UPC · Release
Back to Mine: Everything but the Girl
Everything but the Girl
Last verified:
5029418033061 is the Universal Product Code (UPC barcode) for the release “Back to Mine: Everything but the Girl” by Everything but the Girl, released 2001-01-01 on DMC. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 4 tracks, each with its own ISRC. Tracks include FR6V89602981, GBARS9800130.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (4)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Friends and Enemies | DJ Cam | — | |
| 2 | All Alone (No One to Be With) | — | ||
| 3 | The Bayou | — | ||
| 4 | Stars All Seem to Weep | Beth Orton | T-010.378.845-9 |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Friends and Enemies | DJ Cam | — |
| Someday We’ll All Be Free | Donny Hathaway | T-070.141.909-1 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
Verified on
What is UPC 5029418033061?
5029418033061 is a Universal Product Code (UPC) assigned to Back to Mine: Everything but the Girl by Everything but the Girl. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 4 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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