ||
| 7-8 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: III. Love | — | ||
| 7-9 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: IV. Separation | — | ||
| 7-10 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: V. Anger | — | ||
| 7-11 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: VI. Dante | — | ||
| 7-12 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: VII. To the Exile | — | ||
| 7-13 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: VIII. Creativity | — | ||
| 7-14 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: IX. Night | — | ||
| 7-15 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: X. Death | — | ||
| 7-16 | Suite on Verses by MichelangeloBuonarrotti, op. 145a: XI. Immortality | — | ||
| 8-1 | Symphony no. 10 in E minor, op. 93: I. Moderato | — | ||
| 8-2 | Symphony no. 10 in E minor, op. 93: II. Allegro | — | ||
| 8-3 | Symphony no. 10 in E minor, op. 93: III. Allegretto | — | ||
| 8-4 | Symphony no. 10 in E minor, op. 93: IV. Andante – Allegro | — | ||
| 8-5 | The Bolt, Ballet Suite: Introduction | — | ||
| 8-6 | The Bolt, Ballet Suite: The Bureaucrat’s Dance | — | ||
| 8-7 | The Bolt, Ballet Suite: Intermezzo | — | ||
| 8-8 | The Bolt, Ballet Suite: The Conciliator | — | ||
| 8-9 | The Bolt, Ballet Suite: Drayman’s Dance | — | ||
| 9-1 | Symphony no. 3 in C, op. 17: I. Allegro assai | — | ||
| 9-2 | Symphony no. 3 in C, op. 17: II. Andante | — | ||
| 9-3 | Symphony no. 3 in C, op. 17: III. Vivo assai | — | ||
| 9-4 | Symphony no. 3 in C, op. 17: IV. Andante – Allegro assai | — | ||
| 9-5 | The Flea, Suite: I. Moderato assai | — | ||
| 9-6 | The Flea, Suite: II. Andante con moto | — | ||
| 9-7 | The Flea, Suite: III. Andantino | — | ||
| 9-8 | The Flea, Suite: IV. Andantino | — | ||
| 9-9 | The Flea, Suite: V. Tempo di valse | — | ||
| 9-10 | The Flea, Suite: VI. Moderato | — | ||
| 9-11 | Sinfonietta for String Orchestra: I. Allegro moderato | — | ||
| 9-12 | Sinfonietta for String Orchestra: II. Allegretto grazioso | — | ||
| 9-13 | Sinfonietta for String Orchestra: III. Vivo | — | ||
| 9-14 | Sinfonietta for String Orchestra: IV. Andante sostenuto | — | ||
| 9-15 | Sinfonietta for String Orchestra: V. Allegro con fuoco | — | ||
| 9-16 | Symphony no. 3 in C: I. Allegro moderato | — | ||
| 9-17 | Symphony no. 3 in C: II. Andante | — | ||
| 9-18 | Symphony no. 3 in C: III. Vivo | — | ||
| 9-19 | Symphony no. 3 in C: IV. Andante sostenuto – Allegro | — | ||
| 10-1 | Concerto-Poem for Violin and Orchestra | — | ||
| 10-2 | Immobile for Piano and Orchestra | — | ||
| 10-3 | Concerning Water, Dead and Alive (Concerto for Oboe and Strings) | — | ||
| 10-4 | Telescope 2 (Suite for Orchestra) | — | ||
| 10-5 | Iron Foundry | — |
Credits Graph
5029365901925 is a Universal Product Code (UPC) assigned to Historical Russian Archives: Gennady Rozhdestvensky Edition by Gennady Rozhdestvensky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 116 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Historical Russian Archives: Gennady Rozhdestvensky Edition” by Gennady Rozhdestvensky is 5029365901925. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Brilliant Classics. This release contains 116 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Erwählung eines Kappellmeisters: Der Chor, den das Schicksal getrennet | — | ||
| 2 | Die Erwählung eines Kappellmeisters: Aus allen unseren Söhnen | — | ||
| 3 | Die Erwählung eines Kappellmeisters: Weisester Apollo | — | ||
| 4 | Die Erwählung eines Kappellmeisters: Ein’ Stimme ohne Witz, ein’ Nadel ohne Spitz | — | ||
| 5 | Die Erwählung eines Kappellmeisters: Die Wissenschaft ist schön | — | ||
| 6 | Die Erwählung eines Kappellmeisters: Aus Pindus Berg herunter fließt | — | ||
| 7 | Die Erwählung eines Kappellmeisters: Wie trefflich stimmet alles zusamen | — | ||
| 8 | Die Erwählung eines Kappellmeisters: Ju, he, he, à peu près | — | ||
| 9 | Die Erwählung eines Kappellmeisters: Schweiget, nasse Pippenbruder | — | ||
| 10 | Die Erwählung eines Kappellmeisters: Es leb’ der echte Musensohn | — | ||
| 11 | Three Preludes and Fugues, K. 404: Adagio | — | ||
| 12 | Three Preludes and Fugues, K. 404: Fugue | — | ||
| 13 | Three Preludes and Fugues, K. 404: Adagio | — | ||
| 14 | Three Preludes and Fugues, K. 404: Fugue | — | ||
| 15 | Three Preludes and Fugues, K. 404: Adagio | — | ||
| 16 | Three Preludes and Fugues, K. 404: Fugue | — | ||
| 17 | Narcisse et Echo: Overture | — | ||
| 18 | Danilowa: Overture | — | ||
| 19 | La Prisonnière: Overture | — | ||
| 2-1 | Symphony no. 2 in B-flat, op. 4: I. Allegro molto | — | ||
| 2-2 | Symphony no. 2 in B-flat, op. 4: II. Poco adagio | — | ||
| 2-3 | Symphony no. 2 in B-flat, op. 4: III. Scherzo: Allegro con brio | — | ||
| 2-4 | Symphony no. 2 in B-flat, op. 4: IV. Allegro con fuoco | — | ||
| 2-5 | Richard III: Overture | — | ||
| 2-6 | Faust: Overture | — | ||
| 3-1 | Rothschild’s Violin: The Wedding Band | — | ||
| 3-2 | Rothschild’s Violin: What are you playing? | — | ||
| 3-3 | Rothschild’s Violin: This small town is worse than a village | — | ||
| 3-4 | Rothschild’s Violin: Band Music | — | ||
| 3-5 | Rothschild’s Violin: Do you remember, Yakov? | — | ||
| 3-6 | Rothschild’s Violin: God had given us a little girl | — | ||
| 3-7 | Rothschild’s Violin: Band Music - Make that trumpet merrier! | — | ||
| 3-8 | Rothschild’s Violin: Down here on earth | — | ||
| 3-9 | Rothschild’s Violin: Rothschild runs away | — | ||
| 3-10 | Rothschild’s Violin: Loss: One coffin for Marfa Ivanova | — | ||
| 3-11 | Rothschild’s Violin: If they could live without hatred or evil | — | ||
| 3-12 | Rothschild’s Violin: It’s better to die | — | ||
| 3-13 | Rothschild’s Violin: Be kind to me, don’t hit me! | — | ||
| 3-14 | Rothschild’s Violin: Rothschild plays the violin | — | ||
| 3-15 | Express Train Polka | — | ||
| 3-16 | British and American Folk Songs: Blow the wind southerly | — | ||
| 3-17 | British and American Folk Songs: When we were first acquent | — | ||
| 3-18 | British and American Folk Songs: Billy Boy | — | ||
| 3-19 | British and American Folk Songs: Oh! the Oak and the Ash | — | ||
| 3-20 | British and American Folk Songs: Servants of King Arthur | — | ||
| 3-21 | British and American Folk Songs: Coming thro’ the Rye | — | ||
| 3-22 | British and American Folk Songs: Come Lasses and Lads | — | ||
| 3-23 | British and American Folk Songs: When Johnny comes marching home | — | ||
| 4-1 | Symphony no. 1 in F minor, op. 10: I. Allegretto – Allegro non troppo | — | ||
| 4-2 | Symphony no. 1 in F minor, op. 10: II. Allegro – Meno mosso | — | ||
| 4-3 | Symphony no. 1 in F minor, op. 10: III. Lento – Largo – Lento | — | ||
| 4-4 | Symphony no. 1 in F minor, op. 10: IV. Allegro molto – Lento – Allegro molto | — | ||
| 4-5 | Festive Overture, op. 96 | — | ||
| 4-6 | Mournful-Triumphal Prelude in Memory of the Stalingrad Heroes, op. 130 | — | ||
| 4-7 | Entractes from Katerina Ismailova: Scenes 1–2: Allegretto | — | ||
| 4-8 | Entractes from Katerina Ismailova: Scenes 2–3: Allegro con brio | — | ||
| 4-9 | Entractes from Katerina Ismailova: Scenes 4–5: Largo (Passacaglia) | — | ||
| 4-10 | Entractes from Katerina Ismailova: Scenes 6–7: Allegretto | — | ||
| 4-11 | Entractes from Katerina Ismailova: Scenes 7–8: Presto | — | ||
| 4-12 | Der arme Columbus: Overture | — | ||
| 5-1 | Symphony no. 4 in C minor, op. 43: Allegro, poco moderato – Presto – Tempo I | — | ||
| 5-2 | Symphony no. 4 in C minor, op. 43: Moderato, con moto | — | ||
| 5-3 | Symphony no. 4 in C minor, op. 43: Largo – Allegro | — | ||
| 6-1 | Symphony no. 7 in C, op. 60 “Leningrad”: I. Allegretto | — | ||
| 6-2 | Symphony no. 7 in C, op. 60 “Leningrad”: II. Moderato (Poco allegretto) | — | ||
| 6-3 | Symphony no. 7 in C, op. 60 “Leningrad”: III. Adagio | — | ||
| 6-4 | Symphony no. 7 in C, op. 60 “Leningrad”: IV. Allegro non troppo | — | ||
| 7-1 | Symphony no. 9 in E-flat, op. 45: I. Allegro | — | ||
| 7-2 | Symphony no. 9 in E-flat, op. 45: II. Moderato | — | ||
| 7-3 | Symphony no. 9 in E-flat, op. 45: III. Presto | — | ||
| 7-4 | Symphony no. 9 in E-flat, op. 45: IV. Largo | — | ||
| 7-5 | Symphony no. 9 in E-flat, op. 45: V. Allegretto – Allegro | — | ||
| 7-6 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: I. Truth | — | ||
| 7-7 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: II. Morning | — | ||
| 7-8 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: III. Love | — | ||
| 7-9 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: IV. Separation | — | ||
| 7-10 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: V. Anger | — | ||
| 7-11 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: VI. Dante | — | ||
| 7-12 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: VII. To the Exile | — | ||
| 7-13 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: VIII. Creativity | — | ||
| 7-14 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: IX. Night | — | ||
| 7-15 | Suite on Verses by Michelangelo Buonarrotti, op. 145a: X. Death | — | ||
| 7-16 | Suite on Verses by MichelangeloBuonarrotti, op. 145a: XI. Immortality | — | ||
| 8-1 | Symphony no. 10 in E minor, op. 93: I. Moderato | — | ||
| 8-2 | Symphony no. 10 in E minor, op. 93: II. Allegro | — | ||
| 8-3 | Symphony no. 10 in E minor, op. 93: III. Allegretto | — | ||
| 8-4 | Symphony no. 10 in E minor, op. 93: IV. Andante – Allegro | — | ||
| 8-5 | The Bolt, Ballet Suite: Introduction | — | ||
| 8-6 | The Bolt, Ballet Suite: The Bureaucrat’s Dance | — | ||
| 8-7 | The Bolt, Ballet Suite: Intermezzo | — | ||
| 8-8 | The Bolt, Ballet Suite: The Conciliator | — | ||
| 8-9 | The Bolt, Ballet Suite: Drayman’s Dance | — | ||
| 9-1 | Symphony no. 3 in C, op. 17: I. Allegro assai | — | ||
| 9-2 | Symphony no. 3 in C, op. 17: II. Andante | — | ||
| 9-3 | Symphony no. 3 in C, op. 17: III. Vivo assai | — | ||
| 9-4 | Symphony no. 3 in C, op. 17: IV. Andante – Allegro assai | — | ||
| 9-5 | The Flea, Suite: I. Moderato assai | — | ||
| 9-6 | The Flea, Suite: II. Andante con moto | — | ||
| 9-7 | The Flea, Suite: III. Andantino | — | ||
| 9-8 | The Flea, Suite: IV. Andantino | — | ||
| 9-9 | The Flea, Suite: V. Tempo di valse | — | ||
| 9-10 | The Flea, Suite: VI. Moderato | — | ||
| 9-11 | Sinfonietta for String Orchestra: I. Allegro moderato | — | ||
| 9-12 | Sinfonietta for String Orchestra: II. Allegretto grazioso | — | ||
| 9-13 | Sinfonietta for String Orchestra: III. Vivo | — | ||
| 9-14 | Sinfonietta for String Orchestra: IV. Andante sostenuto | — | ||
| 9-15 | Sinfonietta for String Orchestra: V. Allegro con fuoco | — | ||
| 9-16 | Symphony no. 3 in C: I. Allegro moderato | — | ||
| 9-17 | Symphony no. 3 in C: II. Andante | — | ||
| 9-18 | Symphony no. 3 in C: III. Vivo | — | ||
| 9-19 | Symphony no. 3 in C: IV. Andante sostenuto – Allegro | — | ||
| 10-1 | Concerto-Poem for Violin and Orchestra | — | ||
| 10-2 | Immobile for Piano and Orchestra | — | ||
| 10-3 | Concerning Water, Dead and Alive (Concerto for Oboe and Strings) | — | ||
| 10-4 | Telescope 2 (Suite for Orchestra) | — | ||
| 10-5 | Iron Foundry | — |
