UPC · Release
R3HAB
Last verified:
The UPC for “The Wave (acoustic)” by R3HAB is 5054526734296. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-07-26. This release contains 6 tracks, each with its own ISRC. Tracks include NLW4L1900143, NLW4L1900137, NLW4L1900149.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Wave (acoustic) | R3HAB, Lia Marie Johnson | T-061.868.816-6 | |
| 2 | Lullaby (acoustic) | R3HAB, Mike Williams | T-916.278.622-3 | |
| 3 | Rumors (acoustic) | R3HAB, Sofia Carson | T-926.282.298-0 | |
| 4 | Radio Silence (acoustic) | R3HAB, Jocelyn Alice | T-929.559.435-3 | |
| 5 | Hold on Tight (acoustic) | R3HAB, Conor Maynard | T-061.877.435-8 | |
| 6 | Good Intentions (acoustic) | R3HAB, Fabian Mazur, Lourdiz | T-917.017.768-1 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5054526734296 is a Universal Product Code (UPC) assigned to The Wave (acoustic) by R3HAB. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 6 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “The Wave (acoustic)” by R3HAB is 5054526734296. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-07-26. This release contains 6 tracks, each with its own ISRC. Tracks include NLW4L1900143, NLW4L1900137, NLW4L1900149.
