UPC · Release
Rachmaninoff
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5029365907125 is the Universal Product Code (UPC barcode) for the release “Rachmaninoff Edition” by Rachmaninoff, released 2008-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 403 tracks, each with its own ISRC. Tracks include USAKS0501113, USAKS0501114, GBLWD9506801.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto No. 1 in F-sharp minor, Op. 1: I. Vivace | — | ||
| 2 | Piano Concerto No. 1 in F-sharp minor, Op. 1: II. Andante | — | ||
| 3 | Piano Concerto No. 1 in F-sharp minor, Op. 1: III. Allegro vivace | — | ||
| 4 | Piano Concerto No. 4 in G minor, Op. 40: I. Allegro | — | ||
| 5 | Piano Concerto No. 4 in G minor, Op. 40: II. Largo | — | ||
| 6 | Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace | — | ||
| 7 | Rhapsody on a Theme of Paganini, Op. 43 | — | ||
| 2-1 | Piano Concerto No. 2 in C minor, Op. 18: I. Moderato | — | ||
| 2-2 | Piano Concerto No. 2 in C minor, Op. 18: II. Andante sostenuto | — | ||
| 2-3 | Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando | — | ||
| 2-4 | Piano Concerto No. 3 in D minor, Op. 30: I. Allegro | — | ||
| 2-5 | Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo; Adagio - | — | ||
| 2-6 | Piano Concerto No. 3 in D minor, Op. 30: III. Finale; Allegro | — | ||
| 3-1 | Symphony No. 1 in D minor, Op. 13: I. Grave - Allegro ma non troppo | — | ||
| 3-2 | Symphony No. 1 in D minor, Op. 13: II. Allegro animato | — | ||
| 3-3 | Symphony No. 1 in D minor, Op. 13: III. Larghetto | — | ||
| 3-4 | Symphony No. 1 in D minor, Op. 13: IV. Allegro con fuoco | — | ||
| 3-5 | Symphony No. 3 in A minor, Op. 44: I. Lento - Allegro moderato | — | ||
| 3-6 | Symphony No. 3 in A minor, Op. 44: II. Adagio ma non troppo | — | ||
| 3-7 | Symphony No. 3 in A minor, Op. 44: III. Allegro | — | ||
| 4-1 | Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato | — | ||
| 4-2 | Symphony no. 2 in E minor, op. 27: II. Scherzo. Allegro molto – Meno mosso – Allegro molto | — | ||
| 4-3 | Symphony no. 2 in E minor, op. 27: III. Adagio | — | ||
| 4-4 | Symphony no. 2 in E minor, op. 27: IV. Allegro vivace | — | ||
| 4-5 | “Youth” Symphony in D minor: Grave – Allegro moderato | — | ||
| 5-1 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 5-2 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | — | ||
| 5-3 | Symphonic Dances, op. 45: III. Lento assai - Allegro vivace – Lento assai – Come prima – Allegro vivace | — | ||
| 5-4 | The Bells, op. 35: I. Allegro ma non tanto | — | ||
| 5-5 | The Bells, op. 35: II. Lento | — | ||
| 5-6 | The Bells, op. 35: III. Presto | — | ||
| 5-7 | The Bells, op. 35: IV. Lento lugubre | — | ||
| 6-1 | The Rock Op. 7 (Symphonic poem after A. Chekhov) | — | ||
| 6-2 | Prince Rostislav (Symphonic poem after A.K. Tolstoy) | — | ||
| 6-3 | Scherzo in D minor | — | ||
| 6-4 | Caprice bohémien, Op. 12 | — | ||
| 6-5 | The Isle of the Dead Op. 29 (Symphonic poem after A. Böcklin) | — | ||
| 7-1 | Aleko (opera in one act): Introduction | — | ||
| 7-2 | Aleko (opera in one act): Chorus | — | ||
| 7-3 | Aleko (opera in one act): Story of the Old Gipsy | — | ||
| 7-4 | Aleko (opera in one act): Scene and Chorus | — | ||
| 7-5 | Aleko (opera in one act): Women's Dance | — | ||
| 7-6 | Aleko (opera in one act): Men's Dance | — | ||
| 7-7 | Aleko (opera in one act): Chorus | — | ||
| 7-8 | Aleko (opera in one act): Duettino | — | ||
| 7-9 | Aleko (opera in one act): Scene at the Cradle | — | ||
| 7-10 | Aleko (opera in one act): Aleko's Cavatina | — | ||
| 7-11 | Aleko (opera in one act): Intermezzo | — | ||
| 7-12 | Aleko (opera in one act): Romance of the Young Gipsy | — | ||
| 7-13 | Aleko (opera in one act): Duet and Finale | — | ||
| 8-1 | The Miserly Knight Op. 24: 1 - Prelude | — | ||
| 8-2 | The Miserly Knight Op. 24: 2 - In The Tower | — | ||
| 8-3 | The Miserly Knight Op.24: 3 - In The Cellar | — | ||
| 8-4 | The Miserly Knight Op. 24: 4 - At the Palace | — | ||
| 9-1 | Monna Vanna (opera in one act): Introduction | — | ||
| 9-2 | Monna Vanna (opera in one act): Scene 1 | — | ||
| 9-3 | Monna Vanna (opera in one act): Scene 2 | — | ||
| 9-4 | Monna Vanna (opera in one act): Scene 3 | — | ||
| 10-1 | Francesca da Rimini: Prologue | — | ||
| 10-2 | Francesca da Rimini - Scene 1 | — | ||
| 10-3 | Francesca da Rimini - Scene 2 and Epilogue | — | ||
| 11-1 | Come Let Us Worship | — | ||
| 11-2 | Bless the Lord, O My Soul | — | ||
| 11-3 | Blessed be the Man | — | ||
| 11-4 | O serene light | — | ||
| 11-5 | Now let Thy Servant depart | — | ||
| 11-6 | Rejoice, O Virgin | — | ||
| 11-7 | Glory to God in the Highest | — | ||
| 11-8 | Praise the Name of the Lord | — | ||
| 11-9 | Blessed Art Thou, O Lord | — | ||
| 11-10 | Having seen the Resurrection of the Lord | — | ||
| 11-11 | My Soul Magnifies the Lord | — | ||
| 11-12 | Glory to God in the Highest | — | ||
| 11-13 | Troparia of the Day of Salvation | — | ||
| 11-14 | Christ is risen from the grave | — | ||
| 11-15 | Thanks be given to the Mother of God | — | ||
| 12-1 | Liturgy of St. John Chrysostom for Chorus, op. 31: I. "The Great Ektenia..." | Государственная академическая симфоническая капелла России, Валерий Кузьмич Полянский | — | |
| 12-2 | Liturgy of St. John Chrysostom Op.31 - First Antiphon | — | ||
| 12-3 | Liturgy of St. John Chrysostom Op.31 - Second Antiphon | — | ||
| 12-4 | Liturgy of St. John Chrysostom Op.31 - Third Antiphon | — | ||
| 12-5 | Liturgy of St. John Chrysostom Op.31 - Entrance Hymn | — | ||
| 12-6 | Liturgy of St. John Chrysostom Op.31 - Trisagion Hymn | — | ||
| 12-7 | Liturgy of St. John Chrysostom Op.31 - Fervent Supplication | — | ||
| 12-8 | Liturgy of St. John Chrysostom Op.31 - Cheruvimic Hymn | — | ||
| 12-9 | Liturgy of St. John Chrysostom Op.31 - Ektenia of the Prothesis | — | ||
| 12-10 | Liturgy of St. John Chrysostom Op.31 - Nicaean Creed | — | ||
| 13-1 | Liturgy of St. John Chrysostom op. 31 - Anaphora | — | ||
| 13-2 | Liturgy of St John Chrysostom, for chorus, Op. 31: Hymn of Praise | Государственная академическая симфоническая капелла России, Валерий Кузьмич Полянский | — | |
| 13-3 | Liturgy of St. John Chrysostom op. 31 - Hymn to the Virgin | — | ||
| 13-4 | Liturgy of St. John Chrysostom op. 31 - The Lord's Prayer | — | ||
| 13-5 | Liturgy of St. John Chrysostom op. 31 - The Elevation | — | ||
| 13-6 | Liturgy of St. John Chrysostom op. 31 - Communion Hymn | — | ||
| 13-7 | Liturgy of St. John Chrysostom op. 31 - Blessing | — | ||
| 13-8 | Liturgy of St. John Chrysostom op. 31 - Hymn of Praise | — | ||
| 13-9 | Liturgy of St. John Chrysostom op. 31 - Blessed be his Name | — | ||
| 13-10 | Liturgy of St. John Chrysostom op. 31 - Glory to the Father | — | ||
| 13-11 | O Mother of God Vigilantiy | — | ||
| 13-12 | Chorus of Spirits | — | ||
| 13-13 | Panteley the Healer | — | ||
| 14-1 | Spring (Vesna) Op. 20: I. Allegro moderato | — | ||
| 14-2 | Three Russian Songs Op. 41: I. Over the stream, the swift stream | — | ||
| 14-3 | Three Russian Songs Op. 41: II. Ah, Vanka, you are dashing | — | ||
| 14-4 | Three Russian Songs Op. 41: III. My cheeks, so white, so rosy! | — | ||
| 14-5 | Six Choruses Op. 15:1. Be Glorious! | — | ||
| 14-6 | Six Choruses Op. 15: 2. Night | — | ||
| 14-7 | Six Choruses Op. 15: 3. The Pine | — | ||
| 14-8 | Six Choruses Op. 15: 4.The Waves Began to Slumber | — | ||
| 14-9 | Six Choruses Op. 15: 5. Captivity | — | ||
| 14-10 | Six Choruses Op. 15: 6. The Angel | — | ||
| 14-11 | Scherzo in F Major | — | ||
| 14-12 | Vocalise, Op. 34, No.14 | — | ||
| 15-1 | 12 Songs without Opus: At the gates of the holy cloister | Sergei Leiferkus, Howard Shelley | — | |
| 15-2 | I Shall Tell You Nothing | Сергей Лейферкус, Howard Shelley | — | |
| 15-3 | Again you are bestirred, my heart: Again You Are Bestirred, my Heart | Joan Rodgers, Howard Shelley | — | |
| 15-4 | April! A Festive Day in the Spring. | Alexander Naumenko, Howard Shelley | — | |
| 15-5 | Twilight has Fallen | Alexander Naumenko, Howard Shelley | — | |
| 15-6 | Song of the Disillusioned | Сергей Лейферкус, Howard Shelley | — | |
| 15-7 | The Flower has Faded | Maria Popescu, Howard Shelley | — | |
| 15-8 | Do You Remember the Evening? | Maria Popescu, Howard Shelley | — | |
| 15-9 | Six Romances, Op. 4: I. O, no, I beg you, do not leave | Сергей Лейферкус, Howard Shelley | — | |
| 15-10 | Six Romances, Op. 4: II. Morning | Maria Popescu, Howard Shelley | — | |
| 15-11 | Six Romances, Op. 4: III. In the Silence of the Secret Night | Сергей Лейферкус, Howard Shelley | — | |
| 15-12 | Six Romances, Op. 4: IV. Sing not to me, O lovely one | Alexander Naumenko, Howard Shelley | — | |
| 15-13 | Six Romances, Op. 4: V. Oh Thou, my Field | Alexander Naumenko, Howard Shelley | — | |
| 15-14 | It wasn't long ago, my friend, op. 4 no. 6 | Joan Rodgers, Howard Shelley | — | |
| 15-15 | Six Romances, Op. 8: I. The Waterlily | Maria Popescu, Howard Shelley | — | |
| 15-16 | Six Romances, Op. 8: II. Child, thou art as Beautiful as a Flower | Сергей Лейферкус, Howard Shelley | — | |
| 15-17 | Six Romances, Op. 8: III. Brooding | Сергей Лейферкус, Howard Shelley | — | |
| 15-18 | Six Romances, Op. 8: IV. I Have Grown Fond of Sorrow | Maria Popescu, Howard Shelley | — | |
| 15-19 | Six Romances, Op. 8: V. The Dream | Alexander Naumenko, Howard Shelley | — | |
| 15-20 | Prayer, op. 8 no. 6 | Joan Rodgers, Howard Shelley | — | |
| 15-21 | I await you, op. 14 no. 1 | Joan Rodgers, Howard Shelley | — | |
| 15-22 | Small island, op. 14 no. 2 | Joan Rodgers, Howard Shelley | T-902.512.965-1 | |
| 15-23 | Twelve Romances, Op, 14: III. For Long there has been Little Consolation in Love | Maria Popescu, Howard Shelley | — | |
| 15-24 | Twelve Romances, Op, 14: IV. I was with Her | Сергей Лейферкус, Howard Shelley | — | |
| 15-25 | Twelve Romances, Op, 14: V. These Summer Nights | Alexander Naumenko, Howard Shelley | — | |
| 15-26 | Twelve Romances, Op, 14: VI. How Everyone Loves Thee | Сергей Лейферкус, Howard Shelley | — | |
| 15-27 | Do not believe me, friend, op. 14 no. 7 | Joan Rodgers, Howard Shelley | T-900.758.021-4 | |
| 15-28 | Twelve Romances, Op, 14: VIII. Oh, do not Grieve | Maria Popescu, Howard Shelley | — | |
| 15-29 | Twelve Romances, Op, 14: IX. She is as Lovely as the Noon | Сергей Лейферкус, Howard Shelley | — | |
| 15-30 | Twelve Romances, Op, 14: X. In my Soul | Maria Popescu, Howard Shelley | — | |
| 15-31 | Twelve Romances, Op, 14: XI. Spring Waters | Joan Rodgers, Howard Shelley | — | |
| 15-32 | Twelve Romances, Op, 14: XII. Tis Time | Сергей Лейферкус, Howard Shelley | — | |
| 16-1 | 12 Songs without Opus: IX. Were you hiccoughing, Natasha? | Sergei Leiferkus, Howard Shelley | — | |
| 16-2 | Night | Maria Popescu, Howard Shelley | T-070.242.492-7 | |
| 16-3 | 12 Songs, op. 21: I. Fate | Sergei Leiferkus, Howard Shelley | — | |
| 16-4 | 12 Songs, op. 21: II. By a fresh grave | Sergei Leiferkus, Howard Shelley | T-902.446.975-8 | |
| 16-5 | 12 Songs, op. 21: III. Twilight | Alexander Naumenko, Howard Shelley | — | |
| 16-6 | 12 Songs, op. 21: IV. They replied | Alexander Naumenko, Howard Shelley | T-902.894.762-8 | |
| 16-7 | Lilacs, op. 21 no. 5 | Joan Rodgers, Howard Shelley | T-922.169.901-0 | |
| 16-8 | Fragments from A. Musset, op. 21 no. 6 | Joan Rodgers, Howard Shelley | — | |
| 16-9 | How peaceful, op. 21 no. 5 | Joan Rodgers, Howard Shelley | — | |
| 16-10 | 12 Songs, op. 21: VIII. On the death of a siskin | Maria Popescu, Howard Shelley | — | |
| 16-11 | 12 Songs, op. 21: IX. Melody | Alexander Naumenko, Howard Shelley | — | |
| 16-12 | 12 Songs, op. 21: X. Before the icon | Maria Popescu, Howard Shelley | — | |
| 16-13 | I am not a prophet, op. 21 no. 11 | Joan Rodgers, Howard Shelley | — | |
| 16-14 | How pained I am, op. 21 no. 12 | Joan Rodgers, Howard Shelley | — | |
| 16-15 | 15 Songs, op. 26: I. There are many sounds | Maria Popescu, Howard Shelley | — | |
| 16-16 | 15 Songs, op. 26: II. All was taken from me | Maria Popescu, Howard Shelley | — | |
| 16-17 | 15 Songs, op. 26: III. We shall rest | Sergei Leiferkus, Howard Shelley | T-902.481.370-5 | |
| 16-18 | 15 Songs, op. 26: IV. Two farewells | Sergei Leiferkus, Howard Shelley | — | |
| 16-19 | Let us leave, my sweet, op. 26 no. 5 | Joan Rodgers, Howard Shelley | T-902.481.357-8 | |
| 16-20 | 15 Songs, op. 26: VI. Christ is risen | Maria Popescu, Howard Shelley | — | |
| 16-21 | 15 Songs, op. 26: VII. To my children | Maria Popescu, Howard Shelley | — | |
| 16-22 | 15 Songs, op. 26: VIII. I beg for mercy | Alexander Naumenko, Howard Shelley | — | |
| 16-23 | I am again alone, op. 26 no. 9 | Joan Rodgers, Howard Shelley | — | |
| 16-24 | At my window, op. 26 no. 10 | Joan Rodgers, Howard Shelley | — | |
| 16-25 | 15 Songs, op. 26: XI. The fountain | Alexander Naumenko, Howard Shelley | — | |
| 16-26 | Night is sorrowful, op. 26 no. 12 | Joan Rodgers, Howard Shelley | — | |
| 16-27 | 15 Songs, op. 26: XIII. Yesterday we met | Maria Popescu, Howard Shelley | — | |
| 16-28 | 15 Songs, op. 26: XIV. The ring | Maria Popescu, Howard Shelley | T-902.481.280-4 | |
| 16-29 | 15 Songs, op. 26: XV. All passes | Sergei Leiferkus, Howard Shelley | — | |
| 17-1 | Letter to K.S. Stanislavsky | Sergei Leiferkus, Howard Shelley | — | |
| 17-2 | 14 Romances, op. 34: no. 1, The Muse | Alexander Naumenko, Howard Shelley | — | |
| 17-3 | 14 Romances, op. 34: no. 2, In the Soul of Each of Us | Sergei Leiferkus, Howard Shelley | — | |
| 17-4 | 14 Romances, op. 34: no. 3, The Storm | Alexander Naumenko, Howard Shelley | — | |
| 17-5 | 14 Romances, op. 34: no. 4, The Migrant Wind | Joan Rodgers, Howard Shelley | — | |
| 17-6 | 14 Romances, op. 34: no. 5, Arion | Alexander Naumenko, Howard Shelley | T-902.481.270-2 | |
| 17-7 | 14 Romances, op. 34: no. 6, The Raising of Lazarus | Sergei Leiferkus, Howard Shelley | T-902.481.255-3 | |
| 17-8 | 14 Romances, op. 34: no. 7, It Cannot Be | Maria Popescu, Howard Shelley | — | |
| 17-9 | 14 Romance, op. 34: no. 8, Music | Maria Popescu, Howard Shelley | — | |
| 17-10 | 14 Romances, op. 34: no. 9, You Knew Him | Maria Popescu, Howard Shelley | — | |
| 17-11 | 14 Romances, op. 34: no. 10, I Remember That Day | Sergei Leiferkus, Howard Shelley | — | |
| 17-12 | 14 Romances, op. 34: no. 11, The Peasant | Alexander Naumenko, Howard Shelley | — | |
| 17-13 | 14 Romances, op. 34: no. 12, What Happiness | Sergei Leiferkus, Howard Shelley | — | |
| 17-14 | 14 Romances, op. 34: no. 13, Dissonance | Joan Rodgers, Howard Shelley | — | |
| 17-15 | 14 Romances, op. 34: no. 14, Vocalise | Joan Rodgers, Howard Shelley | — | |
| 17-16 | From the Gospel of St. John | Сергей Лейферкус, Howard Shelley | — | |
| 17-17 | 6 Romances, op. 38: no. 1, In My Garden at Night | Joan Rodgers, Howard Shelley | — | |
| 17-18 | 6 Romances, op. 38: no. 2, To Her | Joan Rodgers, Howard Shelley | — | |
| 17-19 | 6 Romances, op. 38: no. 3, Daisies | Joan Rodgers, Howard Shelley | T-902.891.143-5 | |
| 17-20 | 6 Romances, op. 38: no. 4, The Rat-Catcher | Joan Rodgers, Howard Shelley | — | |
| 17-21 | 6 Romances, op. 38: no. 5, The Dream | Joan Rodgers, Howard Shelley | T-902.755.931-5 | |
| 17-22 | 6 Romances, op. 38: no. 6, A-oo | Joan Rodgers, Howard Shelley | — | |
| 17-23 | 2 Sacred Songs: no. 1, Prayer | Joan Rodgers, Howard Shelley | — | |
| 17-24 | 2 Sacred Songs: no. 2, All Glory to God | Joan Rodgers, Howard Shelley | — | |
| 18-1 | Trio élégiaque No. 1 in G minor, Op. posth.: Lento lugubre | — | ||
| 18-2 | Trio élégiaque No. 2 in D minor, Op. 9: I. Moderato - Allegro moderato | — | ||
| 18-3 | Trio élégiaque No. 2 in D minor, Op. 9: II. Quasi variazione | — | ||
| 18-4 | Trio élégiaque No. 2 in D minor, Op. 9: III. Allegro risoluto | — | ||
| 19-1 | Morceaux de salon, op. 6: I. Romance | — | ||
| 19-2 | Morceaux de salon, op. 6: II. Danse hongroise | — | ||
| 19-3 | Lied in F minor, Andantino | — | ||
| 19-4 | Two Pieces for cello and piano, op. 2: Prelude in F major, Comodo Con moto | — | ||
| 19-5 | Two Pieces for cello and piano, op. 2: Danse orientale in A major, Andante cantabile | — | ||
| 19-6 | Vocalise in E flat minor, op. 34 no. 14, Lento | — | ||
| 19-7 | Cello Sonata in G minor, op. 19: I. Lento - Allegro moderato | — | ||
| 19-8 | Cello Sonata in G minor, op. 19: II. Allegro scherzando | — | ||
| 19-9 | Cello Sonata in G minor, op. 19: III. Andante | — | ||
| 19-10 | Cello Sonata in G minor, op. 19: IV. Allegro mosso | — | ||
| 20-1 | Études-tableaux Op.33 - Allegro non troppo in F minor, No.1 | — | ||
| 20-2 | Études-tableaux Op.33 - Allegro in C major, No.2 | — | ||
| 20-3 | Études-tableaux Op.33 - Moderato in D minor, No.5 | — | ||
| 20-4 | Études-tableaux Op.33 - Allegro con fuoco in E flat major, No.7 | — | ||
| 20-5 | Études-tableaux Op.33 - Grave in C minor, No.3 | — | ||
| 20-6 | Études-tableaux Op.33 - Non allegro in E flat minor, No.6 | — | ||
| 20-7 | Études-tableaux Op.33 - Moderato in G minor, No.8 | — | ||
| 20-8 | Études-tableaux Op.33 - Grave in C sharp minor No.9 | — | ||
| 20-9 | Études-tableaux Op.39 - Allegro agitato in C minor, No.1 | — | ||
| 20-10 | Études-tableaux Op.39 - Lento assai in A minor, No.2 | — | ||
| 20-11 | Études-tableaux Op.39 - Allegro molto in F sharp minor, No.3 | — | ||
| 20-12 | Études-tableaux Op.39 - Allegro assai in B minor, No.4 | — | ||
| 20-13 | Études-tableaux Op.39 - Appassionato in E flat minor, No.5 | — | ||
| 20-14 | Études-tableaux Op.39 - Allegro in A minor, No.6 | — | ||
| 20-15 | Études-tableaux Op.39 - Lento lugubre in C minor, No.7 | — | ||
| 20-16 | Études-tableaux Op.39 - Allegro moderato in D minor, No.8 | — | ||
| 20-17 | Études-tableaux Op.39 - Allegro moderato - Tempo di marcia in D major, No.9 | — | ||
| 21-1 | Prelude Op.23 No.01 in F sharp minor - Largo | — | ||
| 21-2 | Prelude Op.23 No.02 in B flat major - Maestoso | — | ||
| 21-3 | Prelude Op.23 No.03 in D minor - Tempo di minuetto | — | ||
| 21-4 | Prelude Op.23 No.04 in D major - Andante cantabile | — | ||
| 21-5 | Prelude Op.23 No.05 in G minor - Alla marcia | — | ||
| 21-6 | Prelude Op.23 No.06 in E flat major - Andante | — | ||
| 21-7 | Prelude Op.23 No.07 in C minor - Allegro | — | ||
| 21-8 | Prelude Op.23 No.08 in A flat major - Allegro vivace | — | ||
| 21-9 | Prelude Op.23 No.09 in E flat minor - Presto | — | ||
| 21-10 | Prelude Op.23 No.10 in G flat major - Largo | — | ||
| 21-11 | Nocturne No.1 in F sharp Minor | — | ||
| 21-12 | Nocturne No.2 in F Major | — | ||
| 21-13 | Nocturne No.3 in C minor | — | ||
| 21-14 | Song Without Words | — | ||
| 21-15 | Corelli Variations Op.42 - Theme - Andante | — | ||
| 21-16 | Corelli Variations op.42 - Variation 01 - Poco più mosso | — | ||
| 21-17 | Corelli Variations op.42 - Variation 02 - L'istesso tempo | — | ||
| 21-18 | Corelli Variations op.42 - Variation 03 - Tempo di menuetto | — | ||
| 21-19 | Corelli Variations op.42 - Variation 04 - Andante | — | ||
| 21-20 | Corelli Variations op.42 - Variation 05 - Allegro (ma non tanto) | — | ||
| 21-21 | Corelli Variations op.42 - Variation 06 - L'istesso tempo | — | ||
| 21-22 | Corelli Variations op.42 - Variation 07 - Vivace | — | ||
| 21-23 | Corelli Variations op.42 - Variation 08 - Adagio misterioso | — | ||
| 21-24 | Corelli Variations op.42 - Variation 09 - Un poco più mosso | — | ||
| 21-25 | Corelli Variations op.42 - Variation 10 - Allegro scherzando | — | ||
| 21-26 | Corelli Variations op.42 - Variation 11 - Allegro vivace | — | ||
| 21-27 | Corelli Variations op.42 - Variation 12 - L'istesso Tempo | — | ||
| 21-28 | Corelli Variations op.42 - Variation 13 - Agitato | — | ||
| 21-29 | Corelli Variations op.42 - Intermezzo - A tempo rubato | — | ||
| 21-30 | Corelli Variations op.42 - Variation 14 - Andante (come prima) | — | ||
| 21-31 | Corelli Variations op.42 - Variation 15 - L'istesso tempo | — | ||
| 21-32 | Corelli Variations op.42 - Variation 16 - Allegro vivace | — | ||
| 21-33 | Corelli Variations op.42 - Variation 17 - Meno mosso | — | ||
| 21-34 | Corelli Variations op.42 - Variation 18 - Allegro con brio | — | ||
| 21-35 | Corelli Variations op.42 - Variation 19 - Più mosso - Agitato | — | ||
| 21-36 | Corelli Variations op.42 - Variation 20 - Più mosso - Coda | — | ||
| 22-1 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - I. Allegro moderato | — | ||
| 22-2 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - II. Moderato - Measure 73 | — | ||
| 22-3 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - III. Tempo I - Measure 117 | — | ||
| 22-4 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - IV. Tempo I - Measure 172 | — | ||
| 22-5 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - V. A tempo | — | ||
| 22-6 | Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - I. Lento | — | ||
| 22-7 | Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - II. Measure 43 | — | ||
| 22-8 | Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - III. Measure 102 | — | ||
| 22-9 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - I. Allegro molto | — | ||
| 22-10 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - II. Meno mosso - Measure 80 | — | ||
| 22-11 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - III. Moderato - Measure 188 | — | ||
| 22-12 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - IV. Più vivo - Measure 240 | — | ||
| 22-13 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - V. Tempo I - Measure 267 | — | ||
| 22-14 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - VI. Meno mosso - Measure 313 | — | ||
| 22-15 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - VII. Moderato - Measure 409 | — | ||
| 22-16 | Prelude Op.32 No.01 in C major - Allegro vivace | — | ||
| 22-17 | Prelude Op.32 No.02 in B flat minor - Allegretto | — | ||
| 22-18 | Prelude Op.32 No.03 in E major - Allegro vivace | — | ||
| 22-19 | Prelude Op.32 No.04 in E minor - Allegro con brio | — | ||
| 22-20 | Prelude Op.32 No.05 in G major - Moderato | — | ||
| 22-21 | Prelude Op.32 No.06 in F minor - Allegro appassionato | — | ||
| 22-22 | Prelude Op.32 No.07 in F major - Moderato | — | ||
| 22-23 | Prelude Op.32 No.08 in A minor - Vivo | — | ||
| 22-24 | Prelude Op.32 No.09 in A major - Allegro moderato | — | ||
| 22-25 | Prelude Op.32, No.10 in B minor (Lento) | — | ||
| 22-26 | Prelude Op.32 No.11 in B major - Allegretto | — | ||
| 22-27 | Prelude Op.32, No.12 in G sharp minor (Allegro) | — | ||
| 22-28 | Prelude Op.32 No.13 in D flat major - Grave | — | ||
| 23-1 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Allegro agitato | — | ||
| 23-2 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Meno mosso. Measure 38 | — | ||
| 23-3 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Measure 55 | — | ||
| 23-4 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Tempo I. Measure 98 | — | ||
| 23-5 | Piano Sonata No.2 in B flat minor, Op.36 Movement II. Non allegro - Lento | — | ||
| 23-6 | Piano Sonata No.2 in B flat minor, Op.36 Movement II. Poco più mosso. Measure 36 | — | ||
| 23-7 | Piano Sonata No.2 in B flat minor, Op.36 Movement II. Tempo I. Measure 63 - Attacca | — | ||
| 23-8 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. L'istesso tempo - Allegretto molto | — | ||
| 23-9 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. A tempo meno mosso. Measure 76 | — | ||
| 23-10 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. Tempo I. Measure 106 | — | ||
| 23-11 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. Tempo rubato. Measure 184 | — | ||
| 23-12 | Morceaux de fantaisie, Op.3 - Élégie. Moderato | — | ||
| 23-13 | Morceaux de fantaisie, Op.3 - Prélude. Lento | — | ||
| 23-14 | Morceaux de fantaisie, Op.3 - Mélodie. Adagio sostenuto | — | ||
| 23-15 | Morceaux de fantaisie, Op.3 - Polichinelle. Allegro vivace | — | ||
| 23-16 | Morceaux de fantaisie, Op.3 - Sérénade. Sostenuto, tempo di valse | — | ||
| 23-17 | Variations on a Theme of Chopin, Op.22 - Theme. Largo | — | ||
| 23-18 | Variations on a Theme of Chopin, Op.22 - Variation I. Moderato | — | ||
| 23-19 | Variations on a Theme of Chopin, Op.22 - Variation II. Allegro | — | ||
| 23-20 | Variations on a Theme of Chopin, Op.22 - Variation III | — | ||
| 23-21 | Variations on a Theme of Chopin, Op.22 - Variation IV | — | ||
| 23-22 | Variations on a Theme of Chopin, Op.22 - Variation V. Meno mosso | — | ||
| 23-23 | Variations on a Theme of Chopin, Op.22 - Variation VI. Meno mosso | — | ||
| 23-24 | Variations on a Theme of Chopin, Op.22 - Variation VII. Allegro | — | ||
| 23-25 | Variations on a Theme of Chopin, Op.22 - Variation VIII | — | ||
| 23-26 | Variations on a Theme of Chopin, Op.22 - Variation IX | — | ||
| 23-27 | Variations on a Theme of Chopin, Op.22 - Variation X. Più vivo | — | ||
| 23-28 | Variations on a Theme of Chopin, Op.22 - Variation XI. Lento | — | ||
| 23-29 | Variations on a Theme of Chopin, Op.22 - Variation XII. Moderato | — | ||
| 23-30 | Variations on a Theme of Chopin, Op.22 - Variation XIII. Largo | — | ||
| 23-31 | Variations on a Theme of Chopin, Op.22 - Variation XIV. Moderato | — | ||
| 23-32 | Variations on a Theme of Chopin, Op.22 - Variation XV. Allegro scherzando | — | ||
| 23-33 | Variations on a Theme of Chopin, Op.22 - Variation XVI. Lento | — | ||
| 23-34 | Variations on a Theme of Chopin, Op.22 - Variation XVII. Grave | — | ||
| 23-35 | Variations on a Theme of Chopin, Op.22 - Variation XVIII. Più mosso | — | ||
| 23-36 | Variations on a Theme of Chopin, Op.22 - Variation XIX. Allegro vivace | — | ||
| 23-37 | Variations on a Theme of Chopin, Op.22 - Variation XX. Presto | — | ||
| 23-38 | Variations on a Theme of Chopin, Op.22 - Variation XXI. Andante - Più vivo | — | ||
| 23-39 | Variations on a Theme of Chopin, Op.22 - Variation XXII. Maestoso | — | ||
| 24-1 | Moments Musicaux Op.16 - No.1 in B Flat minor - Andantino [Alexander Chindin, piano] | — | ||
| 24-2 | Moments Musicaux Op.16 - No.2 in E Flat minor - Allegretto | — | ||
| 24-3 | Moments Musicaux Op.16 - No.3 in B minor - Andante cantabile | — | ||
| 24-4 | Moments Musicaux Op.16 - No.4 in E minor - Presto | — | ||
| 24-5 | Moments Musicaux Op.16 - No.5 in D flat major - Adagio sostenuto | — | ||
| 24-6 | Moments Musicaux Op.16 - No.6 in C major - Maestoso | — | ||
| 24-7 | Morceaux de Salon Op.10 - No.1 in A minor - Nocturne [Michael Ponti, piano] | — | ||
| 24-8 | Morceaux de Salon Op.10 - No.2 in A major - Valse | — | ||
| 24-9 | Morceaux de Salon Op.10 - No.3 in G major - Barcarolle | — | ||
| 24-10 | Morceaux de Salon Op.10 - No.4 in E minor - Mélodie | — | ||
| 24-11 | Morceaux de Salon Op.10 - No.5 in G major - Humoresque | — | ||
| 24-12 | Morceaux de Salon Op.10 - No.6 in F minor - Romance | — | ||
| 24-13 | Morceaux de Salon Op.10 - No.7 in D Flat major - Mazurka | — | ||
| 24-14 | Polka de V.R. [Robert Groslot, piano] | — | ||
| 25-1 | Scherzo (from Mendelssohn 'A Midsummer Night's Dream') | — | ||
| 25-2 | Lullaby (Tchaikovsky) | — | ||
| 25-3 | Liebesfreud (Kreisler) | — | ||
| 25-4 | Suite from Partita in E major for violin solo (J.S. Bach) - I. Prelude | — | ||
| 25-5 | Suite from Partita in E major for violin solo (J.S. Bach) - II. Gavotte | — | ||
| 25-6 | Suite from Partita in E major for violin solo (J.S. Bach) - III. Gigue | — | ||
| 25-7 | Wohin (Schubert) | — | ||
| 25-8 | Minuet (from Bizet 'L'Arlésienne, Suite No.1') | — | ||
| 25-9 | Flight on the Bumblebee (Rimsky-Korsakov) | — | ||
| 25-10 | Liebesleid (Kreisler) | — | ||
| 25-11 | Lilacs (Racmaninoff) | — | ||
| 25-12 | Daisies (Rachmaninoff) | — | ||
| 25-15 | Hopak (Mussorgsky) | — | ||
| 25-16 | Prelude Op. posth. (1917) | — | ||
| 25-17 | Fragments (1917) | — | ||
| 26-1 | Song without Words in D minor - Lento | — | ||
| 26-2 | Four Pieces - Romance in F sharp minor - Andante | — | ||
| 26-3 | Four Pieces - Prélude in E flat minor - Allegro | — | ||
| 26-4 | Four Pieces - Mélodie in E major - Andante | — | ||
| 26-5 | Four Pieces - Gavotte in D major - Liberamente | — | ||
| 26-6 | Canon in E minor - Andante con moto | — | ||
| 26-7 | Suite in D minor from a lost orchestral original - Lento-Allegro moderato in D minor | — | ||
| 26-8 | Suite in D minor from a lost orchestral original - Lento in B minor | — | ||
| 26-9 | Suite in D minor from a lost orchestral original - Menuetto in F sharp major | — | ||
| 26-10 | Suite in D minor from a lost orchestral original - Allegro in D major | — | ||
| 26-11 | Prélude in F major; Comodo - Più mosso - Tempo I | — | ||
| 26-12 | Four improvisations on Themes of Arensky, Glazunov, Taneyev & Rachmaninoff - I. Moderato in E minor | — | ||
| 26-13 | Four improvisations - II. Allegretto in C major | — | ||
| 26-14 | Four improvisations - III. Allegro scherzando in B flat minor | — | ||
| 26-15 | Four improvisations - IV. Lento-Tempo di valse-Tempo di marcia-Tempo del commincio, largo in F minor | — | ||
| 26-16 | Morceau de fantaisie in G Minor - Liberamente | — | ||
| 26-17 | Fughetta in G minor - Moderato | — | ||
| 26-18 | Oriental Sketch in B flat major - Non allegro | — | ||
| 26-19 | Piece (Prelude) in D minor - Andante ma non troppo - Poco più mosso - Tempo I | — | ||
| 26-20 | Fragments in A flat major - Andante semplice - Più mosso - Come prima | — | ||
| 26-21 | The Star-Spangled Banner in B flat major | — | ||
| 27-1 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Barcarolle | — | ||
| 27-2 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - La nuit...l'amour | — | ||
| 27-3 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Les larmes | — | ||
| 27-4 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Pâques | — | ||
| 27-5 | Russian Rapsody | — | ||
| 27-6 | Six Morceaux for piano duet Op.11 - Barcarolle | — | ||
| 27-7 | Six Morceaux for piano duet Op.11 - Scherzo | — | ||
| 27-8 | Six Morceaux for piano duet Op.11 - Russian Theme | — | ||
| 27-9 | Six Morceaux for piano duet Op.11 - Valse | — | ||
| 27-10 | Six Morceaux for piano duet Op.11 - Romance | — | ||
| 27-11 | Six Morceaux for piano duet Op.11 - Slava | — | ||
| 27-12 | Two Pieces for piano six-hands - Valse (... with David Gardiner) | — | ||
| 27-13 | Two Pieces for piano six-hands - Romance (... with David Gardiner) | — | ||
| 27-14 | Polka italienne for piano duet | — | ||
| 28-1 | Suite No.2 for two pianos Op.17 - I. Introduction | — | ||
| 28-2 | Suite No.2 for two pianos Op.17 - II. Valse | — | ||
| 28-3 | Suite No.2 for two pianos Op.17 - III. Romance | — | ||
| 28-4 | Suite No.2 for Two Pianos, Op.17: IV. Tarantelle | — | ||
| 28-5 | Symphonic Dances for two pianos Op.45 - I. Non allegro | — | ||
| 28-6 | Symphonic Dances for two pianos Op.45 - II. Andante co moto, tempo di valse | — | ||
| 28-7 | Symphonic Dances for two pianos Op.45 - III. Lento assai - Allegro vivace | — | ||
| 28-8 | Romance in G Major for Piano Duet | — | ||
| 28-9 | Prelude in C sharp minor for two pianos | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 12 Songs without Opus: At the gates of the holy cloister | Sergei Leiferkus, Howard Shelley | — |
| I Shall Tell You Nothing | Сергей Лейферкус, Howard Shelley | — |
| Song of the Disillusioned | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 4: I. O, no, I beg you, do not leave | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 4: III. In the Silence of the Secret Night | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 8: II. Child, thou art as Beautiful as a Flower | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 8: III. Brooding | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: IV. I was with Her | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: VI. How Everyone Loves Thee | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: IX. She is as Lovely as the Noon | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: XII. Tis Time | Сергей Лейферкус, Howard Shelley | — |
| 12 Songs, op. 21: I. Fate | Sergei Leiferkus, Howard Shelley | — |
| 15 Songs, op. 26: II. All was taken from me | Maria Popescu, Howard Shelley | — |
| 15 Songs, op. 26: VI. Christ is risen | Maria Popescu, Howard Shelley | — |
| 15 Songs, op. 26: XIII. Yesterday we met | Maria Popescu, Howard Shelley | — |
| 15 Songs, op. 26: XV. All passes | Sergei Leiferkus, Howard Shelley | — |
| Letter to K.S. Stanislavsky | Sergei Leiferkus, Howard Shelley | — |
| 14 Romances, op. 34: no. 2, In the Soul of Each of Us | Sergei Leiferkus, Howard Shelley | — |
| 14 Romances, op. 34: no. 9, You Knew Him | Maria Popescu, Howard Shelley | — |
| From the Gospel of St. John | Сергей Лейферкус, Howard Shelley | — |
| It wasn't long ago, my friend, op. 4 no. 6 | Joan Rodgers, Howard Shelley | — |
| Prayer, op. 8 no. 6 | Joan Rodgers, Howard Shelley | — |
| I await you, op. 14 no. 1 | Joan Rodgers, Howard Shelley | — |
| Lilacs, op. 21 no. 5 | Joan Rodgers, Howard Shelley | — |
| Fragments from A. Musset, op. 21 no. 6 | Joan Rodgers, Howard Shelley | — |
| How peaceful, op. 21 no. 5 | Joan Rodgers, Howard Shelley | — |
| I am not a prophet, op. 21 no. 11 | Joan Rodgers, Howard Shelley | — |
| How pained I am, op. 21 no. 12 | Joan Rodgers, Howard Shelley | — |
| I am again alone, op. 26 no. 9 | Joan Rodgers, Howard Shelley | — |
| At my window, op. 26 no. 10 | Joan Rodgers, Howard Shelley | — |
| Night is sorrowful, op. 26 no. 12 | Joan Rodgers, Howard Shelley | — |
| 14 Romances, op. 34: no. 4, The Migrant Wind | Joan Rodgers, Howard Shelley | — |
| 14 Romances, op. 34: no. 13, Dissonance | Joan Rodgers, Howard Shelley | — |
| 14 Romances, op. 34: no. 14, Vocalise | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 1, In My Garden at Night | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 2, To Her | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 4, The Rat-Catcher | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 6, A-oo | Joan Rodgers, Howard Shelley | — |
| 2 Sacred Songs: no. 1, Prayer | Joan Rodgers, Howard Shelley | — |
| 2 Sacred Songs: no. 2, All Glory to God | Joan Rodgers, Howard Shelley | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5029365907125 is a Universal Product Code (UPC) assigned to Rachmaninoff Edition by Rachmaninoff. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 403 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5029365907125 is the Universal Product Code (UPC barcode) for the release “Rachmaninoff Edition” by Rachmaninoff, released 2008-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 403 tracks, each with its own ISRC. Tracks include USAKS0501113, USAKS0501114, GBLWD9506801.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto No. 1 in F-sharp minor, Op. 1: I. Vivace | — | ||
| 2 | Piano Concerto No. 1 in F-sharp minor, Op. 1: II. Andante | — | ||
| 3 | Piano Concerto No. 1 in F-sharp minor, Op. 1: III. Allegro vivace | — | ||
| 4 | Piano Concerto No. 4 in G minor, Op. 40: I. Allegro | — | ||
| 5 | Piano Concerto No. 4 in G minor, Op. 40: II. Largo | — | ||
| 6 | Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace | — | ||
| 7 | Rhapsody on a Theme of Paganini, Op. 43 | — | ||
| 2-1 | Piano Concerto No. 2 in C minor, Op. 18: I. Moderato | — | ||
| 2-2 | Piano Concerto No. 2 in C minor, Op. 18: II. Andante sostenuto | — | ||
| 2-3 | Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando | — | ||
| 2-4 | Piano Concerto No. 3 in D minor, Op. 30: I. Allegro | — | ||
| 2-5 | Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo; Adagio - | — | ||
| 2-6 | Piano Concerto No. 3 in D minor, Op. 30: III. Finale; Allegro | — | ||
| 3-1 | Symphony No. 1 in D minor, Op. 13: I. Grave - Allegro ma non troppo | — | ||
| 3-2 | Symphony No. 1 in D minor, Op. 13: II. Allegro animato | — | ||
| 3-3 | Symphony No. 1 in D minor, Op. 13: III. Larghetto | — | ||
| 3-4 | Symphony No. 1 in D minor, Op. 13: IV. Allegro con fuoco | — | ||
| 3-5 | Symphony No. 3 in A minor, Op. 44: I. Lento - Allegro moderato | — | ||
| 3-6 | Symphony No. 3 in A minor, Op. 44: II. Adagio ma non troppo | — | ||
| 3-7 | Symphony No. 3 in A minor, Op. 44: III. Allegro | — | ||
| 4-1 | Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato | — | ||
| 4-2 | Symphony no. 2 in E minor, op. 27: II. Scherzo. Allegro molto – Meno mosso – Allegro molto | — | ||
| 4-3 | Symphony no. 2 in E minor, op. 27: III. Adagio | — | ||
| 4-4 | Symphony no. 2 in E minor, op. 27: IV. Allegro vivace | — | ||
| 4-5 | “Youth” Symphony in D minor: Grave – Allegro moderato | — | ||
| 5-1 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 5-2 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | — | ||
| 5-3 | Symphonic Dances, op. 45: III. Lento assai - Allegro vivace – Lento assai – Come prima – Allegro vivace | — | ||
| 5-4 | The Bells, op. 35: I. Allegro ma non tanto | — | ||
| 5-5 | The Bells, op. 35: II. Lento | — | ||
| 5-6 | The Bells, op. 35: III. Presto | — | ||
| 5-7 | The Bells, op. 35: IV. Lento lugubre | — | ||
| 6-1 | The Rock Op. 7 (Symphonic poem after A. Chekhov) | — | ||
| 6-2 | Prince Rostislav (Symphonic poem after A.K. Tolstoy) | — | ||
| 6-3 | Scherzo in D minor | — | ||
| 6-4 | Caprice bohémien, Op. 12 | — | ||
| 6-5 | The Isle of the Dead Op. 29 (Symphonic poem after A. Böcklin) | — | ||
| 7-1 | Aleko (opera in one act): Introduction | — | ||
| 7-2 | Aleko (opera in one act): Chorus | — | ||
| 7-3 | Aleko (opera in one act): Story of the Old Gipsy | — | ||
| 7-4 | Aleko (opera in one act): Scene and Chorus | — | ||
| 7-5 | Aleko (opera in one act): Women's Dance | — | ||
| 7-6 | Aleko (opera in one act): Men's Dance | — | ||
| 7-7 | Aleko (opera in one act): Chorus | — | ||
| 7-8 | Aleko (opera in one act): Duettino | — | ||
| 7-9 | Aleko (opera in one act): Scene at the Cradle | — | ||
| 7-10 | Aleko (opera in one act): Aleko's Cavatina | — | ||
| 7-11 | Aleko (opera in one act): Intermezzo | — | ||
| 7-12 | Aleko (opera in one act): Romance of the Young Gipsy | — | ||
| 7-13 | Aleko (opera in one act): Duet and Finale | — | ||
| 8-1 | The Miserly Knight Op. 24: 1 - Prelude | — | ||
| 8-2 | The Miserly Knight Op. 24: 2 - In The Tower | — | ||
| 8-3 | The Miserly Knight Op.24: 3 - In The Cellar | — | ||
| 8-4 | The Miserly Knight Op. 24: 4 - At the Palace | — | ||
| 9-1 | Monna Vanna (opera in one act): Introduction | — | ||
| 9-2 | Monna Vanna (opera in one act): Scene 1 | — | ||
| 9-3 | Monna Vanna (opera in one act): Scene 2 | — | ||
| 9-4 | Monna Vanna (opera in one act): Scene 3 | — | ||
| 10-1 | Francesca da Rimini: Prologue | — | ||
| 10-2 | Francesca da Rimini - Scene 1 | — | ||
| 10-3 | Francesca da Rimini - Scene 2 and Epilogue | — | ||
| 11-1 | Come Let Us Worship | — | ||
| 11-2 | Bless the Lord, O My Soul | — | ||
| 11-3 | Blessed be the Man | — | ||
| 11-4 | O serene light | — | ||
| 11-5 | Now let Thy Servant depart | — | ||
| 11-6 | Rejoice, O Virgin | — | ||
| 11-7 | Glory to God in the Highest | — | ||
| 11-8 | Praise the Name of the Lord | — | ||
| 11-9 | Blessed Art Thou, O Lord | — | ||
| 11-10 | Having seen the Resurrection of the Lord | — | ||
| 11-11 | My Soul Magnifies the Lord | — | ||
| 11-12 | Glory to God in the Highest | — | ||
| 11-13 | Troparia of the Day of Salvation | — | ||
| 11-14 | Christ is risen from the grave | — | ||
| 11-15 | Thanks be given to the Mother of God | — | ||
| 12-1 | Liturgy of St. John Chrysostom for Chorus, op. 31: I. "The Great Ektenia..." | Государственная академическая симфоническая капелла России, Валерий Кузьмич Полянский | — | |
| 12-2 | Liturgy of St. John Chrysostom Op.31 - First Antiphon | — | ||
| 12-3 | Liturgy of St. John Chrysostom Op.31 - Second Antiphon | — | ||
| 12-4 | Liturgy of St. John Chrysostom Op.31 - Third Antiphon | — | ||
| 12-5 | Liturgy of St. John Chrysostom Op.31 - Entrance Hymn | — | ||
| 12-6 | Liturgy of St. John Chrysostom Op.31 - Trisagion Hymn | — | ||
| 12-7 | Liturgy of St. John Chrysostom Op.31 - Fervent Supplication | — | ||
| 12-8 | Liturgy of St. John Chrysostom Op.31 - Cheruvimic Hymn | — | ||
| 12-9 | Liturgy of St. John Chrysostom Op.31 - Ektenia of the Prothesis | — | ||
| 12-10 | Liturgy of St. John Chrysostom Op.31 - Nicaean Creed | — | ||
| 13-1 | Liturgy of St. John Chrysostom op. 31 - Anaphora | — | ||
| 13-2 | Liturgy of St John Chrysostom, for chorus, Op. 31: Hymn of Praise | Государственная академическая симфоническая капелла России, Валерий Кузьмич Полянский | — | |
| 13-3 | Liturgy of St. John Chrysostom op. 31 - Hymn to the Virgin | — | ||
| 13-4 | Liturgy of St. John Chrysostom op. 31 - The Lord's Prayer | — | ||
| 13-5 | Liturgy of St. John Chrysostom op. 31 - The Elevation | — | ||
| 13-6 | Liturgy of St. John Chrysostom op. 31 - Communion Hymn | — | ||
| 13-7 | Liturgy of St. John Chrysostom op. 31 - Blessing | — | ||
| 13-8 | Liturgy of St. John Chrysostom op. 31 - Hymn of Praise | — | ||
| 13-9 | Liturgy of St. John Chrysostom op. 31 - Blessed be his Name | — | ||
| 13-10 | Liturgy of St. John Chrysostom op. 31 - Glory to the Father | — | ||
| 13-11 | O Mother of God Vigilantiy | — | ||
| 13-12 | Chorus of Spirits | — | ||
| 13-13 | Panteley the Healer | — | ||
| 14-1 | Spring (Vesna) Op. 20: I. Allegro moderato | — | ||
| 14-2 | Three Russian Songs Op. 41: I. Over the stream, the swift stream | — | ||
| 14-3 | Three Russian Songs Op. 41: II. Ah, Vanka, you are dashing | — | ||
| 14-4 | Three Russian Songs Op. 41: III. My cheeks, so white, so rosy! | — | ||
| 14-5 | Six Choruses Op. 15:1. Be Glorious! | — | ||
| 14-6 | Six Choruses Op. 15: 2. Night | — | ||
| 14-7 | Six Choruses Op. 15: 3. The Pine | — | ||
| 14-8 | Six Choruses Op. 15: 4.The Waves Began to Slumber | — | ||
| 14-9 | Six Choruses Op. 15: 5. Captivity | — | ||
| 14-10 | Six Choruses Op. 15: 6. The Angel | — | ||
| 14-11 | Scherzo in F Major | — | ||
| 14-12 | Vocalise, Op. 34, No.14 | — | ||
| 15-1 | 12 Songs without Opus: At the gates of the holy cloister | Sergei Leiferkus, Howard Shelley | — | |
| 15-2 | I Shall Tell You Nothing | Сергей Лейферкус, Howard Shelley | — | |
| 15-3 | Again you are bestirred, my heart: Again You Are Bestirred, my Heart | Joan Rodgers, Howard Shelley | — | |
| 15-4 | April! A Festive Day in the Spring. | Alexander Naumenko, Howard Shelley | — | |
| 15-5 | Twilight has Fallen | Alexander Naumenko, Howard Shelley | — | |
| 15-6 | Song of the Disillusioned | Сергей Лейферкус, Howard Shelley | — | |
| 15-7 | The Flower has Faded | Maria Popescu, Howard Shelley | — | |
| 15-8 | Do You Remember the Evening? | Maria Popescu, Howard Shelley | — | |
| 15-9 | Six Romances, Op. 4: I. O, no, I beg you, do not leave | Сергей Лейферкус, Howard Shelley | — | |
| 15-10 | Six Romances, Op. 4: II. Morning | Maria Popescu, Howard Shelley | — | |
| 15-11 | Six Romances, Op. 4: III. In the Silence of the Secret Night | Сергей Лейферкус, Howard Shelley | — | |
| 15-12 | Six Romances, Op. 4: IV. Sing not to me, O lovely one | Alexander Naumenko, Howard Shelley | — | |
| 15-13 | Six Romances, Op. 4: V. Oh Thou, my Field | Alexander Naumenko, Howard Shelley | — | |
| 15-14 | It wasn't long ago, my friend, op. 4 no. 6 | Joan Rodgers, Howard Shelley | — | |
| 15-15 | Six Romances, Op. 8: I. The Waterlily | Maria Popescu, Howard Shelley | — | |
| 15-16 | Six Romances, Op. 8: II. Child, thou art as Beautiful as a Flower | Сергей Лейферкус, Howard Shelley | — | |
| 15-17 | Six Romances, Op. 8: III. Brooding | Сергей Лейферкус, Howard Shelley | — | |
| 15-18 | Six Romances, Op. 8: IV. I Have Grown Fond of Sorrow | Maria Popescu, Howard Shelley | — | |
| 15-19 | Six Romances, Op. 8: V. The Dream | Alexander Naumenko, Howard Shelley | — | |
| 15-20 | Prayer, op. 8 no. 6 | Joan Rodgers, Howard Shelley | — | |
| 15-21 | I await you, op. 14 no. 1 | Joan Rodgers, Howard Shelley | — | |
| 15-22 | Small island, op. 14 no. 2 | Joan Rodgers, Howard Shelley | T-902.512.965-1 | |
| 15-23 | Twelve Romances, Op, 14: III. For Long there has been Little Consolation in Love | Maria Popescu, Howard Shelley | — | |
| 15-24 | Twelve Romances, Op, 14: IV. I was with Her | Сергей Лейферкус, Howard Shelley | — | |
| 15-25 | Twelve Romances, Op, 14: V. These Summer Nights | Alexander Naumenko, Howard Shelley | — | |
| 15-26 | Twelve Romances, Op, 14: VI. How Everyone Loves Thee | Сергей Лейферкус, Howard Shelley | — | |
| 15-27 | Do not believe me, friend, op. 14 no. 7 | Joan Rodgers, Howard Shelley | T-900.758.021-4 | |
| 15-28 | Twelve Romances, Op, 14: VIII. Oh, do not Grieve | Maria Popescu, Howard Shelley | — | |
| 15-29 | Twelve Romances, Op, 14: IX. She is as Lovely as the Noon | Сергей Лейферкус, Howard Shelley | — | |
| 15-30 | Twelve Romances, Op, 14: X. In my Soul | Maria Popescu, Howard Shelley | — | |
| 15-31 | Twelve Romances, Op, 14: XI. Spring Waters | Joan Rodgers, Howard Shelley | — | |
| 15-32 | Twelve Romances, Op, 14: XII. Tis Time | Сергей Лейферкус, Howard Shelley | — | |
| 16-1 | 12 Songs without Opus: IX. Were you hiccoughing, Natasha? | Sergei Leiferkus, Howard Shelley | — | |
| 16-2 | Night | Maria Popescu, Howard Shelley | T-070.242.492-7 | |
| 16-3 | 12 Songs, op. 21: I. Fate | Sergei Leiferkus, Howard Shelley | — | |
| 16-4 | 12 Songs, op. 21: II. By a fresh grave | Sergei Leiferkus, Howard Shelley | T-902.446.975-8 | |
| 16-5 | 12 Songs, op. 21: III. Twilight | Alexander Naumenko, Howard Shelley | — | |
| 16-6 | 12 Songs, op. 21: IV. They replied | Alexander Naumenko, Howard Shelley | T-902.894.762-8 | |
| 16-7 | Lilacs, op. 21 no. 5 | Joan Rodgers, Howard Shelley | T-922.169.901-0 | |
| 16-8 | Fragments from A. Musset, op. 21 no. 6 | Joan Rodgers, Howard Shelley | — | |
| 16-9 | How peaceful, op. 21 no. 5 | Joan Rodgers, Howard Shelley | — | |
| 16-10 | 12 Songs, op. 21: VIII. On the death of a siskin | Maria Popescu, Howard Shelley | — | |
| 16-11 | 12 Songs, op. 21: IX. Melody | Alexander Naumenko, Howard Shelley | — | |
| 16-12 | 12 Songs, op. 21: X. Before the icon | Maria Popescu, Howard Shelley | — | |
| 16-13 | I am not a prophet, op. 21 no. 11 | Joan Rodgers, Howard Shelley | — | |
| 16-14 | How pained I am, op. 21 no. 12 | Joan Rodgers, Howard Shelley | — | |
| 16-15 | 15 Songs, op. 26: I. There are many sounds | Maria Popescu, Howard Shelley | — | |
| 16-16 | 15 Songs, op. 26: II. All was taken from me | Maria Popescu, Howard Shelley | — | |
| 16-17 | 15 Songs, op. 26: III. We shall rest | Sergei Leiferkus, Howard Shelley | T-902.481.370-5 | |
| 16-18 | 15 Songs, op. 26: IV. Two farewells | Sergei Leiferkus, Howard Shelley | — | |
| 16-19 | Let us leave, my sweet, op. 26 no. 5 | Joan Rodgers, Howard Shelley | T-902.481.357-8 | |
| 16-20 | 15 Songs, op. 26: VI. Christ is risen | Maria Popescu, Howard Shelley | — | |
| 16-21 | 15 Songs, op. 26: VII. To my children | Maria Popescu, Howard Shelley | — | |
| 16-22 | 15 Songs, op. 26: VIII. I beg for mercy | Alexander Naumenko, Howard Shelley | — | |
| 16-23 | I am again alone, op. 26 no. 9 | Joan Rodgers, Howard Shelley | — | |
| 16-24 | At my window, op. 26 no. 10 | Joan Rodgers, Howard Shelley | — | |
| 16-25 | 15 Songs, op. 26: XI. The fountain | Alexander Naumenko, Howard Shelley | — | |
| 16-26 | Night is sorrowful, op. 26 no. 12 | Joan Rodgers, Howard Shelley | — | |
| 16-27 | 15 Songs, op. 26: XIII. Yesterday we met | Maria Popescu, Howard Shelley | — | |
| 16-28 | 15 Songs, op. 26: XIV. The ring | Maria Popescu, Howard Shelley | T-902.481.280-4 | |
| 16-29 | 15 Songs, op. 26: XV. All passes | Sergei Leiferkus, Howard Shelley | — | |
| 17-1 | Letter to K.S. Stanislavsky | Sergei Leiferkus, Howard Shelley | — | |
| 17-2 | 14 Romances, op. 34: no. 1, The Muse | Alexander Naumenko, Howard Shelley | — | |
| 17-3 | 14 Romances, op. 34: no. 2, In the Soul of Each of Us | Sergei Leiferkus, Howard Shelley | — | |
| 17-4 | 14 Romances, op. 34: no. 3, The Storm | Alexander Naumenko, Howard Shelley | — | |
| 17-5 | 14 Romances, op. 34: no. 4, The Migrant Wind | Joan Rodgers, Howard Shelley | — | |
| 17-6 | 14 Romances, op. 34: no. 5, Arion | Alexander Naumenko, Howard Shelley | T-902.481.270-2 | |
| 17-7 | 14 Romances, op. 34: no. 6, The Raising of Lazarus | Sergei Leiferkus, Howard Shelley | T-902.481.255-3 | |
| 17-8 | 14 Romances, op. 34: no. 7, It Cannot Be | Maria Popescu, Howard Shelley | — | |
| 17-9 | 14 Romance, op. 34: no. 8, Music | Maria Popescu, Howard Shelley | — | |
| 17-10 | 14 Romances, op. 34: no. 9, You Knew Him | Maria Popescu, Howard Shelley | — | |
| 17-11 | 14 Romances, op. 34: no. 10, I Remember That Day | Sergei Leiferkus, Howard Shelley | — | |
| 17-12 | 14 Romances, op. 34: no. 11, The Peasant | Alexander Naumenko, Howard Shelley | — | |
| 17-13 | 14 Romances, op. 34: no. 12, What Happiness | Sergei Leiferkus, Howard Shelley | — | |
| 17-14 | 14 Romances, op. 34: no. 13, Dissonance | Joan Rodgers, Howard Shelley | — | |
| 17-15 | 14 Romances, op. 34: no. 14, Vocalise | Joan Rodgers, Howard Shelley | — | |
| 17-16 | From the Gospel of St. John | Сергей Лейферкус, Howard Shelley | — | |
| 17-17 | 6 Romances, op. 38: no. 1, In My Garden at Night | Joan Rodgers, Howard Shelley | — | |
| 17-18 | 6 Romances, op. 38: no. 2, To Her | Joan Rodgers, Howard Shelley | — | |
| 17-19 | 6 Romances, op. 38: no. 3, Daisies | Joan Rodgers, Howard Shelley | T-902.891.143-5 | |
| 17-20 | 6 Romances, op. 38: no. 4, The Rat-Catcher | Joan Rodgers, Howard Shelley | — | |
| 17-21 | 6 Romances, op. 38: no. 5, The Dream | Joan Rodgers, Howard Shelley | T-902.755.931-5 | |
| 17-22 | 6 Romances, op. 38: no. 6, A-oo | Joan Rodgers, Howard Shelley | — | |
| 17-23 | 2 Sacred Songs: no. 1, Prayer | Joan Rodgers, Howard Shelley | — | |
| 17-24 | 2 Sacred Songs: no. 2, All Glory to God | Joan Rodgers, Howard Shelley | — | |
| 18-1 | Trio élégiaque No. 1 in G minor, Op. posth.: Lento lugubre | — | ||
| 18-2 | Trio élégiaque No. 2 in D minor, Op. 9: I. Moderato - Allegro moderato | — | ||
| 18-3 | Trio élégiaque No. 2 in D minor, Op. 9: II. Quasi variazione | — | ||
| 18-4 | Trio élégiaque No. 2 in D minor, Op. 9: III. Allegro risoluto | — | ||
| 19-1 | Morceaux de salon, op. 6: I. Romance | — | ||
| 19-2 | Morceaux de salon, op. 6: II. Danse hongroise | — | ||
| 19-3 | Lied in F minor, Andantino | — | ||
| 19-4 | Two Pieces for cello and piano, op. 2: Prelude in F major, Comodo Con moto | — | ||
| 19-5 | Two Pieces for cello and piano, op. 2: Danse orientale in A major, Andante cantabile | — | ||
| 19-6 | Vocalise in E flat minor, op. 34 no. 14, Lento | — | ||
| 19-7 | Cello Sonata in G minor, op. 19: I. Lento - Allegro moderato | — | ||
| 19-8 | Cello Sonata in G minor, op. 19: II. Allegro scherzando | — | ||
| 19-9 | Cello Sonata in G minor, op. 19: III. Andante | — | ||
| 19-10 | Cello Sonata in G minor, op. 19: IV. Allegro mosso | — | ||
| 20-1 | Études-tableaux Op.33 - Allegro non troppo in F minor, No.1 | — | ||
| 20-2 | Études-tableaux Op.33 - Allegro in C major, No.2 | — | ||
| 20-3 | Études-tableaux Op.33 - Moderato in D minor, No.5 | — | ||
| 20-4 | Études-tableaux Op.33 - Allegro con fuoco in E flat major, No.7 | — | ||
| 20-5 | Études-tableaux Op.33 - Grave in C minor, No.3 | — | ||
| 20-6 | Études-tableaux Op.33 - Non allegro in E flat minor, No.6 | — | ||
| 20-7 | Études-tableaux Op.33 - Moderato in G minor, No.8 | — | ||
| 20-8 | Études-tableaux Op.33 - Grave in C sharp minor No.9 | — | ||
| 20-9 | Études-tableaux Op.39 - Allegro agitato in C minor, No.1 | — | ||
| 20-10 | Études-tableaux Op.39 - Lento assai in A minor, No.2 | — | ||
| 20-11 | Études-tableaux Op.39 - Allegro molto in F sharp minor, No.3 | — | ||
| 20-12 | Études-tableaux Op.39 - Allegro assai in B minor, No.4 | — | ||
| 20-13 | Études-tableaux Op.39 - Appassionato in E flat minor, No.5 | — | ||
| 20-14 | Études-tableaux Op.39 - Allegro in A minor, No.6 | — | ||
| 20-15 | Études-tableaux Op.39 - Lento lugubre in C minor, No.7 | — | ||
| 20-16 | Études-tableaux Op.39 - Allegro moderato in D minor, No.8 | — | ||
| 20-17 | Études-tableaux Op.39 - Allegro moderato - Tempo di marcia in D major, No.9 | — | ||
| 21-1 | Prelude Op.23 No.01 in F sharp minor - Largo | — | ||
| 21-2 | Prelude Op.23 No.02 in B flat major - Maestoso | — | ||
| 21-3 | Prelude Op.23 No.03 in D minor - Tempo di minuetto | — | ||
| 21-4 | Prelude Op.23 No.04 in D major - Andante cantabile | — | ||
| 21-5 | Prelude Op.23 No.05 in G minor - Alla marcia | — | ||
| 21-6 | Prelude Op.23 No.06 in E flat major - Andante | — | ||
| 21-7 | Prelude Op.23 No.07 in C minor - Allegro | — | ||
| 21-8 | Prelude Op.23 No.08 in A flat major - Allegro vivace | — | ||
| 21-9 | Prelude Op.23 No.09 in E flat minor - Presto | — | ||
| 21-10 | Prelude Op.23 No.10 in G flat major - Largo | — | ||
| 21-11 | Nocturne No.1 in F sharp Minor | — | ||
| 21-12 | Nocturne No.2 in F Major | — | ||
| 21-13 | Nocturne No.3 in C minor | — | ||
| 21-14 | Song Without Words | — | ||
| 21-15 | Corelli Variations Op.42 - Theme - Andante | — | ||
| 21-16 | Corelli Variations op.42 - Variation 01 - Poco più mosso | — | ||
| 21-17 | Corelli Variations op.42 - Variation 02 - L'istesso tempo | — | ||
| 21-18 | Corelli Variations op.42 - Variation 03 - Tempo di menuetto | — | ||
| 21-19 | Corelli Variations op.42 - Variation 04 - Andante | — | ||
| 21-20 | Corelli Variations op.42 - Variation 05 - Allegro (ma non tanto) | — | ||
| 21-21 | Corelli Variations op.42 - Variation 06 - L'istesso tempo | — | ||
| 21-22 | Corelli Variations op.42 - Variation 07 - Vivace | — | ||
| 21-23 | Corelli Variations op.42 - Variation 08 - Adagio misterioso | — | ||
| 21-24 | Corelli Variations op.42 - Variation 09 - Un poco più mosso | — | ||
| 21-25 | Corelli Variations op.42 - Variation 10 - Allegro scherzando | — | ||
| 21-26 | Corelli Variations op.42 - Variation 11 - Allegro vivace | — | ||
| 21-27 | Corelli Variations op.42 - Variation 12 - L'istesso Tempo | — | ||
| 21-28 | Corelli Variations op.42 - Variation 13 - Agitato | — | ||
| 21-29 | Corelli Variations op.42 - Intermezzo - A tempo rubato | — | ||
| 21-30 | Corelli Variations op.42 - Variation 14 - Andante (come prima) | — | ||
| 21-31 | Corelli Variations op.42 - Variation 15 - L'istesso tempo | — | ||
| 21-32 | Corelli Variations op.42 - Variation 16 - Allegro vivace | — | ||
| 21-33 | Corelli Variations op.42 - Variation 17 - Meno mosso | — | ||
| 21-34 | Corelli Variations op.42 - Variation 18 - Allegro con brio | — | ||
| 21-35 | Corelli Variations op.42 - Variation 19 - Più mosso - Agitato | — | ||
| 21-36 | Corelli Variations op.42 - Variation 20 - Più mosso - Coda | — | ||
| 22-1 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - I. Allegro moderato | — | ||
| 22-2 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - II. Moderato - Measure 73 | — | ||
| 22-3 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - III. Tempo I - Measure 117 | — | ||
| 22-4 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - IV. Tempo I - Measure 172 | — | ||
| 22-5 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - V. A tempo | — | ||
| 22-6 | Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - I. Lento | — | ||
| 22-7 | Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - II. Measure 43 | — | ||
| 22-8 | Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - III. Measure 102 | — | ||
| 22-9 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - I. Allegro molto | — | ||
| 22-10 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - II. Meno mosso - Measure 80 | — | ||
| 22-11 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - III. Moderato - Measure 188 | — | ||
| 22-12 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - IV. Più vivo - Measure 240 | — | ||
| 22-13 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - V. Tempo I - Measure 267 | — | ||
| 22-14 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - VI. Meno mosso - Measure 313 | — | ||
| 22-15 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - VII. Moderato - Measure 409 | — | ||
| 22-16 | Prelude Op.32 No.01 in C major - Allegro vivace | — | ||
| 22-17 | Prelude Op.32 No.02 in B flat minor - Allegretto | — | ||
| 22-18 | Prelude Op.32 No.03 in E major - Allegro vivace | — | ||
| 22-19 | Prelude Op.32 No.04 in E minor - Allegro con brio | — | ||
| 22-20 | Prelude Op.32 No.05 in G major - Moderato | — | ||
| 22-21 | Prelude Op.32 No.06 in F minor - Allegro appassionato | — | ||
| 22-22 | Prelude Op.32 No.07 in F major - Moderato | — | ||
| 22-23 | Prelude Op.32 No.08 in A minor - Vivo | — | ||
| 22-24 | Prelude Op.32 No.09 in A major - Allegro moderato | — | ||
| 22-25 | Prelude Op.32, No.10 in B minor (Lento) | — | ||
| 22-26 | Prelude Op.32 No.11 in B major - Allegretto | — | ||
| 22-27 | Prelude Op.32, No.12 in G sharp minor (Allegro) | — | ||
| 22-28 | Prelude Op.32 No.13 in D flat major - Grave | — | ||
| 23-1 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Allegro agitato | — | ||
| 23-2 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Meno mosso. Measure 38 | — | ||
| 23-3 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Measure 55 | — | ||
| 23-4 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Tempo I. Measure 98 | — | ||
| 23-5 | Piano Sonata No.2 in B flat minor, Op.36 Movement II. Non allegro - Lento | — | ||
| 23-6 | Piano Sonata No.2 in B flat minor, Op.36 Movement II. Poco più mosso. Measure 36 | — | ||
| 23-7 | Piano Sonata No.2 in B flat minor, Op.36 Movement II. Tempo I. Measure 63 - Attacca | — | ||
| 23-8 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. L'istesso tempo - Allegretto molto | — | ||
| 23-9 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. A tempo meno mosso. Measure 76 | — | ||
| 23-10 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. Tempo I. Measure 106 | — | ||
| 23-11 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. Tempo rubato. Measure 184 | — | ||
| 23-12 | Morceaux de fantaisie, Op.3 - Élégie. Moderato | — | ||
| 23-13 | Morceaux de fantaisie, Op.3 - Prélude. Lento | — | ||
| 23-14 | Morceaux de fantaisie, Op.3 - Mélodie. Adagio sostenuto | — | ||
| 23-15 | Morceaux de fantaisie, Op.3 - Polichinelle. Allegro vivace | — | ||
| 23-16 | Morceaux de fantaisie, Op.3 - Sérénade. Sostenuto, tempo di valse | — | ||
| 23-17 | Variations on a Theme of Chopin, Op.22 - Theme. Largo | — | ||
| 23-18 | Variations on a Theme of Chopin, Op.22 - Variation I. Moderato | — | ||
| 23-19 | Variations on a Theme of Chopin, Op.22 - Variation II. Allegro | — | ||
| 23-20 | Variations on a Theme of Chopin, Op.22 - Variation III | — | ||
| 23-21 | Variations on a Theme of Chopin, Op.22 - Variation IV | — | ||
| 23-22 | Variations on a Theme of Chopin, Op.22 - Variation V. Meno mosso | — | ||
| 23-23 | Variations on a Theme of Chopin, Op.22 - Variation VI. Meno mosso | — | ||
| 23-24 | Variations on a Theme of Chopin, Op.22 - Variation VII. Allegro | — | ||
| 23-25 | Variations on a Theme of Chopin, Op.22 - Variation VIII | — | ||
| 23-26 | Variations on a Theme of Chopin, Op.22 - Variation IX | — | ||
| 23-27 | Variations on a Theme of Chopin, Op.22 - Variation X. Più vivo | — | ||
| 23-28 | Variations on a Theme of Chopin, Op.22 - Variation XI. Lento | — | ||
| 23-29 | Variations on a Theme of Chopin, Op.22 - Variation XII. Moderato | — | ||
| 23-30 | Variations on a Theme of Chopin, Op.22 - Variation XIII. Largo | — | ||
| 23-31 | Variations on a Theme of Chopin, Op.22 - Variation XIV. Moderato | — | ||
| 23-32 | Variations on a Theme of Chopin, Op.22 - Variation XV. Allegro scherzando | — | ||
| 23-33 | Variations on a Theme of Chopin, Op.22 - Variation XVI. Lento | — | ||
| 23-34 | Variations on a Theme of Chopin, Op.22 - Variation XVII. Grave | — | ||
| 23-35 | Variations on a Theme of Chopin, Op.22 - Variation XVIII. Più mosso | — | ||
| 23-36 | Variations on a Theme of Chopin, Op.22 - Variation XIX. Allegro vivace | — | ||
| 23-37 | Variations on a Theme of Chopin, Op.22 - Variation XX. Presto | — | ||
| 23-38 | Variations on a Theme of Chopin, Op.22 - Variation XXI. Andante - Più vivo | — | ||
| 23-39 | Variations on a Theme of Chopin, Op.22 - Variation XXII. Maestoso | — | ||
| 24-1 | Moments Musicaux Op.16 - No.1 in B Flat minor - Andantino [Alexander Chindin, piano] | — | ||
| 24-2 | Moments Musicaux Op.16 - No.2 in E Flat minor - Allegretto | — | ||
| 24-3 | Moments Musicaux Op.16 - No.3 in B minor - Andante cantabile | — | ||
| 24-4 | Moments Musicaux Op.16 - No.4 in E minor - Presto | — | ||
| 24-5 | Moments Musicaux Op.16 - No.5 in D flat major - Adagio sostenuto | — | ||
| 24-6 | Moments Musicaux Op.16 - No.6 in C major - Maestoso | — | ||
| 24-7 | Morceaux de Salon Op.10 - No.1 in A minor - Nocturne [Michael Ponti, piano] | — | ||
| 24-8 | Morceaux de Salon Op.10 - No.2 in A major - Valse | — | ||
| 24-9 | Morceaux de Salon Op.10 - No.3 in G major - Barcarolle | — | ||
| 24-10 | Morceaux de Salon Op.10 - No.4 in E minor - Mélodie | — | ||
| 24-11 | Morceaux de Salon Op.10 - No.5 in G major - Humoresque | — | ||
| 24-12 | Morceaux de Salon Op.10 - No.6 in F minor - Romance | — | ||
| 24-13 | Morceaux de Salon Op.10 - No.7 in D Flat major - Mazurka | — | ||
| 24-14 | Polka de V.R. [Robert Groslot, piano] | — | ||
| 25-1 | Scherzo (from Mendelssohn 'A Midsummer Night's Dream') | — | ||
| 25-2 | Lullaby (Tchaikovsky) | — | ||
| 25-3 | Liebesfreud (Kreisler) | — | ||
| 25-4 | Suite from Partita in E major for violin solo (J.S. Bach) - I. Prelude | — | ||
| 25-5 | Suite from Partita in E major for violin solo (J.S. Bach) - II. Gavotte | — | ||
| 25-6 | Suite from Partita in E major for violin solo (J.S. Bach) - III. Gigue | — | ||
| 25-7 | Wohin (Schubert) | — | ||
| 25-8 | Minuet (from Bizet 'L'Arlésienne, Suite No.1') | — | ||
| 25-9 | Flight on the Bumblebee (Rimsky-Korsakov) | — | ||
| 25-10 | Liebesleid (Kreisler) | — | ||
| 25-11 | Lilacs (Racmaninoff) | — | ||
| 25-12 | Daisies (Rachmaninoff) | — | ||
| 25-15 | Hopak (Mussorgsky) | — | ||
| 25-16 | Prelude Op. posth. (1917) | — | ||
| 25-17 | Fragments (1917) | — | ||
| 26-1 | Song without Words in D minor - Lento | — | ||
| 26-2 | Four Pieces - Romance in F sharp minor - Andante | — | ||
| 26-3 | Four Pieces - Prélude in E flat minor - Allegro | — | ||
| 26-4 | Four Pieces - Mélodie in E major - Andante | — | ||
| 26-5 | Four Pieces - Gavotte in D major - Liberamente | — | ||
| 26-6 | Canon in E minor - Andante con moto | — | ||
| 26-7 | Suite in D minor from a lost orchestral original - Lento-Allegro moderato in D minor | — | ||
| 26-8 | Suite in D minor from a lost orchestral original - Lento in B minor | — | ||
| 26-9 | Suite in D minor from a lost orchestral original - Menuetto in F sharp major | — | ||
| 26-10 | Suite in D minor from a lost orchestral original - Allegro in D major | — | ||
| 26-11 | Prélude in F major; Comodo - Più mosso - Tempo I | — | ||
| 26-12 | Four improvisations on Themes of Arensky, Glazunov, Taneyev & Rachmaninoff - I. Moderato in E minor | — | ||
| 26-13 | Four improvisations - II. Allegretto in C major | — | ||
| 26-14 | Four improvisations - III. Allegro scherzando in B flat minor | — | ||
| 26-15 | Four improvisations - IV. Lento-Tempo di valse-Tempo di marcia-Tempo del commincio, largo in F minor | — | ||
| 26-16 | Morceau de fantaisie in G Minor - Liberamente | — | ||
| 26-17 | Fughetta in G minor - Moderato | — | ||
| 26-18 | Oriental Sketch in B flat major - Non allegro | — | ||
| 26-19 | Piece (Prelude) in D minor - Andante ma non troppo - Poco più mosso - Tempo I | — | ||
| 26-20 | Fragments in A flat major - Andante semplice - Più mosso - Come prima | — | ||
| 26-21 | The Star-Spangled Banner in B flat major | — | ||
| 27-1 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Barcarolle | — | ||
| 27-2 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - La nuit...l'amour | — | ||
| 27-3 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Les larmes | — | ||
| 27-4 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Pâques | — | ||
| 27-5 | Russian Rapsody | — | ||
| 27-6 | Six Morceaux for piano duet Op.11 - Barcarolle | — | ||
| 27-7 | Six Morceaux for piano duet Op.11 - Scherzo | — | ||
| 27-8 | Six Morceaux for piano duet Op.11 - Russian Theme | — | ||
| 27-9 | Six Morceaux for piano duet Op.11 - Valse | — | ||
| 27-10 | Six Morceaux for piano duet Op.11 - Romance | — | ||
| 27-11 | Six Morceaux for piano duet Op.11 - Slava | — | ||
| 27-12 | Two Pieces for piano six-hands - Valse (... with David Gardiner) | — | ||
| 27-13 | Two Pieces for piano six-hands - Romance (... with David Gardiner) | — | ||
| 27-14 | Polka italienne for piano duet | — | ||
| 28-1 | Suite No.2 for two pianos Op.17 - I. Introduction | — | ||
| 28-2 | Suite No.2 for two pianos Op.17 - II. Valse | — | ||
| 28-3 | Suite No.2 for two pianos Op.17 - III. Romance | — | ||
| 28-4 | Suite No.2 for Two Pianos, Op.17: IV. Tarantelle | — | ||
| 28-5 | Symphonic Dances for two pianos Op.45 - I. Non allegro | — | ||
| 28-6 | Symphonic Dances for two pianos Op.45 - II. Andante co moto, tempo di valse | — | ||
| 28-7 | Symphonic Dances for two pianos Op.45 - III. Lento assai - Allegro vivace | — | ||
| 28-8 | Romance in G Major for Piano Duet | — | ||
| 28-9 | Prelude in C sharp minor for two pianos | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 12 Songs without Opus: At the gates of the holy cloister | Sergei Leiferkus, Howard Shelley | — |
| I Shall Tell You Nothing | Сергей Лейферкус, Howard Shelley | — |
| Song of the Disillusioned | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 4: I. O, no, I beg you, do not leave | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 4: III. In the Silence of the Secret Night | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 8: II. Child, thou art as Beautiful as a Flower | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 8: III. Brooding | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: IV. I was with Her | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: VI. How Everyone Loves Thee | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: IX. She is as Lovely as the Noon | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: XII. Tis Time | Сергей Лейферкус, Howard Shelley | — |
| 12 Songs, op. 21: I. Fate | Sergei Leiferkus, Howard Shelley | — |
| 15 Songs, op. 26: II. All was taken from me | Maria Popescu, Howard Shelley | — |
| 15 Songs, op. 26: VI. Christ is risen | Maria Popescu, Howard Shelley | — |
| 15 Songs, op. 26: XIII. Yesterday we met | Maria Popescu, Howard Shelley | — |
| 15 Songs, op. 26: XV. All passes | Sergei Leiferkus, Howard Shelley | — |
| Letter to K.S. Stanislavsky | Sergei Leiferkus, Howard Shelley | — |
| 14 Romances, op. 34: no. 2, In the Soul of Each of Us | Sergei Leiferkus, Howard Shelley | — |
| 14 Romances, op. 34: no. 9, You Knew Him | Maria Popescu, Howard Shelley | — |
| From the Gospel of St. John | Сергей Лейферкус, Howard Shelley | — |
| It wasn't long ago, my friend, op. 4 no. 6 | Joan Rodgers, Howard Shelley | — |
| Prayer, op. 8 no. 6 | Joan Rodgers, Howard Shelley | — |
| I await you, op. 14 no. 1 | Joan Rodgers, Howard Shelley | — |
| Lilacs, op. 21 no. 5 | Joan Rodgers, Howard Shelley | — |
| Fragments from A. Musset, op. 21 no. 6 | Joan Rodgers, Howard Shelley | — |
| How peaceful, op. 21 no. 5 | Joan Rodgers, Howard Shelley | — |
| I am not a prophet, op. 21 no. 11 | Joan Rodgers, Howard Shelley | — |
| How pained I am, op. 21 no. 12 | Joan Rodgers, Howard Shelley | — |
| I am again alone, op. 26 no. 9 | Joan Rodgers, Howard Shelley | — |
| At my window, op. 26 no. 10 | Joan Rodgers, Howard Shelley | — |
| Night is sorrowful, op. 26 no. 12 | Joan Rodgers, Howard Shelley | — |
| 14 Romances, op. 34: no. 4, The Migrant Wind | Joan Rodgers, Howard Shelley | — |
| 14 Romances, op. 34: no. 13, Dissonance | Joan Rodgers, Howard Shelley | — |
| 14 Romances, op. 34: no. 14, Vocalise | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 1, In My Garden at Night | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 2, To Her | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 4, The Rat-Catcher | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 6, A-oo | Joan Rodgers, Howard Shelley | — |
| 2 Sacred Songs: no. 1, Prayer | Joan Rodgers, Howard Shelley | — |
| 2 Sacred Songs: no. 2, All Glory to God | Joan Rodgers, Howard Shelley | — |
