UPC · Release
Hommage
Nicholas Angelich
5054197676192
136 tracks
Last verified:
5054197676192 is the Universal Product Code (UPC barcode) for the release “Hommage” by Nicholas Angelich. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 136 tracks, each with its own ISRC.
Format
505GS1 prefix
4197Company prefix
67619Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCHommage
ISWC1 work
Track List (136)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Études d’exécution transcendante, S. 139: No. 1 in C major, Preludio | — | ||
| 2 | Études d’exécution transcendante, S. 139: No. 3 in F major, Paysage | — | ||
| 3 | Études d’exécution transcendante, S. 139: No. 10 in F minor, Appassionata. Allegro agitato molto | — | ||
| 4 | Études d’exécution transcendante, S. 139: No. 11 in D‐flat major, Harmonies du soir | — | ||
| 5 | Isolde’s Liebestod, S. 447 (After Richard Wagner) | — | ||
| 6 | En rêve, S. 207 | — | ||
| 7 | Trübe Wolken, S. 199 | — | ||
| 8 | Piano Sonata in B minor, op. 1 | — | ||
| 9 | Fantasien über Gedichte von Richard Dehmel, op. 9: No. 1, Stimme des Abends | — | ||
| 10 | Fantasien über Gedichte von Richard Dehmel, op. 9: No. 2, Waldseligkeit | — | ||
| 11 | Fantasien über Gedichte von Richard Dehmel, op. 9: No. 3, Liebe | — | ||
| 12 | Fantasien über Gedichte von Richard Dehmel, op. 9: No. 4, Käferlied | — | ||
| 13 | English Suite no. 2 in A minor, BWV 807: I. Prelude | — | ||
| 14 | English Suite no. 2 in A minor, BWV 807: II. Allemande | — | ||
| 15 | English Suite no. 2 in A minor, BWV 807: III. Courante | — | ||
| 16 | English Suite no. 2 in A minor, BWV 807: IV. Sarabande | — | ||
| 17 | English Suite no. 2 in A minor, BWV 807: V. Bourrées I & II | — | ||
| 18 | English Suite no. 2 in A minor, BWV 807: VI. Gigue | — | ||
| 19 | Variations in F minor, Hob. XVII:6 | — | ||
| 20 | Variations and Fugue on a Theme by Handel, op. 24: Aria & Variation I | — | ||
| 21 | Variations and Fugue on a Theme by Handel, op. 24: Variations II – III | — | ||
| 22 | Variations and Fugue on a Theme by Handel, op. 24: Variation IV | — | ||
| 23 | Variations and Fugue on a Theme by Handel, op. 24: Variation V | — | ||
| 24 | Variations and Fugue on a Theme by Handel, op. 24: Variation VI | — | ||
| 25 | Variations and Fugue on a Theme by Handel, op. 24: Variations VII – VIII | — | ||
| 26 | Variations and Fugue on a Theme by Handel, op. 24: Variation IX | — | ||
| 27 | Variations and Fugue on a Theme by Handel, op. 24: Variation X | — | ||
| 28 | Variations and Fugue on a Theme by Handel, op. 24: Variations XI – XII | — | ||
| 29 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIII | — | ||
| 30 | Variations and Fugue on a Theme by Handel, op. 24: Variations XIV – XV | — | ||
| 31 | Variations and Fugue on a Theme by Handel, op. 24: Variations XVI – XVII | — | ||
| 32 | Variations and Fugue on a Theme by Handel, op. 24: Variation XVIII | — | ||
| 33 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIX | — | ||
| 34 | Variations and Fugue on a Theme by Handel, op. 24: Variation XX | — | ||
| 35 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXI | — | ||
| 36 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXII | — | ||
| 37 | Variations and Fugue on a Theme by Handel, op. 24: Variations XXIII – XXV | — | ||
| 38 | Variations and Fugue on a Theme by Handel, op. 24: Fuga | — | ||
| 39 | Miroirs, M. 43: II. Oiseaux tristes | — | ||
| 40 | Miroirs, M. 43: IV. Alborada del gracioso | — | ||
| 41 | Miroirs, M. 43: V. La Vallée des cloches | — | ||
| 42 | Valses nobles et sentimentales, M. 61: No. 1, Modéré | — | ||
| 43 | Valses nobles et sentimentales, M. 61: No. 2, Assez lent | — | ||
| 44 | Valses nobles et sentimentales, M. 61: No. 3, Modéré | — | ||
| 45 | Valses nobles et sentimentales, M. 61: No. 4, Assez animé | — | ||
| 46 | Valses nobles et sentimentales, M. 61: No. 5, Presque lent | — | ||
| 47 | Valses nobles et sentimentales, M. 61: No. 6, Vif | — | ||
| 48 | Valses nobles et sentimentales, M. 61: No. 7, Moins vif | — | ||
| 49 | Valses nobles et sentimentales, M. 61: No. 8, Épilogue | — | ||
| 50 | La Valse, M. 72b | — | ||
| 51 | Goldberg Variations, BWV 988: Aria | — | ||
| 52 | Goldberg Variations, BWV 988: Variation I | — | ||
| 53 | Goldberg Variations, BWV 988: Variation II | — | ||
| 54 | Goldberg Variations, BWV 988: Variation III. Canone all’unisono | — | ||
| 55 | Goldberg Variations, BWV 988: Variation IV | — | ||
| 56 | Goldberg Variations, BWV 988: Variation V | — | ||
| 57 | Goldberg Variations, BWV 988: Variation VI. Canone alla seconda | — | ||
| 58 | Goldberg Variations, BWV 988: Variation VII. Al tempo di giga | — | ||
| 59 | Goldberg Variations, BWV 988: Variation VIII | — | ||
| 60 | Goldberg Variations, BWV 988: Variation IX. Canone alla terza | — | ||
| 61 | Goldberg Variations, BWV 988: Variation X. Fughetta | — | ||
| 62 | Goldberg Variations, BWV 988: Variation XI | — | ||
| 63 | Goldberg Variations, BWV 988: Variation XII. Canone alla quarta | — | ||
| 64 | Goldberg Variations, BWV 988: Variation XIII | — | ||
| 65 | Goldberg Variations, BWV 988: Variation XIV | — | ||
| 66 | Goldberg Variations, BWV 988: Variation XV. Canone alla quinta | — | ||
| 67 | Goldberg Variations, BWV 988: Variation XVI. Ouverture | — | ||
| 68 | Goldberg Variations, BWV 988: Variation XVII | — | ||
| 69 | Goldberg Variations, BWV 988: Variation XVIII. Canone alla sesta | — | ||
| 70 | Goldberg Variations, BWV 988: Variation XIX | — | ||
| 71 | Goldberg Variations, BWV 988: Variation XX | — | ||
| 72 | Goldberg Variations, BWV 988: Variation XXI. Canone alla settima | — | ||
| 73 | Goldberg Variations, BWV 988: Variation XXII. Alla breve | — | ||
| 74 | Goldberg Variations, BWV 988: Variation XXIII | — | ||
| 75 | Goldberg Variations, BWV 988: Variation XXIV. Canone all’ottava | — | ||
| 76 | Goldberg Variations, BWV 988: Variation XXV. Adagio | — | ||
| 77 | Goldberg Variations, BWV 988: Variation XXVI | — | ||
| 78 | Goldberg Variations, BWV 988: Variation XXVII. Canone alla nona | — | ||
| 79 | Goldberg Variations, BWV 988: Variation XXVIII | — | ||
| 80 | Goldberg Variations, BWV 988: Variation XXIX | — | ||
| 81 | Goldberg Variations, BWV 988: Variation XXX. Quodlibet | — | ||
| 82 | Goldberg Variations, BWV 988: Aria da capo | — | ||
| 83 | Piano Quintet in F minor, FWV 7: I. Molto moderato quasi lento – Allegro | — | ||
| 84 | Piano Quintet in F minor, FWV 7: II. Lento, con molto sentimento | — | ||
| 85 | Piano Quintet in F minor, FWV 7: III. Allegro non troppo, ma con fuoco | — | ||
| 86 | Sonata for Two Pianos and Percussion, Sz. 110: I. Assai lento | — | ||
| 87 | Sonata for Two Pianos and Percussion, Sz. 110: II. Lento ma non troppo | — | ||
| 88 | Sonata for Two Pianos and Percussion, Sz. 110: III. Allegro non troppo | — | ||
| 89 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | — | ||
| 90 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto | — | ||
| 91 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato – Prestissimo | — | ||
| 92 | Pictures at an Exhibition: Promenade I | — | ||
| 93 | Pictures at an Exhibition: I. Gnomus | — | ||
| 94 | Pictures at an Exhibition: Promenade II | — | ||
| 95 | Pictures at an Exhibition: II. The Old Castle | — | ||
| 96 | Pictures at an Exhibition: Promenade III | — | ||
| 97 | Pictures at an Exhibition: III. Tuileries | — | ||
| 98 | Pictures at an Exhibition: IV. Bydło | — | ||
| 99 | Pictures at an Exhibition: Promenade IV | — | ||
| 100 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 101 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 102 | Pictures at an Exhibition: Promenade V | — | ||
| 103 | Pictures at an Exhibition: VII. Limoges, the Market | — | ||
| 104 | Pictures at an Exhibition: VIII. Catacombs | — | ||
| 105 | Pictures at an Exhibition: IX. Cum mortuis in lingua mortua | — | ||
| 106 | Pictures at an Exhibition: X. The Hut on Fowl’s Legs “Baba Yaga” | — | ||
| 107 | Pictures at an Exhibition: XI. The Great Gate of Kiev | — | ||
| 108 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 109 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo – Adagio | — | ||
| 110 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | — | ||
| 111 | Rhapsody on a Theme of Paganini, op. 43: Introduction. Allegro vivace & Variation I. Precedente | — | ||
| 112 | Rhapsody on a Theme of Paganini, op. 43: Theme. L’istesso tempo | — | ||
| 113 | Rhapsody on a Theme of Paganini, op. 43: Variation II. L’istesso tempo | — | ||
| 114 | Rhapsody on a Theme of Paganini, op. 43: Variation III. L’istesso tempo | — | ||
| 115 | Rhapsody on a Theme of Paganini, op. 43: Variation IV. Più vivo | — | ||
| 116 | Rhapsody on a Theme of Paganini, op. 43: Variation V. Tempo precedente | — | ||
| 117 | Rhapsody on a Theme of Paganini, op. 43: Variation VI. L’istesso tempo | — | ||
| 118 | Rhapsody on a Theme of Paganini, op. 43: Variation VII. Meno mosso, a tempo moderato | — | ||
| 119 | Rhapsody on a Theme of Paganini, op. 43: Variation VIII. Tempo I | — | ||
| 120 | Rhapsody on a Theme of Paganini, op. 43: Variation IX. L’istesso tempo | — | ||
| 121 | Rhapsody on a Theme of Paganini, op. 43: Variation X. L’istesso tempo | — | ||
| 122 | Rhapsody on a Theme of Paganini, op. 43: Variation XI. Moderato | — | ||
| 123 | Rhapsody on a Theme of Paganini, op. 43: Variation XII. Tempo di minuetto | — | ||
| 124 | Rhapsody on a Theme of Paganini, op. 43: Variation XIII. Allegro | — | ||
| 125 | Rhapsody on a Theme of Paganini, op. 43: Variation XIV. L’istesso tempo | — | ||
| 126 | Rhapsody on a Theme of Paganini, op. 43: Variation XV. Più vivo scherzando | — | ||
| 127 | Rhapsody on a Theme of Paganini, op. 43: Variation XVI. Allegretto | — | ||
| 128 | Rhapsody on a Theme of Paganini, op. 43: Variation XVII. Allegretto | — | ||
| 129 | Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile | — | ||
| 130 | Rhapsody on a Theme of Paganini, op. 43: Variation XIX. A tempo vivace | — | ||
| 131 | Rhapsody on a Theme of Paganini, op. 43: Variation XX. Un poco più vivo | — | ||
| 132 | Rhapsody on a Theme of Paganini, op. 43: Variation XXI. Un poco più vivo | — | ||
| 133 | Rhapsody on a Theme of Paganini, op. 43: Variation XXII. Un poco più vivo. Alla breve | — | ||
| 134 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIII. L’istesso tempo | — | ||
| 135 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIV. A tempo un poco meno mosso | — | ||
| 136 | 2 Pieces for Piano Six‐Hands: No. 2, Romance | — |
Études d’exécution transcendante, S. 139: No. 1 in C major, Preludio
—
Études d’exécution transcendante, S. 139: No. 3 in F major, Paysage
—
Études d’exécution transcendante, S. 139: No. 10 in F minor, Appassionata. Allegro agitato molto
—
Études d’exécution transcendante, S. 139: No. 11 in D‐flat major, Harmonies du soir
—
Isolde’s Liebestod, S. 447 (After Richard Wagner)
—
En rêve, S. 207
—
Trübe Wolken, S. 199
—
Piano Sonata in B minor, op. 1
—
Fantasien über Gedichte von Richard Dehmel, op. 9: No. 1, Stimme des Abends
—
Fantasien über Gedichte von Richard Dehmel, op. 9: No. 2, Waldseligkeit
—
Fantasien über Gedichte von Richard Dehmel, op. 9: No. 3, Liebe
—
Fantasien über Gedichte von Richard Dehmel, op. 9: No. 4, Käferlied
—
English Suite no. 2 in A minor, BWV 807: I. Prelude
—
English Suite no. 2 in A minor, BWV 807: II. Allemande
—
English Suite no. 2 in A minor, BWV 807: III. Courante
—
English Suite no. 2 in A minor, BWV 807: IV. Sarabande
—
English Suite no. 2 in A minor, BWV 807: V. Bourrées I & II
—
English Suite no. 2 in A minor, BWV 807: VI. Gigue
—
Variations in F minor, Hob. XVII:6
—
Variations and Fugue on a Theme by Handel, op. 24: Aria & Variation I
—
Variations and Fugue on a Theme by Handel, op. 24: Variations II – III
—
Variations and Fugue on a Theme by Handel, op. 24: Variation IV
—
Variations and Fugue on a Theme by Handel, op. 24: Variation V
—
Variations and Fugue on a Theme by Handel, op. 24: Variation VI
—
Variations and Fugue on a Theme by Handel, op. 24: Variations VII – VIII
—
Variations and Fugue on a Theme by Handel, op. 24: Variation IX
—
Variations and Fugue on a Theme by Handel, op. 24: Variation X
—
Variations and Fugue on a Theme by Handel, op. 24: Variations XI – XII
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XIII
—
Variations and Fugue on a Theme by Handel, op. 24: Variations XIV – XV
—
Variations and Fugue on a Theme by Handel, op. 24: Variations XVI – XVII
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XVIII
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XIX
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XX
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XXI
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XXII
—
Variations and Fugue on a Theme by Handel, op. 24: Variations XXIII – XXV
—
Variations and Fugue on a Theme by Handel, op. 24: Fuga
—
Miroirs, M. 43: II. Oiseaux tristes
—
Miroirs, M. 43: IV. Alborada del gracioso
—
Miroirs, M. 43: V. La Vallée des cloches
—
Valses nobles et sentimentales, M. 61: No. 1, Modéré
—
Valses nobles et sentimentales, M. 61: No. 2, Assez lent
—
Valses nobles et sentimentales, M. 61: No. 3, Modéré
—
Valses nobles et sentimentales, M. 61: No. 4, Assez animé
—
Valses nobles et sentimentales, M. 61: No. 5, Presque lent
—
Valses nobles et sentimentales, M. 61: No. 6, Vif
—
Valses nobles et sentimentales, M. 61: No. 7, Moins vif
—
Valses nobles et sentimentales, M. 61: No. 8, Épilogue
—
La Valse, M. 72b
—
Goldberg Variations, BWV 988: Aria
—
Goldberg Variations, BWV 988: Variation I
—
Goldberg Variations, BWV 988: Variation II
—
Goldberg Variations, BWV 988: Variation III. Canone all’unisono
—
Goldberg Variations, BWV 988: Variation IV
—
Goldberg Variations, BWV 988: Variation V
—
Goldberg Variations, BWV 988: Variation VI. Canone alla seconda
—
Goldberg Variations, BWV 988: Variation VII. Al tempo di giga
—
Goldberg Variations, BWV 988: Variation VIII
—
Goldberg Variations, BWV 988: Variation IX. Canone alla terza
—
Goldberg Variations, BWV 988: Variation X. Fughetta
—
Goldberg Variations, BWV 988: Variation XI
—
Goldberg Variations, BWV 988: Variation XII. Canone alla quarta
—
Goldberg Variations, BWV 988: Variation XIII
—
Goldberg Variations, BWV 988: Variation XIV
—
Goldberg Variations, BWV 988: Variation XV. Canone alla quinta
—
Goldberg Variations, BWV 988: Variation XVI. Ouverture
—
Goldberg Variations, BWV 988: Variation XVII
—
Goldberg Variations, BWV 988: Variation XVIII. Canone alla sesta
—
Goldberg Variations, BWV 988: Variation XIX
—
Goldberg Variations, BWV 988: Variation XX
—
Goldberg Variations, BWV 988: Variation XXI. Canone alla settima
—
Goldberg Variations, BWV 988: Variation XXII. Alla breve
—
Goldberg Variations, BWV 988: Variation XXIII
—
Goldberg Variations, BWV 988: Variation XXIV. Canone all’ottava
—
Goldberg Variations, BWV 988: Variation XXV. Adagio
—
Goldberg Variations, BWV 988: Variation XXVI
—
Goldberg Variations, BWV 988: Variation XXVII. Canone alla nona
—
Goldberg Variations, BWV 988: Variation XXVIII
—
Goldberg Variations, BWV 988: Variation XXIX
—
Goldberg Variations, BWV 988: Variation XXX. Quodlibet
—
Goldberg Variations, BWV 988: Aria da capo
—
Piano Quintet in F minor, FWV 7: I. Molto moderato quasi lento – Allegro
—
Piano Quintet in F minor, FWV 7: II. Lento, con molto sentimento
—
Piano Quintet in F minor, FWV 7: III. Allegro non troppo, ma con fuoco
—
Sonata for Two Pianos and Percussion, Sz. 110: I. Assai lento
—
Sonata for Two Pianos and Percussion, Sz. 110: II. Lento ma non troppo
—
Sonata for Two Pianos and Percussion, Sz. 110: III. Allegro non troppo
—
Piano Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio
—
Piano Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto
—
Piano Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato – Prestissimo
—
Pictures at an Exhibition: Promenade I
—
Pictures at an Exhibition: I. Gnomus
—
Pictures at an Exhibition: Promenade II
—
Pictures at an Exhibition: II. The Old Castle
—
Pictures at an Exhibition: Promenade III
—
Pictures at an Exhibition: III. Tuileries
—
Pictures at an Exhibition: IV. Bydło
—
Pictures at an Exhibition: Promenade IV
—
Pictures at an Exhibition: V. Ballet of the Unhatched Chicks
—
Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle
—
Pictures at an Exhibition: Promenade V
—
Pictures at an Exhibition: VII. Limoges, the Market
—
Pictures at an Exhibition: VIII. Catacombs
—
Pictures at an Exhibition: IX. Cum mortuis in lingua mortua
—
Pictures at an Exhibition: X. The Hut on Fowl’s Legs “Baba Yaga”
—
Pictures at an Exhibition: XI. The Great Gate of Kiev
—
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
—
Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo – Adagio
—
Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve
—
Rhapsody on a Theme of Paganini, op. 43: Introduction. Allegro vivace & Variation I. Precedente
—
Rhapsody on a Theme of Paganini, op. 43: Theme. L’istesso tempo
—
Rhapsody on a Theme of Paganini, op. 43: Variation II. L’istesso tempo
—
Rhapsody on a Theme of Paganini, op. 43: Variation III. L’istesso tempo
—
Rhapsody on a Theme of Paganini, op. 43: Variation IV. Più vivo
—
Rhapsody on a Theme of Paganini, op. 43: Variation V. Tempo precedente
—
Rhapsody on a Theme of Paganini, op. 43: Variation VI. L’istesso tempo
—
Rhapsody on a Theme of Paganini, op. 43: Variation VII. Meno mosso, a tempo moderato
—
Rhapsody on a Theme of Paganini, op. 43: Variation VIII. Tempo I
—
Rhapsody on a Theme of Paganini, op. 43: Variation IX. L’istesso tempo
—
Rhapsody on a Theme of Paganini, op. 43: Variation X. L’istesso tempo
—
Rhapsody on a Theme of Paganini, op. 43: Variation XI. Moderato
—
Rhapsody on a Theme of Paganini, op. 43: Variation XII. Tempo di minuetto
—
Rhapsody on a Theme of Paganini, op. 43: Variation XIII. Allegro
—
Rhapsody on a Theme of Paganini, op. 43: Variation XIV. L’istesso tempo
—
Rhapsody on a Theme of Paganini, op. 43: Variation XV. Più vivo scherzando
—
Rhapsody on a Theme of Paganini, op. 43: Variation XVI. Allegretto
—
Rhapsody on a Theme of Paganini, op. 43: Variation XVII. Allegretto
—
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile
—
Rhapsody on a Theme of Paganini, op. 43: Variation XIX. A tempo vivace
—
Rhapsody on a Theme of Paganini, op. 43: Variation XX. Un poco più vivo
—
Rhapsody on a Theme of Paganini, op. 43: Variation XXI. Un poco più vivo
—
Rhapsody on a Theme of Paganini, op. 43: Variation XXII. Un poco più vivo. Alla breve
—
Rhapsody on a Theme of Paganini, op. 43: Variation XXIII. L’istesso tempo
—
Rhapsody on a Theme of Paganini, op. 43: Variation XXIV. A tempo un poco meno mosso
—
2 Pieces for Piano Six‐Hands: No. 2, Romance
—
What other identifiers does this connect to?
Musical Works (ISWC)
Credits Graph
People also ask
SourcesMusicBrainz
Verified on
What is UPC 5054197676192?
5054197676192 is a Universal Product Code (UPC) assigned to Hommage by Nicholas Angelich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 136 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm