UPC · Release
1986 - 1991 Revisited Part 2.
Miloš Dodo Doležal, Vitacit
Last verified:
5054197175718 is the Universal Product Code (UPC barcode) for the release “1986 - 1991 Revisited Part 2.” by Miloš Dodo Doležal, Vitacit, released 2022-01-01 on Monitor (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Strach | — | ||
| 2 | Intro 1. | — | ||
| 3 | Zkáza měst | — | ||
| 4 | Dracula | — | ||
| 5 | Intro 2. | — | ||
| 6 | Nerovný boj | — | ||
| 7 | Levná lež | — | ||
| 8 | Outro 1. | — | ||
| 9 | Bez prodlení | — | ||
| 10 | Kytarové sólo 1987 | — | ||
| 11 | Představovačka | — | ||
| 2-1 | Poutník životem | — | ||
| 2-2 | Proč štěstí se mi vyhýbá | — | ||
| 2-3 | Proklínám teď osud svůj | — | ||
| 2-4 | Skály | — | ||
| 2-5 | Já chci se ptát těch králů | — | ||
| 2-6 | Outro 2. | — | ||
| 2-7 | Hlas | — | ||
| 2-8 | Bohům vstříc | — | ||
| 2-9 | Outro 3. – koncertní | — |
Credits Graph
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What is UPC 5054197175718?
5054197175718 is a Universal Product Code (UPC) assigned to 1986 - 1991 Revisited Part 2. by Miloš Dodo Doležal, Vitacit. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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