UPC · Release
Seven Classic Albums
Cecil Taylor
Last verified:
5036408142023 is the Universal Product Code (UPC barcode) for the release “Seven Classic Albums” by Cecil Taylor, released 2013-01-01 on Real Gone. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include USBN29100270, USBN29100276, USBN29100277.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bemsha Swing | Cecil Taylor Quartet | T-924.101.469-7 | |
| 2 | Charge ’Em Blues | Cecil Taylor Quartet | — | |
| 3 | Azure | Cecil Taylor Quartet | T-071.056.393-1 | |
| 4 | Song | Cecil Taylor Quartet | — | |
| 5 | You’d Be So Nice to Come Home To | Cecil Taylor Quartet | T-070.211.122-5 | |
| 6 | Rick Kick Shaw | Cecil Taylor Quartet | — | |
| 7 | Johnny Come Lately | The Cecil Taylor Quartet | — | |
| 8 | Nona’s Blues | The Cecil Taylor Quartet | — | |
| 9 | Tune 2 | The Cecil Taylor Quartet | — | |
| 3-1 | Get Out of Town | Cecil Taylor Trio | T-070.063.988-8 | |
| 3-2 | I Love Paris | Cecil Taylor Trio | T-037.658.919-3 | |
| 3-3 | Love for Sale | Cecil Taylor Trio | T-070.097.242-4 | |
| 3-4 | Little Lees (Louise) | Cecil Taylor Quintet | — | |
| 3-5 | Matie’s Trophies (Motystrophe) | Cecil Taylor Quintet | — | |
| 3-6 | Air | Cecil Taylor | T-070.222.423-4 | |
| 3-7 | This Nearly Was Mine | Cecil Taylor | T-031.593.603-8 | |
| 3-8 | Port of Call (take 2) | Cecil Taylor | T-700.054.735-5 | |
| 3-9 | E. B. | Cecil Taylor | — |
Additional database matches (24)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Shifting Down | The Cecil Taylor Quintet | T-700.062.603-1 |
| Just Friends | The Cecil Taylor Quintet | T-070.089.012-5 |
| Like Someone in Love | The Cecil Taylor Quintet | T-070.095.943-8 |
| Double Clutching | The Cecil Taylor Quintet | T-914.920.353-2 |
| Lazy Afternoon | Cecil Taylor | T-070.095.171-8 |
| O.P. (take 2) | Cecil Taylor | — |
| Cindy’s Main Mood (take 1) | Cecil Taylor | — |
| Things Ain’t What They Used to Be (take 1) | Cecil Taylor | T-900.305.483-9 |
| Pots | The Cecil Taylor Unit | T-700.054.834-7 |
| Bulbs | The Cecil Taylor Unit | — |
| Mixed | The Cecil Taylor Unit | T-700.044.391-6 |
| O.P. (take 2) | Cecil Taylor | — |
| Cindy’s Main Mood (take 1) | Cecil Taylor | — |
| Nona’s Blues | The Cecil Taylor Quartet | — |
| Bulbs | The Cecil Taylor Unit | — |
| Bulbs | The Cecil Taylor Unit | — |
| Johnny Come Lately | The Cecil Taylor Quartet | T0700885159 |
| Shifting Down | The Cecil Taylor Quintet | T-700.062.603-1 |
| Lazy Afternoon | Cecil Taylor | T-070.095.171-8 |
| Things Ain’t What They Used to Be (take 1) | Cecil Taylor | T-900.305.483-9 |
| Pots | The Cecil Taylor Unit | T-700.054.834-7 |
| Pots | The Cecil Taylor Unit | T-700.054.834-7 |
| Mixed | The Cecil Taylor Unit | T-700.044.391-6 |
| Mixed | The Cecil Taylor Unit | T-700.044.391-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 5036408142023?
5036408142023 is a Universal Product Code (UPC) assigned to Seven Classic Albums by Cecil Taylor. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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