UPC · Release
Otto Klemperer
Last verified:
5054197528996 is the Universal Product Code (UPC barcode) for the release “The Warner Classics Remastered Edition Vol. 2: Operas & Sacred Works” by Otto Klemperer, released 2023-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 541 tracks, each with its own ISRC. Tracks include GBAYC0100517, GBAYC2300988, GBAYC2300989.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter" | Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer | — | |
| 2 | St. Matthew Passion, BWV 244: Part I, II. Rezitativ "Da Jesus diese Rede" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3 | St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu" | Philharmonia Orchestra, Otto Klemperer | — | |
| 4 | St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester" | Philharmonia Orchestra, Otto Klemperer | — | |
| 5 | St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6 | St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7 | St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?" | Philharmonia Orchestra, Otto Klemperer | — | |
| 8 | St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete" | Philharmonia Orchestra, Otto Klemperer | — | |
| 9 | St. Matthew Passion, BWV 244: Part I, IX. Rezitativ "Du lieber Heiland du" | Philharmonia Orchestra, Otto Klemperer | — | |
| 10 | St. Matthew Passion, BWV 244: Part I, X. Arie "Buß' und Reu'" | Philharmonia Orchestra, Otto Klemperer | — | |
| 11 | St. Matthew Passion, BWV 244: Part I, XI. Rezitativ "Da ging hin der Zwölfen einer" | Philharmonia Orchestra, Otto Klemperer | — | |
| 12 | St. Matthew Passion, BWV 244: Part I, XII. Arie "Blute nur, du liebes Herz" | Philharmonia Orchestra, Otto Klemperer | — | |
| 13 | St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage" | Philharmonia Orchestra, Otto Klemperer | — | |
| 14 | St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du" | Philharmonia Orchestra, Otto Klemperer | — | |
| 15 | St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin" | Philharmonia Orchestra, Otto Klemperer | — | |
| 16 | St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 17 | St. Matthew Passion, BWV 244: Part I, XVII. Rezitativ "Er antwortete und sprach" | Philharmonia Orchestra, Otto Klemperer | — | |
| 18 | St. Matthew Passion, BWV 244: Part I, XVIII. Rezitativ "Wiewohl mein Herz" | Philharmonia Orchestra, Otto Klemperer | — | |
| 19 | St. Matthew Passion, BWV 244: Part I, XIX. Arie "Ich will dir mein Herze schenken" | Philharmonia Orchestra, Otto Klemperer | — | |
| 20 | St. Matthew Passion, BWV 244: Part I, XX. Rezitativ "Und da sie den Lobgesang" | Philharmonia Orchestra, Otto Klemperer | — | |
| 21 | St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter" | Philharmonia Orchestra, Otto Klemperer | — | |
| 22 | St. Matthew Passion, BWV 244: Part I, XXII. Rezitativ "Petrus aber antwortete" | Philharmonia Orchestra, Otto Klemperer | — | |
| 23 | St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier" | Philharmonia Orchestra, Otto Klemperer | — | |
| 24 | St. Matthew Passion, BWV 244: Part I, XXIV. Rezitativ "Da kam Jesus" | Philharmonia Orchestra, Otto Klemperer | — | |
| 25 | St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 26 | St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu" | Philharmonia Orchestra, Otto Klemperer | — | |
| 27 | St. Matthew Passion, BWV 244: Part I, XXVII. Rezitativ "Und ging hin ein wenig" | Philharmonia Orchestra, Otto Klemperer | — | |
| 28 | St. Matthew Passion, BWV 244: Part I, XXVIII. Rezitativ "Der Heiland fällt" | Philharmonia Orchestra, Otto Klemperer | — | |
| 29 | St. Matthew Passion, BWV 244: Part I, XXIX. Arie "Gerne will ich mich bequemen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 30 | St. Matthew Passion, BWV 244: Part I, XXX. Rezitativ "Und er kam zu seinen Jüngern" | Philharmonia Orchestra, Otto Klemperer | — | |
| 31 | St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-1 | St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-2 | St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-3 | St. Matthew Passion, BWV 244: Part I, XXXIV. Rezitativ "Und siehe, einer aus denen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-4 | St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-5 | St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-6 | St. Matthew Passion, BWV 244: Part II, XXXVII. Rezitativ "Die aber Jesum gegriffen hatten" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-7 | St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-8 | St. Matthew Passion, BWV 244: Part II, XXXIX. Rezitativ "Und wiewohl viel falsche Zeugen herzutraten" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-9 | St. Matthew Passion, BWV 244: Part II, XL. Rezitativ "Mein Jesus schweigt" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-10 | St. Matthew Passion, BWV 244: Part II, XLI. Arie "Geduld, wenn mich falsche Zungen stechen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-11 | St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-12 | St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-13 | St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-14 | St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-15 | St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-16 | St. Matthew Passion, BWV 244: Part II, XLVII. Arie "Erbarme dich, mein Gott" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-17 | St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-18 | St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-19 | St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-20 | St. Matthew Passion, BWV 244: Part II, LI. Arie "Gebt mir meinen Jesum wieder!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-21 | St. Matthew Passion, BWV 244: Part II, LII. Rezitativ "Sie hielten aber einen Rat" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-22 | St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-23 | St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-24 | St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-25 | St. Matthew Passion, BWV 244: Part II, LVI. Rezitativ "Der Landpfleger sagte" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-26 | St. Matthew Passion, BWV 244: Part II, LVII. Rezitativ "Er hat uns allen wohlgetan" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-27 | St. Matthew Passion, BWV 244: Part II, LVIII Arie "Aus Liebe will mein Heiland sterben" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-1 | St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-2 | St. Matthew Passion, BWV 244: Part II, LX. Rezitativ "Erbarm' es Gott!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-3 | St. Matthew Passion, BWV 244: Part II, LXI. Arie "Können Tränen meiner Wangen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-4 | St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-5 | St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-6 | St. Matthew Passion, BWV 244: Part II, LXIV. Rezitativ "Und da sie ihn verspottet" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-7 | St. Matthew Passion, BWV 244: Part II, LXV. Rezitativ "Ja! freilich will in uns" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-8 | St. Matthew Passion, BWV 244: Part II, LXVI. Arie "Komm, süßes Kreuz" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-9 | St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-10 | St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-11 | St. Matthew Passion, BWV 244: Part II, LXIX. Rezitativ "Ach, Golgatha" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-12 | St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-13 | St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-14 | St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-15 | St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-16 | St. Matthew Passion, BWV 244: Part II, LXXIV. Rezitativ "Am Abend, da es kühle war" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-17 | St. Matthew Passion, BWV 244: Part II, LXXV. Arie "Mache dich, mein Herze, rein" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-18 | St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-19 | St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-20 | St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder" | Philharmonia Orchestra, Otto Klemperer | — | |
| 4-1 | Ein deutsches Requiem Op.45: I. Selig sind, die da Leid tragen | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-2 | Ein deutsches Requiem Op.45: II. Denn alles Fleisch es ist wie Gras | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-3 | Ein deutsches Requiem Op.45: III. Herr, lehre doch mich | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-4 | Ein deutsches Requiem Op.45: IV. Wie lieblich sind deine Wohnungen | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-5 | Ein deutsches Requiem Op.45: V. Ihr habt nun Traurigkeit | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-6 | Ein deutsches Requiem Op.45: VI. Denn wir haben hie keine bleibende Statt | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-7 | Ein deutsches Requiem Op.45: VII. Selig sind die Toten | Otto Klemperer, Philharmonia Orchestra | — | |
| 5-1 | Mass in B Minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison" | — | ||
| 5-2 | Mass in B Minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison" | — | ||
| 5-3 | Mass in B Minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo" | — | ||
| 5-4 | Mass in B Minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi" | — | ||
| 5-5 | Mass in B Minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi" | — | ||
| 5-6 | Mass in B Minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum" | — | ||
| 5-7 | Mass in B Minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem" | — | ||
| 5-8 | Mass in B Minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est" | — | ||
| 5-9 | Mass in B Minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus" | — | ||
| 5-10 | Mass in B Minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor" | — | ||
| 5-11 | Mass in B Minor, BWV 232: IVb. Sanctus, Osanna, Benedictus & Agnus Dei: Chorus "Osanna in excelsis" | — | ||
| 5-12 | Mass in B Minor, BWV 232: IVd. Sanctus, Osanna, Benedictus & Agnus Dei: Chorus "Osanna in excelsis" | — | ||
| 5-13 | Mass in B Minor, BWV 232: IVf. Sanctus, Osanna, Benedictus & Agnus Dei: Choir "Dona nobis pacem" | — | ||
| 5-14 | Otto Klemperer & the Philharmonia Chorus in rehearsal | — | ||
| 6-1 | Fidelio: Ouvertüre | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-2 | Fidelio, Act I, No. 1: Duett: Jetzt, Schätzchen, jetzt sind wir allein | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-3 | Fidelio, Act I, No. 1: Duett: Der arme Jaquino dauert mich beinahe | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-4 | Fidelio: Act I. Aria "O wär' ich schon mit dir vereint" (Marzelline) | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-5 | Fidelio, Act I, No. 2: Arie: Guten Tag, Marzelline, Ist Fidelio noch nicht zurück? | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-6 | Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar" | Gottlob Frick, Ingeborg Hallstein, Christa Ludwig, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 6-7 | Fidelio, Act I, No. 3: Quartett: Höre, Fidelio, weißt du, was ich tue? | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-8 | Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-9 | Fidelio, Act I, No. 4: Arie: Ihr könnt das leicht sagen, Meister Rocco | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-10 | Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-11 | Fidelio, Act I, No. 5: "Der Gouverneur soll heut' erlauben" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-12 | Fidelio, Act I, No. 5: "Nur auf der Hut, dann geht es gut" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-13 | Fidelio: Act I, No. 6. Marsch | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-14 | Fidelio, Act I, No. 6: Marsch: Wo sind die Depeschen | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-15 | Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick! | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-16 | Fidelio, Act I, No. 7: Arie mit chor: Hauptmann, besteigen Sie mit einem Tompeter sogleich den Turm | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-17 | Fidelio, Act I, No. 8: Duett: Jetzt, Alter, jetzt hat es Eile! | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-18 | Fidelio, Act I, No. 9: Rezitativ. "Abscheulicher! Wo eilst du hin?" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-19 | Fidelio, Act I, No. 9: Arie. "Komm, Hoffnung, laß den letzten Stern" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-20 | Fidelio, Act I, No. 9: Rezitativ und Arie: Rocco, Ihr verspracht mir so oft | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-21 | Fidelio, Act I, No. 10: Finale. "O welche Lust!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-22 | Fidelio, Act I, No. 10: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-23 | Fidelio, Act I, No. 10: Finale: Nun sprecht, wie ging's? | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-24 | Fidelio, Act I, No. 10: "Ach! Vater, eilt!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-25 | Fidelio, Act I, No. 10: "Verwegener Alter" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-26 | Fidelio, Act I, No. 10: "Leb wohl, du warmes Sonnenlicht" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-1 | Fidelio, Act II, No. 11: Introduktion | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-2 | Fidelio, Act II, No. 11: Arie. "Gott! Welch' Dunkel hier!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-3 | Fidelio, Act II, No. 11: "In des Lebens Frühlingstagen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-4 | Fidelio, Act II, No. 11: "Und spür ich nicht linde" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-5 | Fidelio, Act II: II. Melodram und Duett: Wie kalt ist es in diesem unterirdischen Gewölbe | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-6 | Fidelio, Act II: III. Nur hurtig fort | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-7 | Fidelio, Act II: IV. Er erwacht! | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-8 | Fidelio, Act II: V. Terzett: Euch werde Lohn in besser'n Welten | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-9 | Fidelio, Act II: VI. Alles ist bereit | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-10 | Fidelio, Act II: VII. Quartett: Er sterbe! Doch er soll erst wissen | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-11 | Fidelio, Act II: VIII. Vater Rocco! Vater Rocco! | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-12 | Fidelio, Act II: IX. Es schlägt der Rache Stunde! | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-13 | Fidelio, Act II: X. Duett: O namenlose Freude! | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-14 | Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-15 | Fidelio, Act II, No. 16: "Des besten Königs Wink und Wille" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-16 | Fidelio, Act II, No. 16: "Wohlan! So helfet, helft den Armen!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-17 | Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-18 | Fidelio, Act II, No. 16: "O Gott! O welch' ein Augenblick!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-19 | Fidelio, Act II, No. 16: "Wer ein holdes Weib errungen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 8-1 | Messiah: Sinfony | Philharmonia Orchestra, Otto Klemperer | — | |
| 8-2 | Messiah: Accompagnato: 'Comfort ye My people' (Tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-3 | Messiah: Air: Ev'ry valley shall be exalted (Tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-4 | Messiah: Chorus: And the glory of the Lord | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-5 | Messiah: Accompagnato: Thus saith the Lord (bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-6 | Messiah: Air: But who may abide the day of His coming? (Bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-7 | Messiah: Chorus: And he shall purify | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-8 | Messiah: Recitative: 'Behold, a virgin shall conceive' (Alto) | Grace Hoffman, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-9 | Messiah: Air: O thou that tellest good tidings to Zion (Alto) | Grace Hoffman, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-10 | Messiah: Chorus: O thou that tellest good tidings to Zion | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-11 | Messiah: Accompagnato: For behold, darkness shall cover the earth (Bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-12 | Messiah: Air: The people that walked in darkness (Bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-13 | Messiah: Chorus: For unto us a Child is born | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-14 | Messiah: Pifa (Pastoral Symphony) | Philharmonia Orchestra, Otto Klemperer | — | |
| 8-15 | Messiah: Recitative: 'There were shepherds abiding in the fields' (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-16 | Messiah: Chorus: Glory to God | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-17 | Messiah: Air: Rejoice greatly, o daughter to Zion (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-18 | Messiah: Recitative: Then shall the eyes of the blind be open'd (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-19 | Messiah: Air: He shall feed his flock like a shepherd (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-20 | Messiah: Chorus: His yoke is easy, His burthen is light | Philharmonia Orchestra, Otto Klemperer | — | |
| 9-1 | Messiah: Chorus: Behold the Lamb of God | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-2 | Messiah: Air: He was despised and rejected of men (alto) | Grace Hoffman, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-3 | Messiah: Chorus: Surely He hath borne our griefs | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-4 | Messiah: Chorus: And with His stripes we are healed | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-5 | Messiah: Chorus: All we like sheep have gone astray | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-6 | Messiah: Recitative: All they that see Him, laugh Him to scorn (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-7 | Messiah: Chorus: He trusted in God | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-8 | Messiah: Recitative: Thy rebuke hath broken His heart (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-9 | Messiah: Arioso: Behold and see if there be any sorrow (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-10 | Messiah: Recitative: He was cut off of the land of the living (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-11 | Messiah: Air: But Thou didst not leave his soul in hell (Tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-12 | Messiah: Chorus: Lift up your heads, O ye gates | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-13 | Messiah: Chorus: The Lord gave the word | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-14 | Messiah: Air: How beautiful are the feet (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-15 | Messiah: Chorus: Their sound is gone out into all lands | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-16 | Messiah: Air: Why do the nations so furiously rage together (Bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-17 | Messiah: Chorus: Let us break their bonds asunder | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-18 | Messiah: Recitative: He that dwelleth in heaven (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-19 | Messiah: Air: Thos shalt break them with a rod of iron (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-20 | Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-21 | Messiah: Air: I know that my Redeemer liveth (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-22 | Messiah: Chorus: Since by man came death | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-23 | Messiah: Recitative: Behold, I tell you a mystery (bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-24 | Messiah: Air: The trumpet shall sound (Bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-25 | Messiah: Chorus: Worthy is the Lamb | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-26 | Messiah: Chorus: Amen | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-1 | Die Zauberflöte, K. 620: Ouvertüre | Philharmonia Orchestra, Otto Klemperer | T-903.529.769-9 | |
| 10-2 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 1. Introduktion "Zu Hilfe! Zu Hilfe!" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-3 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 2. Lied "Der Vogelfänger bin ich ja" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-4 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 3. Aria "Dies Bildnis ist bezaubernd schön" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-5 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 4. Rezitativ und Arie "O zitt're nicht, mein lieber Sohn" | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-6 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 5. Quintet "Hm! hm! hm! hm!" | Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-7 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 6. Terzett "Du feines Täubchen, nur herein!" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-8 | Die Zauberflöte, K. 620: Akt 1, Szene 2, Nr. 7. Duett "Bei Männern, welche Liebe fühlen" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-9 | Die Zauberflöte, K. 620: Akt 1, Szene 2, Nr. 8. Finale "Zum Ziele führt dich diese Bahn" | Franz Crass, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-10 | Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Wie stark ist nicht dein Zauberton" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-11 | Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Schnelle Füße, rascher Mut" | Walter Berry, Gundula Janowitz, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-12 | Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Könnte jeder brave Mann" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-13 | Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Es lebe Sarastro!" | Walter Berry, Gottlob Frick, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-14 | Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Nun, stolzer Jüngling; nur hierher!" | Gottlob Frick, Nicolai Gedda, Gundula Janowitz, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-1 | Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 9. Marsch (Marsch der Priester) | Philharmonia Orchestra, Otto Klemperer | — | |
| 11-2 | Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 10. Arie und Chor "O Isis und Osiris" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-3 | Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 11. Duett "Bewahret euch vor Weibertücken" | Philharmonia Orchestra, Otto Klemperer | — | |
| 11-4 | Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 12. Quintett "Wie? wie? wie? ihr an diesem Schreckensort?" | Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-5 | Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 13. Arie "Alles fühlt der Liebe Freuden" | Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-6 | Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“ | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | T-918.245.117-8 | |
| 11-7 | Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 15. Arie "In diesen heil'gen Hallen kennt" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-8 | Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 16. Terzetto "Seid uns zum zweiten Mal willkommen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 11-9 | Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 17. Arie "Ach, ich fühl's, es ist verschwunden!" | Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-10 | Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 18. Chor der Priester "O Isis und Osiris, welche Wonne!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 11-11 | Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 19. Terzett "Soll ich dich, Teurer, nicht mehr seh'n?" | Gottlob Frick, Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-12 | Die Zauberflöte, K. 620: Akt 2, Szene 6. Nr. 20. Arie "Ein Mädchen oder Weibchen wünscht Papageno sich!" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-13 | Die Zauberflöte, K. 620: Akt 2, Szene 7. Nr. 21. Finale "Bald prangt, den Morgen zu verkünden" | Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-14 | Die Zauberflöte, K. 620: Akt 2, Szene 8. Nr. 21. Finale "Der, welcher wandelt diese Straße voll Beschwerden" | Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-15 | Die Zauberflöte, K. 620: Akt 2, Szene 8. Nr. 21. Finale "Tamino mein! O welch ein Glück!" | Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-16 | Die Zauberflöte, K. 620: Akt 2, Szene 9. Nr. 21. Finale "Papagena!" | Walter Berry, Ruth-Margret Pütz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-17 | Die Zauberflöte, K. 620: Akt 2, Szene 9. Nr. 21. Finale "Pa-pa-ge-na!" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-18 | Die Zauberflöte, K. 620: Akt 2, Szene 10. Nr. 21. Finale "Nur stille!" | Lucia Popp, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-19 | Die Zauberflöte, K. 620: Akt 2, Szene 10. Nr. 21. Finale "Die Strahlen der Sonne" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-1 | Missa Solemnis Op. 123: 1. Kyrie | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-2 | Missa Solemnis, Op. 123: Gloria. Gloria in excelsis Deo | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-3 | Missa Solemnis, Op. 123: Gloria. Qui tollis | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-4 | Missa Solemnis, Op. 123: Gloria. Quoniam tu solus sanctus | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-5 | Missa Solemnis, Op. 123: Credo. Credo in unum Denum | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-6 | Missa Solemnis, Op. 123: Credo. Et incarnatus est | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-7 | Missa Solemnis, Op. 123: Credo. Et resurrexit | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-8 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth / IVb. Pleni sunt coeli et terra - Osanna in excelsis / IVc. Praeludium | Philharmonia Orchestra, Otto Klemperer | — | |
| 12-9 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini | Philharmonia Orchestra, Otto Klemperer | — | |
| 12-10 | Missa Solemnis, Op. 123: Agnus Dei. Agnus Dei | Marga Höffgen, Waldemar Kmentt, Philharmonia Chorus, Elisabeth Söderström, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-11 | Missa Solemnis, Op. 123: Agnus. Dona nobis pacem | Marga Höffgen, Waldemar Kmentt, Philharmonia Chorus, Elisabeth Söderström, Philharmonia Orchestra, Otto Klemperer | — | |
| 13-1 | Don Giovanni, K. 527: Sinfonia | New Philharmonia Orchestra, Otto Klemperer | — | |
| 13-2 | Don Giovanni: Atto I, scena 1. Introduzione "Notte e giorno" (Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-3 | Don Giovanni: Atto I, scena 1. "Non sperar, se non m'uccidi" (Donna Anna/Don Giovanni/Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-4 | Don Giovanni: Atto I, scena 1. "Lasciala, indegno!" (Commendatore/Don Giovanni/Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-5 | Don Giovanni: Atto I, scena 1. Recitativo & Duetto: "Ma qual mai s'offre" (Donna Anna/Don Ottavio) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-6 | Don Giovanni: Atto I, scena 1. Recitativo & Duetto: "Fuggi, crudele, fuggi!" (Donna Anna/Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-7 | Don Giovanni: Atto I, scena 2. "Orsù, spicciati presto" (Don Giovanni/Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-8 | Don Giovanni: Atto I, scena 2. Aria "Ah, chi mi dice mai" (Donna Elvira) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-9 | Don Giovanni: Atto I, scena 2. Recitativo "Chi è là?" (Donna Elvira/Don Giovanni/Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-10 | Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello) | Walter Berry, New Philharmonia Orchestra, Otto Klemperer | — | |
| 13-11 | Don Giovanni: Atto I, scena 3. Coro "Giovinette che fate all'amore" (Zerlina/Coro/Masetto) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-12 | Don Giovanni: Atto I, scena 3. Recitativo "Manco male è partita" (Don Giovanni/Leporello/Zerlina/Masetto) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-13 | Don Giovanni: Atto I, scena 3. Aria "Ho capito, signor sì!" (Masetto) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-14 | Don Giovanni: Atto I, scena 3. Recitativo & Duetto "Alfin siam liberati" (Don Giovanni/Zerlina) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-15 | Don Giovanni: Atto I, scena 3. Recitativo & Duetto "Là ci darem la mano" (Don Giovanni/Zerlina) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-16 | Don Giovanni: Atto I, scena 3. Recitativo "Fermati, scellerato!" (Donna Elvira/Zerlina/Don Giovanni) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-17 | Don Giovanni: Atto I, scena 3. Recitativo & Quartetto "Mi par ch'oggi il demonio" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-18 | Don Giovanni: Atto I, scena 3. "Non ti fidar, o misera" (Don Giovanni/Don Ottavio/Donna Anna/Don Elvira) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-19 | Don Giovanni: Atto I, scena 3. Recitativo & Aria "Don Ottavio, son morta!" (Donna Anna/Don Ottavio) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-20 | Don Giovanni: Atto I, scena 3. Recitativo & Aria "Or sai chi l'onore" (Donna Anna) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-21 | Don Giovanni: Atto I, scena 3. Recitativo & Aria "Come mai creder deggio" … "Dalla sua pace" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-22 | Don Giovanni: Atto I, scena 3. Recitativo "Io deggio ad ogni patto" (Leporello/Don Giovanni) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-23 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | Nicolaï Ghiaurov, New Philharmonia Orchestra, Otto Klemperer | — | |
| 14-1 | Don Giovanni: Atto I. "Masetto, senti un po'!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-2 | Don Giovanni, K. 527, Act 1: "Batti, batti, o bel Masetto" (Zerlina) | Mirella Freni, New Philharmonia Orchestra, Otto Klemperer | — | |
| 14-3 | Don Giovanni: Atto I. "Presto, presto, pria ch'ei venga" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-4 | Don Giovanni: Atto I. "Tra quest'arbori celata" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-5 | Don Giovanni: Atto I. "Bisogna aver coraggio" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-6 | Don Giovanni: Atto I. "Protegga il giusto cielo" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-7 | Don Giovanni: Atto I. "Riposate, vezzose ragazze" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-8 | Don Giovanni: Atto I. "Venite pur avanti" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-9 | Don Giovanni: Atto I. "Ecco il birbo" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-10 | Don Giovanni: Atto I. "Trema, trema, o scellerato!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-11 | Don Giovanni: Atto II. "Eh va, buffone" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-12 | Don Giovanni: Atto II. "Leporello!" … "Signore" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-13 | Don Giovanni: Atto II. "Ah taci, ingiusto core!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-14 | Don Giovanni: Atto II. "Amico, che ti par" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-15 | Don Giovanni, K. 527, Act 2: "Deh, vieni alla finestra" (Don Giovanni) | Nicolaï Ghiaurov, New Philharmonia Orchestra, Otto Klemperer | — | |
| 14-16 | Don Giovanni: Atto II. "Meta di voi qua vadano" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-17 | Don Giovanni: Atto II. "Zitto, lascia ch'io senta!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-18 | Don Giovanni: Atto II. Aria “Vedrai, carino” (Zerlina) | Mirella Freni, New Philharmonia Orchestra, Otto Klemperer | — | |
| 14-19 | Don Giovanni: Atto II. "Di molte faci il lume" … "Sola, sola in buio loco" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-20 | Don Giovanni: Atto II. "Mille torbidi pensieri" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-21 | Don Giovanni: Atto II. "Dunque quello sei tu" … "Ah, pietà" … "Ferma, perfido" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-22 | Don Giovanni: Atto II. "Il mio tesoro intanto" | New Philharmonia Chorus, New Philharmonia Orchestra, Otto Klemperer | — | |
| 14-23 | Don Giovanni: Atto II. "In quali eccessi" … "Mi tradì, quell'alma ingrata" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-1 | Don Giovanni: Atto II. "Ah, ah, ah, questa e buona" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-2 | Don Giovanni: Atto II. "O statua gentilissima" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-3 | Don Giovanni: Atto II. "Calmatevi, idol mio!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-4 | Don Giovanni: Atto II. "Crudele! Ah no, mio bene!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-5 | Don Giovanni: Atto II. "Non mi dir, bell'idol mio" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-6 | Don Giovanni: Atto II. "Già la mensa e preparata" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-7 | Don Giovanni: Atto II. "L'ultima prova dell'amor mio" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-8 | Don Giovanni: Atto II. "Che grido e questo mai" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-9 | Don Giovanni: Atto II. "Don Giovanna, a cenar teco" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-10 | Don Giovanni: Atto II. "Da qual tremore insolito" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-11 | Don Giovanni: Atto II. "Ah, dov'è il perfido" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-12 | Don Giovanni: Atto II. "Or che tutti, o mio tesoro" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-13 | Don Giovanni: Atto II. "Questo è il fin" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 16-1 | Overture | — | ||
| 16-2 | Overture | — | ||
| 16-3 | Giovinette, Che Fate All'amore | — | ||
| 16-4 | Playback in the Control Room of Giovinette, Che Fate All'amore | — | ||
| 16-5 | Giovinette, Che Fate All'amore: Further Rehearsals/takes | — | ||
| 16-6 | Playback in the Control Room of Further Giovinette, Che Fate All'amore Take | — | ||
| 16-7 | Don Ottavio, son morta! - Or sai chi l'onore | — | ||
| 16-8 | Batti, Batti O Bel Masetto | — | ||
| 16-9 | Playback in the Control Room of Batti, Batti O Bel Masetto | — | ||
| 16-10 | Deh Vieni Alla Finestra | — | ||
| 17-1 | Mass in B minor, BWV 232: I. Kyrie: Chorus: Kyrie eleison | — | ||
| 17-2 | Mass in B minor, BWV 232: I. Kyrie: Duet: Christe eleison | — | ||
| 17-3 | Mass in B minor, BWV 232: I. Kyrie: Chorus: Kyrie eleison | — | ||
| 17-4 | Mass in B minor, BWV 232: II. Gloria: Chorus: Gloria in excelsis Deo | — | ||
| 17-5 | Mass in B minor, BWV 232: II. Gloria: Aria: Laudamus te | — | ||
| 17-6 | Mass in B minor, BWV 232: II. Gloria: Chorus: Gratias agimus tibi | — | ||
| 17-7 | Mass in B minor, BWV 232: II. Gloria: Duet: Domine Deus | — | ||
| 17-8 | Mass in B minor, BWV 232: II. Gloria: Chorus: Qui tollis peccata mundi | — | ||
| 17-9 | Mass in B minor, BWV 232: II. Gloria: Aria: Qui sedes ad dextram Patris | — | ||
| 17-10 | Mass in B minor, BWV 232: II. Gloria: Aria: Quoniam tu solus sanctus | — | ||
| 17-11 | Mass in B minor, BWV 232: II. Gloria: Chorus: Cum Sancto Spiritu | — | ||
| 18-1 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Credo in unum Deum | — | ||
| 18-2 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Patrem omnipotentem | — | ||
| 18-3 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Duet: Et in unum Dominum | — | ||
| 18-4 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Et incarnatus est | — | ||
| 18-5 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Crucifixus | — | ||
| 18-6 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Et resurrexit | — | ||
| 18-7 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Aria: Et in Spiritum Sanctum Dominum | — | ||
| 18-8 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Confiteor unum baptisma | — | ||
| 18-9 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): ...Et expecto | — | ||
| 18-10 | Mass in B minor, BWV 232: IV. Sanctus: Chorus: Sanctus: Sanctus | — | ||
| 18-11 | Mass in B minor, BWV 232: IV. Sanctus: Double Chorus: Osanna in excelsis | — | ||
| 18-12 | Mass in B minor, BWV 232: IV. Sanctus: Aria: Benedictus | — | ||
| 18-13 | Mass in B minor, BWV 232: IV. Sanctus: Osanna in excelsis (da capo) | — | ||
| 18-14 | Mass in B minor, BWV 232: IV. Sanctus: Aria: Agnus Dei | — | ||
| 18-15 | Mass in B minor, BWV 232: IV. Sanctus: Chorus: Dona nobis pacem | — | ||
| 19-1 | Der fliegende Holländer: Ouvertüre (Orchester) | Philharmonia Orchestra, Otto Klemperer | T-003.143.988-9 | |
| 19-2 | Der fliegende Holländer: Akt I, Szene I. Introduktion "Hojohe! Halloho!" (Herrenchor, Daland, Steuermann) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-3 | Der fliegende Holländer: Akt I, Szene I. Lied des Steuermanns "Mit Gewitter und Sturm aus fernem Meer" (Steuermann) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-4 | Der fliegende Holländer: Akt I, Szene II. Rezitativ & Arie "Die Frist ist um" (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-5 | Der fliegende Holländer: Akt I, Szene II. Rezitativ & Arie "Wie oft in Meeres tiefsten Schlund" (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-6 | Der fliegende Holländer: Akt I, Szene II. Rezitativ & Arie "Dich frage ich, gepries'ner Engel Gottes" (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-7 | Der fliegende Holländer: Akt I, Szene II. Rezitativ & Arie "Nur eine Hoffnung soll mir bleiben" (Holländer, Herrenchor) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-8 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "He! Holla! Steuermann!" (Daland, Steuermann) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-9 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Weit komm' ich her" (Holländer, Daland) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-10 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Durch Sturm und bösen Wind verschlagen" (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-11 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Wie wunderbar! Soll deinem Wort ich glauben?" (Daland, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-12 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Was muß ich hören?... Hast du eine Tochter?" (Daland, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-13 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Wohl, Fremdling, hab' ich eine schöne Tochter" (Daland, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-14 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Wenn aus der Qualen Schreckgewalten" (Daland, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-15 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Südwind! Südwind!" (Steuermann, Herrenchor, Daland, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-16 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Mit Gewitter und Sturm aus fernem Meer" (Herren) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-17 | Der fliegende Holländer: Akt II. Introduktion (Orchester) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-18 | Der fliegende Holländer: Akt II, Szene I. Lied (Chor der Spinnerinnen), Szene, Ballade & Chor "Summ und brumm, du gutes Rädchen" (Mädchen, Mary) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-19 | Der fliegende Holländer: Akt II, Szene I. Lied (Chor der Spinnerinnen), Szene, Ballade & Chor "Du böses Kind, wenn du nicht spinnst" (Mary, Mädchen, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-20 | Der fliegende Holländer: Akt II, Szene I. Lied (Chor der Spinnerinnen), Szene, Ballade & Chor "O macht dem dummen Lied ein Ende" (Mary, Mädchen, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-21 | Der fliegende Holländer: Akt II, Szene I. Sentas Ballade I. "Johohoe! ... Traft ihr das Schiff im Meere an" (Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-22 | Der fliegende Holländer: Akt II, Szene I. Sentas Ballade II. "Bei bösem Wind und Sturmes Wut" (Senta, Chor) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-23 | Der fliegende Holländer: Akt II, Szene I. Sentas Ballade III. "Vor Anker alle sieben Jahr" (Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-1 | Der fliegende Holländer: Akt II, Szene I. "Ach! Wo weilt sie" (Mädchen, Senta, Mary, Erik) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-2 | Der fliegende Holländer: Akt II, Szene II. Duett "Bleib, Senta! Bleib nur einen Augenblick!" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-3 | Der fliegende Holländer: Akt II, Szene II. Duett "Mein Herz, voll Treue bis zum Sterben" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-4 | Der fliegende Holländer: Akt II, Szene II. Duett "Wie? Zweifelst du an meinem Herzen?" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-5 | Der fliegende Holländer: Akt II, Szene II. Duett "Fühlst du den Schmerz, den tiefen Gram" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-6 | Der fliegende Holländer: Akt II, Szene II. Duett "Auf hohem Felsen lag ich träumend" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-7 | Der fliegende Holländer: Akt II, Szene II. Duett "Ach möchtest du, bleicher Seemann" (Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-8 | Der fliegende Holländer: Akt II, Szene III. Finale "Mein Kind, du siehst mich auf der Schwelle" (Daland, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-9 | Der fliegende Holländer: Akt II, Szene III. Arie "Mögst du, mein Kind, den fremden Mann" (Daland) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-10 | Der fliegende Holländer: Akt II, Szene III. Arie "Doch keines spricht" (Daland) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-11 | Der fliegende Holländer: Akt II, Szene III. Duett "Wie aus der Ferne längst verganger Zeiten" (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-12 | Der fliegende Holländer: Akt II, Szene III. Duett "Versank ich jetzt in wunderbares Träumen" (Senta, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-13 | Der fliegende Holländer: Akt II, Szene III. Duett "Wirst du des Vaters Wahl nicht schelten?" (Senta, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-14 | Der fliegende Holländer: Akt II, Szene III. Duett "Du bist ein Engel!" (Senta, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-15 | Der fliegende Holländer: Akt II, Szene III. Duett "Ein heil'ger Balsam meinen Wunden" (Senta, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-16 | Der fliegende Holländer: Akt II, Szene III. Terzett "Verzeiht! Mein Volk hält draußen sich nicht mehr" (Daland, Senta, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-17 | Der fliegende Holländer: Akt III. Zwischenspiel (Orchester) / Szene I. Chor der norwegischen Matrosen & Ensemble "Steuermann, laß die Wacht!" (Herrenchor) - Tanz (Orchester) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-18 | Der fliegende Holländer: Akt III, Szene I. Chor der norwegischen Matrosen & Ensemble "Mein! Seht doch an! Sie Tanzen gar!" (Mädchen, Herren, Steuermann) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-19 | Der fliegende Holländer: Akt III, Szene I. Chor der norwegischen Matrosen & Ensemble "Juchhe! Juchhe! Da gibt's die Fülle!" (Herren, Steuermann) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-20 | Der fliegende Holländer: Akt III, Szene I. Chor der norwegischen Matrosen & Ensemble "Johohoe! Johohoe!" (Herren) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-21 | Der fliegende Holländer: Akt III, Szene II. Finale. Duett "Was muß ich hören! Gott, was muß ich sehn!" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-22 | Der fliegende Holländer: Akt III, Szene II. Finale. Cavatine "Willst jenes Tags du nicht dich mehr entsinnen" (Erik) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-23 | Der fliegende Holländer: Akt III, Szene II. Finale. Cavatine "Verloren! Ach, verloren!" (Holländer, Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-24 | Der fliegende Holländer: Akt III, Szene II. Finale. Cavatine "Erfahre das Geschick, vor dem ich dich bewahr'! (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-25 | Der fliegende Holländer: Akt III, Szene II. Finale. Cavatine "Zu Hilfe! Rettet, rettet sie!" (Erik, Senta, Daland, Mary, Chor, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 21-1 | Die Walküre, WWV 86B: Erster Akt. Vorspiel | — | ||
| 21-2 | Die Walküre, WWV 86B: Erster Akt, Szene I. "Wes Herd dies auch sei, hier muß ich rasten" (Siegmund, Sieglinde) | — | ||
| 21-3 | Die Walküre, WWV 86B: Erster Akt, Szene I. "Einen Unseligen labtest du" (Siegmund, Sieglinde) | — | ||
| 21-4 | Die Walküre, WWV 86B: Erster Akt, Szene II. "Müd am Herd fand ich den Mann" (Sieglinde, Hunding, Siegmund) | — | ||
| 21-5 | Die Walküre, WWV 86B: Erster Akt, Szene II. "Friedmund darf ich nicht heißen" (Siegmund, Hunding, Sieglinde) | — | ||
| 21-6 | Die Walküre, WWV 86B: Erster Akt, Szene II. "Die so leidig Los dir beschied" (Hunding, Sieglinde, Siegmund) | — | ||
| 21-7 | Die Walküre, WWV 86B: Erster Akt, Szene II. "Ich weiß ein wildes Geschlecht" (Hunding) | — | ||
| 21-8 | Die Walküre, WWV 86B: Erster Akt, Szene III. "Ein Schwert verhieß mir der Vater" (Siegmund) | — | ||
| 21-9 | Die Walküre, WWV 86B: Erster Akt, Szene III. "Schläfst du, Gast?" - "Der Männer Sippe saß hier im saal" (Sieglinde, Siegmund) | — | ||
| 21-10 | Die Walküre, WWV 86B: Erster Akt, Szene III. "Winterstürme wichen dem Wonnemond" (Siegmund) | — | ||
| 21-11 | Die Walküre, WWV 86B: Erster Akt, Szene III. "Du bist der Lenz" (Sieglinde) | — | ||
| 21-12 | Die Walküre, WWV 86B: Erster Akt, Szene III. "O Süßeste Wonne! Seligstes Weib!" (Siegmund, Sieglinde) | — | ||
| 21-13 | Die Walküre, WWV 86B: Erster Akt, Szene III. "Siegmund heiß ich, und Siegmund bin ich!" (Siegmund, Sieglinde) | — | ||
| 22-1 | Die Walküre, WWV 86B: Dritter Akt. "Leb wohl, du kühnes, herrliches Kind!" (Wotan's Farewell) | — | ||
| 22-2 | Die Walküre, WWV 86B: Dritter Akt. "Der Augen leuchtendes Paar" | — | ||
| 22-3 | Die Walküre, WWV 86B: Dritter Akt. "Loge, hör! Lausche hieher!" (Feuerzauber) | — | ||
| 22-4 | Die Walküre, WWV 86B: Walkürenritt (Ride of the Valkyries) | — | ||
| 22-5 | Wesendonck-Lieder: I. Der Engel | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 22-6 | Wesendonck-Lieder: II. Stehe still! | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 22-7 | Wesendonck-Lieder: III. Treibhaus | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 22-8 | Wesendonck-Lieder: IV. Schmerzen | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 22-9 | Wesendonck-Lieder: V. Träume | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 22-10 | Tristan und Isolde: Mild und leise (III. Akt) | Christa Ludwig, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-1 | Le nozze di Figaro, K. 492: Sinfonia | New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-2 | Le nozze di Figaro, K. 492: Atto I. N. 1 Duettino: “Cinque... dieci... venti... trenta” (Figaro, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-3 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Cosa stai misurando” (Susanna, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-4 | Le nozze di Figaro, K. 492: Atto I. N. 2 Duettino: “Se a caso madama la notte ti chiama” (Figaro, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-5 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Or bene, ascolta e taci” (Susanna, Figaro) - “Bravo, signor padrone!” (Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-6 | Le nozze di Figaro, K. 492: Atto I. N. 3 Cavatina: “Se vuol ballare, signor contino” (Figaro) | Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-7 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-8 | Le nozze di Figaro, K. 492: Atto I. N. 4 Aria: “La vendetta, oh, la vendetta” (Bartolo) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-9 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Tutto ancor non ho perso” (Marcellina, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-10 | Le nozze di Figaro, K. 492: Atto I. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-11 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Va' là, vecchia pedante” (Susanna, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-12 | Le nozze di Figaro, K. 492: Atto I. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-13 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Ah, son perduto!” ... “Susanna, il ciel vi salvi!” (Cherubino, Susanna, conte, Basilio) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-14 | Le nozze di Figaro, K. 492: Atto I. N. 7 Terzetto: “Cosa sento! Tosto andate” (conte, Basilio, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-15 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Basilio, in traccia tosto di Figaro” (conte, Susanna, Cherubino, Basilio) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-16 | Le nozze di Figaro, K. 492: Atto I. N. 8 Coro: “Giovani liete, fiori spargete” (contadini, contadine) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-17 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Cos'è questa commedia?” (conte, Figaro, Susanna) - N. 9 Coro: “Giovani liete, fiori spargete” (contadini, contadine) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-18 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Evviva!” ... “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, conte) 10.3 | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-19 | Le nozze di Figaro, K. 492: Atto I. N. 10 Aria: “Non più andrai, farfallone amoroso” (Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-20 | Le nozze di Figaro, K. 492: Atto II, scena I. No. 11 Cavatina “Porgi, amor qualche ristoro” (La Contessa) | Elisabeth Söderström, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-21 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Vieni, cara Susanna” (contessa, Susanna, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-22 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Quanto duolmi, Susanna” (contessa, Susanna, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-23 | Le nozze di Figaro, K. 492: Atto II. N. 12 Arietta: “Voi che sapete che cosa è amor” (Cherubino) | Teresa Berganza, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-24 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Bravo! Che bella voce!” (contessa, Susanna, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-25 | Le nozze di Figaro, K. 492: Atto II. N. 13 Aria: “Venite, inginocchiatevi” (Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-26 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Quante buffonerie!” ... “Chi picchia alla mia porta?” (contessa, Susanna, Cherubino, conte) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-27 | Le nozze di Figaro, K. 492: Atto II. “Che novità! Non fu mai vostra usanza” (conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-28 | Le nozze di Figaro, K. 492: Atto II. N. 14 Terzetto: “Susanna, or via sortite” (conte, contessa, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-29 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Dunque, voi non aprite?” (conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-1 | Le nozze di Figaro, K. 492: Atto II. N. 15 Duettino: “Aprite, presto, aprite” (Susanna, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-2 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Tutto è come il lasciai” (conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-3 | Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Esci omai, garzon malnato” (conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-4 | Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Signore! Cos'è quel stupore?” - “Susanna, son morta” (Susanna, conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-5 | Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Signori, di fuori son già i suonatori” - “Conoscete, signor Figaro” (Figaro, conte, Susanna, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-6 | Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Ah signor! Signor” - “Cos'è stato?” (Antonio, conte, contessa, Susanna, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-7 | Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Voi, signor, che giusto siete” (Marcellina, Basilio, Bartolo, conte, contessa, Figaro, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-8 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Che imbarazzo è mai questo” ... “Via, fatti core” (conte, contessa, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-9 | Le nozze di Figaro, K. 492: Atto III. N. 17 Duettino: “Crudel! Perché finora, farmi languir così?” (conte, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-10 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “E perché fosti meco stamattina sì austera?” ... “Ehi, Susanna, ove vai?” (conte, Susanna, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-11 | Le nozze di Figaro, K. 492: Atto III. N. 18 Recitativo ed aria: “Hai già vinta la causa!” - “Vedrò mentr'io sospiro” (conte) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-12 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, conte, Bartolo) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-13 | Le nozze di Figaro, K. 492: Atto III. N. 19 Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, conte, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-14 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-15 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Andiam, andiam, bel paggio” (Barbarina, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-16 | Le nozze di Figaro, K. 492: Atto III. N. 20 Recitativo ed aria: “E Susanna non vien!” - “Dove sono i bei momenti” (contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-17 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Io vi dico, signor” (Antonio, conte) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-18 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Cosa mi narri!” (contessa, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-19 | Le nozze di Figaro, K. 492: Atto III. N. 21 Duettino: “Sull'aria” ... “Che soave zeffiretto” (contessa, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-20 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Piegato è il foglio” (Susanna, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-21 | Le nozze di Figaro, K. 492: Atto III. N. 22 Coro: “Ricevete, o padroncina” (contadinelle) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-22 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Queste sono, madama, le ragazze del loco” ... “Eh cospettaccio!” ... “Signor, se trattenete” (Barbarina, contessa, Susanna, Antonio, conte, Figaro, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-23 | Le nozze di Figaro, K. 492: Atto III. N. 23 Finale: “Ecco la marcia, andiamo” (Figaro, Susanna, conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-24 | Le nozze di Figaro, K. 492: Atto III. N. 23 Finale: “Amanti costanti” (due contadine, coro) - “Eh già, solita usanza” (conte, Figaro) - “Andate, amici” (conte, coro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-1 | Le nozze di Figaro, K. 492: Atto IV. N. 24 Cavatina: “L'ho perduta, me meschina!” (Barbarina) | Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-2 | Le nozze di Figaro, K. 492: Atto IV. Recitativo: “Barbarina, cos'hai?” (Figaro, Barbarina) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-3 | Le nozze di Figaro, K. 492: Atto IV. Recitativo: “Madre” - “Figlio” (Figaro, Marcellina) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-4 | Le nozze di Figaro, K. 492: Atto IV. Recitativo: “Son quelli che invitasti a venir” (Basilio, Bartolo, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-5 | Le nozze di Figaro, K. 492: Atto IV. N. 26 Aria: “In quegli anni in cui val poco” (Basilio) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-6 | Le nozze di Figaro, K. 492: Atto IV. N. 27 Recitativo ed aria: “Tutto è disposto” - “Aprite un po' quegli occhi” (Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-7 | Le nozze di Figaro, K. 492: Atto IV. Recitativo: “Signora, ella mi disse” - “Madama, voi tremate” (Susanna, Marcellina, contessa, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-8 | The Marriage of Figaro: Act 4. “Giunse alfin il momento” - Susanna sings of stolen pleasures (Susanna) | Reri Grist, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-9 | Le nozze di Figaro, K. 492: Atto IV. Recitativo: “Perfida! E in quella forma meco mentia?” (Figaro, Cherubino, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-10 | Le nozze di Figaro, K. 492: Atto IV. N. 29 Finale: “Pian pianin le andrò più presso” (Cherubino, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-11 | Le nozze di Figaro, K. 492: Atto IV. N. 29 Finale: “Partito e alfin l'audace” (conte, contessa, Figaro, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-12 | Le nozze di Figaro, K. 492: Atto IV. N. 29 Finale: “Tutto è tranquillo e placido” (Figaro, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-13 | Le nozze di Figaro, K. 492: Atto IV. N. 29 Finale: “Pace, pace, mio dolce tesoro” ... “Non la trovo” (Figaro, Susanna, conte) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-14 | Le nozze di Figaro, K. 492: Atto IV. N. 29 Finale: “Gente, gente, all'armi, all'armi” (conte, Figaro, Basilio, Antonio, Susanna, contessa, coro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-1 | Così fan tutte, K. 588: Sinfonia | New Philharmonia Orchestra, Otto Klemperer | T-902.763.968-5 | |
| 26-2 | Così fan tutte, K. 588: Atto I, scena 1. “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) | Luigi Alva, Geraint Evans, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-3 | Così fan tutte, K. 588: Atto I, scena 1. “Fuor la spada” (Guglielmo, Don Alfonso, Ferrando) | Luigi Alva, Geraint Evans, Hans Sotin, Otto Freudenthal, Otto Klemperer | — | |
| 26-4 | Così fan tutte, K. 588: Atto I, scena 1. “È la fede delle femmine” (Don Alfonso, Ferrando, Guglielmo) | Luigi Alva, Geraint Evans, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-5 | Così fan tutte, K. 588: Atto I, scena 1. “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso) | Luigi Alva, Geraint Evans, Hans Sotin, Otto Freudenthal, Otto Klemperer | — | |
| 26-6 | Così fan tutte, K. 588: Atto I, scena 1. “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) | Luigi Alva, Geraint Evans, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-7 | Così fan tutte, K. 588: Atto I, scena 2. “Ah, guarda, sorella” (Fiordiligi, Dorabella) | Margaret Price, Yvonne Minton, Otto Klemperer, New Philharmonia Orchestra | — | |
| 26-8 | Così fan tutte, K. 588: Atto I, scena 2. “Mi par che stamattina” (Fiordiligi, Dorabella, Don Alfonso) | Margaret Price, Yvonne Minton, Hans Sotin, Otto Freudenthal, Otto Klemperer | — | |
| 26-9 | Così fan tutte, K. 588: Atto I, scena 2. “Barbaro fato!” … “Vorrei dir, e cor non ho” (Don Alfonso) | Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-10 | Così fan tutte, K. 588: Atto I, scena 2. “Stelle! Per carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella) | Margaret Price, Hans Sotin, Yvonne Minton, Otto Freudenthal, Otto Klemperer | — | |
| 26-11 | Così fan tutte, K. 588: Atto I, scena 2. “Sento, oddio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Geraint Evans, Luigi Alva, Hans Sotin, Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-12 | Così fan tutte, K. 588: Atto I, scena 2. “La commedia è graziosa” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) | Hans Sotin, Luigi Alva, Margaret Price, Yvonne Minton, Otto Freudenthal, Otto Klemperer | — | |
| 26-13 | Così fan tutte, K. 588: Atto I, scena 2. “Bella vita militar!” (Coro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-14 | Così fan tutte, K. 588: Atto I, scena 2. “Non v’è più tempo” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) | Hans Sotin, Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Otto Freudenthal, Otto Klemperer | — | |
| 26-15 | Così fan tutte, K. 588: Atto I, scena 2. “Muoio d’affanno!” … “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) | Hans Sotin, Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-16 | Così fan tutte, K. 588: Atto I, scena 2. “Bella vita militar!” (Coro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-17 | Così fan tutte, K. 588: Atto I, scena 2. “Dove son?” (Dorabella, Don Alfonso, Fiordiligi) | Yvonne Minton, Hans Sotin, Margaret Price, Otto Freudenthal, Otto Klemperer | — | |
| 26-18 | Così fan tutte, K. 588: Atto I, scena 2. “Soave sia il vento” (Fiordiligi, Dorabella, Don Alfonso) | Yvonne Minton, Hans Sotin, Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-19 | Così fan tutte, K. 588: Atto I, scena 2. “Non son cattivo comico” (Don Alfonso) | Hans Sotin, Otto Freudenthal, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-20 | Così fan tutte, K. 588: Atto I, scena 3. “Che vita maledetta” (Despina, Fiordiligi, Dorabella) | Lucia Popp, Margaret Price, Yvonne Minton, Otto Freudenthal, Otto Klemperer | — | |
| 26-21 | Così fan tutte, K. 588: Atto I, scena 3. “Ah, scostati!” (Dorabella) | Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-22 | Così fan tutte, K. 588: Atto I, scena 3. “Smanie implacabili che m’agitate” (Dorabella) | Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-23 | Così fan tutte, K. 588: Atto I, scena 3. “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabella, Fiordiligi) | Lucia Popp, Yvonne Minton, Margaret Price, Otto Freudenthal, Otto Klemperer | — | |
| 26-24 | Così fan tutte, K. 588: Atto I, scena 3. “In uomini, in soldati sperare fedeltà?” (Despina) | Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-1 | Così fan tutte, K. 588: Atto I, scena 3. “Che silenzio! Che aspetto di tristezza” (Don Alfonso, Despina) | Hans Sotin, Lucia Popp, Otto Freudenthal, Otto Klemperer | — | |
| 27-2 | Così fan tutte, K. 588: Atto I, scena 3. “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | Hans Sotin, Luigi Alva, Geraint Evans, Lucia Popp, Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-3 | Così fan tutte, K. 588: Atto I, scena 3. “Che sussurro! Che strepito!” (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina) | Hans Sotin, Yvonne Minton, Margaret Price, Luigi Alva, Geraint Evans, Lucia Popp, Otto Freudenthal, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-4 | Così fan tutte, K. 588: Atto I, scena 3. “Temerari, sortite fuori di questo loco!” (Fiordiligi) | Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-5 | Così fan tutte, K. 588: Atto I, scena 3. “Come scoglio immoto resta” (Fiordiligi) | Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-6 | Così fan tutte, K. 588: Atto I, scena 3. “Ah, non partite!” (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi) | Luigi Alva, Geraint Evans, Hans Sotin, Yvonne Minton, Margaret Price, Otto Freudenthal, Otto Klemperer | — | |
| 27-7 | Così fan tutte, K. 588: Atto I, scena 3. “Non siate ritrosi” (Guglielmo) | Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-8 | Così fan tutte, K. 588: Atto I, scena 3. “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) | Hans Sotin, Luigi Alva, Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-9 | Così fan tutte, K. 588: Atto I, scena 3. “Si può sapere un poco” (Don Alfonso, Guglielmo, Ferrando) | Hans Sotin, Luigi Alva, Geraint Evans, Otto Freudenthal, Otto Klemperer | — | |
| 27-10 | Così fan tutte, K. 588: Atto I, scena 3. “Un’aura amorosa del nostro tesoro” (Ferrando) | Luigi Alva, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-11 | Così fan tutte, K. 588: Atto I, scena 4. “Ah, che tutto in un momento” (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) | Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-12 | Così fan tutte, K. 588: Atto I, scena 4. “Ah, che del sole il raggio” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) | Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-13 | Così fan tutte, K. 588: Atto I, scena 4. “Eccovi il medico” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | Hans Sotin, Luigi Alva, Geraint Evans, Lucia Popp, Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-14 | Così fan tutte, K. 588: Atto I, scena 4. “Dove son? Che loco è questo?” (Ferrando, Guglielmo, Despina, Don Alfonso, Fiordiligi, Dorabella) | Luigi Alva, Geraint Evans, Lucia Popp, Hans Sotin, Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-15 | Così fan tutte, K. 588: Atto I, scena 4. “Dammi un bacio, o mio tesoro” (Ferrando, Guglielmo, Fiordiligi, Dorabella, Despina, Don Alfonso) | Luigi Alva, Geraint Evans, Margaret Price, Yvonne Minton, Lucia Popp, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-16 | Così fan tutte, K. 588: Atto II, scena 1. “Una donna a quindici anni” (Despina) | Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-17 | Così fan tutte, K. 588: Atto II, scena 1. “Questo è ver” (Fiordiligi, Dorabella) | Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-18 | Così fan tutte, K. 588: Atto II, scena 1. “Prenderò quel brunettino” (Dorabella, Fiordiligi) | Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-19 | Così fan tutte, K. 588: Atto II, scena 2. “Secondate, aurette amiche” (Ferrando, Guglielmo, Coro) | Luigi Alva, Geraint Evans, The John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-20 | Così fan tutte, K. 588: Atto II, scena 2. “Il tutto deponete sopra quei tavolini” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) | Hans Sotin, Margaret Price, Yvonne Minton, Lucia Popp, Luigi Alva, Geraint Evans, Otto Freudenthal, Otto Klemperer | — | |
| 27-21 | Così fan tutte, K. 588: Atto II, scena 2. “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) | Hans Sotin, Luigi Alva, Geraint Evans, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-22 | Così fan tutte, K. 588: Atto II, scena 2. “Oh, che bella giornata!” (Fiordiligi, Ferrando, Dorabella, Guglielmo) | Margaret Price, Luigi Alva, Yvonne Minton, Geraint Evans, Otto Freudenthal, Otto Klemperer | — | |
| 27-23 | Così fan tutte, K. 588: Atto II, scena 2. “Il core vi dono” (Guglielmo, Dorabella) | Geraint Evans, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-1 | Così fan tutte, K. 588: Atto II, scena 2. “Barbara, perché fuggi?” (Ferrando, Fiordiligi) | Luigi Alva, Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-2 | Così fan tutte, K. 588: Atto II, scena 2. “Ei parte… senti… ah no!” (Fiordiligi) | Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-3 | Così fan tutte, K. 588: Atto II, scena 2. “Per pietà, ben mio, perdona” (Fiordiligi) | Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-4 | Così fan tutte, K. 588: Atto II, scena 2. “Amico, abbiamo vinto!” (Ferrando, Guglielmo) | Luigi Alva, Geraint Evans, Otto Freudenthal, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-5 | Così fan tutte, K. 588: Atto II, scena 2. “Donne mie, la fate a tanti a tanti” (Guglielmo) | Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-6 | Così fan tutte, K. 588: Atto II, scena 2. “In qual fiero contrasto” (Ferrando) | Luigi Alva, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-7 | Così fan tutte, K. 588: Atto II, scena 2. “Tradito, schernito” (Ferrando) | Luigi Alva, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-8 | Così fan tutte, K. 588: Atto II, scena 3. “È amore un ladroncello” (Dorabella) | Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-9 | Così fan tutte, K. 588: Atto II, scena 3. “L'abido di Ferrando sara buono per me” (Fiordiligi, Ferrando) | Margaret Price, Geraint Evans, Otto Freudenthal, Otto Klemperer | — | |
| 28-10 | Così fan tutte, K. 588: Atto II, scena 3. “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) | Margaret Price, Luigi Alva, Philharmonia Orchestra, Otto Klemperer | — | |
| 28-11 | Così fan tutte, K. 588: Atto II, scena 3. “Ah, poveretto me, cosa ho veduto!” (Guglielmo, Don Alfonso, Ferrando) | Geraint Evans, Hans Sotin, Luigi Alva, Otto Freudenthal, Otto Klemperer | — | |
| 28-12 | Così fan tutte, K. 588: Atto II, scena 3. “Tutti accussan le donne” (Don Alfonso, Ferrando, Guglielmo) | Hans Sotin, Luigi Alva, Geraint Evans, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-13 | Così fan tutte, K. 588: Atto II, scena 4. “Fate presto, o cari amici” (Despina, Coro, Don Alfonso) | Lucia Popp, Hans Sotin, The John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-14 | Così fan tutte, K. 588: Atto II, scena 4. “Benedetti i doppi coniugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo) | Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, The John Alldis Choir, Philharmonia Orchestra, Otto Klemperer | — | |
| 28-15 | Così fan tutte, K. 588: Atto II, scena 4. “E nel tuo, nel mio bicchiero” (Fiordiligi, Ferrando, Dorabella, Guglielmo) | Margaret Price, Yvonne Minton, Yvonne Minton, Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-16 | Così fan tutte, K. 588: Atto II, scena 4. “Miei, signori, tutto è fatto” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina) | Hans Sotin, Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-17 | Così fan tutte, K. 588: Atto II, scena 4. “Bella vita militar!” (Coro, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso | Margaret Price, Yvonne Minton, Lucia Popp, Luigi Alva, Geraint Evans, Hans Sotin, The John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-18 | Così fan tutte, K. 588: Atto II, scena 4. “Sani e salvi, agli amplessi amorosi” (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina) | Luigi Alva, Geraint Evans, Hans Sotin, Margaret Price, Yvonne Minton, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-19 | Così fan tutte, K. 588: Atto II, scena 4. “Giusto ciel, voi qui scriveste” (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso) | Luigi Alva, Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-20 | Così fan tutte, K. 588: Atto II, scena 4. “A voi s'inchina, bella damina” (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina) | Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Hans Sotin, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-21 | Così fan tutte, K. 588: Atto II, scena 4. “Fortunato l’uom che prende” (Tutti) | Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Hans Sotin, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 29-1 | An Opera Souvenir: Introduction: Overview and Background | — | ||
| 29-2 | An Opera Souvenir: Beethoven's Fidelio | — | ||
| 29-3 | An Opera Souvenir: Mozart's Die Zauberflöte | — | ||
| 29-4 | An Opera Souvenir: Mozart's Don Giovanni in Rehearsal | — | ||
| 29-5 | An Opera Souvenir: Wagner's Der fliegende Holländer | — | ||
| 29-6 | An Opera Souvenir: Mozart's Così fan tutte - Final Opera Recording and Conclusion | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter" | Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer | — |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | Nicolaï Ghiaurov, New Philharmonia Orchestra, Otto Klemperer | — |
| Così fan tutte, K. 588: Atto II, scena 1. “Una donna a quindici anni” (Despina) | Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — |
| Ein deutsches Requiem Op.45: I. Selig sind, die da Leid tragen | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: II. Denn alles Fleisch es ist wie Gras | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: III. Herr, lehre doch mich | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: IV. Wie lieblich sind deine Wohnungen | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: V. Ihr habt nun Traurigkeit | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: VI. Denn wir haben hie keine bleibende Statt | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: VII. Selig sind die Toten | Otto Klemperer, Philharmonia Orchestra | T-910.405.802-8 |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 1. Introduktion "Zu Hilfe! Zu Hilfe!" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 2. Lied "Der Vogelfänger bin ich ja" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 3. Aria "Dies Bildnis ist bezaubernd schön" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 4. Rezitativ und Arie "O zitt're nicht, mein lieber Sohn" | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 5. Quintet "Hm! hm! hm! hm!" | Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 6. Terzett "Du feines Täubchen, nur herein!" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 2, Nr. 7. Duett "Bei Männern, welche Liebe fühlen" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 2, Nr. 8. Finale "Zum Ziele führt dich diese Bahn" | Franz Crass, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Wie stark ist nicht dein Zauberton" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Schnelle Füße, rascher Mut" | Walter Berry, Gundula Janowitz, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Könnte jeder brave Mann" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Es lebe Sarastro!" | Walter Berry, Gottlob Frick, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Nun, stolzer Jüngling; nur hierher!" | Gottlob Frick, Nicolai Gedda, Gundula Janowitz, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 9. Marsch (Marsch der Priester) | Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 10. Arie und Chor "O Isis und Osiris" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 11. Duett "Bewahret euch vor Weibertücken" | Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 12. Quintett "Wie? wie? wie? ihr an diesem Schreckensort?" | Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 13. Arie "Alles fühlt der Liebe Freuden" | Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“ | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 15. Arie "In diesen heil'gen Hallen kennt" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 16. Terzetto "Seid uns zum zweiten Mal willkommen" | Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 17. Arie "Ach, ich fühl's, es ist verschwunden!" | Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 18. Chor der Priester "O Isis und Osiris, welche Wonne!" | Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 19. Terzett "Soll ich dich, Teurer, nicht mehr seh'n?" | Gottlob Frick, Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 6. Nr. 20. Arie "Ein Mädchen oder Weibchen wünscht Papageno sich!" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 7. Nr. 21. Finale "Bald prangt, den Morgen zu verkünden" | Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 8. Nr. 21. Finale "Der, welcher wandelt diese Straße voll Beschwerden" | Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 8. Nr. 21. Finale "Tamino mein! O welch ein Glück!" | Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 9. Nr. 21. Finale "Pa-pa-ge-na!" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 9. Nr. 21. Finale "Papagena!" | Walter Berry, Ruth-Margret Pütz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 10. Nr. 21. Finale "Nur stille!" | Lucia Popp, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 10. Nr. 21. Finale "Die Strahlen der Sonne" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5054197528996 is a Universal Product Code (UPC) assigned to The Warner Classics Remastered Edition Vol. 2: Operas & Sacred Works by Otto Klemperer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 541 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5054197528996 is the Universal Product Code (UPC barcode) for the release “The Warner Classics Remastered Edition Vol. 2: Operas & Sacred Works” by Otto Klemperer, released 2023-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 541 tracks, each with its own ISRC. Tracks include GBAYC0100517, GBAYC2300988, GBAYC2300989.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter" | Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer | — | |
| 2 | St. Matthew Passion, BWV 244: Part I, II. Rezitativ "Da Jesus diese Rede" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3 | St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu" | Philharmonia Orchestra, Otto Klemperer | — | |
| 4 | St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester" | Philharmonia Orchestra, Otto Klemperer | — | |
| 5 | St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6 | St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7 | St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?" | Philharmonia Orchestra, Otto Klemperer | — | |
| 8 | St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete" | Philharmonia Orchestra, Otto Klemperer | — | |
| 9 | St. Matthew Passion, BWV 244: Part I, IX. Rezitativ "Du lieber Heiland du" | Philharmonia Orchestra, Otto Klemperer | — | |
| 10 | St. Matthew Passion, BWV 244: Part I, X. Arie "Buß' und Reu'" | Philharmonia Orchestra, Otto Klemperer | — | |
| 11 | St. Matthew Passion, BWV 244: Part I, XI. Rezitativ "Da ging hin der Zwölfen einer" | Philharmonia Orchestra, Otto Klemperer | — | |
| 12 | St. Matthew Passion, BWV 244: Part I, XII. Arie "Blute nur, du liebes Herz" | Philharmonia Orchestra, Otto Klemperer | — | |
| 13 | St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage" | Philharmonia Orchestra, Otto Klemperer | — | |
| 14 | St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du" | Philharmonia Orchestra, Otto Klemperer | — | |
| 15 | St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin" | Philharmonia Orchestra, Otto Klemperer | — | |
| 16 | St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 17 | St. Matthew Passion, BWV 244: Part I, XVII. Rezitativ "Er antwortete und sprach" | Philharmonia Orchestra, Otto Klemperer | — | |
| 18 | St. Matthew Passion, BWV 244: Part I, XVIII. Rezitativ "Wiewohl mein Herz" | Philharmonia Orchestra, Otto Klemperer | — | |
| 19 | St. Matthew Passion, BWV 244: Part I, XIX. Arie "Ich will dir mein Herze schenken" | Philharmonia Orchestra, Otto Klemperer | — | |
| 20 | St. Matthew Passion, BWV 244: Part I, XX. Rezitativ "Und da sie den Lobgesang" | Philharmonia Orchestra, Otto Klemperer | — | |
| 21 | St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter" | Philharmonia Orchestra, Otto Klemperer | — | |
| 22 | St. Matthew Passion, BWV 244: Part I, XXII. Rezitativ "Petrus aber antwortete" | Philharmonia Orchestra, Otto Klemperer | — | |
| 23 | St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier" | Philharmonia Orchestra, Otto Klemperer | — | |
| 24 | St. Matthew Passion, BWV 244: Part I, XXIV. Rezitativ "Da kam Jesus" | Philharmonia Orchestra, Otto Klemperer | — | |
| 25 | St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 26 | St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu" | Philharmonia Orchestra, Otto Klemperer | — | |
| 27 | St. Matthew Passion, BWV 244: Part I, XXVII. Rezitativ "Und ging hin ein wenig" | Philharmonia Orchestra, Otto Klemperer | — | |
| 28 | St. Matthew Passion, BWV 244: Part I, XXVIII. Rezitativ "Der Heiland fällt" | Philharmonia Orchestra, Otto Klemperer | — | |
| 29 | St. Matthew Passion, BWV 244: Part I, XXIX. Arie "Gerne will ich mich bequemen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 30 | St. Matthew Passion, BWV 244: Part I, XXX. Rezitativ "Und er kam zu seinen Jüngern" | Philharmonia Orchestra, Otto Klemperer | — | |
| 31 | St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-1 | St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-2 | St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-3 | St. Matthew Passion, BWV 244: Part I, XXXIV. Rezitativ "Und siehe, einer aus denen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-4 | St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-5 | St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-6 | St. Matthew Passion, BWV 244: Part II, XXXVII. Rezitativ "Die aber Jesum gegriffen hatten" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-7 | St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-8 | St. Matthew Passion, BWV 244: Part II, XXXIX. Rezitativ "Und wiewohl viel falsche Zeugen herzutraten" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-9 | St. Matthew Passion, BWV 244: Part II, XL. Rezitativ "Mein Jesus schweigt" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-10 | St. Matthew Passion, BWV 244: Part II, XLI. Arie "Geduld, wenn mich falsche Zungen stechen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-11 | St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-12 | St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-13 | St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-14 | St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-15 | St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-16 | St. Matthew Passion, BWV 244: Part II, XLVII. Arie "Erbarme dich, mein Gott" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-17 | St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-18 | St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-19 | St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-20 | St. Matthew Passion, BWV 244: Part II, LI. Arie "Gebt mir meinen Jesum wieder!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-21 | St. Matthew Passion, BWV 244: Part II, LII. Rezitativ "Sie hielten aber einen Rat" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-22 | St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-23 | St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-24 | St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-25 | St. Matthew Passion, BWV 244: Part II, LVI. Rezitativ "Der Landpfleger sagte" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-26 | St. Matthew Passion, BWV 244: Part II, LVII. Rezitativ "Er hat uns allen wohlgetan" | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-27 | St. Matthew Passion, BWV 244: Part II, LVIII Arie "Aus Liebe will mein Heiland sterben" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-1 | St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-2 | St. Matthew Passion, BWV 244: Part II, LX. Rezitativ "Erbarm' es Gott!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-3 | St. Matthew Passion, BWV 244: Part II, LXI. Arie "Können Tränen meiner Wangen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-4 | St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-5 | St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-6 | St. Matthew Passion, BWV 244: Part II, LXIV. Rezitativ "Und da sie ihn verspottet" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-7 | St. Matthew Passion, BWV 244: Part II, LXV. Rezitativ "Ja! freilich will in uns" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-8 | St. Matthew Passion, BWV 244: Part II, LXVI. Arie "Komm, süßes Kreuz" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-9 | St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-10 | St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-11 | St. Matthew Passion, BWV 244: Part II, LXIX. Rezitativ "Ach, Golgatha" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-12 | St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-13 | St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-14 | St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-15 | St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-16 | St. Matthew Passion, BWV 244: Part II, LXXIV. Rezitativ "Am Abend, da es kühle war" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-17 | St. Matthew Passion, BWV 244: Part II, LXXV. Arie "Mache dich, mein Herze, rein" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-18 | St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-19 | St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr" | Philharmonia Orchestra, Otto Klemperer | — | |
| 3-20 | St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder" | Philharmonia Orchestra, Otto Klemperer | — | |
| 4-1 | Ein deutsches Requiem Op.45: I. Selig sind, die da Leid tragen | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-2 | Ein deutsches Requiem Op.45: II. Denn alles Fleisch es ist wie Gras | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-3 | Ein deutsches Requiem Op.45: III. Herr, lehre doch mich | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-4 | Ein deutsches Requiem Op.45: IV. Wie lieblich sind deine Wohnungen | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-5 | Ein deutsches Requiem Op.45: V. Ihr habt nun Traurigkeit | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-6 | Ein deutsches Requiem Op.45: VI. Denn wir haben hie keine bleibende Statt | Otto Klemperer, Philharmonia Orchestra | — | |
| 4-7 | Ein deutsches Requiem Op.45: VII. Selig sind die Toten | Otto Klemperer, Philharmonia Orchestra | — | |
| 5-1 | Mass in B Minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison" | — | ||
| 5-2 | Mass in B Minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison" | — | ||
| 5-3 | Mass in B Minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo" | — | ||
| 5-4 | Mass in B Minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi" | — | ||
| 5-5 | Mass in B Minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi" | — | ||
| 5-6 | Mass in B Minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum" | — | ||
| 5-7 | Mass in B Minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem" | — | ||
| 5-8 | Mass in B Minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est" | — | ||
| 5-9 | Mass in B Minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus" | — | ||
| 5-10 | Mass in B Minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor" | — | ||
| 5-11 | Mass in B Minor, BWV 232: IVb. Sanctus, Osanna, Benedictus & Agnus Dei: Chorus "Osanna in excelsis" | — | ||
| 5-12 | Mass in B Minor, BWV 232: IVd. Sanctus, Osanna, Benedictus & Agnus Dei: Chorus "Osanna in excelsis" | — | ||
| 5-13 | Mass in B Minor, BWV 232: IVf. Sanctus, Osanna, Benedictus & Agnus Dei: Choir "Dona nobis pacem" | — | ||
| 5-14 | Otto Klemperer & the Philharmonia Chorus in rehearsal | — | ||
| 6-1 | Fidelio: Ouvertüre | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-2 | Fidelio, Act I, No. 1: Duett: Jetzt, Schätzchen, jetzt sind wir allein | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-3 | Fidelio, Act I, No. 1: Duett: Der arme Jaquino dauert mich beinahe | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-4 | Fidelio: Act I. Aria "O wär' ich schon mit dir vereint" (Marzelline) | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-5 | Fidelio, Act I, No. 2: Arie: Guten Tag, Marzelline, Ist Fidelio noch nicht zurück? | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-6 | Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar" | Gottlob Frick, Ingeborg Hallstein, Christa Ludwig, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 6-7 | Fidelio, Act I, No. 3: Quartett: Höre, Fidelio, weißt du, was ich tue? | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-8 | Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-9 | Fidelio, Act I, No. 4: Arie: Ihr könnt das leicht sagen, Meister Rocco | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-10 | Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-11 | Fidelio, Act I, No. 5: "Der Gouverneur soll heut' erlauben" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-12 | Fidelio, Act I, No. 5: "Nur auf der Hut, dann geht es gut" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-13 | Fidelio: Act I, No. 6. Marsch | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-14 | Fidelio, Act I, No. 6: Marsch: Wo sind die Depeschen | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-15 | Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick! | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-16 | Fidelio, Act I, No. 7: Arie mit chor: Hauptmann, besteigen Sie mit einem Tompeter sogleich den Turm | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-17 | Fidelio, Act I, No. 8: Duett: Jetzt, Alter, jetzt hat es Eile! | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-18 | Fidelio, Act I, No. 9: Rezitativ. "Abscheulicher! Wo eilst du hin?" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-19 | Fidelio, Act I, No. 9: Arie. "Komm, Hoffnung, laß den letzten Stern" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-20 | Fidelio, Act I, No. 9: Rezitativ und Arie: Rocco, Ihr verspracht mir so oft | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-21 | Fidelio, Act I, No. 10: Finale. "O welche Lust!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-22 | Fidelio, Act I, No. 10: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-23 | Fidelio, Act I, No. 10: Finale: Nun sprecht, wie ging's? | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-24 | Fidelio, Act I, No. 10: "Ach! Vater, eilt!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-25 | Fidelio, Act I, No. 10: "Verwegener Alter" | Philharmonia Orchestra, Otto Klemperer | — | |
| 6-26 | Fidelio, Act I, No. 10: "Leb wohl, du warmes Sonnenlicht" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-1 | Fidelio, Act II, No. 11: Introduktion | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-2 | Fidelio, Act II, No. 11: Arie. "Gott! Welch' Dunkel hier!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-3 | Fidelio, Act II, No. 11: "In des Lebens Frühlingstagen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-4 | Fidelio, Act II, No. 11: "Und spür ich nicht linde" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-5 | Fidelio, Act II: II. Melodram und Duett: Wie kalt ist es in diesem unterirdischen Gewölbe | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-6 | Fidelio, Act II: III. Nur hurtig fort | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-7 | Fidelio, Act II: IV. Er erwacht! | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-8 | Fidelio, Act II: V. Terzett: Euch werde Lohn in besser'n Welten | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-9 | Fidelio, Act II: VI. Alles ist bereit | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-10 | Fidelio, Act II: VII. Quartett: Er sterbe! Doch er soll erst wissen | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-11 | Fidelio, Act II: VIII. Vater Rocco! Vater Rocco! | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-12 | Fidelio, Act II: IX. Es schlägt der Rache Stunde! | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-13 | Fidelio, Act II: X. Duett: O namenlose Freude! | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-14 | Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-15 | Fidelio, Act II, No. 16: "Des besten Königs Wink und Wille" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-16 | Fidelio, Act II, No. 16: "Wohlan! So helfet, helft den Armen!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-17 | Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-18 | Fidelio, Act II, No. 16: "O Gott! O welch' ein Augenblick!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 7-19 | Fidelio, Act II, No. 16: "Wer ein holdes Weib errungen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 8-1 | Messiah: Sinfony | Philharmonia Orchestra, Otto Klemperer | — | |
| 8-2 | Messiah: Accompagnato: 'Comfort ye My people' (Tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-3 | Messiah: Air: Ev'ry valley shall be exalted (Tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-4 | Messiah: Chorus: And the glory of the Lord | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-5 | Messiah: Accompagnato: Thus saith the Lord (bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-6 | Messiah: Air: But who may abide the day of His coming? (Bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-7 | Messiah: Chorus: And he shall purify | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-8 | Messiah: Recitative: 'Behold, a virgin shall conceive' (Alto) | Grace Hoffman, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-9 | Messiah: Air: O thou that tellest good tidings to Zion (Alto) | Grace Hoffman, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-10 | Messiah: Chorus: O thou that tellest good tidings to Zion | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-11 | Messiah: Accompagnato: For behold, darkness shall cover the earth (Bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-12 | Messiah: Air: The people that walked in darkness (Bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-13 | Messiah: Chorus: For unto us a Child is born | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-14 | Messiah: Pifa (Pastoral Symphony) | Philharmonia Orchestra, Otto Klemperer | — | |
| 8-15 | Messiah: Recitative: 'There were shepherds abiding in the fields' (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-16 | Messiah: Chorus: Glory to God | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-17 | Messiah: Air: Rejoice greatly, o daughter to Zion (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-18 | Messiah: Recitative: Then shall the eyes of the blind be open'd (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-19 | Messiah: Air: He shall feed his flock like a shepherd (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-20 | Messiah: Chorus: His yoke is easy, His burthen is light | Philharmonia Orchestra, Otto Klemperer | — | |
| 9-1 | Messiah: Chorus: Behold the Lamb of God | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-2 | Messiah: Air: He was despised and rejected of men (alto) | Grace Hoffman, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-3 | Messiah: Chorus: Surely He hath borne our griefs | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-4 | Messiah: Chorus: And with His stripes we are healed | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-5 | Messiah: Chorus: All we like sheep have gone astray | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-6 | Messiah: Recitative: All they that see Him, laugh Him to scorn (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-7 | Messiah: Chorus: He trusted in God | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-8 | Messiah: Recitative: Thy rebuke hath broken His heart (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-9 | Messiah: Arioso: Behold and see if there be any sorrow (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-10 | Messiah: Recitative: He was cut off of the land of the living (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-11 | Messiah: Air: But Thou didst not leave his soul in hell (Tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-12 | Messiah: Chorus: Lift up your heads, O ye gates | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-13 | Messiah: Chorus: The Lord gave the word | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-14 | Messiah: Air: How beautiful are the feet (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-15 | Messiah: Chorus: Their sound is gone out into all lands | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-16 | Messiah: Air: Why do the nations so furiously rage together (Bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-17 | Messiah: Chorus: Let us break their bonds asunder | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-18 | Messiah: Recitative: He that dwelleth in heaven (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-19 | Messiah: Air: Thos shalt break them with a rod of iron (tenor) | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-20 | Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-21 | Messiah: Air: I know that my Redeemer liveth (Soprano) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-22 | Messiah: Chorus: Since by man came death | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-23 | Messiah: Recitative: Behold, I tell you a mystery (bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-24 | Messiah: Air: The trumpet shall sound (Bass) | Jerome Hines, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-25 | Messiah: Chorus: Worthy is the Lamb | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 9-26 | Messiah: Chorus: Amen | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-1 | Die Zauberflöte, K. 620: Ouvertüre | Philharmonia Orchestra, Otto Klemperer | T-903.529.769-9 | |
| 10-2 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 1. Introduktion "Zu Hilfe! Zu Hilfe!" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-3 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 2. Lied "Der Vogelfänger bin ich ja" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-4 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 3. Aria "Dies Bildnis ist bezaubernd schön" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-5 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 4. Rezitativ und Arie "O zitt're nicht, mein lieber Sohn" | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-6 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 5. Quintet "Hm! hm! hm! hm!" | Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-7 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 6. Terzett "Du feines Täubchen, nur herein!" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-8 | Die Zauberflöte, K. 620: Akt 1, Szene 2, Nr. 7. Duett "Bei Männern, welche Liebe fühlen" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-9 | Die Zauberflöte, K. 620: Akt 1, Szene 2, Nr. 8. Finale "Zum Ziele führt dich diese Bahn" | Franz Crass, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-10 | Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Wie stark ist nicht dein Zauberton" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-11 | Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Schnelle Füße, rascher Mut" | Walter Berry, Gundula Janowitz, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-12 | Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Könnte jeder brave Mann" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-13 | Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Es lebe Sarastro!" | Walter Berry, Gottlob Frick, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 10-14 | Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Nun, stolzer Jüngling; nur hierher!" | Gottlob Frick, Nicolai Gedda, Gundula Janowitz, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-1 | Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 9. Marsch (Marsch der Priester) | Philharmonia Orchestra, Otto Klemperer | — | |
| 11-2 | Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 10. Arie und Chor "O Isis und Osiris" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-3 | Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 11. Duett "Bewahret euch vor Weibertücken" | Philharmonia Orchestra, Otto Klemperer | — | |
| 11-4 | Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 12. Quintett "Wie? wie? wie? ihr an diesem Schreckensort?" | Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-5 | Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 13. Arie "Alles fühlt der Liebe Freuden" | Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-6 | Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“ | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | T-918.245.117-8 | |
| 11-7 | Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 15. Arie "In diesen heil'gen Hallen kennt" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-8 | Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 16. Terzetto "Seid uns zum zweiten Mal willkommen" | Philharmonia Orchestra, Otto Klemperer | — | |
| 11-9 | Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 17. Arie "Ach, ich fühl's, es ist verschwunden!" | Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-10 | Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 18. Chor der Priester "O Isis und Osiris, welche Wonne!" | Philharmonia Orchestra, Otto Klemperer | — | |
| 11-11 | Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 19. Terzett "Soll ich dich, Teurer, nicht mehr seh'n?" | Gottlob Frick, Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-12 | Die Zauberflöte, K. 620: Akt 2, Szene 6. Nr. 20. Arie "Ein Mädchen oder Weibchen wünscht Papageno sich!" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-13 | Die Zauberflöte, K. 620: Akt 2, Szene 7. Nr. 21. Finale "Bald prangt, den Morgen zu verkünden" | Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-14 | Die Zauberflöte, K. 620: Akt 2, Szene 8. Nr. 21. Finale "Der, welcher wandelt diese Straße voll Beschwerden" | Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-15 | Die Zauberflöte, K. 620: Akt 2, Szene 8. Nr. 21. Finale "Tamino mein! O welch ein Glück!" | Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-16 | Die Zauberflöte, K. 620: Akt 2, Szene 9. Nr. 21. Finale "Papagena!" | Walter Berry, Ruth-Margret Pütz, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-17 | Die Zauberflöte, K. 620: Akt 2, Szene 9. Nr. 21. Finale "Pa-pa-ge-na!" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-18 | Die Zauberflöte, K. 620: Akt 2, Szene 10. Nr. 21. Finale "Nur stille!" | Lucia Popp, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — | |
| 11-19 | Die Zauberflöte, K. 620: Akt 2, Szene 10. Nr. 21. Finale "Die Strahlen der Sonne" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-1 | Missa Solemnis Op. 123: 1. Kyrie | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-2 | Missa Solemnis, Op. 123: Gloria. Gloria in excelsis Deo | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-3 | Missa Solemnis, Op. 123: Gloria. Qui tollis | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-4 | Missa Solemnis, Op. 123: Gloria. Quoniam tu solus sanctus | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-5 | Missa Solemnis, Op. 123: Credo. Credo in unum Denum | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-6 | Missa Solemnis, Op. 123: Credo. Et incarnatus est | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-7 | Missa Solemnis, Op. 123: Credo. Et resurrexit | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-8 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth / IVb. Pleni sunt coeli et terra - Osanna in excelsis / IVc. Praeludium | Philharmonia Orchestra, Otto Klemperer | — | |
| 12-9 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini | Philharmonia Orchestra, Otto Klemperer | — | |
| 12-10 | Missa Solemnis, Op. 123: Agnus Dei. Agnus Dei | Marga Höffgen, Waldemar Kmentt, Philharmonia Chorus, Elisabeth Söderström, Philharmonia Orchestra, Otto Klemperer | — | |
| 12-11 | Missa Solemnis, Op. 123: Agnus. Dona nobis pacem | Marga Höffgen, Waldemar Kmentt, Philharmonia Chorus, Elisabeth Söderström, Philharmonia Orchestra, Otto Klemperer | — | |
| 13-1 | Don Giovanni, K. 527: Sinfonia | New Philharmonia Orchestra, Otto Klemperer | — | |
| 13-2 | Don Giovanni: Atto I, scena 1. Introduzione "Notte e giorno" (Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-3 | Don Giovanni: Atto I, scena 1. "Non sperar, se non m'uccidi" (Donna Anna/Don Giovanni/Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-4 | Don Giovanni: Atto I, scena 1. "Lasciala, indegno!" (Commendatore/Don Giovanni/Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-5 | Don Giovanni: Atto I, scena 1. Recitativo & Duetto: "Ma qual mai s'offre" (Donna Anna/Don Ottavio) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-6 | Don Giovanni: Atto I, scena 1. Recitativo & Duetto: "Fuggi, crudele, fuggi!" (Donna Anna/Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-7 | Don Giovanni: Atto I, scena 2. "Orsù, spicciati presto" (Don Giovanni/Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-8 | Don Giovanni: Atto I, scena 2. Aria "Ah, chi mi dice mai" (Donna Elvira) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-9 | Don Giovanni: Atto I, scena 2. Recitativo "Chi è là?" (Donna Elvira/Don Giovanni/Leporello) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-10 | Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello) | Walter Berry, New Philharmonia Orchestra, Otto Klemperer | — | |
| 13-11 | Don Giovanni: Atto I, scena 3. Coro "Giovinette che fate all'amore" (Zerlina/Coro/Masetto) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-12 | Don Giovanni: Atto I, scena 3. Recitativo "Manco male è partita" (Don Giovanni/Leporello/Zerlina/Masetto) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-13 | Don Giovanni: Atto I, scena 3. Aria "Ho capito, signor sì!" (Masetto) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-14 | Don Giovanni: Atto I, scena 3. Recitativo & Duetto "Alfin siam liberati" (Don Giovanni/Zerlina) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-15 | Don Giovanni: Atto I, scena 3. Recitativo & Duetto "Là ci darem la mano" (Don Giovanni/Zerlina) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-16 | Don Giovanni: Atto I, scena 3. Recitativo "Fermati, scellerato!" (Donna Elvira/Zerlina/Don Giovanni) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-17 | Don Giovanni: Atto I, scena 3. Recitativo & Quartetto "Mi par ch'oggi il demonio" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-18 | Don Giovanni: Atto I, scena 3. "Non ti fidar, o misera" (Don Giovanni/Don Ottavio/Donna Anna/Don Elvira) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-19 | Don Giovanni: Atto I, scena 3. Recitativo & Aria "Don Ottavio, son morta!" (Donna Anna/Don Ottavio) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-20 | Don Giovanni: Atto I, scena 3. Recitativo & Aria "Or sai chi l'onore" (Donna Anna) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-21 | Don Giovanni: Atto I, scena 3. Recitativo & Aria "Come mai creder deggio" … "Dalla sua pace" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-22 | Don Giovanni: Atto I, scena 3. Recitativo "Io deggio ad ogni patto" (Leporello/Don Giovanni) | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 13-23 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | Nicolaï Ghiaurov, New Philharmonia Orchestra, Otto Klemperer | — | |
| 14-1 | Don Giovanni: Atto I. "Masetto, senti un po'!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-2 | Don Giovanni, K. 527, Act 1: "Batti, batti, o bel Masetto" (Zerlina) | Mirella Freni, New Philharmonia Orchestra, Otto Klemperer | — | |
| 14-3 | Don Giovanni: Atto I. "Presto, presto, pria ch'ei venga" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-4 | Don Giovanni: Atto I. "Tra quest'arbori celata" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-5 | Don Giovanni: Atto I. "Bisogna aver coraggio" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-6 | Don Giovanni: Atto I. "Protegga il giusto cielo" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-7 | Don Giovanni: Atto I. "Riposate, vezzose ragazze" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-8 | Don Giovanni: Atto I. "Venite pur avanti" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-9 | Don Giovanni: Atto I. "Ecco il birbo" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-10 | Don Giovanni: Atto I. "Trema, trema, o scellerato!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-11 | Don Giovanni: Atto II. "Eh va, buffone" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-12 | Don Giovanni: Atto II. "Leporello!" … "Signore" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-13 | Don Giovanni: Atto II. "Ah taci, ingiusto core!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-14 | Don Giovanni: Atto II. "Amico, che ti par" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-15 | Don Giovanni, K. 527, Act 2: "Deh, vieni alla finestra" (Don Giovanni) | Nicolaï Ghiaurov, New Philharmonia Orchestra, Otto Klemperer | — | |
| 14-16 | Don Giovanni: Atto II. "Meta di voi qua vadano" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-17 | Don Giovanni: Atto II. "Zitto, lascia ch'io senta!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-18 | Don Giovanni: Atto II. Aria “Vedrai, carino” (Zerlina) | Mirella Freni, New Philharmonia Orchestra, Otto Klemperer | — | |
| 14-19 | Don Giovanni: Atto II. "Di molte faci il lume" … "Sola, sola in buio loco" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-20 | Don Giovanni: Atto II. "Mille torbidi pensieri" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-21 | Don Giovanni: Atto II. "Dunque quello sei tu" … "Ah, pietà" … "Ferma, perfido" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 14-22 | Don Giovanni: Atto II. "Il mio tesoro intanto" | New Philharmonia Chorus, New Philharmonia Orchestra, Otto Klemperer | — | |
| 14-23 | Don Giovanni: Atto II. "In quali eccessi" … "Mi tradì, quell'alma ingrata" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-1 | Don Giovanni: Atto II. "Ah, ah, ah, questa e buona" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-2 | Don Giovanni: Atto II. "O statua gentilissima" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-3 | Don Giovanni: Atto II. "Calmatevi, idol mio!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-4 | Don Giovanni: Atto II. "Crudele! Ah no, mio bene!" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-5 | Don Giovanni: Atto II. "Non mi dir, bell'idol mio" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-6 | Don Giovanni: Atto II. "Già la mensa e preparata" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-7 | Don Giovanni: Atto II. "L'ultima prova dell'amor mio" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-8 | Don Giovanni: Atto II. "Che grido e questo mai" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-9 | Don Giovanni: Atto II. "Don Giovanna, a cenar teco" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-10 | Don Giovanni: Atto II. "Da qual tremore insolito" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-11 | Don Giovanni: Atto II. "Ah, dov'è il perfido" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-12 | Don Giovanni: Atto II. "Or che tutti, o mio tesoro" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 15-13 | Don Giovanni: Atto II. "Questo è il fin" | New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | — | |
| 16-1 | Overture | — | ||
| 16-2 | Overture | — | ||
| 16-3 | Giovinette, Che Fate All'amore | — | ||
| 16-4 | Playback in the Control Room of Giovinette, Che Fate All'amore | — | ||
| 16-5 | Giovinette, Che Fate All'amore: Further Rehearsals/takes | — | ||
| 16-6 | Playback in the Control Room of Further Giovinette, Che Fate All'amore Take | — | ||
| 16-7 | Don Ottavio, son morta! - Or sai chi l'onore | — | ||
| 16-8 | Batti, Batti O Bel Masetto | — | ||
| 16-9 | Playback in the Control Room of Batti, Batti O Bel Masetto | — | ||
| 16-10 | Deh Vieni Alla Finestra | — | ||
| 17-1 | Mass in B minor, BWV 232: I. Kyrie: Chorus: Kyrie eleison | — | ||
| 17-2 | Mass in B minor, BWV 232: I. Kyrie: Duet: Christe eleison | — | ||
| 17-3 | Mass in B minor, BWV 232: I. Kyrie: Chorus: Kyrie eleison | — | ||
| 17-4 | Mass in B minor, BWV 232: II. Gloria: Chorus: Gloria in excelsis Deo | — | ||
| 17-5 | Mass in B minor, BWV 232: II. Gloria: Aria: Laudamus te | — | ||
| 17-6 | Mass in B minor, BWV 232: II. Gloria: Chorus: Gratias agimus tibi | — | ||
| 17-7 | Mass in B minor, BWV 232: II. Gloria: Duet: Domine Deus | — | ||
| 17-8 | Mass in B minor, BWV 232: II. Gloria: Chorus: Qui tollis peccata mundi | — | ||
| 17-9 | Mass in B minor, BWV 232: II. Gloria: Aria: Qui sedes ad dextram Patris | — | ||
| 17-10 | Mass in B minor, BWV 232: II. Gloria: Aria: Quoniam tu solus sanctus | — | ||
| 17-11 | Mass in B minor, BWV 232: II. Gloria: Chorus: Cum Sancto Spiritu | — | ||
| 18-1 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Credo in unum Deum | — | ||
| 18-2 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Patrem omnipotentem | — | ||
| 18-3 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Duet: Et in unum Dominum | — | ||
| 18-4 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Et incarnatus est | — | ||
| 18-5 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Crucifixus | — | ||
| 18-6 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Et resurrexit | — | ||
| 18-7 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Aria: Et in Spiritum Sanctum Dominum | — | ||
| 18-8 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): Chorus: Confiteor unum baptisma | — | ||
| 18-9 | Mass in B minor, BWV 232: III. Credo (Symbolicum Nicenum): ...Et expecto | — | ||
| 18-10 | Mass in B minor, BWV 232: IV. Sanctus: Chorus: Sanctus: Sanctus | — | ||
| 18-11 | Mass in B minor, BWV 232: IV. Sanctus: Double Chorus: Osanna in excelsis | — | ||
| 18-12 | Mass in B minor, BWV 232: IV. Sanctus: Aria: Benedictus | — | ||
| 18-13 | Mass in B minor, BWV 232: IV. Sanctus: Osanna in excelsis (da capo) | — | ||
| 18-14 | Mass in B minor, BWV 232: IV. Sanctus: Aria: Agnus Dei | — | ||
| 18-15 | Mass in B minor, BWV 232: IV. Sanctus: Chorus: Dona nobis pacem | — | ||
| 19-1 | Der fliegende Holländer: Ouvertüre (Orchester) | Philharmonia Orchestra, Otto Klemperer | T-003.143.988-9 | |
| 19-2 | Der fliegende Holländer: Akt I, Szene I. Introduktion "Hojohe! Halloho!" (Herrenchor, Daland, Steuermann) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-3 | Der fliegende Holländer: Akt I, Szene I. Lied des Steuermanns "Mit Gewitter und Sturm aus fernem Meer" (Steuermann) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-4 | Der fliegende Holländer: Akt I, Szene II. Rezitativ & Arie "Die Frist ist um" (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-5 | Der fliegende Holländer: Akt I, Szene II. Rezitativ & Arie "Wie oft in Meeres tiefsten Schlund" (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-6 | Der fliegende Holländer: Akt I, Szene II. Rezitativ & Arie "Dich frage ich, gepries'ner Engel Gottes" (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-7 | Der fliegende Holländer: Akt I, Szene II. Rezitativ & Arie "Nur eine Hoffnung soll mir bleiben" (Holländer, Herrenchor) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-8 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "He! Holla! Steuermann!" (Daland, Steuermann) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-9 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Weit komm' ich her" (Holländer, Daland) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-10 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Durch Sturm und bösen Wind verschlagen" (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-11 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Wie wunderbar! Soll deinem Wort ich glauben?" (Daland, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-12 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Was muß ich hören?... Hast du eine Tochter?" (Daland, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-13 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Wohl, Fremdling, hab' ich eine schöne Tochter" (Daland, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-14 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Wenn aus der Qualen Schreckgewalten" (Daland, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-15 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Südwind! Südwind!" (Steuermann, Herrenchor, Daland, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-16 | Der fliegende Holländer: Akt I, Szene III. Szene, Duett & Chor "Mit Gewitter und Sturm aus fernem Meer" (Herren) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-17 | Der fliegende Holländer: Akt II. Introduktion (Orchester) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-18 | Der fliegende Holländer: Akt II, Szene I. Lied (Chor der Spinnerinnen), Szene, Ballade & Chor "Summ und brumm, du gutes Rädchen" (Mädchen, Mary) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-19 | Der fliegende Holländer: Akt II, Szene I. Lied (Chor der Spinnerinnen), Szene, Ballade & Chor "Du böses Kind, wenn du nicht spinnst" (Mary, Mädchen, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-20 | Der fliegende Holländer: Akt II, Szene I. Lied (Chor der Spinnerinnen), Szene, Ballade & Chor "O macht dem dummen Lied ein Ende" (Mary, Mädchen, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-21 | Der fliegende Holländer: Akt II, Szene I. Sentas Ballade I. "Johohoe! ... Traft ihr das Schiff im Meere an" (Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-22 | Der fliegende Holländer: Akt II, Szene I. Sentas Ballade II. "Bei bösem Wind und Sturmes Wut" (Senta, Chor) | Philharmonia Orchestra, Otto Klemperer | — | |
| 19-23 | Der fliegende Holländer: Akt II, Szene I. Sentas Ballade III. "Vor Anker alle sieben Jahr" (Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-1 | Der fliegende Holländer: Akt II, Szene I. "Ach! Wo weilt sie" (Mädchen, Senta, Mary, Erik) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-2 | Der fliegende Holländer: Akt II, Szene II. Duett "Bleib, Senta! Bleib nur einen Augenblick!" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-3 | Der fliegende Holländer: Akt II, Szene II. Duett "Mein Herz, voll Treue bis zum Sterben" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-4 | Der fliegende Holländer: Akt II, Szene II. Duett "Wie? Zweifelst du an meinem Herzen?" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-5 | Der fliegende Holländer: Akt II, Szene II. Duett "Fühlst du den Schmerz, den tiefen Gram" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-6 | Der fliegende Holländer: Akt II, Szene II. Duett "Auf hohem Felsen lag ich träumend" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-7 | Der fliegende Holländer: Akt II, Szene II. Duett "Ach möchtest du, bleicher Seemann" (Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-8 | Der fliegende Holländer: Akt II, Szene III. Finale "Mein Kind, du siehst mich auf der Schwelle" (Daland, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-9 | Der fliegende Holländer: Akt II, Szene III. Arie "Mögst du, mein Kind, den fremden Mann" (Daland) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-10 | Der fliegende Holländer: Akt II, Szene III. Arie "Doch keines spricht" (Daland) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-11 | Der fliegende Holländer: Akt II, Szene III. Duett "Wie aus der Ferne längst verganger Zeiten" (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-12 | Der fliegende Holländer: Akt II, Szene III. Duett "Versank ich jetzt in wunderbares Träumen" (Senta, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-13 | Der fliegende Holländer: Akt II, Szene III. Duett "Wirst du des Vaters Wahl nicht schelten?" (Senta, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-14 | Der fliegende Holländer: Akt II, Szene III. Duett "Du bist ein Engel!" (Senta, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-15 | Der fliegende Holländer: Akt II, Szene III. Duett "Ein heil'ger Balsam meinen Wunden" (Senta, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-16 | Der fliegende Holländer: Akt II, Szene III. Terzett "Verzeiht! Mein Volk hält draußen sich nicht mehr" (Daland, Senta, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-17 | Der fliegende Holländer: Akt III. Zwischenspiel (Orchester) / Szene I. Chor der norwegischen Matrosen & Ensemble "Steuermann, laß die Wacht!" (Herrenchor) - Tanz (Orchester) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-18 | Der fliegende Holländer: Akt III, Szene I. Chor der norwegischen Matrosen & Ensemble "Mein! Seht doch an! Sie Tanzen gar!" (Mädchen, Herren, Steuermann) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-19 | Der fliegende Holländer: Akt III, Szene I. Chor der norwegischen Matrosen & Ensemble "Juchhe! Juchhe! Da gibt's die Fülle!" (Herren, Steuermann) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-20 | Der fliegende Holländer: Akt III, Szene I. Chor der norwegischen Matrosen & Ensemble "Johohoe! Johohoe!" (Herren) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-21 | Der fliegende Holländer: Akt III, Szene II. Finale. Duett "Was muß ich hören! Gott, was muß ich sehn!" (Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-22 | Der fliegende Holländer: Akt III, Szene II. Finale. Cavatine "Willst jenes Tags du nicht dich mehr entsinnen" (Erik) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-23 | Der fliegende Holländer: Akt III, Szene II. Finale. Cavatine "Verloren! Ach, verloren!" (Holländer, Erik, Senta) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-24 | Der fliegende Holländer: Akt III, Szene II. Finale. Cavatine "Erfahre das Geschick, vor dem ich dich bewahr'! (Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 20-25 | Der fliegende Holländer: Akt III, Szene II. Finale. Cavatine "Zu Hilfe! Rettet, rettet sie!" (Erik, Senta, Daland, Mary, Chor, Holländer) | Philharmonia Orchestra, Otto Klemperer | — | |
| 21-1 | Die Walküre, WWV 86B: Erster Akt. Vorspiel | — | ||
| 21-2 | Die Walküre, WWV 86B: Erster Akt, Szene I. "Wes Herd dies auch sei, hier muß ich rasten" (Siegmund, Sieglinde) | — | ||
| 21-3 | Die Walküre, WWV 86B: Erster Akt, Szene I. "Einen Unseligen labtest du" (Siegmund, Sieglinde) | — | ||
| 21-4 | Die Walküre, WWV 86B: Erster Akt, Szene II. "Müd am Herd fand ich den Mann" (Sieglinde, Hunding, Siegmund) | — | ||
| 21-5 | Die Walküre, WWV 86B: Erster Akt, Szene II. "Friedmund darf ich nicht heißen" (Siegmund, Hunding, Sieglinde) | — | ||
| 21-6 | Die Walküre, WWV 86B: Erster Akt, Szene II. "Die so leidig Los dir beschied" (Hunding, Sieglinde, Siegmund) | — | ||
| 21-7 | Die Walküre, WWV 86B: Erster Akt, Szene II. "Ich weiß ein wildes Geschlecht" (Hunding) | — | ||
| 21-8 | Die Walküre, WWV 86B: Erster Akt, Szene III. "Ein Schwert verhieß mir der Vater" (Siegmund) | — | ||
| 21-9 | Die Walküre, WWV 86B: Erster Akt, Szene III. "Schläfst du, Gast?" - "Der Männer Sippe saß hier im saal" (Sieglinde, Siegmund) | — | ||
| 21-10 | Die Walküre, WWV 86B: Erster Akt, Szene III. "Winterstürme wichen dem Wonnemond" (Siegmund) | — | ||
| 21-11 | Die Walküre, WWV 86B: Erster Akt, Szene III. "Du bist der Lenz" (Sieglinde) | — | ||
| 21-12 | Die Walküre, WWV 86B: Erster Akt, Szene III. "O Süßeste Wonne! Seligstes Weib!" (Siegmund, Sieglinde) | — | ||
| 21-13 | Die Walküre, WWV 86B: Erster Akt, Szene III. "Siegmund heiß ich, und Siegmund bin ich!" (Siegmund, Sieglinde) | — | ||
| 22-1 | Die Walküre, WWV 86B: Dritter Akt. "Leb wohl, du kühnes, herrliches Kind!" (Wotan's Farewell) | — | ||
| 22-2 | Die Walküre, WWV 86B: Dritter Akt. "Der Augen leuchtendes Paar" | — | ||
| 22-3 | Die Walküre, WWV 86B: Dritter Akt. "Loge, hör! Lausche hieher!" (Feuerzauber) | — | ||
| 22-4 | Die Walküre, WWV 86B: Walkürenritt (Ride of the Valkyries) | — | ||
| 22-5 | Wesendonck-Lieder: I. Der Engel | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 22-6 | Wesendonck-Lieder: II. Stehe still! | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 22-7 | Wesendonck-Lieder: III. Treibhaus | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 22-8 | Wesendonck-Lieder: IV. Schmerzen | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 22-9 | Wesendonck-Lieder: V. Träume | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 22-10 | Tristan und Isolde: Mild und leise (III. Akt) | Christa Ludwig, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-1 | Le nozze di Figaro, K. 492: Sinfonia | New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-2 | Le nozze di Figaro, K. 492: Atto I. N. 1 Duettino: “Cinque... dieci... venti... trenta” (Figaro, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-3 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Cosa stai misurando” (Susanna, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-4 | Le nozze di Figaro, K. 492: Atto I. N. 2 Duettino: “Se a caso madama la notte ti chiama” (Figaro, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-5 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Or bene, ascolta e taci” (Susanna, Figaro) - “Bravo, signor padrone!” (Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-6 | Le nozze di Figaro, K. 492: Atto I. N. 3 Cavatina: “Se vuol ballare, signor contino” (Figaro) | Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-7 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-8 | Le nozze di Figaro, K. 492: Atto I. N. 4 Aria: “La vendetta, oh, la vendetta” (Bartolo) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-9 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Tutto ancor non ho perso” (Marcellina, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-10 | Le nozze di Figaro, K. 492: Atto I. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-11 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Va' là, vecchia pedante” (Susanna, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-12 | Le nozze di Figaro, K. 492: Atto I. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-13 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Ah, son perduto!” ... “Susanna, il ciel vi salvi!” (Cherubino, Susanna, conte, Basilio) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-14 | Le nozze di Figaro, K. 492: Atto I. N. 7 Terzetto: “Cosa sento! Tosto andate” (conte, Basilio, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-15 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Basilio, in traccia tosto di Figaro” (conte, Susanna, Cherubino, Basilio) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-16 | Le nozze di Figaro, K. 492: Atto I. N. 8 Coro: “Giovani liete, fiori spargete” (contadini, contadine) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-17 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Cos'è questa commedia?” (conte, Figaro, Susanna) - N. 9 Coro: “Giovani liete, fiori spargete” (contadini, contadine) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-18 | Le nozze di Figaro, K. 492: Atto I. Recitativo: “Evviva!” ... “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, conte) 10.3 | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-19 | Le nozze di Figaro, K. 492: Atto I. N. 10 Aria: “Non più andrai, farfallone amoroso” (Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-20 | Le nozze di Figaro, K. 492: Atto II, scena I. No. 11 Cavatina “Porgi, amor qualche ristoro” (La Contessa) | Elisabeth Söderström, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-21 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Vieni, cara Susanna” (contessa, Susanna, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-22 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Quanto duolmi, Susanna” (contessa, Susanna, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-23 | Le nozze di Figaro, K. 492: Atto II. N. 12 Arietta: “Voi che sapete che cosa è amor” (Cherubino) | Teresa Berganza, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-24 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Bravo! Che bella voce!” (contessa, Susanna, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-25 | Le nozze di Figaro, K. 492: Atto II. N. 13 Aria: “Venite, inginocchiatevi” (Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-26 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Quante buffonerie!” ... “Chi picchia alla mia porta?” (contessa, Susanna, Cherubino, conte) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-27 | Le nozze di Figaro, K. 492: Atto II. “Che novità! Non fu mai vostra usanza” (conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-28 | Le nozze di Figaro, K. 492: Atto II. N. 14 Terzetto: “Susanna, or via sortite” (conte, contessa, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 23-29 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Dunque, voi non aprite?” (conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-1 | Le nozze di Figaro, K. 492: Atto II. N. 15 Duettino: “Aprite, presto, aprite” (Susanna, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-2 | Le nozze di Figaro, K. 492: Atto II. Recitativo: “Tutto è come il lasciai” (conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-3 | Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Esci omai, garzon malnato” (conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-4 | Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Signore! Cos'è quel stupore?” - “Susanna, son morta” (Susanna, conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-5 | Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Signori, di fuori son già i suonatori” - “Conoscete, signor Figaro” (Figaro, conte, Susanna, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-6 | Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Ah signor! Signor” - “Cos'è stato?” (Antonio, conte, contessa, Susanna, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-7 | Le nozze di Figaro, K. 492: Atto II. N. 16 Finale: “Voi, signor, che giusto siete” (Marcellina, Basilio, Bartolo, conte, contessa, Figaro, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-8 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Che imbarazzo è mai questo” ... “Via, fatti core” (conte, contessa, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-9 | Le nozze di Figaro, K. 492: Atto III. N. 17 Duettino: “Crudel! Perché finora, farmi languir così?” (conte, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-10 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “E perché fosti meco stamattina sì austera?” ... “Ehi, Susanna, ove vai?” (conte, Susanna, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-11 | Le nozze di Figaro, K. 492: Atto III. N. 18 Recitativo ed aria: “Hai già vinta la causa!” - “Vedrò mentr'io sospiro” (conte) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-12 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, conte, Bartolo) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-13 | Le nozze di Figaro, K. 492: Atto III. N. 19 Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, conte, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-14 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-15 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Andiam, andiam, bel paggio” (Barbarina, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-16 | Le nozze di Figaro, K. 492: Atto III. N. 20 Recitativo ed aria: “E Susanna non vien!” - “Dove sono i bei momenti” (contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-17 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Io vi dico, signor” (Antonio, conte) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-18 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Cosa mi narri!” (contessa, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-19 | Le nozze di Figaro, K. 492: Atto III. N. 21 Duettino: “Sull'aria” ... “Che soave zeffiretto” (contessa, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-20 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Piegato è il foglio” (Susanna, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-21 | Le nozze di Figaro, K. 492: Atto III. N. 22 Coro: “Ricevete, o padroncina” (contadinelle) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-22 | Le nozze di Figaro, K. 492: Atto III. Recitativo: “Queste sono, madama, le ragazze del loco” ... “Eh cospettaccio!” ... “Signor, se trattenete” (Barbarina, contessa, Susanna, Antonio, conte, Figaro, Cherubino) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-23 | Le nozze di Figaro, K. 492: Atto III. N. 23 Finale: “Ecco la marcia, andiamo” (Figaro, Susanna, conte, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 24-24 | Le nozze di Figaro, K. 492: Atto III. N. 23 Finale: “Amanti costanti” (due contadine, coro) - “Eh già, solita usanza” (conte, Figaro) - “Andate, amici” (conte, coro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-1 | Le nozze di Figaro, K. 492: Atto IV. N. 24 Cavatina: “L'ho perduta, me meschina!” (Barbarina) | Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-2 | Le nozze di Figaro, K. 492: Atto IV. Recitativo: “Barbarina, cos'hai?” (Figaro, Barbarina) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-3 | Le nozze di Figaro, K. 492: Atto IV. Recitativo: “Madre” - “Figlio” (Figaro, Marcellina) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-4 | Le nozze di Figaro, K. 492: Atto IV. Recitativo: “Son quelli che invitasti a venir” (Basilio, Bartolo, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-5 | Le nozze di Figaro, K. 492: Atto IV. N. 26 Aria: “In quegli anni in cui val poco” (Basilio) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-6 | Le nozze di Figaro, K. 492: Atto IV. N. 27 Recitativo ed aria: “Tutto è disposto” - “Aprite un po' quegli occhi” (Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-7 | Le nozze di Figaro, K. 492: Atto IV. Recitativo: “Signora, ella mi disse” - “Madama, voi tremate” (Susanna, Marcellina, contessa, Figaro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-8 | The Marriage of Figaro: Act 4. “Giunse alfin il momento” - Susanna sings of stolen pleasures (Susanna) | Reri Grist, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-9 | Le nozze di Figaro, K. 492: Atto IV. Recitativo: “Perfida! E in quella forma meco mentia?” (Figaro, Cherubino, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-10 | Le nozze di Figaro, K. 492: Atto IV. N. 29 Finale: “Pian pianin le andrò più presso” (Cherubino, contessa) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-11 | Le nozze di Figaro, K. 492: Atto IV. N. 29 Finale: “Partito e alfin l'audace” (conte, contessa, Figaro, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-12 | Le nozze di Figaro, K. 492: Atto IV. N. 29 Finale: “Tutto è tranquillo e placido” (Figaro, Susanna) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-13 | Le nozze di Figaro, K. 492: Atto IV. N. 29 Finale: “Pace, pace, mio dolce tesoro” ... “Non la trovo” (Figaro, Susanna, conte) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 25-14 | Le nozze di Figaro, K. 492: Atto IV. N. 29 Finale: “Gente, gente, all'armi, all'armi” (conte, Figaro, Basilio, Antonio, Susanna, contessa, coro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-1 | Così fan tutte, K. 588: Sinfonia | New Philharmonia Orchestra, Otto Klemperer | T-902.763.968-5 | |
| 26-2 | Così fan tutte, K. 588: Atto I, scena 1. “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) | Luigi Alva, Geraint Evans, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-3 | Così fan tutte, K. 588: Atto I, scena 1. “Fuor la spada” (Guglielmo, Don Alfonso, Ferrando) | Luigi Alva, Geraint Evans, Hans Sotin, Otto Freudenthal, Otto Klemperer | — | |
| 26-4 | Così fan tutte, K. 588: Atto I, scena 1. “È la fede delle femmine” (Don Alfonso, Ferrando, Guglielmo) | Luigi Alva, Geraint Evans, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-5 | Così fan tutte, K. 588: Atto I, scena 1. “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso) | Luigi Alva, Geraint Evans, Hans Sotin, Otto Freudenthal, Otto Klemperer | — | |
| 26-6 | Così fan tutte, K. 588: Atto I, scena 1. “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) | Luigi Alva, Geraint Evans, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-7 | Così fan tutte, K. 588: Atto I, scena 2. “Ah, guarda, sorella” (Fiordiligi, Dorabella) | Margaret Price, Yvonne Minton, Otto Klemperer, New Philharmonia Orchestra | — | |
| 26-8 | Così fan tutte, K. 588: Atto I, scena 2. “Mi par che stamattina” (Fiordiligi, Dorabella, Don Alfonso) | Margaret Price, Yvonne Minton, Hans Sotin, Otto Freudenthal, Otto Klemperer | — | |
| 26-9 | Così fan tutte, K. 588: Atto I, scena 2. “Barbaro fato!” … “Vorrei dir, e cor non ho” (Don Alfonso) | Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-10 | Così fan tutte, K. 588: Atto I, scena 2. “Stelle! Per carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella) | Margaret Price, Hans Sotin, Yvonne Minton, Otto Freudenthal, Otto Klemperer | — | |
| 26-11 | Così fan tutte, K. 588: Atto I, scena 2. “Sento, oddio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Geraint Evans, Luigi Alva, Hans Sotin, Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-12 | Così fan tutte, K. 588: Atto I, scena 2. “La commedia è graziosa” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) | Hans Sotin, Luigi Alva, Margaret Price, Yvonne Minton, Otto Freudenthal, Otto Klemperer | — | |
| 26-13 | Così fan tutte, K. 588: Atto I, scena 2. “Bella vita militar!” (Coro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-14 | Così fan tutte, K. 588: Atto I, scena 2. “Non v’è più tempo” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) | Hans Sotin, Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Otto Freudenthal, Otto Klemperer | — | |
| 26-15 | Così fan tutte, K. 588: Atto I, scena 2. “Muoio d’affanno!” … “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) | Hans Sotin, Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-16 | Così fan tutte, K. 588: Atto I, scena 2. “Bella vita militar!” (Coro) | John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-17 | Così fan tutte, K. 588: Atto I, scena 2. “Dove son?” (Dorabella, Don Alfonso, Fiordiligi) | Yvonne Minton, Hans Sotin, Margaret Price, Otto Freudenthal, Otto Klemperer | — | |
| 26-18 | Così fan tutte, K. 588: Atto I, scena 2. “Soave sia il vento” (Fiordiligi, Dorabella, Don Alfonso) | Yvonne Minton, Hans Sotin, Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-19 | Così fan tutte, K. 588: Atto I, scena 2. “Non son cattivo comico” (Don Alfonso) | Hans Sotin, Otto Freudenthal, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-20 | Così fan tutte, K. 588: Atto I, scena 3. “Che vita maledetta” (Despina, Fiordiligi, Dorabella) | Lucia Popp, Margaret Price, Yvonne Minton, Otto Freudenthal, Otto Klemperer | — | |
| 26-21 | Così fan tutte, K. 588: Atto I, scena 3. “Ah, scostati!” (Dorabella) | Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-22 | Così fan tutte, K. 588: Atto I, scena 3. “Smanie implacabili che m’agitate” (Dorabella) | Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 26-23 | Così fan tutte, K. 588: Atto I, scena 3. “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabella, Fiordiligi) | Lucia Popp, Yvonne Minton, Margaret Price, Otto Freudenthal, Otto Klemperer | — | |
| 26-24 | Così fan tutte, K. 588: Atto I, scena 3. “In uomini, in soldati sperare fedeltà?” (Despina) | Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-1 | Così fan tutte, K. 588: Atto I, scena 3. “Che silenzio! Che aspetto di tristezza” (Don Alfonso, Despina) | Hans Sotin, Lucia Popp, Otto Freudenthal, Otto Klemperer | — | |
| 27-2 | Così fan tutte, K. 588: Atto I, scena 3. “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | Hans Sotin, Luigi Alva, Geraint Evans, Lucia Popp, Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-3 | Così fan tutte, K. 588: Atto I, scena 3. “Che sussurro! Che strepito!” (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina) | Hans Sotin, Yvonne Minton, Margaret Price, Luigi Alva, Geraint Evans, Lucia Popp, Otto Freudenthal, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-4 | Così fan tutte, K. 588: Atto I, scena 3. “Temerari, sortite fuori di questo loco!” (Fiordiligi) | Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-5 | Così fan tutte, K. 588: Atto I, scena 3. “Come scoglio immoto resta” (Fiordiligi) | Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-6 | Così fan tutte, K. 588: Atto I, scena 3. “Ah, non partite!” (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi) | Luigi Alva, Geraint Evans, Hans Sotin, Yvonne Minton, Margaret Price, Otto Freudenthal, Otto Klemperer | — | |
| 27-7 | Così fan tutte, K. 588: Atto I, scena 3. “Non siate ritrosi” (Guglielmo) | Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-8 | Così fan tutte, K. 588: Atto I, scena 3. “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) | Hans Sotin, Luigi Alva, Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-9 | Così fan tutte, K. 588: Atto I, scena 3. “Si può sapere un poco” (Don Alfonso, Guglielmo, Ferrando) | Hans Sotin, Luigi Alva, Geraint Evans, Otto Freudenthal, Otto Klemperer | — | |
| 27-10 | Così fan tutte, K. 588: Atto I, scena 3. “Un’aura amorosa del nostro tesoro” (Ferrando) | Luigi Alva, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-11 | Così fan tutte, K. 588: Atto I, scena 4. “Ah, che tutto in un momento” (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) | Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-12 | Così fan tutte, K. 588: Atto I, scena 4. “Ah, che del sole il raggio” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) | Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-13 | Così fan tutte, K. 588: Atto I, scena 4. “Eccovi il medico” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | Hans Sotin, Luigi Alva, Geraint Evans, Lucia Popp, Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-14 | Così fan tutte, K. 588: Atto I, scena 4. “Dove son? Che loco è questo?” (Ferrando, Guglielmo, Despina, Don Alfonso, Fiordiligi, Dorabella) | Luigi Alva, Geraint Evans, Lucia Popp, Hans Sotin, Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-15 | Così fan tutte, K. 588: Atto I, scena 4. “Dammi un bacio, o mio tesoro” (Ferrando, Guglielmo, Fiordiligi, Dorabella, Despina, Don Alfonso) | Luigi Alva, Geraint Evans, Margaret Price, Yvonne Minton, Lucia Popp, Hans Sotin, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-16 | Così fan tutte, K. 588: Atto II, scena 1. “Una donna a quindici anni” (Despina) | Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-17 | Così fan tutte, K. 588: Atto II, scena 1. “Questo è ver” (Fiordiligi, Dorabella) | Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-18 | Così fan tutte, K. 588: Atto II, scena 1. “Prenderò quel brunettino” (Dorabella, Fiordiligi) | Margaret Price, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-19 | Così fan tutte, K. 588: Atto II, scena 2. “Secondate, aurette amiche” (Ferrando, Guglielmo, Coro) | Luigi Alva, Geraint Evans, The John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-20 | Così fan tutte, K. 588: Atto II, scena 2. “Il tutto deponete sopra quei tavolini” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) | Hans Sotin, Margaret Price, Yvonne Minton, Lucia Popp, Luigi Alva, Geraint Evans, Otto Freudenthal, Otto Klemperer | — | |
| 27-21 | Così fan tutte, K. 588: Atto II, scena 2. “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) | Hans Sotin, Luigi Alva, Geraint Evans, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 27-22 | Così fan tutte, K. 588: Atto II, scena 2. “Oh, che bella giornata!” (Fiordiligi, Ferrando, Dorabella, Guglielmo) | Margaret Price, Luigi Alva, Yvonne Minton, Geraint Evans, Otto Freudenthal, Otto Klemperer | — | |
| 27-23 | Così fan tutte, K. 588: Atto II, scena 2. “Il core vi dono” (Guglielmo, Dorabella) | Geraint Evans, Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-1 | Così fan tutte, K. 588: Atto II, scena 2. “Barbara, perché fuggi?” (Ferrando, Fiordiligi) | Luigi Alva, Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-2 | Così fan tutte, K. 588: Atto II, scena 2. “Ei parte… senti… ah no!” (Fiordiligi) | Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-3 | Così fan tutte, K. 588: Atto II, scena 2. “Per pietà, ben mio, perdona” (Fiordiligi) | Margaret Price, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-4 | Così fan tutte, K. 588: Atto II, scena 2. “Amico, abbiamo vinto!” (Ferrando, Guglielmo) | Luigi Alva, Geraint Evans, Otto Freudenthal, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-5 | Così fan tutte, K. 588: Atto II, scena 2. “Donne mie, la fate a tanti a tanti” (Guglielmo) | Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-6 | Così fan tutte, K. 588: Atto II, scena 2. “In qual fiero contrasto” (Ferrando) | Luigi Alva, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-7 | Così fan tutte, K. 588: Atto II, scena 2. “Tradito, schernito” (Ferrando) | Luigi Alva, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-8 | Così fan tutte, K. 588: Atto II, scena 3. “È amore un ladroncello” (Dorabella) | Yvonne Minton, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-9 | Così fan tutte, K. 588: Atto II, scena 3. “L'abido di Ferrando sara buono per me” (Fiordiligi, Ferrando) | Margaret Price, Geraint Evans, Otto Freudenthal, Otto Klemperer | — | |
| 28-10 | Così fan tutte, K. 588: Atto II, scena 3. “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) | Margaret Price, Luigi Alva, Philharmonia Orchestra, Otto Klemperer | — | |
| 28-11 | Così fan tutte, K. 588: Atto II, scena 3. “Ah, poveretto me, cosa ho veduto!” (Guglielmo, Don Alfonso, Ferrando) | Geraint Evans, Hans Sotin, Luigi Alva, Otto Freudenthal, Otto Klemperer | — | |
| 28-12 | Così fan tutte, K. 588: Atto II, scena 3. “Tutti accussan le donne” (Don Alfonso, Ferrando, Guglielmo) | Hans Sotin, Luigi Alva, Geraint Evans, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-13 | Così fan tutte, K. 588: Atto II, scena 4. “Fate presto, o cari amici” (Despina, Coro, Don Alfonso) | Lucia Popp, Hans Sotin, The John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-14 | Così fan tutte, K. 588: Atto II, scena 4. “Benedetti i doppi coniugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo) | Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, The John Alldis Choir, Philharmonia Orchestra, Otto Klemperer | — | |
| 28-15 | Così fan tutte, K. 588: Atto II, scena 4. “E nel tuo, nel mio bicchiero” (Fiordiligi, Ferrando, Dorabella, Guglielmo) | Margaret Price, Yvonne Minton, Yvonne Minton, Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-16 | Così fan tutte, K. 588: Atto II, scena 4. “Miei, signori, tutto è fatto” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina) | Hans Sotin, Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-17 | Così fan tutte, K. 588: Atto II, scena 4. “Bella vita militar!” (Coro, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso | Margaret Price, Yvonne Minton, Lucia Popp, Luigi Alva, Geraint Evans, Hans Sotin, The John Alldis Choir, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-18 | Così fan tutte, K. 588: Atto II, scena 4. “Sani e salvi, agli amplessi amorosi” (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina) | Luigi Alva, Geraint Evans, Hans Sotin, Margaret Price, Yvonne Minton, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-19 | Così fan tutte, K. 588: Atto II, scena 4. “Giusto ciel, voi qui scriveste” (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso) | Luigi Alva, Geraint Evans, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-20 | Così fan tutte, K. 588: Atto II, scena 4. “A voi s'inchina, bella damina” (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina) | Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Hans Sotin, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 28-21 | Così fan tutte, K. 588: Atto II, scena 4. “Fortunato l’uom che prende” (Tutti) | Margaret Price, Yvonne Minton, Luigi Alva, Geraint Evans, Hans Sotin, Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — | |
| 29-1 | An Opera Souvenir: Introduction: Overview and Background | — | ||
| 29-2 | An Opera Souvenir: Beethoven's Fidelio | — | ||
| 29-3 | An Opera Souvenir: Mozart's Die Zauberflöte | — | ||
| 29-4 | An Opera Souvenir: Mozart's Don Giovanni in Rehearsal | — | ||
| 29-5 | An Opera Souvenir: Wagner's Der fliegende Holländer | — | ||
| 29-6 | An Opera Souvenir: Mozart's Così fan tutte - Final Opera Recording and Conclusion | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter" | Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer | — |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | Nicolaï Ghiaurov, New Philharmonia Orchestra, Otto Klemperer | — |
| Così fan tutte, K. 588: Atto II, scena 1. “Una donna a quindici anni” (Despina) | Lucia Popp, New Philharmonia Orchestra, Otto Klemperer | — |
| Ein deutsches Requiem Op.45: I. Selig sind, die da Leid tragen | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: II. Denn alles Fleisch es ist wie Gras | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: III. Herr, lehre doch mich | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: IV. Wie lieblich sind deine Wohnungen | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: V. Ihr habt nun Traurigkeit | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: VI. Denn wir haben hie keine bleibende Statt | Otto Klemperer, Philharmonia Orchestra | — |
| Ein deutsches Requiem Op.45: VII. Selig sind die Toten | Otto Klemperer, Philharmonia Orchestra | T-910.405.802-8 |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 1. Introduktion "Zu Hilfe! Zu Hilfe!" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 2. Lied "Der Vogelfänger bin ich ja" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 3. Aria "Dies Bildnis ist bezaubernd schön" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 4. Rezitativ und Arie "O zitt're nicht, mein lieber Sohn" | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 5. Quintet "Hm! hm! hm! hm!" | Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 6. Terzett "Du feines Täubchen, nur herein!" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 2, Nr. 7. Duett "Bei Männern, welche Liebe fühlen" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 2, Nr. 8. Finale "Zum Ziele führt dich diese Bahn" | Franz Crass, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Wie stark ist nicht dein Zauberton" | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Schnelle Füße, rascher Mut" | Walter Berry, Gundula Janowitz, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Könnte jeder brave Mann" | Walter Berry, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Es lebe Sarastro!" | Walter Berry, Gottlob Frick, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 1, Szene 3, Nr. 8. Finale "Nun, stolzer Jüngling; nur hierher!" | Gottlob Frick, Nicolai Gedda, Gundula Janowitz, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 9. Marsch (Marsch der Priester) | Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 10. Arie und Chor "O Isis und Osiris" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 11. Duett "Bewahret euch vor Weibertücken" | Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 12. Quintett "Wie? wie? wie? ihr an diesem Schreckensort?" | Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 13. Arie "Alles fühlt der Liebe Freuden" | Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“ | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 15. Arie "In diesen heil'gen Hallen kennt" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 16. Terzetto "Seid uns zum zweiten Mal willkommen" | Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 17. Arie "Ach, ich fühl's, es ist verschwunden!" | Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 18. Chor der Priester "O Isis und Osiris, welche Wonne!" | Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 19. Terzett "Soll ich dich, Teurer, nicht mehr seh'n?" | Gottlob Frick, Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 6. Nr. 20. Arie "Ein Mädchen oder Weibchen wünscht Papageno sich!" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 7. Nr. 21. Finale "Bald prangt, den Morgen zu verkünden" | Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 8. Nr. 21. Finale "Der, welcher wandelt diese Straße voll Beschwerden" | Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 8. Nr. 21. Finale "Tamino mein! O welch ein Glück!" | Nicolai Gedda, Gundula Janowitz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 9. Nr. 21. Finale "Pa-pa-ge-na!" | Walter Berry, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 9. Nr. 21. Finale "Papagena!" | Walter Berry, Ruth-Margret Pütz, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 10. Nr. 21. Finale "Nur stille!" | Lucia Popp, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — |
| Die Zauberflöte, K. 620: Akt 2, Szene 10. Nr. 21. Finale "Die Strahlen der Sonne" | Gottlob Frick, Philharmonia Orchestra, Otto Klemperer | — |
