UPC · Release
Anthems: Hip-Hop IV
Various Artists
Last verified:
5051275066227 is the Universal Product Code (UPC barcode) for the release “Anthems: Hip-Hop IV” by Various Artists, released 2014-01-01 on Ministry Of Sound. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include GBGHC0500011, USKO10403558, USIR10110382.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (52)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Just Wanna Love U (Give It 2 Me) | — | ||
| 2 | Started From the Bottom | — | ||
| 3 | I Ain’t Mad at Cha | 2Pac, Danny Boy | T-070.086.564-0 | |
| 4 | Big Poppa | — | ||
| 5 | Let Me Ride | Dr. Dre | T-072.312.556-1 | |
| 6 | Purple Pills (enhanced video) | D12 | T-072.184.534-6 | |
| 7 | How We Do | — | ||
| 8 | Beautiful | Snoop Dogg, Pharrell, Uncle Charlie Wilson | T-072.021.032-1 | |
| 9 | Ugly | Bubba Sparxxx | T-071.373.321-1 | |
| 10 | Bridging the Gap | — | ||
| 11 | I’ll Be | Foxy Brown, Jay-Z | T-070.267.304-8 | |
| 12 | Pump It Up | Joe Budden | T-072.280.152-6 | |
| 14 | Slam | Onyx | T-070.169.838-5 | |
| 15 | Rock the Bells | LL Cool J | T-011.512.858-9 | |
| 16 | Hold It Now, Hit It | — | ||
| 17 | The Show | — | ||
| 19 | It’s Tricky | Run-D.M.C. | T-070.083.934-4 | |
| 2-1 | Gin & Juice | — | ||
| 2-2 | Woo Haa!! Got You All in Check | Busta Rhymes | T-070.251.785-8 | |
| 2-3 | A Milli | Lil Wayne | T-913.523.469-4 | |
| 2-5 | Worst Comes to Worst | — | ||
| 2-6 | Da Rockwilder | — | ||
| 2-8 | You Can’t See What I Can See | — | ||
| 2-9 | B.O.B. | OutKast | T-914.694.436-7 | |
| 2-10 | I Ain’t Goin’ Out Like That | Cypress Hill | T-071.184.076-4 | |
| 2-11 | 357 | — | ||
| 2-12 | N.Y. State of Mind | — | ||
| 2-13 | Come Clean | — | ||
| 2-14 | Outta Here | — | ||
| 2-15 | Hell on Earth (Front Lines) | — | ||
| 2-16 | Jeeps, Lex Coups, Bimaz & Benz | — | ||
| 2-17 | The Breaks | — | ||
| 2-18 | That’s the Joint | Funky 4 + 1 | — | |
| 2-19 | Bust a Move | Young MC | T-070.884.851-4 | |
| 3-1 | Welcome to the Terrordome | Public Enemy | T-070.247.779-9 | |
| 3-2 | Deep Cover | — | ||
| 3-3 | Hail Mary | Makaveli | T-071.879.648-5 | |
| 3-4 | Jazz (We’ve Got) | — | ||
| 3-5 | Roll Call | — | ||
| 3-6 | Peso | A$AP Rocky | T-908.922.831-9 | |
| 3-7 | Get Low | Lil Jon & The East Side Boyz, Ying Yang Twins | T-071.773.849-2 | |
| 3-8 | I’m a Hustla | — | ||
| 3-9 | Freek-A-Leek | — | ||
| 3-10 | Wopbabalubop | — | ||
| 3-11 | Whutcha Want | — | ||
| 3-12 | Jimbrowski | — | ||
| 3-13 | The Gas Face | 3rd Bass | T-072.371.828-2 | |
| 3-14 | True Fuschnick (Shaheed’s Fix) | — | ||
| 3-15 | Afro Puffs | — | ||
| 3-16 | Push It | Salt-N-Pepa | T-070.120.548-2 | |
| 3-17 | Wild Thing | Tone-Lōc | T-070.933.441-7 | |
| 3-18 | Baby Got Back | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Hail Mary | Makaveli | — |
| I’ll Be | Foxy Brown, Jay-Z | T-070.909.380-0 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
What is UPC 5051275066227?
5051275066227 is a Universal Product Code (UPC) assigned to Anthems: Hip-Hop IV by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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