UPC · Release
Michel Corboz
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5054197186783 is the Universal Product Code (UPC barcode) for the release “The Complete Erato Recordings: Classical & Romantic Eras” by Michel Corboz, released 2023-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 479 tracks, each with its own ISRC. Tracks include FRZ206803706, FRZ207500403, FRZ207500401.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Golgotha: I. Chœur d'introduction (Chorus) | — | ||
| 2 | Golgotha: II. Les Rameaux (Bass, Soprano, Alto, Tenor, Chorus, Jesus) | — | ||
| 3 | Golgotha: III. Le Discours du Template (Chorus, Jesus, Soprano) | — | ||
| 4 | Golgotha: IV. La Sainte Cène (Tenor, Jesus, Bass) | — | ||
| 5 | Golgotha: V. Gethsémané (Alto, Tenor, Jesus, Bass, Soprano, Chorus) | — | ||
| 2-1 | Golgotha: VI. Dialogue d'introduction: « Que dirais-je, que ferais-je ? » (Alto, Chorus) | Michel Corboz, Grand Chœur de l'Université de Lausanne, Marie-Lise de Montmollin, André Luy, Paulette Zanlonghi, Orchestre symphonique, Robert Faller | — | |
| 2-2 | Golgotha: VII. Jésus devant le Sanhédrin (Chorus, Tenor, Bass, Jesus, Soprano, Alto) | — | ||
| 2-3 | Golgotha: VIII. Jésus devant Pilate (Bass, Pilate, Chorus, Jesus) | — | ||
| 2-4 | Golgotha: IX. Le Calvaire (Golgotha) (Chorus, Jesus, Tenor) | — | ||
| 2-5 | Golgotha: X. Dialogue de conclusion: « O Mort ! Où est ton aiguillon ? » (Soprano, Alto, Tenor, Bass, Chorus) | — | ||
| 2-6 | Et la vie l'emporta: I. Imploration | — | ||
| 2-7 | Et la vie l'emporta: II. Combat | — | ||
| 2-8 | Et la vie l'emporta: III. Offrande | — | ||
| 3-1 | Requiem, op. 48: I. Introit et Kyrie | — | ||
| 3-2 | Requiem, op. 48: II. Offertoire | — | ||
| 3-3 | Requiem, op. 48: III. Sanctus | — | ||
| 3-4 | Requiem, op. 48: IV. Pie Jesu | — | ||
| 3-5 | Requiem, op. 48: V. Agnus Dei | — | ||
| 3-6 | Requiem, op. 48: VI. Libera me | — | ||
| 3-7 | Requiem, op. 48: VII. In Paradisum | — | ||
| 4-1 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Kyrie | — | ||
| 4-2 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - In terra pax - Laudamus te | — | ||
| 4-3 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gratias agimus tibi | — | ||
| 4-4 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - Domine Deus, Rex coelestis | — | ||
| 4-5 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Qui tollis peccata mundi | — | ||
| 4-6 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Quoniam tu solus Sanctus | — | ||
| 4-7 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Cum Sancto Spiritu in gloria Patris - Gloria in excelsis Deo | — | ||
| 4-8 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Credo in unum Deum | — | ||
| 4-9 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et incarnatus est | — | ||
| 4-10 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Crucifixus | — | ||
| 4-11 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et resurrexit | — | ||
| 4-12 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et unam sanctam catholicam | — | ||
| 4-13 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et expecto resurrectionem | — | ||
| 4-14 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Sanctus | — | ||
| 4-15 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Benedictus | — | ||
| 4-16 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Agnus Dei | — | ||
| 5-1 | Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Warum ist das Licht gegeben dem Mühseligen?” (Langsam und ausdrucksvoll) | — | ||
| 5-2 | Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Lasset uns unser Herz samt den Händen aufheben” (Wenig bewegter) | — | ||
| 5-3 | Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Siehe wir preisen selig, die erduldet haben” (Langsam und sanft) | — | ||
| 5-4 | Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Mit Fried und Freud ich fahr' dahin” (Chorale) | — | ||
| 5-5 | Marienlieder, op. 22: Der englische Gruss | — | ||
| 5-6 | Marienlieder, op. 22: Marias Kirchgang | — | ||
| 5-7 | Marienlieder, op. 22: Marias Wallfahrt | — | ||
| 5-8 | Marienlieder, op. 22: Der Jager 2.4 | — | ||
| 5-9 | Marienlieder, op. 22: Ruf zur Maria | — | ||
| 5-10 | Marienlieder, op. 22: Magdalena | — | ||
| 5-11 | Marienlieder, op. 22: Marias Lob | — | ||
| 5-12 | Lieder, op. 62: No. 1 Rosmarin | — | ||
| 5-13 | Lieder, op. 62: No. 3 Waldesnacht | — | ||
| 5-14 | Lieder, op. 62: No. 4 Dein Herzlein mild | — | ||
| 5-15 | Lieder, op. 62: No. 7 Vergangen ist mir Glück und Heil | — | ||
| 5-16 | Lieder und Romanzen, op. 93a: No. 1 Der bucklichte Fiedler | — | ||
| 5-17 | Lieder und Romanzen, op. 93a: No. 3 O süsser Mai | — | ||
| 5-18 | Lieder und Romanzen, op. 93a: No. 6 Beherzigung | — | ||
| 5-19 | Deutsche Volkslieder, WoO 34: No. 8 In Stiller Nacht, zur ersten Wacht | — | ||
| 5-20 | Deutsche Volkslieder, WoO 34: No. 9 Abschiedslied | — | ||
| 5-21 | Abschiedslieder, op. 104: No. 5 Im Herbst | — | ||
| 6-1 | Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano) / II. Kyrie eleison (Chorus) | Elly Ameling, Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-070.093.418-4 | |
| 6-2 | Requiem in D minor, K. 626: III. Sequentia. Dies irae (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-924.404.440-4 | |
| 6-3 | Requiem in D minor, K. 626: III. Sequentia. Tuba mirum (Solo Quartet) | Elly Ameling, Barbara Scherler, Louis Devos, Roger Soyer, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-4 | Requiem in D minor, K. 626: III. Sequentia. Rex tremendae (Chorus) | Chœur Symphonique de la Fondation Gulbenkian de Lisbonne,, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-5 | Requiem in D minor, K. 626: III. Sequentia. Recordare (Solo Quartet) | Elly Ameling, Barbara Scherler, Louis Devos, Roger Soyer, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-916.756.672-5 | |
| 6-6 | Requiem in D minor, K. 626: III. Sequentia. Confutatis (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-7 | Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-8 | Requiem in D minor, K. 626: IV. Offertorium. Domine Jesu Christe (Chorus, Solo Quartet) | Elly Ameling, Barbara Scherler, Louis Devos, Roger Soyer, Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-919.097.742-5 | |
| 6-9 | Requiem in D minor, K. 626: IV. Offertorium. Hostias et preces tibi (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-10 | Requiem in D minor, K. 626: V. Sanctus (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-11 | Requiem in D minor, K. 626: VI. Benedictus (Solo Quartet, Chorus) | Elly Ameling, Barbara Scherler, Louis Devos, Roger Soyer, Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-106.642.813-3 | |
| 6-12 | Requiem in D minor, K. 626: VII. Agnus Dei (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-13 | Requiem in D minor, K. 626: VIII. Communio. Lux aeterna (Soprano, Chorus) | Elly Ameling, Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-908.911.081-6 | |
| 7-1 | Keyboard Concerto in D major, Hob. XVIII:11: I. Vivace | — | ||
| 7-2 | Keyboard Concerto in D major, Hob. XVIII:11: II. Un poco adagio | — | ||
| 7-3 | Keyboard Concerto in D major, Hob. XVIII:11: III. Allegro assai | — | ||
| 7-4 | Keyboard Concerto in G major, Hob. XVIII:9: I. Allegro | — | ||
| 7-5 | Keyboard Concerto in G major, Hob. XVIII:9: II. Adagio | — | ||
| 7-6 | Keyboard Concerto in G major, Hob. XVIII:9: III. Tempo di minuetto | — | ||
| 7-7 | Keyboard Concerto in F major, Hob. XVIII:3: I. Allegro | — | ||
| 7-8 | Keyboard Concerto in F major, Hob. XVIII:3: II. Largo cantabile | — | ||
| 7-9 | Keyboard Concerto in F major, Hob. XVIII:3: III. Presto | — | ||
| 8-1 | Theresienmesse, Hob. XXII:12: Kyrie | — | ||
| 8-2 | Theresienmesse, Hob. XXII:12: Gloria. Gloria in excelsis Deo | — | ||
| 8-3 | Theresienmesse, Hob. XXII:12: Gloria. Gratias agimus tibi | — | ||
| 8-4 | Theresienmesse, Hob. XXII:12: Gloria. Quaniam tu solus Sanctus | — | ||
| 8-5 | Theresienmesse, Hob. XXII:12: Credo. Credo in unum Deum | — | ||
| 8-6 | Theresienmesse, Hob. XXII:12: Credo. Et incarnatus est | — | ||
| 8-7 | Theresienmesse, Hob. XXII:12: Credo. Et resurrexit | — | ||
| 8-8 | Theresienmesse, Hob. XXII:12: Credo. Et vitam venturi saeculi | — | ||
| 8-9 | Theresienmesse, Hob. XXII:12: Sanctus. Sanctus Dominus | — | ||
| 8-10 | Theresienmesse, Hob. XXII:12: Sanctus. Pleni sunt coeli et terra | — | ||
| 8-11 | Theresienmesse, Hob. XXII:12: Benedictus | — | ||
| 8-12 | Theresienmesse, Hob. XXII:12: Agnus Dei. Agnus Dei | — | ||
| 8-13 | Theresienmesse, Hob. XXII:12: Agnus Dei. Dona nobis pacem | — | ||
| 9-1 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: I. Chorus: “Wie der Hirsch schreit” (Chorus) | — | ||
| 9-2 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: II. Aria: “Meine Seele dürstet nach Gott” (Soprano I) | — | ||
| 9-3 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: III. Recitative: “Meine Tränen sind Meine speise” (Soprano I) | — | ||
| 9-4 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: IV. Aria and Chorus: “Denn ich wollte gern hingehen” (Soprano I, Chorus) | — | ||
| 9-5 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: V. Chorus: “Was betrübst du dich, meine Seele” (Chorus) | — | ||
| 9-6 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VI. Recitative: “Meine Gott, betrübt ist meine Seele” (Soprano I) | — | ||
| 9-7 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VII. Quintet: “Der Herr hat des Tages” (Chorus, Soprano I) | — | ||
| 9-8 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VIII. Schlusschor: “Was betrübst du dich, meine Seele” (Chorus) | — | ||
| 9-9 | Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: I. “Kommt, lasst uns anbeten” (Chorus, Tenor) | — | ||
| 9-10 | Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: II. “Kommt, herzu” (Chorus, Soprano I) | — | ||
| 9-11 | Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: III. “Denn in seiner Hand” (Soprano I & II) | — | ||
| 9-12 | Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: IV. “Denn sein ist das Meer” (Chorus, Tenor) | — | ||
| 9-13 | Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: V. “Heute, so ihr seine Stimme höret” (Chorus, Tenor) | — | ||
| 10-1 | Great Mass in C minor, K. 427/417a: Kyrie (Chorus, Soprano I) | — | ||
| 10-2 | Great Mass in C minor, K. 427/417a: Gloria. Gloria in excelsis Deo (Chorus) | — | ||
| 10-3 | Great Mass in C minor, K. 427/417a: Gloria. Laudamus Te (Soprano II) | — | ||
| 10-4 | Great Mass in C minor, K. 427/417a: Gloria. Gratias agimus tibi (Chorus) | — | ||
| 10-5 | Great Mass in C minor, K. 427/417a: Gloria. Domine Deus (Sopranos I & II) | — | ||
| 10-6 | Great Mass in C minor, K. 427/417a: Gloria. Qui tollis peccata mundi (Chorus) | — | ||
| 10-7 | Great Mass in C minor, K. 427/417a: Gloria. Quoniam tu solus sanctus (Sopranos I & II, Tenor) | — | ||
| 10-8 | Great Mass in C minor, K. 427/417a: Gloria. Jesu Christe (Chorus) | — | ||
| 10-9 | Great Mass in C minor, K. 427/417a: Gloria. Cum Sancto Spiritu (Chorus) | — | ||
| 10-10 | Great Mass in C minor, K. 427/417a: Credo: Credo in unum Deum (Chorus) | — | ||
| 10-11 | Great Mass in C minor, K. 427/417a: Credo: Et incarnatus est (Chorus) | — | ||
| 10-12 | Great Mass in C minor, K. 427/417a: Sanctus (Chorus) | — | ||
| 10-13 | Great Mass in C minor, K. 427/417a: Benedictus (Solo Quartet, Chorus) | — | ||
| 11-1 | Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: I. Chorus: “Nicht unserm Namen, Herr” | — | ||
| 11-2 | Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: II. Duet with Chorus: “Israel hofft auch dich” (Soprano, Tenor, Chorus) | — | ||
| 11-3 | Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: III. Arioso: “Er segne euch je mehr und mehr” (Baritone) | — | ||
| 11-4 | Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: IV. Chorus: “Die Todten werden dich nicht loben” | — | ||
| 11-5 | Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: I. “Singet dem Herrn ein neues Lied” | — | ||
| 11-6 | Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: II. “Jauchzet dem Herrn” | — | ||
| 11-7 | Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: III. “Es wird den Erdkreis richten” | — | ||
| 11-8 | Lauda Sion, op. 73, MWV A24: I. Chorus: “Lauda Sion Salvatorem” | — | ||
| 11-9 | Lauda Sion, op. 73, MWV A24: II. Chorus: “Laudis thema specialis” | — | ||
| 11-10 | Lauda Sion, op. 73, MWV A24: III. Aria & Chorus: “Sit laus plena sit sonora” (Soprano, Chorus) | — | ||
| 11-11 | Lauda Sion, op. 73, MWV A24: IV. Quartet: “In hac mensa novi regis” (Soloists) | — | ||
| 11-12 | Lauda Sion, op. 73, MWV A24: V. Chorus: “Docti sacris institutis” | — | ||
| 11-13 | Lauda Sion, op. 73, MWV A24: VI. Aria: “Caro cibus, sanguis potus” (Soprano) | — | ||
| 11-14 | Lauda Sion, op. 73, MWV A24: VII. Aria & Chorus: “Sumit unus, sumunt mille” (Soloists, Chorus) | — | ||
| 12-1 | Stabat Mater in F minor, D. 383: I. Chorus: “Jesus Christus schwebt am Kreuze!” | — | ||
| 12-2 | Stabat Mater in F minor, D. 383: II. Aria: “Bei des Mittlers Kreuze standen bang” (Soprano) | — | ||
| 12-3 | Stabat Mater in F minor, D. 383: III. Chorus: “Liebend neiget er sein Antlitz” | — | ||
| 12-4 | Stabat Mater in F minor, D. 383: IV. Duet: “Engel freuten sich der Wonne” (Soprano, Tenor) | — | ||
| 12-5 | Stabat Mater in F minor, D. 383: V. Chorus: “Wer wird Zähren” | — | ||
| 12-6 | Stabat Mater in F minor, D. 383: VI. Aria: “Ach, was hätten wir empfunden” (Tenor) | — | ||
| 12-7 | Stabat Mater in F minor, D. 383: VII. Chorus: “Erben sollen sie am Throne” | — | ||
| 12-8 | Stabat Mater in F minor, D. 383: VIII. Aria: “Sohn des Vaters, aber leiden” (Bass) | — | ||
| 12-9 | Stabat Mater in F minor, D. 383: IX. Chorus: “O du herrlicher” | — | ||
| 12-10 | Stabat Mater in F minor, D. 383: X. Trio: “Erdenfreuden und ihr Elend” (Soprano, Tenor, Bass) | — | ||
| 12-11 | Stabat Mater in F minor, D. 383: XI. Trio with Chorus: “Dass dereinst wir, wenn im Tode” (Soprano, Tenor, Bass, Chorus) | — | ||
| 12-12 | Stabat Mater in F minor, D. 383: XII. Chorus: “Amen” | — | ||
| 12-13 | Offertorium, D. 963 | — | ||
| 12-14 | Magnificat, D. 486 | — | ||
| 13-1 | Stabat Mater in G minor, Hob. XXbis: I. Stabat Mater (Chorus) | — | ||
| 13-2 | Stabat Mater in G minor, Hob. XXbis: II. O quam tristis et afflicta (Alto) | — | ||
| 13-3 | Stabat Mater in G minor, Hob. XXbis: III. Quis est homo (Chorus) | — | ||
| 13-4 | Stabat Mater in G minor, Hob. XXbis: IV. Quis non posset (Soprano) | — | ||
| 13-5 | Stabat Mater in G minor, Hob. XXbis: V. Pro peccatis suae gentis (Bass) | — | ||
| 13-6 | Stabat Mater in G minor, Hob. XXbis: VI. Vidit suum dulcem natum (Tenor) | — | ||
| 13-7 | Stabat Mater in G minor, Hob. XXbis: VII. Eja Mater, fons amoris (Chorus) | — | ||
| 13-8 | Stabat Mater in G minor, Hob. XXbis: VIII. Sancta Mater, istud agas (Soprano, Tenor) | — | ||
| 13-9 | Stabat Mater in G minor, Hob. XXbis: IX. Fac me vere tecum flere (Alto) | — | ||
| 13-10 | Stabat Mater in G minor, Hob. XXbis: X. Virgo virginum praeclara (Soloists, Chorus) | — | ||
| 13-11 | Stabat Mater in G minor, Hob. XXbis: XI. Flammis orci ne succendar (Bass) | — | ||
| 13-12 | Stabat Mater in G minor, Hob. XXbis: XII. Fac me cruce custodiri (Tenor) | — | ||
| 13-13 | Stabat Mater in G minor, Hob. XXbis: XIII. Quando corpus morietur (Soprano, Mezzo-soprano, Chorus) / Paradisi gloria (Soprano, Chorus) | — | ||
| 14-1 | Elias, op. 70, MWV A25: Part 1. Einleitung: “So wahr der Herr” (Bass) | — | ||
| 14-2 | Elias, op. 70, MWV A25: Part 1. Ouverture | — | ||
| 14-3 | Elias, op. 70, MWV A25: Part 1. No. 1 Chorus and Recitative: “Willst du uns denn gar vertilgen” - “Hilf, Herr!” (Chorus) | — | ||
| 14-4 | Elias, op. 70, MWV A25: Part 1. No. 2 Duet with Chorus: “Herr, höre unser Gebet!” (Soprano, Alto) | — | ||
| 14-5 | Elias, op. 70, MWV A25: Part 1. No. 3 Recitative: “Zerreißet eure Herzen” (Tenor) | — | ||
| 14-6 | Elias, op. 70, MWV A25: Part 1. No. 4 Aria: “So ihr mich von ganzem Herzen suchet” (Tenor) | — | ||
| 14-7 | Elias, op. 70, MWV A25: Part 1. No. 5 Chorus: “Aber der Herr sieht es nicht” | — | ||
| 14-8 | Elias, op. 70, MWV A25: Part 1. No. 6 Recitative: “Elias! Gehe weg von hinnen” (Alto) | — | ||
| 14-9 | Elias, op. 70, MWV A25: Part 1. No. 7a Double Quartet: “Denn er hat seinen Engeln befohlen” (Soprano, Alto, Tenor, Bass, Chorus) | — | ||
| 14-10 | Elias, op. 70, MWV A25: Part 1. No. 7b Recitative: “Nun auch der Bach vertrocknet ist” (Soprano) | — | ||
| 14-11 | Elias, op. 70, MWV A25: Part 1. No. 8 Recitative, Aria and Duet: “Was hast du an mir getan” (Soprano, Bass) | — | ||
| 14-12 | Elias, op. 70, MWV A25: Part 1. No. 9 Chorus: “Wohl dem, der den Herrn fürchtet” | — | ||
| 14-13 | Elias, op. 70, MWV A25: Part 1. No. 10 Recitative with Chorus: “So wahr der Herr Zebaoth lebet” (Bass, Chorus) | — | ||
| 14-14 | Elias, op. 70, MWV A25: Part 1. No. 11 Chorus: “Baal, erhöre uns!” | — | ||
| 14-15 | Elias, op. 70, MWV A25: Part 1. No. 12 Recitative and Chorus: “Rufet lauter! Denn er ist ja Gott!” (Bass, Chorus) | — | ||
| 14-16 | Elias, op. 70, MWV A25: Part 1. No. 13 Recitative and Chorus: “Rufet lauter! Er hört euch nicht!” (Bass, Chorus) | — | ||
| 14-17 | Elias, op. 70, MWV A25: Part 1. No. 14 Aria: “Kommt her, alles Volk” - “Herr Gott Abrahams” (Bass) | — | ||
| 14-18 | Elias, op. 70, MWV A25: Part 1. No. 15 Quartet: “Wirf dein Anliegen auf den Herrn” (Soprano, Alto, Tenor, Bass) | — | ||
| 14-19 | Elias, op. 70, MWV A25: Part 1. No. 16 Recitative with Chorus: “Der du deine Diener machst zu Geistern” (Bass) | — | ||
| 14-20 | Elias, op. 70, MWV A25: Part 1. No. 17 Aria: “Ist nicht des Herrn Wort wie ein Feuer” (Bass) | — | ||
| 14-21 | Elias, op. 70, MWV A25: Part 1. No. 18 Arioso: “Weh ihnen, dass sie von mir weichen!” (Alto) | — | ||
| 14-22 | Elias, op. 70, MWV A25: Part 1. No. 19 Recitative with Chorus: “Hilf deinem Volk, du Mann Gottes!” (Tenor, Bass, Chorus, Soprano) | — | ||
| 14-23 | Elias, op. 70, MWV A25: Part 1. No. 20 Chorus: “Dank sei dir Gott” | — | ||
| 15-1 | Elias, op. 70, MWV A25: Part 2. No. 21 Arias and Recitative: “Höre, Israel, höre des Herrn Stimme!” (Soprano) | — | ||
| 15-2 | Elias, op. 70, MWV A25: Part 2. No. 22 Chorus: “Fürchte dich nicht, spricht unser Gott” | — | ||
| 15-3 | Elias, op. 70, MWV A25: Part 2. No. 23 Recitative with Chorus: “Der Herr hat dich erhoben” (Bass, Chorus) | — | ||
| 15-4 | Elias, op. 70, MWV A25: Part 2. No. 24 Chorus: “Wehe ihm! Er muss sterben!” | — | ||
| 15-5 | Elias, op. 70, MWV A25: Part 2. No. 25 Recitative: “Du Mann Gottes” (Tenor) | — | ||
| 15-6 | Elias, op. 70, MWV A25: Part 2. No. 26 Aria: “Es ist genug!” (Bass) | — | ||
| 15-7 | Elias, op. 70, MWV A25: Part 2. No. 27 Recitative: “Siehe, er schläft” (Tenor) | — | ||
| 15-8 | Elias, op. 70, MWV A25: Part 2. No. 28 Trio: “Hebe deine Augen auf zu den Bergen” (Soprano, Soprano II, Alto) | — | ||
| 15-9 | Elias, op. 70, MWV A25: Part 2. No. 29 Chorus: “Siehe, der Hüter Israels” | — | ||
| 15-10 | Elias, op. 70, MWV A25: Part 2. No. 30 Recitative: “Stehe auf, Elias” (Alto) | — | ||
| 15-11 | Elias, op. 70, MWV A25: Part 2. No. 31 Aria: “Sei stille dem Herrn” (Alto) | — | ||
| 15-12 | Elias, op. 70, MWV A25: Part 2. No. 32 Chorus: “Wer bis an das Ende beharrt” | — | ||
| 15-13 | Elias, op. 70, MWV A25: Part 2. No. 33 Recitative: “Herr, es wird Nacht um mich” (Bass) | — | ||
| 15-14 | Elias, op. 70, MWV A25: Part 2. No. 34 Chorus: “Der Herr ging vorüber” | — | ||
| 15-15 | Elias, op. 70, MWV A25: Part 2. No. 35 Recitative: “Seraphim standen über ihm” (Alto) - Quartet with Chorus: “Heilig ist Gott der Herr” (Soprano, Alto, Tenor, Bass, Chorus) | — | ||
| 15-16 | Elias, op. 70, MWV A25: Part 2. No. 36 Chorus & Recitative: “Gehe wiederum hinab!” (Chorus) | — | ||
| 15-17 | Elias, op. 70, MWV A25: Part 2. No. 37 Arioso: “Ja, es sollen wohl Berge weichen” (Bass) | — | ||
| 15-18 | Elias, op. 70, MWV A25: Part 2. No. 38 Chorus: “Und der Prophet Elias brach hervor” | — | ||
| 15-19 | Elias, op. 70, MWV A25: Part 2. No. 39 Aria: “Dann werden die Gerechten leuchten” (Tenor) | — | ||
| 15-20 | Elias, op. 70, MWV A25: Part 2. No. 40 Recitative: “Darum ward gesendet der Prophet Elias” (Soprano) | — | ||
| 15-21 | Elias, op. 70, MWV A25: Part 2. No. 41a Chorus: “Aber einer erwacht von Mitternacht” | — | ||
| 15-22 | Elias, op. 70, MWV A25: Part 2. No. 41b Quartet: “Wohlan, alle, die ihr durstig seid” (Soprano, Alto, Tenor, Bass) | — | ||
| 15-23 | Elias, op. 70, MWV A25: Part 2. No. 42 Schlusschor: “Alsdann wird euer Licht hervorbrechen” | — | ||
| 16-1 | Requiem, op. 9: I. Introit (Chorus) | — | ||
| 16-2 | Requiem, op. 9: II. Kyrie (Chorus) | — | ||
| 16-3 | Requiem, op. 9: III. Domine Jesu Christe (Baritone, Chorus) | — | ||
| 16-4 | Requiem, op. 9: IV. Sanctus (Chorus) | — | ||
| 16-5 | Requiem, op. 9: V. Pie Jesu (Mezzo-soprano, Chorus) | — | ||
| 16-6 | Requiem, op. 9: VI. Agnus Dei (Chorus) | — | ||
| 16-7 | Requiem, op. 9: VII. Lux aeterna (Chorus) | — | ||
| 16-8 | Requiem, op. 9: VIII. Libera me (Baritone, Chorus) | — | ||
| 16-9 | Requiem, op. 9: IX. In Paradisum (Chorus) | — | ||
| 16-10 | Quatre Motets sur des thèmes grégoriens, op. 10: I. Ubi caritas et amor | — | ||
| 16-11 | Quatre Motets sur des thèmes grégoriens, op. 10: II. Tota pulchra es | — | ||
| 16-12 | Quatre Motets sur des thèmes grégoriens, op. 10: III. Tu es Petrus | — | ||
| 16-13 | Quatre Motets sur des thèmes grégoriens, op. 10: IV. Tantum Ergo | — | ||
| 17-1 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” | — | ||
| 17-2 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” | — | ||
| 17-3 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” | — | ||
| 17-4 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!” | — | ||
| 17-5 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Trarigkeit” | — | ||
| 17-6 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” | — | ||
| 17-7 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben” | — | ||
| 18-1 | Paulus, op. 36, MWV A14: Ouvertüre | — | ||
| 18-2 | Paulus, op. 36, MWV A14: Part 1. No. 1 Chorus: “Herr, der du bist der Gott” | — | ||
| 18-3 | Paulus, op. 36, MWV A14: Part 1. No. 2 Choral: “Allein Gott in der Höh' sei Ehr” | — | ||
| 18-4 | Paulus, op. 36, MWV A14: Part 1. No. 3 Recitative and Duet: “Die Menge der Gläubigen” (Soprano, Bass) | — | ||
| 18-5 | Paulus, op. 36, MWV A14: Part 1. No. 4 Chorus: “Dieser Mensch hört nicht auf zu reden Lästerworte” | — | ||
| 18-6 | Paulus, op. 36, MWV A14: Part 1. No. 5 Recitative with Chorus: “Und sie sahen auf ihn alle” (Soprano, Tenor, Chorus) | — | ||
| 18-7 | Paulus, op. 36, MWV A14: Part 1. No. 6 Aria: “Jerusalem, die du tötest die Propheten” (Soprano) | — | ||
| 18-8 | Paulus, op. 36, MWV A14: Part 1. No. 7 Recitative and Chorus: “Sie aber stürmtenauf ihn ein” (Tenor, Chorus) | — | ||
| 18-9 | Paulus, op. 36, MWV A14: Part 1. No. 8 Recitative and Choral: “Und sie steinigten ihn” (Tenor, Chorus) | — | ||
| 18-10 | Paulus, op. 36, MWV A14: Part 1. No. 9 Recitative: “Und die Zeugen legten ab ihre Kleider” (Soprano) / No. 10 Chorus: “Siehe! Wir preisen selig” | — | ||
| 18-11 | Paulus, op. 36, MWV A14: Part 1. No. 11 Recitative: “Saulus aber zerstörte die Gemeinde” (Tenor) / Aria: “Vertilge sie, Herr Zebaoth” | — | ||
| 18-12 | Paulus, op. 36, MWV A14: Part 1. No. 12 Recitative: “Und zog mit einer Schar” / Arioso: “Doch der Herr vergisst die seinen nicht” (Alto) | — | ||
| 18-13 | Paulus, op. 36, MWV A14: Part 1. No. 13 Recitative with Chorus: “Und als er auf dem Wege war” - “Saul, was verfolgst du mich?” (Tenor, Bass, Chorus) | — | ||
| 18-14 | Paulus, op. 36, MWV A14: Part 1. No. 14 Chorus: “Mache dich auf! Werde Licht!” / No. 15 Choral: “Wachet auf! Ruft uns die Stimme” | — | ||
| 18-15 | Paulus, op. 36, MWV A14: Part 1. No. 16 Recitative: “Die Männer aber, die seine Gafährten waren” (Tenor) | — | ||
| 18-16 | Paulus, op. 36, MWV A14: Part 1. No. 17 Aria: “Gott sei mir gnädig nach deiner Güte” (Bass) | — | ||
| 18-17 | Paulus, op. 36, MWV A14: Part 1. No. 18 Recitative: “Es war aber ein Jünger zu Damaskus” (Tenor, Soprano) | — | ||
| 18-18 | Paulus, op. 36, MWV A14: Part 1. No. 19 Aria with Chorus: “Ich danke dir, Herr mein Gott” (Bass, Chorus) | — | ||
| 18-19 | Paulus, op. 36, MWV A14: Part 1. No. 20 Recitative: “Und Ananias ging hin” (Soprano, Tenor) / No. 21 Chorus: “O welch eine Tiefe des Reichtums” | — | ||
| 19-1 | Paulus, op. 36, MWV A14: Part 2. No. 22: “Der Erdkreis ist nun des Herrn” | — | ||
| 19-2 | Paulus, op. 36, MWV A14: Part 2. No. 23 Recitative: “Und Paulus Kam zu der Gemeinde” (Soprano) / No. 24 Duettino: “So sind wir nun Botschafter” (Tenor, Bass) | — | ||
| 19-3 | Paulus, op. 36, MWV A14: Part 2. No. 25 Chorus: “Wie lieblich sind die Boten” | — | ||
| 19-4 | Paulus, op. 36, MWV A14: Part 2. No. 26 Recitative: “Und wie sie ausgesandt” / Arioso: “Lasst uns singen von der Grande des Herrn” (Soprano) | — | ||
| 19-5 | Paulus, op. 36, MWV A14: Part 2. No. 27 Recitative and Chorus: “Da aber die Juden das Volk sahen” (Tenor, Chorus) / No. 28 Chorus & Choral: “Ist das nicht, der zu Jerusalem” | — | ||
| 19-6 | Paulus, op. 36, MWV A14: Part 2. No. 28 Recitative: “Paulus aber und Barnabas sprachen” / No. 30 Duet: “Denn also hat uns der Herr geboten” (Tenor, Bass) | — | ||
| 19-7 | Paulus, op. 36, MWV A14: Part 2. No. 31 Recitative: “Und es war ein Mann” / No. 32 Chorus: “Die Götter sind den Menschen” / No. 33 Recitative: “Und nannten Barnabas” (Soprano, Chorus) | — | ||
| 19-8 | Paulus, op. 36, MWV A14: Part 2. No. 34 Chorus: “Seid uns gnädig, hohe Götter” | — | ||
| 19-9 | Paulus, op. 36, MWV A14: Part 2. No. 35 Recitative and Aria: “Da das die Apostel hörten” / Chorus: “Aber unser Gott ist im Himmel” (Tenor, Bass, Chorus) | — | ||
| 19-10 | Paulus, op. 36, MWV A14: Part 2. No. 36 Recitative: “Da ward das Volk erreget” / No. 37 Chorus: “Hier ist des Herren Tempel” / No. 38 Recitative: “Und sie alle verfolgten Paulus” (Soprano) | — | ||
| 19-11 | Paulus, op. 36, MWV A14: Part 2. No. 39 Cavatine: “Sei getreu bis in den Tod” (Tenor, Chorus) | — | ||
| 19-12 | Paulus, op. 36, MWV A14: Part 2. No. 40 Recitative: “Paulus sandte hin und ließ fordern” (Soprano, Bass) / No. 41 Chorus and Recitative: “Schone doch deiner selbst” (Chorus, Bass, Tenor) | — | ||
| 19-13 | Paulus, op. 36, MWV A14: Part 2. No. 42 Chorus: “Sehet, welch eine Liebe hat uns der Vater erzeiget” | — | ||
| 19-14 | Paulus, op. 36, MWV A14: Part 2. No. 43 Recitative: “Und wenn er gleich geopfert wird” (Soprano) / No. 44 Schlusschor: “Nicht aber ihm allein” (Chorus) | — | ||
| 19-15 | “Lass', o Herr, mich Hülfe finden”, op. 96: “Lass', o Herr, mich Hülfe finden” | — | ||
| 19-16 | “Lass', o Herr, mich Hülfe finden”, op. 96: Chorale | — | ||
| 19-17 | “Lass', o Herr, mich Hülfe finden”, op. 96: “Herr, wir trau'n auf deine Güte” | — | ||
| 19-18 | “Lass', o Herr, mich Hülfe finden”, op. 96: Fuga | — | ||
| 20-1 | Christus, op. 97, MWV A26: I. (a) Recitative: “Da Jesus geboren ward zu Bethlehem” (Soprano) / Trio: “Wo ist der neugeboren König” (Tenor, Basses I & II) | — | ||
| 20-2 | Christus, op. 97, MWV A26: I. (b) Chorus: “Es wird ein Stern aus Jacob aufgehn” (Chorus) | — | ||
| 20-3 | Christus, op. 97, MWV A26: II. (a) Recitative: “Und der granze Haufe stand auf” (Tenor) / Chorus: “Diesen finden wir” | — | ||
| 20-4 | Christus, op. 97, MWV A26: II. (b) Choral: “Er nimmt auf seinen Rücken” | — | ||
| 20-5 | Psalm 55 “Hör mein Bitten, Herr”, WoO 15, MWV B49 (orch. 1847) | — | ||
| 20-6 | Kirchenmusik, op. 23: No. 3 “Mitten wir im Leben sind” (Martin Luther), MWV B21 | — | ||
| 20-7 | Kirchenmusik, op. 23: No. 2 Ave Maria, MWV B19 | — | ||
| 20-8 | “Verleih' uns Frieden”, WoO 5, MWV A11 | — | ||
| 20-9 | Te Deum in A major, WoO 29, MWV B25 | — | ||
| 20-10 | Psalm 114 “Da Israel aus Aegypten zog”, op. 51 | — | ||
| 21-1 | Petite messe solennelle: I. Kyrie - Christe (Soli, Chorus) | — | ||
| 21-2 | Petite messe solennelle: II. Gloria - Laudamus te (Soli, Chorus) | — | ||
| 21-3 | Petite messe solennelle: III. Gratias (Contralto, Tenor, Bass) | — | ||
| 21-4 | Petite messe solennelle: IV. Domine Deus (Tenor) | — | ||
| 21-5 | Petite messe solennelle: V. Qui tollis (Soprano, Contralto) | — | ||
| 21-6 | Petite messe solennelle: VI. Quoniam (Bass) | — | ||
| 21-7 | Petite messe solennelle: VII. Cum Sancto Spiritu (Soli, Chorus) | — | ||
| 21-8 | Petite messe solennelle: VIII. Credo (Soli, Chorus) | — | ||
| 21-9 | Petite messe solennelle: IX. Crucifixus (Soprano) | — | ||
| 21-10 | Petite messe solennelle: X. Et resurrexit (Soli, Chorus) | — | ||
| 21-11 | Petite messe solennelle: XI. Preludio religioso (keyboard) | — | ||
| 21-12 | Petite messe solennelle: XII. Ritournelle (Harmonium) - Sanctus (Soli, Chorus) | — | ||
| 21-13 | Petite messe solennelle: XIII. O Salutaris (Soprano) | — | ||
| 21-14 | Petite messe solennelle: XIV. Agnus Dei (Contralto, Chorus) | — | ||
| 22-1 | Messe chorale: I. Prélude - Kyrie | — | ||
| 22-2 | Messe chorale: II. Intonation - Gloria | — | ||
| 22-3 | Messe chorale: III. Intonation - Credo | — | ||
| 22-4 | Messe chorale: IV. Sanctus - Benedictus | — | ||
| 22-5 | Messe chorale: V. Agnus Dei | — | ||
| 22-6 | Messe à quatre voix, op. 4: I. Kyrie | — | ||
| 22-7 | Messe à quatre voix, op. 4: II. Gloria | — | ||
| 22-8 | Messe à quatre voix, op. 4: III. Credo | — | ||
| 22-9 | Messe à quatre voix, op. 4: IV. Sanctus | — | ||
| 22-10 | Messe à quatre voix, op. 4: V. O salutaris | — | ||
| 22-11 | Messe à quatre voix, op. 4: VI. Agnus Dei | — | ||
| 23-1 | Mass in C major, op. 86: I. Kyrie (Soli, Chorus) | — | ||
| 23-2 | Mass in C major, op. 86: II. Gloria (Soli, Chorus) | — | ||
| 23-3 | Mass in C major, op. 86: III. Credo (Soli, Chorus) | — | ||
| 23-4 | Mass in C major, op. 86: IV. Sanctus (Chorus) | — | ||
| 23-5 | Mass in C major, op. 86: V. Benedictus (Soli, Chorus) | — | ||
| 23-6 | Mass in C major, op. 86: VI. Agnus Dei (Soli, Chorus) | — | ||
| 23-7 | Meeresstille und glückliche Fahrt, op. 112 | — | ||
| 24-1 | Requiem für Mignon, op. 98b | — | ||
| 24-2 | Mass in C minor, op. 147: I. Kyrie (Chorus) | — | ||
| 24-3 | Mass in C minor, op. 147: II. Gloria (Soprano, Chorus) | — | ||
| 24-4 | Mass in C minor, op. 147: III. Credo (Chorus) | — | ||
| 24-5 | Mass in C minor, op. 147: IV. Offertorium (Soprano) | — | ||
| 24-6 | Mass in C minor, op. 147: V. Sanctus (Tenor, Bass, Chorus) | — | ||
| 24-7 | Mass in C minor, op. 147: VI. Agnus Dei (Chorus) | — | ||
| 25-1 | Die erste Walpurgisnacht, op. 60, MWV D3: Overture: Das schlechte Wetter - Der Übergang zum Frühling | — | ||
| 25-2 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 1 “Es lacht der Mai!” (Allegro vivace non troppo) (Tenor, Chorus) | — | ||
| 25-3 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 2 “Könnt ihr so verwegen handeln?” (Allegro non troppo) (Alto, Chorus) | — | ||
| 25-4 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 3 “Wer Opfer heut' zu bringen” (Andante maestoso) (Baritone, Chorus) | — | ||
| 25-5 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 4 “Verteilt euch” (Allegro leggiero) (Chorus) | — | ||
| 25-6 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 5 Recitative: “Diese dumpfen Pfaffenchristen” (Allegro moderato) (Bass, Chorus) | — | ||
| 25-7 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 6 “Kommt mit Zacken und mit Gabeln!” (Chorus) | — | ||
| 25-8 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 7 “So weit gebracht” (Andante maestoso) (Baritone, Chorus) | — | ||
| 25-9 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 8 “Hilf, ach hilf mir, Kriegsgeselle!” (Allegro molto) (Tenor, Chorus) | — | ||
| 25-10 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 9 “Die Flamme reinigt sich vom Rauch” (Andante maestoso) (Baritone, Chorus) | — | ||
| 25-11 | O Haupt voll Blut und Wunden, MWV A8: No. 1 “O Haupt voll Blut und Wunden” (Chorus) | — | ||
| 25-12 | O Haupt voll Blut und Wunden, MWV A8: No. 2 “Du, dessen Todeswunden” (Bass) | — | ||
| 25-13 | O Haupt voll Blut und Wunden, MWV A8: No. 3 Choral: “Ich will hier bei dir stehen” (Chorus) | — | ||
| 25-14 | Kyrie in D minor, MWV A3 | — | ||
| 26-1 | La Danse des morts: I. Introduction / II. Dialogue (Speaker, Choir) | — | ||
| 26-2 | La Danse des morts: III. Lamento (Baritone solo) | — | ||
| 26-3 | La Danse des morts: IV. Sanglots (Choir) | — | ||
| 26-4 | La Danse des morts: V. La Réponse de Dieu (Speaker, Orchestra) | — | ||
| 26-5 | La Danse des morts: VI. Espérance dans la Croix (Soprano, Alto solo, Baritone, Choir) | — | ||
| 26-6 | Une Cantate de Noël | — | ||
| 27-1 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” | — | ||
| 27-2 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” | — | ||
| 27-3 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” | — | ||
| 27-4 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth” | — | ||
| 27-5 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” | Christa Goetze, Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 27-6 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” | — | ||
| 27-7 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben” | — | ||
| 28-1 | Messe solennelle in C-sharp minor, op. 16: I. Kyrie eleison | — | ||
| 28-2 | Messe solennelle in C-sharp minor, op. 16: II. Gloria in excelsis Deo | — | ||
| 28-3 | Messe solennelle in C-sharp minor, op. 16: III. Sanctus | — | ||
| 28-4 | Messe solennelle in C-sharp minor, op. 16: IV. Benedictus | — | ||
| 28-5 | Messe solennelle in C-sharp minor, op. 16: V. Agnus Dei | — | ||
| 28-6 | Messe en l'honneur de saint Louis, op. 16: I. Kyrie eleison | — | ||
| 28-7 | Messe en l'honneur de saint Louis, op. 16: II. Gloria in excelsis Deo | — | ||
| 28-8 | Messe en l'honneur de saint Louis, op. 16: III. Sanctus | — | ||
| 28-9 | Messe en l'honneur de saint Louis, op. 16: IV. Benedictus | — | ||
| 28-10 | Messe en l'honneur de saint Louis, op. 16: V. Agnus Dei | — | ||
| 28-11 | Messe solennelle, op. 67: I. Kyrie eleison | — | ||
| 28-12 | Messe solennelle, op. 67: II. Gloria in excelsis Deo | — | ||
| 28-13 | Messe solennelle, op. 67: III. Sanctus | — | ||
| 28-14 | Messe solennelle, op. 67: IV. Benedictus | — | ||
| 28-15 | Messe solennelle, op. 67: V. Agnus Dei | — | ||
| 29-1 | Requiem, op. 48: I. Introit & Kyrie | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-2 | Requiem, op. 48: II. Offertoire | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-3 | Requiem, op. 48: III. Sanctus | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-003.012.217-8 | |
| 29-4 | Requiem, op. 48: IV. Pie Jesus | Magali Dami, Peter Harvey, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-315.824.737-7 | |
| 29-5 | Requiem, op. 48: V. Agnus Dei | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-926.356.677-4 | |
| 29-6 | Requiem, op. 48: VI. Libera me | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-7 | Requiem, op. 48: VII. In paradisum | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-924.489.944-3 | |
| 29-8 | Cantique de Jean Racine, op. 11 | Ensemble Vocal de Lausanne, Michel Corboz | T-300.950.284-1 | |
| 29-9 | Motets: Maria mater gratiae, op. 47 | Ensemble Vocal de Lausanne, Michel Corboz | — | |
| 29-10 | Motets: Ave verum, op. 65 no. 1 | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-915.668.767-1 | |
| 29-11 | Motets: Tantum ergo, op. 65 no. 2 | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-922.060.963-2 | |
| 29-12 | Motets: Tu es Pétrus | Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-050.090.082-2 | |
| 29-13 | Motets: Tantum ergo | Magali Dami, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-922.060.963-2 | |
| 29-14 | Messe basse: I. Kyrie | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-15 | Messe basse: II. Sanctus | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-16 | Messe basse: III. Benedictus | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-17 | Messe basse: IV. Agnus Dei | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 30-1 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Kyrie | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-2 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gloria in excelsis Deo / Et in Terra pax / Laudamus te | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-3 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gratias agimus tibi | Chœur de la Fondation Gulbenkian de Lisbonne, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-4 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gloria in excelsis Deo / Domine Deus, Rex coelestis | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-003.010.019-6 | |
| 30-5 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Qui tollis peccata mundi | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-6 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Quoniam tu solus sanctus | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-7 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Cum Sancto Spiritu in gloria Patris / Gloria in excelsis Deo | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-8 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Credo in unum Deum | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-9 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et incarnatus est | Chœur de la Fondation Gulbenkian de Lisbonne, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-10 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Crucifixus | Chœur de la Fondation Gulbenkian de Lisbonne, Marcos Fink, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-11 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et resurrexit | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-12 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et unam sanctam catholicam | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-13 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et expecto resurrectionem | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-14 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Sanctus | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-15 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Benedictus | Chœur de la Fondation Gulbenkian de Lisbonne, Marcos Fink, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-16 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Agnus Dei | Chœur de la Fondation Gulbenkian de Lisbonne, Marcos Fink, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-17 | Gloria, FP 177: I. Gloria | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-003.010.019-6 | |
| 30-18 | Gloria, FP 177: II. Laudamus Te | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-003.010.019-6 | |
| 30-19 | Gloria, FP 177: III. Domine Deus | Chœur de la Fondation Gulbenkian de Lisbonne, Brigitte Fournier, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-003.010.019-6 | |
| 30-20 | Gloria, FP 177: IV. Domine filii unigenite | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-003.010.019-6 | |
| 30-21 | Gloria, FP 177: V. Domine Deus, Agnus Dei | — | ||
| 30-22 | Gloria, FP 177: VI. Qui sedes ad dexteram Patris | Chœur de la Fondation Gulbenkian de Lisbonne, Brigitte Fournier, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 31-1 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Kyrie eleison (Chorus) | — | ||
| 31-2 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Christe eleison (Tenor, Chorus) | — | ||
| 31-3 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Kyrie eleison (Chorus) | — | ||
| 31-4 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Gloria in excelsis Deo (Chorus) | — | ||
| 31-5 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Laudamus te (Soprano) | — | ||
| 31-6 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Gratias agimus (Chorus) | — | ||
| 31-7 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Domine Deus (Alto, Tenor, Bass) | — | ||
| 31-8 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Qui sedes (Alto, Chorus) | — | ||
| 31-9 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Quoniam tu solus (Soprano, Chorus) | — | ||
| 31-10 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. In gloria Dei Patris (Chorus) | — | ||
| 31-11 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Credo (Soprano, Chorus) | — | ||
| 31-12 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et incarnatus est (Tenor) | — | ||
| 31-13 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Crucifixus (Bass, Alto) | — | ||
| 31-14 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et resurrexit (Chorus, Soloists) | — | ||
| 31-15 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et vitam venturi saeculi (Chorus, Soloists) | — | ||
| 31-16 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Sanctus & Benedictus. Sanctus (Chorus) | — | ||
| 31-17 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Sanctus & Benedictus. Benedictus (Chorus) | — | ||
| 31-18 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Agnus Dei | — | ||
| 32-1 | Kirchenmusik, op. 23: No. 1 “Aus tiefer Not schrei' ich zu dir” (De Profundis), MWV B20 (Martin Luther) | — | ||
| 32-2 | Kirchenmusik, op. 23: No. 2 Ave Maria, MWV B19 | — | ||
| 32-3 | Kirchenmusik, op. 23: No. 3 “Mitten wir im Leben sind mit dem Tod umfangen”, MWV B21 (Martin Luther) | — | ||
| 32-4 | Denn er hat seinen Engeln befohlen, MWV B53 | — | ||
| 32-6 | Three Psalms, op. posth. 78: No. 1 Psalm 2 “Warum toben die Heiden”, MWV B41 | — | ||
| 32-7 | Three Psalms, op. posth. 78: No. 2 Psalm 43 “Richte mich, Gott und führe meine Sache”, MWV B46 | — | ||
| 32-8 | Three Psalms, op. posth. 78: No. 3 Psalm 22 “Mein Gott, warum hast du mich verlassen”, MWV B51 | — | ||
| 32-9 | Geistliches Lieder, op. posth. 96, MWV A19: No. 1 “Lass, O Herr, mich Hilfe finden” | — | ||
| 32-10 | Geistliches Lieder, op. posth. 96, MWV A19: No. 2 “Deines Kind's Gebet erhöre” | — | ||
| 32-11 | Geistliches Lieder, op. posth. 96, MWV A19: No. 3 “Herr, wir traun'n deine Güte” | — | ||
| 33-1 | Messa da Requiem: I. Requiem e Kyrie. Requiem aeternam (Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-2 | Messa da Requiem: I. Requiem e Kyrie. Kyrie eleison (Tenor, Bass, Soprano, Mezzo-soprano) | Angela Maria Blasi, Ursula Kunz, Reinaldo Macias, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-3 | Messa da Requiem: II. Sequenza. Dies irae (Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-4 | Messa da Requiem: II. Sequenza. Tuba mirum (Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-5 | Messa da Requiem: II. Sequenza. Mors stupebit (Bass) | David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-6 | Messa da Requiem: II. Sequenza. Liber scriptus (Mezzo-soprano, Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, Ursula Kunz, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-7 | Messa da Requiem: II. Sequenza. Quid sum miser (Soprano, Mezzo-soprano, Tenor) | Angela Maria Blasi, Ursula Kunz, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-8 | Messa da Requiem: II. Sequenza. Rex tremendae majestatis (Chorus, Soprano, Mezzo-soprano, Tenor, Bass) | Angela Maria Blasi, Chœur de la Fondation Gulbenkian de Lisbonne, Ursula Kunz, Reinaldo Macias, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-9 | Messa da Requiem: II. Sequenza. Recordare (Soprano, Mezzo-soprano) | Angela Maria Blasi, Ursula Kunz, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-10 | Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-11 | Messa da Requiem: II. Sequenza. Confutatis maledictis (Bass, Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-12 | Messa da Requiem: II. Sequenza. Lacrymosa (Mezzo-soprano, Bass, Soprano, Tenor, Chorus) | Angela Maria Blasi, Chœur de la Fondation Gulbenkian de Lisbonne, Ursula Kunz, Reinaldo Macias, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-13 | Messa da Requiem: III. Offertorio. Domine Jesu Christe / Hostias (Tenor, Mezzo-soprano, Soprano, Bass) | Angela Maria Blasi, Ursula Kunz, Reinaldo Macias, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-14 | Messa da Requiem: IV. Sanctus (Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-15 | Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus) | Angela Maria Blasi, Chœur de la Fondation Gulbenkian de Lisbonne, Ursula Kunz, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-914.368.452-0 | |
| 33-16 | Messa da Requiem: VI. Communio. Lux aeterna (Mezzo-soprano, Tenor, Bass) | Ursula Kunz, Reinaldo Macias, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-17 | Messa da Requiem: VII. Libera me (Soprano, Chorus) | Angela Maria Blasi, Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 34-1 | Requiem à la mémoire de Camões in C minor, op. 23: I. Introit - Requiem aeternam | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 34-2 | Requiem à la mémoire de Camões in C minor, op. 23: II. Kyrie | Liliana Bizineche-Eisinger, Angela Maria Blasi, Michel Brodard, Gulbenkian Choir, Reinaldo Macias, Gulbenkian Orchestra, Michel Corboz | — | |
| 34-3 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Dies irae (Chorus) | — | ||
| 34-4 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Tuba mirum (Soloists and Chorus) | — | ||
| 34-5 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Judex ergo (Chorus) | — | ||
| 34-6 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Qui sum miser (Soloists and Chorus) | — | ||
| 34-7 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Juste judex chorus (Chorus) | — | ||
| 34-8 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Ingemisco & confutatis (Soprano, Mezzo-soprano, Chorus) | — | ||
| 34-9 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Lacrymosa (Soloists and Chorus) | — | ||
| 34-10 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Domine Jesu Christe (Chorus) | — | ||
| 34-11 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Hostias (Soloists and Chorus) | Liliana Bizineche-Eisinger, Angela Maria Blasi, Michel Brodard, Chœur de la Fondation Gulbenkian de Lisbonne, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 34-12 | Requiem à la mémoire de Camões in C minor, op. 23: V. Sanctus | Liliana Bizineche-Eisinger, Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 34-13 | Requiem à la mémoire de Camões in C minor, op. 23: VI. Benedictus | Liliana Bizineche-Eisinger, Angela Maria Blasi, Michel Brodard, Gulbenkian Choir, Reinaldo Macias, Gulbenkian Orchestra, Michel Corboz | — | |
| 34-14 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Agnus Dei. Agnus Dei (Soprano, Chorus) | — | ||
| 34-15 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Agnus Dei. Requiem aeternam (Chorus) | — | ||
| 35-1 | Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano) | Efrat Ben-Nun, Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | T-905.386.342-6 | |
| 35-2 | Requiem in D minor, K. 626: II. Kyrie eleison (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-3 | Requiem in D minor, K. 626: III. Sequentia. Dies irae (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-4 | Requiem in D minor, K. 626: III. Sequentia. Tuba mirum (Solo Quartet) | Efrat Ben-Nun, Marcos Fink, Jeffrey Francis, Elisabeth Graf | — | |
| 35-5 | Requiem in D minor, K. 626: III. Sequentia. Rex tremendae (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-6 | Requiem in D minor, K. 626: III. Sequentia. Recordare (Solo Quartet) | Efrat Ben-Nun, Marcos Fink, Jeffrey Francis, Elisabeth Graf | — | |
| 35-7 | Requiem in D minor, K. 626: III. Sequentia. Confutatis (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-8 | Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-9 | Requiem in D minor, K. 626: IV. Offertorium. Domine Jesu Christe (Chorus, Solo Quartet) | Efrat Ben-Nun, Ensemble Vocal de Lausanne, Marcos Fink, Jeffrey Francis, Elisabeth Graf, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-10 | Requiem in D minor, K. 626: IV. Offertorium. Hostias et preces tibi (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-11 | Requiem in D minor, K. 626: V. Sanctus (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-12 | Requiem in D minor, K. 626: VI. Benedictus (Solo Quartet, Chorus) | Efrat Ben-Nun, Ensemble Vocal de Lausanne, Marcos Fink, Jeffrey Francis, Elisabeth Graf, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-13 | Requiem in D minor, K. 626: VII. Agnus Dei (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-14 | Requiem in D minor, K. 626: VIII. Communio. Lux aeterna (Soprano, Chorus) | Efrat Ben-Nun, Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | T-908.911.081-6 | |
| 36-1 | Requiem in D minor: Requiem aeternam. Kyrie eleison (Chorus) | Gulbenkian Choir, Mirjam Kalin, Aquiles Machado, Elisabete Matos, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-2 | Requiem in D minor: Sequentia. Dies irae (Chorus) | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-3 | Requiem in D minor: Sequentia. Tuba mirum (Bass, Chorus) | Gulbenkian Choir, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-4 | Requiem in D minor: Sequentia. Rex tremendae (Soloists, Chorus) | Gulbenkian Choir, Mirjam Kalin, Aquiles Machado, Elisabete Matos, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-5 | Requiem in D minor: Sequentia. Recordare (Soloists, Chorus) | Elisabete Matos, Mirjam Kalin, Aquiles Machado, Luis Rodrigues, Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-6 | Requiem in D minor: Sequentia. Confutatis (Soloists, Chorus) | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-7 | Requiem in D minor: Sequentia. Lacrimosa (Alto, Chorus) | Gulbenkian Choir, Mirjam Kalin, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-8 | Requiem in D minor: Offertorium. Domine Jesu Christe (Chorus) | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-9 | Requiem in D minor: Offertorium. Hostias et preces tibi (Tenor, Chorus) | Gulbenkian Choir, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-10 | Requiem in D minor: Sanctus. Sanctus (Chorus) | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-11 | Requiem in D minor: Sanctus. Benedictus (Soloists, Chorus) | Gulbenkian Choir, Mirjam Kalin, Aquiles Machado, Elisabete Matos, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-12 | Requiem in D minor: Sanctus. Agnus Dei. Libera me (Soloists, Chorus) | Gulbenkian Choir, Mirjam Kalin, Aquiles Machado, Elisabete Matos, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-13 | Requiem in D minor: Sanctus. Dies irae / Requiem aeternam (Chorus) | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5054197186783 is a Universal Product Code (UPC) assigned to The Complete Erato Recordings: Classical & Romantic Eras by Michel Corboz. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 479 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5054197186783 is the Universal Product Code (UPC barcode) for the release “The Complete Erato Recordings: Classical & Romantic Eras” by Michel Corboz, released 2023-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 479 tracks, each with its own ISRC. Tracks include FRZ206803706, FRZ207500403, FRZ207500401.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Golgotha: I. Chœur d'introduction (Chorus) | — | ||
| 2 | Golgotha: II. Les Rameaux (Bass, Soprano, Alto, Tenor, Chorus, Jesus) | — | ||
| 3 | Golgotha: III. Le Discours du Template (Chorus, Jesus, Soprano) | — | ||
| 4 | Golgotha: IV. La Sainte Cène (Tenor, Jesus, Bass) | — | ||
| 5 | Golgotha: V. Gethsémané (Alto, Tenor, Jesus, Bass, Soprano, Chorus) | — | ||
| 2-1 | Golgotha: VI. Dialogue d'introduction: « Que dirais-je, que ferais-je ? » (Alto, Chorus) | Michel Corboz, Grand Chœur de l'Université de Lausanne, Marie-Lise de Montmollin, André Luy, Paulette Zanlonghi, Orchestre symphonique, Robert Faller | — | |
| 2-2 | Golgotha: VII. Jésus devant le Sanhédrin (Chorus, Tenor, Bass, Jesus, Soprano, Alto) | — | ||
| 2-3 | Golgotha: VIII. Jésus devant Pilate (Bass, Pilate, Chorus, Jesus) | — | ||
| 2-4 | Golgotha: IX. Le Calvaire (Golgotha) (Chorus, Jesus, Tenor) | — | ||
| 2-5 | Golgotha: X. Dialogue de conclusion: « O Mort ! Où est ton aiguillon ? » (Soprano, Alto, Tenor, Bass, Chorus) | — | ||
| 2-6 | Et la vie l'emporta: I. Imploration | — | ||
| 2-7 | Et la vie l'emporta: II. Combat | — | ||
| 2-8 | Et la vie l'emporta: III. Offrande | — | ||
| 3-1 | Requiem, op. 48: I. Introit et Kyrie | — | ||
| 3-2 | Requiem, op. 48: II. Offertoire | — | ||
| 3-3 | Requiem, op. 48: III. Sanctus | — | ||
| 3-4 | Requiem, op. 48: IV. Pie Jesu | — | ||
| 3-5 | Requiem, op. 48: V. Agnus Dei | — | ||
| 3-6 | Requiem, op. 48: VI. Libera me | — | ||
| 3-7 | Requiem, op. 48: VII. In Paradisum | — | ||
| 4-1 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Kyrie | — | ||
| 4-2 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - In terra pax - Laudamus te | — | ||
| 4-3 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gratias agimus tibi | — | ||
| 4-4 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - Domine Deus, Rex coelestis | — | ||
| 4-5 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Qui tollis peccata mundi | — | ||
| 4-6 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Quoniam tu solus Sanctus | — | ||
| 4-7 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Cum Sancto Spiritu in gloria Patris - Gloria in excelsis Deo | — | ||
| 4-8 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Credo in unum Deum | — | ||
| 4-9 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et incarnatus est | — | ||
| 4-10 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Crucifixus | — | ||
| 4-11 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et resurrexit | — | ||
| 4-12 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et unam sanctam catholicam | — | ||
| 4-13 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et expecto resurrectionem | — | ||
| 4-14 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Sanctus | — | ||
| 4-15 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Benedictus | — | ||
| 4-16 | Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Agnus Dei | — | ||
| 5-1 | Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Warum ist das Licht gegeben dem Mühseligen?” (Langsam und ausdrucksvoll) | — | ||
| 5-2 | Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Lasset uns unser Herz samt den Händen aufheben” (Wenig bewegter) | — | ||
| 5-3 | Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Siehe wir preisen selig, die erduldet haben” (Langsam und sanft) | — | ||
| 5-4 | Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Mit Fried und Freud ich fahr' dahin” (Chorale) | — | ||
| 5-5 | Marienlieder, op. 22: Der englische Gruss | — | ||
| 5-6 | Marienlieder, op. 22: Marias Kirchgang | — | ||
| 5-7 | Marienlieder, op. 22: Marias Wallfahrt | — | ||
| 5-8 | Marienlieder, op. 22: Der Jager 2.4 | — | ||
| 5-9 | Marienlieder, op. 22: Ruf zur Maria | — | ||
| 5-10 | Marienlieder, op. 22: Magdalena | — | ||
| 5-11 | Marienlieder, op. 22: Marias Lob | — | ||
| 5-12 | Lieder, op. 62: No. 1 Rosmarin | — | ||
| 5-13 | Lieder, op. 62: No. 3 Waldesnacht | — | ||
| 5-14 | Lieder, op. 62: No. 4 Dein Herzlein mild | — | ||
| 5-15 | Lieder, op. 62: No. 7 Vergangen ist mir Glück und Heil | — | ||
| 5-16 | Lieder und Romanzen, op. 93a: No. 1 Der bucklichte Fiedler | — | ||
| 5-17 | Lieder und Romanzen, op. 93a: No. 3 O süsser Mai | — | ||
| 5-18 | Lieder und Romanzen, op. 93a: No. 6 Beherzigung | — | ||
| 5-19 | Deutsche Volkslieder, WoO 34: No. 8 In Stiller Nacht, zur ersten Wacht | — | ||
| 5-20 | Deutsche Volkslieder, WoO 34: No. 9 Abschiedslied | — | ||
| 5-21 | Abschiedslieder, op. 104: No. 5 Im Herbst | — | ||
| 6-1 | Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano) / II. Kyrie eleison (Chorus) | Elly Ameling, Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-070.093.418-4 | |
| 6-2 | Requiem in D minor, K. 626: III. Sequentia. Dies irae (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-924.404.440-4 | |
| 6-3 | Requiem in D minor, K. 626: III. Sequentia. Tuba mirum (Solo Quartet) | Elly Ameling, Barbara Scherler, Louis Devos, Roger Soyer, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-4 | Requiem in D minor, K. 626: III. Sequentia. Rex tremendae (Chorus) | Chœur Symphonique de la Fondation Gulbenkian de Lisbonne,, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-5 | Requiem in D minor, K. 626: III. Sequentia. Recordare (Solo Quartet) | Elly Ameling, Barbara Scherler, Louis Devos, Roger Soyer, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-916.756.672-5 | |
| 6-6 | Requiem in D minor, K. 626: III. Sequentia. Confutatis (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-7 | Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-8 | Requiem in D minor, K. 626: IV. Offertorium. Domine Jesu Christe (Chorus, Solo Quartet) | Elly Ameling, Barbara Scherler, Louis Devos, Roger Soyer, Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-919.097.742-5 | |
| 6-9 | Requiem in D minor, K. 626: IV. Offertorium. Hostias et preces tibi (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-10 | Requiem in D minor, K. 626: V. Sanctus (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-11 | Requiem in D minor, K. 626: VI. Benedictus (Solo Quartet, Chorus) | Elly Ameling, Barbara Scherler, Louis Devos, Roger Soyer, Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-106.642.813-3 | |
| 6-12 | Requiem in D minor, K. 626: VII. Agnus Dei (Chorus) | Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 6-13 | Requiem in D minor, K. 626: VIII. Communio. Lux aeterna (Soprano, Chorus) | Elly Ameling, Chœur Symphonique, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-908.911.081-6 | |
| 7-1 | Keyboard Concerto in D major, Hob. XVIII:11: I. Vivace | — | ||
| 7-2 | Keyboard Concerto in D major, Hob. XVIII:11: II. Un poco adagio | — | ||
| 7-3 | Keyboard Concerto in D major, Hob. XVIII:11: III. Allegro assai | — | ||
| 7-4 | Keyboard Concerto in G major, Hob. XVIII:9: I. Allegro | — | ||
| 7-5 | Keyboard Concerto in G major, Hob. XVIII:9: II. Adagio | — | ||
| 7-6 | Keyboard Concerto in G major, Hob. XVIII:9: III. Tempo di minuetto | — | ||
| 7-7 | Keyboard Concerto in F major, Hob. XVIII:3: I. Allegro | — | ||
| 7-8 | Keyboard Concerto in F major, Hob. XVIII:3: II. Largo cantabile | — | ||
| 7-9 | Keyboard Concerto in F major, Hob. XVIII:3: III. Presto | — | ||
| 8-1 | Theresienmesse, Hob. XXII:12: Kyrie | — | ||
| 8-2 | Theresienmesse, Hob. XXII:12: Gloria. Gloria in excelsis Deo | — | ||
| 8-3 | Theresienmesse, Hob. XXII:12: Gloria. Gratias agimus tibi | — | ||
| 8-4 | Theresienmesse, Hob. XXII:12: Gloria. Quaniam tu solus Sanctus | — | ||
| 8-5 | Theresienmesse, Hob. XXII:12: Credo. Credo in unum Deum | — | ||
| 8-6 | Theresienmesse, Hob. XXII:12: Credo. Et incarnatus est | — | ||
| 8-7 | Theresienmesse, Hob. XXII:12: Credo. Et resurrexit | — | ||
| 8-8 | Theresienmesse, Hob. XXII:12: Credo. Et vitam venturi saeculi | — | ||
| 8-9 | Theresienmesse, Hob. XXII:12: Sanctus. Sanctus Dominus | — | ||
| 8-10 | Theresienmesse, Hob. XXII:12: Sanctus. Pleni sunt coeli et terra | — | ||
| 8-11 | Theresienmesse, Hob. XXII:12: Benedictus | — | ||
| 8-12 | Theresienmesse, Hob. XXII:12: Agnus Dei. Agnus Dei | — | ||
| 8-13 | Theresienmesse, Hob. XXII:12: Agnus Dei. Dona nobis pacem | — | ||
| 9-1 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: I. Chorus: “Wie der Hirsch schreit” (Chorus) | — | ||
| 9-2 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: II. Aria: “Meine Seele dürstet nach Gott” (Soprano I) | — | ||
| 9-3 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: III. Recitative: “Meine Tränen sind Meine speise” (Soprano I) | — | ||
| 9-4 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: IV. Aria and Chorus: “Denn ich wollte gern hingehen” (Soprano I, Chorus) | — | ||
| 9-5 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: V. Chorus: “Was betrübst du dich, meine Seele” (Chorus) | — | ||
| 9-6 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VI. Recitative: “Meine Gott, betrübt ist meine Seele” (Soprano I) | — | ||
| 9-7 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VII. Quintet: “Der Herr hat des Tages” (Chorus, Soprano I) | — | ||
| 9-8 | Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VIII. Schlusschor: “Was betrübst du dich, meine Seele” (Chorus) | — | ||
| 9-9 | Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: I. “Kommt, lasst uns anbeten” (Chorus, Tenor) | — | ||
| 9-10 | Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: II. “Kommt, herzu” (Chorus, Soprano I) | — | ||
| 9-11 | Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: III. “Denn in seiner Hand” (Soprano I & II) | — | ||
| 9-12 | Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: IV. “Denn sein ist das Meer” (Chorus, Tenor) | — | ||
| 9-13 | Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: V. “Heute, so ihr seine Stimme höret” (Chorus, Tenor) | — | ||
| 10-1 | Great Mass in C minor, K. 427/417a: Kyrie (Chorus, Soprano I) | — | ||
| 10-2 | Great Mass in C minor, K. 427/417a: Gloria. Gloria in excelsis Deo (Chorus) | — | ||
| 10-3 | Great Mass in C minor, K. 427/417a: Gloria. Laudamus Te (Soprano II) | — | ||
| 10-4 | Great Mass in C minor, K. 427/417a: Gloria. Gratias agimus tibi (Chorus) | — | ||
| 10-5 | Great Mass in C minor, K. 427/417a: Gloria. Domine Deus (Sopranos I & II) | — | ||
| 10-6 | Great Mass in C minor, K. 427/417a: Gloria. Qui tollis peccata mundi (Chorus) | — | ||
| 10-7 | Great Mass in C minor, K. 427/417a: Gloria. Quoniam tu solus sanctus (Sopranos I & II, Tenor) | — | ||
| 10-8 | Great Mass in C minor, K. 427/417a: Gloria. Jesu Christe (Chorus) | — | ||
| 10-9 | Great Mass in C minor, K. 427/417a: Gloria. Cum Sancto Spiritu (Chorus) | — | ||
| 10-10 | Great Mass in C minor, K. 427/417a: Credo: Credo in unum Deum (Chorus) | — | ||
| 10-11 | Great Mass in C minor, K. 427/417a: Credo: Et incarnatus est (Chorus) | — | ||
| 10-12 | Great Mass in C minor, K. 427/417a: Sanctus (Chorus) | — | ||
| 10-13 | Great Mass in C minor, K. 427/417a: Benedictus (Solo Quartet, Chorus) | — | ||
| 11-1 | Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: I. Chorus: “Nicht unserm Namen, Herr” | — | ||
| 11-2 | Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: II. Duet with Chorus: “Israel hofft auch dich” (Soprano, Tenor, Chorus) | — | ||
| 11-3 | Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: III. Arioso: “Er segne euch je mehr und mehr” (Baritone) | — | ||
| 11-4 | Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: IV. Chorus: “Die Todten werden dich nicht loben” | — | ||
| 11-5 | Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: I. “Singet dem Herrn ein neues Lied” | — | ||
| 11-6 | Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: II. “Jauchzet dem Herrn” | — | ||
| 11-7 | Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: III. “Es wird den Erdkreis richten” | — | ||
| 11-8 | Lauda Sion, op. 73, MWV A24: I. Chorus: “Lauda Sion Salvatorem” | — | ||
| 11-9 | Lauda Sion, op. 73, MWV A24: II. Chorus: “Laudis thema specialis” | — | ||
| 11-10 | Lauda Sion, op. 73, MWV A24: III. Aria & Chorus: “Sit laus plena sit sonora” (Soprano, Chorus) | — | ||
| 11-11 | Lauda Sion, op. 73, MWV A24: IV. Quartet: “In hac mensa novi regis” (Soloists) | — | ||
| 11-12 | Lauda Sion, op. 73, MWV A24: V. Chorus: “Docti sacris institutis” | — | ||
| 11-13 | Lauda Sion, op. 73, MWV A24: VI. Aria: “Caro cibus, sanguis potus” (Soprano) | — | ||
| 11-14 | Lauda Sion, op. 73, MWV A24: VII. Aria & Chorus: “Sumit unus, sumunt mille” (Soloists, Chorus) | — | ||
| 12-1 | Stabat Mater in F minor, D. 383: I. Chorus: “Jesus Christus schwebt am Kreuze!” | — | ||
| 12-2 | Stabat Mater in F minor, D. 383: II. Aria: “Bei des Mittlers Kreuze standen bang” (Soprano) | — | ||
| 12-3 | Stabat Mater in F minor, D. 383: III. Chorus: “Liebend neiget er sein Antlitz” | — | ||
| 12-4 | Stabat Mater in F minor, D. 383: IV. Duet: “Engel freuten sich der Wonne” (Soprano, Tenor) | — | ||
| 12-5 | Stabat Mater in F minor, D. 383: V. Chorus: “Wer wird Zähren” | — | ||
| 12-6 | Stabat Mater in F minor, D. 383: VI. Aria: “Ach, was hätten wir empfunden” (Tenor) | — | ||
| 12-7 | Stabat Mater in F minor, D. 383: VII. Chorus: “Erben sollen sie am Throne” | — | ||
| 12-8 | Stabat Mater in F minor, D. 383: VIII. Aria: “Sohn des Vaters, aber leiden” (Bass) | — | ||
| 12-9 | Stabat Mater in F minor, D. 383: IX. Chorus: “O du herrlicher” | — | ||
| 12-10 | Stabat Mater in F minor, D. 383: X. Trio: “Erdenfreuden und ihr Elend” (Soprano, Tenor, Bass) | — | ||
| 12-11 | Stabat Mater in F minor, D. 383: XI. Trio with Chorus: “Dass dereinst wir, wenn im Tode” (Soprano, Tenor, Bass, Chorus) | — | ||
| 12-12 | Stabat Mater in F minor, D. 383: XII. Chorus: “Amen” | — | ||
| 12-13 | Offertorium, D. 963 | — | ||
| 12-14 | Magnificat, D. 486 | — | ||
| 13-1 | Stabat Mater in G minor, Hob. XXbis: I. Stabat Mater (Chorus) | — | ||
| 13-2 | Stabat Mater in G minor, Hob. XXbis: II. O quam tristis et afflicta (Alto) | — | ||
| 13-3 | Stabat Mater in G minor, Hob. XXbis: III. Quis est homo (Chorus) | — | ||
| 13-4 | Stabat Mater in G minor, Hob. XXbis: IV. Quis non posset (Soprano) | — | ||
| 13-5 | Stabat Mater in G minor, Hob. XXbis: V. Pro peccatis suae gentis (Bass) | — | ||
| 13-6 | Stabat Mater in G minor, Hob. XXbis: VI. Vidit suum dulcem natum (Tenor) | — | ||
| 13-7 | Stabat Mater in G minor, Hob. XXbis: VII. Eja Mater, fons amoris (Chorus) | — | ||
| 13-8 | Stabat Mater in G minor, Hob. XXbis: VIII. Sancta Mater, istud agas (Soprano, Tenor) | — | ||
| 13-9 | Stabat Mater in G minor, Hob. XXbis: IX. Fac me vere tecum flere (Alto) | — | ||
| 13-10 | Stabat Mater in G minor, Hob. XXbis: X. Virgo virginum praeclara (Soloists, Chorus) | — | ||
| 13-11 | Stabat Mater in G minor, Hob. XXbis: XI. Flammis orci ne succendar (Bass) | — | ||
| 13-12 | Stabat Mater in G minor, Hob. XXbis: XII. Fac me cruce custodiri (Tenor) | — | ||
| 13-13 | Stabat Mater in G minor, Hob. XXbis: XIII. Quando corpus morietur (Soprano, Mezzo-soprano, Chorus) / Paradisi gloria (Soprano, Chorus) | — | ||
| 14-1 | Elias, op. 70, MWV A25: Part 1. Einleitung: “So wahr der Herr” (Bass) | — | ||
| 14-2 | Elias, op. 70, MWV A25: Part 1. Ouverture | — | ||
| 14-3 | Elias, op. 70, MWV A25: Part 1. No. 1 Chorus and Recitative: “Willst du uns denn gar vertilgen” - “Hilf, Herr!” (Chorus) | — | ||
| 14-4 | Elias, op. 70, MWV A25: Part 1. No. 2 Duet with Chorus: “Herr, höre unser Gebet!” (Soprano, Alto) | — | ||
| 14-5 | Elias, op. 70, MWV A25: Part 1. No. 3 Recitative: “Zerreißet eure Herzen” (Tenor) | — | ||
| 14-6 | Elias, op. 70, MWV A25: Part 1. No. 4 Aria: “So ihr mich von ganzem Herzen suchet” (Tenor) | — | ||
| 14-7 | Elias, op. 70, MWV A25: Part 1. No. 5 Chorus: “Aber der Herr sieht es nicht” | — | ||
| 14-8 | Elias, op. 70, MWV A25: Part 1. No. 6 Recitative: “Elias! Gehe weg von hinnen” (Alto) | — | ||
| 14-9 | Elias, op. 70, MWV A25: Part 1. No. 7a Double Quartet: “Denn er hat seinen Engeln befohlen” (Soprano, Alto, Tenor, Bass, Chorus) | — | ||
| 14-10 | Elias, op. 70, MWV A25: Part 1. No. 7b Recitative: “Nun auch der Bach vertrocknet ist” (Soprano) | — | ||
| 14-11 | Elias, op. 70, MWV A25: Part 1. No. 8 Recitative, Aria and Duet: “Was hast du an mir getan” (Soprano, Bass) | — | ||
| 14-12 | Elias, op. 70, MWV A25: Part 1. No. 9 Chorus: “Wohl dem, der den Herrn fürchtet” | — | ||
| 14-13 | Elias, op. 70, MWV A25: Part 1. No. 10 Recitative with Chorus: “So wahr der Herr Zebaoth lebet” (Bass, Chorus) | — | ||
| 14-14 | Elias, op. 70, MWV A25: Part 1. No. 11 Chorus: “Baal, erhöre uns!” | — | ||
| 14-15 | Elias, op. 70, MWV A25: Part 1. No. 12 Recitative and Chorus: “Rufet lauter! Denn er ist ja Gott!” (Bass, Chorus) | — | ||
| 14-16 | Elias, op. 70, MWV A25: Part 1. No. 13 Recitative and Chorus: “Rufet lauter! Er hört euch nicht!” (Bass, Chorus) | — | ||
| 14-17 | Elias, op. 70, MWV A25: Part 1. No. 14 Aria: “Kommt her, alles Volk” - “Herr Gott Abrahams” (Bass) | — | ||
| 14-18 | Elias, op. 70, MWV A25: Part 1. No. 15 Quartet: “Wirf dein Anliegen auf den Herrn” (Soprano, Alto, Tenor, Bass) | — | ||
| 14-19 | Elias, op. 70, MWV A25: Part 1. No. 16 Recitative with Chorus: “Der du deine Diener machst zu Geistern” (Bass) | — | ||
| 14-20 | Elias, op. 70, MWV A25: Part 1. No. 17 Aria: “Ist nicht des Herrn Wort wie ein Feuer” (Bass) | — | ||
| 14-21 | Elias, op. 70, MWV A25: Part 1. No. 18 Arioso: “Weh ihnen, dass sie von mir weichen!” (Alto) | — | ||
| 14-22 | Elias, op. 70, MWV A25: Part 1. No. 19 Recitative with Chorus: “Hilf deinem Volk, du Mann Gottes!” (Tenor, Bass, Chorus, Soprano) | — | ||
| 14-23 | Elias, op. 70, MWV A25: Part 1. No. 20 Chorus: “Dank sei dir Gott” | — | ||
| 15-1 | Elias, op. 70, MWV A25: Part 2. No. 21 Arias and Recitative: “Höre, Israel, höre des Herrn Stimme!” (Soprano) | — | ||
| 15-2 | Elias, op. 70, MWV A25: Part 2. No. 22 Chorus: “Fürchte dich nicht, spricht unser Gott” | — | ||
| 15-3 | Elias, op. 70, MWV A25: Part 2. No. 23 Recitative with Chorus: “Der Herr hat dich erhoben” (Bass, Chorus) | — | ||
| 15-4 | Elias, op. 70, MWV A25: Part 2. No. 24 Chorus: “Wehe ihm! Er muss sterben!” | — | ||
| 15-5 | Elias, op. 70, MWV A25: Part 2. No. 25 Recitative: “Du Mann Gottes” (Tenor) | — | ||
| 15-6 | Elias, op. 70, MWV A25: Part 2. No. 26 Aria: “Es ist genug!” (Bass) | — | ||
| 15-7 | Elias, op. 70, MWV A25: Part 2. No. 27 Recitative: “Siehe, er schläft” (Tenor) | — | ||
| 15-8 | Elias, op. 70, MWV A25: Part 2. No. 28 Trio: “Hebe deine Augen auf zu den Bergen” (Soprano, Soprano II, Alto) | — | ||
| 15-9 | Elias, op. 70, MWV A25: Part 2. No. 29 Chorus: “Siehe, der Hüter Israels” | — | ||
| 15-10 | Elias, op. 70, MWV A25: Part 2. No. 30 Recitative: “Stehe auf, Elias” (Alto) | — | ||
| 15-11 | Elias, op. 70, MWV A25: Part 2. No. 31 Aria: “Sei stille dem Herrn” (Alto) | — | ||
| 15-12 | Elias, op. 70, MWV A25: Part 2. No. 32 Chorus: “Wer bis an das Ende beharrt” | — | ||
| 15-13 | Elias, op. 70, MWV A25: Part 2. No. 33 Recitative: “Herr, es wird Nacht um mich” (Bass) | — | ||
| 15-14 | Elias, op. 70, MWV A25: Part 2. No. 34 Chorus: “Der Herr ging vorüber” | — | ||
| 15-15 | Elias, op. 70, MWV A25: Part 2. No. 35 Recitative: “Seraphim standen über ihm” (Alto) - Quartet with Chorus: “Heilig ist Gott der Herr” (Soprano, Alto, Tenor, Bass, Chorus) | — | ||
| 15-16 | Elias, op. 70, MWV A25: Part 2. No. 36 Chorus & Recitative: “Gehe wiederum hinab!” (Chorus) | — | ||
| 15-17 | Elias, op. 70, MWV A25: Part 2. No. 37 Arioso: “Ja, es sollen wohl Berge weichen” (Bass) | — | ||
| 15-18 | Elias, op. 70, MWV A25: Part 2. No. 38 Chorus: “Und der Prophet Elias brach hervor” | — | ||
| 15-19 | Elias, op. 70, MWV A25: Part 2. No. 39 Aria: “Dann werden die Gerechten leuchten” (Tenor) | — | ||
| 15-20 | Elias, op. 70, MWV A25: Part 2. No. 40 Recitative: “Darum ward gesendet der Prophet Elias” (Soprano) | — | ||
| 15-21 | Elias, op. 70, MWV A25: Part 2. No. 41a Chorus: “Aber einer erwacht von Mitternacht” | — | ||
| 15-22 | Elias, op. 70, MWV A25: Part 2. No. 41b Quartet: “Wohlan, alle, die ihr durstig seid” (Soprano, Alto, Tenor, Bass) | — | ||
| 15-23 | Elias, op. 70, MWV A25: Part 2. No. 42 Schlusschor: “Alsdann wird euer Licht hervorbrechen” | — | ||
| 16-1 | Requiem, op. 9: I. Introit (Chorus) | — | ||
| 16-2 | Requiem, op. 9: II. Kyrie (Chorus) | — | ||
| 16-3 | Requiem, op. 9: III. Domine Jesu Christe (Baritone, Chorus) | — | ||
| 16-4 | Requiem, op. 9: IV. Sanctus (Chorus) | — | ||
| 16-5 | Requiem, op. 9: V. Pie Jesu (Mezzo-soprano, Chorus) | — | ||
| 16-6 | Requiem, op. 9: VI. Agnus Dei (Chorus) | — | ||
| 16-7 | Requiem, op. 9: VII. Lux aeterna (Chorus) | — | ||
| 16-8 | Requiem, op. 9: VIII. Libera me (Baritone, Chorus) | — | ||
| 16-9 | Requiem, op. 9: IX. In Paradisum (Chorus) | — | ||
| 16-10 | Quatre Motets sur des thèmes grégoriens, op. 10: I. Ubi caritas et amor | — | ||
| 16-11 | Quatre Motets sur des thèmes grégoriens, op. 10: II. Tota pulchra es | — | ||
| 16-12 | Quatre Motets sur des thèmes grégoriens, op. 10: III. Tu es Petrus | — | ||
| 16-13 | Quatre Motets sur des thèmes grégoriens, op. 10: IV. Tantum Ergo | — | ||
| 17-1 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” | — | ||
| 17-2 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” | — | ||
| 17-3 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” | — | ||
| 17-4 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!” | — | ||
| 17-5 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Trarigkeit” | — | ||
| 17-6 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” | — | ||
| 17-7 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben” | — | ||
| 18-1 | Paulus, op. 36, MWV A14: Ouvertüre | — | ||
| 18-2 | Paulus, op. 36, MWV A14: Part 1. No. 1 Chorus: “Herr, der du bist der Gott” | — | ||
| 18-3 | Paulus, op. 36, MWV A14: Part 1. No. 2 Choral: “Allein Gott in der Höh' sei Ehr” | — | ||
| 18-4 | Paulus, op. 36, MWV A14: Part 1. No. 3 Recitative and Duet: “Die Menge der Gläubigen” (Soprano, Bass) | — | ||
| 18-5 | Paulus, op. 36, MWV A14: Part 1. No. 4 Chorus: “Dieser Mensch hört nicht auf zu reden Lästerworte” | — | ||
| 18-6 | Paulus, op. 36, MWV A14: Part 1. No. 5 Recitative with Chorus: “Und sie sahen auf ihn alle” (Soprano, Tenor, Chorus) | — | ||
| 18-7 | Paulus, op. 36, MWV A14: Part 1. No. 6 Aria: “Jerusalem, die du tötest die Propheten” (Soprano) | — | ||
| 18-8 | Paulus, op. 36, MWV A14: Part 1. No. 7 Recitative and Chorus: “Sie aber stürmtenauf ihn ein” (Tenor, Chorus) | — | ||
| 18-9 | Paulus, op. 36, MWV A14: Part 1. No. 8 Recitative and Choral: “Und sie steinigten ihn” (Tenor, Chorus) | — | ||
| 18-10 | Paulus, op. 36, MWV A14: Part 1. No. 9 Recitative: “Und die Zeugen legten ab ihre Kleider” (Soprano) / No. 10 Chorus: “Siehe! Wir preisen selig” | — | ||
| 18-11 | Paulus, op. 36, MWV A14: Part 1. No. 11 Recitative: “Saulus aber zerstörte die Gemeinde” (Tenor) / Aria: “Vertilge sie, Herr Zebaoth” | — | ||
| 18-12 | Paulus, op. 36, MWV A14: Part 1. No. 12 Recitative: “Und zog mit einer Schar” / Arioso: “Doch der Herr vergisst die seinen nicht” (Alto) | — | ||
| 18-13 | Paulus, op. 36, MWV A14: Part 1. No. 13 Recitative with Chorus: “Und als er auf dem Wege war” - “Saul, was verfolgst du mich?” (Tenor, Bass, Chorus) | — | ||
| 18-14 | Paulus, op. 36, MWV A14: Part 1. No. 14 Chorus: “Mache dich auf! Werde Licht!” / No. 15 Choral: “Wachet auf! Ruft uns die Stimme” | — | ||
| 18-15 | Paulus, op. 36, MWV A14: Part 1. No. 16 Recitative: “Die Männer aber, die seine Gafährten waren” (Tenor) | — | ||
| 18-16 | Paulus, op. 36, MWV A14: Part 1. No. 17 Aria: “Gott sei mir gnädig nach deiner Güte” (Bass) | — | ||
| 18-17 | Paulus, op. 36, MWV A14: Part 1. No. 18 Recitative: “Es war aber ein Jünger zu Damaskus” (Tenor, Soprano) | — | ||
| 18-18 | Paulus, op. 36, MWV A14: Part 1. No. 19 Aria with Chorus: “Ich danke dir, Herr mein Gott” (Bass, Chorus) | — | ||
| 18-19 | Paulus, op. 36, MWV A14: Part 1. No. 20 Recitative: “Und Ananias ging hin” (Soprano, Tenor) / No. 21 Chorus: “O welch eine Tiefe des Reichtums” | — | ||
| 19-1 | Paulus, op. 36, MWV A14: Part 2. No. 22: “Der Erdkreis ist nun des Herrn” | — | ||
| 19-2 | Paulus, op. 36, MWV A14: Part 2. No. 23 Recitative: “Und Paulus Kam zu der Gemeinde” (Soprano) / No. 24 Duettino: “So sind wir nun Botschafter” (Tenor, Bass) | — | ||
| 19-3 | Paulus, op. 36, MWV A14: Part 2. No. 25 Chorus: “Wie lieblich sind die Boten” | — | ||
| 19-4 | Paulus, op. 36, MWV A14: Part 2. No. 26 Recitative: “Und wie sie ausgesandt” / Arioso: “Lasst uns singen von der Grande des Herrn” (Soprano) | — | ||
| 19-5 | Paulus, op. 36, MWV A14: Part 2. No. 27 Recitative and Chorus: “Da aber die Juden das Volk sahen” (Tenor, Chorus) / No. 28 Chorus & Choral: “Ist das nicht, der zu Jerusalem” | — | ||
| 19-6 | Paulus, op. 36, MWV A14: Part 2. No. 28 Recitative: “Paulus aber und Barnabas sprachen” / No. 30 Duet: “Denn also hat uns der Herr geboten” (Tenor, Bass) | — | ||
| 19-7 | Paulus, op. 36, MWV A14: Part 2. No. 31 Recitative: “Und es war ein Mann” / No. 32 Chorus: “Die Götter sind den Menschen” / No. 33 Recitative: “Und nannten Barnabas” (Soprano, Chorus) | — | ||
| 19-8 | Paulus, op. 36, MWV A14: Part 2. No. 34 Chorus: “Seid uns gnädig, hohe Götter” | — | ||
| 19-9 | Paulus, op. 36, MWV A14: Part 2. No. 35 Recitative and Aria: “Da das die Apostel hörten” / Chorus: “Aber unser Gott ist im Himmel” (Tenor, Bass, Chorus) | — | ||
| 19-10 | Paulus, op. 36, MWV A14: Part 2. No. 36 Recitative: “Da ward das Volk erreget” / No. 37 Chorus: “Hier ist des Herren Tempel” / No. 38 Recitative: “Und sie alle verfolgten Paulus” (Soprano) | — | ||
| 19-11 | Paulus, op. 36, MWV A14: Part 2. No. 39 Cavatine: “Sei getreu bis in den Tod” (Tenor, Chorus) | — | ||
| 19-12 | Paulus, op. 36, MWV A14: Part 2. No. 40 Recitative: “Paulus sandte hin und ließ fordern” (Soprano, Bass) / No. 41 Chorus and Recitative: “Schone doch deiner selbst” (Chorus, Bass, Tenor) | — | ||
| 19-13 | Paulus, op. 36, MWV A14: Part 2. No. 42 Chorus: “Sehet, welch eine Liebe hat uns der Vater erzeiget” | — | ||
| 19-14 | Paulus, op. 36, MWV A14: Part 2. No. 43 Recitative: “Und wenn er gleich geopfert wird” (Soprano) / No. 44 Schlusschor: “Nicht aber ihm allein” (Chorus) | — | ||
| 19-15 | “Lass', o Herr, mich Hülfe finden”, op. 96: “Lass', o Herr, mich Hülfe finden” | — | ||
| 19-16 | “Lass', o Herr, mich Hülfe finden”, op. 96: Chorale | — | ||
| 19-17 | “Lass', o Herr, mich Hülfe finden”, op. 96: “Herr, wir trau'n auf deine Güte” | — | ||
| 19-18 | “Lass', o Herr, mich Hülfe finden”, op. 96: Fuga | — | ||
| 20-1 | Christus, op. 97, MWV A26: I. (a) Recitative: “Da Jesus geboren ward zu Bethlehem” (Soprano) / Trio: “Wo ist der neugeboren König” (Tenor, Basses I & II) | — | ||
| 20-2 | Christus, op. 97, MWV A26: I. (b) Chorus: “Es wird ein Stern aus Jacob aufgehn” (Chorus) | — | ||
| 20-3 | Christus, op. 97, MWV A26: II. (a) Recitative: “Und der granze Haufe stand auf” (Tenor) / Chorus: “Diesen finden wir” | — | ||
| 20-4 | Christus, op. 97, MWV A26: II. (b) Choral: “Er nimmt auf seinen Rücken” | — | ||
| 20-5 | Psalm 55 “Hör mein Bitten, Herr”, WoO 15, MWV B49 (orch. 1847) | — | ||
| 20-6 | Kirchenmusik, op. 23: No. 3 “Mitten wir im Leben sind” (Martin Luther), MWV B21 | — | ||
| 20-7 | Kirchenmusik, op. 23: No. 2 Ave Maria, MWV B19 | — | ||
| 20-8 | “Verleih' uns Frieden”, WoO 5, MWV A11 | — | ||
| 20-9 | Te Deum in A major, WoO 29, MWV B25 | — | ||
| 20-10 | Psalm 114 “Da Israel aus Aegypten zog”, op. 51 | — | ||
| 21-1 | Petite messe solennelle: I. Kyrie - Christe (Soli, Chorus) | — | ||
| 21-2 | Petite messe solennelle: II. Gloria - Laudamus te (Soli, Chorus) | — | ||
| 21-3 | Petite messe solennelle: III. Gratias (Contralto, Tenor, Bass) | — | ||
| 21-4 | Petite messe solennelle: IV. Domine Deus (Tenor) | — | ||
| 21-5 | Petite messe solennelle: V. Qui tollis (Soprano, Contralto) | — | ||
| 21-6 | Petite messe solennelle: VI. Quoniam (Bass) | — | ||
| 21-7 | Petite messe solennelle: VII. Cum Sancto Spiritu (Soli, Chorus) | — | ||
| 21-8 | Petite messe solennelle: VIII. Credo (Soli, Chorus) | — | ||
| 21-9 | Petite messe solennelle: IX. Crucifixus (Soprano) | — | ||
| 21-10 | Petite messe solennelle: X. Et resurrexit (Soli, Chorus) | — | ||
| 21-11 | Petite messe solennelle: XI. Preludio religioso (keyboard) | — | ||
| 21-12 | Petite messe solennelle: XII. Ritournelle (Harmonium) - Sanctus (Soli, Chorus) | — | ||
| 21-13 | Petite messe solennelle: XIII. O Salutaris (Soprano) | — | ||
| 21-14 | Petite messe solennelle: XIV. Agnus Dei (Contralto, Chorus) | — | ||
| 22-1 | Messe chorale: I. Prélude - Kyrie | — | ||
| 22-2 | Messe chorale: II. Intonation - Gloria | — | ||
| 22-3 | Messe chorale: III. Intonation - Credo | — | ||
| 22-4 | Messe chorale: IV. Sanctus - Benedictus | — | ||
| 22-5 | Messe chorale: V. Agnus Dei | — | ||
| 22-6 | Messe à quatre voix, op. 4: I. Kyrie | — | ||
| 22-7 | Messe à quatre voix, op. 4: II. Gloria | — | ||
| 22-8 | Messe à quatre voix, op. 4: III. Credo | — | ||
| 22-9 | Messe à quatre voix, op. 4: IV. Sanctus | — | ||
| 22-10 | Messe à quatre voix, op. 4: V. O salutaris | — | ||
| 22-11 | Messe à quatre voix, op. 4: VI. Agnus Dei | — | ||
| 23-1 | Mass in C major, op. 86: I. Kyrie (Soli, Chorus) | — | ||
| 23-2 | Mass in C major, op. 86: II. Gloria (Soli, Chorus) | — | ||
| 23-3 | Mass in C major, op. 86: III. Credo (Soli, Chorus) | — | ||
| 23-4 | Mass in C major, op. 86: IV. Sanctus (Chorus) | — | ||
| 23-5 | Mass in C major, op. 86: V. Benedictus (Soli, Chorus) | — | ||
| 23-6 | Mass in C major, op. 86: VI. Agnus Dei (Soli, Chorus) | — | ||
| 23-7 | Meeresstille und glückliche Fahrt, op. 112 | — | ||
| 24-1 | Requiem für Mignon, op. 98b | — | ||
| 24-2 | Mass in C minor, op. 147: I. Kyrie (Chorus) | — | ||
| 24-3 | Mass in C minor, op. 147: II. Gloria (Soprano, Chorus) | — | ||
| 24-4 | Mass in C minor, op. 147: III. Credo (Chorus) | — | ||
| 24-5 | Mass in C minor, op. 147: IV. Offertorium (Soprano) | — | ||
| 24-6 | Mass in C minor, op. 147: V. Sanctus (Tenor, Bass, Chorus) | — | ||
| 24-7 | Mass in C minor, op. 147: VI. Agnus Dei (Chorus) | — | ||
| 25-1 | Die erste Walpurgisnacht, op. 60, MWV D3: Overture: Das schlechte Wetter - Der Übergang zum Frühling | — | ||
| 25-2 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 1 “Es lacht der Mai!” (Allegro vivace non troppo) (Tenor, Chorus) | — | ||
| 25-3 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 2 “Könnt ihr so verwegen handeln?” (Allegro non troppo) (Alto, Chorus) | — | ||
| 25-4 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 3 “Wer Opfer heut' zu bringen” (Andante maestoso) (Baritone, Chorus) | — | ||
| 25-5 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 4 “Verteilt euch” (Allegro leggiero) (Chorus) | — | ||
| 25-6 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 5 Recitative: “Diese dumpfen Pfaffenchristen” (Allegro moderato) (Bass, Chorus) | — | ||
| 25-7 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 6 “Kommt mit Zacken und mit Gabeln!” (Chorus) | — | ||
| 25-8 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 7 “So weit gebracht” (Andante maestoso) (Baritone, Chorus) | — | ||
| 25-9 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 8 “Hilf, ach hilf mir, Kriegsgeselle!” (Allegro molto) (Tenor, Chorus) | — | ||
| 25-10 | Die erste Walpurgisnacht, op. 60, MWV D3: No. 9 “Die Flamme reinigt sich vom Rauch” (Andante maestoso) (Baritone, Chorus) | — | ||
| 25-11 | O Haupt voll Blut und Wunden, MWV A8: No. 1 “O Haupt voll Blut und Wunden” (Chorus) | — | ||
| 25-12 | O Haupt voll Blut und Wunden, MWV A8: No. 2 “Du, dessen Todeswunden” (Bass) | — | ||
| 25-13 | O Haupt voll Blut und Wunden, MWV A8: No. 3 Choral: “Ich will hier bei dir stehen” (Chorus) | — | ||
| 25-14 | Kyrie in D minor, MWV A3 | — | ||
| 26-1 | La Danse des morts: I. Introduction / II. Dialogue (Speaker, Choir) | — | ||
| 26-2 | La Danse des morts: III. Lamento (Baritone solo) | — | ||
| 26-3 | La Danse des morts: IV. Sanglots (Choir) | — | ||
| 26-4 | La Danse des morts: V. La Réponse de Dieu (Speaker, Orchestra) | — | ||
| 26-5 | La Danse des morts: VI. Espérance dans la Croix (Soprano, Alto solo, Baritone, Choir) | — | ||
| 26-6 | Une Cantate de Noël | — | ||
| 27-1 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” | — | ||
| 27-2 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” | — | ||
| 27-3 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” | — | ||
| 27-4 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth” | — | ||
| 27-5 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” | Christa Goetze, Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 27-6 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” | — | ||
| 27-7 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben” | — | ||
| 28-1 | Messe solennelle in C-sharp minor, op. 16: I. Kyrie eleison | — | ||
| 28-2 | Messe solennelle in C-sharp minor, op. 16: II. Gloria in excelsis Deo | — | ||
| 28-3 | Messe solennelle in C-sharp minor, op. 16: III. Sanctus | — | ||
| 28-4 | Messe solennelle in C-sharp minor, op. 16: IV. Benedictus | — | ||
| 28-5 | Messe solennelle in C-sharp minor, op. 16: V. Agnus Dei | — | ||
| 28-6 | Messe en l'honneur de saint Louis, op. 16: I. Kyrie eleison | — | ||
| 28-7 | Messe en l'honneur de saint Louis, op. 16: II. Gloria in excelsis Deo | — | ||
| 28-8 | Messe en l'honneur de saint Louis, op. 16: III. Sanctus | — | ||
| 28-9 | Messe en l'honneur de saint Louis, op. 16: IV. Benedictus | — | ||
| 28-10 | Messe en l'honneur de saint Louis, op. 16: V. Agnus Dei | — | ||
| 28-11 | Messe solennelle, op. 67: I. Kyrie eleison | — | ||
| 28-12 | Messe solennelle, op. 67: II. Gloria in excelsis Deo | — | ||
| 28-13 | Messe solennelle, op. 67: III. Sanctus | — | ||
| 28-14 | Messe solennelle, op. 67: IV. Benedictus | — | ||
| 28-15 | Messe solennelle, op. 67: V. Agnus Dei | — | ||
| 29-1 | Requiem, op. 48: I. Introit & Kyrie | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-2 | Requiem, op. 48: II. Offertoire | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-3 | Requiem, op. 48: III. Sanctus | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-003.012.217-8 | |
| 29-4 | Requiem, op. 48: IV. Pie Jesus | Magali Dami, Peter Harvey, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-315.824.737-7 | |
| 29-5 | Requiem, op. 48: V. Agnus Dei | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-926.356.677-4 | |
| 29-6 | Requiem, op. 48: VI. Libera me | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-7 | Requiem, op. 48: VII. In paradisum | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-924.489.944-3 | |
| 29-8 | Cantique de Jean Racine, op. 11 | Ensemble Vocal de Lausanne, Michel Corboz | T-300.950.284-1 | |
| 29-9 | Motets: Maria mater gratiae, op. 47 | Ensemble Vocal de Lausanne, Michel Corboz | — | |
| 29-10 | Motets: Ave verum, op. 65 no. 1 | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-915.668.767-1 | |
| 29-11 | Motets: Tantum ergo, op. 65 no. 2 | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-922.060.963-2 | |
| 29-12 | Motets: Tu es Pétrus | Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-050.090.082-2 | |
| 29-13 | Motets: Tantum ergo | Magali Dami, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-922.060.963-2 | |
| 29-14 | Messe basse: I. Kyrie | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-15 | Messe basse: II. Sanctus | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-16 | Messe basse: III. Benedictus | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 29-17 | Messe basse: IV. Agnus Dei | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — | |
| 30-1 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Kyrie | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-2 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gloria in excelsis Deo / Et in Terra pax / Laudamus te | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-3 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gratias agimus tibi | Chœur de la Fondation Gulbenkian de Lisbonne, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-4 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gloria in excelsis Deo / Domine Deus, Rex coelestis | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-003.010.019-6 | |
| 30-5 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Qui tollis peccata mundi | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-6 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Quoniam tu solus sanctus | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-7 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Cum Sancto Spiritu in gloria Patris / Gloria in excelsis Deo | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-8 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Credo in unum Deum | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-9 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et incarnatus est | Chœur de la Fondation Gulbenkian de Lisbonne, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-10 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Crucifixus | Chœur de la Fondation Gulbenkian de Lisbonne, Marcos Fink, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-11 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et resurrexit | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-12 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et unam sanctam catholicam | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-13 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et expecto resurrectionem | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-14 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Sanctus | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-15 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Benedictus | Chœur de la Fondation Gulbenkian de Lisbonne, Marcos Fink, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-16 | Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Agnus Dei | Chœur de la Fondation Gulbenkian de Lisbonne, Marcos Fink, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 30-17 | Gloria, FP 177: I. Gloria | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-003.010.019-6 | |
| 30-18 | Gloria, FP 177: II. Laudamus Te | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-003.010.019-6 | |
| 30-19 | Gloria, FP 177: III. Domine Deus | Chœur de la Fondation Gulbenkian de Lisbonne, Brigitte Fournier, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-003.010.019-6 | |
| 30-20 | Gloria, FP 177: IV. Domine filii unigenite | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-003.010.019-6 | |
| 30-21 | Gloria, FP 177: V. Domine Deus, Agnus Dei | — | ||
| 30-22 | Gloria, FP 177: VI. Qui sedes ad dexteram Patris | Chœur de la Fondation Gulbenkian de Lisbonne, Brigitte Fournier, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 31-1 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Kyrie eleison (Chorus) | — | ||
| 31-2 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Christe eleison (Tenor, Chorus) | — | ||
| 31-3 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Kyrie eleison (Chorus) | — | ||
| 31-4 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Gloria in excelsis Deo (Chorus) | — | ||
| 31-5 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Laudamus te (Soprano) | — | ||
| 31-6 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Gratias agimus (Chorus) | — | ||
| 31-7 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Domine Deus (Alto, Tenor, Bass) | — | ||
| 31-8 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Qui sedes (Alto, Chorus) | — | ||
| 31-9 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Quoniam tu solus (Soprano, Chorus) | — | ||
| 31-10 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. In gloria Dei Patris (Chorus) | — | ||
| 31-11 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Credo (Soprano, Chorus) | — | ||
| 31-12 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et incarnatus est (Tenor) | — | ||
| 31-13 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Crucifixus (Bass, Alto) | — | ||
| 31-14 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et resurrexit (Chorus, Soloists) | — | ||
| 31-15 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et vitam venturi saeculi (Chorus, Soloists) | — | ||
| 31-16 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Sanctus & Benedictus. Sanctus (Chorus) | — | ||
| 31-17 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Sanctus & Benedictus. Benedictus (Chorus) | — | ||
| 31-18 | Missa “Sanctae Caeciliae”, Hob. XXII:5: Agnus Dei | — | ||
| 32-1 | Kirchenmusik, op. 23: No. 1 “Aus tiefer Not schrei' ich zu dir” (De Profundis), MWV B20 (Martin Luther) | — | ||
| 32-2 | Kirchenmusik, op. 23: No. 2 Ave Maria, MWV B19 | — | ||
| 32-3 | Kirchenmusik, op. 23: No. 3 “Mitten wir im Leben sind mit dem Tod umfangen”, MWV B21 (Martin Luther) | — | ||
| 32-4 | Denn er hat seinen Engeln befohlen, MWV B53 | — | ||
| 32-6 | Three Psalms, op. posth. 78: No. 1 Psalm 2 “Warum toben die Heiden”, MWV B41 | — | ||
| 32-7 | Three Psalms, op. posth. 78: No. 2 Psalm 43 “Richte mich, Gott und führe meine Sache”, MWV B46 | — | ||
| 32-8 | Three Psalms, op. posth. 78: No. 3 Psalm 22 “Mein Gott, warum hast du mich verlassen”, MWV B51 | — | ||
| 32-9 | Geistliches Lieder, op. posth. 96, MWV A19: No. 1 “Lass, O Herr, mich Hilfe finden” | — | ||
| 32-10 | Geistliches Lieder, op. posth. 96, MWV A19: No. 2 “Deines Kind's Gebet erhöre” | — | ||
| 32-11 | Geistliches Lieder, op. posth. 96, MWV A19: No. 3 “Herr, wir traun'n deine Güte” | — | ||
| 33-1 | Messa da Requiem: I. Requiem e Kyrie. Requiem aeternam (Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-2 | Messa da Requiem: I. Requiem e Kyrie. Kyrie eleison (Tenor, Bass, Soprano, Mezzo-soprano) | Angela Maria Blasi, Ursula Kunz, Reinaldo Macias, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-3 | Messa da Requiem: II. Sequenza. Dies irae (Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-4 | Messa da Requiem: II. Sequenza. Tuba mirum (Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-5 | Messa da Requiem: II. Sequenza. Mors stupebit (Bass) | David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-6 | Messa da Requiem: II. Sequenza. Liber scriptus (Mezzo-soprano, Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, Ursula Kunz, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-7 | Messa da Requiem: II. Sequenza. Quid sum miser (Soprano, Mezzo-soprano, Tenor) | Angela Maria Blasi, Ursula Kunz, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-8 | Messa da Requiem: II. Sequenza. Rex tremendae majestatis (Chorus, Soprano, Mezzo-soprano, Tenor, Bass) | Angela Maria Blasi, Chœur de la Fondation Gulbenkian de Lisbonne, Ursula Kunz, Reinaldo Macias, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-9 | Messa da Requiem: II. Sequenza. Recordare (Soprano, Mezzo-soprano) | Angela Maria Blasi, Ursula Kunz, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-10 | Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-11 | Messa da Requiem: II. Sequenza. Confutatis maledictis (Bass, Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-12 | Messa da Requiem: II. Sequenza. Lacrymosa (Mezzo-soprano, Bass, Soprano, Tenor, Chorus) | Angela Maria Blasi, Chœur de la Fondation Gulbenkian de Lisbonne, Ursula Kunz, Reinaldo Macias, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-13 | Messa da Requiem: III. Offertorio. Domine Jesu Christe / Hostias (Tenor, Mezzo-soprano, Soprano, Bass) | Angela Maria Blasi, Ursula Kunz, Reinaldo Macias, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-14 | Messa da Requiem: IV. Sanctus (Chorus) | Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-15 | Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus) | Angela Maria Blasi, Chœur de la Fondation Gulbenkian de Lisbonne, Ursula Kunz, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | T-914.368.452-0 | |
| 33-16 | Messa da Requiem: VI. Communio. Lux aeterna (Mezzo-soprano, Tenor, Bass) | Ursula Kunz, Reinaldo Macias, David Pittman-Jennings, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 33-17 | Messa da Requiem: VII. Libera me (Soprano, Chorus) | Angela Maria Blasi, Chœur de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 34-1 | Requiem à la mémoire de Camões in C minor, op. 23: I. Introit - Requiem aeternam | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 34-2 | Requiem à la mémoire de Camões in C minor, op. 23: II. Kyrie | Liliana Bizineche-Eisinger, Angela Maria Blasi, Michel Brodard, Gulbenkian Choir, Reinaldo Macias, Gulbenkian Orchestra, Michel Corboz | — | |
| 34-3 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Dies irae (Chorus) | — | ||
| 34-4 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Tuba mirum (Soloists and Chorus) | — | ||
| 34-5 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Judex ergo (Chorus) | — | ||
| 34-6 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Qui sum miser (Soloists and Chorus) | — | ||
| 34-7 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Juste judex chorus (Chorus) | — | ||
| 34-8 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Ingemisco & confutatis (Soprano, Mezzo-soprano, Chorus) | — | ||
| 34-9 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Lacrymosa (Soloists and Chorus) | — | ||
| 34-10 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Domine Jesu Christe (Chorus) | — | ||
| 34-11 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Hostias (Soloists and Chorus) | Liliana Bizineche-Eisinger, Angela Maria Blasi, Michel Brodard, Chœur de la Fondation Gulbenkian de Lisbonne, Reinaldo Macias, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz | — | |
| 34-12 | Requiem à la mémoire de Camões in C minor, op. 23: V. Sanctus | Liliana Bizineche-Eisinger, Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 34-13 | Requiem à la mémoire de Camões in C minor, op. 23: VI. Benedictus | Liliana Bizineche-Eisinger, Angela Maria Blasi, Michel Brodard, Gulbenkian Choir, Reinaldo Macias, Gulbenkian Orchestra, Michel Corboz | — | |
| 34-14 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Agnus Dei. Agnus Dei (Soprano, Chorus) | — | ||
| 34-15 | Requiem to the memory of Luis Vas Camões in C minor, op. 23: Agnus Dei. Requiem aeternam (Chorus) | — | ||
| 35-1 | Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano) | Efrat Ben-Nun, Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | T-905.386.342-6 | |
| 35-2 | Requiem in D minor, K. 626: II. Kyrie eleison (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-3 | Requiem in D minor, K. 626: III. Sequentia. Dies irae (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-4 | Requiem in D minor, K. 626: III. Sequentia. Tuba mirum (Solo Quartet) | Efrat Ben-Nun, Marcos Fink, Jeffrey Francis, Elisabeth Graf | — | |
| 35-5 | Requiem in D minor, K. 626: III. Sequentia. Rex tremendae (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-6 | Requiem in D minor, K. 626: III. Sequentia. Recordare (Solo Quartet) | Efrat Ben-Nun, Marcos Fink, Jeffrey Francis, Elisabeth Graf | — | |
| 35-7 | Requiem in D minor, K. 626: III. Sequentia. Confutatis (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-8 | Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-9 | Requiem in D minor, K. 626: IV. Offertorium. Domine Jesu Christe (Chorus, Solo Quartet) | Efrat Ben-Nun, Ensemble Vocal de Lausanne, Marcos Fink, Jeffrey Francis, Elisabeth Graf, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-10 | Requiem in D minor, K. 626: IV. Offertorium. Hostias et preces tibi (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-11 | Requiem in D minor, K. 626: V. Sanctus (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-12 | Requiem in D minor, K. 626: VI. Benedictus (Solo Quartet, Chorus) | Efrat Ben-Nun, Ensemble Vocal de Lausanne, Marcos Fink, Jeffrey Francis, Elisabeth Graf, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-13 | Requiem in D minor, K. 626: VII. Agnus Dei (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 35-14 | Requiem in D minor, K. 626: VIII. Communio. Lux aeterna (Soprano, Chorus) | Efrat Ben-Nun, Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | T-908.911.081-6 | |
| 36-1 | Requiem in D minor: Requiem aeternam. Kyrie eleison (Chorus) | Gulbenkian Choir, Mirjam Kalin, Aquiles Machado, Elisabete Matos, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-2 | Requiem in D minor: Sequentia. Dies irae (Chorus) | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-3 | Requiem in D minor: Sequentia. Tuba mirum (Bass, Chorus) | Gulbenkian Choir, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-4 | Requiem in D minor: Sequentia. Rex tremendae (Soloists, Chorus) | Gulbenkian Choir, Mirjam Kalin, Aquiles Machado, Elisabete Matos, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-5 | Requiem in D minor: Sequentia. Recordare (Soloists, Chorus) | Elisabete Matos, Mirjam Kalin, Aquiles Machado, Luis Rodrigues, Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-6 | Requiem in D minor: Sequentia. Confutatis (Soloists, Chorus) | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-7 | Requiem in D minor: Sequentia. Lacrimosa (Alto, Chorus) | Gulbenkian Choir, Mirjam Kalin, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-8 | Requiem in D minor: Offertorium. Domine Jesu Christe (Chorus) | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-9 | Requiem in D minor: Offertorium. Hostias et preces tibi (Tenor, Chorus) | Gulbenkian Choir, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-10 | Requiem in D minor: Sanctus. Sanctus (Chorus) | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-11 | Requiem in D minor: Sanctus. Benedictus (Soloists, Chorus) | Gulbenkian Choir, Mirjam Kalin, Aquiles Machado, Elisabete Matos, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-12 | Requiem in D minor: Sanctus. Agnus Dei. Libera me (Soloists, Chorus) | Gulbenkian Choir, Mirjam Kalin, Aquiles Machado, Elisabete Matos, Luis Rodrigues, Gulbenkian Orchestra, Michel Corboz | — | |
| 36-13 | Requiem in D minor: Sanctus. Dies irae / Requiem aeternam (Chorus) | Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — |
