UPC · Release
Various Artists
Last verified:
The UPC for “Élections Classiques 2017” by Various Artists is 5054197534256. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. This release contains 50 tracks, each with its own ISRC. Tracks include GBAYC9803207, GBAYC0203320, GBAYC0302850.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto pour piano no. 1 en si bémol mineur, op. 23 : I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 2 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | — | |
| 3 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Sir Simon Rattle | — | |
| 4 | Concerto pour violon et orchestre en mi mineur, op. 64 : Allegro molto appassionato (extr.) | Renaud Capuçon, Mahler Chamber Orchestra, Daniel Harding | — | |
| 5 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Deutsche Kammerphilharmonie, Daniel Harding | — | |
| 6 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Berliner Philharmoniker, Riccardo Muti | T-010.065.879-4 | |
| 7 | Symphonie no. 9 en ré mineur, op. 125 : IV. Presto « O Freunde, nicht diese Töne » | — | ||
| 2-1 | Moment musical no. 3 en fa mineur, D. 780 | — | ||
| 2-2 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Daniel Barenboim, Berliner Philharmoniker | — | |
| 2-3 | Kantate, BWV 147 "Herz und Mund und Tat und Leben": X. Choral "Jesus bleibet meine Freude" | Tölzer Knabenchor, Concentus Musicus Wien, Nikolaus Harnoncourt | T-905.387.081-8 | |
| 2-4 | Nocturne en ut dièse mineur, op. posthume | — | ||
| 2-5 | Carmen : Acte I, No. 3. Récitatif « Une jeune fille charmante » (Moralès, Don José) / « Et la garde descendante rentre chez elle et s’en va » (Chœur d’enfants) | Roberto Alagna, La Lauzeta, Ludovic Tézier, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 2-6 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Stephen Kovacevich | — | |
| 2-7 | Étude en ut mineur, op. 10 no. 12, "Révolutionnaire" | — | ||
| 2-8 | Trio pour piano no. 2 en mi bémol majeur, D. 929 : II. Andante con moto | — | ||
| 2-9 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 2-10 | Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso (excerpt) | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — | |
| 2-11 | Concerto pour violon en ré majeur, op. 35 : I. Allegro moderato | — | ||
| 3-1 | Gnossienne no. 1 | — | ||
| 3-2 | Concerto pour piano no. 2 en ut mineur, op. 18 : I. Moderato | — | ||
| 3-3 | Rinaldo, HWB 7b : « Lascia ch’io pianga » (Almirena) | — | ||
| 3-4 | Pelléas et Mélisande, op. 80 : III. Sicilienne | — | ||
| 3-5 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | T-312.542.381-2 | |
| 3-6 | Rigoletto: Atto III. “La donna è mobile” | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T-912.866.624-0 | |
| 3-7 | The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | — | |
| 3-8 | Matthäus-Passion BWV 244, 2. LXVIII. Chorus "Wir setzen uns mit Tränen nieder" | Norbert Balatsch, Erwin Ortner, Arnold Schoenberg Chor, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-9 | Symphonie no. 9 en mi mineur, op. 95, "Du nouveau Monde" | — | ||
| 3-10 | Concerto pour hautbois en ut majeur : I. Larghetto | — | ||
| 3-11 | Lohengrin : Prélude de l’acte 1 | — | ||
| 3-12 | Concerto pour violoncelle en la majeur, Wq. 172 : III. Allegro assai (Cad. Mork) | — | ||
| 4-1 | Le Messie, HWV 56 : « Alleluia » (Chœur) | — | ||
| 4-2 | Don Giovanni, KV 527: "Fin ch'han dal vino" (Don Giovanni) | Thomas Hampson, Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | T-306.481.937-6 | |
| 4-3 | La Damnation de Faust, op. 24 : Marche Hongroise (Allegro marcato) | — | ||
| 4-4 | Le Barbier de Séville : « Una voce poco fa » (Rosina) | — | ||
| 4-5 | Canon et Gigue en ré majeur | — | ||
| 4-6 | Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — | |
| 4-7 | Concerto pour piano en sol majeur : II. Adagio assai | — | ||
| 4-8 | The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Fabio Biondi, Europa Galante | T-070.248.077-0 | |
| 4-9 | Variations Goldberg, BWV 988 : I. Aria | — | ||
| 4-10 | La Force du destin : Ouverture | — | ||
| 4-11 | Symphonie no.5 en ut dièse mineur : Adagietto (extr.) | Berliner Philharmoniker, Simon Rattle | T-800.652.468-2 | |
| 5-1 | Concerto pour piano no. 2 en fa mineur, op. 21 : II. Larghetto | — | ||
| 5-2 | La Moldau | — | ||
| 5-3 | Guillaume Tell : Ouverture | — | ||
| 5-4 | Concerto pour violoncelle no. 1 en ut majeur, Hob. Vllb/1 : III. Allegro molto | — | ||
| 5-5 | Rhapsodie hongroise no. 2 en ut dièse mineur | — | ||
| 5-6 | Concerto pour deux violons en ré mineur, BWV 1043 : I. Vivace | — | ||
| 5-7 | Concerto pour violon en ré majeur, op. 77 : III. Allegro giocoso, ma non troppo vivace | — | ||
| 5-8 | L’Élixir d’amour : « Una furtiva lagrima » (Nemorino) | — | ||
| 5-9 | Peer Gynt, op. 23: VIII. I Dovregubbens hall | Ellerhein Girls’ Choir, Estonian National Male Choir, Estonian National Symphony Orchestra, Paavo Järvi | — |
Identifier Graph
5054197534256 is a Universal Product Code (UPC) assigned to Élections Classiques 2017 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | — |
| Casse-Noisette : Valse des fleurs | London Symphony Orchestra, André Previn | T-011.792.441-0 |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
| Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | Berliner Philharmoniker, Simon Rattle | — |
| Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Élections Classiques 2017” by Various Artists is 5054197534256. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. This release contains 50 tracks, each with its own ISRC. Tracks include GBAYC9803207, GBAYC0203320, GBAYC0302850.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto pour piano no. 1 en si bémol mineur, op. 23 : I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 2 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | — | |
| 3 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Sir Simon Rattle | — | |
| 4 | Concerto pour violon et orchestre en mi mineur, op. 64 : Allegro molto appassionato (extr.) | Renaud Capuçon, Mahler Chamber Orchestra, Daniel Harding | — | |
| 5 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Deutsche Kammerphilharmonie, Daniel Harding | — | |
| 6 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Berliner Philharmoniker, Riccardo Muti | T-010.065.879-4 | |
| 7 | Symphonie no. 9 en ré mineur, op. 125 : IV. Presto « O Freunde, nicht diese Töne » | — | ||
| 2-1 | Moment musical no. 3 en fa mineur, D. 780 | — | ||
| 2-2 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Daniel Barenboim, Berliner Philharmoniker | — | |
| 2-3 | Kantate, BWV 147 "Herz und Mund und Tat und Leben": X. Choral "Jesus bleibet meine Freude" | Tölzer Knabenchor, Concentus Musicus Wien, Nikolaus Harnoncourt | T-905.387.081-8 | |
| 2-4 | Nocturne en ut dièse mineur, op. posthume | — | ||
| 2-5 | Carmen : Acte I, No. 3. Récitatif « Une jeune fille charmante » (Moralès, Don José) / « Et la garde descendante rentre chez elle et s’en va » (Chœur d’enfants) | Roberto Alagna, La Lauzeta, Ludovic Tézier, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 2-6 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Stephen Kovacevich | — | |
| 2-7 | Étude en ut mineur, op. 10 no. 12, "Révolutionnaire" | — | ||
| 2-8 | Trio pour piano no. 2 en mi bémol majeur, D. 929 : II. Andante con moto | — | ||
| 2-9 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 2-10 | Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso (excerpt) | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — | |
| 2-11 | Concerto pour violon en ré majeur, op. 35 : I. Allegro moderato | — | ||
| 3-1 | Gnossienne no. 1 | — | ||
| 3-2 | Concerto pour piano no. 2 en ut mineur, op. 18 : I. Moderato | — | ||
| 3-3 | Rinaldo, HWB 7b : « Lascia ch’io pianga » (Almirena) | — | ||
| 3-4 | Pelléas et Mélisande, op. 80 : III. Sicilienne | — | ||
| 3-5 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | T-312.542.381-2 | |
| 3-6 | Rigoletto: Atto III. “La donna è mobile” | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T-912.866.624-0 | |
| 3-7 | The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | — | |
| 3-8 | Matthäus-Passion BWV 244, 2. LXVIII. Chorus "Wir setzen uns mit Tränen nieder" | Norbert Balatsch, Erwin Ortner, Arnold Schoenberg Chor, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-9 | Symphonie no. 9 en mi mineur, op. 95, "Du nouveau Monde" | — | ||
| 3-10 | Concerto pour hautbois en ut majeur : I. Larghetto | — | ||
| 3-11 | Lohengrin : Prélude de l’acte 1 | — | ||
| 3-12 | Concerto pour violoncelle en la majeur, Wq. 172 : III. Allegro assai (Cad. Mork) | — | ||
| 4-1 | Le Messie, HWV 56 : « Alleluia » (Chœur) | — | ||
| 4-2 | Don Giovanni, KV 527: "Fin ch'han dal vino" (Don Giovanni) | Thomas Hampson, Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | T-306.481.937-6 | |
| 4-3 | La Damnation de Faust, op. 24 : Marche Hongroise (Allegro marcato) | — | ||
| 4-4 | Le Barbier de Séville : « Una voce poco fa » (Rosina) | — | ||
| 4-5 | Canon et Gigue en ré majeur | — | ||
| 4-6 | Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — | |
| 4-7 | Concerto pour piano en sol majeur : II. Adagio assai | — | ||
| 4-8 | The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Fabio Biondi, Europa Galante | T-070.248.077-0 | |
| 4-9 | Variations Goldberg, BWV 988 : I. Aria | — | ||
| 4-10 | La Force du destin : Ouverture | — | ||
| 4-11 | Symphonie no.5 en ut dièse mineur : Adagietto (extr.) | Berliner Philharmoniker, Simon Rattle | T-800.652.468-2 | |
| 5-1 | Concerto pour piano no. 2 en fa mineur, op. 21 : II. Larghetto | — | ||
| 5-2 | La Moldau | — | ||
| 5-3 | Guillaume Tell : Ouverture | — | ||
| 5-4 | Concerto pour violoncelle no. 1 en ut majeur, Hob. Vllb/1 : III. Allegro molto | — | ||
| 5-5 | Rhapsodie hongroise no. 2 en ut dièse mineur | — | ||
| 5-6 | Concerto pour deux violons en ré mineur, BWV 1043 : I. Vivace | — | ||
| 5-7 | Concerto pour violon en ré majeur, op. 77 : III. Allegro giocoso, ma non troppo vivace | — | ||
| 5-8 | L’Élixir d’amour : « Una furtiva lagrima » (Nemorino) | — | ||
| 5-9 | Peer Gynt, op. 23: VIII. I Dovregubbens hall | Ellerhein Girls’ Choir, Estonian National Male Choir, Estonian National Symphony Orchestra, Paavo Järvi | — |
