UPC · Release
Anthology: Will You Love Me Tomorrow?
The Shirelles
Last verified:
5050749426321 is the Universal Product Code (UPC barcode) for the release “Anthology: Will You Love Me Tomorrow?” by The Shirelles, released 2005-01-01 on Castle Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include QM6N21404778, QM6N21404783, FRX086090001.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dedicated to the One I Love | The Shirelles | T-070.881.723-5 | |
| 2 | Look‐a‐Here Baby | — | ||
| 3 | Tonight’s the Night | The Shirelles | T-070.940.604-1 | |
| 4 | Will You Love Me Tomorrow | The Shirelles | T-071.017.458-5 | |
| 5 | Boys | The Shirelles | T-070.880.911-3 | |
| 6 | Mama Said | — | ||
| 7 | I Don’t Want to Cry | — | ||
| 8 | A Thing of the Past | — | ||
| 9 | What a Sweet Thing That Was | — | ||
| 10 | Big John | — | ||
| 11 | Baby It’s You | — | ||
| 12 | The Things I Want to Hear (Pretty Words) | — | ||
| 13 | Soldier Boy | — | ||
| 14 | Hurry Home to Me (Soldier Boy) | — | ||
| 15 | Voice of Experience | — | ||
| 16 | Putty in Your Hands | — | ||
| 17 | Love Is a Swingin’ Thing | — | ||
| 18 | Welcome Home Baby | — | ||
| 19 | Mama, Here Comes the Bride | — | ||
| 20 | Stop the Music | — | ||
| 21 | It’s Love That Really Counts (in the long Run) | — | ||
| 22 | Everybody Loves a Lover | — | ||
| 23 | Foolish Little Girl | — | ||
| 24 | Not for All the Money in the World | — | ||
| 25 | Abra Ka Dabra | — | ||
| 26 | Hard Times | — | ||
| 27 | Don’t Say Goodnight and Mean Goodbye | The Shirelles | — | |
| 28 | I Didn’t Mean to Hurt You | — | ||
| 29 | What Does a Girl Do? | — | ||
| 30 | It’s a Mad, Mad, Mad, Mad World | — | ||
| 2-1 | 31 Flavours | — | ||
| 2-2 | Tonight You’re Gonna Fall in Love With Me | — | ||
| 2-3 | Sha‐La‐La | — | ||
| 2-4 | His Lips Get in the Way | — | ||
| 2-5 | Thank You Baby | — | ||
| 2-6 | Doomsday | — | ||
| 2-7 | Maybe Tonight | — | ||
| 2-8 | Lost Love | — | ||
| 2-9 | Are You Still My Baby | — | ||
| 2-10 | A Girl Is Not a Girl | — | ||
| 2-11 | I Might Like It | — | ||
| 2-12 | Get Rid of Him | — | ||
| 2-13 | That Boy Is Messin’ Up My Mind | — | ||
| 2-14 | Shh, I’m Watching the Movie | — | ||
| 2-15 | March (You’ll Be Sorry) | — | ||
| 2-16 | My Heart Belongs to You | — | ||
| 2-17 | (Mama) My Soldier Boy Is Coming Home | — | ||
| 2-18 | I Met Him on a Sunday ’66 | — | ||
| 2-19 | ’Till My Baby Comes Home | — | ||
| 2-20 | Que será, será | — | ||
| 2-21 | Shades of Blue | — | ||
| 2-22 | After Midnight | — | ||
| 2-23 | Teasin’ Me | — | ||
| 2-24 | Look Away | — | ||
| 2-25 | Don’t Go Home (My Little Darlin’) | — | ||
| 2-26 | Nobody’s Baby After You | — | ||
| 2-27 | Bright Shiny Colors | — | ||
| 2-28 | Too Much of a Good Thing | — | ||
| 2-29 | Last Minute Miracle | — | ||
| 2-30 | Wait ’Till I Give the Signal | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 5050749426321?
5050749426321 is a Universal Product Code (UPC) assigned to Anthology: Will You Love Me Tomorrow? by The Shirelles. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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