UPC · Release
Clubbers Guide to Festivals 2012
Various Artists
Last verified:
5051275054422 is the Universal Product Code (UPC barcode) for the release “Clubbers Guide to Festivals 2012” by Various Artists, released 2012-01-01 on Ministry Of Sound. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Power (radio edit) | — | ||
| 2 | Blind Faith | — | ||
| 3 | Innocence | — | ||
| 4 | Hush Little Baby (Rudimental remix) | — | ||
| 5 | Midnight Run (Flux Pavilion remix) | — | ||
| 6 | Prayin’ (Breakage’s Bad Week remix) | — | ||
| 7 | Anthemic | — | ||
| 8 | We Come 1 | — | ||
| 9 | The Island (Steve Angello, AN21, Max Vangelli remix) | — | ||
| 10 | Red Alert | — | ||
| 11 | The Rockafeller Skank (radio edit) | — | ||
| 12 | I See You Baby (radio edit) | — | ||
| 13 | Flex (Dave Spoon remix) | — | ||
| 14 | Boom Blast | — | ||
| 15 | Breathe | — | ||
| 16 | Light Up (The World) (radio edit) | — | ||
| 17 | Going Through Hell (Diplo remix) | — | ||
| 18 | Parasite (radio edit) | — | ||
| 19 | Unite Us (Xilent remix) | — | ||
| 20 | Love in Motion (Skrillex’s Funkt-Out mix) | — | ||
| 2-1 | Levels | — | ||
| 2-2 | Feel So Close (radio edit) | — | ||
| 2-3 | Club Can’t Handle Me (Sidney Samson remix) | — | ||
| 2-4 | Icarus | — | ||
| 2-5 | Language (edit) | — | ||
| 2-6 | Nothing Inside (Julian Jordan remix - edit) | — | ||
| 2-7 | Let the Bass Kick in Miami Bitch (MYNC I’m in Richmond Bitch remix) | — | ||
| 2-8 | Midnight City (Eric Prydz Private remix) | — | ||
| 2-9 | Rapture (Avicii New Generation extended mix) | — | ||
| 2-10 | Metrum (original club mix) | — | ||
| 2-11 | Zero 76 (original mix) | — | ||
| 2-12 | Rattle (edit) | — | ||
| 2-13 | Pressure (Alesso Simply Delicious edit) | — | ||
| 2-14 | Resurrection (Axwell’s Recut club version) | — | ||
| 2-15 | Heiress of Valentina (Alesso remix) | — | ||
| 2-16 | Warrior (instrumental mix) | — | ||
| 2-17 | Generation 303 (original mix) | — | ||
| 2-18 | You Got to Go | — | ||
| 2-19 | Shinjuku (Michael Woods remix) | — | ||
| 2-20 | Moombah! (Afrojack mix) | — | ||
| 3-1 | Daydreamer (original mix) | — | ||
| 3-2 | Still Getting It | — | ||
| 3-3 | Get Out My Head | — | ||
| 3-4 | Pon de Floor (radio edit) | — | ||
| 3-5 | Could This Be Real | — | ||
| 3-6 | Infinity | — | ||
| 3-7 | Juicy Fruit | — | ||
| 3-8 | Internet Friends | — | ||
| 3-9 | What Can You Do for Me (radio edit) | — | ||
| 3-10 | You Take Me Higher (Cyantific remix) | — | ||
| 3-11 | Hot Right Now (radio edit) | — | ||
| 3-12 | Trapdoor | — | ||
| 3-13 | Led Astray | — | ||
| 3-14 | Snap Ya Neck Back (Cage’s Dirtee Stank club mix) | — | ||
| 3-15 | Anticipate | — | ||
| 3-16 | Natural Disaster (Skream remix) | — | ||
| 3-17 | The Word (Deckscar remix) | — | ||
| 3-18 | Satisfaction (J. Rabbit remix) | — | ||
| 3-19 | She Blows (Whistle Song) (Dillion Francis remix) | — | ||
| 3-20 | Control | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+23 more
Songwriters/Publishers (IPI)
+32 more
Creative Contributors (ISNI)
+40 more
Credits Graph
People also ask
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What is UPC 5051275054422?
5051275054422 is a Universal Product Code (UPC) assigned to Clubbers Guide to Festivals 2012 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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