UPC · Release
Kaléïdoscope
Petula Clark
Last verified:
5050159016990 is the Universal Product Code (UPC barcode) for the release “Kaléïdoscope” by Petula Clark, released 2003-01-01 on Sanctuary. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include GBAJE0508780, FRZ196100110, GBEEJ1500994.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chariot | — | ||
| 2 | Cœur blessé (Torture) | — | ||
| 3 | Roméo | Petula Clark | T-802.067.578-0 | |
| 4 | Marin | Petula Clark | — | |
| 5 | Ya‐Ya Twist | Petula Clark | — | |
| 6 | À London | Petula Clark | — | |
| 7 | Prends mon cœur (A Fool Such As I) | — | ||
| 8 | Je me sens bien auprès de toi | Petula Clark | — | |
| 9 | La nuit n’en finit plus (Needles and Pins) | Petula Clark | T-070.153.342-7 | |
| 10 | Ô ô shériff | Petula Clark | T-003.013.356-2 | |
| 11 | Hello ! Dolly | — | ||
| 12 | Ceux qui ont un cœur (Anyone Who Had a Heart) | — | ||
| 13 | Que fais‐tu là, Petula ? | — | ||
| 14 | Un enfant | — | ||
| 15 | Les Incorruptibles | — | ||
| 16 | My Love | Petula Clark | T-010.139.353-6 | |
| 17 | C’est ma chanson | Petula Clark | T-314.427.817-7 | |
| 18 | Don’t Sleep in the Subway | Petula Clark | T-010.162.848-1 | |
| 19 | C’est le refrain de ma vie | Petula Clark | T-003.006.947-6 | |
| 20 | La Gadoue | Petula Clark | T-003.009.890-8 | |
| 21 | Kiss Me Good Bye | Petula Clark | T-010.434.088-6 | |
| 22 | Bleu, blanc, rouge | — | ||
| 23 | La Dernière Valse (The Last Waltz) | Petula Clark | T-011.245.310-7 | |
| 24 | Downtown | Petula Clark | T-010.162.679-2 | |
| 2-1 | La Chanson de Gainsbourg (I Knew You’d Be My Lover) | — | ||
| 2-2 | I Know a Place | Petula Clark | T-906.326.793-6 | |
| 2-3 | La Chanson de Marie‐Madelaine (I Don’t Know How to Love Him / Superstar) (du Rock Opéra “Jésus‐Christ Superstar”) | Petula Clark | T-010.445.851-6 | |
| 2-4 | I Couldn’t Live Without Your Love | — | ||
| 2-5 | La Chanson d’Evita (Mixage 45 tours) (Don’t Cry for Me Argentina) (De la comédie musicale “Evita”) | — | ||
| 2-6 | Look to the Rainbow (du film “La Vallée du bonheur”) | — | ||
| 2-7 | You and I (du film “Goodbye Mister Chips”) | — | ||
| 2-8 | Qui a fait tout ce bleu | — | ||
| 2-9 | La Fin | — | ||
| 2-10 | Je voudrais qu’il soit malheureux | — | ||
| 2-11 | Mister Orwell | — | ||
| 2-12 | With One Look (de la comédie musicale “Sunset Boulevard”) | Petula Clark | T-010.695.641-5 | |
| 2-13 | Tell Me It’s Not True (de la comédie musicale “Blood Brothers”) | — | ||
| 2-14 | Memories of Love | Petula Clark | — | |
| 2-15 | La Vie en rose (extrait du film “View From the Top”) | — | ||
| 2-16 | I’m Not Afraid | — | ||
| 2-17 | La Première Fois | — | ||
| 2-18 | Recommencer à zéro (Starting All Over Again) | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Roméo | Petula Clark | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
Verified on
What is UPC 5050159016990?
5050159016990 is a Universal Product Code (UPC) assigned to Kaléïdoscope by Petula Clark. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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