UPC · Release
Pure Garage Presents: 100 Garage Classics
Various Artists
Last verified:
5051865711926 is the Universal Product Code (UPC barcode) for the release “Pure Garage Presents: 100 Garage Classics” by Various Artists, released 2009-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Wearing My Rolex (Agent X mix) | — | ||
| 2 | Day ’n’ Night (Crookers mix) | — | ||
| 3 | Stay With Me (Agent X mix) | — | ||
| 4 | American Boy (TS7 remix radio edit) | — | ||
| 5 | What’s It Gonna Be? (Agent X re‐dub club mix) | — | ||
| 6 | The Boy Does Nothing (Crazy Cousinz remix) | — | ||
| 7 | Remedy (A1 Bassline Get Hype remix) | — | ||
| 8 | The Cure & The Cause (Dennis Ferrer mix) | — | ||
| 9 | Ride It (Sunship mix) | — | ||
| 10 | Speed Up (Delinquent remix) | — | ||
| 11 | Zookey (Lift Your Leg Up) (Delinquent vocal mix) | — | ||
| 12 | In the Morning (Let Your Love Come in) | — | ||
| 13 | Snowflake (Final Radio Organ Bassline club mix) | — | ||
| 14 | In the Air (radio edit) | — | ||
| 15 | Loveshy | — | ||
| 16 | Spend the Night | — | ||
| 17 | Neighbourhood (radio mix) | — | ||
| 18 | You’ll Find a Way (Switch & Sinden remix) | — | ||
| 19 | Has It Come to This? (High Contrast remix) | — | ||
| 20 | I Wanna Be Your Man (Agent X mix) | — | ||
| 2-1 | Sweet Like Chocolate | — | ||
| 2-2 | Please Don’t Turn Me On (uk garage remix) | — | ||
| 2-3 | A Little Bit of Luck | — | ||
| 2-4 | Girls Like Us | — | ||
| 2-5 | Most Precious Love (DF Future 3000 mix) | — | ||
| 2-6 | Never Gonna Let You Go (Kelly G Bump & Go mix) | — | ||
| 2-7 | Booo! (original dirty mix) | — | ||
| 2-8 | Anytime | — | ||
| 2-9 | Never Ever (Booker T’s vocal mix) | — | ||
| 2-10 | Little Man (Wookie mix) | — | ||
| 2-11 | 1000 Years From Today (Todd Edwards dub) | — | ||
| 2-12 | Step 2 Me (MJ Cole dub) | — | ||
| 2-13 | Battle | — | ||
| 2-14 | Liferide | — | ||
| 2-15 | All I Do (Bump n Flex club mix) | — | ||
| 2-16 | The Energy | — | ||
| 2-17 | Foot 2 da Floor | — | ||
| 2-18 | Run to Me (Club Asylum vocal) | — | ||
| 2-19 | Nobody Don’t Dance No More | — | ||
| 2-20 | Just in Case (Dub‐a‐Holics Roller’s Revival mix) | — | ||
| 3-1 | Do You Really Like It? | — | ||
| 3-2 | Ripgroove | — | ||
| 3-3 | Bodyswerve (club mix) | — | ||
| 3-4 | 21 Seconds | — | ||
| 3-5 | No Good 4 Me (radio edit) | — | ||
| 3-6 | Mindless & Broken (MJ Cole mix) | — | ||
| 3-7 | Got Myself Together (Meltdown remix) | — | ||
| 3-8 | Straight From the Heart | — | ||
| 3-9 | Just Gets Better (TJR dub) | — | ||
| 3-10 | Woman Trouble (radio edit) | — | ||
| 3-11 | True VIP | — | ||
| 3-12 | Buddy X ’99 (Dreem Team vocal mix) | — | ||
| 3-13 | My Desire (Dreem Teem remix) | — | ||
| 3-14 | Into You (Grant Nelson’s UG dub) | — | ||
| 3-15 | Right Before My Eyes (remix) | — | ||
| 3-16 | Hold On (Tuff Jam’s classic garage mix) | — | ||
| 3-17 | Experience (classic garage mix) | — | ||
| 3-18 | Why (10 Below vocal mix) | — | ||
| 3-19 | Diamond Rings (Range Rover mix) | — | ||
| 3-20 | Cheque One Two | — | ||
| 4-1 | Sugar Is Sweeter (Armand’s drum ’n’ bass mix) | — | ||
| 4-2 | Dooms Night (Timo Maas remix) | — | ||
| 4-3 | Imagine (Dark Asylum remix) | — | ||
| 4-4 | Relax (Bump & Flex flava groove) | — | ||
| 4-5 | Over You (vocal mix) | — | ||
| 4-6 | Basslick (VIP mix) | — | ||
| 4-7 | Fly Bi (radio edit) | — | ||
| 4-8 | Sorry (I Didn’t Know) (original radio edit) | — | ||
| 4-9 | Destiny | — | ||
| 4-10 | R U Sleeping (Bump & Flex remix) | — | ||
| 4-11 | Fill Me In (Artful Dodger remix) | — | ||
| 4-12 | Summer of Love | — | ||
| 4-13 | Masterblaster 2000 | — | ||
| 4-14 | Things Are Never | — | ||
| 4-15 | Show Me Happiness (radio edit) | — | ||
| 4-16 | It Ain’t Enough (Dodgers Dubby Dreem mix) | — | ||
| 4-17 | Bomb Diggy (Bump & Flex dub) | — | ||
| 4-18 | I Don’t Smoke (Da Reefa) (12”) | — | ||
| 4-19 | Standard Flow (TNT Explosive mix) | — | ||
| 4-20 | Baddest Ruffest (single version) | — | ||
| 5-1 | Let’s Groove | — | ||
| 5-2 | Rhode House | — | ||
| 5-3 | Deep Inside (dub) | — | ||
| 5-4 | Everybody | — | ||
| 5-5 | God Made Me Phunky | — | ||
| 5-6 | Saved My Life | — | ||
| 5-7 | To Be in Love (MJ Cole vocal mix) | — | ||
| 5-8 | Friendly Pressure (From Midnight mix) | — | ||
| 5-9 | Apparently Nothing (Artful Dodger main mix) | — | ||
| 5-10 | Enough Is Enough | — | ||
| 5-11 | Whatever (Tuff Jam 2 in 1 remix) | — | ||
| 5-12 | Teardrops (Flava 7″ mix) | — | ||
| 5-13 | Taboo (MJ Cole full vocal mix) | — | ||
| 5-14 | Black Coffee (Wideboys Espresso mix) | — | ||
| 5-15 | I Refuse (Industry Standard remix) | — | ||
| 5-16 | What You Want | — | ||
| 5-17 | Garage Girls (Sunship mix) | — | ||
| 5-18 | Love Bug (Wideboys Bassline radio edit) | — | ||
| 5-19 | History of House Music | — | ||
| 5-20 | 138 Trek | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+25 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
Credits Graph
People also ask
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What is UPC 5051865711926?
5051865711926 is a Universal Product Code (UPC) assigned to Pure Garage Presents: 100 Garage Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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