UPC · Release
MUSE
蔡依林
Last verified:
5053105442324 is the Universal Product Code (UPC barcode) for the release “MUSE” by 蔡依林, released 2012-01-01 on Warner Music Taiwan. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC. Tracks include TWA531242301, TWA531242302, TWA531242304.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (11)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 大藝術家 | 蔡依林 | T-316.916.984-6 | |
| 2 | Dr. Jolin | 蔡依林 | — | |
| 3 | 迷幻 | 蔡依林 | T-909.262.986-2 | |
| 4 | 十三號星期舞 | 蔡依林 | — | |
| 5 | Beast | 蔡依林 | — | |
| 6 | 柵欄間隙偷窺你 | 蔡依林 | T-002.354.014-8 | |
| 7 | 彩色照片 | 蔡依林 | — | |
| 8 | 詩人漫步 | 蔡依林 | T-002.344.072-3 | |
| 9 | 有人 | 蔡依林 | T-002.349.097-2 | |
| 10 | 馬賽克 | 蔡依林 | T-914.254.429-4 | |
| 11 | 我 | 蔡依林 | T-914.256.504-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 5053105442324?
5053105442324 is a Universal Product Code (UPC) assigned to MUSE by 蔡依林. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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