UPC · Release
Double Dancefloor 2010, Vol. 2
Various Artists
Last verified:
5052498332922 is the Universal Product Code (UPC barcode) for the release “Double Dancefloor 2010, Vol. 2” by Various Artists, released 2010-01-01 on Wea Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include USAT21001208, FR42W1000101, GBAAA1000110.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Club Can’t Handle Me | Flo Rida, David Guetta | T-905.345.167-5 | |
| 2 | Je suis moi | Shy’m | T-905.629.295-6 | |
| 3 | One | Swedish House Mafia | T-906.728.257-9 | |
| 4 | Live Your Dreams | Antoine Clamaran, Soraya | T-903.774.892-8 | |
| 5 | The Rain (radio edit) | Peter Luts | T-905.183.048-9 | |
| 6 | Désolé | Sexion d’Assaut | — | |
| 7 | Amazing (Radio Edit) | INNA | T-903.622.269-2 | |
| 8 | Survive | Laurent Wolf, Andrew Roachford | T-702.554.984-4 | |
| 9 | Ridin’ Solo | Jason Derülo | T-904.832.000-9 | |
| 10 | Downtown | Klaas | T-802.893.408-0 | |
| 11 | Englishman in New York | PH Electro | T-900.063.597-2 | |
| 12 | Kickstarts | Example | T-905.466.888-1 | |
| 13 | Reach Up | Jay Style | — | |
| 14 | No Superstar | Remady P & R | T-914.359.954-6 | |
| 15 | Love Shine | Sam Project | — | |
| 16 | Feria | John Revox, Christophe Fontana, Chris Degenis | — | |
| 17 | Friday Night | Jeremy Hills | T-011.539.567-9 | |
| 18 | Going On | Gnarls Barkley | T-918.128.088-6 | |
| 19 | Never Never | Leslie | T-702.636.131-1 | |
| 20 | With the Sunshine (feat. DJ Oriska) | Ocean Drive | T-702.354.871-4 | |
| 21 | Losing Control | The Nycer, Oeeci | T-702.560.298-8 | |
| 22 | Pyromania (radio edit) | Cascada | T-802.794.848-8 | |
| 2-1 | We No Speak Americano | Yolanda Be Cool, DCUP | T-005.000.942-1 | |
| 2-2 | Ce matin va être une pure soirée | Fatal Bazooka, Big Ali, PZK, Dogg Soso, DJ Chris Prolls | T-702.591.804-3 | |
| 2-3 | Our Own Way | Klaas | — | |
| 2-4 | ALORS ON DANSE | STROMAE | T-923.202.955-9 | |
| 2-5 | Showtime | Nite Box | — | |
| 2-6 | Why Don’t We Just Fuck | Greg Parys | T-702.445.294-8 | |
| 2-7 | The Girl That I Want | Alex de Guirior, Jay Colin | T-042.720.027-8 | |
| 2-8 | Freak | Estelle, Kardinal Offishall | T-903.652.605-3 | |
| 2-9 | Playground | DJ Assad, Big Ali, Willy William | — | |
| 2-10 | Sex With U | Mad Ice, Irina | — | |
| 2-11 | I Rock, I Sweat, I Dance | Morris Corti, Eugenio Lamedica | T-903.538.971-0 | |
| 2-12 | Dans ma party | Lj, Willy | — | |
| 2-13 | 2gether | Roger Sanchez | T-910.952.359-3 | |
| 2-14 | Won’t Go Quietly | Example | T-905.685.018-1 | |
| 2-15 | What You Want | Aerial Carbone | — | |
| 2-16 | Le son qu’il te faut | King Kuduro | — | |
| 2-17 | Allez Ola Olé | Jessy Matador | T-903.748.172-4 | |
| 2-18 | Tapez 1 | Melie | — | |
| 2-19 | Dance With Me | Philippe Coste, Laura Zen, Phylly | T-702.611.083-0 | |
| 2-20 | C Show | Les Jumo, Willy William, Vybrate | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Alors on danse | Stromae | T-903.109.145-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 5052498332922?
5052498332922 is a Universal Product Code (UPC) assigned to Double Dancefloor 2010, Vol. 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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