UPC · Release
The Definitive Collection
The Shirelles
Last verified:
5031731030627 is the Universal Product Code (UPC barcode) for the release “The Definitive Collection” by The Shirelles, released 1996-01-01 on Charly Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC. Tracks include QM6N21404778, QM6N21404783, FRX086090001.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (65)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dedicated to the One I Love | The Shirelles | T-070.881.723-5 | |
| 2 | Look-A-Here Baby | — | ||
| 3 | A Teardrop and a Lollipop | — | ||
| 4 | Doin' the Ronde | — | ||
| 5 | Please Be My Boyfriend | — | ||
| 6 | I Saw a Tear | — | ||
| 7 | Tonight’s the Night | The Shirelles | T-070.940.604-1 | |
| 8 | The Dance Is Over | — | ||
| 9 | Will You Love Me Tomorrow | The Shirelles | T-071.017.458-5 | |
| 10 | Boys | The Shirelles | T-070.880.911-3 | |
| 11 | Mama Said | — | ||
| 12 | Blue Holiday | — | ||
| 13 | A Thing of the Past | — | ||
| 14 | What a Sweet Thing That Was | — | ||
| 15 | Big John | — | ||
| 16 | Twenty One | — | ||
| 17 | Baby, It's You | — | ||
| 18 | The Things I Want to Hear | — | ||
| 19 | Soldier Boy | — | ||
| 20 | Love Is a Swingin' Thing | — | ||
| 21 | Welcome Home Baby | — | ||
| 22 | Mama, Here Comes the Bride | — | ||
| 23 | Stop the Music | — | ||
| 24 | It's Love That Really Counts | — | ||
| 25 | Everybody Loves a Lover | — | ||
| 26 | I Don’t Think So | The Shirelles | T-915.468.703-3 | |
| 27 | Foolish Little Girl | The Shirelles | T-070.881.463-4 | |
| 28 | Not for All the Money in the World | The Shirelles | — | |
| 29 | Don’t Say Goodnight and Mean Goodbye | The Shirelles | — | |
| 30 | I Didn’t Mean to Hurt You | The Shirelles | T-911.061.986-8 | |
| 31 | Abra Ka Dabra | The Shirelles | T-910.130.347-3 | |
| 32 | What Does a Girl Do | — | ||
| 33 | Don't Let It Happen to Us | — | ||
| 2-1 | Commercial | — | ||
| 2-2 | It's a Mad, Mad, Mad, Mad World | — | ||
| 2-3 | 31 Flavours | — | ||
| 2-4 | Tonight You're Gonna Fall in Love With Me | — | ||
| 2-5 | 20th Century Rock & Roll | — | ||
| 2-6 | Sha La La | — | ||
| 2-7 | His Lips Get in the Way | — | ||
| 2-8 | Thank You Baby | — | ||
| 2-9 | Doomsday | — | ||
| 2-10 | Maybe Tonight | — | ||
| 2-11 | Are You Still My Baby | — | ||
| 2-12 | Ssh, I'm Watching the Movie | — | ||
| 2-13 | March | — | ||
| 2-14 | Everybody's Goin' Mad | — | ||
| 2-15 | My Heart Belongs to You | — | ||
| 2-16 | (Mama) My Soldier Boy Is Comin' Home | — | ||
| 2-17 | I Met Him on a Sunday '66 | — | ||
| 2-18 | Till My Baby Comes Home | — | ||
| 2-19 | Que Será, Será | — | ||
| 2-20 | Shades of Blue | — | ||
| 2-21 | When the Boys Talk About the Girls | — | ||
| 2-22 | Teasin' Me | — | ||
| 2-23 | Look Away | — | ||
| 2-24 | Don't Go Home (My Little Darlin') | — | ||
| 2-25 | Nobody's Baby After You | — | ||
| 2-26 | Bright Shiny Colours | — | ||
| 2-27 | Too Much of a Good Thing | — | ||
| 2-28 | Last Minute Miracle | — | ||
| 2-29 | Wild and Sweet | — | ||
| 2-30 | Wait Until I Give the Signal | — | ||
| 2-31 | Hippie Walk, Part 1 | — | ||
| 2-32 | Commercial | — |
What other identifiers does this connect to?
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People also ask
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What is UPC 5031731030627?
5031731030627 is a Universal Product Code (UPC) assigned to The Definitive Collection by The Shirelles. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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