UPC · Release
Gilbert, Sullivan, D’Oyly Carte, Sadler’s Wells
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The UPC for “Vintage Collection: Iolanthe / Pineapple Poll” by Gilbert, Sullivan, D’Oyly Carte, Sadler’s Wells is 5055031320493. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-28. This release contains 50 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Iolanthe: Overture | — | ||
| 2 | Iolanthe: Act I. An Arcadian Landscape: “Tripping hither, tripping thither” | — | ||
| 3 | Iolanthe: Act I. “Iolanthe! From thy dark exile thou art summoned” | — | ||
| 4 | Iolanthe: Act I. “Good morrow, good mother” | — | ||
| 5 | Iolanthe: Act I. “Fare thee well, attractive stranger” | — | ||
| 6 | Iolanthe: Act I. “Good morrow, good lover” | — | ||
| 7 | Iolanthe: Act I. “None shall part us from each other” | — | ||
| 8 | Iolanthe: Act I. March and entry of the peers: “Loudly let the trumpet bray” | — | ||
| 9 | Iolanthe: Act I. “The law is the true embodiment” | — | ||
| 10 | Iolanthe: Act I. “My well‐loved Lord” | — | ||
| 11 | Iolanthe: Act I. “Nay, tempt me not” | — | ||
| 12 | Iolanthe: Act I. “Spurn not the nobly born” | — | ||
| 13 | Iolanthe: Act I. “My lords, it may not be” | — | ||
| 14 | Iolanthe: Act I. “When I went to the Bar” | — | ||
| 15 | Iolanthe: Act I. Finale: “When darkly looms the day” | — | ||
| 16 | Iolanthe: Act I. “Oh shameless one, tremble” | — | ||
| 17 | Iolanthe: Act I. “In babyhood upon her lap I lay” | — | ||
| 18 | Iolanthe: Act I. “For riches and rank I do not long” | — | ||
| 19 | Iolanthe: Act I. “Can I inactive see my fortunes fade?” | — | ||
| 20 | Iolanthe: Act I. “The lady of my love has caught me talking to another” | — | ||
| 21 | Iolanthe: Act I. “Go away, madam” | — | ||
| 22 | Iolanthe: Act I. “Oh, Chancellor unwary” | — | ||
| 23 | Iolanthe: Act I. “Henceforth Strephon, cast away” | — | ||
| 24 | Iolanthe: Act I. “Every bill and every measure” | — | ||
| 25 | Iolanthe: Act I. “Young Strephon is the kind of lout” | — | ||
| 2-1 | Iolanthe: Act II. The Palace Yard at Westminster: “When all night long a chap remains” | — | ||
| 2-2 | Iolanthe: Act II. “Strephon’s a member of Parliament” | — | ||
| 2-3 | Iolanthe: Act II. “When Britain really ruled the waves” | — | ||
| 2-4 | Iolanthe: Act II. “In vain to us you plead” | — | ||
| 2-5 | Iolanthe: Act II. “Oh, foolish fay” | — | ||
| 2-6 | Iolanthe: Act II. “Though p’r’aps I may incur your blame” | — | ||
| 2-7 | Iolanthe: Act II. Nightmare song: “Love, unrequited, robs me of my rest… When you’re lying awake” | — | ||
| 2-8 | Iolanthe: Act II. “If you go in you’re sure to win” | — | ||
| 2-9 | Iolanthe: Act II. “If we’re weak enough to tarry” | — | ||
| 2-10 | Iolanthe: Act II. “My lord, a suppliant at your feet” | — | ||
| 2-11 | Iolanthe: Act II. “He loves” | — | ||
| 2-12 | Iolanthe: Act II. “It may not be or so the fates decide” | — | ||
| 2-13 | Iolanthe: Act II. Finale: “Soon as we may, off and away” | — | ||
| 2-14 | Pineapple Poll: Scene 1. Opening Dance | — | ||
| 2-15 | Pineapple Poll: Scene 1. Poll’s Solo and Pas de deux (Poll and Jasper) | — | ||
| 2-16 | Pineapple Poll: Scene 1. Belaye’s Solo | — | ||
| 2-17 | Pineapple Poll: Scene 1. Pas de trois (Belaye, Blanche and Mrs Dimple) | — | ||
| 2-18 | Pineapple Poll: Scene 1. Finale | — | ||
| 2-19 | Pineapple Poll: Scene 2. Poll’s Solo | — | ||
| 2-20 | Pineapple Poll: Scene 2. Jasper’s Solo | — | ||
| 2-21 | Pineapple Poll: Scene 3. Belaye’s Solo and Sailors’ Drill | — | ||
| 2-22 | Pineapple Poll: Scene 3. Poll’s Solo | — | ||
| 2-23 | Pineapple Poll: Scene 3. Entry of Belaye, with Blanche as Bride / Sailor’s Unmasking / Entrance of the Men | — | ||
| 2-24 | Pineapple Poll: Scene 3. Reconciliation | — | ||
| 2-25 | Pineapple Poll: Scene 3. Grand Finale | — |
Creative Contributors (ISNI)
Credits Graph
5055031320493 is a Universal Product Code (UPC) assigned to Vintage Collection: Iolanthe / Pineapple Poll by Gilbert, Sullivan, D’Oyly Carte, Sadler’s Wells. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Vintage Collection: Iolanthe / Pineapple Poll” by Gilbert, Sullivan, D’Oyly Carte, Sadler’s Wells is 5055031320493. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-28. This release contains 50 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Iolanthe: Overture | — | ||
| 2 | Iolanthe: Act I. An Arcadian Landscape: “Tripping hither, tripping thither” | — | ||
| 3 | Iolanthe: Act I. “Iolanthe! From thy dark exile thou art summoned” | — | ||
| 4 | Iolanthe: Act I. “Good morrow, good mother” | — | ||
| 5 | Iolanthe: Act I. “Fare thee well, attractive stranger” | — | ||
| 6 | Iolanthe: Act I. “Good morrow, good lover” | — | ||
| 7 | Iolanthe: Act I. “None shall part us from each other” | — | ||
| 8 | Iolanthe: Act I. March and entry of the peers: “Loudly let the trumpet bray” | — | ||
| 9 | Iolanthe: Act I. “The law is the true embodiment” | — | ||
| 10 | Iolanthe: Act I. “My well‐loved Lord” | — | ||
| 11 | Iolanthe: Act I. “Nay, tempt me not” | — | ||
| 12 | Iolanthe: Act I. “Spurn not the nobly born” | — | ||
| 13 | Iolanthe: Act I. “My lords, it may not be” | — | ||
| 14 | Iolanthe: Act I. “When I went to the Bar” | — | ||
| 15 | Iolanthe: Act I. Finale: “When darkly looms the day” | — | ||
| 16 | Iolanthe: Act I. “Oh shameless one, tremble” | — | ||
| 17 | Iolanthe: Act I. “In babyhood upon her lap I lay” | — | ||
| 18 | Iolanthe: Act I. “For riches and rank I do not long” | — | ||
| 19 | Iolanthe: Act I. “Can I inactive see my fortunes fade?” | — | ||
| 20 | Iolanthe: Act I. “The lady of my love has caught me talking to another” | — | ||
| 21 | Iolanthe: Act I. “Go away, madam” | — | ||
| 22 | Iolanthe: Act I. “Oh, Chancellor unwary” | — | ||
| 23 | Iolanthe: Act I. “Henceforth Strephon, cast away” | — | ||
| 24 | Iolanthe: Act I. “Every bill and every measure” | — | ||
| 25 | Iolanthe: Act I. “Young Strephon is the kind of lout” | — | ||
| 2-1 | Iolanthe: Act II. The Palace Yard at Westminster: “When all night long a chap remains” | — | ||
| 2-2 | Iolanthe: Act II. “Strephon’s a member of Parliament” | — | ||
| 2-3 | Iolanthe: Act II. “When Britain really ruled the waves” | — | ||
| 2-4 | Iolanthe: Act II. “In vain to us you plead” | — | ||
| 2-5 | Iolanthe: Act II. “Oh, foolish fay” | — | ||
| 2-6 | Iolanthe: Act II. “Though p’r’aps I may incur your blame” | — | ||
| 2-7 | Iolanthe: Act II. Nightmare song: “Love, unrequited, robs me of my rest… When you’re lying awake” | — | ||
| 2-8 | Iolanthe: Act II. “If you go in you’re sure to win” | — | ||
| 2-9 | Iolanthe: Act II. “If we’re weak enough to tarry” | — | ||
| 2-10 | Iolanthe: Act II. “My lord, a suppliant at your feet” | — | ||
| 2-11 | Iolanthe: Act II. “He loves” | — | ||
| 2-12 | Iolanthe: Act II. “It may not be or so the fates decide” | — | ||
| 2-13 | Iolanthe: Act II. Finale: “Soon as we may, off and away” | — | ||
| 2-14 | Pineapple Poll: Scene 1. Opening Dance | — | ||
| 2-15 | Pineapple Poll: Scene 1. Poll’s Solo and Pas de deux (Poll and Jasper) | — | ||
| 2-16 | Pineapple Poll: Scene 1. Belaye’s Solo | — | ||
| 2-17 | Pineapple Poll: Scene 1. Pas de trois (Belaye, Blanche and Mrs Dimple) | — | ||
| 2-18 | Pineapple Poll: Scene 1. Finale | — | ||
| 2-19 | Pineapple Poll: Scene 2. Poll’s Solo | — | ||
| 2-20 | Pineapple Poll: Scene 2. Jasper’s Solo | — | ||
| 2-21 | Pineapple Poll: Scene 3. Belaye’s Solo and Sailors’ Drill | — | ||
| 2-22 | Pineapple Poll: Scene 3. Poll’s Solo | — | ||
| 2-23 | Pineapple Poll: Scene 3. Entry of Belaye, with Blanche as Bride / Sailor’s Unmasking / Entrance of the Men | — | ||
| 2-24 | Pineapple Poll: Scene 3. Reconciliation | — | ||
| 2-25 | Pineapple Poll: Scene 3. Grand Finale | — |
