UPC · Release
Led Zeppelin: The Music That Rocked Us
Various Artists
Last verified:
5036408116420 is the Universal Product Code (UPC barcode) for the release “Led Zeppelin: The Music That Rocked Us” by Various Artists, released 2010-01-01 on Music Melon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 104 tracks, each with its own ISRC. Tracks include GBEEJ0900002, GBEEJ0503195, GBEEJ0900449.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (104)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Can't Quit You Baby | — | ||
| 2 | Rave On | Buddy Holly | T-030.696.608-4 | |
| 3 | Honey Hush | Big Joe Turner | T-070.918.829-3 | |
| 4 | Endless Sleep | — | ||
| 5 | It’s Nobody’s Fault but Mine | Blind Willie Johnson | T-901.801.913-1 | |
| 6 | Good Rockin' Tonight | — | ||
| 7 | Jesus Gonna Make Up My Dying Bed | — | ||
| 8 | Evil Is Going On | — | ||
| 9 | That’s All Right | Arthur “Big Boy” Crudup | T-070.250.140-3 | |
| 10 | Around and Around | — | ||
| 11 | Good Morning Little School Girl | Sonny Boy Williamson, Big Joe Williams | T-901.130.029-1 | |
| 12 | Keep‐a‐Knockin’ | Little Richard | T-070.241.459-2 | |
| 13 | Honey Bee | Muddy Waters | — | |
| 14 | Traveling Riverside Blues | Robert Johnson | T-070.187.795-3 | |
| 15 | Three O’Clock Blues | B.B. King | T-918.295.197-9 | |
| 16 | Dust My Broom | Elmo James | T-070.233.844-0 | |
| 17 | Queen of the Hop | — | ||
| 18 | Baby I Don't Care | — | ||
| 19 | Twenty Flight Rock (version 1) | Eddie Cochran | — | |
| 20 | I Can't Be Satisfied | Big Bill Broonzy | T-070.240.476-9 | |
| 21 | Boogie Chillin | John Lee Hooker | — | |
| 22 | I’m a Man | Bo Diddley | T-070.240.730-4 | |
| 23 | The Stroll | The Diamonds | T-070.233.290-8 | |
| 24 | Ooh! My Soul | Little Richard | — | |
| 25 | Rock Island Line | Lonnie Donegan | T-070.940.053-2 | |
| 26 | Whole Lotta Shakin’ Goin’ On | Jerry Lee Lewis | T-070.199.897-1 | |
| 2-1 | Blue Suede Shoes | — | ||
| 2-2 | Heartbreak Hotel | — | ||
| 2-3 | Blueberry Hill | — | ||
| 2-4 | Oh Baby | — | ||
| 2-5 | Black Betty | Lead Belly | T-070.233.023-1 | |
| 2-6 | Kisses Sweeter Than Wine | Jimmie Rodgers | — | |
| 2-7 | Move It | — | ||
| 2-8 | Be Bob a Lula | — | ||
| 2-9 | The Train Kept A‐Rollin’ | Johnny Burnette and the Rock ’n’ Roll Trio | T-070.140.418-3 | |
| 2-10 | Maybelline | — | ||
| 2-11 | Fixin’ to Die Blues | Bukka White | — | |
| 2-12 | King Creole | Elvis Presley | T-010.434.207-5 | |
| 2-13 | Mannish Boy | — | ||
| 2-14 | Early in the Morning | — | ||
| 2-15 | Got the Bottle Up and Gone | Sonny Boy Williamson | — | |
| 2-16 | How Many More Years | Howlin’ Wolf | T-070.240.412-3 | |
| 2-17 | Please Love Me | — | ||
| 2-18 | Reelin' and Rockin' | — | ||
| 2-19 | Suzie Q | — | ||
| 2-20 | Long Tall Sally | Little Richard | T-030.546.594-4 | |
| 2-21 | Come On in My Kitchen | Robert Johnson | — | |
| 2-22 | Milkcow Blues | — | ||
| 2-23 | Honeydripper | Joe Liggins | — | |
| 2-24 | Baby, Let’s Play House | Elvis Presley | T-071.790.576-4 | |
| 2-25 | I’ve Got a Woman | Ray Charles | T-070.919.077-1 | |
| 2-26 | Smoke Gets in Your Eyes | The Platters | T-070.199.313-6 | |
| 3-1 | C’mon Everybody | Eddie Cochran | T-070.880.972-6 | |
| 3-2 | The Book of Love | The Monotones | T-904.066.698-6 | |
| 3-3 | Louie Louie | — | ||
| 3-4 | Trucking Little Woman | Big Bill Broonzy | — | |
| 3-5 | When the Levee Breaks | Kansas Joe McCoy, Memphis Minnie | T-914.640.308-9 | |
| 3-6 | Hound Dog | Elvis Presley | T-011.364.221-9 | |
| 3-7 | Stealin’ Stealin’ | Memphis Jug Band | — | |
| 3-8 | The Gallis Pole | Lead Belly | T-911.059.450-8 | |
| 3-9 | Mama Don't Allow | — | ||
| 3-10 | No Place to Go | — | ||
| 3-11 | Kind Hearted Woman Blues | Robert Johnson | T-902.771.017-4 | |
| 3-12 | The Girl Can’t Help It | Little Richard | T-070.064.120-8 | |
| 3-13 | I’m Movin’ On | Hank Snow, his Rainbow Ranch Boys | T-070.919.028-2 | |
| 3-14 | Long Distance Call | Muddy Waters | T-071.000.793-4 | |
| 3-15 | Woke Up This Morning | — | ||
| 3-16 | Lotta Lovin' | — | ||
| 3-17 | Johnny B. Goode | Chuck Berry | T-070.939.624-6 | |
| 3-18 | I'm in the Mood | John Lee Hooker | — | |
| 3-19 | Lawdy Miss Clawdy | Elvis Presley | T-070.241.591-5 | |
| 3-20 | Sugar Mama Blues | Sonny Boy Williamson | — | |
| 3-21 | Lone Wolf Blues | Oscar Woods (The Lone Wolf) | — | |
| 3-22 | Country Boogie | — | ||
| 3-23 | Good Rockin’ Tonight | — | ||
| 3-24 | Drop Down Mama | Sleepy John Estes | — | |
| 3-25 | Haitian Fight Song | — | ||
| 3-26 | Cotton Song | Chas McDevitt | — | |
| 4-1 | Smokestack Lightnin’ | Howlin’ Wolf | T-070.243.695-0 | |
| 4-2 | Let’s Have a Party | — | ||
| 4-3 | Money Honey | — | ||
| 4-4 | School Days | Chuck Berry | T-070.940.144-4 | |
| 4-5 | Jesus Make Up My Dying Bed | Blind Willie Johnson | T-901.801.914-2 | |
| 4-6 | The Girl I Love | Sleepy John Estes | — | |
| 4-7 | Honey Hush | The Johnny Burnette Trio | T-070.918.829-3 | |
| 4-8 | Knocking At Your Door | — | ||
| 4-9 | She Squeezed My Lemon | — | ||
| 4-10 | Goodnight, Irene | — | ||
| 4-11 | Shake ’Em On Down | Bukka White | T-700.061.921-8 | |
| 4-12 | Mystery Train | — | ||
| 4-13 | That’s No Way to Get Along | Robert Wilkins | T-072.385.932-2 | |
| 4-14 | Tutti Frutti | — | ||
| 4-15 | Lawdy Miss Clawdy | — | ||
| 4-16 | Sweet Home Chicago | Robert Johnson | T-902.779.496-3 | |
| 4-17 | Rollin’ and Tumblin’ | — | ||
| 4-18 | I Want Some of Your Pie | Blind Boy Fuller | — | |
| 4-19 | Rockin’ at Midnight | Roy Brown | — | |
| 4-20 | Roll Over Beethoven | Chuck Berry | T-070.940.070-3 | |
| 4-21 | Good Rockin' Tonight | — | ||
| 4-22 | I Put a Spell on You | Screamin’ Jay Hawkins | T-010.751.678-8 | |
| 4-23 | Going Down Slow | St. Louis Jimmy Oden | T-070.881.865-8 | |
| 4-24 | That’s All Right | Elvis Presley | T-070.250.140-3 | |
| 4-25 | Down by the Riverside | Sister Rosetta Tharpe, The Dependable Boys, Sam Price Trio | T-922.769.351-8 | |
| 4-26 | Train Kept A-Rollin' | — |
Additional database matches (19)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| When the Levee Breaks | Memphis Minnie, Kansas Joe | — |
| Stealin’ Stealin’ | Memphis Jug Band | — |
| Twenty Flight Rock (version 1) | Eddie Cochran | — |
| Kisses Sweeter Than Wine | Jimmie Rodgers | — |
| When the Levee Breaks | Memphis Minnie, Kansas Joe | — |
| Stealin’ Stealin’ | Memphis Jug Band | — |
| Twenty Flight Rock (version 1) | Eddie Cochran | — |
| That's All Right (New Sound Remastered) | Elvis Presley | T-070.250.140-3 |
| King Creole (New Sound Remastered) | Elvis Presley | T-010.434.207-5 |
| Kisses Sweeter Than Wine | Jimmie Rodgers | — |
| Kisses Sweeter Than Wine | Jimmie Rodgers | — |
| WHOLE LOTTA SHAKIN’ GOING ON | JERRY LEE LEWIS | T-070.199.897-1 |
| Come on in My Kitchen | Robert Johnson | T-010.446.475-6 |
| Kind Hearted Woman Blues (take 1) | Robert Johnson | T-902.771.017-4 |
| Come On in My Kitchen | Robert Johnson | T-010.446.475-6 |
| Come On in My Kitchen | Robert Johnson | T-010.446.475-6 |
| Come On in My Kitchen | Robert Johnson | T-010.446.475-6 |
| Come On in My Kitchen | Robert Johnson | T-010.446.475-6 |
| Kind Hearted Woman Blues (take 1) | Robert Johnson | T-902.771.017-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
+84 more
Songwriters/Publishers (IPI)
+40 more
Creative Contributors (ISNI)
+40 more
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People also ask
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What is UPC 5036408116420?
5036408116420 is a Universal Product Code (UPC) assigned to Led Zeppelin: The Music That Rocked Us by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 104 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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