UPC · Release
Live at Bush Hall 2007
Gary Moore
Last verified:
5034504153523 is the Universal Product Code (UPC barcode) for the release “Live at Bush Hall 2007” by Gary Moore, released 2014-01-01 on Eagle Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (13)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | If the Devil Made Whiskey (live) | — | ||
| 2 | Thirty Days (live) | — | ||
| 3 | Trouble at Home (live) | — | ||
| 4 | Hard Times (live) | — | ||
| 5 | Eyesight to the Blind (live) | — | ||
| 6 | I Had a Dream (live) | — | ||
| 7 | Too Tired (live) | — | ||
| 8 | Gary’s Blues 1 (live) | — | ||
| 9 | Don’t Believe a Word (live) | — | ||
| 10 | Still Got the Blues (live) | — | ||
| 11 | Walking by Myself (live) | — | ||
| 12 | The Blues Is Alright (live) | — | ||
| 13 | Sundown (live) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5034504153523?
5034504153523 is a Universal Product Code (UPC) assigned to Live at Bush Hall 2007 by Gary Moore. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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