UPC · Release
Boy–Girl–Boy
Freddy King, Lula Reed, Sonny Thompson
Last verified:
5050457168322 is the Universal Product Code (UPC barcode) for the release “Boy–Girl–Boy” by Freddy King, Lula Reed, Sonny Thompson, released 2017-01-01 on Hallmark Music & Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (12)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Do the President Twist | — | ||
| 2 | I Got a Notion | — | ||
| 3 | Know What You’re Doing | — | ||
| 4 | You Can’t Hide | — | ||
| 5 | What Makes You So Cold | — | ||
| 6 | Puddentane | — | ||
| 7 | (Let Your Love) Watch Over Me | — | ||
| 8 | I’m a Woman (but I Don’t Talk Too Much) | — | ||
| 9 | Waste No More Tears | — | ||
| 10 | It’s Easy Child | — | ||
| 11 | I Know | — | ||
| 12 | Why Don’t You Come On Home | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5050457168322?
5050457168322 is a Universal Product Code (UPC) assigned to Boy–Girl–Boy by Freddy King, Lula Reed, Sonny Thompson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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