UPC · Release
Années 80 : La Discothèque idéale
Various Artists
Last verified:
5051442882926 is the Universal Product Code (UPC barcode) for the release “Années 80 : La Discothèque idéale” by Various Artists, released 2008-01-01 on Warner Music France. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 175 tracks, each with its own ISRC. Tracks include FR2MP8100030, FR3HK1000250, FR1OC8800010.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (175)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kiss | — | ||
| 2 | Chacun fait (C’qui lui plait) | Chagrin d’amour | T-003.037.176-6 | |
| 3 | I Can Hear Your Heartbeat | — | ||
| 4 | 28° à l’ombre | — | ||
| 5 | Words | F.R. David | T-071.017.467-6 | |
| 6 | Cœur sans adresse | — | ||
| 7 | Impunément | Annabelle | T-003.059.457-0 | |
| 8 | I Want to Know What Love Is | Foreigner | T-010.484.281-0 | |
| 9 | The Sun Always Shines on T.V. | a-ha | T-010.043.511-7 | |
| 10 | Lola | — | ||
| 11 | Dream in Blue | François Valéry, Sophie Marceau | T-003.037.925-9 | |
| 12 | Faith and Fire | — | ||
| 13 | À la vie, à l’amour | — | ||
| 14 | Dream | P. Lion | T-205.125.344-9 | |
| 15 | Forget Me Nots | Patrice Rushen | T-070.058.029-5 | |
| 16 | Oh mon bateau | Eric Morena | T-003.053.169-1 | |
| 17 | Tout le monde s’amuse | — | ||
| 18 | Groove Is in the Heart | Deee-Lite | T-070.068.530-8 | |
| 2-1 | Owner of a Lonely Heart | — | ||
| 2-2 | Body Physical | — | ||
| 2-3 | Premiers frissons d’amour | — | ||
| 2-5 | Dolce vita | Ryan Paris | T-005.001.329-0 | |
| 2-6 | Black Velvet | Alannah Myles | T-070.884.868-3 | |
| 2-7 | I Love L.A. | Randy Newman | T-306.306.617-7 | |
| 2-8 | Music and Lights | — | ||
| 2-9 | You’re a Woman | — | ||
| 2-10 | Cocoloco | — | ||
| 2-11 | Get Closer | Valerie Dore | T-005.007.247-3 | |
| 2-12 | No Way No How | — | ||
| 2-13 | Je n’oublierai jamais | Partenaire Particulier | T-004.066.397-5 | |
| 2-14 | Song for Denise | — | ||
| 2-15 | Shine on Dance | Carrara | — | |
| 2-16 | Don’t Leave Me This Way | — | ||
| 2-17 | La gitane (Ma tête tourne) | — | ||
| 2-18 | Et tu danses avec lui | — | ||
| 3-1 | Femme libérée | Cookie Dingler | T-003.044.516-9 | |
| 3-2 | Love Shack | The B-52s | T-070.241.958-6 | |
| 3-3 | What Is Love? | — | ||
| 3-4 | J’aurais voulu te dire | Caroline Legrand | T-003.060.580-1 | |
| 3-5 | S.O.S. Fire in the Sky | — | ||
| 3-6 | Bella vita | — | ||
| 3-7 | Mouvement perpétuel | — | ||
| 3-8 | Again | — | ||
| 3-9 | Jardins d’enfants | — | ||
| 3-10 | It Can Happen | — | ||
| 3-11 | Message personnel | Françoise Hardy | T-003.019.940-6 | |
| 3-12 | Rocking With My Radio | — | ||
| 3-13 | Gimme All Your Lovin’ | ZZ Top | T-039.258.302-6 | |
| 3-14 | Temple of Love (extended version) | The Sisters of Mercy | T-011.432.837-8 | |
| 3-15 | Midnight Blue | Louise Tucker, Charlie Skarbek | T-010.864.066-9 | |
| 3-16 | Twist in My Sobriety | Tanita Tikaram | T-011.363.388-7 | |
| 3-17 | Tu dis que tu l’m | Dennis Twist | T-003.050.591-9 | |
| 3-18 | Venus | — | ||
| 4-1 | Self Control | Laura Branigan | T-800.688.488-5 | |
| 4-2 | Elle | — | ||
| 4-3 | Nuit de folie | Début de Soirée | T-003.057.405-0 | |
| 4-4 | All Right | Christopher Cross | T-070.249.035-4 | |
| 4-5 | I Keep Forgettin’ | Michael McDonald | T-902.618.018-7 | |
| 4-6 | When Sly Calls (Don’t Touch That Phone) | — | ||
| 4-7 | J’ai fait l’amour avec la mer | — | ||
| 4-8 | Monte Carlo | — | ||
| 4-9 | Histoire d’1 soir | — | ||
| 4-10 | C’est lundi | Jesse Garon | T-003.043.490-2 | |
| 4-11 | Vélomoteur | Les Calamités | T-003.055.998-8 | |
| 4-12 | Au temps des surprises-parties | — | ||
| 4-13 | More Than I Can Bear | — | ||
| 4-14 | Johnny Come Home | Fine Young Cannibals | T-011.316.823-2 | |
| 4-15 | Visitors | — | ||
| 4-16 | Plus près des étoiles | Gold | T-003.042.056-4 | |
| 4-17 | Elle imagine | Nacash | T-003.053.733-7 | |
| 4-18 | Quel souçi la boétie ! | — | ||
| 4-19 | Take On Me | a-ha | T-010.089.646-5 | |
| 5-1 | A toutes les filles | — | ||
| 5-2 | Je te survivrai | — | ||
| 5-3 | Robert De Niro’s Waiting | — | ||
| 5-4 | Johnny, Johnny Come Home | Avalanche | — | |
| 5-5 | I Don’t Know | — | ||
| 5-6 | Je ne veux pas rentrer chez moi seule | — | ||
| 5-7 | Des bises de moi pour toi | — | ||
| 5-8 | Rap folie | — | ||
| 5-9 | Vivre ailleurs | — | ||
| 5-10 | Don’t Stop… Planet Rock | — | ||
| 5-11 | Two of Hearts | Stacey Q | T-902.881.455-3 | |
| 5-12 | Elle est partie | — | ||
| 5-13 | La cicrane et la froumi | — | ||
| 5-14 | Toi, femme publique | — | ||
| 5-15 | Is It Too Late | — | ||
| 5-16 | La vie la nuit | — | ||
| 5-17 | Happy Children | — | ||
| 5-18 | Drive | The Cars | T-903.590.608-2 | |
| 5-19 | Purple Rain | Prince, The Revolution | T-070.120.079-4 | |
| 6-1 | On the Beach | — | ||
| 6-2 | She Drives Me Crazy | Fine Young Cannibals | T-011.359.690-9 | |
| 6-3 | Feel the Heat (B.O.F. Cobra) | — | ||
| 6-4 | Flashback | — | ||
| 6-5 | Tonight | — | ||
| 6-6 | Flash | — | ||
| 6-7 | T’embrasser a mexico | — | ||
| 6-8 | Coeur carnaval | — | ||
| 6-9 | Noël blanc | — | ||
| 6-10 | Capitaine abandonné | Gold | T-003.049.726-7 | |
| 6-11 | Une autre histoire | Gérard Blanc | T-003.052.876-7 | |
| 6-12 | Via addis-abeba | — | ||
| 6-13 | Chance | — | ||
| 6-15 | New Song | Howard Jones | T-010.139.003-7 | |
| 6-16 | Falling | Julee Cruise | T-070.881.380-2 | |
| 6-17 | Paris latino | Bandolero | T-003.042.700-9 | |
| 6-18 | Pile ou face | — | ||
| 7-1 | Est‐ce que tu viens pour les vacances ? | David et Jonathan | T-003.058.668-5 | |
| 7-2 | Joséphine | — | ||
| 7-3 | Comment te dire adieu | — | ||
| 7-4 | I Pray | — | ||
| 7-5 | Bonjour (V’là les nouvelles) | — | ||
| 7-6 | Et je danse | Lova Moor | T-003.058.897-6 | |
| 7-7 | Never Can Say Goodbye | The Communards | T-070.153.814-8 | |
| 7-8 | I Can't Wait | Nu Shooz | T-070.918.906-9 | |
| 7-9 | Ce mec est too much | Coco Girls | T-003.331.641-4 | |
| 7-10 | Aujourd’hui plus qu’hier… (Et bien moins que demain) | — | ||
| 7-11 | Sale menteur | — | ||
| 7-12 | Dislexique | — | ||
| 7-13 | Aviateur | — | ||
| 7-14 | Hey Hey Guy (vocal version) | Ken Laszlo | T-005.005.383-2 | |
| 7-15 | Le baiser qui tue | — | ||
| 7-16 | Louise (version album) | Gérard Berliner | T-003.026.264-6 | |
| 7-17 | Cruel Summer | Bananarama | T-011.288.089-3 | |
| 7-18 | Les Divas du dancing | Philippe Cataldo | T-003.050.842-9 | |
| 8-1 | Nougayork | Claude Nougaro | T-004.993.008-6 | |
| 8-2 | Baby Come to Me | — | ||
| 8-3 | Confidence pour confidence | Jean Schultheis | T-003.035.510-2 | |
| 8-4 | Around My Dream | — | ||
| 8-5 | Cocotiers | — | ||
| 8-6 | Woopy Machine | — | ||
| 8-7 | Privée d’epices | — | ||
| 8-8 | Paramour | Philippe Lafontaine | T-900.464.616-6 | |
| 8-9 | Each Time You Break My Heart | Nick Kamen | T-070.051.539-4 | |
| 8-10 | Fleurs du mal | — | ||
| 8-11 | Suzy | — | ||
| 8-12 | Femmes du monde | — | ||
| 8-13 | Yeh yeh | — | ||
| 8-14 | A l’envers a l’endroit | — | ||
| 8-15 | The Night | Valerie Dore | T-005.002.888-0 | |
| 8-16 | Spacer | — | ||
| 8-17 | I Feel for You | Chaka Khan | T-070.082.207-6 | |
| 8-18 | Just an Illusion | — | ||
| 9-1 | Partenaire particulier | — | ||
| 9-2 | Celebration Rap | — | ||
| 9-3 | Sally | Carmel | T-914.979.679-2 | |
| 9-4 | Me, Myself & I | — | ||
| 9-5 | Il est libre Max | Hervé Cristiani | T-003.037.898-3 | |
| 9-6 | Musique ma folie | — | ||
| 9-7 | Dites… Ça vous dirait avec moi ? | Michele Brousse, Roland Giraud, Maurice Risch | — | |
| 9-8 | Coco Girls | — | ||
| 9-9 | Kalimba de Luna | Tony Esposito | T-005.001.033-7 | |
| 9-10 | Comme au cinéma | — | ||
| 9-11 | Nuits brésiliennes | — | ||
| 9-12 | Y’a des jours comme ca | — | ||
| 9-13 | Du soleil dans la nuit | — | ||
| 9-14 | Ride Like the Wind | Christopher Cross | T-070.249.037-6 | |
| 9-15 | Quand tu serres mon corps | Pacifique | T-003.060.719-2 | |
| 9-16 | Peter Gunn | The Art of Noise, Duane Eddy | T-070.165.624-7 | |
| 9-17 | The Lost Opera (Search One) | — | ||
| 9-18 | Mise au point | — | ||
| 10-1 | Paris Latino (Hot - US Mix) | Bandolero | T-003.042.700-9 | |
| 10-2 | Boule de flipper (version maxi) | Corynne Charby | T-003.051.409-0 | |
| 10-3 | Nuit de folie (maxi) | — | ||
| 10-4 | Megamix | — | ||
| 10-5 | Thaï na na (maxi) | — | ||
| 10-6 | Coeur de loup (maxi) | — | ||
| 10-7 | Kolé séré (maxi) | Philippe Lavil, Jocelyne Béroard | T-003.053.252-5 | |
| 10-8 | Holiday Rap | MC Miker G & DJ Sven | — | |
| 10-9 | Happy Children (vocal) | P. Lion | T-800.702.556-2 | |
| 10-10 | Live Is Life (maxi) | — | ||
| 10-11 | Fuis Lawrence d'Arabie (version longue) | Annabelle | T-003.050.626-3 | |
| 10-12 | Ouragan (maxi) | — | ||
| 10-13 | Dans ma rue (maxi) | — |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Dream | P. Lion | T-071.869.856-6 |
| Quand tu serres mon corps | Pacifique | — |
| Temple of Love | The Sisters of Mercy | T-011.432.837-8 |
| I Can’t Wait | Nu Shooz | T-070.918.906-9 |
| I Keep Forgettin’ | Michael McDonald | T-070.082.927-1 |
| I Can’t Wait | Nu Shooz | T-070.918.906-9 |
| I Can’t Wait | Nu Shooz | T-070.918.906-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
+109 more
Songwriters/Publishers (IPI)
+41 more
Creative Contributors (ISNI)
+41 more
Identifier Graph
People also ask
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What is UPC 5051442882926?
5051442882926 is a Universal Product Code (UPC) assigned to Années 80 : La Discothèque idéale by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 175 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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