UPC · Release
Sixties Soul Machine
Various Artists
Last verified:
5053105922321 is the Universal Product Code (UPC barcode) for the release “Sixties Soul Machine” by Various Artists, released 2013-01-01 on Rhino UK. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC. Tracks include USM016800531, AUXN22142334, GBXHC1200949.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | For Once in My Life | Stevie Wonder | T-070.881.469-0 | |
| 2 | I Got You (I Feel Good) | — | ||
| 3 | Respect | Aretha Franklin | T-070.243.145-5 | |
| 4 | Soul Man | Sam & Dave | T-070.243.847-8 | |
| 5 | (Your Love Keeps Lifting Me) Higher & Higher | — | ||
| 6 | Band of Gold | Freda Payne | T-070.232.910-9 | |
| 7 | Nowhere to Run | Martha and the Vandellas | T-070.242.592-0 | |
| 8 | Behind a Painted Smile | — | ||
| 9 | Saturday Night at the Movies | — | ||
| 10 | In the Midnight Hour | Wilson Pickett | T-070.241.169-5 | |
| 11 | Knock on Wood | Eddie Floyd | T-070.241.510-8 | |
| 12 | Sweet Soul Music | Arthur Conley | T-070.244.122-2 | |
| 13 | Do I Love You (Indeed I Do) | — | ||
| 14 | River Deep – Mountain High | Ike & Tina Turner | T-070.243.198-8 | |
| 15 | Rescue Me | Fontella Bass | T-070.243.141-1 | |
| 16 | Green Onions | Booker T. & the MG’s | T-070.234.358-5 | |
| 17 | Everybody Needs Somebody to Love | Solomon Burke | T-901.432.908-9 | |
| 18 | Try a Little Tenderness | — | ||
| 19 | Cupid | — | ||
| 20 | La La Means I Love You | — | ||
| 21 | Oh, No Not My Baby | — | ||
| 22 | A Groovy Kind of Love | — | ||
| 23 | B‐A‐B‐Y | Carla Thomas | T-070.232.055-5 | |
| 24 | Give Me Just a Little More Time | Chairmen of the Board | T-070.234.242-4 | |
| 25 | Soul Finger | — | ||
| 2-1 | (What a) Wonderful World | — | ||
| 2-2 | I Heard It Through the Grapevine | Marvin Gaye | T-070.240.615-2 | |
| 2-3 | (Sittin’ on) The Dock of the Bay | — | ||
| 2-4 | The Tracks of My Tears | — | ||
| 2-5 | When a Man Loves a Woman | Percy Sledge | T-011.238.602-3 | |
| 2-6 | Under the Boardwalk | The Drifters | T-070.247.569-1 | |
| 2-7 | What Becomes of the Broken Hearted | Jimmy Ruffin | T-070.202.425-6 | |
| 2-8 | Stand by Me | Ben E. King | T-011.233.891-6 | |
| 2-9 | My Girl | The Temptations | T-070.112.259-9 | |
| 2-10 | Walk On By | Dionne Warwick | T-070.201.312-4 | |
| 2-11 | Feeling Good | Nina Simone | T-070.881.404-3 | |
| 2-12 | I Just Want to Make Love to You | Etta James | T-070.241.429-6 | |
| 2-13 | Can I Get a Witness | Dusty Springfield | T-070.233.228-2 | |
| 2-14 | Harlem Shuffle | Bob & Earl | T-070.234.432-8 | |
| 2-15 | My Guy | — | ||
| 2-16 | It’s a Man’s Man’s Man’s World | — | ||
| 2-17 | I Want to Hold Your Hand | — | ||
| 2-18 | Chain of Fools | Aretha Franklin | T-070.233.293-1 | |
| 2-19 | Piece of My Heart | Erma Franklin | T-070.167.575-3 | |
| 2-20 | Time Is Tight | — | ||
| 2-21 | Hold on I’m Coming | Sam & Dave | T-070.240.327-7 | |
| 2-22 | Hard to Handle | Otis Redding | T-070.234.430-6 | |
| 2-23 | Ready or Not Here I Come | — | ||
| 2-24 | Build Me Up Buttercup | — | ||
| 2-25 | Land of 1000 Dances | Wilson Pickett | T-071.000.664-6 | |
| 3-1 | Stop! In the Name of Love | The Supremes | T-070.243.986-8 | |
| 3-2 | This Old Heart of Mine (Is Weak for You) | — | ||
| 3-3 | Think | Aretha Franklin | T-070.247.263-6 | |
| 3-4 | The Loco‐Motion | Little Eva | T-071.000.781-0 | |
| 3-5 | Standing in the Shadows of Love | — | ||
| 3-6 | Chain Gang | — | ||
| 3-7 | (I’m in with) The in Crowd | — | ||
| 3-8 | Going to a Go‐Go | — | ||
| 3-9 | The Clapping Song | — | ||
| 3-10 | Love on a Mountain Top | — | ||
| 3-11 | Mustang Sally | Wilson Pickett | T-070.242.342-4 | |
| 3-12 | Spanish Harlem | — | ||
| 3-13 | Tramp | Otis Redding, Carla Thomas | T-070.247.465-4 | |
| 3-14 | Here I Go Again | — | ||
| 3-15 | How Sweet It Is (to Be Loved by You) | — | ||
| 3-16 | California Soul | Marlena Shaw | T-070.027.576-8 | |
| 3-17 | Private Number | Judy Clay, William Bell | T-070.243.007-6 | |
| 3-18 | UPTIGHT (EVERYTHING'S ALRIGHT) [SINGLE VERSION] [VERSION] | VARIOUS ARTISTS | T-931.294.365-0 | |
| 3-19 | What a Man | — | ||
| 3-20 | Comin’ Home Baby | Mel Tormé | T-070.026.828-5 | |
| 3-21 | Save the Last Dance for Me | — | ||
| 3-22 | Warm & Tender Love | — | ||
| 3-23 | Rainy Night in Georgia | Brook Benton | T-070.243.081-6 | |
| 3-24 | Stay With Me Baby | — | ||
| 3-25 | Patches | — |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| THINK SINGLE VERSION | ARETHA FRANKLIN | T-070.247.263-6 |
| Stand by Me (Remastered LP version) | Ben E. King | T-011.233.891-6 |
| Uptight (Everything’s Alright) | Stevie Wonder | T-070.193.805-7 |
| I Heard It Through the Grapevine (single version) (mono) | Marvin Gaye | T-070.240.615-2 |
| STEEL LOVE | OSCAR G | T-070.881.469-0 |
| Stop! In the Name of Love (stereo version) | The Supremes | T-070.243.986-8 |
| Uptight (Everything’s Alright) | Stevie Wonder | T-070.193.805-7 |
What other identifiers does this connect to?
Musical Works (ISWC)
+83 more
Songwriters/Publishers (IPI)
+30 more
Creative Contributors (ISNI)
+45 more
Identifier Graph
People also ask
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What is UPC 5053105922321?
5053105922321 is a Universal Product Code (UPC) assigned to Sixties Soul Machine by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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