UPC · Release
Addicted to Bass Classics
Various Artists
Last verified:
5051275044126 is the Universal Product Code (UPC barcode) for the release “Addicted to Bass Classics” by Various Artists, released 2011-01-01 on Ministry Of Sound. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 63 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (63)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Slam | — | ||
| 2 | Omen (extended mix) | — | ||
| 3 | Act Like You Know (original mix) | — | ||
| 4 | Louder | — | ||
| 5 | Stay Awake (Delta Heavy remix) | — | ||
| 6 | Racing Green | — | ||
| 7 | Sweet Harmony | — | ||
| 8 | Wise Up | — | ||
| 9 | I Need Air | — | ||
| 10 | Night | — | ||
| 11 | Midnight Request Line | — | ||
| 12 | Bass Cannon | — | ||
| 13 | Close | — | ||
| 14 | Pjanoo (High Contrast remix) | — | ||
| 15 | Stay Forever | — | ||
| 16 | Tear You Down | — | ||
| 17 | Original Nuttah | — | ||
| 18 | Body Rock | — | ||
| 19 | Twist ’em Out | — | ||
| 20 | Chopper (Shy FX remix) | — | ||
| 21 | Bad Ass | — | ||
| 2-1 | Pass Out | — | ||
| 2-2 | Traktor | — | ||
| 2-3 | Bonkers | — | ||
| 2-4 | Changed the Way You Kiss Me (radio edit) | — | ||
| 2-5 | Badman Riddim (original instrumental mix) | — | ||
| 2-6 | Day ’n’ Nite (Crookers remix) | — | ||
| 2-7 | Forever (radio edit) | — | ||
| 2-8 | Let Me Think About It | — | ||
| 2-9 | Riverside (Lets Go!) (clean radio edit) | — | ||
| 2-10 | Let the Bass Kick in Miami Bitch (MYNC I’m in Richmond Bitch remix) | — | ||
| 2-11 | Walking Away (original) | — | ||
| 2-12 | Satisfaction | — | ||
| 2-13 | Mars | — | ||
| 2-14 | The Creeps (radio edit) | — | ||
| 2-15 | Put Your Hands Up for Detroit | — | ||
| 2-16 | What You’re Thinking (Detroit Electro mix) | — | ||
| 2-17 | The Creeps (Get on the Dancefloor) (Vandalism remix) | — | ||
| 2-18 | Wile Out | — | ||
| 2-19 | Could This Be Real | — | ||
| 2-20 | Show Me Love (Blame remix) | — | ||
| 2-21 | Addicted to Bass (Apollo 440 mix) | — | ||
| 3-1 | Rip Groove | — | ||
| 3-2 | Never Gonna Let You Go (Kelly G. Bump-N-Go mix) | — | ||
| 3-3 | Doom's Night (Timo Maas radio edit) | — | ||
| 3-4 | Spin Spin Sugar (Armands Dark Garage mix) | — | ||
| 3-5 | Flat Beat | — | ||
| 3-6 | A Little Bit of Luck (original mix) | — | ||
| 3-7 | Do You Really Like It? | — | ||
| 3-8 | Boom Selection (original vocal mix) | — | ||
| 3-9 | Westside (original) | — | ||
| 3-10 | Don’t Go (MJ Cole edit) | — | ||
| 3-11 | Back in My Life (Project Bassline mix) | — | ||
| 3-12 | What a Feeling (Sunship remix) | — | ||
| 3-13 | What's It Gonna Be (Agent X Re-Rub club mix) | — | ||
| 3-14 | Take It Back (DJ Q mix) | — | ||
| 3-15 | Sincere (Nero remix) | — | ||
| 3-16 | 138 Trek (original mix) | — | ||
| 3-17 | Shopaholic (Funtcase remix) | — | ||
| 3-18 | Wolf | — | ||
| 3-19 | Valley of the Shadows | — | ||
| 3-20 | Peace, Love & Unity | — | ||
| 3-21 | Freestyler (radio) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 5051275044126?
5051275044126 is a Universal Product Code (UPC) assigned to Addicted to Bass Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 63 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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