UPC · Release
The Seventies Album: 70 Smash Hit Singles from the Supersonic Seventies
Various Artists
5050441601323
70 tracksReleased 2005-01-01Sanctuary TV
Last verified:
5050441601323 is the Universal Product Code (UPC barcode) for the release “The Seventies Album: 70 Smash Hit Singles from the Supersonic Seventies” by Various Artists, released 2005-01-01 on Sanctuary TV. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 70 tracks, each with its own ISRC. Tracks include UKDNQ1507001, GBAJE7600000, USUM70601928.
Format
505GS1 prefix
0441Company prefix
60132Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Seventies Album: 70 Smash Hit Singles from the Supersonic Seventies
ISRC32 recordings
ISWC82 works
IPI23 songwriters
Track List (70)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Get It On | — | ||
| 2 | Bye Bye Baby | — | ||
| 3 | I Will Survive | Gloria Gaynor | T-070.081.926-6 | |
| 4 | We Are Family | — | ||
| 5 | You to Me Are Everything | The Real Thing | T-010.462.552-6 | |
| 6 | Maggie May | Rod Stewart | T-070.112.990-9 | |
| 7 | In the Summertime | Mungo Jerry | T-010.166.177-1 | |
| 8 | Band of Gold | Freda Payne | T-070.232.910-9 | |
| 9 | Give Me Just a Little More Time | — | ||
| 10 | You Can Get It If You Really Want | — | ||
| 11 | To Be Young Gifted & Black | Bob & Marcia | T-070.183.223-6 | |
| 12 | Let Your Yeah Be Yeah | The Pioneers | T-071.000.718-3 | |
| 13 | Kung Fu Fighting | Carl Douglas | T-801.233.026-7 | |
| 14 | Popcorn | Hot Butter | T-070.920.143-3 | |
| 15 | Sad Sweet Dreamer | — | ||
| 16 | Sunshine Day | — | ||
| 17 | Swing Your Daddy | Jim Gilstrap | T-070.244.135-7 | |
| 18 | The Man Who Sold the World | — | ||
| 19 | Lost in France | Bonnie Tyler | T-011.412.610-1 | |
| 20 | Isn't She Lovely | — | ||
| 21 | Mouldy Old Dough (re-recording) | Lieutenant Pigeon | T-010.171.640-8 | |
| 22 | Streets of London | Ralph McTell | T-902.256.059-4 | |
| 23 | Matchstalk Men and Matchstalk Cats and Dogs | Brian and Michael | T-010.467.111-5 | |
| 2-1 | Heart of Glass | Blondie | T-070.077.112-5 | |
| 2-2 | Y.M.C.A. | Village People | T-071.017.471-2 | |
| 2-3 | Blockbuster | — | ||
| 2-4 | Tiger Feet | Mud | T-010.455.309-4 | |
| 2-5 | ABC | The Jackson 5 | T-070.003.227-4 | |
| 2-6 | Get Up (I Feel Like Being a) Sex Machine | James Brown | T-070.234.207-1 | |
| 2-7 | Good Times | Chic | T-070.067.168-6 | |
| 2-8 | Rapper’s Delight | The Sugarhill Gang | T-913.437.593-2 | |
| 2-9 | Can You Feel the Force | — | ||
| 2-10 | Uptown Top Ranking | Althea & Donna | T-307.896.099-9 | |
| 2-11 | Everything I Own | — | ||
| 2-12 | Hurt So Good | Susan Cadogan | T-070.241.222-3 | |
| 2-13 | Dancing on a Saturday Night | Barry Blue | T-010.836.631-9 | |
| 2-14 | Love's Got a Hold on Me | — | ||
| 2-15 | Girls | The Moments, The Whatnauts | T-903.963.807-8 | |
| 2-16 | Shame Shame Shame | — | ||
| 2-17 | Where Did Our Love Go? | — | ||
| 2-18 | Now Is the Time | — | ||
| 2-19 | Get Dancin' | — | ||
| 2-20 | I'm Doin' Fine Now | — | ||
| 2-21 | Galaxy of Love | — | ||
| 2-22 | Take That to the Bank | — | ||
| 2-23 | Be Thankful for What You've Got | — | ||
| 3-1 | Lola | — | ||
| 3-2 | Fanfare for the Common Man | Emerson, Lake & Palmer | T-070.054.000-6 | |
| 3-3 | Jimmy Jimmy | — | ||
| 3-4 | Hersham Boys | — | ||
| 3-5 | Jilted John | — | ||
| 3-6 | Egyptian Reggae | Jonathan Richman & The Modern Lovers | T-900.233.554-8 | |
| 3-7 | Double Barrel | Dave & Ansel Collins | T-010.086.743-3 | |
| 3-8 | Love of the Common People | — | ||
| 3-9 | Black & White | — | ||
| 3-10 | In Zaire | Johnny Wakelin | T-010.115.264-0 | |
| 3-11 | Me & My Life | — | ||
| 3-12 | Jeans On | David Dundas | T-010.176.952-1 | |
| 3-13 | Jarrow Song | — | ||
| 3-14 | That Same Old Feeling | — | ||
| 3-15 | Banner Man | — | ||
| 3-16 | Born With a Smile on My Face | — | ||
| 3-17 | Indian Reservation | Don Fardon | T-070.919.164-9 | |
| 3-18 | Rainbow | — | ||
| 3-19 | Dancing in the Moonlight | King Harvest | T-070.041.282-3 | |
| 3-20 | Car 67 | — | ||
| 3-21 | Toast | — | ||
| 3-22 | Snoopy vs. The Red Baron | — | ||
| 3-23 | Dat | — | ||
| 3-24 | One Day at a Time | — |
Get It On
—
Bye Bye Baby
—
We Are Family
—
Give Me Just a Little More Time
—
You Can Get It If You Really Want
—
Sad Sweet Dreamer
—
Sunshine Day
—
The Man Who Sold the World
—
Isn't She Lovely
—
Blockbuster
—
Can You Feel the Force
—
Everything I Own
—
Love's Got a Hold on Me
—
Shame Shame Shame
—
Where Did Our Love Go?
—
Now Is the Time
—
Get Dancin'
—
I'm Doin' Fine Now
—
Galaxy of Love
—
Take That to the Bank
—
Be Thankful for What You've Got
—
Lola
—
Jimmy Jimmy
—
Hersham Boys
—
Jilted John
—
Love of the Common People
—
Black & White
—
Me & My Life
—
Jarrow Song
—
That Same Old Feeling
—
Banner Man
—
Born With a Smile on My Face
—
Rainbow
—
Car 67
—
Toast
—
Snoopy vs. The Red Baron
—
Dat
—
One Day at a Time
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Girls | The Moments, The Whatnauts | — |
| HEART OF GLASS [BLONDIE] | VARIOUS ARTISTS | T-070.077.112-5 |
Girls
The Moments, The Whatnauts
—
VARIOUS ARTISTS
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.086.743-3T-010.115.264-0T-010.166.177-1T-010.171.640-8T-010.176.952-1T-010.455.309-4T-010.462.552-6T-010.467.111-5T-010.836.631-9T-010.086.743-3
+72 more
T-010.112.033-5T-010.115.264-0T-010.166.177-1T-010.167.046-5T-010.171.640-8T-010.174.577-0T-010.176.952-1T-010.189.060-1T-010.192.869-1T-010.455.309-4T-010.462.552-6T-010.467.111-5T-010.831.053-7T-010.836.631-9T-010.948.997-5T-011.412.610-1T-011.229.781-0T-011.251.120-2T-011.269.033-1T-011.368.174-5T-011.401.151-6T-011.412.610-1T-042.650.032-4T-070.003.227-4T-070.041.282-3T-070.054.000-6T-070.067.168-6T-070.077.112-5T-070.081.926-6T-070.112.990-9T-070.183.223-6T-070.232.910-9T-070.234.207-1T-070.241.222-3T-070.244.135-7T-070.919.164-9T-070.920.143-3T-070.003.227-4T-070.014.741-6T-070.041.282-3T-070.050.497-7T-070.054.000-6T-070.067.168-6T-070.077.112-5T-070.081.926-6T-070.112.990-9T-070.183.223-6T-070.203.719-1T-070.232.910-9T-070.234.207-1T-070.240.746-2T-070.241.222-3T-070.243.479-4T-070.244.135-7T-070.247.921-7T-070.880.969-1T-070.881.557-9T-070.884.364-4T-070.919.164-9T-070.920.143-3T-070.939.727-2T-070.939.968-7T-071.000.718-3T-071.017.471-2T-071.017.471-2T-307.896.099-9T-307.896.099-9T-801.233.026-7T-900.233.554-8T-902.256.059-4T-913.437.593-2T-903.963.807-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000000146174X000000005515363800000000554809460000000063097365000000006310446500000000769052100000000078224865000000007826856900000000782816400000000078392615
+39 more
000000007839326300000000809693720000000081899150000000009013101200000001066180450000000106629561000000010662980100000001067176680000000107913900000000010942748X000000010946490X00000001109228750000000114368306000000011453276X0000000114820446000000011519664900000001153016640000000115305868000000011540459100000001154048230000000116917305000000011850718200000001202935820000000121493500000000012149390600000001216634420000000121967075000000012202581300000001223807510000000122484745000000012259239100000001228892240000000123216777000000012342623X00000001234865900000000123699537000000013131097400000003642261590000000424245547
Identifier Graph
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Verified on
What is UPC 5050441601323?
5050441601323 is a Universal Product Code (UPC) assigned to The Seventies Album: 70 Smash Hit Singles from the Supersonic Seventies by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 70 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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