UPC · Release
Various Artists
Last verified:
The UPC for “When Cool Was King” by Various Artists is 5051275080223. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Ministry Of Sound. This release contains 60 tracks, each with its own ISRC. Tracks include USPR36500001, GBAYK0100185, USEW10000025.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I’ve Got You Under My Skin | — | ||
| 2 | Feeling Good | Nina Simone | T-070.881.404-3 | |
| 3 | Ain’t That a Kick in the Head | Robbie Williams | T-070.000.468-7 | |
| 4 | Mack the Knife | Bobby Darin | T-071.314.125-3 | |
| 5 | Me & Mrs You | Michael Bublé | T-072.057.207-5 | |
| 6 | Big Spender | Shirley Bassey | T-070.013.643-1 | |
| 7 | Let There Be Love | — | ||
| 8 | Mad About the Boy | — | ||
| 9 | At Last | Etta James | T-070.002.057-0 | |
| 10 | Ain’t No Way | Aretha Franklin | T-070.250.402-6 | |
| 11 | Music to Watch Girls By (instrumental) | — | ||
| 12 | How D’Ya Like Your Eggs in the Morning | Dean Martin, Helen O’Connell | T-900.250.165-7 | |
| 13 | Let’s Call the Whole Thing Off | — | ||
| 14 | Don’t Rain on My Parade | — | ||
| 15 | Fly Me to the Moon | Julie London | T-070.055.949-4 | |
| 16 | What a Wonderful World | Kenny G, Louis Armstrong | T-070.201.791-1 | |
| 17 | I’ve Been Loving You Too Long | — | ||
| 18 | My Baby Just Cares for Me | — | ||
| 19 | A Wink and a Smile | — | ||
| 20 | In the Mood | — | ||
| 2-1 | It’s a Man’s Man’s Man’s World | — | ||
| 2-2 | Summertime | Louis Armstrong | T-800.364.991-1 | |
| 2-3 | Try a Little Tenderness | — | ||
| 2-4 | Respect | Aretha Franklin | T-070.243.145-5 | |
| 2-5 | Proud Mary | — | ||
| 2-6 | Goldfinger | Shirley Bassey | T-011.220.215-9 | |
| 2-7 | Fever | — | ||
| 2-8 | Comin’ Home Baby | — | ||
| 2-9 | Mr. Bojangles | — | ||
| 2-10 | L‐O‐V‐E | Nat King Cole | T-070.098.237-1 | |
| 2-11 | As Time Goes By | — | ||
| 2-12 | It Had to Be You | — | ||
| 2-13 | The Way You Look Tonight | — | ||
| 2-14 | Stand by Me | — | ||
| 2-15 | What the World Needs Now Is Love | — | ||
| 2-16 | Downtown | Petula Clark | T-010.162.679-2 | |
| 2-17 | Can’t Take My Eyes Off You | — | ||
| 2-18 | Samantha | — | ||
| 2-19 | A Man in a Suitcase | — | ||
| 2-20 | La Foule | Édith Piaf | T-900.302.089-1 | |
| 3-1 | Beyond the Sea | — | ||
| 3-2 | Puttin’ on the Ritz | Gregory Porter | T-070.167.001-0 | |
| 3-3 | That’s Amore | Dean Martin | T-070.178.719-0 | |
| 3-4 | It’s Not Unusual | Tom Jones | T-010.433.788-3 | |
| 3-5 | I’ve Got a Woman | — | ||
| 3-6 | Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | T-070.126.305-9 | |
| 3-7 | I Wanna Be Like You (The Monkey Song) | — | ||
| 3-8 | For Once in My Life | Stevie Wonder | T-070.881.469-0 | |
| 3-9 | Uptight (Everything’s Alright) | — | ||
| 3-10 | Everybody Needs Somebody to Love | Solomon Burke | T-901.432.908-9 | |
| 3-11 | Peroxide Swing | Michael Bublé | — | |
| 3-12 | Devil May Care | — | ||
| 3-13 | Danke Schoen | — | ||
| 3-14 | Moondance | — | ||
| 3-15 | Ac‐cent‐tchu‐ate the Positive | Jools Holland & His Rhythm & Blues Orchestra, Rumer | T-070.000.128-0 | |
| 3-16 | Back to Black | — | ||
| 3-17 | She Said | Plan B | T-070.925.745-3 | |
| 3-18 | Crazy in Love | — | ||
| 3-19 | You’re the One That I Want | — | ||
| 3-20 | Earned It | — |
Identifier Graph
5051275080223 is a Universal Product Code (UPC) assigned to When Cool Was King by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| She Said | Plan B | T-924.636.727-1 |
| Peroxide Swing | Michael Bublé | T-072.058.537-4 |
| Me & Mrs You | Michael Bublé | T-010.346.288-9 |
| STEEL LOVE | OSCAR G | T-070.881.469-0 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “When Cool Was King” by Various Artists is 5051275080223. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Ministry Of Sound. This release contains 60 tracks, each with its own ISRC. Tracks include USPR36500001, GBAYK0100185, USEW10000025.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I’ve Got You Under My Skin | — | ||
| 2 | Feeling Good | Nina Simone | T-070.881.404-3 | |
| 3 | Ain’t That a Kick in the Head | Robbie Williams | T-070.000.468-7 | |
| 4 | Mack the Knife | Bobby Darin | T-071.314.125-3 | |
| 5 | Me & Mrs You | Michael Bublé | T-072.057.207-5 | |
| 6 | Big Spender | Shirley Bassey | T-070.013.643-1 | |
| 7 | Let There Be Love | — | ||
| 8 | Mad About the Boy | — | ||
| 9 | At Last | Etta James | T-070.002.057-0 | |
| 10 | Ain’t No Way | Aretha Franklin | T-070.250.402-6 | |
| 11 | Music to Watch Girls By (instrumental) | — | ||
| 12 | How D’Ya Like Your Eggs in the Morning | Dean Martin, Helen O’Connell | T-900.250.165-7 | |
| 13 | Let’s Call the Whole Thing Off | — | ||
| 14 | Don’t Rain on My Parade | — | ||
| 15 | Fly Me to the Moon | Julie London | T-070.055.949-4 | |
| 16 | What a Wonderful World | Kenny G, Louis Armstrong | T-070.201.791-1 | |
| 17 | I’ve Been Loving You Too Long | — | ||
| 18 | My Baby Just Cares for Me | — | ||
| 19 | A Wink and a Smile | — | ||
| 20 | In the Mood | — | ||
| 2-1 | It’s a Man’s Man’s Man’s World | — | ||
| 2-2 | Summertime | Louis Armstrong | T-800.364.991-1 | |
| 2-3 | Try a Little Tenderness | — | ||
| 2-4 | Respect | Aretha Franklin | T-070.243.145-5 | |
| 2-5 | Proud Mary | — | ||
| 2-6 | Goldfinger | Shirley Bassey | T-011.220.215-9 | |
| 2-7 | Fever | — | ||
| 2-8 | Comin’ Home Baby | — | ||
| 2-9 | Mr. Bojangles | — | ||
| 2-10 | L‐O‐V‐E | Nat King Cole | T-070.098.237-1 | |
| 2-11 | As Time Goes By | — | ||
| 2-12 | It Had to Be You | — | ||
| 2-13 | The Way You Look Tonight | — | ||
| 2-14 | Stand by Me | — | ||
| 2-15 | What the World Needs Now Is Love | — | ||
| 2-16 | Downtown | Petula Clark | T-010.162.679-2 | |
| 2-17 | Can’t Take My Eyes Off You | — | ||
| 2-18 | Samantha | — | ||
| 2-19 | A Man in a Suitcase | — | ||
| 2-20 | La Foule | Édith Piaf | T-900.302.089-1 | |
| 3-1 | Beyond the Sea | — | ||
| 3-2 | Puttin’ on the Ritz | Gregory Porter | T-070.167.001-0 | |
| 3-3 | That’s Amore | Dean Martin | T-070.178.719-0 | |
| 3-4 | It’s Not Unusual | Tom Jones | T-010.433.788-3 | |
| 3-5 | I’ve Got a Woman | — | ||
| 3-6 | Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | T-070.126.305-9 | |
| 3-7 | I Wanna Be Like You (The Monkey Song) | — | ||
| 3-8 | For Once in My Life | Stevie Wonder | T-070.881.469-0 | |
| 3-9 | Uptight (Everything’s Alright) | — | ||
| 3-10 | Everybody Needs Somebody to Love | Solomon Burke | T-901.432.908-9 | |
| 3-11 | Peroxide Swing | Michael Bublé | — | |
| 3-12 | Devil May Care | — | ||
| 3-13 | Danke Schoen | — | ||
| 3-14 | Moondance | — | ||
| 3-15 | Ac‐cent‐tchu‐ate the Positive | Jools Holland & His Rhythm & Blues Orchestra, Rumer | T-070.000.128-0 | |
| 3-16 | Back to Black | — | ||
| 3-17 | She Said | Plan B | T-070.925.745-3 | |
| 3-18 | Crazy in Love | — | ||
| 3-19 | You’re the One That I Want | — | ||
| 3-20 | Earned It | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| She Said | Plan B | T-924.636.727-1 |
| Peroxide Swing | Michael Bublé | T-072.058.537-4 |
| Me & Mrs You | Michael Bublé | T-010.346.288-9 |
| STEEL LOVE | OSCAR G | T-070.881.469-0 |
