UPC · Release
The First Days of Disco
Various Artists
Last verified:
5050159139996 is the Universal Product Code (UPC barcode) for the release “The First Days of Disco” by Various Artists, released 2002-01-01 on Castle Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC. Tracks include GBAJE8200003, GBAJE7900025, GBAJE7800112.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (56)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A Night to Remember | Shalamar | T-070.154.621-5 | |
| 2 | And the Beat Goes On | The Whispers | T-071.056.456-9 | |
| 3 | Dance With You | — | ||
| 4 | Take That to the Bank | Shalamar | T-071.190.161-9 | |
| 5 | I Don't Want to Be a Freak | — | ||
| 6 | Fantastic Voyage | — | ||
| 7 | Can't Do Without Love | — | ||
| 8 | The Second Time Around | Shalamar | T-071.070.765-5 | |
| 9 | Take It to the Top | — | ||
| 10 | Groove Control | — | ||
| 11 | It's a Love Thing | — | ||
| 12 | Soul Train '75 | — | ||
| 13 | There It Is | — | ||
| 14 | I Gotta Keep Dancin' (Keep Smiling) | — | ||
| 15 | I've Just Begun to Love You | — | ||
| 16 | (Let's Go) All the Way | — | ||
| 17 | Make It Last | — | ||
| 18 | It's All the Way Live | — | ||
| 2-1 | I'm Doin' Fine Now | — | ||
| 2-2 | You Gave Me Love | — | ||
| 2-3 | Dolly My Love | — | ||
| 2-4 | We Got the Funk | Positive Force | T-070.247.719-7 | |
| 2-5 | 7-6-5-4-3-2-1- Blow Your Whistle | — | ||
| 2-6 | Casanova | Coffee | T-070.233.267-9 | |
| 2-7 | Shame, Shame, Shame | — | ||
| 2-8 | Swing Your Daddy | — | ||
| 2-9 | Saturday | Norma Jean | T-072.443.775-5 | |
| 2-10 | Black Joy | — | ||
| 2-11 | Sending Out an S.O.S. | — | ||
| 2-12 | I Got It | — | ||
| 2-13 | Boogie Business | — | ||
| 2-14 | Love Goes Deeper Than That | — | ||
| 2-15 | Hustle Wit' Every Mustle | — | ||
| 2-16 | I Got the Need | — | ||
| 2-17 | Dancin' | — | ||
| 2-18 | Dancin' in Outer Space (edit) | — | ||
| 3-1 | Galaxy of Love | — | ||
| 3-2 | Can You Feel the Force? | The Real Thing | — | |
| 3-3 | Highwire | — | ||
| 3-4 | Girls | The Moments, The Whatnauts | T-903.963.807-8 | |
| 3-5 | Knock on Wood | Amii Stewart | T-070.241.510-8 | |
| 3-6 | Pillow Talk | — | ||
| 3-7 | Gonna Fly Now (From Rocky) | — | ||
| 3-8 | Kung Fu Fighting | Carl Douglas | T-801.233.026-7 | |
| 3-9 | I Wanna Dance Wit' Choo | — | ||
| 3-10 | Now Is the Time | — | ||
| 3-11 | Venus | — | ||
| 3-12 | Feels Like I'm in Love | — | ||
| 3-13 | Ride a Wild Horse | — | ||
| 3-14 | Suspicious Minds | Candi Staton | T-070.244.099-0 | |
| 3-15 | I'll Go Where Your Music Takes Me | — | ||
| 3-16 | Light My Fire | Amii Stewart | T-070.098.574-5 | |
| 3-17 | You to Me Are Everything | The Real Thing | T-010.462.552-6 | |
| 3-18 | Get Dancin' | — | ||
| 3-19 | Run Back | — | ||
| 3-20 | Music Machine | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Girls | The Moments, The Whatnauts | — |
| Saturday | Norma Jean | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 5050159139996?
5050159139996 is a Universal Product Code (UPC) assigned to The First Days of Disco by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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