UPC · Release
W.S. Gilbert, Arthur Sullivan, London Symphony Orchestra, Ambrosian Opera Chorus, Peter Allen, William Conrad, Frank Gorshin, Joel Grey, Frankie Howerd, Peter Marshall, Keith Michell, Vincent Price, Clive Revill
Last verified:
5050582286519 is the Universal Product Code (UPC barcode) for the release “Gilbert & Sullivan” by W.S. Gilbert, Arthur Sullivan, London Symphony Orchestra, Ambrosian Opera Chorus, Peter Allen, William Conrad, Frank Gorshin, Joel Grey, Frankie Howerd, Peter Marshall, Keith Michell, Vincent Price, Clive Revill, released 2004-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 459 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cox and Box: Introduction | — | ||
| 2 | Cox and Box: Overture | — | ||
| 3 | Cox and Box: Dialogue 1 | — | ||
| 4 | Cox and Box: Rataplan | — | ||
| 5 | Cox and Box: Dialogue 2 | — | ||
| 6 | Cox and Box: Stay, Bouncer, Stay | — | ||
| 7 | Cox and Box: Dialogue 3 | — | ||
| 8 | Cox and Box: Hushed Is the Bacon | — | ||
| 9 | Cox and Box: My Master Is Punctual | — | ||
| 10 | Cox and Box: Dialogue 4 | — | ||
| 11 | Cox and Box: Who Are You, Sir? | — | ||
| 12 | Cox and Box: Dialogue 5 | — | ||
| 13 | Cox and Box: The Buttercup | — | ||
| 14 | Cox and Box: Dialogue 6 | — | ||
| 15 | Cox and Box: Not Long Ago | — | ||
| 16 | Cox and Box: Dialogue 7 | — | ||
| 17 | Cox and Box: Sixes | — | ||
| 18 | Cox and Box: Dialogue 8 | — | ||
| 19 | Cox and Box: My Hand Upon It | — | ||
| 20 | Cox and Box: Featurette | — | ||
| 21 | Trial by Jury: Introduction | — | ||
| 22 | Trial by Jury: Overture | — | ||
| 23 | Trial by Jury: Hark, the Hour of Ten Is Sounding | — | ||
| 24 | Trial by Jury: Is This the Court of the Exchequer | — | ||
| 25 | Trial by Jury: When First My Old, Old Love I Knew | — | ||
| 26 | Trial by Jury: All Hail Great Judge! | — | ||
| 27 | Trial by Jury: When I, Good Friends, Was Call’d to the Bar | — | ||
| 28 | Trial by Jury: Swear Thou the Jury! | — | ||
| 29 | Trial by Jury: Where Is the Plaintiff | — | ||
| 30 | Trial by Jury: Oh, Never, Never, Never, Since I Joined the Human Race | — | ||
| 31 | Trial by Jury: May It Please You, My Lud! | — | ||
| 32 | Trial by Jury: That She Is Reeling Is Plain to See! | — | ||
| 33 | Trial by Jury: Oh Gentlemen, Listen, I Pray | — | ||
| 34 | Trial by Jury: That Seems a Reasonable Proposition | — | ||
| 35 | Trial by Jury: A Nice Dilemma We Have Here | — | ||
| 36 | Trial by Jury: I Love Him, I Love Him, With Fervour Unceasing | — | ||
| 37 | Trial by Jury: Oh, Joy Unbounded, With Wealth Surrounded | — | ||
| 2-1 | The Sorcerer: Introduction | — | ||
| 2-2 | The Sorcerer: Overture | — | ||
| 2-3 | The Sorcerer: Act I. Ring Forth, Ye Bells | — | ||
| 2-4 | The Sorcerer: Act I. Constance, My Daughter, Why This Strange Depression? | — | ||
| 2-5 | The Sorcerer: Act I. When He Is Here | — | ||
| 2-6 | The Sorcerer: Act I. Dialogue 1 | — | ||
| 2-7 | The Sorcerer: Act I. The Air Is Charged With Amatory Numbers | — | ||
| 2-8 | The Sorcerer: Act I. Time Was, When Love and I Were Well Acquainted | — | ||
| 2-9 | The Sorcerer: Act I. Dialogue 2 | — | ||
| 2-10 | The Sorcerer: Act I. Sir Marmaduke, My Dear Young Friend, Alexis | — | ||
| 2-11 | The Sorcerer: Act I. Dialogue 3 | — | ||
| 2-12 | The Sorcerer: Act I. With Heart and With Voice (Ladies) | — | ||
| 2-13 | The Sorcerer: Act I. My Kindly Friends | — | ||
| 2-14 | The Sorcerer: Act I. Happy Young Heart | — | ||
| 2-15 | The Sorcerer: Act I. My Child I Join in These Congratulations | — | ||
| 2-16 | The Sorcerer: Act I. With Heart and With Voice (Gentlemen) | — | ||
| 2-17 | The Sorcerer: Act I. Welcome, Joy | — | ||
| 2-18 | The Sorcerer: Act I. All Is Prepared | — | ||
| 2-19 | The Sorcerer: Act I. Dialogue 4 | — | ||
| 2-20 | The Sorcerer: Act I. For Love Alone | — | ||
| 2-21 | The Sorcerer: Act I. Dialogue 5 | — | ||
| 2-22 | The Sorcerer: Act I. My Name Is John Wellington Wells | — | ||
| 2-23 | The Sorcerer: Act I. Dialogue 6 | — | ||
| 2-24 | The Sorcerer: Act I. Sprites of Earth and Air | — | ||
| 2-25 | The Sorcerer: Act I. Now to the Banquet We Press | — | ||
| 2-26 | The Sorcerer: Act II. Introduction | — | ||
| 2-27 | The Sorcerer: Act II. ’Tis Twelve I Think | — | ||
| 2-28 | The Sorcerer: Act II. Dear Friends, Take Pity on My Lot | — | ||
| 2-29 | The Sorcerer: Act II. Dialogue 1 | — | ||
| 2-30 | The Sorcerer: Act II. It Is Not Love | — | ||
| 2-31 | The Sorcerer: Act II. Dialogue 2 | — | ||
| 2-32 | The Sorcerer: Act II. I Rejoice That It’s Decided | — | ||
| 2-33 | The Sorcerer: Act II. Oh, I Have Wrought Much Evil With My Spells! | — | ||
| 2-34 | The Sorcerer: Act II. Alexis! Doubt Me Not, My Loved One! | — | ||
| 2-35 | The Sorcerer: Act II. Engaged to So-And-So | — | ||
| 2-36 | The Sorcerer: Act II. Oh, Joyous Boon! Oh, Mad Delight! | — | ||
| 2-37 | The Sorcerer: Act II. Prepare for Sad Surprises | — | ||
| 2-38 | The Sorcerer: Act II. Dialogue 3 | — | ||
| 2-39 | The Sorcerer: Act II. Or He or I Must Die! | — | ||
| 2-40 | The Sorcerer: Featurette | — | ||
| 3-1 | H.M.S. Pinafore: Introduction | — | ||
| 3-2 | H.M.S. Pinafore: Overture – Opening Titles | — | ||
| 3-3 | H.M.S. Pinafore: Act I. We Sail the Ocean Blue | — | ||
| 3-4 | H.M.S. Pinafore: Act I. Hail! Men-o’-War’s Men | — | ||
| 3-5 | H.M.S. Pinafore: Act I. Dialogue 1 | — | ||
| 3-6 | H.M.S. Pinafore: Act I. But Tell Me Who’s the Youth | — | ||
| 3-7 | H.M.S. Pinafore: Act I. The Nightingale Sighed for the Moon’s Bright Ray | — | ||
| 3-8 | H.M.S. Pinafore: Act I. A Maiden Fair to See | — | ||
| 3-9 | H.M.S. Pinafore: Act I. Dialogue 2 | — | ||
| 3-10 | H.M.S. Pinafore: Act I. My Gallant Crew, Good-Morning | — | ||
| 3-11 | H.M.S. Pinafore: Act I. Sir, You Are Sad | — | ||
| 3-12 | H.M.S. Pinafore: Act I. Sorry Her Lot Who Loves Too Well | — | ||
| 3-13 | H.M.S. Pinafore: Act I. Dialogue 3 | — | ||
| 3-14 | H.M.S. Pinafore: Act I. Over the Bright Blue Sea | — | ||
| 3-15 | H.M.S. Pinafore: Act I. Sir Joseph’s Barge Is Seen | — | ||
| 3-16 | H.M.S. Pinafore: Act I. Now Give Three Cheers | — | ||
| 3-17 | H.M.S. Pinafore: Act I. When I Was a Lad | — | ||
| 3-18 | H.M.S. Pinafore: Act I. Dialogue 4 | — | ||
| 3-19 | H.M.S. Pinafore: Act I. For I Hold That on the Seas | — | ||
| 3-20 | H.M.S. Pinafore: Act I. Dialogue 5 | — | ||
| 3-21 | H.M.S. Pinafore: Act I. A British Tar Is A | — | ||
| 3-22 | H.M.S. Pinafore: Act I. Dialogue 6 | — | ||
| 3-23 | H.M.S. Pinafore: Act I. Refrain, Audacious Tar | — | ||
| 3-24 | H.M.S. Pinafore: Act I. Can I Survive This Overbearing | — | ||
| 3-25 | H.M.S. Pinafore: Act II. Introduction | — | ||
| 3-26 | H.M.S. Pinafore: Act II. Fair Moon, to Thee I Sing | — | ||
| 3-27 | H.M.S. Pinafore: Act II. Dislogue 1 | — | ||
| 3-28 | H.M.S. Pinafore: Act II. Things Are Seldom What They Seem | — | ||
| 3-29 | H.M.S. Pinafore: Act II. Dialogue 2 | — | ||
| 3-30 | H.M.S. Pinafore: Act II. The Hours Creep on Apace | — | ||
| 3-31 | H.M.S. Pinafore: Act II. Dialogue 3 | — | ||
| 3-32 | H.M.S. Pinafore: Act II. Never Mind the Why and Wherefore | — | ||
| 3-33 | H.M.S. Pinafore: Act II. Dialogue 4 | — | ||
| 3-34 | H.M.S. Pinafore: Act II. Kind Captain, I’ve Important Information | — | ||
| 3-35 | H.M.S. Pinafore: Act II. Dialogue 5 | — | ||
| 3-36 | H.M.S. Pinafore: Act II. Carefully on Tip-Toe Stealing | — | ||
| 3-37 | H.M.S. Pinafore: Act II. Dialogue 6 | — | ||
| 3-38 | H.M.S. Pinafore: Act II. Farewell, My Own | — | ||
| 3-39 | H.M.S. Pinafore: Act II. A Many Years Ago | — | ||
| 3-40 | H.M.S. Pinafore: Act II. Dialogue 7 | — | ||
| 3-41 | H.M.S. Pinafore: Act II. Oh Joy! Oh Rapture Unforeseen | — | ||
| 3-42 | H.M.S. Pinafore: Act II. Featurette | — | ||
| 4-1 | The Pirates of Penzance: Introduction | — | ||
| 4-2 | The Pirates of Penzance: Overture – Titles | — | ||
| 4-3 | The Pirates of Penzance: Act I. Pour, Oh Pour, the Pirate Sherry | — | ||
| 4-4 | The Pirates of Penzance: Act I. Dialogue 1 | — | ||
| 4-5 | The Pirates of Penzance: Act I. When Fred’ric Was a Little Lad | — | ||
| 4-6 | The Pirates of Penzance: Act I. Dialogue 2 | — | ||
| 4-7 | The Pirates of Penzance: Act I. Oh, Better Far to Live and Die | — | ||
| 4-8 | The Pirates of Penzance: Act I. Dialogue 3 | — | ||
| 4-9 | The Pirates of Penzance: Act I. Oh! False One, You Have Deceiv’d Me! | — | ||
| 4-10 | The Pirates of Penzance: Act I. Climbing Over Rocky Mountains | — | ||
| 4-11 | The Pirates of Penzance: Act I. Dialogue 4 | — | ||
| 4-12 | The Pirates of Penzance: Act I. Stop, Ladies, Pray! | — | ||
| 4-13 | The Pirates of Penzance: Act I. Oh, Is There Not One Maiden Breast | — | ||
| 4-14 | The Pirates of Penzance: Act I. Poor Wand’ring One! | — | ||
| 4-15 | The Pirates of Penzance: Act I. What Ought We to Do? | — | ||
| 4-16 | The Pirates of Penzance: Act I. How Beautifully Blue the Sky | — | ||
| 4-17 | The Pirates of Penzance: Act I. Stay, We Must Not Lose Our Senses | — | ||
| 4-18 | The Pirates of Penzance: Act I. Hold, Monsters! | — | ||
| 4-19 | The Pirates of Penzance: Act I. I Am the Very Model of a Modern Major-General | — | ||
| 4-20 | The Pirates of Penzance: Act I. Dialogue 5 | — | ||
| 4-21 | The Pirates of Penzance: Act I. Oh, Men of Dark and Dismal Fate | — | ||
| 4-22 | The Pirates of Penzance: Act II. Introduction | — | ||
| 4-23 | The Pirates of Penzance: Act II. Oh, Dry the Glist’ning Tear | — | ||
| 4-24 | The Pirates of Penzance: Act II. Dialogue 1 | — | ||
| 4-25 | The Pirates of Penzance: Act II. Then, Frederic, Let Your Escort Lion-Hearted | — | ||
| 4-26 | The Pirates of Penzance: Act II. When the Foeman Bares His Steel | — | ||
| 4-27 | The Pirates of Penzance: Act II. Now for the Pirates’ Lair | — | ||
| 4-28 | The Pirates of Penzance: Act II. When You Had Left Our Pirate Fold | — | ||
| 4-29 | The Pirates of Penzance: Act II. Dialogue 2 | — | ||
| 4-30 | The Pirates of Penzance: Act II. Away, Away! My Heart’s on Fire! | — | ||
| 4-31 | The Pirates of Penzance: Act II. All Is Prep’red, Your Gallant Crew Await You | — | ||
| 4-32 | The Pirates of Penzance: Act II. Stay, Fred’ric, Stay! | — | ||
| 4-33 | The Pirates of Penzance: Act II. No, I’ll Be Brave | — | ||
| 4-34 | The Pirates of Penzance: Act II. When a Felon’s Not Engaged in His Employment | — | ||
| 4-35 | The Pirates of Penzance: Act II. A Rollicking Band of Pirates We | — | ||
| 4-36 | The Pirates of Penzance: Act II. With Cat-Like Tread | — | ||
| 4-37 | The Pirates of Penzance: Act II. Hush, Hush, Not a Word! | — | ||
| 4-38 | The Pirates of Penzance: Act II. Sighing Softly to the River | — | ||
| 4-39 | The Pirates of Penzance: Featurette | — | ||
| 5-1 | Patience: Introduction | — | ||
| 5-2 | Patience: Overture | — | ||
| 5-3 | Patience: Act I, no. 1, Twenty Love-sick Maidens Be | — | ||
| 5-4 | Patience: Act I, Dialogue 1 | — | ||
| 5-5 | Patience: Act I, no. 2, Still Brooding on Their Mad Infatuation | — | ||
| 5-6 | Patience: Act I, no. 2a, I Cannot Tell What This Love May Be | — | ||
| 5-7 | Patience: Act I, Dialogue 2 | — | ||
| 5-8 | Patience: Act I, no. 2b, Twenty Love-sick Maidens Be | — | ||
| 5-9 | Patience: Act I, no. 3, The Soldiers of Our Queen | — | ||
| 5-10 | Patience: Act I, Dialogue 3 | — | ||
| 5-11 | Patience: Act I, no. 4, In a Doleful Train Two by Two We Walk | — | ||
| 5-12 | Patience: Act I, Dialogue 4 | — | ||
| 5-13 | Patience: Act I, no. 4a, Twenty Love-sick Maidens Be | — | ||
| 5-14 | Patience: Act I, Dialogue 5 | — | ||
| 5-15 | Patience: Act I, no. 5, When I First Put This Uniform On | — | ||
| 5-16 | Patience: Act I, no. 6, Am I Alone and Unobserved | — | ||
| 5-17 | Patience: Act I, Dialogue 6 | — | ||
| 5-18 | Patience: Act I, no. 7, Long Years Ago, Fourteen May Be | — | ||
| 5-19 | Patience: Act I, Dialogue 7 | — | ||
| 5-20 | Patience: Act I, no. 8, Prithee, Pretty Maiden | — | ||
| 5-21 | Patience: Act I, Dialogue 8 | — | ||
| 5-22 | Patience: Act I, no. 8a, Though to Marry You Would Very Selfish Be | — | ||
| 5-23 | Patience: Act I, no. 9, Let the Merry Cymbals Sound | — | ||
| 5-24 | Patience: Act II, Introduction | — | ||
| 5-25 | Patience: Act II, no. 10, On Such Eyes as Maidens Cherish | — | ||
| 5-26 | Patience: Act II, Dialogue 1 | — | ||
| 5-27 | Patience: Act II, no. 11, Sad Is That Woman’s Lot | — | ||
| 5-28 | Patience: Act II, no. 12, Turn, Oh Turn in This Direction | — | ||
| 5-29 | Patience: Act II, Dialogue 2 | — | ||
| 5-30 | Patience: Act II, no. 13, A Magnet Hung in a Hardware Shop | — | ||
| 5-31 | Patience: Act II, Dialogue 3 | — | ||
| 5-32 | Patience: Act II, no. 14, Love Is a Plaintive Song | — | ||
| 5-33 | Patience: Act II, Dialogue 4 | — | ||
| 5-34 | Patience: Act II, no. 15, So Go to Him, and Say to Him | — | ||
| 5-35 | Patience: Act II, no. 16, It’s Clear That Mediaeval Art | — | ||
| 5-36 | Patience: Act II, Dialogue 5 | — | ||
| 5-37 | Patience: Act II, no. 17, If Saphir I Choose to Marry | — | ||
| 5-38 | Patience: Act II, Dialogue 6 | — | ||
| 5-39 | Patience: Act II, no. 18, When I Go Out of Door | — | ||
| 5-40 | Patience: Act II, Dialogue 7 | — | ||
| 5-41 | Patience: Act II, no. 19, I’m a Waterloo House Young Man | — | ||
| 5-42 | Patience: Act II, Dialogue 8 | — | ||
| 5-43 | Patience: Act II, no. 20, After Much Debate Internal | — | ||
| 6-1 | Iolanthe: Introduction | — | ||
| 6-2 | Iolanthe: Overture – Titles | — | ||
| 6-3 | Iolanthe: Act I. 1. Tripping Hither, Tripping Thither | — | ||
| 6-4 | Iolanthe: Act I. Dialogue 1 | — | ||
| 6-5 | Iolanthe: Act I. 2. Iolanthe! From Thy Dark Exile | — | ||
| 6-6 | Iolanthe: Act I. Dialogue 2 | — | ||
| 6-7 | Iolanthe: Act I. 3. Good-Morrow, Good Mother | — | ||
| 6-8 | Iolanthe: Act I. Dialogue 3 | — | ||
| 6-9 | Iolanthe: Act I. 4. Fare Thee Well, Attractive Stranger | — | ||
| 6-10 | Iolanthe: Act I. 4a. Good-Morrow, Good Lover | — | ||
| 6-11 | Iolanthe: Act I. Dialogue 4 | — | ||
| 6-12 | Iolanthe: Act I. 5. None Shall Part Us | — | ||
| 6-13 | Iolanthe: Act I. 6. Loudly Let the Trumpet Bray | — | ||
| 6-14 | Iolanthe: Act I. 7. the Law Is the True Embodiment | — | ||
| 6-15 | Iolanthe: Act I. Dialogue 5 | — | ||
| 6-16 | Iolanthe: Act I. 8. My Well-Loved Lord | — | ||
| 6-17 | Iolanthe: Act I. 9. Nay, Tempt Me Not | — | ||
| 6-18 | Iolanthe: Act I. 10. Spurn Not the Nobly Born | — | ||
| 6-19 | Iolanthe: Act I. 11. My Lords, It May Not Be | — | ||
| 6-20 | Iolanthe: Act I. Dialogue 6 | — | ||
| 6-21 | Iolanthe: Act I. 12. When I Went to the Bar | — | ||
| 6-22 | Iolanthe: Act I. Dialogue 7 | — | ||
| 6-23 | Iolanthe: Act I Finale. 13. When Darkly Looms the Day | — | ||
| 6-24 | Iolanthe: Act II. Introduction | — | ||
| 6-25 | Iolanthe: Act II. 14. When All Night Long a Chap Remains | — | ||
| 6-26 | Iolanthe: Act II. 15. Strephon’s a Member of Parliament | — | ||
| 6-27 | Iolanthe: Act II. Dialogue 1 | — | ||
| 6-28 | Iolanthe: Act II. 16. When Britain Really Ruled the Waves | — | ||
| 6-29 | Iolanthe: Act II. Dialogue 2 | — | ||
| 6-30 | Iolanthe: Act II. 17. In Vain to Us You Plead | — | ||
| 6-31 | Iolanthe: Act II. Dialogue 3 | — | ||
| 6-32 | Iolanthe: Act II. 18. Oh, Foolish Fay | — | ||
| 6-33 | Iolanthe: Act II. Dialogue 4 | — | ||
| 6-34 | Iolanthe: Act II. 19. Tho’ P’r’aps I May Incur Thy Blame | — | ||
| 6-35 | Iolanthe: Act II. 20. Love Unrequited Robs Me of My Rest | — | ||
| 6-36 | Iolanthe: Act II. Dialogue 5 | — | ||
| 6-37 | Iolanthe: Act II. 21. If You Go in You’re Sure to Win | — | ||
| 6-38 | Iolanthe: Act II. Dialogue 6 | — | ||
| 6-39 | Iolanthe: Act II. 22. If We’re Weak Enough to Tarry | — | ||
| 6-40 | Iolanthe: Act II. Dialogue 7 | — | ||
| 6-41 | Iolanthe: Act II. 23. My Lord, a Suppliant at You Feet | — | ||
| 6-42 | Iolanthe: Act II. 24. It May Not Be | — | ||
| 6-43 | Iolanthe: Act II. 25. Soon as We May, Off and Away | — | ||
| 7-1 | Princess Ida: Introduction | — | ||
| 7-2 | Princess Ida: Overture | — | ||
| 7-3 | Princess Ida: Act I. Search Throughout the Panorama | — | ||
| 7-4 | Princess Ida: Act I. Dialogue 1 | — | ||
| 7-5 | Princess Ida: Act I. Now Hearken to My Strict Command | — | ||
| 7-6 | Princess Ida: Act I. Today We Meet | — | ||
| 7-7 | Princess Ida: Act I. Dialogue 2 | — | ||
| 7-8 | Princess Ida: Act I. From the Distant Panorama | — | ||
| 7-9 | Princess Ida: Act I. We Are Warriors Three | — | ||
| 7-10 | Princess Ida: Act I. If You Give Me Your Attention | — | ||
| 7-11 | Princess Ida: Act I. Dialogue 3 | — | ||
| 7-12 | Princess Ida: Act I. P’raps If You Address the Lady | — | ||
| 7-13 | Princess Ida: Act II. Introduction | — | ||
| 7-14 | Princess Ida: Act II. Towards the Empryean Heights | — | ||
| 7-15 | Princess Ida: Act II. Dialogue 1 | — | ||
| 7-16 | Princess Ida: Act II. Mighty Maiden With a Mission | — | ||
| 7-17 | Princess Ida: Act II. Minerva! Oh, Hear Me | — | ||
| 7-18 | Princess Ida: Act II. Dialogue 2 | — | ||
| 7-19 | Princess Ida: Act II. And Thus to Empryean Heights | — | ||
| 7-20 | Princess Ida: Act II. Dialogue 3 | — | ||
| 7-21 | Princess Ida: Act II. Gently, Gently | — | ||
| 7-22 | Princess Ida: Act II. Dialogue 4 | — | ||
| 7-23 | Princess Ida: Act II. I Am a Maiden | — | ||
| 7-24 | Princess Ida: Act II. Dialogue 5 | — | ||
| 7-25 | Princess Ida: Act II. The World Is but a Broken Toy | — | ||
| 7-26 | Princess Ida: Act II. Dialogue 6 | — | ||
| 7-27 | Princess Ida: Act II. A Lady Fair of Lineage High | — | ||
| 7-28 | Princess Ida: Act II. Dialogue 7 | — | ||
| 7-29 | Princess Ida: Act II. The Woman of the Wisest Wit | — | ||
| 7-30 | Princess Ida: Act II. Dialogue 8 | — | ||
| 7-31 | Princess Ida: Act II. Now Wouldn’t You Like | — | ||
| 7-32 | Princess Ida: Act II. Dialogue 9 | — | ||
| 7-33 | Princess Ida: Act II. Merrily Ring the Luncheon Bell | — | ||
| 7-34 | Princess Ida: Act II. Dialogue 10 | — | ||
| 7-35 | Princess Ida: Act II. Would You Know the Kind of Maid | — | ||
| 7-36 | Princess Ida: Act II. Dialogue 11 | — | ||
| 7-37 | Princess Ida: Act II. Oh, Joy! Our Chief Is Saved | — | ||
| 7-38 | Princess Ida: Act III. Introduction | — | ||
| 7-39 | Princess Ida: Act III. Death to the Invader | — | ||
| 7-40 | Princess Ida: Act III. Dialogue 1 | — | ||
| 7-41 | Princess Ida: Act III. I Built Upon a Rock | — | ||
| 7-42 | Princess Ida: Act III. Dialogue 2 | — | ||
| 7-43 | Princess Ida: Act III. Whene’er I Spoke | — | ||
| 7-44 | Princess Ida: Act III. Dialogue 3 | — | ||
| 7-45 | Princess Ida: Act III. When Anger Spreads His Wing | — | ||
| 7-46 | Princess Ida: Act III. This Helmet I Suppose | — | ||
| 7-47 | Princess Ida: Act III. Dialogue 4 | — | ||
| 7-48 | Princess Ida: Act III. This Is Our Duty | — | ||
| 7-49 | Princess Ida: Act III. Dialogue 5 | — | ||
| 7-50 | Princess Ida: Act III. With Joy Abiding | — | ||
| 8-1 | The Mikado: Introduction | — | ||
| 8-2 | The Mikado: Overture (Opening Titles) | — | ||
| 8-3 | The Mikado, Act I: 1. If You Want to Know Who We Are | — | ||
| 8-4 | The Mikado, Act I: 2. A Wand'Ring Minstrel I | — | ||
| 8-5 | The Mikado, Act I: Dialogue 1 | — | ||
| 8-6 | The Mikado, Act I: 3. Our Great Mikado, Virtuous Man | — | ||
| 8-7 | The Mikado, Act I: Dialogue 2 | — | ||
| 8-8 | The Mikado, Act I: 4. Young Man, Despair, Likewise Go To | — | ||
| 8-9 | The Mikado, Act I: 4a. And Have I Journey'd for a Month | — | ||
| 8-10 | The Mikado, Act I: 5. Behold the Lord High Executioner | — | ||
| 8-11 | The Mikado, Act I: Dialogue 3 | — | ||
| 8-12 | The Mikado, Act I: 5a. As Some Day It May Happen | — | ||
| 8-13 | The Mikado, Act I: Dialogue 4 | — | ||
| 8-14 | The Mikado, Act I: 6. Comes a Train of Little Ladies | — | ||
| 8-15 | The Mikado, Act I: 7. Three Little Maids From School | — | ||
| 8-16 | The Mikado, Act I: Dialogue 5 | — | ||
| 8-17 | The Mikado, Act I: 8. So Please You, Sir, We Much Regret | — | ||
| 8-18 | The Mikado, Act I: Dialogue 6 | — | ||
| 8-19 | The Mikado, Act I: 9. Were You Not to Ko-Ko Plighted | — | ||
| 8-20 | The Mikado, Act I: Dialogue 7 | — | ||
| 8-21 | The Mikado, Act I: 10. I Am So Proud | — | ||
| 8-22 | The Mikado, Act I: Dialogue 8 | — | ||
| 8-23 | The Mikado, Act I: 11. With Aspect Stern and Gloomy Stride (Finale) | — | ||
| 8-24 | The Mikado, Act II: Introduction | — | ||
| 8-25 | The Mikado, Act II: 1. Braid the Raven Hair | — | ||
| 8-26 | The Mikado, Act II: Dialogue 1 | — | ||
| 8-27 | The Mikado, Act II: 2. The Sun, Whose Rays Are All Ablaze | — | ||
| 8-28 | The Mikado, Act II: Dialogue 2 | — | ||
| 8-29 | The Mikado, Act II: 3. Brightly Dawns Our Wedding Day | — | ||
| 8-30 | The Mikado, Act II: Dialogue 3 | — | ||
| 8-31 | The Mikado, Act II: 4. Here's a How-De-Do! If I Marry You | — | ||
| 8-32 | The Mikado, Act II: Dialogue 4 | — | ||
| 8-33 | The Mikado, Act II: 5. Mi-Ya-Sa-Ma, Mi-Ya-Sa-Ma | — | ||
| 8-34 | The Mikado, Act II: 6. A More Humane Mikado Never Did in Japan Exist | — | ||
| 8-35 | The Mikado, Act II: Dialogue 5 | — | ||
| 8-36 | The Mikado, Act II: 7. The Criminal Cried as He Dropped Him Down | — | ||
| 8-37 | The Mikado, Act II: Dialogue 6 | — | ||
| 8-38 | The Mikado, Act II: 8. See How the Fates Their Gifts Allot | — | ||
| 8-39 | The Mikado, Act II: Dialogue 7 | — | ||
| 8-40 | The Mikado, Act II: 9. The Flowers That Bloom in the Spring | — | ||
| 8-41 | The Mikado, Act II: 10. Alone, and Yet Alive | — | ||
| 8-42 | The Mikado, Act II: Dialogue 8 | — | ||
| 8-43 | The Mikado, Act II: 11. On a Tree by a River, a Little Tom-Tit Sang, Willow, Tit-Willow | — | ||
| 8-44 | The Mikado, Act II: Dialogue 9 | — | ||
| 8-45 | The Mikado, Act II: 12. There Is Beauty in the Bellow of the Blast | — | ||
| 8-46 | The Mikado, Act II: Dialogue 10 | — | ||
| 8-47 | The Mikado, Act II: 13. For He's Gone and Married Yum-Yum (Finale) | — | ||
| 9-1 | Ruddigore: Introduction | — | ||
| 9-2 | Ruddigore: Overture – Opening Credits | — | ||
| 9-3 | Ruddigore, Act I: Fair Is Rose | — | ||
| 9-4 | Ruddigore, Act I: Dialogue 1 | — | ||
| 9-5 | Ruddigore, Act I: Sir Rupert Murgatroyd His Leisure | — | ||
| 9-6 | Ruddigore, Act I: Dialogue 2 | — | ||
| 9-7 | Ruddigore, Act I: If Somebody There Chance to Be | — | ||
| 9-8 | Ruddigore, Act I: Dialogue 3 | — | ||
| 9-9 | Ruddigore, Act I: I Know a Youth | — | ||
| 9-10 | Ruddigore, Act I: Dialogue 4 | — | ||
| 9-11 | Ruddigore, Act I: From the Briny Sea | — | ||
| 9-12 | Ruddigore, Act I: Hornpipe | — | ||
| 9-13 | Ruddigore, Act I: Additional Dialogue | — | ||
| 9-14 | Ruddigore, Act I: My Boy, You May Take It From Me | — | ||
| 9-15 | Ruddigore, Act I: Dialogue 5 | — | ||
| 9-16 | Ruddigore, Act I: If Well His Suit Has Sped | — | ||
| 9-17 | Ruddigore, Act I: Dialogue 6 | — | ||
| 9-18 | Ruddigore, Act I: In Sailing O’er Life’s Ocean Wide | — | ||
| 9-19 | Ruddigore, Act I: Cheerily Carols the Lark | — | ||
| 9-20 | Ruddigore, Act I: Dialogue 7 | — | ||
| 9-21 | Ruddigore, Act I: Welcome, Gentry | — | ||
| 9-22 | Ruddigore, Act I: Oh, Why Am I Moody and Sad? | — | ||
| 9-23 | Ruddigore, Act I: Dialogue 8 | — | ||
| 9-24 | Ruddigore, Act I: You Understand? I Think I Do | — | ||
| 9-25 | Ruddigore, Act I: Finale: Hail the Bride of Seventeen Summers / When the Buds Are Blossoming / When I’m a Bad Bart, I Will Tell Taradiddles! / Oh, Happy the Lily | — | ||
| 9-26 | Ruddigore, Act II: Introduction | — | ||
| 9-27 | Ruddigore, Act II: I Once Was Meek | — | ||
| 9-28 | Ruddigore, Act II: Dialogue 1 | — | ||
| 9-29 | Ruddigore, Act II: Happily Coupled Are We | — | ||
| 9-30 | Ruddigore, Act II: Dialogue 2 | — | ||
| 9-31 | Ruddigore, Act II: In Bygone Days | — | ||
| 9-32 | Ruddigore, Act II: Dialogue 3 | — | ||
| 9-33 | Ruddigore, Act II: Painted Emblems | — | ||
| 9-34 | Ruddigore, Act II: When the Night Wind Howls | — | ||
| 9-35 | Ruddigore, Act II: Dialogue 4 | — | ||
| 9-36 | Ruddigore, Act II: He Yields | — | ||
| 9-37 | Ruddigore, Act II: Dialogue 5 | — | ||
| 9-38 | Ruddigore, Act II: I Once Was a Very | — | ||
| 9-39 | Ruddigore, Act II: Dialogue 6 | — | ||
| 9-40 | Ruddigore, Act II: My Eyes Are Fully Open | — | ||
| 9-41 | Ruddigore, Act II: Dialogue 7 | — | ||
| 9-42 | Ruddigore, Act II: There Grew a Little Flower | — | ||
| 9-43 | Ruddigore, Act II: Finale: Oh, Happy the Lily (reprise) – Closing Credits | — | ||
| 10-1 | The Yeomen of the Guard: Introduction | — | ||
| 10-2 | The Yeomen of the Guard: Overture – Titles | — | ||
| 10-3 | The Yeomen of the Guard: Act I. When Maiden Loves She Sits and Sighs | — | ||
| 10-4 | The Yeomen of the Guard: Act I. Dialogue 1 | — | ||
| 10-5 | The Yeomen of the Guard: Act I. Tower Warders Under Orders | — | ||
| 10-6 | The Yeomen of the Guard: Act I. This the Autumn | — | ||
| 10-7 | The Yeomen of the Guard: Act I. Dialogue 2 | — | ||
| 10-8 | The Yeomen of the Guard: Act I. When Our Gallant Norman Foes | — | ||
| 10-9 | The Yeomen of the Guard: Act I. Dialogue 3 | — | ||
| 10-10 | The Yeomen of the Guard: Act I. Here’s a Man of Jollity | — | ||
| 10-11 | The Yeomen of the Guard: Act I. Dialogue 4 | — | ||
| 10-12 | The Yeomen of the Guard: Act I. I Have a Song to Sing, O! | — | ||
| 10-13 | The Yeomen of the Guard: Act I. Dialogue 5 | — | ||
| 10-14 | The Yeomen of the Guard: Act I. How Say You Maiden, Will You Wed | — | ||
| 10-15 | The Yeomen of the Guard: Act I. Dialogue 6 | — | ||
| 10-16 | The Yeomen of the Guard: Act I. I’ve Jibe and Joke and Quip and Crank | — | ||
| 10-17 | The Yeomen of the Guard: Act I. Dialogue 7 | — | ||
| 10-18 | The Yeomen of the Guard: Act I. ’Tis Done! I Am a Bride! | — | ||
| 10-19 | The Yeomen of the Guard: Act I. Dialogue 8 | — | ||
| 10-20 | The Yeomen of the Guard: Act I. Were I Thy Bride | — | ||
| 10-21 | The Yeomen of the Guard: Act I. Dialogue 9 | — | ||
| 10-22 | The Yeomen of the Guard: Act I. Oh, Sergeant Meryll, Is It True | — | ||
| 10-23 | The Yeomen of the Guard: Act II. Introduction | — | ||
| 10-24 | The Yeomen of the Guard: Act II. Night Has Spread Her Pall Once More | — | ||
| 10-25 | The Yeomen of the Guard: Act II. Warders Are Ye? | — | ||
| 10-26 | The Yeomen of the Guard: Act II. Dialogue 1 | — | ||
| 10-27 | The Yeomen of the Guard: Act II. Oh! A Private Buffoon Is a Light-Hearted Loon | — | ||
| 10-28 | The Yeomen of the Guard: Act II. Dialogue 2 | — | ||
| 10-29 | The Yeomen of the Guard: Act II. Hereupon We’re Both Agreed | — | ||
| 10-30 | The Yeomen of the Guard: Act II. Dialogue 3 | — | ||
| 10-31 | The Yeomen of the Guard: Act II. Hark! What Was That, Sir? | — | ||
| 10-32 | The Yeomen of the Guard: Act II. Dialogue 4 | — | ||
| 10-33 | The Yeomen of the Guard: Act II. A Man Who Would Woo a Fair Maid | — | ||
| 10-34 | The Yeomen of the Guard: Act II. Dialogue 5 | — | ||
| 10-35 | The Yeomen of the Guard: Act II. Comes the Pretty Young Bride | — | ||
| 11-1 | The Gondoliers: Introduction | — | ||
| 11-2 | The Gondoliers: Overture – Titles | — | ||
| 11-3 | The Gondoliers, Act I: “List and Learn” | — | ||
| 11-4 | The Gondoliers, Act I: “From the Sunny Spanish Shore” | — | ||
| 11-5 | The Gondoliers, Act I: Dialogue 1 | — | ||
| 11-6 | The Gondoliers, Act I: “In Enterprise of Martial Kind” | — | ||
| 11-7 | The Gondoliers, Act I: “O Rapture, When Alone Together” | — | ||
| 11-8 | The Gondoliers, Act I: Dialogue 2 | — | ||
| 11-9 | The Gondoliers, Act I: “There Was a Time” | — | ||
| 11-10 | The Gondoliers, Act I: Dialogue 3 | — | ||
| 11-11 | The Gondoliers, Act I: “I Stole the Prince” | — | ||
| 11-12 | The Gondoliers, Act I: Dialogue 4 | — | ||
| 11-13 | The Gondoliers, Act I: “But, Bless My Heart” | — | ||
| 11-14 | The Gondoliers, Act I: “Try Me Life-Long” | — | ||
| 11-15 | The Gondoliers, Act I: “Bridegroom and Bride” / “When a Merry Maiden Marries” | — | ||
| 11-16 | The Gondoliers, Act I: Dialogue 5 | — | ||
| 11-17 | The Gondoliers, Act I: “Kind Sir, You Cannot Have the Heart” | — | ||
| 11-18 | The Gondoliers, Act I: “Then One of Us” | — | ||
| 11-19 | The Gondoliers, Act II: Introduction | — | ||
| 11-20 | The Gondoliers, Act II: “Of Happiness the Very Pith” | — | ||
| 11-21 | The Gondoliers, Act II: Dialogue 1 | — | ||
| 11-22 | The Gondoliers, Act II: “Rising Early in the Morning” | — | ||
| 11-23 | The Gondoliers, Act II: Dialogue 2 | — | ||
| 11-24 | The Gondoliers, Act II: “Take a Pair of Sparkling Eyes” | — | ||
| 11-25 | The Gondoliers, Act II: “Here We Are at the Risk” | — | ||
| 11-26 | The Gondoliers, Act II: Dialogue 3 | — | ||
| 11-27 | The Gondoliers, Act II: “Dance a Cachucha” | — | ||
| 11-28 | The Gondoliers, Act II: Dialogue 4 | — | ||
| 11-29 | The Gondoliers, Act II: “There Lived a King” | — | ||
| 11-30 | The Gondoliers, Act II: Dialogue 5 | — | ||
| 11-31 | The Gondoliers, Act II: “In a Contemplative Fashion” | — | ||
| 11-32 | The Gondoliers, Act II: “With Ducal Pomp” | — | ||
| 11-33 | The Gondoliers, Act II: Dialogue 6 | — | ||
| 11-34 | The Gondoliers, Act II: “On the Day When I Was Wedded” | — | ||
| 11-35 | The Gondoliers, Act II: Dialogue 7 | — | ||
| 11-36 | The Gondoliers, Act II: “To Help Unhappy Commoners” | — | ||
| 11-37 | The Gondoliers, Act II: Dialogue 8 | — | ||
| 11-38 | The Gondoliers, Act II: “I Am a Courtier Grave and Serious” | — | ||
| 11-39 | The Gondoliers, Act II: Dialogue 9 | — | ||
| 11-40 | The Gondoliers, Act II: “Here Is a Case Unprecedented” / Credits | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
5050582286519 is a Universal Product Code (UPC) assigned to Gilbert & Sullivan by W.S. Gilbert, Arthur Sullivan, London Symphony Orchestra, Ambrosian Opera Chorus, Peter Allen, William Conrad, Frank Gorshin, Joel Grey, Frankie Howerd, Peter Marshall, Keith Michell, Vincent Price, Clive Revill. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 459 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5050582286519 is the Universal Product Code (UPC barcode) for the release “Gilbert & Sullivan” by W.S. Gilbert, Arthur Sullivan, London Symphony Orchestra, Ambrosian Opera Chorus, Peter Allen, William Conrad, Frank Gorshin, Joel Grey, Frankie Howerd, Peter Marshall, Keith Michell, Vincent Price, Clive Revill, released 2004-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 459 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cox and Box: Introduction | — | ||
| 2 | Cox and Box: Overture | — | ||
| 3 | Cox and Box: Dialogue 1 | — | ||
| 4 | Cox and Box: Rataplan | — | ||
| 5 | Cox and Box: Dialogue 2 | — | ||
| 6 | Cox and Box: Stay, Bouncer, Stay | — | ||
| 7 | Cox and Box: Dialogue 3 | — | ||
| 8 | Cox and Box: Hushed Is the Bacon | — | ||
| 9 | Cox and Box: My Master Is Punctual | — | ||
| 10 | Cox and Box: Dialogue 4 | — | ||
| 11 | Cox and Box: Who Are You, Sir? | — | ||
| 12 | Cox and Box: Dialogue 5 | — | ||
| 13 | Cox and Box: The Buttercup | — | ||
| 14 | Cox and Box: Dialogue 6 | — | ||
| 15 | Cox and Box: Not Long Ago | — | ||
| 16 | Cox and Box: Dialogue 7 | — | ||
| 17 | Cox and Box: Sixes | — | ||
| 18 | Cox and Box: Dialogue 8 | — | ||
| 19 | Cox and Box: My Hand Upon It | — | ||
| 20 | Cox and Box: Featurette | — | ||
| 21 | Trial by Jury: Introduction | — | ||
| 22 | Trial by Jury: Overture | — | ||
| 23 | Trial by Jury: Hark, the Hour of Ten Is Sounding | — | ||
| 24 | Trial by Jury: Is This the Court of the Exchequer | — | ||
| 25 | Trial by Jury: When First My Old, Old Love I Knew | — | ||
| 26 | Trial by Jury: All Hail Great Judge! | — | ||
| 27 | Trial by Jury: When I, Good Friends, Was Call’d to the Bar | — | ||
| 28 | Trial by Jury: Swear Thou the Jury! | — | ||
| 29 | Trial by Jury: Where Is the Plaintiff | — | ||
| 30 | Trial by Jury: Oh, Never, Never, Never, Since I Joined the Human Race | — | ||
| 31 | Trial by Jury: May It Please You, My Lud! | — | ||
| 32 | Trial by Jury: That She Is Reeling Is Plain to See! | — | ||
| 33 | Trial by Jury: Oh Gentlemen, Listen, I Pray | — | ||
| 34 | Trial by Jury: That Seems a Reasonable Proposition | — | ||
| 35 | Trial by Jury: A Nice Dilemma We Have Here | — | ||
| 36 | Trial by Jury: I Love Him, I Love Him, With Fervour Unceasing | — | ||
| 37 | Trial by Jury: Oh, Joy Unbounded, With Wealth Surrounded | — | ||
| 2-1 | The Sorcerer: Introduction | — | ||
| 2-2 | The Sorcerer: Overture | — | ||
| 2-3 | The Sorcerer: Act I. Ring Forth, Ye Bells | — | ||
| 2-4 | The Sorcerer: Act I. Constance, My Daughter, Why This Strange Depression? | — | ||
| 2-5 | The Sorcerer: Act I. When He Is Here | — | ||
| 2-6 | The Sorcerer: Act I. Dialogue 1 | — | ||
| 2-7 | The Sorcerer: Act I. The Air Is Charged With Amatory Numbers | — | ||
| 2-8 | The Sorcerer: Act I. Time Was, When Love and I Were Well Acquainted | — | ||
| 2-9 | The Sorcerer: Act I. Dialogue 2 | — | ||
| 2-10 | The Sorcerer: Act I. Sir Marmaduke, My Dear Young Friend, Alexis | — | ||
| 2-11 | The Sorcerer: Act I. Dialogue 3 | — | ||
| 2-12 | The Sorcerer: Act I. With Heart and With Voice (Ladies) | — | ||
| 2-13 | The Sorcerer: Act I. My Kindly Friends | — | ||
| 2-14 | The Sorcerer: Act I. Happy Young Heart | — | ||
| 2-15 | The Sorcerer: Act I. My Child I Join in These Congratulations | — | ||
| 2-16 | The Sorcerer: Act I. With Heart and With Voice (Gentlemen) | — | ||
| 2-17 | The Sorcerer: Act I. Welcome, Joy | — | ||
| 2-18 | The Sorcerer: Act I. All Is Prepared | — | ||
| 2-19 | The Sorcerer: Act I. Dialogue 4 | — | ||
| 2-20 | The Sorcerer: Act I. For Love Alone | — | ||
| 2-21 | The Sorcerer: Act I. Dialogue 5 | — | ||
| 2-22 | The Sorcerer: Act I. My Name Is John Wellington Wells | — | ||
| 2-23 | The Sorcerer: Act I. Dialogue 6 | — | ||
| 2-24 | The Sorcerer: Act I. Sprites of Earth and Air | — | ||
| 2-25 | The Sorcerer: Act I. Now to the Banquet We Press | — | ||
| 2-26 | The Sorcerer: Act II. Introduction | — | ||
| 2-27 | The Sorcerer: Act II. ’Tis Twelve I Think | — | ||
| 2-28 | The Sorcerer: Act II. Dear Friends, Take Pity on My Lot | — | ||
| 2-29 | The Sorcerer: Act II. Dialogue 1 | — | ||
| 2-30 | The Sorcerer: Act II. It Is Not Love | — | ||
| 2-31 | The Sorcerer: Act II. Dialogue 2 | — | ||
| 2-32 | The Sorcerer: Act II. I Rejoice That It’s Decided | — | ||
| 2-33 | The Sorcerer: Act II. Oh, I Have Wrought Much Evil With My Spells! | — | ||
| 2-34 | The Sorcerer: Act II. Alexis! Doubt Me Not, My Loved One! | — | ||
| 2-35 | The Sorcerer: Act II. Engaged to So-And-So | — | ||
| 2-36 | The Sorcerer: Act II. Oh, Joyous Boon! Oh, Mad Delight! | — | ||
| 2-37 | The Sorcerer: Act II. Prepare for Sad Surprises | — | ||
| 2-38 | The Sorcerer: Act II. Dialogue 3 | — | ||
| 2-39 | The Sorcerer: Act II. Or He or I Must Die! | — | ||
| 2-40 | The Sorcerer: Featurette | — | ||
| 3-1 | H.M.S. Pinafore: Introduction | — | ||
| 3-2 | H.M.S. Pinafore: Overture – Opening Titles | — | ||
| 3-3 | H.M.S. Pinafore: Act I. We Sail the Ocean Blue | — | ||
| 3-4 | H.M.S. Pinafore: Act I. Hail! Men-o’-War’s Men | — | ||
| 3-5 | H.M.S. Pinafore: Act I. Dialogue 1 | — | ||
| 3-6 | H.M.S. Pinafore: Act I. But Tell Me Who’s the Youth | — | ||
| 3-7 | H.M.S. Pinafore: Act I. The Nightingale Sighed for the Moon’s Bright Ray | — | ||
| 3-8 | H.M.S. Pinafore: Act I. A Maiden Fair to See | — | ||
| 3-9 | H.M.S. Pinafore: Act I. Dialogue 2 | — | ||
| 3-10 | H.M.S. Pinafore: Act I. My Gallant Crew, Good-Morning | — | ||
| 3-11 | H.M.S. Pinafore: Act I. Sir, You Are Sad | — | ||
| 3-12 | H.M.S. Pinafore: Act I. Sorry Her Lot Who Loves Too Well | — | ||
| 3-13 | H.M.S. Pinafore: Act I. Dialogue 3 | — | ||
| 3-14 | H.M.S. Pinafore: Act I. Over the Bright Blue Sea | — | ||
| 3-15 | H.M.S. Pinafore: Act I. Sir Joseph’s Barge Is Seen | — | ||
| 3-16 | H.M.S. Pinafore: Act I. Now Give Three Cheers | — | ||
| 3-17 | H.M.S. Pinafore: Act I. When I Was a Lad | — | ||
| 3-18 | H.M.S. Pinafore: Act I. Dialogue 4 | — | ||
| 3-19 | H.M.S. Pinafore: Act I. For I Hold That on the Seas | — | ||
| 3-20 | H.M.S. Pinafore: Act I. Dialogue 5 | — | ||
| 3-21 | H.M.S. Pinafore: Act I. A British Tar Is A | — | ||
| 3-22 | H.M.S. Pinafore: Act I. Dialogue 6 | — | ||
| 3-23 | H.M.S. Pinafore: Act I. Refrain, Audacious Tar | — | ||
| 3-24 | H.M.S. Pinafore: Act I. Can I Survive This Overbearing | — | ||
| 3-25 | H.M.S. Pinafore: Act II. Introduction | — | ||
| 3-26 | H.M.S. Pinafore: Act II. Fair Moon, to Thee I Sing | — | ||
| 3-27 | H.M.S. Pinafore: Act II. Dislogue 1 | — | ||
| 3-28 | H.M.S. Pinafore: Act II. Things Are Seldom What They Seem | — | ||
| 3-29 | H.M.S. Pinafore: Act II. Dialogue 2 | — | ||
| 3-30 | H.M.S. Pinafore: Act II. The Hours Creep on Apace | — | ||
| 3-31 | H.M.S. Pinafore: Act II. Dialogue 3 | — | ||
| 3-32 | H.M.S. Pinafore: Act II. Never Mind the Why and Wherefore | — | ||
| 3-33 | H.M.S. Pinafore: Act II. Dialogue 4 | — | ||
| 3-34 | H.M.S. Pinafore: Act II. Kind Captain, I’ve Important Information | — | ||
| 3-35 | H.M.S. Pinafore: Act II. Dialogue 5 | — | ||
| 3-36 | H.M.S. Pinafore: Act II. Carefully on Tip-Toe Stealing | — | ||
| 3-37 | H.M.S. Pinafore: Act II. Dialogue 6 | — | ||
| 3-38 | H.M.S. Pinafore: Act II. Farewell, My Own | — | ||
| 3-39 | H.M.S. Pinafore: Act II. A Many Years Ago | — | ||
| 3-40 | H.M.S. Pinafore: Act II. Dialogue 7 | — | ||
| 3-41 | H.M.S. Pinafore: Act II. Oh Joy! Oh Rapture Unforeseen | — | ||
| 3-42 | H.M.S. Pinafore: Act II. Featurette | — | ||
| 4-1 | The Pirates of Penzance: Introduction | — | ||
| 4-2 | The Pirates of Penzance: Overture – Titles | — | ||
| 4-3 | The Pirates of Penzance: Act I. Pour, Oh Pour, the Pirate Sherry | — | ||
| 4-4 | The Pirates of Penzance: Act I. Dialogue 1 | — | ||
| 4-5 | The Pirates of Penzance: Act I. When Fred’ric Was a Little Lad | — | ||
| 4-6 | The Pirates of Penzance: Act I. Dialogue 2 | — | ||
| 4-7 | The Pirates of Penzance: Act I. Oh, Better Far to Live and Die | — | ||
| 4-8 | The Pirates of Penzance: Act I. Dialogue 3 | — | ||
| 4-9 | The Pirates of Penzance: Act I. Oh! False One, You Have Deceiv’d Me! | — | ||
| 4-10 | The Pirates of Penzance: Act I. Climbing Over Rocky Mountains | — | ||
| 4-11 | The Pirates of Penzance: Act I. Dialogue 4 | — | ||
| 4-12 | The Pirates of Penzance: Act I. Stop, Ladies, Pray! | — | ||
| 4-13 | The Pirates of Penzance: Act I. Oh, Is There Not One Maiden Breast | — | ||
| 4-14 | The Pirates of Penzance: Act I. Poor Wand’ring One! | — | ||
| 4-15 | The Pirates of Penzance: Act I. What Ought We to Do? | — | ||
| 4-16 | The Pirates of Penzance: Act I. How Beautifully Blue the Sky | — | ||
| 4-17 | The Pirates of Penzance: Act I. Stay, We Must Not Lose Our Senses | — | ||
| 4-18 | The Pirates of Penzance: Act I. Hold, Monsters! | — | ||
| 4-19 | The Pirates of Penzance: Act I. I Am the Very Model of a Modern Major-General | — | ||
| 4-20 | The Pirates of Penzance: Act I. Dialogue 5 | — | ||
| 4-21 | The Pirates of Penzance: Act I. Oh, Men of Dark and Dismal Fate | — | ||
| 4-22 | The Pirates of Penzance: Act II. Introduction | — | ||
| 4-23 | The Pirates of Penzance: Act II. Oh, Dry the Glist’ning Tear | — | ||
| 4-24 | The Pirates of Penzance: Act II. Dialogue 1 | — | ||
| 4-25 | The Pirates of Penzance: Act II. Then, Frederic, Let Your Escort Lion-Hearted | — | ||
| 4-26 | The Pirates of Penzance: Act II. When the Foeman Bares His Steel | — | ||
| 4-27 | The Pirates of Penzance: Act II. Now for the Pirates’ Lair | — | ||
| 4-28 | The Pirates of Penzance: Act II. When You Had Left Our Pirate Fold | — | ||
| 4-29 | The Pirates of Penzance: Act II. Dialogue 2 | — | ||
| 4-30 | The Pirates of Penzance: Act II. Away, Away! My Heart’s on Fire! | — | ||
| 4-31 | The Pirates of Penzance: Act II. All Is Prep’red, Your Gallant Crew Await You | — | ||
| 4-32 | The Pirates of Penzance: Act II. Stay, Fred’ric, Stay! | — | ||
| 4-33 | The Pirates of Penzance: Act II. No, I’ll Be Brave | — | ||
| 4-34 | The Pirates of Penzance: Act II. When a Felon’s Not Engaged in His Employment | — | ||
| 4-35 | The Pirates of Penzance: Act II. A Rollicking Band of Pirates We | — | ||
| 4-36 | The Pirates of Penzance: Act II. With Cat-Like Tread | — | ||
| 4-37 | The Pirates of Penzance: Act II. Hush, Hush, Not a Word! | — | ||
| 4-38 | The Pirates of Penzance: Act II. Sighing Softly to the River | — | ||
| 4-39 | The Pirates of Penzance: Featurette | — | ||
| 5-1 | Patience: Introduction | — | ||
| 5-2 | Patience: Overture | — | ||
| 5-3 | Patience: Act I, no. 1, Twenty Love-sick Maidens Be | — | ||
| 5-4 | Patience: Act I, Dialogue 1 | — | ||
| 5-5 | Patience: Act I, no. 2, Still Brooding on Their Mad Infatuation | — | ||
| 5-6 | Patience: Act I, no. 2a, I Cannot Tell What This Love May Be | — | ||
| 5-7 | Patience: Act I, Dialogue 2 | — | ||
| 5-8 | Patience: Act I, no. 2b, Twenty Love-sick Maidens Be | — | ||
| 5-9 | Patience: Act I, no. 3, The Soldiers of Our Queen | — | ||
| 5-10 | Patience: Act I, Dialogue 3 | — | ||
| 5-11 | Patience: Act I, no. 4, In a Doleful Train Two by Two We Walk | — | ||
| 5-12 | Patience: Act I, Dialogue 4 | — | ||
| 5-13 | Patience: Act I, no. 4a, Twenty Love-sick Maidens Be | — | ||
| 5-14 | Patience: Act I, Dialogue 5 | — | ||
| 5-15 | Patience: Act I, no. 5, When I First Put This Uniform On | — | ||
| 5-16 | Patience: Act I, no. 6, Am I Alone and Unobserved | — | ||
| 5-17 | Patience: Act I, Dialogue 6 | — | ||
| 5-18 | Patience: Act I, no. 7, Long Years Ago, Fourteen May Be | — | ||
| 5-19 | Patience: Act I, Dialogue 7 | — | ||
| 5-20 | Patience: Act I, no. 8, Prithee, Pretty Maiden | — | ||
| 5-21 | Patience: Act I, Dialogue 8 | — | ||
| 5-22 | Patience: Act I, no. 8a, Though to Marry You Would Very Selfish Be | — | ||
| 5-23 | Patience: Act I, no. 9, Let the Merry Cymbals Sound | — | ||
| 5-24 | Patience: Act II, Introduction | — | ||
| 5-25 | Patience: Act II, no. 10, On Such Eyes as Maidens Cherish | — | ||
| 5-26 | Patience: Act II, Dialogue 1 | — | ||
| 5-27 | Patience: Act II, no. 11, Sad Is That Woman’s Lot | — | ||
| 5-28 | Patience: Act II, no. 12, Turn, Oh Turn in This Direction | — | ||
| 5-29 | Patience: Act II, Dialogue 2 | — | ||
| 5-30 | Patience: Act II, no. 13, A Magnet Hung in a Hardware Shop | — | ||
| 5-31 | Patience: Act II, Dialogue 3 | — | ||
| 5-32 | Patience: Act II, no. 14, Love Is a Plaintive Song | — | ||
| 5-33 | Patience: Act II, Dialogue 4 | — | ||
| 5-34 | Patience: Act II, no. 15, So Go to Him, and Say to Him | — | ||
| 5-35 | Patience: Act II, no. 16, It’s Clear That Mediaeval Art | — | ||
| 5-36 | Patience: Act II, Dialogue 5 | — | ||
| 5-37 | Patience: Act II, no. 17, If Saphir I Choose to Marry | — | ||
| 5-38 | Patience: Act II, Dialogue 6 | — | ||
| 5-39 | Patience: Act II, no. 18, When I Go Out of Door | — | ||
| 5-40 | Patience: Act II, Dialogue 7 | — | ||
| 5-41 | Patience: Act II, no. 19, I’m a Waterloo House Young Man | — | ||
| 5-42 | Patience: Act II, Dialogue 8 | — | ||
| 5-43 | Patience: Act II, no. 20, After Much Debate Internal | — | ||
| 6-1 | Iolanthe: Introduction | — | ||
| 6-2 | Iolanthe: Overture – Titles | — | ||
| 6-3 | Iolanthe: Act I. 1. Tripping Hither, Tripping Thither | — | ||
| 6-4 | Iolanthe: Act I. Dialogue 1 | — | ||
| 6-5 | Iolanthe: Act I. 2. Iolanthe! From Thy Dark Exile | — | ||
| 6-6 | Iolanthe: Act I. Dialogue 2 | — | ||
| 6-7 | Iolanthe: Act I. 3. Good-Morrow, Good Mother | — | ||
| 6-8 | Iolanthe: Act I. Dialogue 3 | — | ||
| 6-9 | Iolanthe: Act I. 4. Fare Thee Well, Attractive Stranger | — | ||
| 6-10 | Iolanthe: Act I. 4a. Good-Morrow, Good Lover | — | ||
| 6-11 | Iolanthe: Act I. Dialogue 4 | — | ||
| 6-12 | Iolanthe: Act I. 5. None Shall Part Us | — | ||
| 6-13 | Iolanthe: Act I. 6. Loudly Let the Trumpet Bray | — | ||
| 6-14 | Iolanthe: Act I. 7. the Law Is the True Embodiment | — | ||
| 6-15 | Iolanthe: Act I. Dialogue 5 | — | ||
| 6-16 | Iolanthe: Act I. 8. My Well-Loved Lord | — | ||
| 6-17 | Iolanthe: Act I. 9. Nay, Tempt Me Not | — | ||
| 6-18 | Iolanthe: Act I. 10. Spurn Not the Nobly Born | — | ||
| 6-19 | Iolanthe: Act I. 11. My Lords, It May Not Be | — | ||
| 6-20 | Iolanthe: Act I. Dialogue 6 | — | ||
| 6-21 | Iolanthe: Act I. 12. When I Went to the Bar | — | ||
| 6-22 | Iolanthe: Act I. Dialogue 7 | — | ||
| 6-23 | Iolanthe: Act I Finale. 13. When Darkly Looms the Day | — | ||
| 6-24 | Iolanthe: Act II. Introduction | — | ||
| 6-25 | Iolanthe: Act II. 14. When All Night Long a Chap Remains | — | ||
| 6-26 | Iolanthe: Act II. 15. Strephon’s a Member of Parliament | — | ||
| 6-27 | Iolanthe: Act II. Dialogue 1 | — | ||
| 6-28 | Iolanthe: Act II. 16. When Britain Really Ruled the Waves | — | ||
| 6-29 | Iolanthe: Act II. Dialogue 2 | — | ||
| 6-30 | Iolanthe: Act II. 17. In Vain to Us You Plead | — | ||
| 6-31 | Iolanthe: Act II. Dialogue 3 | — | ||
| 6-32 | Iolanthe: Act II. 18. Oh, Foolish Fay | — | ||
| 6-33 | Iolanthe: Act II. Dialogue 4 | — | ||
| 6-34 | Iolanthe: Act II. 19. Tho’ P’r’aps I May Incur Thy Blame | — | ||
| 6-35 | Iolanthe: Act II. 20. Love Unrequited Robs Me of My Rest | — | ||
| 6-36 | Iolanthe: Act II. Dialogue 5 | — | ||
| 6-37 | Iolanthe: Act II. 21. If You Go in You’re Sure to Win | — | ||
| 6-38 | Iolanthe: Act II. Dialogue 6 | — | ||
| 6-39 | Iolanthe: Act II. 22. If We’re Weak Enough to Tarry | — | ||
| 6-40 | Iolanthe: Act II. Dialogue 7 | — | ||
| 6-41 | Iolanthe: Act II. 23. My Lord, a Suppliant at You Feet | — | ||
| 6-42 | Iolanthe: Act II. 24. It May Not Be | — | ||
| 6-43 | Iolanthe: Act II. 25. Soon as We May, Off and Away | — | ||
| 7-1 | Princess Ida: Introduction | — | ||
| 7-2 | Princess Ida: Overture | — | ||
| 7-3 | Princess Ida: Act I. Search Throughout the Panorama | — | ||
| 7-4 | Princess Ida: Act I. Dialogue 1 | — | ||
| 7-5 | Princess Ida: Act I. Now Hearken to My Strict Command | — | ||
| 7-6 | Princess Ida: Act I. Today We Meet | — | ||
| 7-7 | Princess Ida: Act I. Dialogue 2 | — | ||
| 7-8 | Princess Ida: Act I. From the Distant Panorama | — | ||
| 7-9 | Princess Ida: Act I. We Are Warriors Three | — | ||
| 7-10 | Princess Ida: Act I. If You Give Me Your Attention | — | ||
| 7-11 | Princess Ida: Act I. Dialogue 3 | — | ||
| 7-12 | Princess Ida: Act I. P’raps If You Address the Lady | — | ||
| 7-13 | Princess Ida: Act II. Introduction | — | ||
| 7-14 | Princess Ida: Act II. Towards the Empryean Heights | — | ||
| 7-15 | Princess Ida: Act II. Dialogue 1 | — | ||
| 7-16 | Princess Ida: Act II. Mighty Maiden With a Mission | — | ||
| 7-17 | Princess Ida: Act II. Minerva! Oh, Hear Me | — | ||
| 7-18 | Princess Ida: Act II. Dialogue 2 | — | ||
| 7-19 | Princess Ida: Act II. And Thus to Empryean Heights | — | ||
| 7-20 | Princess Ida: Act II. Dialogue 3 | — | ||
| 7-21 | Princess Ida: Act II. Gently, Gently | — | ||
| 7-22 | Princess Ida: Act II. Dialogue 4 | — | ||
| 7-23 | Princess Ida: Act II. I Am a Maiden | — | ||
| 7-24 | Princess Ida: Act II. Dialogue 5 | — | ||
| 7-25 | Princess Ida: Act II. The World Is but a Broken Toy | — | ||
| 7-26 | Princess Ida: Act II. Dialogue 6 | — | ||
| 7-27 | Princess Ida: Act II. A Lady Fair of Lineage High | — | ||
| 7-28 | Princess Ida: Act II. Dialogue 7 | — | ||
| 7-29 | Princess Ida: Act II. The Woman of the Wisest Wit | — | ||
| 7-30 | Princess Ida: Act II. Dialogue 8 | — | ||
| 7-31 | Princess Ida: Act II. Now Wouldn’t You Like | — | ||
| 7-32 | Princess Ida: Act II. Dialogue 9 | — | ||
| 7-33 | Princess Ida: Act II. Merrily Ring the Luncheon Bell | — | ||
| 7-34 | Princess Ida: Act II. Dialogue 10 | — | ||
| 7-35 | Princess Ida: Act II. Would You Know the Kind of Maid | — | ||
| 7-36 | Princess Ida: Act II. Dialogue 11 | — | ||
| 7-37 | Princess Ida: Act II. Oh, Joy! Our Chief Is Saved | — | ||
| 7-38 | Princess Ida: Act III. Introduction | — | ||
| 7-39 | Princess Ida: Act III. Death to the Invader | — | ||
| 7-40 | Princess Ida: Act III. Dialogue 1 | — | ||
| 7-41 | Princess Ida: Act III. I Built Upon a Rock | — | ||
| 7-42 | Princess Ida: Act III. Dialogue 2 | — | ||
| 7-43 | Princess Ida: Act III. Whene’er I Spoke | — | ||
| 7-44 | Princess Ida: Act III. Dialogue 3 | — | ||
| 7-45 | Princess Ida: Act III. When Anger Spreads His Wing | — | ||
| 7-46 | Princess Ida: Act III. This Helmet I Suppose | — | ||
| 7-47 | Princess Ida: Act III. Dialogue 4 | — | ||
| 7-48 | Princess Ida: Act III. This Is Our Duty | — | ||
| 7-49 | Princess Ida: Act III. Dialogue 5 | — | ||
| 7-50 | Princess Ida: Act III. With Joy Abiding | — | ||
| 8-1 | The Mikado: Introduction | — | ||
| 8-2 | The Mikado: Overture (Opening Titles) | — | ||
| 8-3 | The Mikado, Act I: 1. If You Want to Know Who We Are | — | ||
| 8-4 | The Mikado, Act I: 2. A Wand'Ring Minstrel I | — | ||
| 8-5 | The Mikado, Act I: Dialogue 1 | — | ||
| 8-6 | The Mikado, Act I: 3. Our Great Mikado, Virtuous Man | — | ||
| 8-7 | The Mikado, Act I: Dialogue 2 | — | ||
| 8-8 | The Mikado, Act I: 4. Young Man, Despair, Likewise Go To | — | ||
| 8-9 | The Mikado, Act I: 4a. And Have I Journey'd for a Month | — | ||
| 8-10 | The Mikado, Act I: 5. Behold the Lord High Executioner | — | ||
| 8-11 | The Mikado, Act I: Dialogue 3 | — | ||
| 8-12 | The Mikado, Act I: 5a. As Some Day It May Happen | — | ||
| 8-13 | The Mikado, Act I: Dialogue 4 | — | ||
| 8-14 | The Mikado, Act I: 6. Comes a Train of Little Ladies | — | ||
| 8-15 | The Mikado, Act I: 7. Three Little Maids From School | — | ||
| 8-16 | The Mikado, Act I: Dialogue 5 | — | ||
| 8-17 | The Mikado, Act I: 8. So Please You, Sir, We Much Regret | — | ||
| 8-18 | The Mikado, Act I: Dialogue 6 | — | ||
| 8-19 | The Mikado, Act I: 9. Were You Not to Ko-Ko Plighted | — | ||
| 8-20 | The Mikado, Act I: Dialogue 7 | — | ||
| 8-21 | The Mikado, Act I: 10. I Am So Proud | — | ||
| 8-22 | The Mikado, Act I: Dialogue 8 | — | ||
| 8-23 | The Mikado, Act I: 11. With Aspect Stern and Gloomy Stride (Finale) | — | ||
| 8-24 | The Mikado, Act II: Introduction | — | ||
| 8-25 | The Mikado, Act II: 1. Braid the Raven Hair | — | ||
| 8-26 | The Mikado, Act II: Dialogue 1 | — | ||
| 8-27 | The Mikado, Act II: 2. The Sun, Whose Rays Are All Ablaze | — | ||
| 8-28 | The Mikado, Act II: Dialogue 2 | — | ||
| 8-29 | The Mikado, Act II: 3. Brightly Dawns Our Wedding Day | — | ||
| 8-30 | The Mikado, Act II: Dialogue 3 | — | ||
| 8-31 | The Mikado, Act II: 4. Here's a How-De-Do! If I Marry You | — | ||
| 8-32 | The Mikado, Act II: Dialogue 4 | — | ||
| 8-33 | The Mikado, Act II: 5. Mi-Ya-Sa-Ma, Mi-Ya-Sa-Ma | — | ||
| 8-34 | The Mikado, Act II: 6. A More Humane Mikado Never Did in Japan Exist | — | ||
| 8-35 | The Mikado, Act II: Dialogue 5 | — | ||
| 8-36 | The Mikado, Act II: 7. The Criminal Cried as He Dropped Him Down | — | ||
| 8-37 | The Mikado, Act II: Dialogue 6 | — | ||
| 8-38 | The Mikado, Act II: 8. See How the Fates Their Gifts Allot | — | ||
| 8-39 | The Mikado, Act II: Dialogue 7 | — | ||
| 8-40 | The Mikado, Act II: 9. The Flowers That Bloom in the Spring | — | ||
| 8-41 | The Mikado, Act II: 10. Alone, and Yet Alive | — | ||
| 8-42 | The Mikado, Act II: Dialogue 8 | — | ||
| 8-43 | The Mikado, Act II: 11. On a Tree by a River, a Little Tom-Tit Sang, Willow, Tit-Willow | — | ||
| 8-44 | The Mikado, Act II: Dialogue 9 | — | ||
| 8-45 | The Mikado, Act II: 12. There Is Beauty in the Bellow of the Blast | — | ||
| 8-46 | The Mikado, Act II: Dialogue 10 | — | ||
| 8-47 | The Mikado, Act II: 13. For He's Gone and Married Yum-Yum (Finale) | — | ||
| 9-1 | Ruddigore: Introduction | — | ||
| 9-2 | Ruddigore: Overture – Opening Credits | — | ||
| 9-3 | Ruddigore, Act I: Fair Is Rose | — | ||
| 9-4 | Ruddigore, Act I: Dialogue 1 | — | ||
| 9-5 | Ruddigore, Act I: Sir Rupert Murgatroyd His Leisure | — | ||
| 9-6 | Ruddigore, Act I: Dialogue 2 | — | ||
| 9-7 | Ruddigore, Act I: If Somebody There Chance to Be | — | ||
| 9-8 | Ruddigore, Act I: Dialogue 3 | — | ||
| 9-9 | Ruddigore, Act I: I Know a Youth | — | ||
| 9-10 | Ruddigore, Act I: Dialogue 4 | — | ||
| 9-11 | Ruddigore, Act I: From the Briny Sea | — | ||
| 9-12 | Ruddigore, Act I: Hornpipe | — | ||
| 9-13 | Ruddigore, Act I: Additional Dialogue | — | ||
| 9-14 | Ruddigore, Act I: My Boy, You May Take It From Me | — | ||
| 9-15 | Ruddigore, Act I: Dialogue 5 | — | ||
| 9-16 | Ruddigore, Act I: If Well His Suit Has Sped | — | ||
| 9-17 | Ruddigore, Act I: Dialogue 6 | — | ||
| 9-18 | Ruddigore, Act I: In Sailing O’er Life’s Ocean Wide | — | ||
| 9-19 | Ruddigore, Act I: Cheerily Carols the Lark | — | ||
| 9-20 | Ruddigore, Act I: Dialogue 7 | — | ||
| 9-21 | Ruddigore, Act I: Welcome, Gentry | — | ||
| 9-22 | Ruddigore, Act I: Oh, Why Am I Moody and Sad? | — | ||
| 9-23 | Ruddigore, Act I: Dialogue 8 | — | ||
| 9-24 | Ruddigore, Act I: You Understand? I Think I Do | — | ||
| 9-25 | Ruddigore, Act I: Finale: Hail the Bride of Seventeen Summers / When the Buds Are Blossoming / When I’m a Bad Bart, I Will Tell Taradiddles! / Oh, Happy the Lily | — | ||
| 9-26 | Ruddigore, Act II: Introduction | — | ||
| 9-27 | Ruddigore, Act II: I Once Was Meek | — | ||
| 9-28 | Ruddigore, Act II: Dialogue 1 | — | ||
| 9-29 | Ruddigore, Act II: Happily Coupled Are We | — | ||
| 9-30 | Ruddigore, Act II: Dialogue 2 | — | ||
| 9-31 | Ruddigore, Act II: In Bygone Days | — | ||
| 9-32 | Ruddigore, Act II: Dialogue 3 | — | ||
| 9-33 | Ruddigore, Act II: Painted Emblems | — | ||
| 9-34 | Ruddigore, Act II: When the Night Wind Howls | — | ||
| 9-35 | Ruddigore, Act II: Dialogue 4 | — | ||
| 9-36 | Ruddigore, Act II: He Yields | — | ||
| 9-37 | Ruddigore, Act II: Dialogue 5 | — | ||
| 9-38 | Ruddigore, Act II: I Once Was a Very | — | ||
| 9-39 | Ruddigore, Act II: Dialogue 6 | — | ||
| 9-40 | Ruddigore, Act II: My Eyes Are Fully Open | — | ||
| 9-41 | Ruddigore, Act II: Dialogue 7 | — | ||
| 9-42 | Ruddigore, Act II: There Grew a Little Flower | — | ||
| 9-43 | Ruddigore, Act II: Finale: Oh, Happy the Lily (reprise) – Closing Credits | — | ||
| 10-1 | The Yeomen of the Guard: Introduction | — | ||
| 10-2 | The Yeomen of the Guard: Overture – Titles | — | ||
| 10-3 | The Yeomen of the Guard: Act I. When Maiden Loves She Sits and Sighs | — | ||
| 10-4 | The Yeomen of the Guard: Act I. Dialogue 1 | — | ||
| 10-5 | The Yeomen of the Guard: Act I. Tower Warders Under Orders | — | ||
| 10-6 | The Yeomen of the Guard: Act I. This the Autumn | — | ||
| 10-7 | The Yeomen of the Guard: Act I. Dialogue 2 | — | ||
| 10-8 | The Yeomen of the Guard: Act I. When Our Gallant Norman Foes | — | ||
| 10-9 | The Yeomen of the Guard: Act I. Dialogue 3 | — | ||
| 10-10 | The Yeomen of the Guard: Act I. Here’s a Man of Jollity | — | ||
| 10-11 | The Yeomen of the Guard: Act I. Dialogue 4 | — | ||
| 10-12 | The Yeomen of the Guard: Act I. I Have a Song to Sing, O! | — | ||
| 10-13 | The Yeomen of the Guard: Act I. Dialogue 5 | — | ||
| 10-14 | The Yeomen of the Guard: Act I. How Say You Maiden, Will You Wed | — | ||
| 10-15 | The Yeomen of the Guard: Act I. Dialogue 6 | — | ||
| 10-16 | The Yeomen of the Guard: Act I. I’ve Jibe and Joke and Quip and Crank | — | ||
| 10-17 | The Yeomen of the Guard: Act I. Dialogue 7 | — | ||
| 10-18 | The Yeomen of the Guard: Act I. ’Tis Done! I Am a Bride! | — | ||
| 10-19 | The Yeomen of the Guard: Act I. Dialogue 8 | — | ||
| 10-20 | The Yeomen of the Guard: Act I. Were I Thy Bride | — | ||
| 10-21 | The Yeomen of the Guard: Act I. Dialogue 9 | — | ||
| 10-22 | The Yeomen of the Guard: Act I. Oh, Sergeant Meryll, Is It True | — | ||
| 10-23 | The Yeomen of the Guard: Act II. Introduction | — | ||
| 10-24 | The Yeomen of the Guard: Act II. Night Has Spread Her Pall Once More | — | ||
| 10-25 | The Yeomen of the Guard: Act II. Warders Are Ye? | — | ||
| 10-26 | The Yeomen of the Guard: Act II. Dialogue 1 | — | ||
| 10-27 | The Yeomen of the Guard: Act II. Oh! A Private Buffoon Is a Light-Hearted Loon | — | ||
| 10-28 | The Yeomen of the Guard: Act II. Dialogue 2 | — | ||
| 10-29 | The Yeomen of the Guard: Act II. Hereupon We’re Both Agreed | — | ||
| 10-30 | The Yeomen of the Guard: Act II. Dialogue 3 | — | ||
| 10-31 | The Yeomen of the Guard: Act II. Hark! What Was That, Sir? | — | ||
| 10-32 | The Yeomen of the Guard: Act II. Dialogue 4 | — | ||
| 10-33 | The Yeomen of the Guard: Act II. A Man Who Would Woo a Fair Maid | — | ||
| 10-34 | The Yeomen of the Guard: Act II. Dialogue 5 | — | ||
| 10-35 | The Yeomen of the Guard: Act II. Comes the Pretty Young Bride | — | ||
| 11-1 | The Gondoliers: Introduction | — | ||
| 11-2 | The Gondoliers: Overture – Titles | — | ||
| 11-3 | The Gondoliers, Act I: “List and Learn” | — | ||
| 11-4 | The Gondoliers, Act I: “From the Sunny Spanish Shore” | — | ||
| 11-5 | The Gondoliers, Act I: Dialogue 1 | — | ||
| 11-6 | The Gondoliers, Act I: “In Enterprise of Martial Kind” | — | ||
| 11-7 | The Gondoliers, Act I: “O Rapture, When Alone Together” | — | ||
| 11-8 | The Gondoliers, Act I: Dialogue 2 | — | ||
| 11-9 | The Gondoliers, Act I: “There Was a Time” | — | ||
| 11-10 | The Gondoliers, Act I: Dialogue 3 | — | ||
| 11-11 | The Gondoliers, Act I: “I Stole the Prince” | — | ||
| 11-12 | The Gondoliers, Act I: Dialogue 4 | — | ||
| 11-13 | The Gondoliers, Act I: “But, Bless My Heart” | — | ||
| 11-14 | The Gondoliers, Act I: “Try Me Life-Long” | — | ||
| 11-15 | The Gondoliers, Act I: “Bridegroom and Bride” / “When a Merry Maiden Marries” | — | ||
| 11-16 | The Gondoliers, Act I: Dialogue 5 | — | ||
| 11-17 | The Gondoliers, Act I: “Kind Sir, You Cannot Have the Heart” | — | ||
| 11-18 | The Gondoliers, Act I: “Then One of Us” | — | ||
| 11-19 | The Gondoliers, Act II: Introduction | — | ||
| 11-20 | The Gondoliers, Act II: “Of Happiness the Very Pith” | — | ||
| 11-21 | The Gondoliers, Act II: Dialogue 1 | — | ||
| 11-22 | The Gondoliers, Act II: “Rising Early in the Morning” | — | ||
| 11-23 | The Gondoliers, Act II: Dialogue 2 | — | ||
| 11-24 | The Gondoliers, Act II: “Take a Pair of Sparkling Eyes” | — | ||
| 11-25 | The Gondoliers, Act II: “Here We Are at the Risk” | — | ||
| 11-26 | The Gondoliers, Act II: Dialogue 3 | — | ||
| 11-27 | The Gondoliers, Act II: “Dance a Cachucha” | — | ||
| 11-28 | The Gondoliers, Act II: Dialogue 4 | — | ||
| 11-29 | The Gondoliers, Act II: “There Lived a King” | — | ||
| 11-30 | The Gondoliers, Act II: Dialogue 5 | — | ||
| 11-31 | The Gondoliers, Act II: “In a Contemplative Fashion” | — | ||
| 11-32 | The Gondoliers, Act II: “With Ducal Pomp” | — | ||
| 11-33 | The Gondoliers, Act II: Dialogue 6 | — | ||
| 11-34 | The Gondoliers, Act II: “On the Day When I Was Wedded” | — | ||
| 11-35 | The Gondoliers, Act II: Dialogue 7 | — | ||
| 11-36 | The Gondoliers, Act II: “To Help Unhappy Commoners” | — | ||
| 11-37 | The Gondoliers, Act II: Dialogue 8 | — | ||
| 11-38 | The Gondoliers, Act II: “I Am a Courtier Grave and Serious” | — | ||
| 11-39 | The Gondoliers, Act II: Dialogue 9 | — | ||
| 11-40 | The Gondoliers, Act II: “Here Is a Case Unprecedented” / Credits | — |
