UPC · Album
The Ultimate Eighties
Various Artists
5029836100321
36 tracksReleased 1995-01-01The Ultimate Collection (3)
Last verified:
5029836100321 is the Universal Product Code (UPC barcode) for the release “The Ultimate Eighties” by Various Artists, released 1995-01-01 on The Ultimate Collection (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include DEA340400238, DEC640000008, GB0208302004.
Format
502GS1 prefix
9836Company prefix
10032Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Ultimate Eighties
ISRC87 recordings
ISWC66 works
IPI21 songwriters
Track List (87)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| The Model | Kraftwerk | DEA340400238 |
| Bette Davis Eyes | Kim Carnes | DEC640000008 |
| Come Back and Stay | Paul Young | GB0208302004 |
| Never Gonna Give You Up | Rick Astley | GB5KW2103369 |
| Never Gonna Give You Up | Rick Astley | GB5KW2202504 |
| Caribbean Queen (No More Love on the Run) | Billy Ocean | GBAHK9700109 |
| Kiss | Art of Noise, Tom Jones | GBAHS0104401 |
| Love Plus One | Haircut One Hundred | GBARK8200002 |
| Love Plus One | Haircut One Hundred | GBARK8200022 |
| Hold Me Now | Thompson Twins | GBARK8300013 |
| Hold Me Now | Thompson Twins | GBARK8300046 |
| Hold Me Now | Thompson Twins | GBARK8300053 |
| Hold Me Now | Thompson Twins | GBARK8300070 |
| Never Gonna Give You Up | Rick Astley | GBARL0401372 |
| Never Gonna Give You Up | Rick Astley | GBARL0600786 |
| Never Gonna Give You Up | Rick Astley | GBARL0600789 |
| Come Back and Stay | Paul Young | GBARL0800680 |
| Hold Me Now (12″ version) | Thompson Twins | GBARL8300064 |
| Never Gonna Give You Up | Rick Astley | GBARL8700052 |
| Never Gonna Give You Up | Rick Astley | GBARL9300135 |
| Geno | Dexys Midnight Runners | GBAYE0000114 |
| Too Shy | Kajagoogoo | GBAYE0901454 |
| Love Changes (Everything) | Climie Fisher | GBAYE1330298 |
| Geno | Dexys Midnight Runners | GBAYE8000030 |
| Golden Brown | The Stranglers | GBAYE8100053 |
| Golden Brown | The Stranglers | GBAYE8100076 |
| Golden Brown | The Stranglers | GBAYE8100078 |
| Golden Brown | The Stranglers | GBAYE8100082 |
| Too Shy | Kajagoogoo | GBAYE8300069 |
| Too Shy | Kajagoogoo | GBAYE8300270 |
| We Close Our Eyes | Go West | GBAYE8500036 |
| 19 | Paul Hardcastle | GBAYE8500071 |
| 19 | Paul Hardcastle | GBAYE8500076 |
| Could It Be I’m Falling in Love | David Grant, Jaki Graham | GBAYE8500077 |
| Respectable | Mel & Kim | GBAYE8700095 |
| Respectable | Mel & Kim | GBAYE8700103 |
| Love Changes (Everything) | Climie Fisher | GBAYE8700120 |
| Love Changes (Everything) | Climie Fisher | GBAYE8700121 |
| Could It Be I’m Falling in Love | David Grant, Jaki Graham | GBAYK0800012 |
| Ghost Town | The Specials | GBAYK8100051 |
| Our Lips Are Sealed | Fun Boy Three | GBAYK8300017 |
| Could It Be I'm Falling In Love | Jaki Graham | GBAYK8500014 |
| 19 | Paul Hardcastle | GBAYK8500015 |
| We Close Our Eyes | Go West | GBAYK8500016 |
| Living in a Box | Living in a Box | GBAYK8700002 |
| Living in a Box | Living in a Box | GBAYK8700020 |
| We Close Our Eyes | Go West | GBAYK9300044 |
| Young Guns (Go for It) | Wham! | GBBBM8200002 |
| Come Back and Stay | Paul Young | GBBBN0009263 |
| Come Back and Stay | Paul Young | GBBBN0202469 |
| Come Back and Stay | Paul Young | GBBBN8300003 |
| Love & Pride | King | GBBBN8400002 |
| Wouldn’t It Be Good | Nik Kershaw | GBBBY0300006 |
| We Close Our Eyes | Go West | GBCEN1400652 |
| Kiss | Art of Noise, Tom Jones | GBF078801010 |
| U Can’t Touch This | MC Hammer | NLD141100034 |
| 19 | Paul Hardcastle | UKKP22300456 |
| Hold Me Now | Thompson Twins | USAR18400001 |
| Never Gonna Give You Up | Rick Astley | USAT21601138 |
| Atomic | Blondie | USCA20702381 |
| The Model | Kraftwerk | USCA20903078 |
| Bette Davis Eyes | Kim Carnes | USCA28100081 |
| The Model | Kraftwerk | USCA28800967 |
| U Can’t Touch This | MC Hammer | USCA29000294 |
| Bette Davis Eyes | Kim Carnes | USCA29701371 |
| THE TIDE IS HIGH (REMASTERED) | VARIOUS ARTISTS | USCH30100024 |
| ATOMIC (2001 DIGITAL REMASTER) | BLONDIE | USCH30100032 |
| Atomic | Blondie | USCH37900010 |
| The Tide Is High | Blondie | USCH38000024 |
| THE TIDE IS HIGH | VARIOUS ARTISTS | USCH38900009 |
| ATOMIC | VARIOUS ARTISTS | USCH39400050 |
| """THE TIDE IS HIGH (7\"""" EDIT)""" | BLONDIE | USCH39800019 |
| Automatic | The Pointer Sisters | USEC10400022 |
| Missing You | John Waite | USEM38400048 |
| Missing You | John Waite | USEM38800236 |
| U Can’t Touch This | MC Hammer | USEM38900084 |
| Bette Davis Eyes | Kim Carnes | USEM38900124 |
| U Can’t Touch This | MC Hammer | USEM39000154 |
| Our Lips Are Sealed | Fun Boy Three | USGMP0800026 |
| U Can’t Touch This | MC Hammer | USLIC0600592 |
| U Can’t Touch This | MC Hammer | USLS50802005 |
| My Prerogative | Bobby Brown | USMC10000469 |
| Wouldn’t It Be Good | Nik Kershaw | USMC18415162 |
| My Prerogative | Bobby Brown | USMC18825732 |
| Automatic | The Pointer Sisters | USRC10400022 |
| Our Lips Are Sealed | Fun Boy Three | USRHD1102284 |
| My Prerogative | Bobby Brown | USUM70754083 |
The Model
Kraftwerk
Bette Davis Eyes
Kim Carnes
Come Back and Stay
Paul Young
Never Gonna Give You Up
Rick Astley
Never Gonna Give You Up
Rick Astley
Caribbean Queen (No More Love on the Run)
Billy Ocean
Kiss
Art of Noise, Tom Jones
Love Plus One
Haircut One Hundred
Love Plus One
Haircut One Hundred
Hold Me Now
Thompson Twins
Hold Me Now
Thompson Twins
Hold Me Now
Thompson Twins
Hold Me Now
Thompson Twins
Never Gonna Give You Up
Rick Astley
Never Gonna Give You Up
Rick Astley
Never Gonna Give You Up
Rick Astley
Come Back and Stay
Paul Young
Hold Me Now (12″ version)
Thompson Twins
Never Gonna Give You Up
Rick Astley
Never Gonna Give You Up
Rick Astley
Geno
Dexys Midnight Runners
Too Shy
Kajagoogoo
Love Changes (Everything)
Climie Fisher
Geno
Dexys Midnight Runners
Golden Brown
The Stranglers
Golden Brown
The Stranglers
Golden Brown
The Stranglers
Golden Brown
The Stranglers
Too Shy
Kajagoogoo
Too Shy
Kajagoogoo
We Close Our Eyes
Go West
19
Paul Hardcastle
19
Paul Hardcastle
Could It Be I’m Falling in Love
David Grant, Jaki Graham
Respectable
Mel & Kim
Respectable
Mel & Kim
Love Changes (Everything)
Climie Fisher
Love Changes (Everything)
Climie Fisher
Could It Be I’m Falling in Love
David Grant, Jaki Graham
Ghost Town
The Specials
Our Lips Are Sealed
Fun Boy Three
Could It Be I'm Falling In Love
Jaki Graham
19
Paul Hardcastle
We Close Our Eyes
Go West
Living in a Box
Living in a Box
Living in a Box
Living in a Box
We Close Our Eyes
Go West
Young Guns (Go for It)
Wham!
Come Back and Stay
Paul Young
Come Back and Stay
Paul Young
Come Back and Stay
Paul Young
Love & Pride
King
Wouldn’t It Be Good
Nik Kershaw
We Close Our Eyes
Go West
Kiss
Art of Noise, Tom Jones
U Can’t Touch This
MC Hammer
19
Paul Hardcastle
Hold Me Now
Thompson Twins
Never Gonna Give You Up
Rick Astley
Atomic
Blondie
The Model
Kraftwerk
Bette Davis Eyes
Kim Carnes
The Model
Kraftwerk
U Can’t Touch This
MC Hammer
Bette Davis Eyes
Kim Carnes
THE TIDE IS HIGH (REMASTERED)
VARIOUS ARTISTS
ATOMIC (2001 DIGITAL REMASTER)
BLONDIE
Atomic
Blondie
The Tide Is High
Blondie
THE TIDE IS HIGH
VARIOUS ARTISTS
ATOMIC
VARIOUS ARTISTS
"""THE TIDE IS HIGH (7\"""" EDIT)"""
BLONDIE
Automatic
The Pointer Sisters
Missing You
John Waite
Missing You
John Waite
U Can’t Touch This
MC Hammer
Bette Davis Eyes
Kim Carnes
U Can’t Touch This
MC Hammer
Our Lips Are Sealed
Fun Boy Three
U Can’t Touch This
MC Hammer
U Can’t Touch This
MC Hammer
My Prerogative
Bobby Brown
Wouldn’t It Be Good
Nik Kershaw
My Prerogative
Bobby Brown
Automatic
The Pointer Sisters
Our Lips Are Sealed
Fun Boy Three
My Prerogative
Bobby Brown
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.059.383-6T-010.103.192-8T-010.140.664-7T-010.158.287-9T-010.181.769-9T-010.303.790-6T-010.476.086-2T-010.506.120-8T-010.562.292-1T-010059383-6
+56 more
T-010097004-4T-010103192-8T-010140664-7T-010158287-9T-010181769-9T-010303790-6T-010331515-6T-010473452-2T-010476086-2T-010506120-8T-010562292-1T-011.230.280-3T-011.284.619-1T-011.292.609-6T-011.333.386-0T-011230280-3T-011284619-1T-011292609-6T-011318412-5T-011333386-0T-011333908-4T-011401832-4T-060138304-3T-070.004.154-8T-070.014.971-8T-070.093.428-6T-070.115.115-6T-070.161.557-7T-070.194.256-4T-070.233.479-9T-070.256.501-2T-070.915.127-8T-070004154-8T-070014971-8T-070030266-4T-070093428-6T-070115115-6T-070161557-7T-070194256-4T-070233419-7T-070233479-9T-070234131-8T-070256501-2T-070880796-8T-070915127-8T-802.113.860-4T-802113860-4T-900171679-6T-901.127.502-8T-901127502-8T-902.668.787-6T-902.779.571-7T-902668787-6T-902779571-7T-902870066-5T0115253127
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551372910000000055151894000000005515215X000000007731957100000000782231410000000078394573000000008156973300000000836246280000000087384676000000010124948X
+24 more
00000001071976410000000107963991000000010799189600000001094536530000000110334897000000011478684X0000000114937660000000011508044300000001151664820000000115510749000000011781815700000001185071820000000119453307000000011956295X0000000120203276000000012024004200000001210547190000000121589561000000012162276300000001218888950000000122859471000000012326199X00000001236995370000000381748792
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5029836100321?
5029836100321 is a Universal Product Code (UPC) assigned to The Ultimate Eighties by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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