UPC · Release
Addicted to Bass 2010
The Wideboys
Last verified:
5051275033120 is the Universal Product Code (UPC barcode) for the release “Addicted to Bass 2010” by The Wideboys, released 2010-01-01 on Ministry Of Sound. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (66)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I’m in the House | — | ||
| 2 | Won’t Go Quietly (radio edit) | — | ||
| 3 | Riverside (Let’s Go!) (extended edit) | — | ||
| 4 | Let the Bass Kick in Miami Bitch (MYNC I’m in Richmond Bitch remix) | — | ||
| 5 | Could This Be Real | — | ||
| 6 | Hi Friend! | — | ||
| 7 | Satur8 | — | ||
| 8 | Remedy (Magik Johnson remix) | — | ||
| 9 | Blau! | — | ||
| 10 | Wardance (Hijack remix) | — | ||
| 11 | Mars (Jack Beats remix) | — | ||
| 12 | Rawkuss | — | ||
| 13 | Ripgroove (The Count remix) | — | ||
| 14 | This Kiss (Jack Beats remix) | — | ||
| 15 | Boogers (Avicii’s Dumb Dumb remix) | — | ||
| 16 | Dub My Disco | — | ||
| 17 | Homesick Angel | — | ||
| 18 | Dodgems, Part 2 | — | ||
| 19 | Bangkok | — | ||
| 20 | Rock This Place | — | ||
| 21 | Doo Whot (Jaymo & Andy George’s Moda mix) | — | ||
| 22 | Strange Things | — | ||
| 2-1 | Sweet Harmony | — | ||
| 2-2 | Dirtee Cash (Sub Focus remix) | — | ||
| 2-3 | Invaders Must Die (Chase & Status remix) | — | ||
| 2-4 | Let the Story Begin | — | ||
| 2-5 | Everyday | — | ||
| 2-6 | Turn the Lights Out (Spor remix) | — | ||
| 2-7 | Do You Wanna | — | ||
| 2-8 | Hypercaine | — | ||
| 2-9 | Masochist (VIP) | — | ||
| 2-10 | Shut the Lights Off (Adam F & Sigma remix) | — | ||
| 2-11 | Twist ’em Out | — | ||
| 2-12 | Deception | — | ||
| 2-13 | Ruffneck Sound (Dillinja remix) | — | ||
| 2-14 | On a Ragga Tip | — | ||
| 2-15 | Only Man (Jakwob remix) | — | ||
| 2-16 | Sincere (Nero remix) | — | ||
| 2-17 | Where’s My Money (Caspa remix) | — | ||
| 2-18 | Art of Revolution | — | ||
| 2-19 | Cruel Intentions (Joker remix) | — | ||
| 2-20 | Paper Romance (Doorly remix) | — | ||
| 2-21 | The 12th Step | — | ||
| 2-22 | Hyph Mngo | — | ||
| 3-1 | We Love Bass (Dubplate intro) | — | ||
| 3-2 | Oopsy Daisy (Boy Better Know remix) | — | ||
| 3-3 | Wile Out | — | ||
| 3-4 | Wot Do U Call It? | — | ||
| 3-5 | Lush (H “Two” O meets TwoFace remix) | — | ||
| 3-6 | Corrected (Freaky Friday remix) | — | ||
| 3-7 | Blackberry Hype | — | ||
| 3-8 | Hard | — | ||
| 3-9 | Number 1 | — | ||
| 3-10 | Rock N Roller (Vandalism remix) | — | ||
| 3-11 | Supafly (Static Shokx remix) | — | ||
| 3-12 | Cut That Bush (Wideboys A2B remix) | — | ||
| 3-13 | Since You Went Away (electro mix) | — | ||
| 3-14 | Migraine Skank | — | ||
| 3-15 | Party Hard (full vocal) | — | ||
| 3-16 | Move It Down (31 Flavas Funky mix) | — | ||
| 3-17 | Take Me Away (Organ mix) | — | ||
| 3-18 | AO (MJ’s Open Your God dubb) | — | ||
| 3-19 | Mind Reader (Todd Edwards remix) | — | ||
| 3-20 | Break Me Down (Control-S remix) | — | ||
| 3-21 | Why Did You (Sub Zero mix) | — | ||
| 3-22 | Bass That’ll Blow Your Speakers | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 5051275033120?
5051275033120 is a Universal Product Code (UPC) assigned to Addicted to Bass 2010 by The Wideboys. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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