UPC · Release
The Great Concertos: Beethoven, Chopin, Mozart, Ravel…
Martha Argerich
5054197492617
31 tracks
Last verified:
5054197492617 is the Universal Product Code (UPC barcode) for the release “The Great Concertos: Beethoven, Chopin, Mozart, Ravel…” by Martha Argerich. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 31 tracks, each with its own ISRC. Tracks include CH8291700729, CH8291700730, CH8291700731.
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505GS1 prefix
4197Company prefix
49261Product
7Check digit
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
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Credit Chain
UPCThe Great Concertos: Beethoven, Chopin, Mozart, Ravel…
ISRC25 recordings
ISWC4 works
Track List (31)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto in G: I. Allegramente | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T3051992899 | |
| 2 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T3051944657 | |
| 3 | Piano Concerto in G: III. Presto | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T3051992957 | |
| 4 | Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 5 | Concerto for Piano no. 20 in D minor, K. 466: II. Romance | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 6 | Concerto for Piano no. 20 in D minor, K. 466: III. Allegro assai | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 7 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 8 | Piano Concerto no. 3 in C major, op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 9 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo - meno mosso - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 10 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": I. Allegro | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 11 | Concerto for Piano, Violin, and Cello in C major, op. 56 “Triple Concerto”: II. Largo | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Alexander Rabinovitch-Barakovsky | — | |
| 12 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": III. Rondo alla polacca | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 13 | Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso | — | ||
| 14 | Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | — | ||
| 15 | Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace | — | ||
| 16 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T9092642621 | |
| 17 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T9092642621 | |
| 18 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T9092642621 | |
| 19 | Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 20 | Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 21 | Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 22 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: I. Allegro moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 23 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: II. Lento largo | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 24 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: III. Moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 25 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: IV. Allegro con brio | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 26 | Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso | — | ||
| 27 | Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | — | ||
| 28 | Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | — | ||
| 29 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 30 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 31 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — |
Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov
Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov
Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro
Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch
—
Concerto for Piano no. 20 in D minor, K. 466: II. Romance
Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch
—
Concerto for Piano no. 20 in D minor, K. 466: III. Allegro assai
Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch
—
Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
—
Piano Concerto no. 3 in C major, op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
—
Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo - meno mosso - Allegro
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
—
Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": I. Allegro
Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский
—
Concerto for Piano, Violin, and Cello in C major, op. 56 “Triple Concerto”: II. Largo
Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Alexander Rabinovitch-Barakovsky
—
Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": III. Rondo alla polacca
Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский
—
Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso
—
Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto
—
Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace
—
Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky
Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky
Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky
Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
—
Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
—
Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
—
Concerto for Piano, Trumpet and Strings in C minor, op. 35: I. Allegro moderato
Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников
—
Concerto for Piano, Trumpet and Strings in C minor, op. 35: II. Lento largo
Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников
—
Concerto for Piano, Trumpet and Strings in C minor, op. 35: III. Moderato
Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников
—
Concerto for Piano, Trumpet and Strings in C minor, op. 35: IV. Allegro con brio
Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников
—
Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso
—
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto
—
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace
—
Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio
Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant
—
Piano Concerto no. 1 in C major, op. 15: II. Largo
Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant
—
Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando
Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant
—
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What is UPC 5054197492617?
5054197492617 is a Universal Product Code (UPC) assigned to The Great Concertos: Beethoven, Chopin, Mozart, Ravel… by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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