UPC · Release
…Coals to Newcastle
Orange Juice
Last verified:
5054526531147 is the Universal Product Code (UPC barcode) for the release “…Coals to Newcastle” by Orange Juice, released 2010-11-08. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 109 tracks, each with its own ISRC. Tracks include GBCEL0500074, GBCEL0500075, GBCEL0500076.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (109)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Falling and Laughing (7" version) | Orange Juice | T-010.182.764-8 | |
| 2 | Moscow | Orange Juice | — | |
| 3 | Moscow Olympics | Orange Juice | — | |
| 4 | Felicity (live) | — | ||
| 5 | Blue Boy | Orange Juice | T-010.182.750-2 | |
| 6 | Lovesick | Orange Juice | T-011.285.659-3 | |
| 7 | Simply Thrilled Honey | Orange Juice | T-010.304.506-2 | |
| 8 | Breakfast Time | Orange Juice | T-011.285.662-8 | |
| 9 | Poor Old Soul, Part 1 | Orange Juice | T-010.303.126-0 | |
| 10 | Poor Old Soul, Part 2 | Orange Juice | T-010.303.126-0 | |
| 11 | Louise Louise | Orange Juice | T-010.303.052-9 | |
| 12 | Three Cheers for Our Side | — | ||
| 13 | (To Put It in a) Nutshell | — | ||
| 14 | Satellite City | Orange Juice | T-010.155.638-0 | |
| 15 | Consolation Prize | Orange Juice | T-010.303.051-8 | |
| 16 | Holiday Hymn | Orange Juice | T-010.308.323-3 | |
| 17 | Intuition Told Me, Part 1 | Orange Juice | T-011.285.660-6 | |
| 18 | Intuition Told Me, Part 2 | Orange Juice | T-011.285.660-6 | |
| 19 | Wan Light | Orange Juice | — | |
| 20 | Dying Day | Orange Juice | T-010.303.048-3 | |
| 21 | Texas Fever | Orange Juice | T-010.867.174-4 | |
| 22 | Tender Object | Orange Juice | T-011.285.666-2 | |
| 25 | Simply Thrilled Honey (live) | — | ||
| 26 | Botswana (live) | — | ||
| 27 | Time to Develop (live) | — | ||
| 28 | Blue Boy (live) | — | ||
| 2-1 | Falling and Laughing | Orange Juice | T-010.182.764-8 | |
| 2-2 | Untitled Melody | Orange Juice | — | |
| 2-3 | Wan Light | Orange Juice | — | |
| 2-4 | Tender Object | Orange Juice | — | |
| 2-5 | Dying Day | Orange Juice | — | |
| 2-6 | L.O.V.E. Love | Orange Juice | T-042.104.800-1 | |
| 2-7 | Intuition Told Me, Part 1 | Orange Juice | — | |
| 2-8 | Upwards and Onwards | Orange Juice | — | |
| 2-9 | Satellite City | Orange Juice | — | |
| 2-10 | Three Cheers for Our Side | Orange Juice | — | |
| 2-11 | Consolation Prize | Orange Juice | T-010.303.051-8 | |
| 2-12 | Felicity | Orange Juice | T-010.183.024-3 | |
| 2-13 | In a Nutshell | Orange Juice | — | |
| 2-14 | Intuition Told Me, Part 2 | Orange Juice | — | |
| 2-15 | Moscow | Orange Juice | — | |
| 2-16 | You Old Eccentric | Orange Juice | — | |
| 2-19 | Tongues Begin to Wag | — | ||
| 2-20 | Barbeque | — | ||
| 3-1 | Rip It Up | — | ||
| 3-2 | A Million Pleading Faces | — | ||
| 3-3 | Mud in Your Eye | — | ||
| 3-4 | Turn Away | — | ||
| 3-5 | Breakfast Time | — | ||
| 3-6 | I Can’t Help Myself | — | ||
| 3-7 | Flesh of My Flesh | — | ||
| 3-8 | Louise Louise | — | ||
| 3-9 | Hokoyo | — | ||
| 3-10 | Tenterhook | — | ||
| 3-12 | Snake Charmer | — | ||
| 3-13 | Lovesick (re‐recording) | — | ||
| 3-17 | All That Ever Mattered | — | ||
| 4-1 | Bridge | — | ||
| 4-2 | Craziest Feeling | — | ||
| 4-3 | Punch Drunk | — | ||
| 4-4 | The Day I Went Down to Texas | — | ||
| 4-5 | A Place in My Heart | — | ||
| 4-6 | A Sad Lament | — | ||
| 4-7 | Out for the Count | — | ||
| 4-9 | Poor Old Soul (re‐recording) | — | ||
| 4-10 | Leaner Period | — | ||
| 4-11 | Move Yourself | — | ||
| 4-13 | Craziest Feeling | — | ||
| 4-14 | Bridge | — | ||
| 4-15 | The Day I Went Down to Texas | — | ||
| 4-16 | A Place in My Heart | — | ||
| 4-17 | Out for the Count | — | ||
| 4-18 | Punch Drunk | — | ||
| 5-1 | Lean Period | — | ||
| 5-2 | I Guess I’m Just a Little Too Sensitive | — | ||
| 5-3 | Burning Desire | — | ||
| 5-4 | Scaremonger | — | ||
| 5-5 | The Artisans | — | ||
| 5-6 | What Presence?! | Orange Juice | T-010.304.922-4 | |
| 5-7 | Out for the Count | — | ||
| 5-8 | Get While the Gettings Good | — | ||
| 5-9 | All That Ever Mattered | — | ||
| 5-10 | Salmon Fishing in New York | — | ||
| 5-13 | In a Nutshell (live) | — | ||
| 5-14 | Simply Thrilled Honey (live) | — | ||
| 5-15 | Dying Day (live) | — | ||
| 5-16 | Bury My Head in My Hands | — | ||
| 5-18 | Rip It Up (live) | — | ||
| 5-19 | What Presence?! (live) | — | ||
| 6-1 | Poor Old Soul | — | ||
| 6-2 | You Old Eccentric | — | ||
| 6-3 | Falling and Laughing | — | ||
| 6-4 | Lovesick | — | ||
| 6-5 | Upwards and Onwards | — | ||
| 6-6 | Wan Light | — | ||
| 6-7 | Felicity | Orange Juice | T-010.183.024-3 | |
| 6-8 | Dying Day | — | ||
| 6-9 | Holiday Hymn | — | ||
| 6-10 | Three Cheers for Our Side | — | ||
| 6-11 | Blokes on 45 | Orange Juice | T-900.162.089-9 | |
| 6-12 | Mud in Your Eye | — | ||
| 6-13 | I Can’t Help Myself | — | ||
| 6-14 | In Spite of It All | — | ||
| 6-15 | Turn Away | — | ||
| 6-16 | What Presense?! | — | ||
| 6-17 | Salmon Fishing in New York | — | ||
| 6-18 | Bridge | — | ||
| 6-19 | BBC Interview, Part 1 | — | ||
| 6-20 | BBC Interview, Part 2 | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| In a Nutshell | Orange Juice | T-010.303.055-2 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 5054526531147?
5054526531147 is a Universal Product Code (UPC) assigned to …Coals to Newcastle by Orange Juice. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 109 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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