UPC · Release
Antonín Dvořák, Béla Bartók, Camille Saint‐Saëns, Georges Bizet, Henri Dutilleux, Igor Stravinsky, Jean Sibelius, Rodion Shchedrin, Toru Takemitsu, Seiji Ozawa
Last verified:
The UPC for “Seiji Ozawa: A Celebration” by Antonín Dvořák, Béla Bartók, Camille Saint‐Saëns, Georges Bizet, Henri Dutilleux, Igor Stravinsky, Jean Sibelius, Rodion Shchedrin, Toru Takemitsu, Seiji Ozawa is 5054197993060. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-02-27. This release contains 71 tracks, each with its own ISRC. Tracks include GBAYC9802126, GBAYC9802128, GBAYC9802129.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Firebird: Introduction | Orchestre de Paris, Seiji Ozawa | — | |
| 2 | The Firebird, Tableau 1: Kashchei's Enchanted Garden | Orchestre de Paris, Seiji Ozawa | — | |
| 3 | The Firebird, Tableau 1: Appearance of the Firebird Pursued by Ivan | Orchestre de Paris, Seiji Ozawa | — | |
| 4 | The Firebird, Tableau 1: Dance of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 5 | The Firebird, Tableau 1: Ivan Tsarevich Captures the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 6 | The Firebird, Tableau 1: Supplication of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 7 | The Firebird, Tableau 1: Appearance of 13 Enchanted Princesses | Orchestre de Paris, Seiji Ozawa | — | |
| 8 | The Firebird, Tableau 1: The Princesses' Game with the Golden Apples | Orchestre de Paris, Seiji Ozawa | — | |
| 9 | The Firebird, Tableau 1: Sudden Appearance of the Ivan Tsarevich | Orchestre de Paris, Seiji Ozawa | — | |
| 10 | The Firebird, Tableau 1: The Princesses' Khorovod | Orchestre de Paris, Seiji Ozawa | — | |
| 11 | The Firebird, Tableau 1: Daybreak | Orchestre de Paris, Seiji Ozawa | — | |
| 12 | The Firebird, Tableau 1: Ivan Tsarevich Enters Kashchei's Palace | Orchestre de Paris, Seiji Ozawa | — | |
| 13 | The Firebird, Tableau 1: Magic Carillon - Appearance of Kashchei's Guardian Monsters | Orchestre de Paris, Seiji Ozawa | — | |
| 14 | The Firebird, Tableau 1: Arrival of Kashchei the Immortal | Orchestre de Paris, Seiji Ozawa | — | |
| 15 | The Firebird, Tableau 1: His Dialogue with Ivan Tsarevich | Orchestre de Paris, Seiji Ozawa | — | |
| 16 | The Firebird, Tableau 1: The Intercession of the Princesses | Orchestre de Paris, Seiji Ozawa | — | |
| 17 | The Firebird, Tableau 1: Appearance of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 18 | The Firebird, Tableau 1: Dance of Kashchei's Retinue Under the Firebird's Spell | Orchestre de Paris, Seiji Ozawa | — | |
| 19 | The Firebird, Tableau 1: Infernal Dance of all Kashchei's Subjects | Orchestre de Paris, Seiji Ozawa | — | |
| 20 | The Firebird, Tableau 1: Lullaby | Orchestre de Paris, Seiji Ozawa | — | |
| 21 | The Firebird, Tableau 1: Kashchei Awakes | Orchestre de Paris, Seiji Ozawa | — | |
| 22 | The Firebird, Tableau 1: Death of Kashchei | Orchestre de Paris, Seiji Ozawa | — | |
| 23 | The Firebird, Tableau 1: Complete Darkness | Orchestre de Paris, Seiji Ozawa | — | |
| 24 | The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving | Orchestre de Paris, Seiji Ozawa | — | |
| 25 | L'Arlésienne-Suite No. 1: I: Prélude | Orchestre National de France, Seiji Ozawa | — | |
| 26 | L'Arlésienne-Suite No. 1: II: Minuetto | Orchestre National de France, Seiji Ozawa | — | |
| 27 | L'Arlésienne-Suite No. 1: III: Adagietto | Orchestre National de France, Seiji Ozawa | — | |
| 28 | L'Arlésienne-Suite No. 1: IV: Carillon | Orchestre National de France, Seiji Ozawa | — | |
| 29 | The Shadows of Time: Les Heures | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 30 | The Shadows of Time: Ariel Maléfique | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31 | The Shadows of Time: Mémoire des Ombres | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32 | The Shadows of Time: Vague de Lumière | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 33 | The Shadows of Time: Dominante Bleu ? | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 34 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 35 | Scheherazade, op. 35: II. The Kalendar Prince | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 36 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 37 | Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks against a Cliff Surmounted by a Bronze Horseman | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 38 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T-921.161.772-0 | |
| 39 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo | Chicago Symphony Orchestra, Seiji Ozawa | T-312.542.566-9 | |
| 40 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 41 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 42 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 43 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 44 | Polonaise - "Eugene Onegin" (Act III), Op. 24 | Berlin Philharmonic Orchestra, Seiji Ozawa | — | |
| 45 | Symphony No. 3 in C minor, Op. 78 "Organ": I. Adagio - Allegro moderato | Orchestre national de France, Seiji Ozawa | — | |
| 46 | Symphony No. 3 in C minor, Op. 78 "Organ": I. Poco adagio | Philippe Lefebvre, Orchestre national de France, Seiji Ozawa | — | |
| 47 | Symphony No. 3 in C minor, Op. 78 "Organ": II. Allegro moderato - Presto | Orchestre national de France, Seiji Ozawa | — | |
| 48 | Symphony No. 3 in C minor, Op. 78 "Organ": II. Maestoso - Allegro | Philippe Lefebvre, Orchestre national de France, Seiji Ozawa | — | |
| 49 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro - Andante | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 50 | Piano Concerto no. 3 in C major, op. 26: II. Theme: Andantino and Variations 1-5 | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 51 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 52 | Concerto for Piano & Wind Instruments: I. Largo – Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 53 | Concerto for Piano & Wind Instruments: II. Largo – Cadenza: Poco rubato | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 54 | Concerto for Piano & Wind Instruments: III. Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 55 | Cassiopeia | Stomu Yamashita, Japan Philharmonic Orchestra, Seiji Ozawa | — | |
| 56 | Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 1. Allegro | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 57 | Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 58 | Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 3. Finale: Allegro moderato | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 59 | Capriccio Italien, p. 45 | Philharmonia Orchestra, Seiji Ozawa | T-304.396.368-0 | |
| 60 | Symphony in C major, WD 33: I. Allegro vivo | Orchestre national de France, Seiji Ozawa | — | |
| 61 | Symphony in C major, WD 33: II. Adagio | Orchestre national de France, Seiji Ozawa | T-070.275.805-1 | |
| 62 | Symphony in C major, WD 33: III. Scherzo. Allegro vivace | Orchestre national de France, Seiji Ozawa | — | |
| 63 | Symphony in C major, WD 33: IV. Finale. Allegro vivace | Orchestre national de France, Seiji Ozawa | — | |
| 64 | Rhapsody in Blue | Alexis Weissenberg, Berliner Philharmoniker, Seiji Ozawa | T-010.244.926-2 | |
| 65 | Violin Concerto in D Minor, Op. 47: I. Allegro moderato | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 66 | Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 67 | Violin Concerto in D Minor, Op. 47: III. Allegro, ma no tanto | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 68 | Sotto voce concerto: I. Sostenuto – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 69 | Sotto voce concerto: II. Allegretto moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 70 | Sotto voce concerto: III. Scherzo: Cadenza – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 71 | Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sotto voce concerto: I. Sostenuto – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: II. Allegretto moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: III. Scherzo: Cadenza – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 1. Allegro | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 3. Finale: Allegro moderato | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5054197993060 is a Universal Product Code (UPC) assigned to Seiji Ozawa: A Celebration by Antonín Dvořák, Béla Bartók, Camille Saint‐Saëns, Georges Bizet, Henri Dutilleux, Igor Stravinsky, Jean Sibelius, Rodion Shchedrin, Toru Takemitsu, Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 71 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Seiji Ozawa: A Celebration” by Antonín Dvořák, Béla Bartók, Camille Saint‐Saëns, Georges Bizet, Henri Dutilleux, Igor Stravinsky, Jean Sibelius, Rodion Shchedrin, Toru Takemitsu, Seiji Ozawa is 5054197993060. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-02-27. This release contains 71 tracks, each with its own ISRC. Tracks include GBAYC9802126, GBAYC9802128, GBAYC9802129.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Firebird: Introduction | Orchestre de Paris, Seiji Ozawa | — | |
| 2 | The Firebird, Tableau 1: Kashchei's Enchanted Garden | Orchestre de Paris, Seiji Ozawa | — | |
| 3 | The Firebird, Tableau 1: Appearance of the Firebird Pursued by Ivan | Orchestre de Paris, Seiji Ozawa | — | |
| 4 | The Firebird, Tableau 1: Dance of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 5 | The Firebird, Tableau 1: Ivan Tsarevich Captures the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 6 | The Firebird, Tableau 1: Supplication of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 7 | The Firebird, Tableau 1: Appearance of 13 Enchanted Princesses | Orchestre de Paris, Seiji Ozawa | — | |
| 8 | The Firebird, Tableau 1: The Princesses' Game with the Golden Apples | Orchestre de Paris, Seiji Ozawa | — | |
| 9 | The Firebird, Tableau 1: Sudden Appearance of the Ivan Tsarevich | Orchestre de Paris, Seiji Ozawa | — | |
| 10 | The Firebird, Tableau 1: The Princesses' Khorovod | Orchestre de Paris, Seiji Ozawa | — | |
| 11 | The Firebird, Tableau 1: Daybreak | Orchestre de Paris, Seiji Ozawa | — | |
| 12 | The Firebird, Tableau 1: Ivan Tsarevich Enters Kashchei's Palace | Orchestre de Paris, Seiji Ozawa | — | |
| 13 | The Firebird, Tableau 1: Magic Carillon - Appearance of Kashchei's Guardian Monsters | Orchestre de Paris, Seiji Ozawa | — | |
| 14 | The Firebird, Tableau 1: Arrival of Kashchei the Immortal | Orchestre de Paris, Seiji Ozawa | — | |
| 15 | The Firebird, Tableau 1: His Dialogue with Ivan Tsarevich | Orchestre de Paris, Seiji Ozawa | — | |
| 16 | The Firebird, Tableau 1: The Intercession of the Princesses | Orchestre de Paris, Seiji Ozawa | — | |
| 17 | The Firebird, Tableau 1: Appearance of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 18 | The Firebird, Tableau 1: Dance of Kashchei's Retinue Under the Firebird's Spell | Orchestre de Paris, Seiji Ozawa | — | |
| 19 | The Firebird, Tableau 1: Infernal Dance of all Kashchei's Subjects | Orchestre de Paris, Seiji Ozawa | — | |
| 20 | The Firebird, Tableau 1: Lullaby | Orchestre de Paris, Seiji Ozawa | — | |
| 21 | The Firebird, Tableau 1: Kashchei Awakes | Orchestre de Paris, Seiji Ozawa | — | |
| 22 | The Firebird, Tableau 1: Death of Kashchei | Orchestre de Paris, Seiji Ozawa | — | |
| 23 | The Firebird, Tableau 1: Complete Darkness | Orchestre de Paris, Seiji Ozawa | — | |
| 24 | The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving | Orchestre de Paris, Seiji Ozawa | — | |
| 25 | L'Arlésienne-Suite No. 1: I: Prélude | Orchestre National de France, Seiji Ozawa | — | |
| 26 | L'Arlésienne-Suite No. 1: II: Minuetto | Orchestre National de France, Seiji Ozawa | — | |
| 27 | L'Arlésienne-Suite No. 1: III: Adagietto | Orchestre National de France, Seiji Ozawa | — | |
| 28 | L'Arlésienne-Suite No. 1: IV: Carillon | Orchestre National de France, Seiji Ozawa | — | |
| 29 | The Shadows of Time: Les Heures | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 30 | The Shadows of Time: Ariel Maléfique | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31 | The Shadows of Time: Mémoire des Ombres | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32 | The Shadows of Time: Vague de Lumière | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 33 | The Shadows of Time: Dominante Bleu ? | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 34 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 35 | Scheherazade, op. 35: II. The Kalendar Prince | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 36 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 37 | Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks against a Cliff Surmounted by a Bronze Horseman | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 38 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T-921.161.772-0 | |
| 39 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo | Chicago Symphony Orchestra, Seiji Ozawa | T-312.542.566-9 | |
| 40 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 41 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 42 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 43 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 44 | Polonaise - "Eugene Onegin" (Act III), Op. 24 | Berlin Philharmonic Orchestra, Seiji Ozawa | — | |
| 45 | Symphony No. 3 in C minor, Op. 78 "Organ": I. Adagio - Allegro moderato | Orchestre national de France, Seiji Ozawa | — | |
| 46 | Symphony No. 3 in C minor, Op. 78 "Organ": I. Poco adagio | Philippe Lefebvre, Orchestre national de France, Seiji Ozawa | — | |
| 47 | Symphony No. 3 in C minor, Op. 78 "Organ": II. Allegro moderato - Presto | Orchestre national de France, Seiji Ozawa | — | |
| 48 | Symphony No. 3 in C minor, Op. 78 "Organ": II. Maestoso - Allegro | Philippe Lefebvre, Orchestre national de France, Seiji Ozawa | — | |
| 49 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro - Andante | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 50 | Piano Concerto no. 3 in C major, op. 26: II. Theme: Andantino and Variations 1-5 | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 51 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 52 | Concerto for Piano & Wind Instruments: I. Largo – Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 53 | Concerto for Piano & Wind Instruments: II. Largo – Cadenza: Poco rubato | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 54 | Concerto for Piano & Wind Instruments: III. Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 55 | Cassiopeia | Stomu Yamashita, Japan Philharmonic Orchestra, Seiji Ozawa | — | |
| 56 | Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 1. Allegro | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 57 | Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 58 | Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 3. Finale: Allegro moderato | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 59 | Capriccio Italien, p. 45 | Philharmonia Orchestra, Seiji Ozawa | T-304.396.368-0 | |
| 60 | Symphony in C major, WD 33: I. Allegro vivo | Orchestre national de France, Seiji Ozawa | — | |
| 61 | Symphony in C major, WD 33: II. Adagio | Orchestre national de France, Seiji Ozawa | T-070.275.805-1 | |
| 62 | Symphony in C major, WD 33: III. Scherzo. Allegro vivace | Orchestre national de France, Seiji Ozawa | — | |
| 63 | Symphony in C major, WD 33: IV. Finale. Allegro vivace | Orchestre national de France, Seiji Ozawa | — | |
| 64 | Rhapsody in Blue | Alexis Weissenberg, Berliner Philharmoniker, Seiji Ozawa | T-010.244.926-2 | |
| 65 | Violin Concerto in D Minor, Op. 47: I. Allegro moderato | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 66 | Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 67 | Violin Concerto in D Minor, Op. 47: III. Allegro, ma no tanto | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 68 | Sotto voce concerto: I. Sostenuto – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 69 | Sotto voce concerto: II. Allegretto moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 70 | Sotto voce concerto: III. Scherzo: Cadenza – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 71 | Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sotto voce concerto: I. Sostenuto – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: II. Allegretto moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: III. Scherzo: Cadenza – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 1. Allegro | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 3. Finale: Allegro moderato | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
