UPC · Release
Wolfgang Sawallisch
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The UPC for “The Warner Classics Edition Complete Symphonic, Lieder & Choral Recordings” by Wolfgang Sawallisch is 5054197832178. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 880 tracks, each with its own ISRC. Tracks include GBAYC0400118, DEF057630213, GBAYC8901865.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 17 in G, K453: I. Allegro | — | ||
| 2 | Piano Concerto no. 17 in G, K453: II. Andante | — | ||
| 3 | Piano Concerto no. 17 in G, K453: III. Allegretto | — | ||
| 4 | Piano Concerto no. 20 in D minor, K466: I. Allegro | — | ||
| 5 | Piano Concerto no. 20 in D minor, K466: II. Romanze | — | ||
| 6 | Piano Concerto no. 20 in D minor, K466: III. Rondo: Allegro assai | — | ||
| 2-1 | Piano Concerto no. 21 in C major, K. 467: I. Allegro maestoso | — | ||
| 2-2 | Piano Concerto no. 21 in C major, K. 467: II. Andante | — | ||
| 2-3 | Piano Concerto no. 21 in C major, K. 467: III. Allegro vivace assai | — | ||
| 2-4 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | — | ||
| 2-5 | Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — | |
| 2-6 | Piano Concerto no. 22 in E-flat major, K. 482: III. Rondo (Allegro) | — | ||
| 3-1 | Violin Concerto no. 3 in G, K. 216: I. Allegro | — | ||
| 3-2 | Violin Concerto no. 3 in G, K. 216: II. Adagio | — | ||
| 3-3 | Violin Concerto no. 3 in G, K. 216: III. Rondeau (Allegro) | — | ||
| 3-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 3-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 3-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 4-1 | Violin Concerto no. 3 in G, K. 216: I. Allegro | — | ||
| 4-2 | Violin Concerto no. 3 in G, K. 216: II. Adagio | — | ||
| 4-3 | Violin Concerto no. 3 in G, K. 216: III. Rondeau: Allegro - Allegretto - Tempo I (Cadenzas: Franz Beyer) | — | ||
| 4-4 | Violin Concerto in D, op. 77: I. Allegro ma non troppo | — | ||
| 4-5 | Violin Concerto in D, op. 77: II. Adagio (Cadenza: Joseph Joachim) | — | ||
| 4-6 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 5-1 | Symphony no. 1 in C, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 5-2 | Symphony no. 1 in C, op. 21: II. Andante cantabile con moto | — | ||
| 5-3 | Symphony no. 1 in C, op. 21: III. Menuetto: Allegro molto vivace - Trio | — | ||
| 5-4 | Symphony no. 1 in C, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 5-5 | Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio | — | ||
| 5-6 | Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre: Adagio assai | — | ||
| 5-7 | Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo: Allegro vivace - Trio | — | ||
| 5-8 | Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale: Allegro molto - Poco andante - Presto | — | ||
| 6-1 | Symphony no. 2 in D, op. 36: Ia. Adagio molto - | — | ||
| 6-2 | Symphony no. 2 in D, op. 36: Ib. Allegro con brio | — | ||
| 6-3 | Symphony no. 2 in D, op. 36: II. Larghetto | — | ||
| 6-4 | Symphony no. 2 in D, op. 36: IIIa. Scherzo: Allegro - | — | ||
| 6-5 | Symphony no. 2 in D, op. 36: IIIb. Trio | — | ||
| 6-6 | Symphony no. 2 in D, op. 36: IV. Allegro molto | — | ||
| 6-7 | Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio | — | ||
| 6-8 | Symphony no. 8 in F, op. 93: II. Allegretto scherzando | — | ||
| 6-9 | Symphony no. 8 in F, op. 93: III. Tempo di Menuetto | — | ||
| 6-10 | Symphony no. 8 in F, op. 93: IV. Allegro vivace | — | ||
| 7-1 | Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace | — | ||
| 7-2 | Symphony no. 4 in B-flat, op. 60: II. Adagio | — | ||
| 7-3 | Symphony no. 4 in B-flat, op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro | — | ||
| 7-4 | Symphony no. 4 in B-flat, op. 60: IV. Allegro con brio | — | ||
| 7-5 | Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace | — | ||
| 7-6 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 7-7 | Symphony no. 7 in A, op. 92: III. Presto - Assai meno presto | — | ||
| 7-8 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 8-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 8-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 8-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 8-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | — | ||
| 8-5 | Symphony no. 6 in F, op. 68 "Pastoral": I. Awakening of pleasant feelings upon arriving in the country: Allegro ma non troppo | — | ||
| 8-6 | Symphony no. 6 in F, op. 68 "Pastoral": II. Scene at the Brook: Andante molto mosso | — | ||
| 8-7 | Symphony no. 6 in F, op. 68 "Pastoral": III. Peasants' Merrymaking: Allegro - | — | ||
| 8-8 | Symphony no. 6 in F, op. 68 "Pastoral": IV. The Storm: Allegro - | — | ||
| 8-9 | Symphony no. 6 in F, op. 68 "Pastoral": V. Shepherds' Hymn after the Storm: Allegretto | — | ||
| 9-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 9-2 | Symphony no. 9 in D minor, op. 125 "Choral": IIa. Molto vivace - | — | ||
| 9-3 | Symphony no. 9 in D minor, op. 125 "Choral": IIb. Presto - | — | ||
| 9-4 | Symphony no. 9 in D minor, op. 125 "Choral": IIc. Molto vivace | — | ||
| 9-5 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile | — | ||
| 9-6 | Symphony no. 9 in D minor, op. 125 "Choral": IVa. Presto - | — | ||
| 9-7 | Symphony no. 9 in D minor, op. 125 "Choral": IVb. Recitativo: "O Freunde, nicht diese Töne!" - | — | ||
| 9-8 | Symphony no. 9 in D minor, op. 125 "Choral": IVc. Allegro assai: "Freude, Freude!" - | — | ||
| 9-9 | Symphony no. 9 in D minor, op. 125 "Choral": IVd. Allegro assai vivace, alla marcia: "Froh, wie seine Sonnen fliegen" - | — | ||
| 9-10 | Symphony no. 9 in D minor, op. 125 "Choral": IVe. Andante maestoso: "Seid umschlungen, Millionen!" - | — | ||
| 9-11 | Symphony no. 9 in D minor, op. 125 "Choral": IVf. Allegro energico, sempre ben marcato. "Seid umschlungen - Freude, schöner Götterfunken" - | — | ||
| 9-12 | Symphony no. 9 in D minor, op. 125 "Choral": IVg. Allegro ma non tanto: "Freude, Tochter aus Elysium!" - | — | ||
| 9-13 | Symphony no. 9 in D minor, op. 125 "Choral": IVh. Prestissimo: "Seid umschlungen, Millionen!" | — | ||
| 10-1 | Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: I. Allegro | — | ||
| 10-2 | Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: II. Adagio un poco mosso | — | ||
| 10-3 | Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: III. Rondo: Allegro | — | ||
| 11-1 | Euryanthe: Overture | — | ||
| 11-2 | Der Beherrscher der Geister (Ruler of the Spirits) Overture | — | ||
| 11-3 | Abu Hassan: Overture | — | ||
| 11-4 | Jubel Overture | — | ||
| 11-5 | Der Freischütz: Overture | — | ||
| 11-6 | Preciosa: Overture | — | ||
| 11-7 | Oberon: Overture | — | ||
| 12-1 | Lied im Freien D572 | — | ||
| 12-2 | Die Burgschaft D435: No. 13, Rauberlied | — | ||
| 12-3 | Die Advokaten D37 | — | ||
| 12-4 | Trinklied D148 | — | ||
| 12-5 | Wilkommen, lieber schoner Mai D244 | — | ||
| 12-6 | Fischerlied D364 | — | ||
| 12-7 | Trinklied D267 | — | ||
| 12-8 | Trinklied D356 | — | ||
| 12-9 | Bergknappenlied D268 | — | ||
| 12-10 | Ruhe, schonstes Gluck der Erde D657 | — | ||
| 12-11 | Trinklied im Winter D242 | — | ||
| 12-12 | Gott in der Natur D757 | — | ||
| 12-13 | Naturgenusz D422 | — | ||
| 12-14 | Der Schnee zerrinnt D130 | — | ||
| 12-15 | Fruhlingsgesang D740 | — | ||
| 12-16 | Trinklied im Mai D427 | — | ||
| 12-17 | Fruhlingslied D243 | — | ||
| 12-18 | Widerspruch D865 | — | ||
| 12-19 | Mondenschein D875 | — | ||
| 12-20 | Nachtmusik D848 | — | ||
| 12-21 | Goldner Schein D357 | — | ||
| 12-22 | Fruhlingslied D914 | — | ||
| 13-1 | Nachtgesang im Walde D913 | — | ||
| 13-2 | Der Gondelfahrer D809 | — | ||
| 13-3 | Die Nacht D983c | — | ||
| 13-4 | Nachthelle D892 | — | ||
| 13-5 | Die Nachtigall D724 | — | ||
| 13-6 | Lacrimoso son io D131b | — | ||
| 13-7 | Der Entfernten D331 | — | ||
| 13-8 | Mailied D129 | — | ||
| 13-9 | Zum Rundetanz D983b | — | ||
| 13-10 | Wein und Liebe D901 | — | ||
| 13-11 | Geist der Liebe D747 | — | ||
| 13-12 | Liebe saslein die Blatter D988 | — | ||
| 13-13 | Andenken D423 | — | ||
| 13-14 | Leise, leise, laszt uns singen D635 | — | ||
| 13-15 | Erinnerungen D424 | — | ||
| 13-16 | Widerhall D428 | — | ||
| 13-17 | Lacrimoso son io D131a | — | ||
| 13-18 | Gesang der Geister uber den Wassern D714 | — | ||
| 13-19 | Nur wer die Sehnsucht kennt D656 | — | ||
| 13-20 | Im Gegenwartigen Vergangenes D710 | — | ||
| 13-21 | Bootgesang D835 | — | ||
| 14-1 | Bardengesang D147 | — | ||
| 14-2 | Trinklied aus dem 16 Jahrhundert D847 | — | ||
| 14-3 | La pastorella al prato D513 | — | ||
| 14-4 | Klage um Ali Bey D140 | — | ||
| 14-5 | Schlachtgesang D912 | — | ||
| 14-6 | Der Geistertanz D494 | — | ||
| 14-7 | Standchen (Zogernd leise) D920 | — | ||
| 14-8 | Das Dorfchen D641 | — | ||
| 14-9 | Mailied D202 | — | ||
| 14-10 | Trinklied D75 | — | ||
| 14-11 | Dreifach ist der Schritt der Zeit D69 | — | ||
| 14-12 | Voruber die stohnende Klage D53 | — | ||
| 14-13 | Unendliche Freude D51 | — | ||
| 14-14 | Hier strecket der wallende Pilger D57 | — | ||
| 14-15 | Dessen Fahne Donnersturme wallte D58 | — | ||
| 14-16 | Hier umarmen sich getreue Gatten D60 | — | ||
| 14-17 | Unendliche Freude D54 | — | ||
| 14-18 | An den Fruhling D338 | — | ||
| 14-19 | Frisch atmet des Morgens lebendiger Hauch D67 | — | ||
| 14-20 | Punschlied D253 | — | ||
| 14-21 | Selig durch die Liebe D55 | — | ||
| 14-22 | Ein jugendlicher Maienschwung D61 | — | ||
| 14-23 | Thronend auf erhab'nem Sitz D62 | — | ||
| 14-24 | Majestat' sche Sonnenrosse D64 | — | ||
| 14-25 | Wer die stelle Sternenbahn D63 | — | ||
| 14-26 | Liebe D983a | — | ||
| 14-27 | Die zwei Tugendwege D71 | — | ||
| 14-28 | Dreifach ist der Schritt der Zeit D43 | — | ||
| 15-1 | Lutzows wilde Jagd D205 | — | ||
| 15-2 | Einsiedelei D337 | — | ||
| 15-3 | Totengraberlied D38 | — | ||
| 15-4 | Mailied D199 | — | ||
| 15-5 | Flucht D825b | — | ||
| 15-6 | Der Morgenstern D203 | — | ||
| 15-7 | Coronach D836 | — | ||
| 15-8 | Wehmut D825 | — | ||
| 15-9 | Grab und Mond D893 | — | ||
| 15-10 | Ewige Liebe D825b | — | ||
| 15-11 | Zur guten Nacht D903 | — | ||
| 15-12 | Mirjams Siegesgesang D942 | — | ||
| 15-13 | Junglingswonne D983a | — | ||
| 15-14 | Das stille Lied D916 | — | ||
| 16-1 | Kyrie in B flat major, D. 45 | — | ||
| 16-2 | Kyrie in D minor, D. 49 | — | ||
| 16-3 | Mass No. 1 in F major, D. 105: I. Kyrie | — | ||
| 16-4 | Mass No. 1 in F major, D. 105: II. Gloria | — | ||
| 16-5 | Mass No. 1 in F major, D. 105: III. Credo | — | ||
| 16-6 | Mass No. 1 in F major, D. 105: IV. Sanctus | — | ||
| 16-7 | Mass No. 1 in F major, D. 105: V. Benedictus | — | ||
| 16-8 | Mass No. 1 in F major, D. 105: VI. Agnus Dei | — | ||
| 16-9 | Mass No. 2 in G major, D. 167: I. Kyrie | — | ||
| 16-10 | Mass No. 2 in G major, D. 167: II. Gloria | — | ||
| 16-11 | Mass No. 2 in G major, D. 167: III. Credo | — | ||
| 16-12 | Mass No. 2 in G major, D. 167: IV. Sanctus | — | ||
| 16-13 | Mass No. 2 in G major, D. 167: V. Benedictus | — | ||
| 16-14 | Mass No. 2 in G major, D. 167: VI. Agnus Dei | — | ||
| 17-1 | Mass no. 3, D. 324: I. Kyrie | — | ||
| 17-2 | Mass no. 3, D. 324: II. Gloria | — | ||
| 17-3 | Mass no. 3, D. 324: III. Credo | — | ||
| 17-4 | Mass no. 3, D. 324: IV. Sanctus | — | ||
| 17-5 | Mass no. 3, D. 324: V. Benedictus | — | ||
| 17-6 | Mass no. 3, D. 324: VI. Agnus Dei | — | ||
| 17-7 | Salve Regina, D. 379 | — | ||
| 17-8 | Stabat Mater, D. 383: I. Chor “Jesus Christus schwebt am Kreuze!” | — | ||
| 17-9 | Stabat Mater, D. 383: II. Arie “Bei des Mittlers Kreuze standen” | — | ||
| 17-10 | Stabat Mater, D. 383: III. Chor “Liebend neiget er sein Antlitz” | — | ||
| 17-11 | Stabat Mater, D. 383: IV. Duett “Engel freuten sich der Wonne, jener Wonne” | — | ||
| 17-12 | Stabat Mater, D. 383: V. Chor “Wer wird Zähren sanften Mitlieids” | — | ||
| 17-13 | Stabat Mater, D. 383: VI. Arie “Ach, was hätten wir empfunden” | — | ||
| 17-14 | Stabat Mater, D. 383: VII. Chor “Erben sollen sie am Throne” | — | ||
| 17-15 | Stabat Mater, D. 383: VIII. Arie “Sohn des Vaters, aber leiden” | — | ||
| 17-16 | Stabat Mater, D. 383: IX. Chor “O du herrlicher Vollender” | — | ||
| 17-17 | Stabat Mater, D. 383: X. Terzett “Erdenfreuden und ihr Elend” | — | ||
| 17-18 | Stabat Mater, D. 383: XI. Terzett mit Chor “Dass dereinst wir, wenn im Tode” | — | ||
| 17-19 | Stabat Mater, D. 383: XII. Chor “Amen” | — | ||
| 17-20 | Salve Regina, D. 386 | — | ||
| 18-1 | Mass no. 5, D. 678: I. Kyrie | — | ||
| 18-2 | Mass no. 5, D. 678: II. Gloria | — | ||
| 18-3 | Mass no. 5, D. 678: III. Credo | — | ||
| 18-4 | Mass no. 5, D. 678: IV. Sanctus | — | ||
| 18-5 | Mass no. 5, D. 678: V. Benedictus | — | ||
| 18-6 | Mass no. 5, D. 678: VI. Agnus Dei | — | ||
| 18-7 | Mass no. 4, D. 452: I. Kyrie | — | ||
| 18-8 | Mass no. 4, D. 452: II. Gloria | — | ||
| 18-9 | Mass no. 4, D. 452: III. Credo | — | ||
| 18-10 | Mass no. 4, D. 452: IV. Sanctus | — | ||
| 18-11 | Mass no. 4, D. 452: V. Benedictus I | — | ||
| 18-12 | Mass no. 4, D. 452: V. Benedictus II | — | ||
| 18-13 | Mass no. 4, D. 452: VI. Agnus Dei | — | ||
| 19-1 | Mass no. 6, D. 950: I. Kyrie | — | ||
| 19-2 | Mass no. 6, D. 950: II. Gloria | — | ||
| 19-3 | Mass no. 6, D. 950: III. Credo | — | ||
| 19-4 | Mass no. 6, D. 950: IV. Sanctus | — | ||
| 19-5 | Mass no. 6, D. 950: V. Benedictus | — | ||
| 19-6 | Mass no. 6, D. 950: VI. Agnus Dei | — | ||
| 19-7 | Tantum ergo, D. 962 | — | ||
| 19-8 | Offertorium, D. 963 | — | ||
| 20-1 | Kyrie in D‐minor, D. 31 | — | ||
| 20-2 | Kyrie in F‐major, D. 66 | — | ||
| 20-3 | Salve Regina in B‐flat major, D. 106 | — | ||
| 20-4 | Offertorium “Totus in corde” in C‐major, D. 136 | — | ||
| 20-5 | Stabat Mater in G‐minor, D. 175 | — | ||
| 20-6 | Offertorium “Tres sunt” in A‐minor, D. 181 | — | ||
| 20-7 | Graduale in C‐major, D. 184 | — | ||
| 20-8 | Offertorium “Salve Regina” in F‐major, D. 223 | — | ||
| 20-9 | Tantum ergo in C‐major, D. 461 | — | ||
| 20-10 | Tantum ergo in C‐major, D. 460 | — | ||
| 20-11 | Magnificat in C‐major, D. 486 | — | ||
| 20-12 | Auguste jam coelestium in G‐major, D. 488 | — | ||
| 21-1 | Offertorium “Salve Regina” in A‐major, D. 676 | — | ||
| 21-2 | 6 Antiphonen zum Palmsonntag, D. 696: I. Hosanna filio David | — | ||
| 21-3 | 6 Antiphonen zum Palmsonntag, D. 696: II. In monte Oliveti | — | ||
| 21-4 | 6 Antiphonen zum Palmsonntag, D. 696: III. Sanctus | — | ||
| 21-5 | 6 Antiphonen zum Palmsonntag, D. 696: IV. Pueri Hebraeorum | — | ||
| 21-6 | 6 Antiphonen zum Palmsonntag, D. 696: V. Cum Angelis et pueris | — | ||
| 21-7 | 6 Antiphonen zum Palmsonntag, D. 696: VI. Ingrediente Domino | — | ||
| 21-8 | Psalm 23, D. 706 | — | ||
| 21-9 | Tantum ergo in C‐major, D. 739 | — | ||
| 21-10 | Tantum ergo in D‐major, D. 750 | — | ||
| 21-11 | Salve Regina in C‐major, D. 811 | — | ||
| 21-12 | Deutsche Messe, D. 872: I. Zum Eingang | — | ||
| 21-13 | Deutsche Messe, D. 872: II. Zum Gloria | — | ||
| 21-14 | Deutsche Messe, D. 872: III. Zum Evangelium & Credo | — | ||
| 21-15 | Deutsche Messe, D. 872: IV. Zum Offertorium | — | ||
| 21-16 | Deutsche Messe, D. 872: V. Zum Sanctus | — | ||
| 21-17 | Deutsche Messe, D. 872: VI. Nach der Wandlung | — | ||
| 21-18 | Deutsche Messe, D. 872: VII. Zum Agnus Dei | — | ||
| 21-19 | Deutsche Messe, D. 872: VIII. Schlussgesang | — | ||
| 21-20 | Deutsche Messe, D. 872: Anhang. Das Gebet des Herrn | — | ||
| 21-21 | Psalm 92, D. 953 | — | ||
| 21-22 | Hymnus an den heiligen Geist, D. 964 | — | ||
| 22-1 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 1. Introduktion (Orchester) | — | ||
| 22-2 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 2. Hier lasst mich ruh'n die letzte Stunde (Lazarus) | — | ||
| 22-3 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 3. Noch einen Augenblick? (Martha) | — | ||
| 22-4 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 4. Trübe nicht mit Klagen seine Seele (Maria) | — | ||
| 22-5 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 5. Steh im letzten Kampf dem Müden (Maria) | — | ||
| 22-6 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 6. Voll Friede, ja, voll Fried' ist die Seele (Lazarus, Nathanael) | — | ||
| 22-7 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 7. Kalter Schweiß rinnt von der Stirn (Nathanael) | — | ||
| 22-8 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 8. Wilkommen, mein Nathanael (Lazarus, Nathanael) | — | ||
| 22-9 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 9.Wenn ich ihm nachgerungen habe (Nathanael) | — | ||
| 22-10 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 10. Nathanael, bewundern kann ich dich (Martha) | — | ||
| 22-11 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 11. O Martha, o Martha, bliebst du stiller (Maria, Lazarus) | — | ||
| 22-12 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 12. Der Trost begleite dich hinüber (Maria) | — | ||
| 22-13 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 13. Wenn nun mit tausendfachen Qualen (Maria) | — | ||
| 22-14 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 14. Gottes Liebe, du bist seine Zuversicht (Maria) | — | ||
| 22-15 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 15. In der Leiden bängster Nacht (Maria) | — | ||
| 22-16 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 16. Ach, so find' ich ihn noch (Jemina) | — | ||
| 22-17 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 17. Jemina, Tochter der Auferstehung (Lazarus) | — | ||
| 22-18 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 18. So schlummert auf Rosen (Jemina) | — | ||
| 22-19 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 19. Nun entflog auf schnellen Schwingen (Jemina) | — | ||
| 22-20 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 20. So war mir, Lazarus (Jemina, Maria, Martha, Nathanael, Lazarus) | — | ||
| 22-21 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 21. O Barmherziger, o verlass ihn nicht (Jemina, Maria, Martha, Chor) | — | ||
| 22-22 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 1. Introduktion (Orchester) | — | ||
| 22-23 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 2. Wo bin ich? (Simon) | — | ||
| 22-24 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 3. Schon bereitet ihr Gräber (Simon) | — | ||
| 22-25 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 4. Wess ist der Klage (Nathanael, Simon) | — | ||
| 22-26 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 5. So weile hier mein Freund (Nathanael) | — | ||
| 22-27 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 6. Sanft und still (Chor) | — | ||
| 22-28 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 7. So legt ihn in die Blumen (Nathanael) | — | ||
| 22-29 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 8. Wecke sie nicht (Martha) | — | ||
| 23-1 | Die Winterreise, op. 89, D. 911: Gute Nacht | — | ||
| 23-2 | Die Winterreise, op. 89, D. 911: Die Wetterfahne | — | ||
| 23-3 | Die Winterreise, op. 89, D. 911: Gefrorene Tränen | — | ||
| 23-4 | Die Winterreise, op. 89, D. 911: Erstarrung | — | ||
| 23-5 | Die Winterreise, op. 89, D. 911: Der Lindenbaum | — | ||
| 23-6 | Die Winterreise, op. 89, D. 911: Wasserflut | — | ||
| 23-7 | Die Winterreise, op. 89, D. 911: Auf dem Flusse | — | ||
| 23-8 | Die Winterreise, op. 89, D. 911: Rückblick | — | ||
| 23-9 | Die Winterreise, op. 89, D. 911: Irrlicht | — | ||
| 23-10 | Die Winterreise, op. 89, D. 911: Rast | — | ||
| 23-11 | Die Winterreise, op. 89, D. 911: Frühlingstraum | — | ||
| 23-12 | Die Winterreise, op. 89, D. 911: Einsamkeit | — | ||
| 23-13 | Die Winterreise, op. 89, D. 911: Die Post | — | ||
| 23-14 | Die Winterreise, op. 89, D. 911: Der greise Kopf | — | ||
| 23-15 | Die Winterreise, op. 89, D. 911: Die Krähe | — | ||
| 23-16 | Die Winterreise, op. 89, D. 911: Letzte Hoffnung | — | ||
| 23-17 | Die Winterreise, op. 89, D. 911: Im Dorfe | — | ||
| 23-18 | Die Winterreise, op. 89, D. 911: Der stürmische Morgen | — | ||
| 23-19 | Die Winterreise, op. 89, D. 911: Täuschung | — | ||
| 23-20 | Die Winterreise, op. 89, D. 911: Der Wegweiser | — | ||
| 23-21 | Die Winterreise, op. 89, D. 911: Das Wirtshaus | — | ||
| 23-22 | Die Winterreise, op. 89, D. 911: Mut | — | ||
| 23-23 | Die Winterreise, op. 89, D. 911: Die Nebensonnen | — | ||
| 23-24 | Die Winterreise, op. 89, D. 911: Der Leiermann | — | ||
| 24-1 | Symphony. 2 in B-flat, op. 52 "Lobgesang": I. Sinfonia | — | ||
| 24-2 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IIa. Alles was Odem hat | — | ||
| 24-3 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IIb. Lobe den Hernn; Sages es | — | ||
| 24-4 | Symphony. 2 in B-flat, op. 52 "Lobgesang": III. Er zählet unsre Tränen | — | ||
| 24-5 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IV. Sagt es, die ihr erlöset seid | — | ||
| 24-6 | Symphony. 2 in B-flat, op. 52 "Lobgesang": V. Ich harrete des Herrn | — | ||
| 24-7 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VI. Stricke des Todes | — | ||
| 24-8 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VII. Die Nacht ist vergangen | — | ||
| 24-9 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VIII. Nun danket alle Gott | — | ||
| 24-10 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IX. Drum sing ich mit meinem Liede | — | ||
| 24-11 | Symphony. 2 in B-flat, op. 52 "Lobgesang": X. Ihr Völker! Bringet her | — | ||
| 25-1 | 6 Songs, op. 19a: no. 4, Neue Liebe, MWV K70 | — | ||
| 25-2 | 6 Songs, op. 19a: no. 5, Gruß, MWV K71 | — | ||
| 25-3 | 6 Songs, op. 34: no. 2, Auf Flügeln des Gesanges, MWV K86 | — | ||
| 25-4 | 6 Songs, op. 34: no. 6, Reiselied, MWV K90 | — | ||
| 25-5 | 6 Songs, op. 47: no. 2, Morgengruß, MVW K100 | — | ||
| 25-6 | Dichterliebe, op. 48: 14. Allnächtlich im Traume seh’ ich dich | Dietrich Fischer-Dieskau, Christoph Eschenbach | — | |
| 25-7 | 6 Songs, op. 47: no. 3, Frühlingslied, MVW K101 | — | ||
| 25-8 | 6 Songs, op. 71: no. 3, An die Entfernte, MWV K126 | — | ||
| 25-9 | 6 Songs, op. 71: no. 4, Schilflied, MWV K116 | — | ||
| 25-10 | 6 Songs, op. 71: no. 5, Auf de Wanderschaft, MWV K124 | — | ||
| 25-11 | 6 Songs, op. 47: no. 1, Minnelied, MVW K97 | — | ||
| 25-12 | 6 Songs, op. 19a: no. 1, Frühlingslied, MWV K56 | — | ||
| 25-13 | 6 Songs, op. 19a: no. 2, Das erste Veilchen, MWV K63 | — | ||
| 25-14 | 6 Songs, op. 19a: no. 6, Reiselied, MWV K65 | — | ||
| 25-15 | 6 Songs, op. 19a: no. 3, Winterlied, MWV K72 | — | ||
| 25-16 | 6 Songs, op. 34: no. 1, Minnelied, MWV K80 | — | ||
| 25-17 | 6 Songs, op. 57: no. 4, O Jugend, o schöne Rosenzeit, MWV K106 | — | ||
| 25-18 | 3 Lieder, op. 84: no. 1, Da lieg' ich unter den Bäumen, MWV K69 | — | ||
| 25-19 | 12 Songs, op. 8: no. 4, Erntelied, MWV K37 | — | ||
| 25-20 | 6 Songs, op. 47: no. 4, Volkslied, MVW K102 | — | ||
| 26-1 | 6 Songs, op. 57: no. 6, Wanderlied, MWV K108 | — | ||
| 26-2 | 6 Songs, op. 71: no. 6, Nachtlied, MWV K125 | — | ||
| 26-3 | 2 Songs, WoO 17: no. 1, Das Waldschloß, MWV K87 | — | ||
| 26-4 | 2 Songs, WoO 17: no. 2, Pagenlied, MWV K75 | — | ||
| 26-5 | 6 Songs, op. 34: no. 3, Frühlingslied, MWV K89 | — | ||
| 26-6 | 6 Songs, op. 47: no. 6, Bei der Wiege, MWV K77 | — | ||
| 26-7 | 6 Songs, op. 86: no. 1, Das Fenster, MWV K29 | — | ||
| 26-8 | 6 Songs, op. 71: no. 1, Tröstung, MWV K120 | — | ||
| 26-9 | 3 Songs, op. 84: no. 3, Jagdlied, MVW K82 | — | ||
| 26-10 | 6 Songs, op. 99: no. 5, Wenn sich zwei Herzen scheiden, MWV K121 | — | ||
| 26-11 | 6 Songs, op. 86: no. 5, Der Mond, MWV K122 | — | ||
| 26-12 | 6 Songs, op. 57: no. 5, Venetianisches Gondellied, MWV K114 | — | ||
| 26-13 | The Garland, WoO 7, MWV K44 | — | ||
| 26-14 | 6 Songs, op. 99: no. 1, Erster Verlust, MWV K110 | — | ||
| 26-15 | 12 Songs, op. 8: no. 8, Andres Maienlied, MWV K33 | — | ||
| 26-16 | Warnung vor dem Rhein, WoO 16, MWV K105 | — | ||
| 26-17 | 6 Songs, op. 57: no. 1, Altdeutsches Lied, MVW K104 | — | ||
| 26-18 | 6 Songs, op. 57: no. 2, Hirtenlied, MWV K103 | — | ||
| 26-19 | 2 Romances, WoO 4: no. 2, Schlafloser Augen Leuchte, MWV K85 | — | ||
| 26-20 | 12 Songs, op. 9: no. 6, Scheidend, MWV K50 | — | ||
| 27-1 | Symphony no. 1 in B-flat, op. 38 "Spring": I. Andante poco maestoso - Allegro molto vivace | — | ||
| 27-2 | Symphony no. 1 in B-flat, op. 38 "Spring": II. Larghetto | — | ||
| 27-3 | Symphony no. 1 in B-flat, op. 38 "Spring": III. Scherzo (Molto vivace) | — | ||
| 27-4 | Symphony no. 1 in B-flat, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 27-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 27-6 | Symphony no. 4 in D minor, op. 120: II. Romanze (Zeimlich langsam) | — | ||
| 27-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo Lebhaft | — | ||
| 27-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 28-1 | Symphony no. 2 in C, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 28-2 | Symphony no. 2 in C, op. 61: II. Scherzo. Allegro vivace | — | ||
| 28-3 | Symphony no. 2 in C, op. 61: III. Adagio espressivo | — | ||
| 28-4 | Symphony no. 2 in C, op. 61: IV. Allegro molto vivace | — | ||
| 28-5 | Overture, Scherzo and Finale, op. 52: I. Overture (Andante con moto - Allegro) | — | ||
| 28-6 | Overture, Scherzo and Finale, op. 52: II. Scherzo (Vivo) | — | ||
| 28-7 | Overture, Scherzo and Finale, op. 52: III. Finale (Allegro molto vivace) | — | ||
| 29-1 | Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft | — | ||
| 29-2 | Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig) | — | ||
| 29-3 | Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell | — | ||
| 29-4 | Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich | — | ||
| 29-5 | Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft | — | ||
| 29-6 | Overture Manfred, op. 115 | — | ||
| 30-1 | Mass in c minor, op. 147: I. Kyrie | — | ||
| 30-2 | Mass in c minor, op. 147: II. Gloria | — | ||
| 30-3 | Mass in c minor, op. 147: III. Credo | — | ||
| 30-4 | Mass in c minor, op. 147: IV. Offertorium - Tota pulchra es, Maria | — | ||
| 30-5 | Mass in c minor, op. 147: V. Sanctus | — | ||
| 30-6 | Mass in c minor, op. 147: VI. Agnus Dei | — | ||
| 31-1 | Liederkreis, op. 24: I. Morgens steh’ ich auf und frage | — | ||
| 31-2 | Liederkreis, op. 24: II. Es treibt mich hin | — | ||
| 31-3 | Liederkreis, op. 24: III. Ich wandelte unter den Baumen | — | ||
| 31-4 | Liederkreis, op. 24: IV. Lieb’ Liebchen, leg’s Handchen | — | ||
| 31-5 | Liederkreis, op. 24: V. Schöne Wiege meiner Leiden | — | ||
| 31-6 | Liederkreis, op. 24: VI. Warte, warte, wilder Schiffmann | — | ||
| 31-7 | Liederkreis, op. 24: VII. Berg’ und Burgen schau’n herunter | — | ||
| 31-8 | Liederkreis, op. 24: VIII. Anfangs wollt’ ich fast verzagen | — | ||
| 31-9 | Liederkreis, op. 24: IX. Mit Myrten und Rosen | — | ||
| 31-10 | Der arme Peter, op. 53, No. 3: I. Der Hans und die Grete tanzen herum | — | ||
| 31-11 | Der arme Peter, op. 53, No. 3: II. In meiner Brust, da sitzt ein Weh | — | ||
| 31-12 | Der arme Peter, op. 53, No. 3: III. Der arme Peter wankt vorbei | — | ||
| 31-13 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: I. Im wunderschönen Monat Mai | — | ||
| 31-14 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: II. Aus meinen Tranen sprießen | — | ||
| 31-15 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: III. Die Rose, die Lilie | — | ||
| 31-16 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: IV. Wenn ich in deine Augen seh’ | — | ||
| 31-17 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: V. Dein Angesicht | — | ||
| 31-18 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: VI. Lehn’ deine Wang’ | — | ||
| 31-19 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: VII. Ich will meine Seele tauchen | — | ||
| 31-20 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: VIII. Im Rhein, im heiligen Strome | — | ||
| 31-21 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: IX. Ich grolle nicht | — | ||
| 31-22 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: X. Und wüssten’s die Blumen, die Kleinen | — | ||
| 31-23 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XI. Das ist ein Flöten und Geigen | — | ||
| 31-24 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XII. Hör’ ich das Liedchen klingen | — | ||
| 31-25 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XIII. Ein Jüngling liebt ein Mädchen | — | ||
| 31-26 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XIV. Am leuchtenden Sommermorgen | — | ||
| 31-27 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XV. Es leuchtet meine Liebe | — | ||
| 31-28 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XVI. Mein Wagen rollet langsam | — | ||
| 31-29 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XVII. Ich hab’ im Traum geweinet | — | ||
| 31-30 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XVII. Allnächtlich im Traume | — | ||
| 31-31 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XIX. Aus alten Märchen winkt es | — | ||
| 31-32 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XX. Die alten, bösen Lieder | — | ||
| 32-1 | Tannhäuser Overture | — | ||
| 32-2 | The Mastersingers of Nuremberg Overture | — | ||
| 32-3 | Götterdämmerung, Act 1: Dawn and Siegfried's Rhine Journey | — | ||
| 32-4 | Götterdämmerung, Act 3: Siegfried's Funeral March | — | ||
| 33-1 | Das Liebesverbot - Overture | — | ||
| 33-2 | Symphony in E (Allegro con spirito) | — | ||
| 33-3 | Faust - Overture | — | ||
| 33-4 | Five Poems for a Female Voice (Mathilde Wesendonck): I. Der Engel | — | ||
| 33-5 | Five Poems for a Female Voice (Mathilde Wesendonck): II. Stehe still! | — | ||
| 33-6 | Five Poems for a Female Voice (Mathilde Wesendonck): III. Im Treibhaus | — | ||
| 33-7 | Five Poems for a Female Voice (Mathilde Wesendonck): IV. Schmerzen | — | ||
| 33-8 | Five Poems for a Female Voice (Mathilde Wesendonck): V. Träume | — | ||
| 33-9 | Rienzi - Overture | — | ||
| 34-1 | Symphony no. 4 in E-flat "Romantic": I. Bewegt, night zu schnell | — | ||
| 34-2 | Symphony no. 4 in E-flat "Romantic": II. Andante quasi Allegretto | — | ||
| 34-3 | Symphony no. 4 in E-flat "Romantic": IIIa. Scherzo (Bewegt) | — | ||
| 34-4 | Symphony no. 4 in E-flat "Romantic": IIIb. Trio (Nicht zu schnell, keinesfalls schleppend) | — | ||
| 34-5 | Symphony no. 4 in E-flat "Romantic": IV. Finale (Bewegt, doch nicht zu schnell) | — | ||
| 35-1 | Symphony no. 1 in C minor, op. 68: Ia. Un poco sostenuto - | — | ||
| 35-2 | Symphony no. 1 in C minor, op. 68: Ib. Allegro | — | ||
| 35-3 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 35-4 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 35-5 | Symphony no. 1 in C minor, op. 68: IVa. Adagio | — | ||
| 35-6 | Symphony no. 1 in C minor, op. 68: IVb. Allegro non troppo, ma con brio | — | ||
| 35-7 | Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - | — | ||
| 35-8 | Schicksalslied, op. 54: Allegro - | — | ||
| 35-9 | Schicksalslied, op. 54: Adagio | — | ||
| 36-1 | Symphony no. 2 in D Major, op. 73: I. Allegro non troppo | — | ||
| 36-2 | Symphony no. 2 in D Major, op. 73: II. Adagio non troppo | — | ||
| 36-3 | Symphony no. 2 in D Major, op. 73: III. Allegretto grazioso, quasi andantino | — | ||
| 36-4 | Symphony no. 2 in D Major, op. 73: IV. Allegro con spirito | — | ||
| 36-5 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Theme | — | ||
| 36-6 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation I | — | ||
| 36-7 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation II | — | ||
| 36-8 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation III | — | ||
| 36-9 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation IV | — | ||
| 36-10 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation V | — | ||
| 36-11 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation VI | — | ||
| 36-12 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation VII | — | ||
| 36-13 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation VIII | — | ||
| 36-14 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Finale | — | ||
| 37-1 | Symphony No. 3 in F Major, op. 90: I. Allegro con brio | — | ||
| 37-2 | Symphony No. 3 in F Major, op. 90: II. Andante | — | ||
| 37-3 | Symphony No. 3 in F Major, op. 90: III. Poco allegretto | — | ||
| 37-4 | Symphony No. 3 in F Major, op. 90: IV. Allegro | — | ||
| 37-5 | Academic Festival Overture, op. 80 | — | ||
| 38-1 | Symphony No. 4 in E Minor, op. 98: I. Allegro non troppo | — | ||
| 38-2 | Symphony No. 4 in E Minor, op. 98: II. Andante moderato | — | ||
| 38-3 | Symphony No. 4 in E Minor, op. 98: III. Allegro giocoso | — | ||
| 38-4 | Symphony No. 4 in E Minor, op. 98: IV. Allegro energico e passionato | — | ||
| 38-5 | Tragic Overture, op. 81 | — | ||
| 39-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 39-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 39-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 39-4 | Two Songs for Alto With Viola and Piano, op. 91: I. Gestillte Sehnsucht (Rückert). Adagio espressivo | — | ||
| 39-5 | Two Songs for Alto With Viola and Piano, op. 91: II. Geistliches Wiegenlied (nach Lope de Vega von Geibel). Andante con moto | — | ||
| 40-1 | 1 Piano Concerto No.2 In B Flat, Op.83: I: Allegro Non Troppo | — | ||
| 40-2 | 2 Piano Concerto No.2 In B Flat, Op.83: II: Allegro Appassionato | — | ||
| 40-3 | 3 Piano Concerto No.2 In B Flat, Op.83: III: Andante | — | ||
| 40-4 | 4 Piano Concerto No.2 In B Flat, Op.83: IV: Allegretto Grazioso | — | ||
| 40-5 | 5 Five Songs, Op.105: 1. Wie Melodien Zieht Es Mir | — | ||
| 40-6 | 6 Five Songs, Op.105: 2. Immer Leiser Wird Mein Schlummer | — | ||
| 40-7 | 7 Five Songs, Op.105: 3. Klage | — | ||
| 40-8 | 8 Five Songs, Op.105: 4. Auf Dem Kirchhofe | — | ||
| 40-9 | 9 Five Songs, Op.105: 5. Verrat | — | ||
| 41-1 | Double Concerto for Violin and Cello in A Minor, op. 102: I. Allegro | — | ||
| 41-2 | Double Concerto for Violin and Cello in A Minor, op. 102: II. Andante | — | ||
| 41-3 | Double Concerto for Violin and Cello in A Minor, op. 102: III. Vivace non troppo | — | ||
| 41-4 | Horn Trio in E-Flat Major, op. 40: I. Andante - Poco più animato | — | ||
| 41-5 | Horn Trio in E-Flat Major, op. 40: II. Scherzo. Allegro | — | ||
| 41-6 | Horn Trio in E-Flat Major, op. 40: III. Adagio mesto | — | ||
| 41-7 | Horn Trio in E-Flat Major, op. 40: IV. Finale. Allegro con brio | — | ||
| 42-1 | 6 Songs, op. 3: IV. Lied aus dem Gedicht | — | ||
| 42-2 | 6 Songs, op. 6: II. Der Frühling | — | ||
| 42-3 | 6 Songs, op. 6: III. Nachtwirkung | — | ||
| 42-4 | 6 Songs, op. 6: IV. Jucche! | — | ||
| 42-5 | 6 Songs, op. 6: V. "Wie die Wolke nach der Sonne" | — | ||
| 42-6 | 6 Songs, op. 7: I. Treue Liebe | — | ||
| 42-7 | 6 Songs, op. 7: IV. Volkslied | — | ||
| 42-8 | 6 Songs, op. 7: VI. Heimkekr | — | ||
| 42-9 | 8 Songs & Romances, op. 14: I. Vor dem Fenster | — | ||
| 42-10 | 8 Songs & Romances, op. 14: II. Vom verwundeten Knaben | — | ||
| 42-11 | 8 Songs & Romances, op. 14: III. Murrays Ermordung | — | ||
| 42-12 | 8 Songs & Romances, op. 14: IV. Ein Sonett | — | ||
| 42-13 | 8 Songs & Romances, op. 14: V. Trennung | — | ||
| 42-14 | 8 Songs & Romances, op. 14: VI. Gang zur Liebsten | — | ||
| 42-15 | 8 Songs & Romances, op. 14: VII. Ständchen | — | ||
| 42-16 | 8 Songs & Romances, op. 14: VIII. Sehnsucht | — | ||
| 42-17 | 5 Poems, op. 19: II. Scheiden und Meiden | — | ||
| 42-18 | 5 Poems, op. 19: V. An eine Äolsharfe | — | ||
| 42-19 | 4 Songs, op. 43: I. Von ewiger Liebe | — | ||
| 42-20 | 4 Songs, op. 43: II. Die Mainacht | — | ||
| 42-21 | 4 Songs, op. 43: III. "Ich schnell mein Horn ins Jammerthal" | — | ||
| 42-22 | 4 Songs, op. 46: I. Die Kränze | — | ||
| 42-23 | 4 Songs, op. 46: II. Magyarisch | — | ||
| 42-24 | 4 Songs, op. 46: III. Die Schale der Vergessenheit | — | ||
| 42-25 | 4 Songs, op. 46: IV. An die Nachtigall | — | ||
| 42-26 | 5 Songs, op. 47: I. Botschaft | — | ||
| 42-27 | 5 Songs, op. 47: II. Liebesglut | — | ||
| 42-28 | 5 Songs, op. 47: III. Sonntag | — | ||
| 42-29 | 5 Songs, op. 47: IV. "O liebiche Wangen" | — | ||
| 43-1 | 7 Songs, op. 48: I. Der Gang zum Liebchen | — | ||
| 43-2 | 7 Songs, op. 48: II. Der Überläufer | — | ||
| 43-3 | 7 Songs, op. 48: V. Trost in Tränen | — | ||
| 43-4 | 7 Songs, op. 48: VI. "Vergangen ist mir Glück und Heil" | — | ||
| 43-5 | 7 Songs, op. 48: VII. Herbstgefühl | — | ||
| 43-6 | 5 Songs, op. 49: I. "Am Sonntag Morgen" | — | ||
| 43-7 | 5 Songs, op. 49: II. An ein Veilchen | — | ||
| 43-8 | 5 Songs, op. 49: III. Sehnsucht | — | ||
| 43-9 | 5 Songs, op. 49: IV. Wiegenlied | — | ||
| 43-10 | 5 Songs, op. 49: V. Abenddämmerung | — | ||
| 43-11 | 8 Songs, op. 57: II. "Wenn du nur zuweilen lächelst" | — | ||
| 43-12 | 8 Songs, op. 57: III. "Es träumte mir" | — | ||
| 43-13 | 8 Songs, op. 57: IV. "Ach, wende diesen Blick" | — | ||
| 43-14 | 8 Songs, op. 57: V. "In meiner Nächte Sehnen" | — | ||
| 43-15 | 8 Songs, op. 57: VI. "Strahlt zuweilen auch ein mildes Licht" | — | ||
| 43-16 | 8 Songs, op. 57: VII. "Die Schnur, die Perl' an Perle" | — | ||
| 43-17 | 8 Songs, op. 57: VIII. "Unbewegte, laue Luft" | — | ||
| 43-18 | 8 Songs, op. 58: I. Blinde Kuh | — | ||
| 43-19 | 8 Songs, op. 58: II. Während des Regens | — | ||
| 43-20 | 8 Songs, op. 58: III. Die Spröde | — | ||
| 43-21 | 8 Songs, op. 58: IV. "O komme, holde Sommernacht verschwiegen" | — | ||
| 43-22 | 8 Songs, op. 58: V. Schwermut | — | ||
| 43-23 | 8 Songs, op. 58: VI. In der Gasse | — | ||
| 43-24 | 8 Songs, op. 58: VII. Vorüber | — | ||
| 43-25 | 8 Songs, op. 58: VIII. Serenade | — | ||
| 43-26 | 8 Songs, op. 59: I. "Dämmerung senkte sich von oben" | — | ||
| 43-27 | 8 Songs, op. 59: II. "Auf dem See" | — | ||
| 43-28 | 8 Songs, op. 59: III. Regenlied | — | ||
| 43-29 | 8 Songs, op. 59: IV. Nachklang | — | ||
| 43-30 | 8 Songs, op. 59: VI. "Eine gute, gute Nacht" | — | ||
| 43-31 | 8 Songs, op. 59: VII. "Mein wundes Herz" | — | ||
| 43-32 | 8 Songs, op. 59: VIII. "Dein blaues Auge" | — | ||
| 44-1 | 9 Songs, op. 63: I. Frühlingstrost | — | ||
| 44-2 | 9 Songs, op. 63: II. Erinnerung | — | ||
| 44-3 | 9 Songs, op. 63: III. An ein Bild | — | ||
| 44-4 | 9 Songs, op. 63: IV. An die Tauben | — | ||
| 44-5 | 9 Songs, op. 63: V. Junge Liebe I | — | ||
| 44-6 | 9 Songs, op. 63: VI. Junge Liebe II | — | ||
| 44-7 | 9 Songs, op. 63: VII. Heimweh I | — | ||
| 44-8 | 9 Songs, op. 63: VIII. Heimweh II | — | ||
| 44-9 | 9 Songs, op. 63: IX. Heimweh III | — | ||
| 44-10 | 7 Songs, op. 95: III. Beim Abschied | — | ||
| 44-11 | 4 Songs, op. 96: III. "Es schauen die Blumen" | — | ||
| 44-12 | 6 Songs, op. 97: I. Nachtigall | — | ||
| 44-13 | 6 Songs, op. 97: II. Auf dem Schiffe | — | ||
| 44-14 | 6 Songs, op. 97: III. Entführung | — | ||
| 44-15 | 6 Songs, op. 97: V. Komm bald | — | ||
| 44-16 | 6 Songs, op. 97: VI. Trennung | — | ||
| 44-17 | 5 Songs, op. 105: I. "Wie Melodien zieht es mir" | — | ||
| 44-18 | 5 Songs, op. 105: III. Klage | — | ||
| 44-19 | 5 Songs, op. 105: IV. Auf dem Kirchhofe | — | ||
| 44-20 | 5 Songs, op. 105: V. Verrat | — | ||
| 44-21 | 5 Songs, op. 106: I. Ständchen | — | ||
| 44-22 | 5 Songs, op. 106: II. Auf dem See | — | ||
| 44-23 | 5 Songs, op. 106: III. "Es hing der Reif" | — | ||
| 44-24 | 5 Songs, op. 106: IV. Meine Lieder | — | ||
| 44-25 | 5 Songs, op. 106: V. Ein Wanderer | — | ||
| 44-26 | 5 Songs, op. 107: I. An die Stolze | — | ||
| 44-27 | 5 Songs, op. 107: II. Der Salamander | — | ||
| 44-28 | 5 Songs, op. 107: IV. "Maienkätzchen" | — | ||
| 44-29 | Mondnacht, WoO 21 | — | ||
| 44-30 | Vier ernste Gesänge, op. 121: I. "Denn es gehet dem Menschen" | — | ||
| 44-31 | Vier ernste Gesänge, op. 121: II. "Ich wandte mich und sahe an alle" | — | ||
| 44-32 | Vier ernste Gesänge, op. 121: III. "O Tod, o Tod, wie bitter bist du" | — | ||
| 44-33 | Vier ernste Gesänge, op. 121: IV. "Wenn ich mit Menschen- und mit Engelszungen redete" | — | ||
| 45-1 | Symphony no. 8 in G Major, op. 88, B. 163: I. Allegro con brio | — | ||
| 45-2 | Symphony no. 8 in G Major, op. 88, B. 163: II. Adagio | — | ||
| 45-3 | Symphony no. 8 in G Major, op. 88, B. 163: III. Allegretto grazioso | — | ||
| 45-4 | Symphony no. 8 in G Major, op. 88, B. 163: IV. Allegro ma non troppo | — | ||
| 45-5 | Scherzo capriccioso, op. 66 | — | ||
| 46-1 | Symphony no. 7 in D Minor, op. 70, B. 141: I. Allegro maestoso | — | ||
| 46-2 | Symphony no. 7 in D Minor, op. 70, B. 141: II. Poco adagio | — | ||
| 46-3 | Symphony no. 7 in D Minor, op. 70, B. 141: III. Scherzo. Vivace | — | ||
| 46-4 | Symphony no. 7 in D Minor, op. 70, B. 141: IV. Finale. Allegro | — | ||
| 46-5 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 46-6 | Symphony no. 8 in G major, op. 88: II. Adagio | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 46-7 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 46-8 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 47-1 | Symphony no. 9 in E Minor, op. 95: I. Adagio - Allegro molto | — | ||
| 47-2 | Symphony no. 9 in E Minor, op. 95: II. Largo | — | ||
| 47-3 | Symphony no. 9 in E Minor, op. 95: III. Scherzo (Molto vivace) | — | ||
| 47-4 | Symphony no. 9 in E Minor, op. 95: IV. Allegro con fouco | — | ||
| 47-5 | Carnival Overture, op. 92 | — | ||
| 48-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 48-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 48-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (molto vivace) | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 48-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 48-5 | Scherzo capriccioso, op. 66, B. 131 | — | ||
| 49-1 | Cello Concerto in B Minor, op. 104, B. 191: I. Allegro | — | ||
| 49-2 | Cello Concerto in B Minor, op. 104, B. 191: II. Adagio ma non troppo | — | ||
| 49-3 | Cello Concerto in B Minor, op. 104, B. 191: III. Finale. Allegro moderato | — | ||
| 49-4 | Symphonic Variations in C Major, op. 78, B. 70: Theme | — | ||
| 49-5 | Symphonic Variations in C Major, op. 78, B. 70: Variation I | — | ||
| 49-6 | Symphonic Variations in C Major, op. 78, B. 70: Variation II | — | ||
| 49-7 | Symphonic Variations in C Major, op. 78, B. 70: Variations III & IV | — | ||
| 49-8 | Symphonic Variations in C Major, op. 78, B. 70: Variations V & VI | — | ||
| 49-9 | Symphonic Variations in C Major, op. 78, B. 70: Variations VII & VIII | — | ||
| 49-10 | Symphonic Variations in C Major, op. 78, B. 70: Variations IX & X | — | ||
| 49-11 | Symphonic Variations in C Major, op. 78, B. 70: Variation XI | — | ||
| 49-12 | Symphonic Variations in C Major, op. 78, B. 70: Variations XII & XIII | — | ||
| 49-13 | Symphonic Variations in C Major, op. 78, B. 70: Variation XIV | — | ||
| 49-14 | Symphonic Variations in C Major, op. 78, B. 70: Variations XV & XVI | — | ||
| 49-15 | Symphonic Variations in C Major, op. 78, B. 70: Variation XVII | — | ||
| 49-16 | Symphonic Variations in C Major, op. 78, B. 70: Variation XVIII | — | ||
| 49-17 | Symphonic Variations in C Major, op. 78, B. 70: Variation XIX | — | ||
| 49-18 | Symphonic Variations in C Major, op. 78, B. 70: Variations XX & XXI | — | ||
| 49-19 | Symphonic Variations in C Major, op. 78, B. 70: Variations XXII & XXIII | — | ||
| 49-20 | Symphonic Variations in C Major, op. 78, B. 70: Variation XXIV | — | ||
| 49-21 | Symphonic Variations in C Major, op. 78, B. 70: Variation XXV | — | ||
| 49-22 | Symphonic Variations in C Major, op. 78, B. 70: Variation XXVI | — | ||
| 49-23 | Symphonic Variations in C Major, op. 78, B. 70: Variation XXVII | — | ||
| 49-24 | Symphonic Variations in C Major, op. 78, B. 70: Finale | — | ||
| 50-1 | Swan Lake Ballet, op. 20, Act II: no. 10, Scène | — | ||
| 50-2 | Swan Lake Ballet, op. 20, Act I: no. 2, Waltz | — | ||
| 50-3 | Swan Lake Ballet, op. 20, Act II: no. 13, Dance of the Little Swans. Allegro moderato | — | ||
| 50-4 | Swan Lake Ballet, op. 20, Act II: no. 13, Pas d'action - Second Dance of the Queen of the Swans | — | ||
| 50-5 | Swan Lake Ballet, op. 20, Act IV: no. 28, Scene | — | ||
| 50-6 | Nutcracker Suite, op. 71a: I. Miniature Overture | — | ||
| 50-7 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. March | — | ||
| 50-8 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. Dance of the Sugar Plum Fairy | — | ||
| 50-9 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. Russian Dance | — | ||
| 50-10 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. Arab Dance | — | ||
| 50-11 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. Chinese Dance | — | ||
| 50-12 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. Dance of the Reed Flutes | — | ||
| 50-13 | Nutcracker Suite, op. 71a: III. Waltz of the Flowers | — | ||
| 51-1 | Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo | — | ||
| 51-2 | Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto | — | ||
| 51-3 | Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse | — | ||
| 51-4 | Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato | — | ||
| 51-5 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro | — | ||
| 51-6 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto | — | ||
| 51-7 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice | — | ||
| 51-8 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato | — | ||
| 51-9 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro | — | ||
| 51-10 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: VI. Coda: Allegro vivace | — | ||
| 51-11 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato | — | ||
| 51-12 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro | — | ||
| 51-13 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse | — | ||
| 51-14 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace | — | ||
| 51-15 | Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro | — | ||
| 51-16 | Swan Lake, op. 20: Act I, no. 7: Sujet | — | ||
| 51-17 | Swan Lake, op. 20: Act I, no. 8: Danse des coupes: Tempo di polacca | — | ||
| 51-18 | Swan Lake, op. 20: Act I, no. 9: Finale: Andante | — | ||
| 51-19 | Swan Lake, op. 20: Act II, no. 10: Scene: Moderato | — | ||
| 51-20 | Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato - Allegro vivo | — | ||
| 51-21 | Swan Lake, op. 20: Act II, no. 12: Scene: Allegro | — | ||
| 51-22 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: I. Tempo di valse | — | ||
| 51-23 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: II. Moderato assai - Molto piu mosso | — | ||
| 51-24 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: III. Danses des cygnes: Tempo di valse | — | ||
| 51-25 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato | — | ||
| 51-26 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'action (Odette et le Prince): Andante - Andante non troppo - Allegro | — | ||
| 52-1 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse) | — | ||
| 52-2 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo | — | ||
| 52-3 | Swan Lake, op. 20: Act II, no. 14: Scène: Moderato | — | ||
| 52-4 | Swan Lake, op. 20: Act III, no. 15: Scène: Allegro giusto | — | ||
| 52-5 | Swan Lake, op. 20: Act III, no. 16: Danses du corps de ballet et des nains: Moderato assai - Allegro vivo | — | ||
| 52-6 | Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse | — | ||
| 52-7 | Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto | — | ||
| 52-8 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai | — | ||
| 52-9 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro | — | ||
| 52-10 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto | — | ||
| 52-11 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato | — | ||
| 52-12 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro | — | ||
| 52-13 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice | — | ||
| 52-14 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Coda: Allegro molto | — | ||
| 52-15 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Moderato: Andante | — | ||
| 52-16 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation I: Allegro moderato | — | ||
| 52-17 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation II: Allegro | — | ||
| 52-18 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Coda: Allegro molto vivace | — | ||
| 52-19 | Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace | — | ||
| 52-20 | Swan Lake, op. 20: Act III, Appendix 2: Danse russe: Moderato: Andante semplice - Allegro vivo | — | ||
| 52-21 | Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) | — | ||
| 52-22 | Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto | — | ||
| 52-23 | Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka | — | ||
| 52-24 | Swan Lake, op. 20: Act III, no. 24: Scène: Allegro: Valse: Allegro vivo | — | ||
| 52-25 | Swan Lake, op. 20: Act IV, no. 25: Entr'acte: Moderato | — | ||
| 52-26 | Swan Lake, op. 20: Act IV, no. 26: Scène: Allegro ma non troppo | — | ||
| 52-27 | Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato | — | ||
| 52-28 | Swan Lake, op. 20: Act IV, no. 28: Scène: Allegro agitato: Molto meno mosso: Allegro vivace | — | ||
| 52-29 | Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso | — | ||
| 53-1 | Also sprach Zarathustra, Op. 30: I. Introduction | — | ||
| 53-2 | Also sprach Zarathustra, Op. 30: II. Of the Backworldsmen | — | ||
| 53-3 | Also sprach Zarathustra, Op. 30: III. Of the Great Longing | — | ||
| 53-4 | Also sprach Zarathustra, Op. 30: IV. Of Joys and Passions | — | ||
| 53-5 | Also sprach Zarathustra, Op. 30: V. The Song of the Grave | — | ||
| 53-6 | Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | — | ||
| 53-7 | Also sprach Zarathustra, Op. 30: VII. The Convalescent | — | ||
| 53-8 | Also sprach Zarathustra, Op. 30: VIII. The Dance Song - Song of the Night Wanderer | — | ||
| 53-9 | Burleske for Piano and Orchestra in D Minor | — | ||
| 53-10 | Don Juan, Op. 20 | — | ||
| 54-1 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: I. Overture | — | ||
| 54-2 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: II. Menuett | — | ||
| 54-3 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: III. Der Fechtmeister | — | ||
| 54-4 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: IV. Auftritt und Tanz der Schneider | — | ||
| 54-5 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: V. Menuett des Lully | — | ||
| 54-6 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: VI. Courante | — | ||
| 54-7 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: VII. Auftritt des Cléonte | — | ||
| 54-8 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: VIII. Vorspiel zum 2. Aufzug | — | ||
| 54-9 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: IX. Das Diner | — | ||
| 54-10 | Intermezzo, op. 72, TrV 246: Walzerszene | — | ||
| 55-1 | Ein Heldenleben, op. 40: I. Der Held | — | ||
| 55-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher | — | ||
| 55-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin | — | ||
| 55-4 | Ein Heldenleben, op. 40: IV. Thema der Siegesgewissheit | — | ||
| 55-5 | Ein Heldenleben, op. 40: V. Des Helden Walstatt | — | ||
| 55-6 | Ein Heldenleben, op. 40: VI. Kriegsfanfaren | — | ||
| 55-7 | Ein Heldenleben, op. 40: VII. Des Helden Friedenswerke - Des Helden Weltflucht und Vollendung | — | ||
| 55-8 | Ein Heldenleben, op. 40: VIII. Entsagung | — | ||
| 55-9 | Oboe Concerto in D Major: I. Allegro moderato | — | ||
| 55-10 | Oboe Concerto in D Major: II. Andante | — | ||
| 55-11 | Oboe Concerto in D Major: III. Vivace | — | ||
| 56-1 | Festliches Präludium, op. 61 | — | ||
| 56-2 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 56-3 | Sinfonia domestica, op. 53: Thema I. Bewegt | — | ||
| 56-4 | Sinfonia domestica, op. 53: Thema II. Sehr lebhaft | — | ||
| 56-5 | Sinfonia domestica, op. 53: Thema III. Ruhig | — | ||
| 56-6 | Sinfonia domestica, op. 53: Scherzo. Munter | — | ||
| 56-7 | Sinfonia domestica, op. 53: Wiegenlied. Mässig langsam | — | ||
| 56-8 | Sinfonia domestica, op. 53: Adagio. Langsam | — | ||
| 56-9 | Sinfonia domestica, op. 53: Finale. Sehr lebhaft | — | ||
| 57-1 | Horn Concerto no. 1 in E-flat, op. 11: I. Allegro | — | ||
| 57-2 | Horn Concerto no. 1 in E-flat, op. 11: II. Andante | — | ||
| 57-3 | Horn Concerto no. 1 in E-flat, op. 11: III. Rondo (Allegro) | — | ||
| 57-4 | Horn Concerto no. 2 in E-flat: I. Allegro | — | ||
| 57-5 | Horn Concerto no. 2 in E-flat: II. Andante con moto | — | ||
| 57-6 | Horn Concerto no. 2 in E-flat: III. Rondo (Allegro molto) | — | ||
| 58-1 | 8 Gedichte aus Letzte Blätter, op. 10: no. 1, Zueignung | — | ||
| 58-2 | 8 Gedichte aus Letzte Blätter, op. 10: no. 2, Nichts | — | ||
| 58-3 | 8 Gedichte aus Letzte Blätter, op. 10: no. 3, Die Nacht | — | ||
| 58-4 | 8 Gedichte aus Letzte Blätter, op. 10: no. 4, Die Georgine | — | ||
| 58-5 | 8 Gedichte aus Letzte Blätter, op. 10: no. 5, Geduld | — | ||
| 58-6 | 8 Gedichte aus Letzte Blätter, op. 10: no. 6, Die Verschwiegenen | — | ||
| 58-7 | 8 Gedichte aus Letzte Blätter, op. 10: no. 7, Die Zeitlose | — | ||
| 58-8 | 8 Gedichte aus Letzte Blätter, op. 10: no. 8, Allerseelen | — | ||
| 58-9 | Drei Liebeslieder: Rote Rosen | — | ||
| 58-10 | Drei Liebeslieder: Die erwachte Rose | — | ||
| 58-11 | Drei Liebeslieder: Begegnung | — | ||
| 58-12 | 3 Lieder, op. 29: no. 2, Schlagende Herzen | — | ||
| 58-13 | 5 Lieder, op. 15: no. 5, Heimkehr | — | ||
| 58-14 | 4 Lieder, op. 31: no. 3, Weisser Jasmin | — | ||
| 58-15 | 5 Lieder, op. 41: no. 1, Wiegenlied | — | ||
| 58-16 | 6 Lieder, op. 37: no. 3, Meinem Kinde | — | ||
| 58-17 | 5 Lieder, op. 41: no. 5, Leise Lieder | — | ||
| 58-18 | 5 Lieder, op. 39: no. 1, Leises Lied | — | ||
| 58-19 | 5 Kleine Lieder, op. 69: no. 5, Schlechtes Wetter | — | ||
| 58-20 | 4 Lieder, op. 36: no. 2, Für fünfzehn Pfennige | — | ||
| 58-21 | 4 Lieder, op. 36: no. 3, Hat gesagt bleibt's nicht dabei | — | ||
| 59-1 | Schlichte Weisen, op. 21: no. 1, All' mein Gedanken, mein Herz and mein Sinn | — | ||
| 59-2 | 4 Lieder, op. 27: no. 3, Heimliche Aufforderung | — | ||
| 59-3 | 8 Gedichte aus Letzte Blätter, op. 10: no. 3, Die Nacht | — | ||
| 59-4 | 4 Lieder, op. 27: no. 4, Morgen! | — | ||
| 59-5 | 6 Lieder, op. 17: no. 1, Seitdem dein Aug in meines schaute | — | ||
| 59-6 | 5 Lieder, op. 41: no. 1, Wiegenlied | — | ||
| 59-7 | 5 Lieder, op. 39: no. 4, Befreit | — | ||
| 59-8 | 8 Gedichte aus Letzte Blätter, op. 10: no. 8, Allerseelen | — | ||
| 59-9 | 5 Lieder, op. 48: no. 1, Freundliche Vision | — | ||
| 59-10 | 5 Lieder, op. 48: no. 2, Ich schwebe | — | ||
| 59-11 | 5 Lieder, op. 48: no. 3, Kling | — | ||
| 59-12 | 5 Lieder, op. 48: no. 4, Winterweihe | — | ||
| 59-13 | 4 Lieder, op. 27: no. 1, Ruhe meine Seele! | — | ||
| 59-14 | Schlichte Weisen, op. 21: no. 2, Du meines Herzens Krönelein | — | ||
| 59-15 | 4 Lieder, op. 27: no. 2, Cäcilie | — | ||
| 59-16 | Sechs Lieder, op.17: 2. Ständchen | Hermann Prey, Wolfgang Sawallisch | — | |
| 59-17 | Acht Gedichte aus “Letzte Blätter”, op. 10: 1. Zueignung | Hermann Prey, Wolfgang Sawallisch | T-800.406.985-7 | |
| 60-1 | 2 Lieder from Op. 68: No. 2 Ich wollt' ein Sträusslein binden | — | ||
| 60-2 | 2 Lieder from Op. 68: No. 3 Säusle, liebe Myrthe | — | ||
| 60-3 | Mädchenblumen, Op. 22: No. 1 Kornblumen | — | ||
| 60-4 | Mädchenblumen, Op. 22: No. 2 Mohnblumen | — | ||
| 60-5 | Mädchenblumen, Op. 22: No. 3 Epheu | — | ||
| 60-6 | Mädchenblumen, Op. 22: No. 4 Wasserrose | — | ||
| 60-7 | 3 Lieder from Op. 10: No. 4 Die Georgine | — | ||
| 60-8 | 3 Lieder from Op. 10: No. 7 Die Zeitlose | — | ||
| 60-9 | 3 Lieder from Op. 10: No. 8 Allerseelen | — | ||
| 60-10 | 4 Lieder, Op. 27: No. 1 Ruhe, meine Seele! | — | ||
| 60-11 | 4 Lieder, Op. 27: No. 2 Cacilie | — | ||
| 60-12 | 4 Lieder, Op. 27: No. 3 Heimliche Aufforderung | — | ||
| 60-13 | 4 Lieder, Op. 27: No. 4 Morgen! | — | ||
| 60-14 | Das Rosenband, Op. 36 No. 1 | — | ||
| 60-15 | Heimkehr, Op. 15 No. 5 | — | ||
| 60-16 | Four Last Songs: Frühling | — | ||
| 60-17 | Four Last Songs: September | — | ||
| 60-18 | Four Last Songs: Beim Schlafengehen | — | ||
| 60-19 | Four Last Songs: Im Abendrot | — | ||
| 61-1 | Herr Oluf, op. 12 | — | ||
| 61-2 | An den Mond, op. 18 | — | ||
| 61-3 | Sie haben heut' Abend Gesellschaft, op. 4 Nr. 2 | — | ||
| 61-4 | Lethe, op. 37 | — | ||
| 61-5 | An die Mark, op. 15 Nr. 3 | — | ||
| 61-6 | Der arme Heinrich: "Auf grüne Wipfel lacht nun wonnig der Lenz" (Dietrichs Erzählung) | — | ||
| 61-7 | Zorn, op. 15 Nr. 2 | — | ||
| 62-1 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I. Allegro | — | ||
| 62-2 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. "Turandot", Scherzo. Moderato / Lebhaft | — | ||
| 62-3 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino | — | ||
| 62-4 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch | — | ||
| 62-5 | "Nobilissima Visione" - Suite: Ia. Einleitung: Sehr Langsam - | — | ||
| 62-6 | "Nobilissima Visione" - Suite: Ib. Rondo: Mässig Schnell | — | ||
| 62-7 | "Nobilissima Visione" - Suite: II. Marsch Und Pastorale: Lebhaft | — | ||
| 62-8 | "Nobilissima Visione" - Suite: III. Passacaglia: Feierlich Bewegt | — | ||
| 62-9 | "Mathis der Maler" - Symphonie: I. Engelkonzert: Ruhig bewegt - Ziemlich Lebhafte Halbe | — | ||
| 62-10 | "Mathis der Maler" - Symphonie: II. Grablegung: Sehr Langsam | — | ||
| 62-11 | "Mathis der Maler" - Symphonie: III. Versuchung des Heiligen Antonius: Sehr Langsam, frei im Zeitmass - Sehr Lebhaft | — | ||
| 63-1 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | — | ||
| 63-2 | Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | — | ||
| 63-3 | Carmina Burana: I. Primo vere: 3. Veris leta facies | — | ||
| 63-4 | Carmina Burana: I. Primo vere: 4. Omnia Sol temperat | — | ||
| 63-5 | Carmina Burana: I. Primo vere: 5. Ecce gratum | — | ||
| 63-6 | Carmina Burana: Uf dem Anger: 6. Tanz | — | ||
| 63-7 | Carmina Burana: Uf dem Anger: 7. Floret silva | — | ||
| 63-8 | Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir | — | ||
| 63-9 | Carmina Burana: Uf dem Anger: 9. Reie | — | ||
| 63-10 | Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe | — | ||
| 63-11 | Carmina Burana: Uf dem Anger: 9. Chume, chum geselle min | — | ||
| 63-12 | Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe | — | ||
| 63-13 | Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min | — | ||
| 63-14 | Carmina Burana: II. In taberna: 11. Estuans interius | — | ||
| 63-15 | Carmina Burana: II. In taberna: 12. Olim lacus colueram | — | ||
| 63-16 | Carmina Burana: II. In taberna: 13. Ego sum abbas | — | ||
| 63-17 | Carmina Burana: II. In taberna: 14. In taberna quando sumus | — | ||
| 63-18 | Carmina Burana: III. Cours d'amour: 15. Amor volat undique | — | ||
| 63-19 | Carmina Burana: III. Cours d'amour: 16. Dies, nox et omnia | — | ||
| 63-20 | Carmina Burana: III. Cours d'amour: 17. Stetit puella | — | ||
| 63-21 | Carmina Burana: III. Cours d'amour: 18. Circa mea pectora | — | ||
| 63-22 | Carmina Burana: III. Cours d'amour: 19. Si puer cum puellula | — | ||
| 63-23 | Carmina Burana: III. Cours d'amour: 20. Veni, veni, venias | — | ||
| 63-24 | Carmina Burana: III. Cours d'amour: 21. In trutina | — | ||
| 63-25 | Carmina Burana: III. Cours d'amour: 22. Tempus est iocundum | — | ||
| 63-26 | Carmina Burana: III. Cours d'amour: 23. Dulcissime | — | ||
| 63-27 | Carmina Burana: Blanziflor et Helena: 24. Ave formosissima | — | ||
| 63-28 | Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | — | ||
| 63-29 | Words of thanks by Carl Orff | — | ||
| 64-1 | Triptyque for Trumpet and Piano: I. Scherzo | — | ||
| 64-2 | Triptyque for Trumpet and Piano: II. Largo | — | ||
| 64-3 | Triptyque for Trumpet and Piano: III. Salterelle | — | ||
| 64-4 | Sonatine for Trumpet and Piano | — | ||
| 64-5 | Légende for Trumpet and Piano | — | ||
| 64-6 | Albumblatt | — | ||
| 64-7 | Etude concertante in G Minor for Trumpet and Piano, op. 49 | — | ||
| 64-8 | Sonata for Trumpet and Piano, op. 73: I. Allegro moderato | — | ||
| 64-9 | Sonata for Trumpet and Piano, op. 73: II. Adagio | — | ||
| 64-10 | Sonata for Trumpet and Piano, op. 73: III. Allegro | — | ||
| 64-11 | Perpetuum Mobile | — | ||
| 64-12 | Rustiques | — | ||
| 64-13 | Fantaisie-Caprice | — | ||
| 64-14 | Impromptu | — | ||
| 64-15 | Sonata for Trumpet and Piano, op. 137: I. Mit Kraft | — | ||
| 64-16 | Sonata for Trumpet and Piano, op. 137: II. Mäßig bewegt | — | ||
| 64-17 | Sonata for Trumpet and Piano, op. 137: III. Trauermusik. Sehr langsam | — | ||
| 65-1 | Sheep May Safely Graze | — | ||
| 65-2 | Wachet auf | — | ||
| 65-3 | Ein' feste Burg ist unser Gott | — | ||
| 65-4 | Toccata and Fugue in D minor | — | ||
| 65-5 | Minuet | — | ||
| 65-6 | Moonlight Sonata (first movement) | — | ||
| 65-7 | Prelude in E minor | — | ||
| 65-8 | Panis angelicus | — | ||
| 65-9 | Andante cantabile | — | ||
| 65-10 | At the ball | — | ||
| 65-11 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | The Philadelphia Orchestra, Wolfgang Sawallisch | T-906.638.690-1 | |
| 65-12 | La Cathérale engloutie | — | ||
| 65-13 | Preludes in C-sharp minor | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5054197832178 is a Universal Product Code (UPC) assigned to The Warner Classics Edition Complete Symphonic, Lieder & Choral Recordings by Wolfgang Sawallisch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 880 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Warner Classics Edition Complete Symphonic, Lieder & Choral Recordings” by Wolfgang Sawallisch is 5054197832178. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 880 tracks, each with its own ISRC. Tracks include GBAYC0400118, DEF057630213, GBAYC8901865.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 17 in G, K453: I. Allegro | — | ||
| 2 | Piano Concerto no. 17 in G, K453: II. Andante | — | ||
| 3 | Piano Concerto no. 17 in G, K453: III. Allegretto | — | ||
| 4 | Piano Concerto no. 20 in D minor, K466: I. Allegro | — | ||
| 5 | Piano Concerto no. 20 in D minor, K466: II. Romanze | — | ||
| 6 | Piano Concerto no. 20 in D minor, K466: III. Rondo: Allegro assai | — | ||
| 2-1 | Piano Concerto no. 21 in C major, K. 467: I. Allegro maestoso | — | ||
| 2-2 | Piano Concerto no. 21 in C major, K. 467: II. Andante | — | ||
| 2-3 | Piano Concerto no. 21 in C major, K. 467: III. Allegro vivace assai | — | ||
| 2-4 | Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro | — | ||
| 2-5 | Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — | |
| 2-6 | Piano Concerto no. 22 in E-flat major, K. 482: III. Rondo (Allegro) | — | ||
| 3-1 | Violin Concerto no. 3 in G, K. 216: I. Allegro | — | ||
| 3-2 | Violin Concerto no. 3 in G, K. 216: II. Adagio | — | ||
| 3-3 | Violin Concerto no. 3 in G, K. 216: III. Rondeau (Allegro) | — | ||
| 3-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 3-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 3-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 4-1 | Violin Concerto no. 3 in G, K. 216: I. Allegro | — | ||
| 4-2 | Violin Concerto no. 3 in G, K. 216: II. Adagio | — | ||
| 4-3 | Violin Concerto no. 3 in G, K. 216: III. Rondeau: Allegro - Allegretto - Tempo I (Cadenzas: Franz Beyer) | — | ||
| 4-4 | Violin Concerto in D, op. 77: I. Allegro ma non troppo | — | ||
| 4-5 | Violin Concerto in D, op. 77: II. Adagio (Cadenza: Joseph Joachim) | — | ||
| 4-6 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 5-1 | Symphony no. 1 in C, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 5-2 | Symphony no. 1 in C, op. 21: II. Andante cantabile con moto | — | ||
| 5-3 | Symphony no. 1 in C, op. 21: III. Menuetto: Allegro molto vivace - Trio | — | ||
| 5-4 | Symphony no. 1 in C, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 5-5 | Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio | — | ||
| 5-6 | Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre: Adagio assai | — | ||
| 5-7 | Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo: Allegro vivace - Trio | — | ||
| 5-8 | Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale: Allegro molto - Poco andante - Presto | — | ||
| 6-1 | Symphony no. 2 in D, op. 36: Ia. Adagio molto - | — | ||
| 6-2 | Symphony no. 2 in D, op. 36: Ib. Allegro con brio | — | ||
| 6-3 | Symphony no. 2 in D, op. 36: II. Larghetto | — | ||
| 6-4 | Symphony no. 2 in D, op. 36: IIIa. Scherzo: Allegro - | — | ||
| 6-5 | Symphony no. 2 in D, op. 36: IIIb. Trio | — | ||
| 6-6 | Symphony no. 2 in D, op. 36: IV. Allegro molto | — | ||
| 6-7 | Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio | — | ||
| 6-8 | Symphony no. 8 in F, op. 93: II. Allegretto scherzando | — | ||
| 6-9 | Symphony no. 8 in F, op. 93: III. Tempo di Menuetto | — | ||
| 6-10 | Symphony no. 8 in F, op. 93: IV. Allegro vivace | — | ||
| 7-1 | Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace | — | ||
| 7-2 | Symphony no. 4 in B-flat, op. 60: II. Adagio | — | ||
| 7-3 | Symphony no. 4 in B-flat, op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro | — | ||
| 7-4 | Symphony no. 4 in B-flat, op. 60: IV. Allegro con brio | — | ||
| 7-5 | Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace | — | ||
| 7-6 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 7-7 | Symphony no. 7 in A, op. 92: III. Presto - Assai meno presto | — | ||
| 7-8 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 8-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 8-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 8-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 8-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | — | ||
| 8-5 | Symphony no. 6 in F, op. 68 "Pastoral": I. Awakening of pleasant feelings upon arriving in the country: Allegro ma non troppo | — | ||
| 8-6 | Symphony no. 6 in F, op. 68 "Pastoral": II. Scene at the Brook: Andante molto mosso | — | ||
| 8-7 | Symphony no. 6 in F, op. 68 "Pastoral": III. Peasants' Merrymaking: Allegro - | — | ||
| 8-8 | Symphony no. 6 in F, op. 68 "Pastoral": IV. The Storm: Allegro - | — | ||
| 8-9 | Symphony no. 6 in F, op. 68 "Pastoral": V. Shepherds' Hymn after the Storm: Allegretto | — | ||
| 9-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 9-2 | Symphony no. 9 in D minor, op. 125 "Choral": IIa. Molto vivace - | — | ||
| 9-3 | Symphony no. 9 in D minor, op. 125 "Choral": IIb. Presto - | — | ||
| 9-4 | Symphony no. 9 in D minor, op. 125 "Choral": IIc. Molto vivace | — | ||
| 9-5 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile | — | ||
| 9-6 | Symphony no. 9 in D minor, op. 125 "Choral": IVa. Presto - | — | ||
| 9-7 | Symphony no. 9 in D minor, op. 125 "Choral": IVb. Recitativo: "O Freunde, nicht diese Töne!" - | — | ||
| 9-8 | Symphony no. 9 in D minor, op. 125 "Choral": IVc. Allegro assai: "Freude, Freude!" - | — | ||
| 9-9 | Symphony no. 9 in D minor, op. 125 "Choral": IVd. Allegro assai vivace, alla marcia: "Froh, wie seine Sonnen fliegen" - | — | ||
| 9-10 | Symphony no. 9 in D minor, op. 125 "Choral": IVe. Andante maestoso: "Seid umschlungen, Millionen!" - | — | ||
| 9-11 | Symphony no. 9 in D minor, op. 125 "Choral": IVf. Allegro energico, sempre ben marcato. "Seid umschlungen - Freude, schöner Götterfunken" - | — | ||
| 9-12 | Symphony no. 9 in D minor, op. 125 "Choral": IVg. Allegro ma non tanto: "Freude, Tochter aus Elysium!" - | — | ||
| 9-13 | Symphony no. 9 in D minor, op. 125 "Choral": IVh. Prestissimo: "Seid umschlungen, Millionen!" | — | ||
| 10-1 | Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: I. Allegro | — | ||
| 10-2 | Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: II. Adagio un poco mosso | — | ||
| 10-3 | Piano Concerto no. 5 in E-flat, op. 73 “Emperor”: III. Rondo: Allegro | — | ||
| 11-1 | Euryanthe: Overture | — | ||
| 11-2 | Der Beherrscher der Geister (Ruler of the Spirits) Overture | — | ||
| 11-3 | Abu Hassan: Overture | — | ||
| 11-4 | Jubel Overture | — | ||
| 11-5 | Der Freischütz: Overture | — | ||
| 11-6 | Preciosa: Overture | — | ||
| 11-7 | Oberon: Overture | — | ||
| 12-1 | Lied im Freien D572 | — | ||
| 12-2 | Die Burgschaft D435: No. 13, Rauberlied | — | ||
| 12-3 | Die Advokaten D37 | — | ||
| 12-4 | Trinklied D148 | — | ||
| 12-5 | Wilkommen, lieber schoner Mai D244 | — | ||
| 12-6 | Fischerlied D364 | — | ||
| 12-7 | Trinklied D267 | — | ||
| 12-8 | Trinklied D356 | — | ||
| 12-9 | Bergknappenlied D268 | — | ||
| 12-10 | Ruhe, schonstes Gluck der Erde D657 | — | ||
| 12-11 | Trinklied im Winter D242 | — | ||
| 12-12 | Gott in der Natur D757 | — | ||
| 12-13 | Naturgenusz D422 | — | ||
| 12-14 | Der Schnee zerrinnt D130 | — | ||
| 12-15 | Fruhlingsgesang D740 | — | ||
| 12-16 | Trinklied im Mai D427 | — | ||
| 12-17 | Fruhlingslied D243 | — | ||
| 12-18 | Widerspruch D865 | — | ||
| 12-19 | Mondenschein D875 | — | ||
| 12-20 | Nachtmusik D848 | — | ||
| 12-21 | Goldner Schein D357 | — | ||
| 12-22 | Fruhlingslied D914 | — | ||
| 13-1 | Nachtgesang im Walde D913 | — | ||
| 13-2 | Der Gondelfahrer D809 | — | ||
| 13-3 | Die Nacht D983c | — | ||
| 13-4 | Nachthelle D892 | — | ||
| 13-5 | Die Nachtigall D724 | — | ||
| 13-6 | Lacrimoso son io D131b | — | ||
| 13-7 | Der Entfernten D331 | — | ||
| 13-8 | Mailied D129 | — | ||
| 13-9 | Zum Rundetanz D983b | — | ||
| 13-10 | Wein und Liebe D901 | — | ||
| 13-11 | Geist der Liebe D747 | — | ||
| 13-12 | Liebe saslein die Blatter D988 | — | ||
| 13-13 | Andenken D423 | — | ||
| 13-14 | Leise, leise, laszt uns singen D635 | — | ||
| 13-15 | Erinnerungen D424 | — | ||
| 13-16 | Widerhall D428 | — | ||
| 13-17 | Lacrimoso son io D131a | — | ||
| 13-18 | Gesang der Geister uber den Wassern D714 | — | ||
| 13-19 | Nur wer die Sehnsucht kennt D656 | — | ||
| 13-20 | Im Gegenwartigen Vergangenes D710 | — | ||
| 13-21 | Bootgesang D835 | — | ||
| 14-1 | Bardengesang D147 | — | ||
| 14-2 | Trinklied aus dem 16 Jahrhundert D847 | — | ||
| 14-3 | La pastorella al prato D513 | — | ||
| 14-4 | Klage um Ali Bey D140 | — | ||
| 14-5 | Schlachtgesang D912 | — | ||
| 14-6 | Der Geistertanz D494 | — | ||
| 14-7 | Standchen (Zogernd leise) D920 | — | ||
| 14-8 | Das Dorfchen D641 | — | ||
| 14-9 | Mailied D202 | — | ||
| 14-10 | Trinklied D75 | — | ||
| 14-11 | Dreifach ist der Schritt der Zeit D69 | — | ||
| 14-12 | Voruber die stohnende Klage D53 | — | ||
| 14-13 | Unendliche Freude D51 | — | ||
| 14-14 | Hier strecket der wallende Pilger D57 | — | ||
| 14-15 | Dessen Fahne Donnersturme wallte D58 | — | ||
| 14-16 | Hier umarmen sich getreue Gatten D60 | — | ||
| 14-17 | Unendliche Freude D54 | — | ||
| 14-18 | An den Fruhling D338 | — | ||
| 14-19 | Frisch atmet des Morgens lebendiger Hauch D67 | — | ||
| 14-20 | Punschlied D253 | — | ||
| 14-21 | Selig durch die Liebe D55 | — | ||
| 14-22 | Ein jugendlicher Maienschwung D61 | — | ||
| 14-23 | Thronend auf erhab'nem Sitz D62 | — | ||
| 14-24 | Majestat' sche Sonnenrosse D64 | — | ||
| 14-25 | Wer die stelle Sternenbahn D63 | — | ||
| 14-26 | Liebe D983a | — | ||
| 14-27 | Die zwei Tugendwege D71 | — | ||
| 14-28 | Dreifach ist der Schritt der Zeit D43 | — | ||
| 15-1 | Lutzows wilde Jagd D205 | — | ||
| 15-2 | Einsiedelei D337 | — | ||
| 15-3 | Totengraberlied D38 | — | ||
| 15-4 | Mailied D199 | — | ||
| 15-5 | Flucht D825b | — | ||
| 15-6 | Der Morgenstern D203 | — | ||
| 15-7 | Coronach D836 | — | ||
| 15-8 | Wehmut D825 | — | ||
| 15-9 | Grab und Mond D893 | — | ||
| 15-10 | Ewige Liebe D825b | — | ||
| 15-11 | Zur guten Nacht D903 | — | ||
| 15-12 | Mirjams Siegesgesang D942 | — | ||
| 15-13 | Junglingswonne D983a | — | ||
| 15-14 | Das stille Lied D916 | — | ||
| 16-1 | Kyrie in B flat major, D. 45 | — | ||
| 16-2 | Kyrie in D minor, D. 49 | — | ||
| 16-3 | Mass No. 1 in F major, D. 105: I. Kyrie | — | ||
| 16-4 | Mass No. 1 in F major, D. 105: II. Gloria | — | ||
| 16-5 | Mass No. 1 in F major, D. 105: III. Credo | — | ||
| 16-6 | Mass No. 1 in F major, D. 105: IV. Sanctus | — | ||
| 16-7 | Mass No. 1 in F major, D. 105: V. Benedictus | — | ||
| 16-8 | Mass No. 1 in F major, D. 105: VI. Agnus Dei | — | ||
| 16-9 | Mass No. 2 in G major, D. 167: I. Kyrie | — | ||
| 16-10 | Mass No. 2 in G major, D. 167: II. Gloria | — | ||
| 16-11 | Mass No. 2 in G major, D. 167: III. Credo | — | ||
| 16-12 | Mass No. 2 in G major, D. 167: IV. Sanctus | — | ||
| 16-13 | Mass No. 2 in G major, D. 167: V. Benedictus | — | ||
| 16-14 | Mass No. 2 in G major, D. 167: VI. Agnus Dei | — | ||
| 17-1 | Mass no. 3, D. 324: I. Kyrie | — | ||
| 17-2 | Mass no. 3, D. 324: II. Gloria | — | ||
| 17-3 | Mass no. 3, D. 324: III. Credo | — | ||
| 17-4 | Mass no. 3, D. 324: IV. Sanctus | — | ||
| 17-5 | Mass no. 3, D. 324: V. Benedictus | — | ||
| 17-6 | Mass no. 3, D. 324: VI. Agnus Dei | — | ||
| 17-7 | Salve Regina, D. 379 | — | ||
| 17-8 | Stabat Mater, D. 383: I. Chor “Jesus Christus schwebt am Kreuze!” | — | ||
| 17-9 | Stabat Mater, D. 383: II. Arie “Bei des Mittlers Kreuze standen” | — | ||
| 17-10 | Stabat Mater, D. 383: III. Chor “Liebend neiget er sein Antlitz” | — | ||
| 17-11 | Stabat Mater, D. 383: IV. Duett “Engel freuten sich der Wonne, jener Wonne” | — | ||
| 17-12 | Stabat Mater, D. 383: V. Chor “Wer wird Zähren sanften Mitlieids” | — | ||
| 17-13 | Stabat Mater, D. 383: VI. Arie “Ach, was hätten wir empfunden” | — | ||
| 17-14 | Stabat Mater, D. 383: VII. Chor “Erben sollen sie am Throne” | — | ||
| 17-15 | Stabat Mater, D. 383: VIII. Arie “Sohn des Vaters, aber leiden” | — | ||
| 17-16 | Stabat Mater, D. 383: IX. Chor “O du herrlicher Vollender” | — | ||
| 17-17 | Stabat Mater, D. 383: X. Terzett “Erdenfreuden und ihr Elend” | — | ||
| 17-18 | Stabat Mater, D. 383: XI. Terzett mit Chor “Dass dereinst wir, wenn im Tode” | — | ||
| 17-19 | Stabat Mater, D. 383: XII. Chor “Amen” | — | ||
| 17-20 | Salve Regina, D. 386 | — | ||
| 18-1 | Mass no. 5, D. 678: I. Kyrie | — | ||
| 18-2 | Mass no. 5, D. 678: II. Gloria | — | ||
| 18-3 | Mass no. 5, D. 678: III. Credo | — | ||
| 18-4 | Mass no. 5, D. 678: IV. Sanctus | — | ||
| 18-5 | Mass no. 5, D. 678: V. Benedictus | — | ||
| 18-6 | Mass no. 5, D. 678: VI. Agnus Dei | — | ||
| 18-7 | Mass no. 4, D. 452: I. Kyrie | — | ||
| 18-8 | Mass no. 4, D. 452: II. Gloria | — | ||
| 18-9 | Mass no. 4, D. 452: III. Credo | — | ||
| 18-10 | Mass no. 4, D. 452: IV. Sanctus | — | ||
| 18-11 | Mass no. 4, D. 452: V. Benedictus I | — | ||
| 18-12 | Mass no. 4, D. 452: V. Benedictus II | — | ||
| 18-13 | Mass no. 4, D. 452: VI. Agnus Dei | — | ||
| 19-1 | Mass no. 6, D. 950: I. Kyrie | — | ||
| 19-2 | Mass no. 6, D. 950: II. Gloria | — | ||
| 19-3 | Mass no. 6, D. 950: III. Credo | — | ||
| 19-4 | Mass no. 6, D. 950: IV. Sanctus | — | ||
| 19-5 | Mass no. 6, D. 950: V. Benedictus | — | ||
| 19-6 | Mass no. 6, D. 950: VI. Agnus Dei | — | ||
| 19-7 | Tantum ergo, D. 962 | — | ||
| 19-8 | Offertorium, D. 963 | — | ||
| 20-1 | Kyrie in D‐minor, D. 31 | — | ||
| 20-2 | Kyrie in F‐major, D. 66 | — | ||
| 20-3 | Salve Regina in B‐flat major, D. 106 | — | ||
| 20-4 | Offertorium “Totus in corde” in C‐major, D. 136 | — | ||
| 20-5 | Stabat Mater in G‐minor, D. 175 | — | ||
| 20-6 | Offertorium “Tres sunt” in A‐minor, D. 181 | — | ||
| 20-7 | Graduale in C‐major, D. 184 | — | ||
| 20-8 | Offertorium “Salve Regina” in F‐major, D. 223 | — | ||
| 20-9 | Tantum ergo in C‐major, D. 461 | — | ||
| 20-10 | Tantum ergo in C‐major, D. 460 | — | ||
| 20-11 | Magnificat in C‐major, D. 486 | — | ||
| 20-12 | Auguste jam coelestium in G‐major, D. 488 | — | ||
| 21-1 | Offertorium “Salve Regina” in A‐major, D. 676 | — | ||
| 21-2 | 6 Antiphonen zum Palmsonntag, D. 696: I. Hosanna filio David | — | ||
| 21-3 | 6 Antiphonen zum Palmsonntag, D. 696: II. In monte Oliveti | — | ||
| 21-4 | 6 Antiphonen zum Palmsonntag, D. 696: III. Sanctus | — | ||
| 21-5 | 6 Antiphonen zum Palmsonntag, D. 696: IV. Pueri Hebraeorum | — | ||
| 21-6 | 6 Antiphonen zum Palmsonntag, D. 696: V. Cum Angelis et pueris | — | ||
| 21-7 | 6 Antiphonen zum Palmsonntag, D. 696: VI. Ingrediente Domino | — | ||
| 21-8 | Psalm 23, D. 706 | — | ||
| 21-9 | Tantum ergo in C‐major, D. 739 | — | ||
| 21-10 | Tantum ergo in D‐major, D. 750 | — | ||
| 21-11 | Salve Regina in C‐major, D. 811 | — | ||
| 21-12 | Deutsche Messe, D. 872: I. Zum Eingang | — | ||
| 21-13 | Deutsche Messe, D. 872: II. Zum Gloria | — | ||
| 21-14 | Deutsche Messe, D. 872: III. Zum Evangelium & Credo | — | ||
| 21-15 | Deutsche Messe, D. 872: IV. Zum Offertorium | — | ||
| 21-16 | Deutsche Messe, D. 872: V. Zum Sanctus | — | ||
| 21-17 | Deutsche Messe, D. 872: VI. Nach der Wandlung | — | ||
| 21-18 | Deutsche Messe, D. 872: VII. Zum Agnus Dei | — | ||
| 21-19 | Deutsche Messe, D. 872: VIII. Schlussgesang | — | ||
| 21-20 | Deutsche Messe, D. 872: Anhang. Das Gebet des Herrn | — | ||
| 21-21 | Psalm 92, D. 953 | — | ||
| 21-22 | Hymnus an den heiligen Geist, D. 964 | — | ||
| 22-1 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 1. Introduktion (Orchester) | — | ||
| 22-2 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 2. Hier lasst mich ruh'n die letzte Stunde (Lazarus) | — | ||
| 22-3 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 3. Noch einen Augenblick? (Martha) | — | ||
| 22-4 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 4. Trübe nicht mit Klagen seine Seele (Maria) | — | ||
| 22-5 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 5. Steh im letzten Kampf dem Müden (Maria) | — | ||
| 22-6 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 6. Voll Friede, ja, voll Fried' ist die Seele (Lazarus, Nathanael) | — | ||
| 22-7 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 7. Kalter Schweiß rinnt von der Stirn (Nathanael) | — | ||
| 22-8 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 8. Wilkommen, mein Nathanael (Lazarus, Nathanael) | — | ||
| 22-9 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 9.Wenn ich ihm nachgerungen habe (Nathanael) | — | ||
| 22-10 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 10. Nathanael, bewundern kann ich dich (Martha) | — | ||
| 22-11 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 11. O Martha, o Martha, bliebst du stiller (Maria, Lazarus) | — | ||
| 22-12 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 12. Der Trost begleite dich hinüber (Maria) | — | ||
| 22-13 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 13. Wenn nun mit tausendfachen Qualen (Maria) | — | ||
| 22-14 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 14. Gottes Liebe, du bist seine Zuversicht (Maria) | — | ||
| 22-15 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 15. In der Leiden bängster Nacht (Maria) | — | ||
| 22-16 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 16. Ach, so find' ich ihn noch (Jemina) | — | ||
| 22-17 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 17. Jemina, Tochter der Auferstehung (Lazarus) | — | ||
| 22-18 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 18. So schlummert auf Rosen (Jemina) | — | ||
| 22-19 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 19. Nun entflog auf schnellen Schwingen (Jemina) | — | ||
| 22-20 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 20. So war mir, Lazarus (Jemina, Maria, Martha, Nathanael, Lazarus) | — | ||
| 22-21 | Lazarus oder Die Feier der Auferstehung, D. 689: 1 Akt. 21. O Barmherziger, o verlass ihn nicht (Jemina, Maria, Martha, Chor) | — | ||
| 22-22 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 1. Introduktion (Orchester) | — | ||
| 22-23 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 2. Wo bin ich? (Simon) | — | ||
| 22-24 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 3. Schon bereitet ihr Gräber (Simon) | — | ||
| 22-25 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 4. Wess ist der Klage (Nathanael, Simon) | — | ||
| 22-26 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 5. So weile hier mein Freund (Nathanael) | — | ||
| 22-27 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 6. Sanft und still (Chor) | — | ||
| 22-28 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 7. So legt ihn in die Blumen (Nathanael) | — | ||
| 22-29 | Lazarus oder Die Feier der Auferstehung, D. 689: 2 Akt. 8. Wecke sie nicht (Martha) | — | ||
| 23-1 | Die Winterreise, op. 89, D. 911: Gute Nacht | — | ||
| 23-2 | Die Winterreise, op. 89, D. 911: Die Wetterfahne | — | ||
| 23-3 | Die Winterreise, op. 89, D. 911: Gefrorene Tränen | — | ||
| 23-4 | Die Winterreise, op. 89, D. 911: Erstarrung | — | ||
| 23-5 | Die Winterreise, op. 89, D. 911: Der Lindenbaum | — | ||
| 23-6 | Die Winterreise, op. 89, D. 911: Wasserflut | — | ||
| 23-7 | Die Winterreise, op. 89, D. 911: Auf dem Flusse | — | ||
| 23-8 | Die Winterreise, op. 89, D. 911: Rückblick | — | ||
| 23-9 | Die Winterreise, op. 89, D. 911: Irrlicht | — | ||
| 23-10 | Die Winterreise, op. 89, D. 911: Rast | — | ||
| 23-11 | Die Winterreise, op. 89, D. 911: Frühlingstraum | — | ||
| 23-12 | Die Winterreise, op. 89, D. 911: Einsamkeit | — | ||
| 23-13 | Die Winterreise, op. 89, D. 911: Die Post | — | ||
| 23-14 | Die Winterreise, op. 89, D. 911: Der greise Kopf | — | ||
| 23-15 | Die Winterreise, op. 89, D. 911: Die Krähe | — | ||
| 23-16 | Die Winterreise, op. 89, D. 911: Letzte Hoffnung | — | ||
| 23-17 | Die Winterreise, op. 89, D. 911: Im Dorfe | — | ||
| 23-18 | Die Winterreise, op. 89, D. 911: Der stürmische Morgen | — | ||
| 23-19 | Die Winterreise, op. 89, D. 911: Täuschung | — | ||
| 23-20 | Die Winterreise, op. 89, D. 911: Der Wegweiser | — | ||
| 23-21 | Die Winterreise, op. 89, D. 911: Das Wirtshaus | — | ||
| 23-22 | Die Winterreise, op. 89, D. 911: Mut | — | ||
| 23-23 | Die Winterreise, op. 89, D. 911: Die Nebensonnen | — | ||
| 23-24 | Die Winterreise, op. 89, D. 911: Der Leiermann | — | ||
| 24-1 | Symphony. 2 in B-flat, op. 52 "Lobgesang": I. Sinfonia | — | ||
| 24-2 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IIa. Alles was Odem hat | — | ||
| 24-3 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IIb. Lobe den Hernn; Sages es | — | ||
| 24-4 | Symphony. 2 in B-flat, op. 52 "Lobgesang": III. Er zählet unsre Tränen | — | ||
| 24-5 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IV. Sagt es, die ihr erlöset seid | — | ||
| 24-6 | Symphony. 2 in B-flat, op. 52 "Lobgesang": V. Ich harrete des Herrn | — | ||
| 24-7 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VI. Stricke des Todes | — | ||
| 24-8 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VII. Die Nacht ist vergangen | — | ||
| 24-9 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VIII. Nun danket alle Gott | — | ||
| 24-10 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IX. Drum sing ich mit meinem Liede | — | ||
| 24-11 | Symphony. 2 in B-flat, op. 52 "Lobgesang": X. Ihr Völker! Bringet her | — | ||
| 25-1 | 6 Songs, op. 19a: no. 4, Neue Liebe, MWV K70 | — | ||
| 25-2 | 6 Songs, op. 19a: no. 5, Gruß, MWV K71 | — | ||
| 25-3 | 6 Songs, op. 34: no. 2, Auf Flügeln des Gesanges, MWV K86 | — | ||
| 25-4 | 6 Songs, op. 34: no. 6, Reiselied, MWV K90 | — | ||
| 25-5 | 6 Songs, op. 47: no. 2, Morgengruß, MVW K100 | — | ||
| 25-6 | Dichterliebe, op. 48: 14. Allnächtlich im Traume seh’ ich dich | Dietrich Fischer-Dieskau, Christoph Eschenbach | — | |
| 25-7 | 6 Songs, op. 47: no. 3, Frühlingslied, MVW K101 | — | ||
| 25-8 | 6 Songs, op. 71: no. 3, An die Entfernte, MWV K126 | — | ||
| 25-9 | 6 Songs, op. 71: no. 4, Schilflied, MWV K116 | — | ||
| 25-10 | 6 Songs, op. 71: no. 5, Auf de Wanderschaft, MWV K124 | — | ||
| 25-11 | 6 Songs, op. 47: no. 1, Minnelied, MVW K97 | — | ||
| 25-12 | 6 Songs, op. 19a: no. 1, Frühlingslied, MWV K56 | — | ||
| 25-13 | 6 Songs, op. 19a: no. 2, Das erste Veilchen, MWV K63 | — | ||
| 25-14 | 6 Songs, op. 19a: no. 6, Reiselied, MWV K65 | — | ||
| 25-15 | 6 Songs, op. 19a: no. 3, Winterlied, MWV K72 | — | ||
| 25-16 | 6 Songs, op. 34: no. 1, Minnelied, MWV K80 | — | ||
| 25-17 | 6 Songs, op. 57: no. 4, O Jugend, o schöne Rosenzeit, MWV K106 | — | ||
| 25-18 | 3 Lieder, op. 84: no. 1, Da lieg' ich unter den Bäumen, MWV K69 | — | ||
| 25-19 | 12 Songs, op. 8: no. 4, Erntelied, MWV K37 | — | ||
| 25-20 | 6 Songs, op. 47: no. 4, Volkslied, MVW K102 | — | ||
| 26-1 | 6 Songs, op. 57: no. 6, Wanderlied, MWV K108 | — | ||
| 26-2 | 6 Songs, op. 71: no. 6, Nachtlied, MWV K125 | — | ||
| 26-3 | 2 Songs, WoO 17: no. 1, Das Waldschloß, MWV K87 | — | ||
| 26-4 | 2 Songs, WoO 17: no. 2, Pagenlied, MWV K75 | — | ||
| 26-5 | 6 Songs, op. 34: no. 3, Frühlingslied, MWV K89 | — | ||
| 26-6 | 6 Songs, op. 47: no. 6, Bei der Wiege, MWV K77 | — | ||
| 26-7 | 6 Songs, op. 86: no. 1, Das Fenster, MWV K29 | — | ||
| 26-8 | 6 Songs, op. 71: no. 1, Tröstung, MWV K120 | — | ||
| 26-9 | 3 Songs, op. 84: no. 3, Jagdlied, MVW K82 | — | ||
| 26-10 | 6 Songs, op. 99: no. 5, Wenn sich zwei Herzen scheiden, MWV K121 | — | ||
| 26-11 | 6 Songs, op. 86: no. 5, Der Mond, MWV K122 | — | ||
| 26-12 | 6 Songs, op. 57: no. 5, Venetianisches Gondellied, MWV K114 | — | ||
| 26-13 | The Garland, WoO 7, MWV K44 | — | ||
| 26-14 | 6 Songs, op. 99: no. 1, Erster Verlust, MWV K110 | — | ||
| 26-15 | 12 Songs, op. 8: no. 8, Andres Maienlied, MWV K33 | — | ||
| 26-16 | Warnung vor dem Rhein, WoO 16, MWV K105 | — | ||
| 26-17 | 6 Songs, op. 57: no. 1, Altdeutsches Lied, MVW K104 | — | ||
| 26-18 | 6 Songs, op. 57: no. 2, Hirtenlied, MWV K103 | — | ||
| 26-19 | 2 Romances, WoO 4: no. 2, Schlafloser Augen Leuchte, MWV K85 | — | ||
| 26-20 | 12 Songs, op. 9: no. 6, Scheidend, MWV K50 | — | ||
| 27-1 | Symphony no. 1 in B-flat, op. 38 "Spring": I. Andante poco maestoso - Allegro molto vivace | — | ||
| 27-2 | Symphony no. 1 in B-flat, op. 38 "Spring": II. Larghetto | — | ||
| 27-3 | Symphony no. 1 in B-flat, op. 38 "Spring": III. Scherzo (Molto vivace) | — | ||
| 27-4 | Symphony no. 1 in B-flat, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 27-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 27-6 | Symphony no. 4 in D minor, op. 120: II. Romanze (Zeimlich langsam) | — | ||
| 27-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo Lebhaft | — | ||
| 27-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 28-1 | Symphony no. 2 in C, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 28-2 | Symphony no. 2 in C, op. 61: II. Scherzo. Allegro vivace | — | ||
| 28-3 | Symphony no. 2 in C, op. 61: III. Adagio espressivo | — | ||
| 28-4 | Symphony no. 2 in C, op. 61: IV. Allegro molto vivace | — | ||
| 28-5 | Overture, Scherzo and Finale, op. 52: I. Overture (Andante con moto - Allegro) | — | ||
| 28-6 | Overture, Scherzo and Finale, op. 52: II. Scherzo (Vivo) | — | ||
| 28-7 | Overture, Scherzo and Finale, op. 52: III. Finale (Allegro molto vivace) | — | ||
| 29-1 | Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft | — | ||
| 29-2 | Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig) | — | ||
| 29-3 | Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell | — | ||
| 29-4 | Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich | — | ||
| 29-5 | Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft | — | ||
| 29-6 | Overture Manfred, op. 115 | — | ||
| 30-1 | Mass in c minor, op. 147: I. Kyrie | — | ||
| 30-2 | Mass in c minor, op. 147: II. Gloria | — | ||
| 30-3 | Mass in c minor, op. 147: III. Credo | — | ||
| 30-4 | Mass in c minor, op. 147: IV. Offertorium - Tota pulchra es, Maria | — | ||
| 30-5 | Mass in c minor, op. 147: V. Sanctus | — | ||
| 30-6 | Mass in c minor, op. 147: VI. Agnus Dei | — | ||
| 31-1 | Liederkreis, op. 24: I. Morgens steh’ ich auf und frage | — | ||
| 31-2 | Liederkreis, op. 24: II. Es treibt mich hin | — | ||
| 31-3 | Liederkreis, op. 24: III. Ich wandelte unter den Baumen | — | ||
| 31-4 | Liederkreis, op. 24: IV. Lieb’ Liebchen, leg’s Handchen | — | ||
| 31-5 | Liederkreis, op. 24: V. Schöne Wiege meiner Leiden | — | ||
| 31-6 | Liederkreis, op. 24: VI. Warte, warte, wilder Schiffmann | — | ||
| 31-7 | Liederkreis, op. 24: VII. Berg’ und Burgen schau’n herunter | — | ||
| 31-8 | Liederkreis, op. 24: VIII. Anfangs wollt’ ich fast verzagen | — | ||
| 31-9 | Liederkreis, op. 24: IX. Mit Myrten und Rosen | — | ||
| 31-10 | Der arme Peter, op. 53, No. 3: I. Der Hans und die Grete tanzen herum | — | ||
| 31-11 | Der arme Peter, op. 53, No. 3: II. In meiner Brust, da sitzt ein Weh | — | ||
| 31-12 | Der arme Peter, op. 53, No. 3: III. Der arme Peter wankt vorbei | — | ||
| 31-13 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: I. Im wunderschönen Monat Mai | — | ||
| 31-14 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: II. Aus meinen Tranen sprießen | — | ||
| 31-15 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: III. Die Rose, die Lilie | — | ||
| 31-16 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: IV. Wenn ich in deine Augen seh’ | — | ||
| 31-17 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: V. Dein Angesicht | — | ||
| 31-18 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: VI. Lehn’ deine Wang’ | — | ||
| 31-19 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: VII. Ich will meine Seele tauchen | — | ||
| 31-20 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: VIII. Im Rhein, im heiligen Strome | — | ||
| 31-21 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: IX. Ich grolle nicht | — | ||
| 31-22 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: X. Und wüssten’s die Blumen, die Kleinen | — | ||
| 31-23 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XI. Das ist ein Flöten und Geigen | — | ||
| 31-24 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XII. Hör’ ich das Liedchen klingen | — | ||
| 31-25 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XIII. Ein Jüngling liebt ein Mädchen | — | ||
| 31-26 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XIV. Am leuchtenden Sommermorgen | — | ||
| 31-27 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XV. Es leuchtet meine Liebe | — | ||
| 31-28 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XVI. Mein Wagen rollet langsam | — | ||
| 31-29 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XVII. Ich hab’ im Traum geweinet | — | ||
| 31-30 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XVII. Allnächtlich im Traume | — | ||
| 31-31 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XIX. Aus alten Märchen winkt es | — | ||
| 31-32 | Lieder und Gesänge aus dem Lyrischen Intermezzo im Buch der Lieder: XX. Die alten, bösen Lieder | — | ||
| 32-1 | Tannhäuser Overture | — | ||
| 32-2 | The Mastersingers of Nuremberg Overture | — | ||
| 32-3 | Götterdämmerung, Act 1: Dawn and Siegfried's Rhine Journey | — | ||
| 32-4 | Götterdämmerung, Act 3: Siegfried's Funeral March | — | ||
| 33-1 | Das Liebesverbot - Overture | — | ||
| 33-2 | Symphony in E (Allegro con spirito) | — | ||
| 33-3 | Faust - Overture | — | ||
| 33-4 | Five Poems for a Female Voice (Mathilde Wesendonck): I. Der Engel | — | ||
| 33-5 | Five Poems for a Female Voice (Mathilde Wesendonck): II. Stehe still! | — | ||
| 33-6 | Five Poems for a Female Voice (Mathilde Wesendonck): III. Im Treibhaus | — | ||
| 33-7 | Five Poems for a Female Voice (Mathilde Wesendonck): IV. Schmerzen | — | ||
| 33-8 | Five Poems for a Female Voice (Mathilde Wesendonck): V. Träume | — | ||
| 33-9 | Rienzi - Overture | — | ||
| 34-1 | Symphony no. 4 in E-flat "Romantic": I. Bewegt, night zu schnell | — | ||
| 34-2 | Symphony no. 4 in E-flat "Romantic": II. Andante quasi Allegretto | — | ||
| 34-3 | Symphony no. 4 in E-flat "Romantic": IIIa. Scherzo (Bewegt) | — | ||
| 34-4 | Symphony no. 4 in E-flat "Romantic": IIIb. Trio (Nicht zu schnell, keinesfalls schleppend) | — | ||
| 34-5 | Symphony no. 4 in E-flat "Romantic": IV. Finale (Bewegt, doch nicht zu schnell) | — | ||
| 35-1 | Symphony no. 1 in C minor, op. 68: Ia. Un poco sostenuto - | — | ||
| 35-2 | Symphony no. 1 in C minor, op. 68: Ib. Allegro | — | ||
| 35-3 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 35-4 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 35-5 | Symphony no. 1 in C minor, op. 68: IVa. Adagio | — | ||
| 35-6 | Symphony no. 1 in C minor, op. 68: IVb. Allegro non troppo, ma con brio | — | ||
| 35-7 | Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - | — | ||
| 35-8 | Schicksalslied, op. 54: Allegro - | — | ||
| 35-9 | Schicksalslied, op. 54: Adagio | — | ||
| 36-1 | Symphony no. 2 in D Major, op. 73: I. Allegro non troppo | — | ||
| 36-2 | Symphony no. 2 in D Major, op. 73: II. Adagio non troppo | — | ||
| 36-3 | Symphony no. 2 in D Major, op. 73: III. Allegretto grazioso, quasi andantino | — | ||
| 36-4 | Symphony no. 2 in D Major, op. 73: IV. Allegro con spirito | — | ||
| 36-5 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Theme | — | ||
| 36-6 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation I | — | ||
| 36-7 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation II | — | ||
| 36-8 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation III | — | ||
| 36-9 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation IV | — | ||
| 36-10 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation V | — | ||
| 36-11 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation VI | — | ||
| 36-12 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation VII | — | ||
| 36-13 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation VIII | — | ||
| 36-14 | Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Finale | — | ||
| 37-1 | Symphony No. 3 in F Major, op. 90: I. Allegro con brio | — | ||
| 37-2 | Symphony No. 3 in F Major, op. 90: II. Andante | — | ||
| 37-3 | Symphony No. 3 in F Major, op. 90: III. Poco allegretto | — | ||
| 37-4 | Symphony No. 3 in F Major, op. 90: IV. Allegro | — | ||
| 37-5 | Academic Festival Overture, op. 80 | — | ||
| 38-1 | Symphony No. 4 in E Minor, op. 98: I. Allegro non troppo | — | ||
| 38-2 | Symphony No. 4 in E Minor, op. 98: II. Andante moderato | — | ||
| 38-3 | Symphony No. 4 in E Minor, op. 98: III. Allegro giocoso | — | ||
| 38-4 | Symphony No. 4 in E Minor, op. 98: IV. Allegro energico e passionato | — | ||
| 38-5 | Tragic Overture, op. 81 | — | ||
| 39-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 39-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 39-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 39-4 | Two Songs for Alto With Viola and Piano, op. 91: I. Gestillte Sehnsucht (Rückert). Adagio espressivo | — | ||
| 39-5 | Two Songs for Alto With Viola and Piano, op. 91: II. Geistliches Wiegenlied (nach Lope de Vega von Geibel). Andante con moto | — | ||
| 40-1 | 1 Piano Concerto No.2 In B Flat, Op.83: I: Allegro Non Troppo | — | ||
| 40-2 | 2 Piano Concerto No.2 In B Flat, Op.83: II: Allegro Appassionato | — | ||
| 40-3 | 3 Piano Concerto No.2 In B Flat, Op.83: III: Andante | — | ||
| 40-4 | 4 Piano Concerto No.2 In B Flat, Op.83: IV: Allegretto Grazioso | — | ||
| 40-5 | 5 Five Songs, Op.105: 1. Wie Melodien Zieht Es Mir | — | ||
| 40-6 | 6 Five Songs, Op.105: 2. Immer Leiser Wird Mein Schlummer | — | ||
| 40-7 | 7 Five Songs, Op.105: 3. Klage | — | ||
| 40-8 | 8 Five Songs, Op.105: 4. Auf Dem Kirchhofe | — | ||
| 40-9 | 9 Five Songs, Op.105: 5. Verrat | — | ||
| 41-1 | Double Concerto for Violin and Cello in A Minor, op. 102: I. Allegro | — | ||
| 41-2 | Double Concerto for Violin and Cello in A Minor, op. 102: II. Andante | — | ||
| 41-3 | Double Concerto for Violin and Cello in A Minor, op. 102: III. Vivace non troppo | — | ||
| 41-4 | Horn Trio in E-Flat Major, op. 40: I. Andante - Poco più animato | — | ||
| 41-5 | Horn Trio in E-Flat Major, op. 40: II. Scherzo. Allegro | — | ||
| 41-6 | Horn Trio in E-Flat Major, op. 40: III. Adagio mesto | — | ||
| 41-7 | Horn Trio in E-Flat Major, op. 40: IV. Finale. Allegro con brio | — | ||
| 42-1 | 6 Songs, op. 3: IV. Lied aus dem Gedicht | — | ||
| 42-2 | 6 Songs, op. 6: II. Der Frühling | — | ||
| 42-3 | 6 Songs, op. 6: III. Nachtwirkung | — | ||
| 42-4 | 6 Songs, op. 6: IV. Jucche! | — | ||
| 42-5 | 6 Songs, op. 6: V. "Wie die Wolke nach der Sonne" | — | ||
| 42-6 | 6 Songs, op. 7: I. Treue Liebe | — | ||
| 42-7 | 6 Songs, op. 7: IV. Volkslied | — | ||
| 42-8 | 6 Songs, op. 7: VI. Heimkekr | — | ||
| 42-9 | 8 Songs & Romances, op. 14: I. Vor dem Fenster | — | ||
| 42-10 | 8 Songs & Romances, op. 14: II. Vom verwundeten Knaben | — | ||
| 42-11 | 8 Songs & Romances, op. 14: III. Murrays Ermordung | — | ||
| 42-12 | 8 Songs & Romances, op. 14: IV. Ein Sonett | — | ||
| 42-13 | 8 Songs & Romances, op. 14: V. Trennung | — | ||
| 42-14 | 8 Songs & Romances, op. 14: VI. Gang zur Liebsten | — | ||
| 42-15 | 8 Songs & Romances, op. 14: VII. Ständchen | — | ||
| 42-16 | 8 Songs & Romances, op. 14: VIII. Sehnsucht | — | ||
| 42-17 | 5 Poems, op. 19: II. Scheiden und Meiden | — | ||
| 42-18 | 5 Poems, op. 19: V. An eine Äolsharfe | — | ||
| 42-19 | 4 Songs, op. 43: I. Von ewiger Liebe | — | ||
| 42-20 | 4 Songs, op. 43: II. Die Mainacht | — | ||
| 42-21 | 4 Songs, op. 43: III. "Ich schnell mein Horn ins Jammerthal" | — | ||
| 42-22 | 4 Songs, op. 46: I. Die Kränze | — | ||
| 42-23 | 4 Songs, op. 46: II. Magyarisch | — | ||
| 42-24 | 4 Songs, op. 46: III. Die Schale der Vergessenheit | — | ||
| 42-25 | 4 Songs, op. 46: IV. An die Nachtigall | — | ||
| 42-26 | 5 Songs, op. 47: I. Botschaft | — | ||
| 42-27 | 5 Songs, op. 47: II. Liebesglut | — | ||
| 42-28 | 5 Songs, op. 47: III. Sonntag | — | ||
| 42-29 | 5 Songs, op. 47: IV. "O liebiche Wangen" | — | ||
| 43-1 | 7 Songs, op. 48: I. Der Gang zum Liebchen | — | ||
| 43-2 | 7 Songs, op. 48: II. Der Überläufer | — | ||
| 43-3 | 7 Songs, op. 48: V. Trost in Tränen | — | ||
| 43-4 | 7 Songs, op. 48: VI. "Vergangen ist mir Glück und Heil" | — | ||
| 43-5 | 7 Songs, op. 48: VII. Herbstgefühl | — | ||
| 43-6 | 5 Songs, op. 49: I. "Am Sonntag Morgen" | — | ||
| 43-7 | 5 Songs, op. 49: II. An ein Veilchen | — | ||
| 43-8 | 5 Songs, op. 49: III. Sehnsucht | — | ||
| 43-9 | 5 Songs, op. 49: IV. Wiegenlied | — | ||
| 43-10 | 5 Songs, op. 49: V. Abenddämmerung | — | ||
| 43-11 | 8 Songs, op. 57: II. "Wenn du nur zuweilen lächelst" | — | ||
| 43-12 | 8 Songs, op. 57: III. "Es träumte mir" | — | ||
| 43-13 | 8 Songs, op. 57: IV. "Ach, wende diesen Blick" | — | ||
| 43-14 | 8 Songs, op. 57: V. "In meiner Nächte Sehnen" | — | ||
| 43-15 | 8 Songs, op. 57: VI. "Strahlt zuweilen auch ein mildes Licht" | — | ||
| 43-16 | 8 Songs, op. 57: VII. "Die Schnur, die Perl' an Perle" | — | ||
| 43-17 | 8 Songs, op. 57: VIII. "Unbewegte, laue Luft" | — | ||
| 43-18 | 8 Songs, op. 58: I. Blinde Kuh | — | ||
| 43-19 | 8 Songs, op. 58: II. Während des Regens | — | ||
| 43-20 | 8 Songs, op. 58: III. Die Spröde | — | ||
| 43-21 | 8 Songs, op. 58: IV. "O komme, holde Sommernacht verschwiegen" | — | ||
| 43-22 | 8 Songs, op. 58: V. Schwermut | — | ||
| 43-23 | 8 Songs, op. 58: VI. In der Gasse | — | ||
| 43-24 | 8 Songs, op. 58: VII. Vorüber | — | ||
| 43-25 | 8 Songs, op. 58: VIII. Serenade | — | ||
| 43-26 | 8 Songs, op. 59: I. "Dämmerung senkte sich von oben" | — | ||
| 43-27 | 8 Songs, op. 59: II. "Auf dem See" | — | ||
| 43-28 | 8 Songs, op. 59: III. Regenlied | — | ||
| 43-29 | 8 Songs, op. 59: IV. Nachklang | — | ||
| 43-30 | 8 Songs, op. 59: VI. "Eine gute, gute Nacht" | — | ||
| 43-31 | 8 Songs, op. 59: VII. "Mein wundes Herz" | — | ||
| 43-32 | 8 Songs, op. 59: VIII. "Dein blaues Auge" | — | ||
| 44-1 | 9 Songs, op. 63: I. Frühlingstrost | — | ||
| 44-2 | 9 Songs, op. 63: II. Erinnerung | — | ||
| 44-3 | 9 Songs, op. 63: III. An ein Bild | — | ||
| 44-4 | 9 Songs, op. 63: IV. An die Tauben | — | ||
| 44-5 | 9 Songs, op. 63: V. Junge Liebe I | — | ||
| 44-6 | 9 Songs, op. 63: VI. Junge Liebe II | — | ||
| 44-7 | 9 Songs, op. 63: VII. Heimweh I | — | ||
| 44-8 | 9 Songs, op. 63: VIII. Heimweh II | — | ||
| 44-9 | 9 Songs, op. 63: IX. Heimweh III | — | ||
| 44-10 | 7 Songs, op. 95: III. Beim Abschied | — | ||
| 44-11 | 4 Songs, op. 96: III. "Es schauen die Blumen" | — | ||
| 44-12 | 6 Songs, op. 97: I. Nachtigall | — | ||
| 44-13 | 6 Songs, op. 97: II. Auf dem Schiffe | — | ||
| 44-14 | 6 Songs, op. 97: III. Entführung | — | ||
| 44-15 | 6 Songs, op. 97: V. Komm bald | — | ||
| 44-16 | 6 Songs, op. 97: VI. Trennung | — | ||
| 44-17 | 5 Songs, op. 105: I. "Wie Melodien zieht es mir" | — | ||
| 44-18 | 5 Songs, op. 105: III. Klage | — | ||
| 44-19 | 5 Songs, op. 105: IV. Auf dem Kirchhofe | — | ||
| 44-20 | 5 Songs, op. 105: V. Verrat | — | ||
| 44-21 | 5 Songs, op. 106: I. Ständchen | — | ||
| 44-22 | 5 Songs, op. 106: II. Auf dem See | — | ||
| 44-23 | 5 Songs, op. 106: III. "Es hing der Reif" | — | ||
| 44-24 | 5 Songs, op. 106: IV. Meine Lieder | — | ||
| 44-25 | 5 Songs, op. 106: V. Ein Wanderer | — | ||
| 44-26 | 5 Songs, op. 107: I. An die Stolze | — | ||
| 44-27 | 5 Songs, op. 107: II. Der Salamander | — | ||
| 44-28 | 5 Songs, op. 107: IV. "Maienkätzchen" | — | ||
| 44-29 | Mondnacht, WoO 21 | — | ||
| 44-30 | Vier ernste Gesänge, op. 121: I. "Denn es gehet dem Menschen" | — | ||
| 44-31 | Vier ernste Gesänge, op. 121: II. "Ich wandte mich und sahe an alle" | — | ||
| 44-32 | Vier ernste Gesänge, op. 121: III. "O Tod, o Tod, wie bitter bist du" | — | ||
| 44-33 | Vier ernste Gesänge, op. 121: IV. "Wenn ich mit Menschen- und mit Engelszungen redete" | — | ||
| 45-1 | Symphony no. 8 in G Major, op. 88, B. 163: I. Allegro con brio | — | ||
| 45-2 | Symphony no. 8 in G Major, op. 88, B. 163: II. Adagio | — | ||
| 45-3 | Symphony no. 8 in G Major, op. 88, B. 163: III. Allegretto grazioso | — | ||
| 45-4 | Symphony no. 8 in G Major, op. 88, B. 163: IV. Allegro ma non troppo | — | ||
| 45-5 | Scherzo capriccioso, op. 66 | — | ||
| 46-1 | Symphony no. 7 in D Minor, op. 70, B. 141: I. Allegro maestoso | — | ||
| 46-2 | Symphony no. 7 in D Minor, op. 70, B. 141: II. Poco adagio | — | ||
| 46-3 | Symphony no. 7 in D Minor, op. 70, B. 141: III. Scherzo. Vivace | — | ||
| 46-4 | Symphony no. 7 in D Minor, op. 70, B. 141: IV. Finale. Allegro | — | ||
| 46-5 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 46-6 | Symphony no. 8 in G major, op. 88: II. Adagio | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 46-7 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 46-8 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 47-1 | Symphony no. 9 in E Minor, op. 95: I. Adagio - Allegro molto | — | ||
| 47-2 | Symphony no. 9 in E Minor, op. 95: II. Largo | — | ||
| 47-3 | Symphony no. 9 in E Minor, op. 95: III. Scherzo (Molto vivace) | — | ||
| 47-4 | Symphony no. 9 in E Minor, op. 95: IV. Allegro con fouco | — | ||
| 47-5 | Carnival Overture, op. 92 | — | ||
| 48-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 48-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 48-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (molto vivace) | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 48-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 48-5 | Scherzo capriccioso, op. 66, B. 131 | — | ||
| 49-1 | Cello Concerto in B Minor, op. 104, B. 191: I. Allegro | — | ||
| 49-2 | Cello Concerto in B Minor, op. 104, B. 191: II. Adagio ma non troppo | — | ||
| 49-3 | Cello Concerto in B Minor, op. 104, B. 191: III. Finale. Allegro moderato | — | ||
| 49-4 | Symphonic Variations in C Major, op. 78, B. 70: Theme | — | ||
| 49-5 | Symphonic Variations in C Major, op. 78, B. 70: Variation I | — | ||
| 49-6 | Symphonic Variations in C Major, op. 78, B. 70: Variation II | — | ||
| 49-7 | Symphonic Variations in C Major, op. 78, B. 70: Variations III & IV | — | ||
| 49-8 | Symphonic Variations in C Major, op. 78, B. 70: Variations V & VI | — | ||
| 49-9 | Symphonic Variations in C Major, op. 78, B. 70: Variations VII & VIII | — | ||
| 49-10 | Symphonic Variations in C Major, op. 78, B. 70: Variations IX & X | — | ||
| 49-11 | Symphonic Variations in C Major, op. 78, B. 70: Variation XI | — | ||
| 49-12 | Symphonic Variations in C Major, op. 78, B. 70: Variations XII & XIII | — | ||
| 49-13 | Symphonic Variations in C Major, op. 78, B. 70: Variation XIV | — | ||
| 49-14 | Symphonic Variations in C Major, op. 78, B. 70: Variations XV & XVI | — | ||
| 49-15 | Symphonic Variations in C Major, op. 78, B. 70: Variation XVII | — | ||
| 49-16 | Symphonic Variations in C Major, op. 78, B. 70: Variation XVIII | — | ||
| 49-17 | Symphonic Variations in C Major, op. 78, B. 70: Variation XIX | — | ||
| 49-18 | Symphonic Variations in C Major, op. 78, B. 70: Variations XX & XXI | — | ||
| 49-19 | Symphonic Variations in C Major, op. 78, B. 70: Variations XXII & XXIII | — | ||
| 49-20 | Symphonic Variations in C Major, op. 78, B. 70: Variation XXIV | — | ||
| 49-21 | Symphonic Variations in C Major, op. 78, B. 70: Variation XXV | — | ||
| 49-22 | Symphonic Variations in C Major, op. 78, B. 70: Variation XXVI | — | ||
| 49-23 | Symphonic Variations in C Major, op. 78, B. 70: Variation XXVII | — | ||
| 49-24 | Symphonic Variations in C Major, op. 78, B. 70: Finale | — | ||
| 50-1 | Swan Lake Ballet, op. 20, Act II: no. 10, Scène | — | ||
| 50-2 | Swan Lake Ballet, op. 20, Act I: no. 2, Waltz | — | ||
| 50-3 | Swan Lake Ballet, op. 20, Act II: no. 13, Dance of the Little Swans. Allegro moderato | — | ||
| 50-4 | Swan Lake Ballet, op. 20, Act II: no. 13, Pas d'action - Second Dance of the Queen of the Swans | — | ||
| 50-5 | Swan Lake Ballet, op. 20, Act IV: no. 28, Scene | — | ||
| 50-6 | Nutcracker Suite, op. 71a: I. Miniature Overture | — | ||
| 50-7 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. March | — | ||
| 50-8 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. Dance of the Sugar Plum Fairy | — | ||
| 50-9 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. Russian Dance | — | ||
| 50-10 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. Arab Dance | — | ||
| 50-11 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. Chinese Dance | — | ||
| 50-12 | Nutcracker Suite, op. 71a: II. Danses caractéristiques. Dance of the Reed Flutes | — | ||
| 50-13 | Nutcracker Suite, op. 71a: III. Waltz of the Flowers | — | ||
| 51-1 | Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo | — | ||
| 51-2 | Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto | — | ||
| 51-3 | Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse | — | ||
| 51-4 | Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato | — | ||
| 51-5 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro | — | ||
| 51-6 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto | — | ||
| 51-7 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice | — | ||
| 51-8 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato | — | ||
| 51-9 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro | — | ||
| 51-10 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: VI. Coda: Allegro vivace | — | ||
| 51-11 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato | — | ||
| 51-12 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro | — | ||
| 51-13 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse | — | ||
| 51-14 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace | — | ||
| 51-15 | Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro | — | ||
| 51-16 | Swan Lake, op. 20: Act I, no. 7: Sujet | — | ||
| 51-17 | Swan Lake, op. 20: Act I, no. 8: Danse des coupes: Tempo di polacca | — | ||
| 51-18 | Swan Lake, op. 20: Act I, no. 9: Finale: Andante | — | ||
| 51-19 | Swan Lake, op. 20: Act II, no. 10: Scene: Moderato | — | ||
| 51-20 | Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato - Allegro vivo | — | ||
| 51-21 | Swan Lake, op. 20: Act II, no. 12: Scene: Allegro | — | ||
| 51-22 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: I. Tempo di valse | — | ||
| 51-23 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: II. Moderato assai - Molto piu mosso | — | ||
| 51-24 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: III. Danses des cygnes: Tempo di valse | — | ||
| 51-25 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato | — | ||
| 51-26 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'action (Odette et le Prince): Andante - Andante non troppo - Allegro | — | ||
| 52-1 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse) | — | ||
| 52-2 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo | — | ||
| 52-3 | Swan Lake, op. 20: Act II, no. 14: Scène: Moderato | — | ||
| 52-4 | Swan Lake, op. 20: Act III, no. 15: Scène: Allegro giusto | — | ||
| 52-5 | Swan Lake, op. 20: Act III, no. 16: Danses du corps de ballet et des nains: Moderato assai - Allegro vivo | — | ||
| 52-6 | Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse | — | ||
| 52-7 | Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto | — | ||
| 52-8 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai | — | ||
| 52-9 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro | — | ||
| 52-10 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto | — | ||
| 52-11 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato | — | ||
| 52-12 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro | — | ||
| 52-13 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice | — | ||
| 52-14 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Coda: Allegro molto | — | ||
| 52-15 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Moderato: Andante | — | ||
| 52-16 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation I: Allegro moderato | — | ||
| 52-17 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation II: Allegro | — | ||
| 52-18 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Coda: Allegro molto vivace | — | ||
| 52-19 | Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace | — | ||
| 52-20 | Swan Lake, op. 20: Act III, Appendix 2: Danse russe: Moderato: Andante semplice - Allegro vivo | — | ||
| 52-21 | Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) | — | ||
| 52-22 | Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto | — | ||
| 52-23 | Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka | — | ||
| 52-24 | Swan Lake, op. 20: Act III, no. 24: Scène: Allegro: Valse: Allegro vivo | — | ||
| 52-25 | Swan Lake, op. 20: Act IV, no. 25: Entr'acte: Moderato | — | ||
| 52-26 | Swan Lake, op. 20: Act IV, no. 26: Scène: Allegro ma non troppo | — | ||
| 52-27 | Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato | — | ||
| 52-28 | Swan Lake, op. 20: Act IV, no. 28: Scène: Allegro agitato: Molto meno mosso: Allegro vivace | — | ||
| 52-29 | Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso | — | ||
| 53-1 | Also sprach Zarathustra, Op. 30: I. Introduction | — | ||
| 53-2 | Also sprach Zarathustra, Op. 30: II. Of the Backworldsmen | — | ||
| 53-3 | Also sprach Zarathustra, Op. 30: III. Of the Great Longing | — | ||
| 53-4 | Also sprach Zarathustra, Op. 30: IV. Of Joys and Passions | — | ||
| 53-5 | Also sprach Zarathustra, Op. 30: V. The Song of the Grave | — | ||
| 53-6 | Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | — | ||
| 53-7 | Also sprach Zarathustra, Op. 30: VII. The Convalescent | — | ||
| 53-8 | Also sprach Zarathustra, Op. 30: VIII. The Dance Song - Song of the Night Wanderer | — | ||
| 53-9 | Burleske for Piano and Orchestra in D Minor | — | ||
| 53-10 | Don Juan, Op. 20 | — | ||
| 54-1 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: I. Overture | — | ||
| 54-2 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: II. Menuett | — | ||
| 54-3 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: III. Der Fechtmeister | — | ||
| 54-4 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: IV. Auftritt und Tanz der Schneider | — | ||
| 54-5 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: V. Menuett des Lully | — | ||
| 54-6 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: VI. Courante | — | ||
| 54-7 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: VII. Auftritt des Cléonte | — | ||
| 54-8 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: VIII. Vorspiel zum 2. Aufzug | — | ||
| 54-9 | Der Bürger als Edelmann Suite, op. 60b-IIIa, TrV 228c: IX. Das Diner | — | ||
| 54-10 | Intermezzo, op. 72, TrV 246: Walzerszene | — | ||
| 55-1 | Ein Heldenleben, op. 40: I. Der Held | — | ||
| 55-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher | — | ||
| 55-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin | — | ||
| 55-4 | Ein Heldenleben, op. 40: IV. Thema der Siegesgewissheit | — | ||
| 55-5 | Ein Heldenleben, op. 40: V. Des Helden Walstatt | — | ||
| 55-6 | Ein Heldenleben, op. 40: VI. Kriegsfanfaren | — | ||
| 55-7 | Ein Heldenleben, op. 40: VII. Des Helden Friedenswerke - Des Helden Weltflucht und Vollendung | — | ||
| 55-8 | Ein Heldenleben, op. 40: VIII. Entsagung | — | ||
| 55-9 | Oboe Concerto in D Major: I. Allegro moderato | — | ||
| 55-10 | Oboe Concerto in D Major: II. Andante | — | ||
| 55-11 | Oboe Concerto in D Major: III. Vivace | — | ||
| 56-1 | Festliches Präludium, op. 61 | — | ||
| 56-2 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 56-3 | Sinfonia domestica, op. 53: Thema I. Bewegt | — | ||
| 56-4 | Sinfonia domestica, op. 53: Thema II. Sehr lebhaft | — | ||
| 56-5 | Sinfonia domestica, op. 53: Thema III. Ruhig | — | ||
| 56-6 | Sinfonia domestica, op. 53: Scherzo. Munter | — | ||
| 56-7 | Sinfonia domestica, op. 53: Wiegenlied. Mässig langsam | — | ||
| 56-8 | Sinfonia domestica, op. 53: Adagio. Langsam | — | ||
| 56-9 | Sinfonia domestica, op. 53: Finale. Sehr lebhaft | — | ||
| 57-1 | Horn Concerto no. 1 in E-flat, op. 11: I. Allegro | — | ||
| 57-2 | Horn Concerto no. 1 in E-flat, op. 11: II. Andante | — | ||
| 57-3 | Horn Concerto no. 1 in E-flat, op. 11: III. Rondo (Allegro) | — | ||
| 57-4 | Horn Concerto no. 2 in E-flat: I. Allegro | — | ||
| 57-5 | Horn Concerto no. 2 in E-flat: II. Andante con moto | — | ||
| 57-6 | Horn Concerto no. 2 in E-flat: III. Rondo (Allegro molto) | — | ||
| 58-1 | 8 Gedichte aus Letzte Blätter, op. 10: no. 1, Zueignung | — | ||
| 58-2 | 8 Gedichte aus Letzte Blätter, op. 10: no. 2, Nichts | — | ||
| 58-3 | 8 Gedichte aus Letzte Blätter, op. 10: no. 3, Die Nacht | — | ||
| 58-4 | 8 Gedichte aus Letzte Blätter, op. 10: no. 4, Die Georgine | — | ||
| 58-5 | 8 Gedichte aus Letzte Blätter, op. 10: no. 5, Geduld | — | ||
| 58-6 | 8 Gedichte aus Letzte Blätter, op. 10: no. 6, Die Verschwiegenen | — | ||
| 58-7 | 8 Gedichte aus Letzte Blätter, op. 10: no. 7, Die Zeitlose | — | ||
| 58-8 | 8 Gedichte aus Letzte Blätter, op. 10: no. 8, Allerseelen | — | ||
| 58-9 | Drei Liebeslieder: Rote Rosen | — | ||
| 58-10 | Drei Liebeslieder: Die erwachte Rose | — | ||
| 58-11 | Drei Liebeslieder: Begegnung | — | ||
| 58-12 | 3 Lieder, op. 29: no. 2, Schlagende Herzen | — | ||
| 58-13 | 5 Lieder, op. 15: no. 5, Heimkehr | — | ||
| 58-14 | 4 Lieder, op. 31: no. 3, Weisser Jasmin | — | ||
| 58-15 | 5 Lieder, op. 41: no. 1, Wiegenlied | — | ||
| 58-16 | 6 Lieder, op. 37: no. 3, Meinem Kinde | — | ||
| 58-17 | 5 Lieder, op. 41: no. 5, Leise Lieder | — | ||
| 58-18 | 5 Lieder, op. 39: no. 1, Leises Lied | — | ||
| 58-19 | 5 Kleine Lieder, op. 69: no. 5, Schlechtes Wetter | — | ||
| 58-20 | 4 Lieder, op. 36: no. 2, Für fünfzehn Pfennige | — | ||
| 58-21 | 4 Lieder, op. 36: no. 3, Hat gesagt bleibt's nicht dabei | — | ||
| 59-1 | Schlichte Weisen, op. 21: no. 1, All' mein Gedanken, mein Herz and mein Sinn | — | ||
| 59-2 | 4 Lieder, op. 27: no. 3, Heimliche Aufforderung | — | ||
| 59-3 | 8 Gedichte aus Letzte Blätter, op. 10: no. 3, Die Nacht | — | ||
| 59-4 | 4 Lieder, op. 27: no. 4, Morgen! | — | ||
| 59-5 | 6 Lieder, op. 17: no. 1, Seitdem dein Aug in meines schaute | — | ||
| 59-6 | 5 Lieder, op. 41: no. 1, Wiegenlied | — | ||
| 59-7 | 5 Lieder, op. 39: no. 4, Befreit | — | ||
| 59-8 | 8 Gedichte aus Letzte Blätter, op. 10: no. 8, Allerseelen | — | ||
| 59-9 | 5 Lieder, op. 48: no. 1, Freundliche Vision | — | ||
| 59-10 | 5 Lieder, op. 48: no. 2, Ich schwebe | — | ||
| 59-11 | 5 Lieder, op. 48: no. 3, Kling | — | ||
| 59-12 | 5 Lieder, op. 48: no. 4, Winterweihe | — | ||
| 59-13 | 4 Lieder, op. 27: no. 1, Ruhe meine Seele! | — | ||
| 59-14 | Schlichte Weisen, op. 21: no. 2, Du meines Herzens Krönelein | — | ||
| 59-15 | 4 Lieder, op. 27: no. 2, Cäcilie | — | ||
| 59-16 | Sechs Lieder, op.17: 2. Ständchen | Hermann Prey, Wolfgang Sawallisch | — | |
| 59-17 | Acht Gedichte aus “Letzte Blätter”, op. 10: 1. Zueignung | Hermann Prey, Wolfgang Sawallisch | T-800.406.985-7 | |
| 60-1 | 2 Lieder from Op. 68: No. 2 Ich wollt' ein Sträusslein binden | — | ||
| 60-2 | 2 Lieder from Op. 68: No. 3 Säusle, liebe Myrthe | — | ||
| 60-3 | Mädchenblumen, Op. 22: No. 1 Kornblumen | — | ||
| 60-4 | Mädchenblumen, Op. 22: No. 2 Mohnblumen | — | ||
| 60-5 | Mädchenblumen, Op. 22: No. 3 Epheu | — | ||
| 60-6 | Mädchenblumen, Op. 22: No. 4 Wasserrose | — | ||
| 60-7 | 3 Lieder from Op. 10: No. 4 Die Georgine | — | ||
| 60-8 | 3 Lieder from Op. 10: No. 7 Die Zeitlose | — | ||
| 60-9 | 3 Lieder from Op. 10: No. 8 Allerseelen | — | ||
| 60-10 | 4 Lieder, Op. 27: No. 1 Ruhe, meine Seele! | — | ||
| 60-11 | 4 Lieder, Op. 27: No. 2 Cacilie | — | ||
| 60-12 | 4 Lieder, Op. 27: No. 3 Heimliche Aufforderung | — | ||
| 60-13 | 4 Lieder, Op. 27: No. 4 Morgen! | — | ||
| 60-14 | Das Rosenband, Op. 36 No. 1 | — | ||
| 60-15 | Heimkehr, Op. 15 No. 5 | — | ||
| 60-16 | Four Last Songs: Frühling | — | ||
| 60-17 | Four Last Songs: September | — | ||
| 60-18 | Four Last Songs: Beim Schlafengehen | — | ||
| 60-19 | Four Last Songs: Im Abendrot | — | ||
| 61-1 | Herr Oluf, op. 12 | — | ||
| 61-2 | An den Mond, op. 18 | — | ||
| 61-3 | Sie haben heut' Abend Gesellschaft, op. 4 Nr. 2 | — | ||
| 61-4 | Lethe, op. 37 | — | ||
| 61-5 | An die Mark, op. 15 Nr. 3 | — | ||
| 61-6 | Der arme Heinrich: "Auf grüne Wipfel lacht nun wonnig der Lenz" (Dietrichs Erzählung) | — | ||
| 61-7 | Zorn, op. 15 Nr. 2 | — | ||
| 62-1 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I. Allegro | — | ||
| 62-2 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. "Turandot", Scherzo. Moderato / Lebhaft | — | ||
| 62-3 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino | — | ||
| 62-4 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch | — | ||
| 62-5 | "Nobilissima Visione" - Suite: Ia. Einleitung: Sehr Langsam - | — | ||
| 62-6 | "Nobilissima Visione" - Suite: Ib. Rondo: Mässig Schnell | — | ||
| 62-7 | "Nobilissima Visione" - Suite: II. Marsch Und Pastorale: Lebhaft | — | ||
| 62-8 | "Nobilissima Visione" - Suite: III. Passacaglia: Feierlich Bewegt | — | ||
| 62-9 | "Mathis der Maler" - Symphonie: I. Engelkonzert: Ruhig bewegt - Ziemlich Lebhafte Halbe | — | ||
| 62-10 | "Mathis der Maler" - Symphonie: II. Grablegung: Sehr Langsam | — | ||
| 62-11 | "Mathis der Maler" - Symphonie: III. Versuchung des Heiligen Antonius: Sehr Langsam, frei im Zeitmass - Sehr Lebhaft | — | ||
| 63-1 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | — | ||
| 63-2 | Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | — | ||
| 63-3 | Carmina Burana: I. Primo vere: 3. Veris leta facies | — | ||
| 63-4 | Carmina Burana: I. Primo vere: 4. Omnia Sol temperat | — | ||
| 63-5 | Carmina Burana: I. Primo vere: 5. Ecce gratum | — | ||
| 63-6 | Carmina Burana: Uf dem Anger: 6. Tanz | — | ||
| 63-7 | Carmina Burana: Uf dem Anger: 7. Floret silva | — | ||
| 63-8 | Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir | — | ||
| 63-9 | Carmina Burana: Uf dem Anger: 9. Reie | — | ||
| 63-10 | Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe | — | ||
| 63-11 | Carmina Burana: Uf dem Anger: 9. Chume, chum geselle min | — | ||
| 63-12 | Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe | — | ||
| 63-13 | Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min | — | ||
| 63-14 | Carmina Burana: II. In taberna: 11. Estuans interius | — | ||
| 63-15 | Carmina Burana: II. In taberna: 12. Olim lacus colueram | — | ||
| 63-16 | Carmina Burana: II. In taberna: 13. Ego sum abbas | — | ||
| 63-17 | Carmina Burana: II. In taberna: 14. In taberna quando sumus | — | ||
| 63-18 | Carmina Burana: III. Cours d'amour: 15. Amor volat undique | — | ||
| 63-19 | Carmina Burana: III. Cours d'amour: 16. Dies, nox et omnia | — | ||
| 63-20 | Carmina Burana: III. Cours d'amour: 17. Stetit puella | — | ||
| 63-21 | Carmina Burana: III. Cours d'amour: 18. Circa mea pectora | — | ||
| 63-22 | Carmina Burana: III. Cours d'amour: 19. Si puer cum puellula | — | ||
| 63-23 | Carmina Burana: III. Cours d'amour: 20. Veni, veni, venias | — | ||
| 63-24 | Carmina Burana: III. Cours d'amour: 21. In trutina | — | ||
| 63-25 | Carmina Burana: III. Cours d'amour: 22. Tempus est iocundum | — | ||
| 63-26 | Carmina Burana: III. Cours d'amour: 23. Dulcissime | — | ||
| 63-27 | Carmina Burana: Blanziflor et Helena: 24. Ave formosissima | — | ||
| 63-28 | Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | — | ||
| 63-29 | Words of thanks by Carl Orff | — | ||
| 64-1 | Triptyque for Trumpet and Piano: I. Scherzo | — | ||
| 64-2 | Triptyque for Trumpet and Piano: II. Largo | — | ||
| 64-3 | Triptyque for Trumpet and Piano: III. Salterelle | — | ||
| 64-4 | Sonatine for Trumpet and Piano | — | ||
| 64-5 | Légende for Trumpet and Piano | — | ||
| 64-6 | Albumblatt | — | ||
| 64-7 | Etude concertante in G Minor for Trumpet and Piano, op. 49 | — | ||
| 64-8 | Sonata for Trumpet and Piano, op. 73: I. Allegro moderato | — | ||
| 64-9 | Sonata for Trumpet and Piano, op. 73: II. Adagio | — | ||
| 64-10 | Sonata for Trumpet and Piano, op. 73: III. Allegro | — | ||
| 64-11 | Perpetuum Mobile | — | ||
| 64-12 | Rustiques | — | ||
| 64-13 | Fantaisie-Caprice | — | ||
| 64-14 | Impromptu | — | ||
| 64-15 | Sonata for Trumpet and Piano, op. 137: I. Mit Kraft | — | ||
| 64-16 | Sonata for Trumpet and Piano, op. 137: II. Mäßig bewegt | — | ||
| 64-17 | Sonata for Trumpet and Piano, op. 137: III. Trauermusik. Sehr langsam | — | ||
| 65-1 | Sheep May Safely Graze | — | ||
| 65-2 | Wachet auf | — | ||
| 65-3 | Ein' feste Burg ist unser Gott | — | ||
| 65-4 | Toccata and Fugue in D minor | — | ||
| 65-5 | Minuet | — | ||
| 65-6 | Moonlight Sonata (first movement) | — | ||
| 65-7 | Prelude in E minor | — | ||
| 65-8 | Panis angelicus | — | ||
| 65-9 | Andante cantabile | — | ||
| 65-10 | At the ball | — | ||
| 65-11 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | The Philadelphia Orchestra, Wolfgang Sawallisch | T-906.638.690-1 | |
| 65-12 | La Cathérale engloutie | — | ||
| 65-13 | Preludes in C-sharp minor | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — |
