UPC · Release
Greatest Hits, Volume 3: Live & Loud
Cockney Rejects
Last verified:
5032556124324 is the Universal Product Code (UPC barcode) for the release “Greatest Hits, Volume 3: Live & Loud” by Cockney Rejects, released 2004-01-01 on Captain Oi!. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Rocker | — | ||
| 2 | Bad Man | — | ||
| 3 | I'm Not a Fool | — | ||
| 4 | On the Waterfront | — | ||
| 5 | On the Run | — | ||
| 6 | Hate of the City | — | ||
| 7 | Easy Life | — | ||
| 8 | War on the Terraces | — | ||
| 9 | Fighting in the Streets | — | ||
| 10 | Greatest Cockney Rip Off | — | ||
| 11 | Join the Rejects | — | ||
| 12 | Police Car | — | ||
| 13 | East End | — | ||
| 14 | Motorhead | — | ||
| 15 | Hang 'em High | — | ||
| 16 | In the Underworld | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Credits Graph
People also ask
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What is UPC 5032556124324?
5032556124324 is a Universal Product Code (UPC) assigned to Greatest Hits, Volume 3: Live & Loud by Cockney Rejects. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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