UPC · Release
Gabriel Fauré
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5054197947490 is the Universal Product Code (UPC barcode) for the release “The Complete Works” by Gabriel Fauré, released 2024-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 466 tracks, each with its own ISRC. Tracks include FRZ110700894, FRZ117306355, FRZ117306356.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata in F major no. 5: I. Allegro ma non troppo | — | ||
| 2 | Piano Sonata in F major no. 5: II. Tempo di menuetto | — | ||
| 3 | Piano Sonata in F major no. 5: III. Finale | — | ||
| 4 | Mazurke in B-flat major no. 8 | — | ||
| 5 | Trois Romances sans paroles op. 17 no. 52: No. 1 In A-flat major | — | ||
| 6 | Trois Romances sans paroles op. 17 no. 52: No. 2 in A minor | — | ||
| 7 | Trois Romances sans paroles op. 17 no. 52: No. 3 in A-flat major | — | ||
| 8 | Huit Pieces breves op. 84 no. 147: No. 1 Capriccio in E-flat major | — | ||
| 9 | Huit Pieces breves op. 84 no. 147: No. 2 Fantaisie in A-flat major | — | ||
| 10 | Huit Pieces breves op. 84 no. 147: No. 3 Fugue in A minor | — | ||
| 11 | Huit Pieces breves op. 84 no. 147: No. 4 Adagietto in E minor | — | ||
| 12 | Huit Pieces breves op. 84 no. 147: No. 5 Improvisation in C-sharp minor | — | ||
| 13 | Huit Pieces breves op. 84 no. 147: No. 6 Fugue in E minor | — | ||
| 14 | Huit Pieces breves op. 84 no. 147: No. 7 Allgresse in C major | — | ||
| 15 | Huit Pieces breves op. 84 no. 147: No. 8. Nocturne in D-flat major | — | ||
| 16 | Mazurka in B-flat major op. 32 no. 75 | — | ||
| 17 | Ballade in F sharp major Op. 19 | Jean-Philippe Collard | — | |
| 18 | Cinq Impromptus: No. 1 in E-flat major | — | ||
| 19 | Cinq Impromptus: No. 2 in F minor | — | ||
| 20 | Cinq Impromptus: No. 3 in A-flat major | — | ||
| 21 | Cinq Impromptus: No. 4 in D-flat major | — | ||
| 22 | Cinq Impromptus: No. 5 in F-sharp minor | — | ||
| 2-1 | Nocturne no. 1 in E-flat minor, op. 33 no. 1 | — | ||
| 2-2 | Nocturne no. 2 in B major, op. 33 no. 2 | — | ||
| 2-3 | Nocturne no. 3 in A-flat major, op. 33 no. 3 | — | ||
| 2-4 | Nocturne no. 4 in E-flat major, op. 36 | — | ||
| 2-5 | Nocturne no. 5 in B-flat major, op. 37 | — | ||
| 2-6 | Nocturne no. 6 in D-flat major, op. 63 | — | ||
| 2-7 | Nocturne no. 7 in C-sharp minor, op. 74 | — | ||
| 2-8 | Nocturne no. 8 in D-flat major, op. 84 no. 8 | — | ||
| 2-9 | Nocturne no. 9 in B minor, op. 97 | — | ||
| 2-10 | Nocturne no. 10 in E minor, op. 99 | — | ||
| 2-11 | Nocturne no. 11 in F-sharp minor, op. 104 no. 1 | — | ||
| 2-12 | Nocturne no. 12 in E minor, op. 107 | — | ||
| 2-13 | Nocturne no. 13 in B minor, op. 119 | — | ||
| 3-1 | Barcarolles: No. 1 in A minor | — | ||
| 3-2 | Barcarolles: No. 2 in G major | — | ||
| 3-3 | Barcarolles: No. 3 in G flat major | — | ||
| 3-4 | Barcarolles: No. 4 in A-flat major | — | ||
| 3-5 | Barcarolles: No. 5 in F-sharp minor | — | ||
| 3-6 | Barcarolles: No. 6 in E-flat major | — | ||
| 3-7 | Barcarolles: No. 7 in D minor | — | ||
| 3-8 | Barcarolles: No. 8 in D-flat major | — | ||
| 3-9 | Barcarolles: No. 9 in A minor | — | ||
| 3-10 | Barcarolles: No. 10 in A minor | — | ||
| 3-11 | Barcarolles: No. 11 in G minor | — | ||
| 3-12 | Barcarolles: No. 12 in E-flat major | — | ||
| 3-13 | Barcarolles: No. 13 in C major | — | ||
| 3-14 | Theme and Variations in C sharp minor, op.73: Theme | Jean-Philippe Collard | — | |
| 3-15 | Theme & variations in C sharp minor, op.73: Variation 1 | Jean-Philippe Collard | — | |
| 3-16 | Theme & variations in C sharp minor, op.73: Variation 2 | Jean-Philippe Collard | — | |
| 3-17 | Theme & variations in C sharp minor, op.73: Variation 3 | Jean-Philippe Collard | — | |
| 3-18 | Theme & variations in C sharp minor, op.73: Variation 4 | Jean-Philippe Collard | — | |
| 3-19 | Theme & variations in C sharp minor, op.73: Variation 5 | Jean-Philippe Collard | — | |
| 3-20 | Theme & variations in C sharp minor, op.73: Variation 6 | Jean-Philippe Collard | — | |
| 3-21 | Theme & variations in C sharp minor, op.73: Variation 7 | Jean-Philippe Collard | — | |
| 3-22 | Theme & variations in C sharp minor, op.73: Variation 8 | Jean-Philippe Collard | — | |
| 3-23 | Theme & variations in C sharp minor, op.73: Variation 9 | Jean-Philippe Collard | — | |
| 3-24 | Theme & variations in C sharp minor, op.73: Variation 10 | Jean-Philippe Collard | — | |
| 3-25 | Theme & variations in C sharp minor, op.73: Variation 11 | Jean-Philippe Collard | — | |
| 4-1 | Quatre Valses-caprices: No. 1 in A major | — | ||
| 4-2 | Quatre Valses-caprices: No. 2 in D-flat major | — | ||
| 4-3 | Quatre Valses-caprices: No. 3 in G-flat major | — | ||
| 4-4 | Quatre Valses-caprices: No. 4 in A-flat major | — | ||
| 4-5 | Neuf Préludes: No. 1 in D-flat major | — | ||
| 4-6 | Neuf Préludes: No. 2 in C-sharp minor | — | ||
| 4-7 | Neuf Préludes: No. 3 in G minor | — | ||
| 4-8 | Neuf Préludes: No. 4 in F major | — | ||
| 4-9 | Neuf Préludes: No. 5 in D minor | — | ||
| 4-10 | Neuf Préludes: No. 6 in E-flat minor | — | ||
| 4-11 | Neuf Préludes: No. 7 in A major | — | ||
| 4-12 | Neuf Préludes: No. 8 in C minor | — | ||
| 4-13 | Neuf Préludes: No. 9 in E minor | — | ||
| 4-14 | Impromptu in D-flat major | — | ||
| 4-15 | Une châtelaine en sa tour | — | ||
| 5-1 | Intermède symphonique | Jean-Philippe Collard, Bruno Rigutto | — | |
| 5-2 | Souvenir de Bayreuth | — | ||
| 5-3 | Allegro symphonique, op. 68 (transcription: Léon Boëllmann) | Jean-Philippe Collard, Bruno Rigutto | — | |
| 5-4 | Dolly Suite, op. 56: I. Dolly - Berceuse | — | ||
| 5-5 | Dolly Suite, op. 56: II. Mi-a-ou | — | ||
| 5-6 | Dolly Suite, op. 56: III. Le Jardin de Dolly | — | ||
| 5-7 | Dolly Suite, op. 56: IV. Kitty valse | — | ||
| 5-8 | Dolly Suite, op. 56: V. Tendresse | — | ||
| 5-9 | Dolly Suite, op. 56: VI. Le Pas espagnol | — | ||
| 5-10 | Violin Sonata no.1 in A major: I. Allegro molto | — | ||
| 5-11 | Violin Sonata no.1 in A major: II. Andante | — | ||
| 5-12 | Violin Sonata no.1 in A major: III. Allegro vivo | — | ||
| 5-13 | Violin Sonata no.1 in A major: IV. Allegro quasi presto | — | ||
| 6-1 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: I. Allegro molto moderato | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 6-2 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: II. Scherzo: allegro vivo | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 6-3 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: III. Adagio | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 6-4 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: IV. Allegro molto | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 6-5 | Romance in B-flat major | — | ||
| 6-6 | Berceuse for Violin and Piano in D major, Op. 16 | Itzhak Perlman, Samuel Sanders | — | |
| 6-7 | Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — | |
| 6-8 | Piano Quartet no. 2 in G minor: I. Allegro molto moderato | — | ||
| 6-9 | Piano Quartet no. 2 in G minor: II. Allegro molto | — | ||
| 6-10 | Piano Quartet no. 2 in G minor: III. Adagio non troppo | — | ||
| 6-11 | Piano Quartet no. 2 in G minor: IV. Allegro molto | — | ||
| 7-1 | Papillon en la majeur, op. 77 | Éric Heidsieck, Paul Tortelier | — | |
| 7-2 | Piano Quintet no. 1 in C minor: I. Molto moderato | — | ||
| 7-3 | Piano Quintet no. 1 in C minor: II. Adagio | — | ||
| 7-4 | Piano Quintet no. 1 in C minor: III. Allegro moderato | — | ||
| 7-5 | Romance in A major | — | ||
| 7-6 | Andante in B-flat major | — | ||
| 7-7 | Morceau de lecture for two Cellos | Gautier Capuçon, Raphaël Merlin | — | |
| 7-8 | Sicilienne, op. 78 | Gautier Capuçon, Jérôme Ducros | — | |
| 7-9 | Fantaisie pour flûte & piano en ut majeur, op. 79 | Jean-Philippe Collard, Michel Debost | — | |
| 7-10 | Morceau de concours pour flûte et piano (Concours 1898) | Jean-Philippe Collard, Michel Debost | — | |
| 7-11 | Morceau de lecture | Renaud Capuçon, Michel Dalberto | T-802.906.763-9 | |
| 7-12 | Serenade in B minor | — | ||
| 7-13 | Berceuse | — | ||
| 8-1 | Violin Sonata no. 2 in E minor: I. Allegro non troppo | — | ||
| 8-2 | Violin Sonata no. 2 in E minor: II. Andante | — | ||
| 8-3 | Violin Sonata no. 2 in E minor: III. Allegro non troppo | — | ||
| 8-4 | Cello Sonata no. 1 in D minor: I. Allegro | — | ||
| 8-5 | Cello Sonata no. 1 in D minor: II. Andante | — | ||
| 8-6 | Cello Sonata no. 1 in D minor: III. Finale | — | ||
| 8-7 | Cello Sonata no. 2 in G minor: I. Allegro | — | ||
| 8-8 | Cello Sonata no. 2 in G minor: II. Andante | — | ||
| 8-9 | Cello Sonata no. 2 in G minor: III. Allegro vivo | — | ||
| 9-1 | Piano Quintet no. 2 in D minor: I. Allegro moderato | — | ||
| 9-2 | Piano Quintet no. 2 in D minor: II. Allegro vivo | — | ||
| 9-3 | Piano Quintet no. 2 in D minor: III. Andante moderato | — | ||
| 9-4 | Piano Quintet no. 2 in D minor: IV. Allegro molto | — | ||
| 9-5 | Piano Trio in D minor: I. Allegro ma non troppo | — | ||
| 9-6 | Piano Trio in D minor: II. Andantino | — | ||
| 9-7 | Piano Trio in D minor: III. Allegro vivo | — | ||
| 9-8 | String Quartet in E minor: I. Allegro moderato | — | ||
| 9-9 | String Quartet in E minor: II. Andante | — | ||
| 9-10 | String Quartet in E minor: III. Allegro | — | ||
| 10-1 | Berceuse, op. 16 | Augustin Dumay, Orchestre Philharmonique de Monte-Carlo, Manuel Rosenthal | — | |
| 10-2 | Ballade in F-sharp major | — | ||
| 10-3 | Elégie, op. 24 | Orchestre du Capitole de Toulouse, Michel Plasson, Paul Tortelier | — | |
| 10-4 | Fanaisie in E minor | — | ||
| 10-5 | Fantaisie in G major | — | ||
| 10-6 | Shylock, op. 57: I. Chanson pour tenor et orchestre | — | ||
| 10-7 | Shylock, op. 57: II. Entracte | — | ||
| 10-8 | Shylock, op. 57: III. Madrigal pour tenor et orchestre | — | ||
| 10-9 | Shylock, op. 57: IV. Epithalame | — | ||
| 10-10 | Shylock, op. 57: V. Nocturne | — | ||
| 10-11 | Shylock, op. 57: Final | Frederica von Stade, Jean-Philippe Collard, Orchestre national du Capitole de Toulouse, Patricia Nagle, Yan Pascal Tortelier, Ensemble Vocal Alix Bourbon, Michel Plasson, Paul Tortelier, Nicolai Gedda | — | |
| 10-12 | Dolly Suite, op. 56: Berceuse | — | ||
| 10-13 | Dolly Suite, op. 56: Mi-a-ou | — | ||
| 10-14 | Dolly Suite, op. 56: Le Jardin de Dolly | — | ||
| 10-15 | Dolly Suite, op. 56: Kitty valse | — | ||
| 10-16 | Dolly Suite, op. 56: Tendresse | — | ||
| 10-17 | Dolly Suite, op. 56: Le Pas espagnol | — | ||
| 11-1 | Pelléas et Mélisande, op. 80: I. Prelude | — | ||
| 11-2 | Pelléas et Mélisande, op. 80: II. La Fileuse | — | ||
| 11-3 | Pelléas et Mélisande, op. 80: III. Sicilienne | — | ||
| 11-4 | Pelléas et Mélisande, op. 80: IV. Chanson de Mélisande | — | ||
| 11-5 | Pelléas et Mélisande, op. 80: V. La Mort de Mélisande | — | ||
| 11-6 | Masques et Bergamasques op. 112 : I. Ouverture | — | ||
| 11-7 | Masques et Bergamasques op. 112 : II. Pastorale | — | ||
| 11-8 | Masques et Bergamasques op. 112 : III. Madrigal pour chour et orchestre | — | ||
| 11-9 | Masques et Bergamasques op. 112 : IV. 'Le plus doux chemin' | — | ||
| 11-10 | Masques et Bergamasques op. 112 : V. Menuet | — | ||
| 11-11 | Masques et Bergamasques op. 112 : VI. Clair de lune | — | ||
| 11-12 | Masques et Bergamasques op. 112 : VII. Gavotte | — | ||
| 11-13 | Masques et Bergamasques op. 112 : VIII. Pavane | — | ||
| 11-14 | Chant funéraire | — | ||
| 11-15 | Pénélope | — | ||
| 11-16 | Pelléas et Mélisande | — | ||
| 12-1 | Deux mélodies, op. 1: No. 1 Le Papillon | — | ||
| 12-2 | Deux mélodies, op. 1: No. 2 Mai | — | ||
| 12-3 | Puisque j’ai ma lèvre | John Mark Ainsley, Malcolm Martineau | — | |
| 12-4 | Tristesse d'Olympio | — | ||
| 12-5 | Dans les ruines d’une abbaye, op. 2 no. 1 | Elly Ameling, Dalton Baldwin | — | |
| 12-6 | Les Matelots, op. 2 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 12-7 | L’Aurore, op. posthume | Elly Ameling, Dalton Baldwin | — | |
| 12-8 | Seule !, op. 3 no. 1 | Elly Ameling, Dalton Baldwin | — | |
| 12-9 | Sérénade toscane, op. 3 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 12-10 | Chanson du pêcheur (Lamento), op. 4 no. 1 | Gérard Souzay, Dalton Baldwin | — | |
| 12-11 | Lydia, op. 4 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 12-12 | Chant d’automne, op. 5 no. 1 | Gérard Souzay, Dalton Baldwin | — | |
| 12-13 | Rêve d’amour, op. 5 no. 2 | Elly Ameling, Dalton Baldwin | — | |
| 12-14 | L’Absent, op. 5 no. 3 | Elly Ameling, Dalton Baldwin | — | |
| 12-15 | Aubade, op. 6 no. 1 | Gérard Souzay, Dalton Baldwin | — | |
| 12-16 | Tristesse, Op.6, No.2 | Victoria de los Ángeles, Gonzalo Soriano | — | |
| 12-17 | Sylvie, op. 6 no. 3 | Gérard Souzay, Dalton Baldwin | — | |
| 12-18 | Trois mélodies, op. 7: No. 1 Apres un reve | — | ||
| 12-19 | Hymne, op. 7 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 12-20 | Barcarolle, op. 7 no. 3 | Gérard Souzay, Dalton Baldwin | — | |
| 12-21 | Trois mélodies, op. 8: No. 1 Au bord de l'eau | — | ||
| 12-22 | La Rançon, op. 8 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 12-23 | Trois mélodies, op. 8: No. 3 Ici-bas | — | ||
| 12-24 | 2 Duos pour deux sopranos, op. 10: 1. Puis qu’ici-bas | Elly Ameling, Dalton Baldwin | — | |
| 12-25 | 2 Duos pour deux sopranos, op. 10: 2. Tarentelle | Elly Ameling, Dalton Baldwin | — | |
| 12-26 | Trois mélodies, op. 18: No. 1 Nell | — | ||
| 12-27 | Trois mélodies, op. 18: No. 2 Le Voyageur | — | ||
| 12-28 | Trois mélodies, op. 18: No. 3 Automne | — | ||
| 12-29 | Poeme d'un jour, trois mélodies, op. 21 N 59: No. 1 Rencontre | — | ||
| 12-30 | Poeme d'un jour, trois mélodies, op. 21 N 59: No. 2 Toujours | — | ||
| 12-31 | Poeme d'un jour, trois mélodies, op. 21 N 59: No. 3 Adieu | — | ||
| 13-1 | Trois mélodies, op. 23: No. 1 Les Berceaux | — | ||
| 13-2 | Trois mélodies, op. 23: No. 2 Notre amour | — | ||
| 13-3 | Trois mélodies, op. 23: No. 3 Le Secret | — | ||
| 13-4 | Deux mélodies, op. 27: No. 1 Chanson d'amour | — | ||
| 13-5 | La Fée aux chansons, op. 27 no. 1 | Elly Ameling, Dalton Baldwin | — | |
| 13-6 | Quatre mélodies, op. 39: No. 1 Aurore | — | ||
| 13-7 | Quatre mélodies, op. 39: No. 2 Fleur jetée | — | ||
| 13-8 | Quatre mélodies, op. 39: No. 3 Le Pays des reves | — | ||
| 13-9 | Quatre mélodies, op. 39: No. 4 Les Roses d'Hispahan | — | ||
| 13-10 | 2 Cantiques: II. Noël, op. 43 no. 1 | Elly Ameling, Dalton Baldwin | — | |
| 13-11 | Nocturne, op. 43 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 13-12 | Les Présents, op. 46 no. 1 | Gérard Souzay, Dalton Baldwin | — | |
| 13-13 | Deux mélodies, op. 46: No. 2 Clair de lune | — | ||
| 13-14 | Larmes, op. 51 no. 1 | Gérard Souzay, Dalton Baldwin | — | |
| 13-15 | Quatre mélodies, op. 51: No. 2 Au cimetière | — | ||
| 13-16 | Quatre mélodies, op. 51: No. 3 Spleen | — | ||
| 13-17 | La Rose, op. 51 no. 4 | Elly Ameling, Dalton Baldwin | — | |
| 13-18 | En prière | — | ||
| 13-19 | Cinq mélodies "de Venise": No. 1 Mandoline | — | ||
| 13-20 | Cinq mélodies "de Venise": No. 2 En sourdine | — | ||
| 13-21 | Cinq mélodies "de Venise": No. 3 Green | — | ||
| 13-22 | Cinq mélodies "de Venise": No. 4 A Clymene | — | ||
| 13-23 | Cinq mélodies "de Venise": No. 5 C'est l'extase | — | ||
| 13-24 | Sérénade du Bourgeois gentilhomme, op. posthume | Gérard Souzay, Dalton Baldwin | — | |
| 14-1 | La Bonne Chanson, op. 61 N 119a: No. 1 Une Sainte en son aureole | — | ||
| 14-2 | La Bonne Chanson, op. 61 N 119a: No. 2 Puisque l'aube grandit | — | ||
| 14-3 | La Bonne Chanson, op. 61 N 119a: No. 3 La Lune blanche luit dans les bois | — | ||
| 14-4 | La Bonne Chanson, op. 61 N 119a: No. 4 J'allais par des chemins perfides | — | ||
| 14-5 | La Bonne Chanson, op. 61 N 119a: No. 5 J'ai prosque peur | — | ||
| 14-6 | La Bonne Chanson, op. 61 N 119a: No. 6 Avant que tu ne t'en ailles | — | ||
| 14-7 | La Bonne Chanson, op. 61 N 119a: No. 7 Donc ce sera par un clair jour d'ete | — | ||
| 14-8 | La Bonne Chanson, op. 61 N 119a: No. 8 N'est-ce pas | — | ||
| 14-9 | La Bonne Chanson, op. 61 N 119a: No. 9 L'hiver a cesse | — | ||
| 14-10 | La Bonne Chanson, op. 61: No. 1. Une sainte en son auréole | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-11 | La Bonne Chanson, op. 61: No. 2. Puisque l'arbre grandit | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-12 | La Bonne Chanson, op. 61: No. 3. La lune blanche luit dans les bois | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-13 | La Bonne Chanson, op. 61: No. 4. J'allais par des chemins perfides | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-14 | La Bonne Chanson, op. 61: No. 5. J'ai presque peur, en vérité | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-15 | La Bonne Chanson, op. 61: No. 6. Avant que tu ne t'en ailles | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-16 | La Bonne Chanson, op. 61: No. 7. Donc, ce sera par un clair jour d'été | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-17 | La Bonne Chanson, op. 61: No. 8. N'est-ce pas ? | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-18 | La Bonne Chanson, op. 61: No. 9. L'hiver a cessé | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-19 | Hymne à apollon, op. 63 | Cyrille Dubois, Tristan Raës | — | |
| 14-20 | Pleurs d'or | — | ||
| 14-21 | Le Parfum impérissable, op. 76 no. 1 | Elly Ameling, Dalton Baldwin | — | |
| 14-22 | Arpège, op. 76 no. 2 | Elly Ameling, Dalton Baldwin | — | |
| 14-23 | Deux mélodies, op. 85: No. 1 Prison | — | ||
| 14-24 | Deux mélodies, op. 85: No. 2 Soir | — | ||
| 14-25 | Trois mélodies, op. 85: No. 1 Dans la foret de septembre | — | ||
| 14-26 | La Fleur qui va sur l’eau, op. 85 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 14-27 | Trois mélodies, op. 85: No. 3 Accompagnement | — | ||
| 15-1 | La Chanson d’Eve, op. 95: 1. Paradis | Elly Ameling, Dalton Baldwin | — | |
| 15-2 | La Chanson d’Eve, op. 95: 2. Prima verba | Elly Ameling, Dalton Baldwin | — | |
| 15-3 | La Chanson d’Eve, op. 95: 3. Roses ardentes | Elly Ameling, Dalton Baldwin | — | |
| 15-4 | La Chanson d’Eve, op. 95: 4. Comme Dieu rayonne | Elly Ameling, Dalton Baldwin | — | |
| 15-5 | La Chanson d’Eve, op. 95: 5. L’aube blanche | Elly Ameling, Dalton Baldwin | — | |
| 15-6 | La Chanson d’Eve, op. 95: 6. Eau vivante | Elly Ameling, Dalton Baldwin | — | |
| 15-7 | La Chanson d’Eve, op. 95: 7. Veilles-tu, ma senteur de soleil ? | Elly Ameling, Dalton Baldwin | — | |
| 15-8 | La Chanson d’Eve, op. 95: 8. Dans un parfum de roses blanches | Elly Ameling, Dalton Baldwin | — | |
| 15-9 | La Chanson d’Eve, op. 95: 9. Crépuscule | Elly Ameling, Dalton Baldwin | — | |
| 15-10 | La Chanson d’Eve, op. 95: 10. O mort, poussière d'étoiles | Elly Ameling, Dalton Baldwin | — | |
| 15-11 | Le plus doux Chemin (madrigal), op. 87 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 15-12 | Le Ramier (madrigal), op. 87 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 15-13 | Le Don silencieux, op. 92 | — | ||
| 15-14 | Chanson, op. 94 | — | ||
| 15-15 | Vocalise-étude | Elly Ameling, Dalton Baldwin | — | |
| 15-16 | Le Jardin clos, op. 106: No. 1 Exaucement | — | ||
| 15-17 | Le Jardin clos, op. 106: No. 2 Quant tu plonges tes yeux dans mes yeux | — | ||
| 15-18 | Le Jardin clos, op. 106: No. 3 La Meassagere | — | ||
| 15-19 | Le Jardin clos, op. 106: No. 4 Je me poserai sur ton coeux | — | ||
| 15-20 | Le Jardin clos, op. 106: No. 5 Dans la nymphee | — | ||
| 15-21 | Le Jardin clos, op. 106: No. 6 Dans la penombre | — | ||
| 15-22 | Le Jardin clos, op. 106: No. 7 Il m'est cher, Amour | — | ||
| 15-23 | Le Jardin clos, op. 106: No. 8 Inscription sur le sable | — | ||
| 15-24 | Mirages, op. 113: No. 1 Cygne sur l'eau | — | ||
| 15-25 | Mirages, op. 113: No. 2 Reflets dans l'eau | — | ||
| 15-26 | Mirages, op. 113: No. 3 Jardin nocturne | — | ||
| 15-27 | Mirages, op. 113: No. 4 Danseuse | — | ||
| 15-28 | C’est la paix !, op. 114 | Elly Ameling, Dalton Baldwin | — | |
| 15-29 | L'Horizon chimerique, op. 118: No. 1 La Mer est infinie | — | ||
| 15-30 | L'Horizon chimerique, op. 118: No. 2 Je me suis embarque | — | ||
| 15-31 | L'Horizon chimerique, op. 118: No. 3 Diane Selene | — | ||
| 15-32 | L'Horizon chimerique, op. 118: No. 4 Vaisseaux, nous vous aurons aimes | — | ||
| 15-33 | Trois mélodies, op. 7: Arr. for cello and piano | — | ||
| 15-34 | Trois mélodies, op. 7: Arr. for trumpet and orchestra | — | ||
| 16-1 | Super flumina Babylonis, for mixed choir and orchestra | Orchestre de Paris, Chœur de l'Orchestre de Paris, Paavo Järvi | T-302.325.202-6 | |
| 16-2 | Cantique de Jean Racine (for mixed chorus and organ) | — | ||
| 16-3 | Cantique de Jean Racine (for mixed chorus, string and organ) | Chœurs et solistes de Lyon-Bernard Tétu, Jean-Claude Pennetier, Bernard Tétu | — | |
| 16-4 | Cantique de Jean Racine (for mixed chorus and orchestra) | Chœur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | T-300.950.284-1 | |
| 16-5 | Ave Maria | — | ||
| 16-6 | Motets: Tu es Pétrus | Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-050.090.082-2 | |
| 16-7 | Les Djinns, Op. 12 | Chœurs et solistes de Lyon-Bernard Tétu, Jean-Claude Pennetier, Bernard Tétu | — | |
| 16-8 | Le Ruisseau | — | ||
| 16-9 | Deux motets, op. 47: No. 1 O salutaris | — | ||
| 16-10 | Deux motets, op. 47: No. 2 Maria, Mater gratiae | — | ||
| 16-11 | Requiem: I. Introit et Kyrie | — | ||
| 16-12 | Requiem: II. Offertoire | — | ||
| 16-13 | Requiem: III. Sanctus | — | ||
| 16-14 | Requiem, op. 48: IV. Pie Jesu (1893 version) | Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill | T-315.824.737-7 | |
| 16-15 | Requiem: V. Agnus Dei | — | ||
| 16-16 | Requiem: VII. Libera me | — | ||
| 16-17 | Requiem: VIII. In paradisum | — | ||
| 17-1 | Messe de l'Association des pecheurs de Villerville: I. Kyrie | — | ||
| 17-2 | Messe de l'Association des pecheurs de Villerville: II. Gloria | — | ||
| 17-3 | Messe de l'Association des pecheurs de Villerville: III. Sanctus | — | ||
| 17-4 | Messe de l'Association des pecheurs de Villerville: IV. O Salutaris | — | ||
| 17-5 | Messe de l'Association des pecheurs de Villerville: V. Agnus Dei | — | ||
| 17-6 | La Naissance de Vénus, Op. 29 | Chœurs et solistes de Lyon-Bernard Tétu, Jean-Claude Pennetier, Bernard Tétu | — | |
| 17-7 | Requiem: I. Introit et Kyrie | — | ||
| 17-8 | Requiem: II. Offertoire | — | ||
| 17-9 | Requiem: III. Sanctus | — | ||
| 17-10 | Requiem: IV. Pie Jesu | — | ||
| 17-11 | Requiem: V. Agnus Dei | — | ||
| 17-12 | Requiem: VI. Libera me | — | ||
| 17-13 | Requiem: VII. In Paradisum | — | ||
| 18-1 | Pavane, op. 50 | Edinburgh Festival Chorus, Orchestre de Paris, Daniel Barenboim | T-909.340.218-7 | |
| 18-2 | Pavane, Op. 50 | Chœurs et solistes de Lyon-Bernard Tétu, Jean-Claude Pennetier, Bernard Tétu | — | |
| 18-3 | Caligula, op. 52: Fanfares "Nous sommes les heures guerrières" | — | ||
| 18-4 | Caligula, op. 52: Chœur: "L'hiver s'enfuit" | — | ||
| 18-5 | Caligula, op. 52: Air de danse | — | ||
| 18-6 | Caligula, op. 52: Melodrame et Choeur "De roses merveilles" | — | ||
| 18-7 | Caligula, op. 52: Melodrame et Choeur "César a fermé les paupières" | — | ||
| 18-8 | Il est ne le divin enfant | — | ||
| 18-9 | Noël d'enfants | — | ||
| 18-10 | Ecce fidelis servus | — | ||
| 18-11 | La Passion | — | ||
| 18-12 | Tantum ergo | — | ||
| 18-13 | Deux motets, op. 65: No. 1 Ave Verdum | — | ||
| 18-14 | Deux motets, op. 65: No. 2 Tantum ergo | — | ||
| 18-15 | Sancta Mater | — | ||
| 18-16 | Deux motets, op. 67: No. 1 Salve Regina | — | ||
| 18-17 | Deux motets, op. 67: No. 2 Ave Maria | — | ||
| 18-18 | Tantum ergo | — | ||
| 18-19 | Ave Maria | — | ||
| 18-20 | Messe basse: I. Kyrie | — | ||
| 18-21 | Messe basse: II. Sanctus | — | ||
| 18-22 | Messe basse: III. Benedictus | — | ||
| 18-23 | Messe basse: IV. Agnus Dei | — | ||
| 19-1 | Prométhée, Prelude | — | ||
| 19-2 | Prométhée, Act 1: I. 'Eia! Eia!' | — | ||
| 19-3 | Prométhée, Act 1: II. Entree de Pandore | — | ||
| 19-4 | Prométhée, Act 1: III. 'Arrete Promethee' | — | ||
| 19-5 | Prométhée, Act 1: IV. 'Marche et poursuit ton but' | — | ||
| 19-6 | Prométhée, Act 1: V. Melodrame et Choeur | — | ||
| 19-7 | Prométhée, Act 1: VI. 'Reveille-toi' | — | ||
| 19-8 | Prométhée, Act 2: I. 'Larmes, coulez' | — | ||
| 19-9 | Prométhée, Act 2: II. 'Nous voici parvenus en pleine solitude' | — | ||
| 19-10 | Prométhée, Act 2: III. Melodrame | — | ||
| 19-11 | Prométhée, Act 2: IV. 'Pandore, arriere' | — | ||
| 19-12 | Prométhée, Act 3: I. Prelude | — | ||
| 19-13 | Prométhée, Act 3: II. 'Des ruisseaux et des sources claires' | — | ||
| 19-14 | Prométhée, Act 3: III. 'Vois, nos bras sont vers lui tendus' | — | ||
| 19-15 | Prométhée, Act 3: IV. 'Ne tremble pas' | — | ||
| 19-16 | Prométhée, Act 3: V. 'Ta douleur' | — | ||
| 19-17 | Prométhée, Act 3: VI. 'Dans l'orgueil' | — | ||
| 19-18 | Prométhée, Act 3: VIII. 'Les Dieux graves nous ont souris' | — | ||
| 20-1 | Pénélope, Prelude | — | ||
| 20-2 | Pénélope, Act 1: Scene 1 | — | ||
| 20-3 | Pénélope, Act 1: Scene 2 | — | ||
| 20-4 | Pénélope, Act 1: Scene 3 | — | ||
| 20-5 | Pénélope, Act 1: 'Jadis, quand on aimait...' | — | ||
| 20-6 | Pénélope, Act 1: 'Ton espoir est stupide...' | — | ||
| 20-7 | Pénélope, Act 1: 'J'ai tisse de mes mains...' | — | ||
| 20-8 | Pénélope, Act 1: 'Avoir le double puits de tes yeux pour mirroir' | — | ||
| 20-9 | Pénélope, Act 1: Scene 5 | — | ||
| 20-10 | Pénélope, Act 1: Scene 6 | — | ||
| 20-11 | Pénélope, Act 1: Scene 7 | — | ||
| 20-12 | Pénélope, Act 1: Scene 8 | — | ||
| 20-13 | Pénélope, Act 1: Scene 9 | — | ||
| 20-14 | Pénélope, Act 1: Scene 10 | — | ||
| 21-1 | Pénélope, Act 2: Introduction | — | ||
| 21-2 | Pénélope, Act 2: 'C'est sur ce banc...' | — | ||
| 21-3 | Pénélope, Act 2: 'Oh mon hote, a present...' | — | ||
| 21-4 | Pénélope, Act 2: 'Toutes tes questions' | — | ||
| 21-5 | Pénélope, Act 2: 'La nuit s'avance' | — | ||
| 21-6 | Pénélope, Act 2: Scene 3 | — | ||
| 21-7 | Pénélope, Act 3: Introduction | — | ||
| 21-8 | Pénélope, Act 3: Scene 2 | — | ||
| 21-9 | Pénélope, Act 3: Scene 3 | — | ||
| 21-10 | Pénélope, Act 3: Scene 4 | — | ||
| 21-11 | Pénélope, Act 3: 'La Reine' | — | ||
| 21-12 | Pénélope, Act 3: 'Ah!' | — | ||
| 21-13 | Pénélope, Act 3: 'Autrefois, on vantait ma force' | — | ||
| 21-14 | Pénélope, Act 3: Scene 6 | — | ||
| 21-15 | Pénélope, Act 3: Scene 7 | — | ||
| 22-1 | Prelude no. 3 in G minor | — | ||
| 22-2 | Barcarolle no. 1 in A minor | — | ||
| 22-3 | Imprompute no. 2 in F minor | — | ||
| 22-4 | Impromputu no. 5 in F-sharp minor | — | ||
| 22-5 | Barcarolle no. 6 in E-flat major | — | ||
| 22-6 | Nocturne no. 4 in E-flat major | — | ||
| 22-7 | Nocturne no. 6 in D-flat major | — | ||
| 22-8 | Barcarolle no. 2 in G major | — | ||
| 22-9 | Nocturne No. 2 en si majeur, op. 33 no. 2 | Samson François | — | |
| 22-10 | Nocturne No. 4 en mi bémol majeur, op. 36 | Samson François | — | |
| 22-11 | Impromptu No. 2 en fa mineur, op. 31 (enregistré en 1955) | Samson François | — | |
| 22-12 | Ballade in F-sharp major | — | ||
| 22-13 | Impromptu in D-flat major for harp | — | ||
| 23-1 | Violin Sonata no. 1 in A major: I. Allegro molto | — | ||
| 23-2 | Violin Sonata no. 1 in A major: II. Andante | — | ||
| 23-3 | Violin Sonata no. 1 in A major: III. Allegro | — | ||
| 23-4 | Violin Sonata no. 1 in A major: IV. Allegro quasi presto | — | ||
| 23-5 | Berceuse in D major | — | ||
| 23-6 | Élégie in C major | — | ||
| 23-7 | Papillon in A major | — | ||
| 23-8 | Shylock: Nocturne | — | ||
| 23-9 | Cello Sonata no. 2 in G minor: I. Allegro | — | ||
| 23-10 | Cello Sonata no. 2 in G minor: II. Andante | — | ||
| 23-11 | Cello Sonata no. 2 in G minor: III. Allegro vivo | — | ||
| 23-12 | String Quartet in E minor: I. Allegro moderato | — | ||
| 23-13 | String Quartet in E minor: II. Andante | — | ||
| 23-14 | String Quartet in E minor: III. Allegro | — | ||
| 24-1 | Piano Quartet no. 1 in C minor: I. Allegro molto moderato | — | ||
| 24-2 | Piano Quartet no. 1 in C minor: II. Scherzo | — | ||
| 24-3 | Piano Quartet no. 1 in C minor: III. Adagio | — | ||
| 24-4 | Piano Quartet no. 1 in C minor: IV. Allegro molto | — | ||
| 24-5 | Piano Quartet no. 2 in G minor: I. Allegro molto moderato | — | ||
| 24-6 | Piano Quartet no. 2 in G minor: II. Allegro molto | — | ||
| 24-7 | Piano Quartet no. 2 in G minor: III. Adagio non troppo | — | ||
| 24-8 | Piano Quartet no. 2 in G minor: IV. Allegro molto | — | ||
| 24-9 | Shylock: Entracte | — | ||
| 24-10 | Shylock: Epithalame | — | ||
| 24-11 | Shylock: Nocturne | — | ||
| 24-12 | Shylock: Final | — | ||
| 25-1 | La Bonne chanson: No. 1 Une Sainte en son aureole | — | ||
| 25-2 | La Bonne chanson: No. 2 Puisque l'aube grandit | — | ||
| 25-3 | La Bonne chanson: No. 3 La Lune blanche luit dans les bois | — | ||
| 25-4 | La Bonne chanson: No. 4 j'allais par des chemins perfides | — | ||
| 25-5 | La Bonne chanson: No. 5 j'ai presque peur | — | ||
| 25-6 | La Bonne chanson: No. 6 Avant que tu ne t'en ailles | — | ||
| 25-7 | La Bonne chanson: No. 7 Donc ce sera par uns clair jour d'ete | — | ||
| 25-8 | La Bonne chanson: No. 8 N'est-ce pas | — | ||
| 25-9 | La Bonne chanson: No. 9 L'hiver a cesse | — | ||
| 25-10 | L'Horizon chimerique: No. 1 La Mer est infinie | — | ||
| 25-11 | L'Horizon chimerique: No. 2 Je me suis embarque | — | ||
| 25-12 | L'Horizon chimerique: No. 3 Diane Selene | — | ||
| 25-13 | L'Horizon chimerique: No. 4 Vaisseaux, nous vous aurons aimes | — | ||
| 25-14 | Clair de lune | — | ||
| 25-15 | Les Berceaux | — | ||
| 25-16 | La Rose | — | ||
| 25-17 | Au cimetiere | — | ||
| 25-18 | Les Roses d'Hispahan | — | ||
| 25-19 | Nell | — | ||
| 25-20 | Aurore | — | ||
| 25-21 | Soir | — | ||
| 25-22 | Apres un reve | — | ||
| 25-23 | Le Secret | — | ||
| 25-24 | Prison | — | ||
| 25-25 | Mirages: No. 3 Jardin nacturne | — | ||
| 25-26 | Poeme d'un jour | — | ||
| 25-27 | Pleur jetee | — | ||
| 25-28 | Noel | — | ||
| 25-29 | Dans les ruines d'une abbaye | — | ||
| 25-30 | Lydia | — | ||
| 25-31 | L'Absent | — | ||
| 25-32 | Ici-bas | — | ||
| 26-1 | Requiem (for soprano, baritone, chorus, organ and small orchestra): I. Introit et Kyrie | — | ||
| 26-2 | Requiem (for soprano, baritone, chorus, organ and small orchestra): II. Offertoire | — | ||
| 26-3 | Requiem (for soprano, baritone, chorus, organ and small orchestra): III. Sanctus | — | ||
| 26-4 | Requiem (for soprano, baritone, chorus, organ and small orchestra): IV. Pie Jesu | — | ||
| 26-5 | Requiem (for soprano, baritone, chorus, organ and small orchestra): V. Agnus Dei | — | ||
| 26-6 | Requiem (for soprano, baritone, chorus, organ and small orchestra): VI. Libera me | — | ||
| 26-7 | Requiem (for soprano, baritone, chorus, organ and small orchestra): VII. In Paradisum | — | ||
| 26-8 | Requiem (for soprano, baritone, chorus, organ and full orchestra): I. Introit et Kyrie | — | ||
| 26-9 | Requiem (for soprano, baritone, chorus, organ and full orchestra): II. Offertoire | — | ||
| 26-10 | Requiem (for soprano, baritone, chorus, organ and full orchestra): III. Sanctus | — | ||
| 26-11 | Requiem (for soprano, baritone, chorus, organ and full orchestra): IV. Pie Jesu | — | ||
| 26-12 | Requiem (for soprano, baritone, chorus, organ and full orchestra): V. Agnus Dei | — | ||
| 26-13 | Requiem (for soprano, baritone, chorus, organ and full orchestra): VI. Libera me | — | ||
| 26-14 | Requiem (for soprano, baritone, chorus, organ and full orchestra): VII. In Paradisum | — | ||
| 26-15 | Requiem: IV. Pie Jesu | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: I. Allegro molto moderato | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: II. Scherzo: allegro vivo | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: III. Adagio | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: IV. Allegro molto | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
5054197947490 is a Universal Product Code (UPC) assigned to The Complete Works by Gabriel Fauré. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 466 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5054197947490 is the Universal Product Code (UPC barcode) for the release “The Complete Works” by Gabriel Fauré, released 2024-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 466 tracks, each with its own ISRC. Tracks include FRZ110700894, FRZ117306355, FRZ117306356.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata in F major no. 5: I. Allegro ma non troppo | — | ||
| 2 | Piano Sonata in F major no. 5: II. Tempo di menuetto | — | ||
| 3 | Piano Sonata in F major no. 5: III. Finale | — | ||
| 4 | Mazurke in B-flat major no. 8 | — | ||
| 5 | Trois Romances sans paroles op. 17 no. 52: No. 1 In A-flat major | — | ||
| 6 | Trois Romances sans paroles op. 17 no. 52: No. 2 in A minor | — | ||
| 7 | Trois Romances sans paroles op. 17 no. 52: No. 3 in A-flat major | — | ||
| 8 | Huit Pieces breves op. 84 no. 147: No. 1 Capriccio in E-flat major | — | ||
| 9 | Huit Pieces breves op. 84 no. 147: No. 2 Fantaisie in A-flat major | — | ||
| 10 | Huit Pieces breves op. 84 no. 147: No. 3 Fugue in A minor | — | ||
| 11 | Huit Pieces breves op. 84 no. 147: No. 4 Adagietto in E minor | — | ||
| 12 | Huit Pieces breves op. 84 no. 147: No. 5 Improvisation in C-sharp minor | — | ||
| 13 | Huit Pieces breves op. 84 no. 147: No. 6 Fugue in E minor | — | ||
| 14 | Huit Pieces breves op. 84 no. 147: No. 7 Allgresse in C major | — | ||
| 15 | Huit Pieces breves op. 84 no. 147: No. 8. Nocturne in D-flat major | — | ||
| 16 | Mazurka in B-flat major op. 32 no. 75 | — | ||
| 17 | Ballade in F sharp major Op. 19 | Jean-Philippe Collard | — | |
| 18 | Cinq Impromptus: No. 1 in E-flat major | — | ||
| 19 | Cinq Impromptus: No. 2 in F minor | — | ||
| 20 | Cinq Impromptus: No. 3 in A-flat major | — | ||
| 21 | Cinq Impromptus: No. 4 in D-flat major | — | ||
| 22 | Cinq Impromptus: No. 5 in F-sharp minor | — | ||
| 2-1 | Nocturne no. 1 in E-flat minor, op. 33 no. 1 | — | ||
| 2-2 | Nocturne no. 2 in B major, op. 33 no. 2 | — | ||
| 2-3 | Nocturne no. 3 in A-flat major, op. 33 no. 3 | — | ||
| 2-4 | Nocturne no. 4 in E-flat major, op. 36 | — | ||
| 2-5 | Nocturne no. 5 in B-flat major, op. 37 | — | ||
| 2-6 | Nocturne no. 6 in D-flat major, op. 63 | — | ||
| 2-7 | Nocturne no. 7 in C-sharp minor, op. 74 | — | ||
| 2-8 | Nocturne no. 8 in D-flat major, op. 84 no. 8 | — | ||
| 2-9 | Nocturne no. 9 in B minor, op. 97 | — | ||
| 2-10 | Nocturne no. 10 in E minor, op. 99 | — | ||
| 2-11 | Nocturne no. 11 in F-sharp minor, op. 104 no. 1 | — | ||
| 2-12 | Nocturne no. 12 in E minor, op. 107 | — | ||
| 2-13 | Nocturne no. 13 in B minor, op. 119 | — | ||
| 3-1 | Barcarolles: No. 1 in A minor | — | ||
| 3-2 | Barcarolles: No. 2 in G major | — | ||
| 3-3 | Barcarolles: No. 3 in G flat major | — | ||
| 3-4 | Barcarolles: No. 4 in A-flat major | — | ||
| 3-5 | Barcarolles: No. 5 in F-sharp minor | — | ||
| 3-6 | Barcarolles: No. 6 in E-flat major | — | ||
| 3-7 | Barcarolles: No. 7 in D minor | — | ||
| 3-8 | Barcarolles: No. 8 in D-flat major | — | ||
| 3-9 | Barcarolles: No. 9 in A minor | — | ||
| 3-10 | Barcarolles: No. 10 in A minor | — | ||
| 3-11 | Barcarolles: No. 11 in G minor | — | ||
| 3-12 | Barcarolles: No. 12 in E-flat major | — | ||
| 3-13 | Barcarolles: No. 13 in C major | — | ||
| 3-14 | Theme and Variations in C sharp minor, op.73: Theme | Jean-Philippe Collard | — | |
| 3-15 | Theme & variations in C sharp minor, op.73: Variation 1 | Jean-Philippe Collard | — | |
| 3-16 | Theme & variations in C sharp minor, op.73: Variation 2 | Jean-Philippe Collard | — | |
| 3-17 | Theme & variations in C sharp minor, op.73: Variation 3 | Jean-Philippe Collard | — | |
| 3-18 | Theme & variations in C sharp minor, op.73: Variation 4 | Jean-Philippe Collard | — | |
| 3-19 | Theme & variations in C sharp minor, op.73: Variation 5 | Jean-Philippe Collard | — | |
| 3-20 | Theme & variations in C sharp minor, op.73: Variation 6 | Jean-Philippe Collard | — | |
| 3-21 | Theme & variations in C sharp minor, op.73: Variation 7 | Jean-Philippe Collard | — | |
| 3-22 | Theme & variations in C sharp minor, op.73: Variation 8 | Jean-Philippe Collard | — | |
| 3-23 | Theme & variations in C sharp minor, op.73: Variation 9 | Jean-Philippe Collard | — | |
| 3-24 | Theme & variations in C sharp minor, op.73: Variation 10 | Jean-Philippe Collard | — | |
| 3-25 | Theme & variations in C sharp minor, op.73: Variation 11 | Jean-Philippe Collard | — | |
| 4-1 | Quatre Valses-caprices: No. 1 in A major | — | ||
| 4-2 | Quatre Valses-caprices: No. 2 in D-flat major | — | ||
| 4-3 | Quatre Valses-caprices: No. 3 in G-flat major | — | ||
| 4-4 | Quatre Valses-caprices: No. 4 in A-flat major | — | ||
| 4-5 | Neuf Préludes: No. 1 in D-flat major | — | ||
| 4-6 | Neuf Préludes: No. 2 in C-sharp minor | — | ||
| 4-7 | Neuf Préludes: No. 3 in G minor | — | ||
| 4-8 | Neuf Préludes: No. 4 in F major | — | ||
| 4-9 | Neuf Préludes: No. 5 in D minor | — | ||
| 4-10 | Neuf Préludes: No. 6 in E-flat minor | — | ||
| 4-11 | Neuf Préludes: No. 7 in A major | — | ||
| 4-12 | Neuf Préludes: No. 8 in C minor | — | ||
| 4-13 | Neuf Préludes: No. 9 in E minor | — | ||
| 4-14 | Impromptu in D-flat major | — | ||
| 4-15 | Une châtelaine en sa tour | — | ||
| 5-1 | Intermède symphonique | Jean-Philippe Collard, Bruno Rigutto | — | |
| 5-2 | Souvenir de Bayreuth | — | ||
| 5-3 | Allegro symphonique, op. 68 (transcription: Léon Boëllmann) | Jean-Philippe Collard, Bruno Rigutto | — | |
| 5-4 | Dolly Suite, op. 56: I. Dolly - Berceuse | — | ||
| 5-5 | Dolly Suite, op. 56: II. Mi-a-ou | — | ||
| 5-6 | Dolly Suite, op. 56: III. Le Jardin de Dolly | — | ||
| 5-7 | Dolly Suite, op. 56: IV. Kitty valse | — | ||
| 5-8 | Dolly Suite, op. 56: V. Tendresse | — | ||
| 5-9 | Dolly Suite, op. 56: VI. Le Pas espagnol | — | ||
| 5-10 | Violin Sonata no.1 in A major: I. Allegro molto | — | ||
| 5-11 | Violin Sonata no.1 in A major: II. Andante | — | ||
| 5-12 | Violin Sonata no.1 in A major: III. Allegro vivo | — | ||
| 5-13 | Violin Sonata no.1 in A major: IV. Allegro quasi presto | — | ||
| 6-1 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: I. Allegro molto moderato | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 6-2 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: II. Scherzo: allegro vivo | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 6-3 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: III. Adagio | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 6-4 | Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: IV. Allegro molto | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — | |
| 6-5 | Romance in B-flat major | — | ||
| 6-6 | Berceuse for Violin and Piano in D major, Op. 16 | Itzhak Perlman, Samuel Sanders | — | |
| 6-7 | Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — | |
| 6-8 | Piano Quartet no. 2 in G minor: I. Allegro molto moderato | — | ||
| 6-9 | Piano Quartet no. 2 in G minor: II. Allegro molto | — | ||
| 6-10 | Piano Quartet no. 2 in G minor: III. Adagio non troppo | — | ||
| 6-11 | Piano Quartet no. 2 in G minor: IV. Allegro molto | — | ||
| 7-1 | Papillon en la majeur, op. 77 | Éric Heidsieck, Paul Tortelier | — | |
| 7-2 | Piano Quintet no. 1 in C minor: I. Molto moderato | — | ||
| 7-3 | Piano Quintet no. 1 in C minor: II. Adagio | — | ||
| 7-4 | Piano Quintet no. 1 in C minor: III. Allegro moderato | — | ||
| 7-5 | Romance in A major | — | ||
| 7-6 | Andante in B-flat major | — | ||
| 7-7 | Morceau de lecture for two Cellos | Gautier Capuçon, Raphaël Merlin | — | |
| 7-8 | Sicilienne, op. 78 | Gautier Capuçon, Jérôme Ducros | — | |
| 7-9 | Fantaisie pour flûte & piano en ut majeur, op. 79 | Jean-Philippe Collard, Michel Debost | — | |
| 7-10 | Morceau de concours pour flûte et piano (Concours 1898) | Jean-Philippe Collard, Michel Debost | — | |
| 7-11 | Morceau de lecture | Renaud Capuçon, Michel Dalberto | T-802.906.763-9 | |
| 7-12 | Serenade in B minor | — | ||
| 7-13 | Berceuse | — | ||
| 8-1 | Violin Sonata no. 2 in E minor: I. Allegro non troppo | — | ||
| 8-2 | Violin Sonata no. 2 in E minor: II. Andante | — | ||
| 8-3 | Violin Sonata no. 2 in E minor: III. Allegro non troppo | — | ||
| 8-4 | Cello Sonata no. 1 in D minor: I. Allegro | — | ||
| 8-5 | Cello Sonata no. 1 in D minor: II. Andante | — | ||
| 8-6 | Cello Sonata no. 1 in D minor: III. Finale | — | ||
| 8-7 | Cello Sonata no. 2 in G minor: I. Allegro | — | ||
| 8-8 | Cello Sonata no. 2 in G minor: II. Andante | — | ||
| 8-9 | Cello Sonata no. 2 in G minor: III. Allegro vivo | — | ||
| 9-1 | Piano Quintet no. 2 in D minor: I. Allegro moderato | — | ||
| 9-2 | Piano Quintet no. 2 in D minor: II. Allegro vivo | — | ||
| 9-3 | Piano Quintet no. 2 in D minor: III. Andante moderato | — | ||
| 9-4 | Piano Quintet no. 2 in D minor: IV. Allegro molto | — | ||
| 9-5 | Piano Trio in D minor: I. Allegro ma non troppo | — | ||
| 9-6 | Piano Trio in D minor: II. Andantino | — | ||
| 9-7 | Piano Trio in D minor: III. Allegro vivo | — | ||
| 9-8 | String Quartet in E minor: I. Allegro moderato | — | ||
| 9-9 | String Quartet in E minor: II. Andante | — | ||
| 9-10 | String Quartet in E minor: III. Allegro | — | ||
| 10-1 | Berceuse, op. 16 | Augustin Dumay, Orchestre Philharmonique de Monte-Carlo, Manuel Rosenthal | — | |
| 10-2 | Ballade in F-sharp major | — | ||
| 10-3 | Elégie, op. 24 | Orchestre du Capitole de Toulouse, Michel Plasson, Paul Tortelier | — | |
| 10-4 | Fanaisie in E minor | — | ||
| 10-5 | Fantaisie in G major | — | ||
| 10-6 | Shylock, op. 57: I. Chanson pour tenor et orchestre | — | ||
| 10-7 | Shylock, op. 57: II. Entracte | — | ||
| 10-8 | Shylock, op. 57: III. Madrigal pour tenor et orchestre | — | ||
| 10-9 | Shylock, op. 57: IV. Epithalame | — | ||
| 10-10 | Shylock, op. 57: V. Nocturne | — | ||
| 10-11 | Shylock, op. 57: Final | Frederica von Stade, Jean-Philippe Collard, Orchestre national du Capitole de Toulouse, Patricia Nagle, Yan Pascal Tortelier, Ensemble Vocal Alix Bourbon, Michel Plasson, Paul Tortelier, Nicolai Gedda | — | |
| 10-12 | Dolly Suite, op. 56: Berceuse | — | ||
| 10-13 | Dolly Suite, op. 56: Mi-a-ou | — | ||
| 10-14 | Dolly Suite, op. 56: Le Jardin de Dolly | — | ||
| 10-15 | Dolly Suite, op. 56: Kitty valse | — | ||
| 10-16 | Dolly Suite, op. 56: Tendresse | — | ||
| 10-17 | Dolly Suite, op. 56: Le Pas espagnol | — | ||
| 11-1 | Pelléas et Mélisande, op. 80: I. Prelude | — | ||
| 11-2 | Pelléas et Mélisande, op. 80: II. La Fileuse | — | ||
| 11-3 | Pelléas et Mélisande, op. 80: III. Sicilienne | — | ||
| 11-4 | Pelléas et Mélisande, op. 80: IV. Chanson de Mélisande | — | ||
| 11-5 | Pelléas et Mélisande, op. 80: V. La Mort de Mélisande | — | ||
| 11-6 | Masques et Bergamasques op. 112 : I. Ouverture | — | ||
| 11-7 | Masques et Bergamasques op. 112 : II. Pastorale | — | ||
| 11-8 | Masques et Bergamasques op. 112 : III. Madrigal pour chour et orchestre | — | ||
| 11-9 | Masques et Bergamasques op. 112 : IV. 'Le plus doux chemin' | — | ||
| 11-10 | Masques et Bergamasques op. 112 : V. Menuet | — | ||
| 11-11 | Masques et Bergamasques op. 112 : VI. Clair de lune | — | ||
| 11-12 | Masques et Bergamasques op. 112 : VII. Gavotte | — | ||
| 11-13 | Masques et Bergamasques op. 112 : VIII. Pavane | — | ||
| 11-14 | Chant funéraire | — | ||
| 11-15 | Pénélope | — | ||
| 11-16 | Pelléas et Mélisande | — | ||
| 12-1 | Deux mélodies, op. 1: No. 1 Le Papillon | — | ||
| 12-2 | Deux mélodies, op. 1: No. 2 Mai | — | ||
| 12-3 | Puisque j’ai ma lèvre | John Mark Ainsley, Malcolm Martineau | — | |
| 12-4 | Tristesse d'Olympio | — | ||
| 12-5 | Dans les ruines d’une abbaye, op. 2 no. 1 | Elly Ameling, Dalton Baldwin | — | |
| 12-6 | Les Matelots, op. 2 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 12-7 | L’Aurore, op. posthume | Elly Ameling, Dalton Baldwin | — | |
| 12-8 | Seule !, op. 3 no. 1 | Elly Ameling, Dalton Baldwin | — | |
| 12-9 | Sérénade toscane, op. 3 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 12-10 | Chanson du pêcheur (Lamento), op. 4 no. 1 | Gérard Souzay, Dalton Baldwin | — | |
| 12-11 | Lydia, op. 4 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 12-12 | Chant d’automne, op. 5 no. 1 | Gérard Souzay, Dalton Baldwin | — | |
| 12-13 | Rêve d’amour, op. 5 no. 2 | Elly Ameling, Dalton Baldwin | — | |
| 12-14 | L’Absent, op. 5 no. 3 | Elly Ameling, Dalton Baldwin | — | |
| 12-15 | Aubade, op. 6 no. 1 | Gérard Souzay, Dalton Baldwin | — | |
| 12-16 | Tristesse, Op.6, No.2 | Victoria de los Ángeles, Gonzalo Soriano | — | |
| 12-17 | Sylvie, op. 6 no. 3 | Gérard Souzay, Dalton Baldwin | — | |
| 12-18 | Trois mélodies, op. 7: No. 1 Apres un reve | — | ||
| 12-19 | Hymne, op. 7 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 12-20 | Barcarolle, op. 7 no. 3 | Gérard Souzay, Dalton Baldwin | — | |
| 12-21 | Trois mélodies, op. 8: No. 1 Au bord de l'eau | — | ||
| 12-22 | La Rançon, op. 8 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 12-23 | Trois mélodies, op. 8: No. 3 Ici-bas | — | ||
| 12-24 | 2 Duos pour deux sopranos, op. 10: 1. Puis qu’ici-bas | Elly Ameling, Dalton Baldwin | — | |
| 12-25 | 2 Duos pour deux sopranos, op. 10: 2. Tarentelle | Elly Ameling, Dalton Baldwin | — | |
| 12-26 | Trois mélodies, op. 18: No. 1 Nell | — | ||
| 12-27 | Trois mélodies, op. 18: No. 2 Le Voyageur | — | ||
| 12-28 | Trois mélodies, op. 18: No. 3 Automne | — | ||
| 12-29 | Poeme d'un jour, trois mélodies, op. 21 N 59: No. 1 Rencontre | — | ||
| 12-30 | Poeme d'un jour, trois mélodies, op. 21 N 59: No. 2 Toujours | — | ||
| 12-31 | Poeme d'un jour, trois mélodies, op. 21 N 59: No. 3 Adieu | — | ||
| 13-1 | Trois mélodies, op. 23: No. 1 Les Berceaux | — | ||
| 13-2 | Trois mélodies, op. 23: No. 2 Notre amour | — | ||
| 13-3 | Trois mélodies, op. 23: No. 3 Le Secret | — | ||
| 13-4 | Deux mélodies, op. 27: No. 1 Chanson d'amour | — | ||
| 13-5 | La Fée aux chansons, op. 27 no. 1 | Elly Ameling, Dalton Baldwin | — | |
| 13-6 | Quatre mélodies, op. 39: No. 1 Aurore | — | ||
| 13-7 | Quatre mélodies, op. 39: No. 2 Fleur jetée | — | ||
| 13-8 | Quatre mélodies, op. 39: No. 3 Le Pays des reves | — | ||
| 13-9 | Quatre mélodies, op. 39: No. 4 Les Roses d'Hispahan | — | ||
| 13-10 | 2 Cantiques: II. Noël, op. 43 no. 1 | Elly Ameling, Dalton Baldwin | — | |
| 13-11 | Nocturne, op. 43 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 13-12 | Les Présents, op. 46 no. 1 | Gérard Souzay, Dalton Baldwin | — | |
| 13-13 | Deux mélodies, op. 46: No. 2 Clair de lune | — | ||
| 13-14 | Larmes, op. 51 no. 1 | Gérard Souzay, Dalton Baldwin | — | |
| 13-15 | Quatre mélodies, op. 51: No. 2 Au cimetière | — | ||
| 13-16 | Quatre mélodies, op. 51: No. 3 Spleen | — | ||
| 13-17 | La Rose, op. 51 no. 4 | Elly Ameling, Dalton Baldwin | — | |
| 13-18 | En prière | — | ||
| 13-19 | Cinq mélodies "de Venise": No. 1 Mandoline | — | ||
| 13-20 | Cinq mélodies "de Venise": No. 2 En sourdine | — | ||
| 13-21 | Cinq mélodies "de Venise": No. 3 Green | — | ||
| 13-22 | Cinq mélodies "de Venise": No. 4 A Clymene | — | ||
| 13-23 | Cinq mélodies "de Venise": No. 5 C'est l'extase | — | ||
| 13-24 | Sérénade du Bourgeois gentilhomme, op. posthume | Gérard Souzay, Dalton Baldwin | — | |
| 14-1 | La Bonne Chanson, op. 61 N 119a: No. 1 Une Sainte en son aureole | — | ||
| 14-2 | La Bonne Chanson, op. 61 N 119a: No. 2 Puisque l'aube grandit | — | ||
| 14-3 | La Bonne Chanson, op. 61 N 119a: No. 3 La Lune blanche luit dans les bois | — | ||
| 14-4 | La Bonne Chanson, op. 61 N 119a: No. 4 J'allais par des chemins perfides | — | ||
| 14-5 | La Bonne Chanson, op. 61 N 119a: No. 5 J'ai prosque peur | — | ||
| 14-6 | La Bonne Chanson, op. 61 N 119a: No. 6 Avant que tu ne t'en ailles | — | ||
| 14-7 | La Bonne Chanson, op. 61 N 119a: No. 7 Donc ce sera par un clair jour d'ete | — | ||
| 14-8 | La Bonne Chanson, op. 61 N 119a: No. 8 N'est-ce pas | — | ||
| 14-9 | La Bonne Chanson, op. 61 N 119a: No. 9 L'hiver a cesse | — | ||
| 14-10 | La Bonne Chanson, op. 61: No. 1. Une sainte en son auréole | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-11 | La Bonne Chanson, op. 61: No. 2. Puisque l'arbre grandit | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-12 | La Bonne Chanson, op. 61: No. 3. La lune blanche luit dans les bois | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-13 | La Bonne Chanson, op. 61: No. 4. J'allais par des chemins perfides | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-14 | La Bonne Chanson, op. 61: No. 5. J'ai presque peur, en vérité | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-15 | La Bonne Chanson, op. 61: No. 6. Avant que tu ne t'en ailles | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-16 | La Bonne Chanson, op. 61: No. 7. Donc, ce sera par un clair jour d'été | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-17 | La Bonne Chanson, op. 61: No. 8. N'est-ce pas ? | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-18 | La Bonne Chanson, op. 61: No. 9. L'hiver a cessé | Ian Bostridge, Julius Drake, Belcea Quartet, Leon Bosch | — | |
| 14-19 | Hymne à apollon, op. 63 | Cyrille Dubois, Tristan Raës | — | |
| 14-20 | Pleurs d'or | — | ||
| 14-21 | Le Parfum impérissable, op. 76 no. 1 | Elly Ameling, Dalton Baldwin | — | |
| 14-22 | Arpège, op. 76 no. 2 | Elly Ameling, Dalton Baldwin | — | |
| 14-23 | Deux mélodies, op. 85: No. 1 Prison | — | ||
| 14-24 | Deux mélodies, op. 85: No. 2 Soir | — | ||
| 14-25 | Trois mélodies, op. 85: No. 1 Dans la foret de septembre | — | ||
| 14-26 | La Fleur qui va sur l’eau, op. 85 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 14-27 | Trois mélodies, op. 85: No. 3 Accompagnement | — | ||
| 15-1 | La Chanson d’Eve, op. 95: 1. Paradis | Elly Ameling, Dalton Baldwin | — | |
| 15-2 | La Chanson d’Eve, op. 95: 2. Prima verba | Elly Ameling, Dalton Baldwin | — | |
| 15-3 | La Chanson d’Eve, op. 95: 3. Roses ardentes | Elly Ameling, Dalton Baldwin | — | |
| 15-4 | La Chanson d’Eve, op. 95: 4. Comme Dieu rayonne | Elly Ameling, Dalton Baldwin | — | |
| 15-5 | La Chanson d’Eve, op. 95: 5. L’aube blanche | Elly Ameling, Dalton Baldwin | — | |
| 15-6 | La Chanson d’Eve, op. 95: 6. Eau vivante | Elly Ameling, Dalton Baldwin | — | |
| 15-7 | La Chanson d’Eve, op. 95: 7. Veilles-tu, ma senteur de soleil ? | Elly Ameling, Dalton Baldwin | — | |
| 15-8 | La Chanson d’Eve, op. 95: 8. Dans un parfum de roses blanches | Elly Ameling, Dalton Baldwin | — | |
| 15-9 | La Chanson d’Eve, op. 95: 9. Crépuscule | Elly Ameling, Dalton Baldwin | — | |
| 15-10 | La Chanson d’Eve, op. 95: 10. O mort, poussière d'étoiles | Elly Ameling, Dalton Baldwin | — | |
| 15-11 | Le plus doux Chemin (madrigal), op. 87 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 15-12 | Le Ramier (madrigal), op. 87 no. 2 | Gérard Souzay, Dalton Baldwin | — | |
| 15-13 | Le Don silencieux, op. 92 | — | ||
| 15-14 | Chanson, op. 94 | — | ||
| 15-15 | Vocalise-étude | Elly Ameling, Dalton Baldwin | — | |
| 15-16 | Le Jardin clos, op. 106: No. 1 Exaucement | — | ||
| 15-17 | Le Jardin clos, op. 106: No. 2 Quant tu plonges tes yeux dans mes yeux | — | ||
| 15-18 | Le Jardin clos, op. 106: No. 3 La Meassagere | — | ||
| 15-19 | Le Jardin clos, op. 106: No. 4 Je me poserai sur ton coeux | — | ||
| 15-20 | Le Jardin clos, op. 106: No. 5 Dans la nymphee | — | ||
| 15-21 | Le Jardin clos, op. 106: No. 6 Dans la penombre | — | ||
| 15-22 | Le Jardin clos, op. 106: No. 7 Il m'est cher, Amour | — | ||
| 15-23 | Le Jardin clos, op. 106: No. 8 Inscription sur le sable | — | ||
| 15-24 | Mirages, op. 113: No. 1 Cygne sur l'eau | — | ||
| 15-25 | Mirages, op. 113: No. 2 Reflets dans l'eau | — | ||
| 15-26 | Mirages, op. 113: No. 3 Jardin nocturne | — | ||
| 15-27 | Mirages, op. 113: No. 4 Danseuse | — | ||
| 15-28 | C’est la paix !, op. 114 | Elly Ameling, Dalton Baldwin | — | |
| 15-29 | L'Horizon chimerique, op. 118: No. 1 La Mer est infinie | — | ||
| 15-30 | L'Horizon chimerique, op. 118: No. 2 Je me suis embarque | — | ||
| 15-31 | L'Horizon chimerique, op. 118: No. 3 Diane Selene | — | ||
| 15-32 | L'Horizon chimerique, op. 118: No. 4 Vaisseaux, nous vous aurons aimes | — | ||
| 15-33 | Trois mélodies, op. 7: Arr. for cello and piano | — | ||
| 15-34 | Trois mélodies, op. 7: Arr. for trumpet and orchestra | — | ||
| 16-1 | Super flumina Babylonis, for mixed choir and orchestra | Orchestre de Paris, Chœur de l'Orchestre de Paris, Paavo Järvi | T-302.325.202-6 | |
| 16-2 | Cantique de Jean Racine (for mixed chorus and organ) | — | ||
| 16-3 | Cantique de Jean Racine (for mixed chorus, string and organ) | Chœurs et solistes de Lyon-Bernard Tétu, Jean-Claude Pennetier, Bernard Tétu | — | |
| 16-4 | Cantique de Jean Racine (for mixed chorus and orchestra) | Chœur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | T-300.950.284-1 | |
| 16-5 | Ave Maria | — | ||
| 16-6 | Motets: Tu es Pétrus | Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-050.090.082-2 | |
| 16-7 | Les Djinns, Op. 12 | Chœurs et solistes de Lyon-Bernard Tétu, Jean-Claude Pennetier, Bernard Tétu | — | |
| 16-8 | Le Ruisseau | — | ||
| 16-9 | Deux motets, op. 47: No. 1 O salutaris | — | ||
| 16-10 | Deux motets, op. 47: No. 2 Maria, Mater gratiae | — | ||
| 16-11 | Requiem: I. Introit et Kyrie | — | ||
| 16-12 | Requiem: II. Offertoire | — | ||
| 16-13 | Requiem: III. Sanctus | — | ||
| 16-14 | Requiem, op. 48: IV. Pie Jesu (1893 version) | Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill | T-315.824.737-7 | |
| 16-15 | Requiem: V. Agnus Dei | — | ||
| 16-16 | Requiem: VII. Libera me | — | ||
| 16-17 | Requiem: VIII. In paradisum | — | ||
| 17-1 | Messe de l'Association des pecheurs de Villerville: I. Kyrie | — | ||
| 17-2 | Messe de l'Association des pecheurs de Villerville: II. Gloria | — | ||
| 17-3 | Messe de l'Association des pecheurs de Villerville: III. Sanctus | — | ||
| 17-4 | Messe de l'Association des pecheurs de Villerville: IV. O Salutaris | — | ||
| 17-5 | Messe de l'Association des pecheurs de Villerville: V. Agnus Dei | — | ||
| 17-6 | La Naissance de Vénus, Op. 29 | Chœurs et solistes de Lyon-Bernard Tétu, Jean-Claude Pennetier, Bernard Tétu | — | |
| 17-7 | Requiem: I. Introit et Kyrie | — | ||
| 17-8 | Requiem: II. Offertoire | — | ||
| 17-9 | Requiem: III. Sanctus | — | ||
| 17-10 | Requiem: IV. Pie Jesu | — | ||
| 17-11 | Requiem: V. Agnus Dei | — | ||
| 17-12 | Requiem: VI. Libera me | — | ||
| 17-13 | Requiem: VII. In Paradisum | — | ||
| 18-1 | Pavane, op. 50 | Edinburgh Festival Chorus, Orchestre de Paris, Daniel Barenboim | T-909.340.218-7 | |
| 18-2 | Pavane, Op. 50 | Chœurs et solistes de Lyon-Bernard Tétu, Jean-Claude Pennetier, Bernard Tétu | — | |
| 18-3 | Caligula, op. 52: Fanfares "Nous sommes les heures guerrières" | — | ||
| 18-4 | Caligula, op. 52: Chœur: "L'hiver s'enfuit" | — | ||
| 18-5 | Caligula, op. 52: Air de danse | — | ||
| 18-6 | Caligula, op. 52: Melodrame et Choeur "De roses merveilles" | — | ||
| 18-7 | Caligula, op. 52: Melodrame et Choeur "César a fermé les paupières" | — | ||
| 18-8 | Il est ne le divin enfant | — | ||
| 18-9 | Noël d'enfants | — | ||
| 18-10 | Ecce fidelis servus | — | ||
| 18-11 | La Passion | — | ||
| 18-12 | Tantum ergo | — | ||
| 18-13 | Deux motets, op. 65: No. 1 Ave Verdum | — | ||
| 18-14 | Deux motets, op. 65: No. 2 Tantum ergo | — | ||
| 18-15 | Sancta Mater | — | ||
| 18-16 | Deux motets, op. 67: No. 1 Salve Regina | — | ||
| 18-17 | Deux motets, op. 67: No. 2 Ave Maria | — | ||
| 18-18 | Tantum ergo | — | ||
| 18-19 | Ave Maria | — | ||
| 18-20 | Messe basse: I. Kyrie | — | ||
| 18-21 | Messe basse: II. Sanctus | — | ||
| 18-22 | Messe basse: III. Benedictus | — | ||
| 18-23 | Messe basse: IV. Agnus Dei | — | ||
| 19-1 | Prométhée, Prelude | — | ||
| 19-2 | Prométhée, Act 1: I. 'Eia! Eia!' | — | ||
| 19-3 | Prométhée, Act 1: II. Entree de Pandore | — | ||
| 19-4 | Prométhée, Act 1: III. 'Arrete Promethee' | — | ||
| 19-5 | Prométhée, Act 1: IV. 'Marche et poursuit ton but' | — | ||
| 19-6 | Prométhée, Act 1: V. Melodrame et Choeur | — | ||
| 19-7 | Prométhée, Act 1: VI. 'Reveille-toi' | — | ||
| 19-8 | Prométhée, Act 2: I. 'Larmes, coulez' | — | ||
| 19-9 | Prométhée, Act 2: II. 'Nous voici parvenus en pleine solitude' | — | ||
| 19-10 | Prométhée, Act 2: III. Melodrame | — | ||
| 19-11 | Prométhée, Act 2: IV. 'Pandore, arriere' | — | ||
| 19-12 | Prométhée, Act 3: I. Prelude | — | ||
| 19-13 | Prométhée, Act 3: II. 'Des ruisseaux et des sources claires' | — | ||
| 19-14 | Prométhée, Act 3: III. 'Vois, nos bras sont vers lui tendus' | — | ||
| 19-15 | Prométhée, Act 3: IV. 'Ne tremble pas' | — | ||
| 19-16 | Prométhée, Act 3: V. 'Ta douleur' | — | ||
| 19-17 | Prométhée, Act 3: VI. 'Dans l'orgueil' | — | ||
| 19-18 | Prométhée, Act 3: VIII. 'Les Dieux graves nous ont souris' | — | ||
| 20-1 | Pénélope, Prelude | — | ||
| 20-2 | Pénélope, Act 1: Scene 1 | — | ||
| 20-3 | Pénélope, Act 1: Scene 2 | — | ||
| 20-4 | Pénélope, Act 1: Scene 3 | — | ||
| 20-5 | Pénélope, Act 1: 'Jadis, quand on aimait...' | — | ||
| 20-6 | Pénélope, Act 1: 'Ton espoir est stupide...' | — | ||
| 20-7 | Pénélope, Act 1: 'J'ai tisse de mes mains...' | — | ||
| 20-8 | Pénélope, Act 1: 'Avoir le double puits de tes yeux pour mirroir' | — | ||
| 20-9 | Pénélope, Act 1: Scene 5 | — | ||
| 20-10 | Pénélope, Act 1: Scene 6 | — | ||
| 20-11 | Pénélope, Act 1: Scene 7 | — | ||
| 20-12 | Pénélope, Act 1: Scene 8 | — | ||
| 20-13 | Pénélope, Act 1: Scene 9 | — | ||
| 20-14 | Pénélope, Act 1: Scene 10 | — | ||
| 21-1 | Pénélope, Act 2: Introduction | — | ||
| 21-2 | Pénélope, Act 2: 'C'est sur ce banc...' | — | ||
| 21-3 | Pénélope, Act 2: 'Oh mon hote, a present...' | — | ||
| 21-4 | Pénélope, Act 2: 'Toutes tes questions' | — | ||
| 21-5 | Pénélope, Act 2: 'La nuit s'avance' | — | ||
| 21-6 | Pénélope, Act 2: Scene 3 | — | ||
| 21-7 | Pénélope, Act 3: Introduction | — | ||
| 21-8 | Pénélope, Act 3: Scene 2 | — | ||
| 21-9 | Pénélope, Act 3: Scene 3 | — | ||
| 21-10 | Pénélope, Act 3: Scene 4 | — | ||
| 21-11 | Pénélope, Act 3: 'La Reine' | — | ||
| 21-12 | Pénélope, Act 3: 'Ah!' | — | ||
| 21-13 | Pénélope, Act 3: 'Autrefois, on vantait ma force' | — | ||
| 21-14 | Pénélope, Act 3: Scene 6 | — | ||
| 21-15 | Pénélope, Act 3: Scene 7 | — | ||
| 22-1 | Prelude no. 3 in G minor | — | ||
| 22-2 | Barcarolle no. 1 in A minor | — | ||
| 22-3 | Imprompute no. 2 in F minor | — | ||
| 22-4 | Impromputu no. 5 in F-sharp minor | — | ||
| 22-5 | Barcarolle no. 6 in E-flat major | — | ||
| 22-6 | Nocturne no. 4 in E-flat major | — | ||
| 22-7 | Nocturne no. 6 in D-flat major | — | ||
| 22-8 | Barcarolle no. 2 in G major | — | ||
| 22-9 | Nocturne No. 2 en si majeur, op. 33 no. 2 | Samson François | — | |
| 22-10 | Nocturne No. 4 en mi bémol majeur, op. 36 | Samson François | — | |
| 22-11 | Impromptu No. 2 en fa mineur, op. 31 (enregistré en 1955) | Samson François | — | |
| 22-12 | Ballade in F-sharp major | — | ||
| 22-13 | Impromptu in D-flat major for harp | — | ||
| 23-1 | Violin Sonata no. 1 in A major: I. Allegro molto | — | ||
| 23-2 | Violin Sonata no. 1 in A major: II. Andante | — | ||
| 23-3 | Violin Sonata no. 1 in A major: III. Allegro | — | ||
| 23-4 | Violin Sonata no. 1 in A major: IV. Allegro quasi presto | — | ||
| 23-5 | Berceuse in D major | — | ||
| 23-6 | Élégie in C major | — | ||
| 23-7 | Papillon in A major | — | ||
| 23-8 | Shylock: Nocturne | — | ||
| 23-9 | Cello Sonata no. 2 in G minor: I. Allegro | — | ||
| 23-10 | Cello Sonata no. 2 in G minor: II. Andante | — | ||
| 23-11 | Cello Sonata no. 2 in G minor: III. Allegro vivo | — | ||
| 23-12 | String Quartet in E minor: I. Allegro moderato | — | ||
| 23-13 | String Quartet in E minor: II. Andante | — | ||
| 23-14 | String Quartet in E minor: III. Allegro | — | ||
| 24-1 | Piano Quartet no. 1 in C minor: I. Allegro molto moderato | — | ||
| 24-2 | Piano Quartet no. 1 in C minor: II. Scherzo | — | ||
| 24-3 | Piano Quartet no. 1 in C minor: III. Adagio | — | ||
| 24-4 | Piano Quartet no. 1 in C minor: IV. Allegro molto | — | ||
| 24-5 | Piano Quartet no. 2 in G minor: I. Allegro molto moderato | — | ||
| 24-6 | Piano Quartet no. 2 in G minor: II. Allegro molto | — | ||
| 24-7 | Piano Quartet no. 2 in G minor: III. Adagio non troppo | — | ||
| 24-8 | Piano Quartet no. 2 in G minor: IV. Allegro molto | — | ||
| 24-9 | Shylock: Entracte | — | ||
| 24-10 | Shylock: Epithalame | — | ||
| 24-11 | Shylock: Nocturne | — | ||
| 24-12 | Shylock: Final | — | ||
| 25-1 | La Bonne chanson: No. 1 Une Sainte en son aureole | — | ||
| 25-2 | La Bonne chanson: No. 2 Puisque l'aube grandit | — | ||
| 25-3 | La Bonne chanson: No. 3 La Lune blanche luit dans les bois | — | ||
| 25-4 | La Bonne chanson: No. 4 j'allais par des chemins perfides | — | ||
| 25-5 | La Bonne chanson: No. 5 j'ai presque peur | — | ||
| 25-6 | La Bonne chanson: No. 6 Avant que tu ne t'en ailles | — | ||
| 25-7 | La Bonne chanson: No. 7 Donc ce sera par uns clair jour d'ete | — | ||
| 25-8 | La Bonne chanson: No. 8 N'est-ce pas | — | ||
| 25-9 | La Bonne chanson: No. 9 L'hiver a cesse | — | ||
| 25-10 | L'Horizon chimerique: No. 1 La Mer est infinie | — | ||
| 25-11 | L'Horizon chimerique: No. 2 Je me suis embarque | — | ||
| 25-12 | L'Horizon chimerique: No. 3 Diane Selene | — | ||
| 25-13 | L'Horizon chimerique: No. 4 Vaisseaux, nous vous aurons aimes | — | ||
| 25-14 | Clair de lune | — | ||
| 25-15 | Les Berceaux | — | ||
| 25-16 | La Rose | — | ||
| 25-17 | Au cimetiere | — | ||
| 25-18 | Les Roses d'Hispahan | — | ||
| 25-19 | Nell | — | ||
| 25-20 | Aurore | — | ||
| 25-21 | Soir | — | ||
| 25-22 | Apres un reve | — | ||
| 25-23 | Le Secret | — | ||
| 25-24 | Prison | — | ||
| 25-25 | Mirages: No. 3 Jardin nacturne | — | ||
| 25-26 | Poeme d'un jour | — | ||
| 25-27 | Pleur jetee | — | ||
| 25-28 | Noel | — | ||
| 25-29 | Dans les ruines d'une abbaye | — | ||
| 25-30 | Lydia | — | ||
| 25-31 | L'Absent | — | ||
| 25-32 | Ici-bas | — | ||
| 26-1 | Requiem (for soprano, baritone, chorus, organ and small orchestra): I. Introit et Kyrie | — | ||
| 26-2 | Requiem (for soprano, baritone, chorus, organ and small orchestra): II. Offertoire | — | ||
| 26-3 | Requiem (for soprano, baritone, chorus, organ and small orchestra): III. Sanctus | — | ||
| 26-4 | Requiem (for soprano, baritone, chorus, organ and small orchestra): IV. Pie Jesu | — | ||
| 26-5 | Requiem (for soprano, baritone, chorus, organ and small orchestra): V. Agnus Dei | — | ||
| 26-6 | Requiem (for soprano, baritone, chorus, organ and small orchestra): VI. Libera me | — | ||
| 26-7 | Requiem (for soprano, baritone, chorus, organ and small orchestra): VII. In Paradisum | — | ||
| 26-8 | Requiem (for soprano, baritone, chorus, organ and full orchestra): I. Introit et Kyrie | — | ||
| 26-9 | Requiem (for soprano, baritone, chorus, organ and full orchestra): II. Offertoire | — | ||
| 26-10 | Requiem (for soprano, baritone, chorus, organ and full orchestra): III. Sanctus | — | ||
| 26-11 | Requiem (for soprano, baritone, chorus, organ and full orchestra): IV. Pie Jesu | — | ||
| 26-12 | Requiem (for soprano, baritone, chorus, organ and full orchestra): V. Agnus Dei | — | ||
| 26-13 | Requiem (for soprano, baritone, chorus, organ and full orchestra): VI. Libera me | — | ||
| 26-14 | Requiem (for soprano, baritone, chorus, organ and full orchestra): VII. In Paradisum | — | ||
| 26-15 | Requiem: IV. Pie Jesu | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: I. Allegro molto moderato | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: II. Scherzo: allegro vivo | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: III. Adagio | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Quatuor pour piano & cordes no. 1 en ut mineur, op. 15: IV. Allegro molto | Quatuor Bernède, Paul Boufil, Guy Chêne, Samson François | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
| Elégie in C minor, op. 24 | Jacqueline du Pré, Gerald Moore | — |
