UPC · Release
Iolanthe
W.S. Gilbert, Arthur Sullivan, Derek Hammond-Stroud and 6 more
Last verified:
5050582287028 is the Universal Product Code (UPC barcode) for the release “Iolanthe” by W.S. Gilbert, Arthur Sullivan, Derek Hammond-Stroud, Richard van Allen, Alexander Oliver, Thomas Hemsley, Kate Flowers, Beverley Mills, Anne Collins, released 2004-01-01 on Universal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 43 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (43)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Iolanthe: Introduction | — | ||
| 2 | Iolanthe: Overture – Titles | — | ||
| 3 | Iolanthe: Act I. 1. Tripping Hither, Tripping Thither | — | ||
| 4 | Iolanthe: Act I. Dialogue 1 | — | ||
| 5 | Iolanthe: Act I. 2. Iolanthe! From Thy Dark Exile | — | ||
| 6 | Iolanthe: Act I. Dialogue 2 | — | ||
| 7 | Iolanthe: Act I. 3. Good-Morrow, Good Mother | — | ||
| 8 | Iolanthe: Act I. Dialogue 3 | — | ||
| 9 | Iolanthe: Act I. 4. Fare Thee Well, Attractive Stranger | — | ||
| 10 | Iolanthe: Act I. 4a. Good-Morrow, Good Lover | — | ||
| 11 | Iolanthe: Act I. Dialogue 4 | — | ||
| 12 | Iolanthe: Act I. 5. None Shall Part Us | — | ||
| 13 | Iolanthe: Act I. 6. Loudly Let the Trumpet Bray | — | ||
| 14 | Iolanthe: Act I. 7. the Law Is the True Embodiment | — | ||
| 15 | Iolanthe: Act I. Dialogue 5 | — | ||
| 16 | Iolanthe: Act I. 8. My Well-Loved Lord | — | ||
| 17 | Iolanthe: Act I. 9. Nay, Tempt Me Not | — | ||
| 18 | Iolanthe: Act I. 10. Spurn Not the Nobly Born | — | ||
| 19 | Iolanthe: Act I. 11. My Lords, It May Not Be | — | ||
| 20 | Iolanthe: Act I. Dialogue 6 | — | ||
| 21 | Iolanthe: Act I. 12. When I Went to the Bar | — | ||
| 22 | Iolanthe: Act I. Dialogue 7 | — | ||
| 23 | Iolanthe: Act I Finale. 13. When Darkly Looms the Day | — | ||
| 24 | Iolanthe: Act II. Introduction | — | ||
| 25 | Iolanthe: Act II. 14. When All Night Long a Chap Remains | — | ||
| 26 | Iolanthe: Act II. 15. Strephon’s a Member of Parliament | — | ||
| 27 | Iolanthe: Act II. Dialogue 1 | — | ||
| 28 | Iolanthe: Act II. 16. When Britain Really Ruled the Waves | — | ||
| 29 | Iolanthe: Act II. Dialogue 2 | — | ||
| 30 | Iolanthe: Act II. 17. In Vain to Us You Plead | — | ||
| 31 | Iolanthe: Act II. Dialogue 3 | — | ||
| 32 | Iolanthe: Act II. 18. Oh, Foolish Fay | — | ||
| 33 | Iolanthe: Act II. Dialogue 4 | — | ||
| 34 | Iolanthe: Act II. 19. Tho’ P’r’aps I May Incur Thy Blame | — | ||
| 35 | Iolanthe: Act II. 20. Love Unrequited Robs Me of My Rest | — | ||
| 36 | Iolanthe: Act II. Dialogue 5 | — | ||
| 37 | Iolanthe: Act II. 21. If You Go in You’re Sure to Win | — | ||
| 38 | Iolanthe: Act II. Dialogue 6 | — | ||
| 39 | Iolanthe: Act II. 22. If We’re Weak Enough to Tarry | — | ||
| 40 | Iolanthe: Act II. Dialogue 7 | — | ||
| 41 | Iolanthe: Act II. 23. My Lord, a Suppliant at You Feet | — | ||
| 42 | Iolanthe: Act II. 24. It May Not Be | — | ||
| 43 | Iolanthe: Act II. 25. Soon as We May, Off and Away | — |
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What is UPC 5050582287028?
5050582287028 is a Universal Product Code (UPC) assigned to Iolanthe by W.S. Gilbert, Arthur Sullivan, Derek Hammond-Stroud, Richard van Allen, Alexander Oliver, Thomas Hemsley, Kate Flowers, Beverley Mills, Anne Collins. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 43 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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