UPC · Release
80s Mixtape
Various Artists
5052498510221
59 tracksReleased 2011-01-01Rhino Records (2)
Last verified:
5052498510221 is the Universal Product Code (UPC barcode) for the release “80s Mixtape” by Various Artists, released 2011-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include GBAKW8400485, GBBBN0700002, GBAHT1200621.
Format
505GS1 prefix
2498Company prefix
51022Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC80s Mixtape
ISRC41 recordings
ISWC89 works
IPI21 songwriters
Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Perfect Skin | Lloyd Cole and the Commotions | — | |
| 2 | Rip It Up | — | ||
| 3 | Bonny | Prefab Sprout | T-010.304.292-7 | |
| 4 | The Cutter | Echo & the Bunnymen | — | |
| 5 | Pillar to Post | — | ||
| 6 | Love Will Tear Us Apart | Joy Division | T-010.140.665-8 | |
| 7 | Love Is a Wonderful Colour | — | ||
| 8 | Visions of China | Japan | T-010.475.432-6 | |
| 9 | The Sound of the Crowd | The Human League | T-010.182.577-7 | |
| 10 | Torch | — | ||
| 11 | Chant No 1 (I Don’t Need This Pressure On) | Spandau Ballet | — | |
| 12 | Asylums in Jerusalem | — | ||
| 13 | One in Ten | UB40 | T-010.157.873-7 | |
| 14 | Mirror in the Bathroom | — | ||
| 15 | A New England | Billy Bragg | T-010.010.414-0 | |
| 16 | You’ll Always Find Me in the Kitchen at Parties | — | ||
| 17 | The Monochrome Set (I Presume) | — | ||
| 18 | Run Me Down | — | ||
| 19 | More More More | Carmel | T-010.304.521-1 | |
| 20 | Each and Everyone | Everything but the Girl | T-010.304.896-9 | |
| 2-1 | How Soon Is Now? (edit) | The Smiths | T-900.227.111-6 | |
| 2-2 | China Girl | David Bowie | T-900.017.065-0 | |
| 2-3 | The Whole of the Moon | The Waterboys | T-010.138.003-3 | |
| 2-4 | Waterfront | Simple Minds | T-010.481.838-3 | |
| 2-5 | Why Can’t I Be You? | The Cure | T-010.787.930-0 | |
| 2-6 | And She Was | Talking Heads | T-070.005.003-8 | |
| 2-7 | Kiss | Prince, The Revolution | T-070.093.428-6 | |
| 2-8 | Waiting for a Train | — | ||
| 2-9 | Speak Like a Child | The Style Council | T-010.303.660-7 | |
| 2-10 | Johnny Come Home | Fine Young Cannibals | T-011.316.823-2 | |
| 2-11 | Happy Hour | The Housemartins | T-010.187.389-5 | |
| 2-12 | Young at Heart | The Bluebells | T-010.489.161-3 | |
| 2-13 | Nelson Mandela | The Special AKA | T-010.304.275-6 | |
| 2-14 | Disenchanted | The Communards | T-011.407.826-0 | |
| 2-15 | Don’t Tell Me | Blancmange | T-011.296.210-3 | |
| 2-16 | Oh Yeah | Yello | T-800.916.171-2 | |
| 2-17 | Half a Minute | — | ||
| 2-18 | Since Yesterday | Strawberry Switchblade | T-011.301.544-3 | |
| 2-19 | Life in a Northern Town | The Dream Academy | T-011.307.568-5 | |
| 2-20 | Thinking of You | The Colourfield | T-010.305.983-1 | |
| 3-1 | The One I Love | R.E.M. | T-070.242.711-9 | |
| 3-2 | Need You Tonight | INXS | T-060.032.551-6 | |
| 3-3 | Give It Up | Talk Talk | T-011.322.260-8 | |
| 3-4 | Everyday Is Like Sunday | Morrissey | T-071.872.415-2 | |
| 3-5 | Ship of Fools | World Party | T-010.310.892-4 | |
| 3-6 | Days | — | ||
| 3-7 | Mandinka | Sinéad O’Connor | T-010.120.577-9 | |
| 3-8 | Chocolate Girl | Deacon Blue | T-010.141.815-8 | |
| 3-9 | Working With Fire and Steel | — | ||
| 3-10 | I Scare Myself | — | ||
| 3-11 | What Is Love? | Howard Jones | T-011.294.024-5 | |
| 3-12 | It Doesn’t Have to Be This Way | The Blow Monkeys | T-900.118.748-0 | |
| 3-13 | Money’s Too Tight (to Mention) | — | ||
| 3-15 | Don’t Get Me Wrong | Pretenders | T-010.045.063-2 | |
| 3-16 | You’re History | — | ||
| 3-17 | Some Candy Talking | The Jesus and Mary Chain | T-010.484.526-2 | |
| 3-18 | Big Area | — | ||
| 3-19 | W.F.L. | — | ||
| 3-20 | Fine Time | New Order | T-011.364.626-6 |
Perfect Skin
Lloyd Cole and the Commotions
—
Rip It Up
—
The Cutter
Echo & the Bunnymen
—
Pillar to Post
—
Love Is a Wonderful Colour
—
Torch
—
Chant No 1 (I Don’t Need This Pressure On)
Spandau Ballet
—
Asylums in Jerusalem
—
Mirror in the Bathroom
—
You’ll Always Find Me in the Kitchen at Parties
—
The Monochrome Set (I Presume)
—
Run Me Down
—
Waiting for a Train
—
Half a Minute
—
Days
—
Working With Fire and Steel
—
I Scare Myself
—
Money’s Too Tight (to Mention)
—
You’re History
—
Big Area
—
W.F.L.
—
Additional database matches (9)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Cutter | Echo & the Bunnymen | — |
| The Cutter | Echo & the Bunnymen | — |
| The Cutter | Echo & the Bunnymen | T-072.361.822-1 |
| Chant No. 1 (I Don’t Need This Pressure On) | Spandau Ballet | — |
| Chant No. 1 (I Don’t Need This Pressure On) | Spandau Ballet | — |
| Chant No. 1 (I Don’t Need This Pressure On) | Spandau Ballet | — |
| The Whole of the Moon | The Waterboys | T-900.035.673-0 |
| Perfect Skin | Lloyd Cole and the Commotions | — |
| The Whole of the Moon | The Waterboys | T-900.035.673-0 |
The Cutter
Echo & the Bunnymen
—
The Cutter
Echo & the Bunnymen
—
Echo & the Bunnymen
Chant No. 1 (I Don’t Need This Pressure On)
Spandau Ballet
—
Chant No. 1 (I Don’t Need This Pressure On)
Spandau Ballet
—
Chant No. 1 (I Don’t Need This Pressure On)
Spandau Ballet
—
The Waterboys
Perfect Skin
Lloyd Cole and the Commotions
—
The Waterboys
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.010.414-0T-010.045.063-2T-010.140.665-8T-010.141.815-8T-010.157.873-7T-010.182.577-7T-010.187.389-5T-010.303.660-7T-010.304.275-6T-010.304.292-7
+79 more
T-010.304.521-1T-010.304.896-9T-010.305.983-1T-010.310.892-4T-010.475.432-6T-010.481.838-3T-010.484.526-2T-010.489.161-3T-010.787.930-0T-010.010.414-0T-010.045.063-2T-010.086.492-3T-010.140.665-8T-010.140.673-8T-010.141.815-8T-010.148.932-0T-010.153.225-5T-010.157.873-7T-010.182.577-7T-010.187.389-5T-010.303.660-7T-010.304.275-6T-010.304.292-7T-010.304.521-1T-010.304.896-9T-010.305.983-1T-010.306.143-3T-010.310.892-4T-010.475.432-6T-010.481.838-3T-010.484.526-2T-010.489.161-3T-010.781.726-4T-010.787.930-0T-010.921.436-9T-011.294.024-5T-011.296.210-3T-011.301.544-3T-011.307.568-5T-011.316.823-2T-011.322.260-8T-011.364.626-6T-011.407.826-0T-011.245.122-5T-011.289.091-1T-011.294.024-5T-011.296.210-3T-011.301.544-3T-011.307.568-5T-011.316.823-2T-011.322.260-8T-011.350.479-2T-011.364.626-6T-011.407.826-0T-060.032.551-6T-060.032.551-6T-060.138.304-3T-070.005.003-8T-070.093.428-6T-070.242.711-9T-070.005.003-8T-070.080.555-5T-070.093.428-6T-070.213.194-9T-070.242.255-6T-070.242.711-9T-070.248.871-8T-070.270.283-7T-071.872.415-2T-071.872.415-2T-800.916.171-2T-800.916.171-2T-900.017.065-0T-900.118.748-0T-900.227.111-6T-900.017.065-0T-010.138.003-3T-072.361.822-1T-900.035.673-0
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551447820000000057602337000000005809655200000000595584480000000063101707000000007365687X000000007366445800000000783970610000000090086354000000009132190X
+43 more
0000000105003217000000010657230700000001066429770000000106703688000000010718380500000001072036340000000107210455000000010725812500000001079640110000000108035396000000010806362900000001094421450000000109453653000000011011274100000001101149740000000113390544000000011444857600000001144670640000000115418459000000011544052500000001154774670000000115511565000000011940474000000001194514400000000119455847000000012096489200000001211403770000000121515044000000012179634100000001223867660000000122538176000000012253942700000001225958160000000122598822000000012271116X000000012271125800000001228594710000000122861862000000012291088X0000000123153526000000012324242200000001232487600000000123319709
Identifier Graph
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What is UPC 5052498510221?
5052498510221 is a Universal Product Code (UPC) assigned to 80s Mixtape by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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